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Chapter VI: is reached, which treats of the codices exclusively. {96} (2)

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In the first place, it will be noted that each of the three glyphs just mentioned is composed in part of the cycle sign. For example, in figure 61, _a_, the head variant has the same clasped hand as the head-variant cycle sign in the same text (see fig. 58, A5), which, as we have seen elsewhere, is the determining characteristic of the head variant for the cycle. In figure 61, _b_, _c_, the normal forms there presented contain the entire normal form for the cycle sign; compare figure 25, _a_, c. Indeed, except for its superfix, the glyphs in figure 61, _b_, _c_, are normal forms of the cycle sign; and the glyph in _a_ of the same figure, except for its superfixial element, is similarly the head variant for the cycle. It would seem, therefore, that the determining characteristics of these three glyphs must be their superfixial elements. In the normal form in figure 61, _b_, the superfix is very clear. Just inside the outline and parallel to it there is a line of smaller circles, {119} and in the middle there are two infixes like shepherds' crooks facing away from the center (). In _c_ of the last-mentioned figure the superfix is of the same size and shape, and although it is partially destroyed the left-hand "shepherd's crook" can still be distinguished. A faint dot treatment around the edge can also still be traced. Although the superfix of the head variant in _a_ is somewhat weathered, enough remains to show that it was similar to, if indeed not identical with, the superfixes of the normal forms in _b_ and c. The line of circles defining the left side of this superfix, as well as traces of the lower ends of the two "shepherd's crook" infixes, appears very clearly in the lower part of the superfix. Moreover, in general shape and proportions this element is so similar to the corresponding elements in figure 61, _b_, _c_, that, taken together with the similarity of the other details pointed out above, it seems more than likely that all three of these superfixes are one and the same element. The points which have led the writer to identify glyphs _a_, _b_, and _c_ in figure 61 as forms for the great cycle, or period of the sixth order, may be summarized as follows:

1. All three of these glyphs, head-variant as well as normal forms, are made up of the corresponding forms of the cycle sign plus another element, a superfix, which is probably the determining characteristic in each case.

2. All three of these superfixes are probably identical, thus showing that the three glyphs in which they occur are probably variants of the same sign.

3. All three of these glyphs occur in numerical series, the preceding term of which in each case is a cycle sign, thus showing that by position they are the logical "next" term (the sixth) of the series.

Let us next examine the two texts in which great-great-cycle glyphs may occur. (See figs. 59, 60.) The two glyphs which may possibly be identified as the sign for this period are shown in figure 61, _d_, e.

A comparison of these two forms shows that both are composed of the same elements: (1) The cycle sign; (2) a superfix in which the hand is the principal element.

The superfix in figure 61, _d_, consists of a hand and a tassel-like postfix, not unlike the upper half of the ending signs in figure 37, _l-q_. However, in the present case, if we accept the hypothesis that _d_ of figure 61 is the sign for the great-great cycle, we are obliged to see in its superfix alone the essential _element_ of the great-great-cycle sign, since the _rest_ of this glyph (the lower part) is quite clearly the normal form for the cycle.

The superfix in figure 61, _e_, consists of the same two elements as the above, with the slight difference that the hand in _e_ holds a rod. Indeed, the similarity of the two forms is so close that in default of {120} any evidence to the contrary the writer believes they may be accepted as signs for one and the same period, namely, the great-great cycle.

The points on which this conclusion is based may be summarized as follows:

1. Both glyphs are made up of the same elements--(_a_) The normal form of the cycle sign; (_b_) a superfix composed of a hand with a tassel-like postfix.

2. Both glyphs occur in numerical series the next term but one of which is the cycle, showing that by position they are the logical next term but one, the seventh or great-great cycle, of the series.

3. Both of these glyphs stand next to glyphs which have been identified as great-cycle signs, that is, the sixth terms of the series in which they occur.

By this same line of reasoning it seems probable that A2 in figure 60 is the sign for the great-great-great cycle, although this fact can not be definitely established because of the lack of comparative evidence.

