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Chapter XI: Part II: The Period of the New Form (4)

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I wonder that I did not faint or go mad on the instant. Some wonderful instinct must have sustained me; for, absolutely, in place of loosening my hold on the terrible Enigma, I seemed to gain an additional strength in my moment of horror, and tightened my grasp with such wonderful force that I felt the creature shivering with agony.

Just then Hammond entered my room at the head of the household. As soon as he beheld my face--which, I suppose, must have been an awful sight to look at--he hastened forward, crying, “Great heaven, Harry! what has happened?”

“Hammond! Hammond!” I cried, “come here. Oh! this is awful! I have been attacked in bed by something or other, which I have hold of; but I can’t see it--I can’t see it!”

Hammond, doubtless struck by the unfeigned horror expressed in my countenance, made one or two steps forward with an anxious yet puzzled expression. A very audible titter burst from the remainder of my visitors. This suppressed laughter made me furious. To laugh at a human being in my position! It was the worst species of cruelty. _Now_, I can understand why the appearance of a man struggling violently, as it would seem, with an airy nothing, and calling for assistance against a vision, should have appeared ludicrous. _Then_, so great was my rage against the mocking crowd that had I the power I would have stricken them dead where they stood.

“Hammond! Hammond!” I cried again, despairingly, “for God’s sake come to me. I can hold the--the Thing but a short while longer. It is overpowering me. Help me! Help me!”

“Harry,” whispered Hammond, approaching me, “you have been smoking too much opium.”

“I swear to you, Hammond, that this is no vision,” I answered, in the same low tone. “Don’t you see how it shakes my whole frame with its struggles? If you don’t believe me, convince yourself. Feel it,--touch it.”

Hammond advanced and laid his hand in the spot I indicated. A wild cry of horror burst from him. He had felt it!

In a moment he had discovered somewhere in my room a long piece of cord, and was the next instant winding it and knotting it about the body of the unseen being that I clasped in my arms.

“Harry,” he said, in a hoarse, agitated voice, for, though he preserved his presence of mind, he was deeply moved, “Harry, it’s all safe now. You may let go, old fellow, if you’re tired. The Thing can’t move.”

I was utterly exhausted, and I gladly loosed my hold.

Hammond stood holding the ends of the cord that bound the Invisible, twisted round his hand, while before him, self-supporting as it were, he beheld a rope laced and interlaced, and stretching tightly round a vacant space. I never saw a man look so thoroughly stricken with awe. Nevertheless his face expressed all the courage and determination which I knew him to possess. His lips, although white, were set firmly, and one could perceive at a glance that, although stricken with fear, he was not daunted.

The confusion that ensued among the guests of the house who were witnesses of this extraordinary scene between Hammond and myself--who beheld the pantomime of binding this struggling Something,--who beheld me almost sinking from physical exhaustion when my task of jailer was over--the confusion and terror that took possession of the bystanders, when they saw all this, was beyond description. The weaker ones fled from the apartment. The few who remained clustered near the door, and could not be induced to approach Hammond and his Charge. Still incredulity broke out through their terror. They had not the courage to satisfy themselves, and yet they doubted. It was in vain that I begged of some of the men to come near and convince themselves by touch of the existence in that room of a living being which was invisible. They were incredulous, but did not dare to undeceive themselves. How could a solid, living, breathing body be invisible, they asked. My reply was this. I gave a sign to Hammond, and both of us--conquering our fearful repugnance to touch the invisible creature--lifted it from the ground, manacled as it was, and took it to my bed. Its weight was about that of a boy of fourteen.

“Now, my friends,” I said, as Hammond and myself held the creature suspended over the bed, “I can give you self-evident proof that here is a solid, ponderable body which, nevertheless, you cannot see. Be good enough to watch the surface of the bed attentively.”

I was astonished at my own courage in treating this strange event so calmly; but I had recovered from my first terror, and felt a sort of scientific pride in the affair which dominated every other feeling.

The eyes of the bystanders were immediately fixed on my bed. At a given signal Hammond and I let the creature fall. There was the dull sound of a heavy body alighting on a soft mass. The timbers of the bed creaked. A deep impression marked itself distinctly on the pillow, and on the bed itself. The crowd who witnessed this gave a sort of low, universal cry, and rushed from the room. Hammond and I were left alone with our Mystery.

We remained silent for some time, listening to the low, irregular breathing of the creature on the bed, and watching the rustle of the bed-clothes as it impotently struggled to free itself from confinement. Then Hammond spoke.

“Harry, this is awful.”

“Ay, awful.”

“But not unaccountable.”

“Not unaccountable! What do you mean? Such a thing has never occurred since the birth of the world. I know not what to think, Hammond. God grant that I am not mad, and that this is not an insane fantasy!”

“Let us reason a little, Harry. Here is a solid body which we touch, but which we cannot see. The fact is so unusual that it strikes us with terror. Is there no parallel, though, for such a phenomenon? Take a piece of pure glass. It is tangible and transparent. A certain chemical coarseness is all that prevents its being so entirely transparent as to be totally invisible. It is not _theoretically impossible_, mind you, to make a glass which shall not reflect a single ray of light--a glass so pure and homogeneous in its atoms that the rays from the sun shall pass through it as they do through the air, refracted but not reflected. We do not see the air, and yet we feel it.”

“That’s all very well, Hammond, but these are inanimate substances. Glass does not breathe, air does not breathe. _This_ thing has a heart that palpitates,--a will that moves it,--lungs that play, and inspire and respire.”

“You forget the strange phenomena of which we have so often heard of late,” answered the Doctor, gravely. “At the meetings called ‘spirit circles,’ invisible hands have been thrust into the hands of those persons round the table--warm, fleshly hands that seemed to pulsate with mortal life.”

“What? Do you think, then, that this thing is--”

“I don’t know what it is,” was the solemn reply; “but please the gods I will, with your assistance, thoroughly investigate it.”

We watched together, smoking many pipes, all night long, by the bedside of the unearthly being that tossed and panted until it was apparently wearied out. Then we learned by the low, regular breathing that it slept.

The next morning the house was all astir. The boarders congregated on the landing outside my room, and Hammond and myself were lions. We had to answer a thousand questions as to the state of our extraordinary prisoner, for as yet not one person in the house except ourselves could be induced to set foot in the apartment.

The creature was awake. This was evidenced by the convulsive manner in which the bed-clothes were moved in its efforts to escape. There was something truly terrible in beholding, as it were, those second-hand indications of the terrible writhings and agonized struggles for liberty which themselves were invisible.

Hammond and myself had racked our brains during the long night to discover some means by which we might realize the shape and general appearance of the Enigma. As well as we could make out by passing our hands over the creature’s form, its outlines and lineaments were human. There was a mouth; a round, smooth head without hair; a nose, which, however, was little elevated above the cheeks; and its hands and feet felt like those of a boy. At first we thought of placing the being on a smooth surface and tracing its outline with chalk, as shoemakers trace the outline of the foot. This plan was given up as being of no value. Such an outline would give not the slightest idea of its conformation.

A happy thought struck me. We would take a cast of it in plaster of Paris. This would give us the solid figure, and satisfy all our wishes. But how to do it? The movements of the creature would disturb the setting of the plastic covering, and distort the mould. Another thought. Why not give it chloroform? It had respiratory organs--that was evident by its breathing. Once reduced to a state of insensibility, we could do with it what we would. Doctor X---- was sent for; and after the worthy physician had recovered from the first shock of amazement, he proceeded to administer the chloroform. In three minutes afterward we were enabled to remove the fetters from the creature’s body, and a well-known modeler of this city was busily engaged in covering the invisible form with the moist clay. In five minutes more we had a mould, and before evening a rough _fac-simile_ of the Mystery. It was shaped like a man,--distorted, uncouth, and horrible, but still a man. It was small, not over four feet and some inches in height, and its limbs revealed a muscular development that was unparalleled. Its face surpassed in hideousness anything I had ever seen. Gustave Doré, or Callot, or Tony Johannot, never conceived anything so horrible. There is a face in one of the latter’s illustrations to “_Un Voyage où il vous plaira_,” which somewhat approaches the countenance of this creature, but does not equal it. It was the physiognomy of what I should have fancied a ghoul to be. It looked as if it was capable of feeding on human flesh.

Having satisfied our curiosity, and bound every one in the house to secrecy, it became a question, what was to be done with our Enigma? It was impossible that we should keep such a horror in our house; it was equally impossible that such an awful being should be let loose upon the world. I confess that I would have gladly voted for the creature’s destruction. But who would shoulder the responsibility? Who would undertake the execution of this horrible semblance of a human being? Day after day this question was deliberated gravely. The boarders all left the house. Mrs. Moffat was in despair, and threatened Hammond and myself with all sorts of legal penalties if we did not remove the Horror. Our answer was, “We will go if you like, but we decline taking this creature with us. Remove it yourself if you please. It appeared in your house. On you the responsibility rests.” To this there was, of course, no answer. Mrs. Moffat could not obtain for love or money a person who would even approach the Mystery.

The most singular part of the transaction was that we were entirely ignorant of what the creature habitually fed on. Everything in the way of nutriment that we could think of was placed before it, but was never touched. It was awful to stand by, day after day, and see the clothes toss, and hear the hard breathing, and know that it was starving.

Ten, twelve days, a fortnight passed, and it still lived. The pulsations of the heart, however, were daily growing fainter, and had now nearly ceased altogether. It was evident that the creature was dying for want of sustenance. While this terrible life-struggle was going on, I felt miserable. I could not sleep of nights. Horrible as the creature was, it was pitiful to think of the pangs it was suffering.

At last it died. Hammond and I found it cold and stiff one morning in the bed. The heart had ceased to beat, the lungs to inspire. We hastened to bury it in the garden. It was a strange funeral, the dropping of that viewless corpse into the damp hole. The cast of its form I gave to Doctor X----, who keeps it in his museum in Tenth Street.

As I am on the eve of a long journey from which I may not return, I have drawn up this narrative of an event the most singular that has ever come to my knowledge.

NOTE.

[It is rumored that the proprietors of a well-known museum in
this city have made arrangements with Dr. X---- to exhibit to the
public the singular cast which Mr. Escott deposited with him. So
extraordinary a history cannot fail to attract universal attention.]

FRANCIS BRET HARTE

1839–1902

Bret Harte will always be associated with the California of the “forty-niners.” Gold digger, teacher, express messenger by turns, he was setting up his own sketches among the compositors of the San Francisco _Golden Era_ while still in his ’teens. The sketches brought him into the editorial room, and then to his own chair of the _Weekly Californian_, where he vindicated his title by the clever _Condensed Novels_. A secretaryship in the United States Branch Mint gave him leisure to gain wide popularity in verse. On this he mounted to his height. The year 1868 is cardinal in his life and in the history of American literature; for in that year was founded _The Overland Monthly_; and the young man of the hour was made its editor. Its second number (August, 1868) contained the most widely known, perhaps, of all American short stories, _The Luck of Roaring Camp_. The three years of his editorship include his most popular work, and perhaps his most enduring. He made the whole country laugh and weep by his verse, he established a magazine of solid merit, and he gave new life to the short story.