This possible sign for the great-great-great cycle, or period of the 8th order, is composed of two parts, just like the signs for the great cycle and the great-great cycle already described. These are: (1) The cycle sign; (2) a superfix composed of a hand and a semicircular postfix, quite distinct from the superfixes of the great cycle and great-great cycle signs.

However, since there is no other inscription known which presents a number composed of eight terms, we must lay aside this line of investigation and turn to another for further light on this point.

An examination of figure 60 shows that the glyphs which we have identified as the signs for the higher periods (A2, A3, A4, and A5,) contain one element common to all--the sign for the cycle, or period of 144,000 days. Indeed, A5 is composed of this sign alone with its usual coefficient of 9. Moreover, the next glyphs (A6, A7, A8, and A9[83]) are the signs for the katun, tun, uinal, and kin, respectively, and, together with A5, form a regular descending series of 5 terms, all of which are of known value.

The next question is, How is this glyph in the sixth place formed? We have seen that in the only three texts in which more than five periods are recorded this sign for the sixth period is composed of the same elements in each: (1) The cycle sign; (2) a superfix containing two "shepherd's crook" infixes and surrounded by dots.

Further, we have seen that in two cases in the inscriptions the cycle sign has a coefficient greater than 13, thus showing that in all probability 20, not 13, cycles made 1 great cycle.

Therefore, since the great-cycle signs in figure 61, _a-c_, are composed of the cycle sign plus a superfix (), this superfix must have the value of 20 in order to make the whole glyph have the value of {121} 20 cycles, or 1 great cycle (that is, 20 × 144,000 = 2,880,000). In other words, it may be accepted (1) that the glyphs in figure 61, _a-c_, are signs for the great cycle, or period of the sixth place; and (2) that the great cycle was composed of 20 cycles shown graphically by two elements, one being the cycle sign itself and the other a superfix having the value of 20.

It has been shown that the last six glyphs in figure 60 (A4, A5, A6, A7, A8, and A9) all belong to the same series. Let us next examine the seventh glyph or term from the bottom (A3) and see how it is formed. We have seen that in the only two texts in which more than six periods are recorded the signs for the seventh period (see fig. 61, _d_, _e_) are composed of the same elements in each: (1) The cycle sign; (2) a superfix having the hand as its principal element. We have seen, further, that in the only three places in which great cycles are recorded in the Maya writing (fig. 61, _a-c_) the coefficient in every case is greater than 13, thus showing that in all probability 20, not 13, great cycles made 1 great-great cycle.

Therefore, since the great-great cycle signs in figure 61, _d_, _e_, are composed of the cycle sign plus a superfix (), this superfix must have the value of 400 (20 × 20) in order to make the whole glyph have the value of 20 great cycles, or 1 great-great cycle (20 × 2,880,000 = 57,600,000). In other words, it seems highly probable (1) that the glyphs in figure 61, _d_, _e_, are signs for the great-great cycle or period of the seventh place, and (2) that the great-great cycle was composed of 20 great cycles, shown graphically by two elements, one being the cycle sign itself and the other a hand having the value of 400.

It has been shown that the first seven glyphs (A3, A4, A5, A6, A7, A8, and A9) probably all belong to the same series. Let us next examine the eighth term (A2) and see how it is formed.

As stated above, comparative evidence can help us no further, since the text under discussion is the only one which presents a number composed of more than seven terms. Nevertheless, the writer believes it will be possible to show by the morphology of this, the only glyph which occupies the position of an eighth term, that it is 20 times the glyph in the seventh position, and consequently that the vigesimal system was perfect to the highest known unit found in the Maya writing.

We have seen (1) that the sixth term was composed of the fifth term plus a superfix which increased the fifth 20 times, and (2) that the seventh term was composed of the fifth term plus a superfix which increased the fifth 400 times, or the sixth 20 times.