To this growth his removal to the East in 1871 put a period. Continuing his production pretty steadily on the Atlantic seaboard, in his consulships at Crefeld (1878) and at Glasgow (1880), and finally during seventeen years in London (1885–1902), he hardly advanced in art. That his art survived the transplanting is sufficiently proved by the long list of his books; but it did not thrive. His constant recurrence to the old themes suggests that he missed the strong western soil.

The familiar tale reprinted here is typical of Bret Harte’s field, geographical and artistic. His local color no longer keeps the separate value attached to it alike by many of his admirers and by himself. The California of his stories, sometimes drawn to the life, as in _Johnson’s Old Woman_, is often that California, made of stock desperadoes, stage-drivers, and gulches, which is the delight of melodrama. Melodramatic Harte is incorrigibly. _Mrs. Skaggs_ is the Dumas adventuress; and the people of her story can hardly be seen off the boards. _The Iliad of Sandy Bar_ shows that cheap shifting from farce humor to false pathos which catches the throats of the gallery. Though in fact he had the knowledge of actual contact, he saw California as his master Dickens saw London, through a haze of romance. The stories of both are woven from the suggestions of actual places; but in the weaving the actuality has faded.

Rather Bret Harte’s best stories prevail by something not extraneous, by focusing the primary emotions on a single imaginative situation. _Poker Flat_ is almost allegory--the gambler, the thief, the harlot, the innocents, not so artificially grouped as in Hawthorne’s _Seven Vagabonds_, but quite as artfully. It is convincing, not as a transcript of pioneer society, but as a unified conception of unhindered human emotions. The same is true of the famous _Luck of Roaring Camp_, of _Tennessee’s Partner_, and of his best work in general. For all its scientific aloofness and worship of fact, is _La maison Tellier_ ultimately as human as _The Outcasts of Poker Flat_?

THE OUTCASTS OF POKER FLAT

[_From “The Overland Monthly,” January, 1869; copyright, 1871,
by Fields, Osgood & Co.; 1899, by Bret Harte; reprinted here
by special arrangement with Messrs. Houghton, Mifflin & Co.,
authorized publishers of all Bret Harte’s works_]

As Mr. John Oakhurst, gambler, stepped into the main street of Poker Flat on the morning of the twenty-third of November, 1850, he was conscious of a change in its moral atmosphere since the preceding night. Two or three men, conversing earnestly together, ceased as he approached, and exchanged significant glances. There was a Sabbath lull in the air, which, in a settlement unused to Sabbath influences, looked ominous.

Mr. Oakhurst’s calm, handsome face betrayed small concern of these indications. Whether he was conscious of any predisposing cause, was another question. “I reckon they’re after somebody,” he reflected; “likely it’s me.” He returned to his pocket the handkerchief with which he had been whipping away the red dust of Poker Flat from his neat boots, and quietly discharged his mind of any further conjecture.

In point of fact, Poker Flat was “after somebody.” It had lately suffered the loss of several thousand dollars, two valuable horses, and a prominent citizen. It was experiencing a spasm of virtuous reaction, quite as lawless and ungovernable as any of the acts that had provoked it. A secret committee had determined to rid the town of all improper persons. This was done permanently in regard of two men who were then hanging from the boughs of a sycamore in the gulch, and temporarily in the banishment of certain other objectionable characters. I regret to say that some of these were ladies. It is but due to the sex, however, to state that their impropriety was professional, and it was only in such easily established standards of evil that Poker Flat ventured to sit in judgment.

Mr. Oakhurst was right in supposing that he was included in this category. A few of the committee had urged hanging him as a possible example, and a sure method of reimbursing themselves from his pockets of the sums he had won from them. “It’s agin justice,” said Jim Wheeler, “to let this yer young man from Roaring Camp--an entire stranger--carry away our money.” But a crude sentiment of equity residing in the breasts of those who had been fortunate enough to win from Mr. Oakhurst overruled this narrower local prejudice.

Mr. Oakhurst received his sentence with philosophic calmness, none the less coolly that he was aware of the hesitation of his judges. He was too much of a gambler not to accept Fate. With him life was at best an uncertain game, and he recognized the usual percentage in favor of the dealer.

A body of armed men accompanied the deported wickedness of Poker Flat to the outskirts of the settlement. Besides Mr. Oakhurst, who was known to be a coolly desperate man, and for whose intimidation the armed escort was intended, the expatriated party consisted of a young woman familiarly known as “The Duchess”; another, who had gained the infelicitous title of “Mother Shipton”; and “Uncle Billy,” a suspected sluice-robber and confirmed drunkard. The cavalcade provoked no comments from the spectators, nor was any word uttered by the escort. Only, when the gulch which marked the uttermost limit of Poker Flat was reached, the leader spoke briefly and to the point. The exiles were forbidden to return at the peril of their lives.

As the escort disappeared, their pent-up feelings found vent in a few hysterical tears from “The Duchess,” some bad language from Mother Shipton, and a Parthian volley of expletives from Uncle Billy. The philosophic Oakhurst alone remained silent. He listened calmly to Mother Shipton’s desire to cut somebody’s heart out, to the repeated statements of “The Duchess” that she would die in the road, and to the alarming oaths that seemed to be bumped out of Uncle Billy as he rode forward. With the easy good-humor characteristic of his class, he insisted upon exchanging his own riding-horse, “Five Spot,” for the sorry mule which the Duchess rode. But even this act did not draw the party into any closer sympathy. The young woman reädjusted her somewhat draggled plumes with a feeble, faded coquetry; Mother Shipton eyed the possessor of “Five Spot” with malevolence, and Uncle Billy included the whole party in one sweeping anathema.

The road to Sandy Bar--a camp that, not having as yet experienced the regenerating influences of Poker Flat, consequently seemed to offer some invitation to the emigrants--lay over a steep mountain range. It was distant a day’s severe journey. In that advanced season, the party soon passed out of the moist, temperate regions of the foot-hills into the dry, cold, bracing air of the Sierras. The trail was narrow and difficult. At noon the Duchess, rolling out of her saddle upon the ground, declared her intention of going no farther, and the party halted.

The spot was singularly wild and impressive. A wooded amphitheatre, surrounded on three sides by precipitous cliffs of naked granite, sloped gently toward the crest of another precipice that overlooked the valley. It was undoubtedly the most suitable spot for a camp, had camping been advisable. But Mr. Oakhurst knew that scarcely half the journey to Sandy Bar was accomplished, and the party were not equipped or provisioned for delay. This fact he pointed out to his companions curtly, with a philosophic commentary on the folly of “throwing up their hand before the game was played out.” But they were furnished with liquor, which in this emergency stood them in place of food, fuel, rest, and prescience. In spite of his remonstrances, it was not long before they were more or less under its influence. Uncle Billy passed rapidly from a bellicose state into one of stupor, the Duchess became maudlin, and Mother Shipton snored. Mr. Oakhurst alone remained erect, leaning against a rock, calmly surveying them.

Mr. Oakhurst did not drink. It interfered with a profession which required coolness, impassiveness, and presence of mind, and, in his own language, he “couldn’t afford it.” As he gazed at his recumbent fellow-exiles, the loneliness begotten of his pariah-trade, his habits of life, his very vices, for the first time seriously oppressed him. He bestirred himself in dusting his black clothes, washing his hands and face, and other acts characteristic of his studiously neat habits, and for a moment forgot his annoyance. The thought of deserting his weaker and more pitiable companions never perhaps occurred to him. Yet he could not help feeling the want of that excitement which, singularly enough, was most conducive to that calm equanimity for which he was notorious. He looked at the gloomy walls that rose a thousand feet sheer above the circling pines around him; at the sky, ominously clouded; at the valley below, already deepening into shadow. And, doing so, suddenly he heard his own name called.

A horseman slowly ascended the trail. In the fresh, open face of the new-comer Mr. Oakhurst recognized Tom Simson, otherwise known as “The Innocent” of Sandy Bar. He had met him some months before over a “little game,” and had, with perfect equanimity, won the entire fortune--amounting to some forty dollars--of that guileless youth. After the game was finished, Mr. Oakhurst drew the youthful speculator behind the door and thus addressed him: “Tommy, you’re a good little man, but you can’t gamble worth a cent. Don’t try it over again.” He then handed him his money back, pushed him gently from the room, and so made a devoted slave of Tom Simson.

There was a remembrance of this in his boyish and enthusiastic greeting of Mr. Oakhurst. He had started, he said, to go to Poker Flat to seek his fortune. “Alone?” No, not exactly alone; in fact--a giggle--he had run away with Piney Woods. Didn’t Mr. Oakhurst remember Piney? She that used to wait on the table at the Temperance House? They had been engaged a long time, but old Jake Woods had objected, and so they had run away, and were going to Poker Flat to be married, and here they were. And they were tired out, and how lucky it was they had found a place to camp and company. All this the Innocent delivered rapidly, while Piney--a stout, comely damsel of fifteen--emerged from behind the pine-tree, where she had been blushing unseen, and rode to the side of her lover.

Mr. Oakhurst seldom troubled himself with sentiment, still less with propriety; but he had a vague idea that the situation was not felicitous. He retained, however, his presence of mind sufficiently to kick Uncle Billy, who was about to say something, and Uncle Billy was sober enough to recognize in Mr. Oakhurst’s kick a superior power that would not bear trifling. He then endeavored to dissuade Tom Simson from delaying further, but in vain. He even pointed out the fact that there was no provision, nor means of making a camp. But, unluckily, “The Innocent” met this objection by assuring the party that he was provided with an extra mule loaded with provisions, and by the discovery of a rude attempt at a log-house near the trail. “Piney can stay with Mrs. Oakhurst,” said the Innocent, pointing to the Duchess, “and I can shift for myself.”

Nothing but Mr. Oakhurst’s admonishing foot saved Uncle Billy from bursting into a roar of laughter. As it was, he felt compelled to retire up the cañon until he could recover his gravity. There he confided the joke to the tall pine trees, with many slaps of his leg, contortions of his face, and the usual profanity. But when he returned to the party, he found them seated by a fire--for the air had grown strangely chill and the sky overcast--in apparently amicable conversation. Piney was actually talking in an impulsive, girlish fashion to the Duchess, who was listening with an interest and animation she had not shown for many days. The Innocent was holding forth, apparently with equal effect, to Mr. Oakhurst and Mother Shipton, who was actually relaxing into amiability. “Is this yer a d--d picnic?” said Uncle Billy, with inward scorn, as he surveyed the sylvan group, the glancing fire-light, and the tethered animals in the foreground. Suddenly an idea mingled with the alcoholic fumes that disturbed his brain. It was apparently of a jocular nature, for he felt impelled to slap his leg again and cram his fist into his mouth.