Now let us examine the only known example of a sign for the eighth term (A2, fig. 60). This glyph is composed of (1) the cycle sign; (2) a superfix of two elements, (_a_) the hand, and (_b_) a semicircular element in which dots appear. {122}

But this same hand in the super-fix of the great-great cycle increased the cycle sign 400 times (20 × 20; see A3, fig. 60). Therefore we must assume the same condition obtains here. And finally, since the eighth term = 20 × 20 × 20 × cycle, we must recognize in the second element of the superfix () a sign which means 20.

A close study of this element shows that it has two important points of resemblance to the superfix of the great-cycle glyph (see A4, fig. 60), which was shown to have the value 20: (1) Both elements have the same outline, roughly semicircular; (2) both elements have the same chain of dots around their edges.

Compare this element in A2, figure 60, with the superfixes in figure 61, _a_, _b_, bearing in mind that there is more than 275 years' difference in time between the carving of A2, figure 60, and _a_, figure 61, and more than 200 years between the former and figure 61, b. The writer believes both are variants of the same element, and consequently A2, figure 60, is probably composed of elements which signify 20 × 400 (20 × 20) × the cycle, which equals one great-great-great cycle, or term of the eighth place.

Thus on the basis of the glyphs themselves it seems possible to show that all belong to one and the same numerical series, which progresses according to the terms of a vigesimal system of numeration.

The several points supporting this conclusion may be summarized as follows:

1. The eight periods[84] in figure 60 are consecutive, their sequence being uninterrupted throughout. Consequently it seems probable that all belong to one and the same number.

2. It has been shown that the highest three period glyphs are composed of elements which multiply the cycle sign by 20, 400, and 8,000, respectively, which has to be the case if they are the sixth, seventh, and eighth terms, respectively, of the Maya vigesimal system of numeration.

3. The highest three glyphs have numerical coefficients, just like the five lower ones; this tends to show that all eight are terms of the same numerical series.

4. In the two texts which alone can furnish comparative data for this sixth term, the sixth-period glyph in each is identical with A4, figure 60, thus showing the existence of a sixth period in the inscriptions and a generally[85] accepted sign for it.

5. In the only other text which can furnish comparative data for the seventh term, the period glyph in its seventh place is identical {123} with A3, figure 60; thus showing the existence of a seventh period in the inscriptions and a generally accepted sign for it.

6. The one term higher than the cycle in the Copan text, the two terms higher in the Palenque text, and the three terms higher in this text, are all built on the same basic element, the cycle, thus showing that in each case the higher term or terms is a continuation of the same number, not a Period-ending date, as suggested by Mr. Goodman for the Copan text.

7. The other two texts, showing series composed of more than five terms, have all their period glyphs in an unbroken sequence in each, like the text under discussion, thus showing that in each of these other two texts all the terms present probably belong to one and the same number.

8. Finally, the two occurrences of the cycle sign with a coefficient above 13, and the three occurrences of the great-cycle sign with a coefficient above 13, indicate that 20, not 13, was the unit of progression in the higher numbers in the inscriptions just as it was in the codices.

Before closing the discussion of this unique inscription, there is one other important point in connection with it which must be considered, because of its possible bearing on the meaning of the Initial-series introducing glyph.

The first five glyphs on the east side of Stela 10 at Tikal are not illustrated in figure 60. The sixth glyph is A1 in figure 60, and the remaining glyphs in this figure carry the text to the bottom of this side of the monument. The first of these five unfigured glyphs is very clearly an Initial-series introducing glyph. Of this there can be no doubt. The second resembles the day 8 Manik, though it is somewhat effaced. The remaining three are unknown. The next glyph, A1, figure 60, is very clearly another Initial-series introducing glyph, having all of the five elements common to that sign. Compare A1 with the forms for the Initial series introducing glyph in figure 24. This certainly would seem to indicate that an Initial Series is to follow. Moreover, the fourth glyph of the eight-term number following in A2-A9, inclusive (that is, A5), records "Cycle 9," the cycle in which practically all Initial-series dates fall. Indeed, if A2, A3, and A4 were omitted and A5, A6, A7, A8, and A9 were recorded immediately after A1, the record would be that of a regular Initial-series number (9.3.6.2.0). Can this be a matter of chance? If not, what effect can A2, A3, and A4 have on the Initial-series date in A1, A5-A9?