As the shadows crept slowly up the mountain, a slight breeze rocked the tops of the pine-trees, and moaned through their long and gloomy aisles. The ruined cabin, patched and covered with pine boughs, was set apart for the ladies. As the lovers parted, they unaffectedly exchanged a kiss, so honest and sincere that it might have been heard above the swaying pines. The frail Duchess and the malevolent Mother Shipton were probably too stunned to remark upon this last evidence of simplicity, and so turned without a word to the hut. The fire was replenished, the men lay down before the door, and in a few minutes were asleep.

Mr. Oakhurst was a light sleeper. Toward morning he awoke benumbed and cold. As he stirred the dying fire, the wind, which was now blowing strongly, brought to his cheek that which caused the blood to leave it,--snow!

He started to his feet with the intention of awakening the sleepers, for there was no time to lose. But turning to where Uncle Billy had been lying, he found him gone. A suspicion leaped to his brain and a curse to his lips. He ran to the spot where the mules had been tethered; they were no longer there. The tracks were already rapidly disappearing in the snow.

The momentary excitement brought Mr. Oakhurst back to the fire with his usual calm. He did not waken the sleepers. The Innocent slumbered peacefully, with a smile on his good-humored, freckled face; the virgin Piney slept beside her frailer sisters as sweetly as though attended by celestial guardians, and Mr. Oakhurst, drawing his blanket over his shoulders, stroked his mustachios and waited for the dawn. It came slowly in a whirling mist of snow-flakes, that dazzled and confused the eye. What could be seen of the landscape appeared magically changed. He looked over the valley, and summed up the present and future in two words,--“Snowed in!”

A careful inventory of the provisions, which, fortunately for the party, had been stored within the hut, and so escaped the felonious fingers of Uncle Billy, disclosed the fact that with care and prudence they might last ten days longer. “That is,” said Mr. Oakhurst, _sotto voce_ to the Innocent, “if you’re willing to board us. If you ain’t--and perhaps you’d better not--you can wait till Uncle Billy gets back with provisions.” For some occult reason, Mr. Oakhurst could not bring himself to disclose Uncle Billy’s rascality, and so offered the hypothesis that he had wandered from the camp and had accidentally stampeded the animals. He dropped a warning to the Duchess and Mother Shipton, who of course knew the facts of their associate’s defection. “They’ll find out the truth about us _all_, when they find out anything,” he added, significantly, “and there’s no good frightening them now.”

Tom Simson not only put all his worldly store at the disposal of Mr. Oakhurst, but seemed to enjoy the prospect of their enforced seclusion. “We’ll have a good camp for a week, and then the snow’ll melt, and we’ll all go back together.” The cheerful gayety of the young man and Mr. Oakhurst’s calm infected the others. The Innocent, with the aid of pine boughs, extemporized a thatch for the roofless cabin, and the Duchess directed Piney in the reärrangement of the interior with a taste and tact that opened the blue eyes of that provincial maiden to their fullest extent. “I reckon now you’re used to fine things at Poker Flat,” said Piney. The Duchess turned away sharply to conceal something that reddened her cheek through its professional tint, and Mother Shipton requested Piney not to “chatter.” But when Mr. Oakhurst returned from a weary search for the trail, he heard the sound of happy laughter echoed from the rocks. He stopped in some alarm, and his thoughts first naturally reverted to the whiskey, which he had prudently _cachéd_. “And yet it don’t somehow sound like whiskey,” said the gambler. It was not until he caught sight of the blazing fire through the still blinding storm, and the group around it, that he settled to the conviction that it was “square fun.”

Whether Mr. Oakhurst had _cachéd_ his cards with the whiskey as something debarred the free access of the community, I cannot say. It was certain that, in Mother Shipton’s words, he “didn’t say cards once” during that evening. Haply the time was beguiled by an accordeon, produced somewhat ostentatiously by Tom Simson, from his pack. Notwithstanding some difficulties attending the manipulation of this instrument, Piney Woods managed to pluck several reluctant melodies from its keys, to an accompaniment by the Innocent on a pair of bone castinets. But the crowning festivity of the evening was reached in a rude camp-meeting hymn, which the lovers, joining hands, sang with great earnestness and vociferation. I fear that a certain defiant tone and Covenanter’s swing to its chorus, rather than any devotional quality, caused it speedily to infect the others, who at last joined in the refrain:

“I’m proud to live in the service of the Lord,
And I’m bound to die in His army.”

The pines rocked, the storm eddied and whirled above the miserable group, and the flames of their altar leaped heavenward, as if in token of the vow.

At midnight the storm abated, the rolling clouds parted, and the stars glittered keenly above the sleeping camp. Mr. Oakhurst, whose professional habits had enabled him to live on the smallest possible amount of sleep, in dividing the watch with Tom Simson, somehow managed to take upon himself the greater part of that duty. He excused himself to the Innocent, by saying that he had “often been a week without sleep.” “Doing what?” asked Tom. “Poker!” replied Oakhurst, sententiously; “when a man gets a streak of luck,--nigger-luck,--he don’t get tired. The luck gives in first. Luck,” continued the gambler, reflectively, “is a mighty queer thing. All you know about it for certain is that it’s bound to change. And it’s finding out when it’s going to change that makes you. We’ve had a streak of bad luck since we left Poker Flat--you come along, and slap you get into it, too. If you can hold your cards right along you’re all right. For,” added the gambler, with cheerful irrelevance,

“‘I’m proud to live in the service of the Lord,
And I’m bound to die in His army.’”

The third day came, and the sun, looking through the white-curtained valley, saw the outcasts divide their slowly decreasing store of provisions for the morning meal. It was one of the peculiarities of that mountain climate that its rays diffused a kindly warmth over the wintry landscape, as if in regretful commiseration of the past. But it revealed drift on drift of snow piled high around the hut; a hopeless, uncharted, trackless sea of white lying below the rocky shores to which the castaways still clung. Through the marvellously clear air, the smoke of the pastoral village of Poker Flat rose miles away. Mother Shipton saw it, and from a remote pinnacle of her rocky fastness, hurled in that direction a final malediction. It was her last vituperative attempt, and perhaps for that reason was invested with a certain degree of sublimity. It did her good, she privately informed the Duchess. “Just you go out there and cuss, and see.” She then set herself to the task of amusing “the child,” as she and the Duchess were pleased to call Piney. Piney was no chicken, but it was a soothing and ingenious theory of the pair thus to account for the fact that she didn’t swear and wasn’t improper.

When night crept up again through the gorges, the reedy notes of the accordeon rose and fell in fitful spasms and long-drawn gasps by the flickering camp-fire. But music failed to fill entirely the aching void left by insufficient food, and a new diversion was proposed by Piney--story-telling. Neither Mr. Oakhurst nor his female companions caring to relate their personal experiences, this plan would have failed, too, but for The Innocent. Some months before he had chanced upon a stray copy of Mr. Pope’s ingenious translation of the Iliad. He now proposed to narrate the principal incidents of that poem--having thoroughly mastered the argument and fairly forgotten the words--in the current vernacular of Sandy Bar. And so for the rest of that night the Homeric demigods again walked the earth. Trojan bully and wily Greek wrestled in the winds, and the great pines in the cañon seemed to bow to the wrath of the son of Peleus. Mr. Oakhurst listened with quiet satisfaction. Most especially was he interested in the fate of “Ash-heels,” as the Innocent persisted in denominating the “swift-footed Achilles.”

So with small food and much of Homer and the accordeon, a week passed over the heads of the outcasts. The sun again forsook them, and again from leaden skies the snow-flakes were sifted over the land. Day by day closer around them drew the snowy circle, until at last they looked from their prison over drifted walls of dazzling white, that towered twenty feet above their heads. It became more and more difficult to replenish their fires, even from the fallen trees beside them, now half-hidden in the drifts. And yet no one complained. The lovers turned from the dreary prospect and looked into each other’s eyes, and were happy. Mr. Oakhurst settled himself coolly to the losing game before him. The Duchess, more cheerful than she had been, assumed the care of Piney. Only Mother Shipton--once the strongest of the party--seemed to sicken and fade. At midnight on the tenth day she called Oakhurst to her side. “I’m going,” she said, in a voice of querulous weakness, “but don’t say anything about it. Don’t waken the kids. Take the bundle from under my head and open it.” Mr. Oakhurst did so. It contained Mother Shipton’s rations for the last week, untouched. “Give ’em to the child,” she said, pointing to the sleeping Piney. “You’ve starved yourself,” said the gambler. “That’s what they call it,” said the woman, querulously, as she lay down again, and, turning her face to the wall, passed quietly away.

The accordeon and the bones were put aside that day, and Homer was forgotten. When the body of Mother Shipton had been committed to the snow, Mr. Oakhurst took The Innocent aside, and showed him a pair of snow-shoes, which he had fashioned from the old pack-saddle. “There’s one chance in a hundred to save her yet,” he said, pointing to Piney; “but it’s there,” he added, pointing toward Poker Flat. “If you can reach there in two days she’s safe.” “And you?” asked Tom Simson. “I’ll stay here,” was the curt reply.

The lovers parted with a long embrace. “You are not going, too?” said the Duchess, as she saw Mr. Oakhurst apparently waiting to accompany him. “As far as the cañon,” he replied. He turned suddenly, and kissed the Duchess, leaving her pallid face aflame, and her trembling limbs rigid with amazement.

Night came, but not Mr. Oakhurst. It brought the storm again and the whirling snow. Then the Duchess, feeding the fire, found that some one had quietly piled beside the hut enough fuel to last a few days longer. The tears rose to her eyes, but she hid them from Piney.

The women slept but little. In the morning, looking into each other’s faces, they read their fate. Neither spoke; but Piney, accepting the position of the stronger, drew near and placed her arm around the Duchess’s waist. They kept this attitude for the rest of the day. That night the storm reached its greatest fury, and, rending asunder the protecting pines, invaded the very hut.

Toward morning they found themselves unable to feed the fire, which gradually died away. As the embers slowly blackened, the Duchess crept closer to Piney, and broke the silence of many hours: “Piney, can you pray?” “No, dear,” said Piney, simply. The Duchess, without knowing exactly why, felt relieved, and, putting her head upon Piney’s shoulder, spoke no more. And so reclining, the younger and purer pillowing the head of her soiled sister upon her virgin breast, they fell asleep.

The wind lulled as if it feared to waken them. Feathery drifts of snow, shaken from the long pine boughs, flew like white-winged birds, and settled about them as they slept. The moon through the rifted clouds looked down upon what had been the camp. But all human stain, all trace of earthly travail, was hidden beneath the spotless mantle mercifully flung from above.

They slept all that day and the next, nor did they waken when voices and footsteps broke the silence of the camp. And when pitying fingers brushed the snow from their wan faces, you could scarcely have told from the equal peace that dwelt upon them, which was she that had sinned. Even the Law of Poker Flat recognized this, and turned away, leaving them still locked in each other’s arms.

But at the head of the gulch, on one of the largest pine trees, they found the deuce of clubs pinned to the bark with a bowie knife. It bore the following, written in pencil, in a firm hand:


BENEATH THIS TREE
LIES THE BODY
OF
JOHN OAKHURST,
WHO STRUCK A STREAK OF BAD LUCK
ON THE 23D OF NOVEMBER, 1850,
AND
HANDED IN HIS CHECKS
ON THE 7TH DECEMBER, 1850.

And pulseless and cold, with a Derringer by his side and a bullet in his heart, though still calm as in life, beneath the snow lay he who was at once the strongest and yet the weakest of the outcasts of Poker Flat.

ALBERT FALVEY WEBSTER

1848–1876

Readers of “Appleton’s Journal” in the early ’70’s must have looked forward from week to week to the stories of Albert Webster. For, often as he wrote, he always had a story to tell. It might be merely a romance of incident; it was usually a situation of very human significance; it always showed narrative instinct. With this native sense he was experimenting variously toward his art, while through his investigations of prisons, courts, and medical advice he was developing a serious and definite philosophy of life. But his own life was doomed. The quest of health, very like Stevenson’s, may be read in the titles of his descriptive essays during 1875 and 1876: _Spring Days in Aiken_, _From New York to Aspinwall_, _The Isthmus and Panama_, _Up the Mexican Coast_, _Winter Days in California_, etc. On the steamer from San Francisco to Honolulu he died, and was buried in the Pacific. He was betrothed to Una, eldest daughter of Hawthorne.

Of his many stories perhaps the most striking is _An Operation in Money_ (“Appleton’s Journal,” September 27, 1873, volume x, page 387); the nicest in adjustment, _Miss Eunice’s Glove_, printed below. _The Daphne_ (“Appleton’s Journal,” 1873, volume x, page 290) and _A Fool’s Moustache_ (ibid., 1874, volume xii, page 259) read as if sketched for the stage. How he kept at his work appears pathetically in his leaving behind a tale laid at Santa Barbara and published after his death, _The Owner of “Lara”_ (ibid., 1877, new series, volume ii, page 350).

MISS EUNICE’S GLOVE

[_From the “Atlantic Monthly,” July, 1873_]

I

For a long time blithe and fragile Miss Eunice, demure, correct in deportment, and yet not wholly without enthusiasm, thought that day the unluckiest in her life on which she first took into her hands that unobtrusive yet dramatic book, “Miss Crofutt’s Missionary Labors in the English Prisons.”

It came to her notice by mere accident, not by favor of proselyting friends; and such was its singular material, that she at once devoured it with avidity. As its title suggests, it was the history of the ameliorating endeavors of a woman in criminal society, and it contained, perforce, a large amount of tragic and pathetic incident. But this last was so blended and involved with what Miss Eunice would have skipped as commonplace, that she was led to digest the whole volume,--statistics, philosophy, comments, and all. She studied the analysis of the atmosphere of cells, the properties and waste of wheaten flour, the cost of clothing to the general government, the whys and wherefores of crime and evil-doing; and it was not long before there was generated within her bosom a fine and healthy ardor to emulate this practical and courageous pattern.

She was profoundly moved by the tales of missionary labors proper. She was filled with joy to read that Miss Crofutt and her lieutenants sometimes cracked and broke away the formidable husks which enveloped divine kernels in the hearts of some of the wretches, and she frequently wept at the stories of victories gained over monsters whose defences of silence and stolidity had suddenly fallen into ruin above the slow but persistent sapping of constant kindness. Acute tinglings and chilling thrills would pervade her entire body when she read that on Christmas every wretch seemed to become for that day, at least, a gracious man; that the sight of a few penny tapers, or the possession of a handful of sweet stuff, or a spray of holly, or a hot-house bloom, would appear to convert the worst of them into children. Her heart would swell to learn how they acted during the one poor hour of yearly freedom in the prison-yards; that they swelled their chests; that they ran; that they took long strides; that the singers anxiously tried their voices, now grown husky; that the athletes wrestled only to find their limbs stiff and their arts forgotten; that the gentlest of them lifted their faces to the broad sky and spent the sixty minutes in a dreadful gazing at the clouds.

The pretty student gradually became possessed with a rage. She desired to convert some one, to recover some estray, to reform some wretch.

She regretted that she lived in America, and not in England, where the most perfect rascals were to be found; she was sorry that the gloomy, sin-saturated prisons which were the scenes of Miss Crofutt’s labors must always be beyond her ken.

There was no crime in the family or the neighborhood against which she might strive; no one whom she knew was even austere; she had never met a brute; all her rascals were newspaper rascals. For aught she knew, this tranquillity and good-will might go on forever, without affording her an opportunity. She must be denied the smallest contact with these frightful faces and figures, these bars and cages, these deformities of the mind and heart, these curiosities of conscience, shyness, skill, and daring; all these dramas of reclamation, all these scenes of fervent gratitude, thankfulness, and intoxicating liberty,--all or any of these things must never come to be the lot of her eyes; and she gave herself up to the most poignant regret.

But one day she was astonished to discover that all of these delights lay within half an hour’s journey of her home; and moreover, that there was approaching an hour which was annually set apart for the indulgence of the inmates of the prison in question. She did not stop to ask herself, as she might well have done, how it was that she had so completely ignored this particular institution, which was one of the largest and best conducted in the country, especially when her desire to visit one was so keen; but she straightway set about preparing for her intended visit in a manner which she fancied Miss Crofutt would have approved, had she been present.

She resolved, in the most radical sense of the word, to be alive. She jotted on some ivory tablets, with a gold pencil, a number of hints to assist her in her observations. For example: “Phrenological development; size of cells; ounces of solid and liquid; tissue-producing food; were mirrors allowed? if so, what was the effect? jimmy and skeleton-key, character of; canary birds: query, would not their admission into every cell animate in the human prisoners a similar buoyancy? to urge upon the turnkeys the use of the Spanish garrote in place of the present distressing gallows; to find the proportion of Orthodox and Unitarian prisoners to those of other persuasions.” But besides these and fifty other similar memoranda, the enthusiast cast about her for something practical to do.

She hit upon the capital idea of flowers. She at once ordered from a gardener of taste two hundred bouquets, or rather nosegays, which she intended for distribution among the prisoners she was about to visit, and she called upon her father for the money.

Then she began to prepare her mind. She wished to define the plan from which she was to make her contemplations. She settled that she would be grave and gentle. She would be exquisitely careful not to hold herself too much aloof, and yet not to step beyond the bounds of that sweet reserve that she conceived must have been at once Miss Crofutt’s sword and buckler.

Her object was to awaken in the most abandoned criminals a realization that the world, in its most benignant phase, was still open to them; that society, having obtained a requital for their wickedness, was ready to embrace them again on proof of their repentance.

She determined to select at the outset two or three of the most remarkable monsters, and turn the full head of her persuasions exclusively upon them, instead of sprinkling (as it were) the whole community with her grace. She would arouse at first a very few, and then a few more, and a few more, and so on _ad infinitum_.

It was on a hot July morning that she journeyed on foot over the bridge which led to the prison, and there walked a man behind her carrying the flowers.

Her eyes were cast down, this being the position most significant of her spirit. Her pace was equal, firm, and rapid; she made herself oblivious of the bustle of the streets, and she repented that her vanity had permitted her to wear white and lavender, these making a combination in her dress which she had been told became her well. She had no right to embellish herself. Was she going to the races, or a match, or a kettle-drum, that she must dandify herself with particular shades of color? She stopped short, blushing. Would Miss Cro----. But there was no help for it now. It was too late to turn back. She proceeded, feeling that the odds were against her.

She approached her destination in such a way that the prison came into view suddenly. She paused with a feeling of terror. The enormous gray building rose far above a lofty white wall of stone, and a sense of its prodigious strength and awful gloom overwhelmed her. On the top of the wall, holding by an iron railing, there stood a man with a rifle trailing behind him. He was looking down into the yard inside. His attitude of watchfulness, his weapon, the unseen thing that was being thus fiercely guarded, provoked in her such a revulsion that she came to a standstill.

What in the name of mercy had she come here for? She began to tremble. The man with the flowers came up to her and halted. From the prison there came at this instant the loud clang of a bell, and succeeding this a prolonged and resonant murmur which seemed to increase. Miss Eunice looked hastily around her. There were several people who must have heard the same sounds that reached her ears, but they were not alarmed. In fact, one or two of them seemed to be going to the prison direct. The courage of our philanthropist began to revive. A woman in a brick house opposite suddenly pulled up a window-curtain and fixed an amused and inquisitive look upon her.

This would have sent her into a thrice-heated furnace. “Come, if you please,” she commanded the man, and she marched upon the jail.

She entered at first a series of neat offices in a wing of the structure, and then she came to a small door made of black bars of iron. A man stood on the farther side of this, with a bunch of large keys. When he saw Miss Eunice he unlocked and opened the door, and she passed through.

She found that she had entered a vast, cool, and lofty cage, one hundred feet in diameter; it had an iron floor, and there were several people strolling about here and there. Through several grated apertures the sunlight streamed with strong effect, and a soft breeze swept around the cavernous apartment.

Without the cage, before her and on either hand, were three more wings of the building, and in these were the prisoners’ corridors.

At the moment she entered, the men were leaving their cells, and mounting the stone stairs in regular order, on their way to the chapel above. The noisy files went up and down and to the right and to the left, shuffling and scraping and making a great tumult. The men were dressed in blue, and were seen indistinctly through the lofty gratings. From above and below and all around her there came the metallic snapping of bolts and the rattle of moving bars; and so significant was everything of savage repression and impending violence, that Miss Eunice was compelled to say faintly to herself, “I am afraid it will take a little time to get used to all this.”

She rested upon one of the seats in the rotunda while the chapel services were being conducted, and she thus had an opportunity to regain a portion of her lost heart. She felt wonderfully dwarfed and belittled, and her plan of recovering souls had, in some way or other, lost much of its feasibility. A glance at her bright flowers revived her a little, as did also a surprising, long-drawn roar from over her head, to the tune of “America.” The prisoners were singing.

Miss Eunice was not alone in her intended work, for there were several other ladies, also with supplies of flowers, who with her awaited until the prisoners should descend into the yard and be let loose before presenting them with what they had brought. Their common purpose made them acquainted, and by the aid of chat and sympathy they fortified each other.

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American short storiesChapter XI: Part II: The Period of the New Form (4)

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