The writer believes that the only possible effect they could have would be to fix Cycle 9 of Maya chronology in a far more comprehensive and elaborate chronological conception, a conception which {124} indeed staggers the imagination, dealing as it does with more than five million years.

If these eight terms all belong to one and the same numerical series, a fact the writer believes he has established in the foregoing pages, it means that Cycle 9, the first historic period of the Maya civilization, was Cycle 9 of Great Cycle 19 of Great-great Cycle 11 of Great-great-great Cycle 1. In other words, the starting point of Maya chronology, which we have seen was the date 4 Ahau 8 Cumhu, 9 cycles before the close of a Cycle 9, was in reality 1. 11. 19. 0. 0. 0. 0. 0. 4 Ahau 8 Cumhu, or simply a fixed point in a far vaster chronological conception.

Furthermore, it proves, as contended by the writer on page 113, that a great cycle came to an end on this date, 4 Ahau 8 Cumhu. This is true because on the above date (1. 11. 19. 0. 0. 0. 0. 0. 4 Ahau 8 Cumhu) all the five periods lower than the great cycle are at 0. It proves, furthermore, as the writer also contended, that the date 4 Ahau 8 Zotz, 13 cycles in advance of the date 4 Ahau 8 Cumhu, did not end a great cycle--

1. 11. 19. 0. 0. 0. 0. 0. 4 Ahau 8 Cumhu
13. 0. 0. 0. 0.
1. 11. 18. 7. 0. 0. 0. 0. 4 Ahau 8 Zotz

but, on the contrary, was a Cycle 7 of Great Cycle 18, the end of which (19. 0. 0. 0. 0. 0. 4 Ahau 8 Cumhu) was the starting point of Maya chronology.

It seems to the writer that the above construction is the only one that can be put on this text if we admit that the eight periods in A2-A9, figure 60, all belong to one and the same numerical series.

Furthermore, it would show that the great cycle in which fell the first historic period of the Maya civilization (Cycle 9) was itself the closing great cycle of a great-great cycle, namely, Great-great Cycle 11:

1. 11. 19. 0. 0. 0. 0. 0.
1. 0. 0. 0. 0. 0.
1. 12. 0. 0. 0. 0. 0. 0.

That is to say, that when Great Cycle 19 had completed itself, Great-great Cycle 12 would be ushered in.

We have seen on pages 108-113 that the names of the cycles followed one another in this sequence: Cycle 1, Cycle 2, Cycle 3, etc., to Cycle 13, which was followed by Cycle 1, and the sequence repeated itself. We saw, however, that these names probably had nothing to do with the positions of the cycles in the great cycle; that on the contrary these numbers were names and not positions in a higher term.

Now we have seen that Maya chronology began with a Cycle 1; that is, it was counted from the end of a Cycle 13. Therefore, the {125} closing cycle of Great Cycle 19 of Great-great Cycle 11 of Great-great-great Cycle 1 was a Cycle 13, that is to say, 1. 11. 19. 0. 0. 0. 0. 0. 4 Ahau 13 Cumhu concluded a great cycle, the closing cycle of which was named Cycle 13. This large number, composed of _one_ great-great-great cycle, _eleven_ great-great cycles, and _nineteen_ great cycles, contains exactly 12,780 cycles, as below:

1 great-great-great cycle = 1 × 20 × 20 × 20 cycles = 8,000 cycles
11 great-great cycles = 11 × 20 × 20 cycles = 4,400 cycles
19 great cycles = 19 × 20 cycles = 380 cycles
-----
12,780 cycles

But the closing cycle of this number was named Cycle 13, and by deducting all the multiples of 13 possible (983) we can find the name of the first cycle of Great-great-great Cycle 1, the highest Maya time period of which we have any knowledge: 983 × 13 = 12,779. And deducting this from the number of cycles involved (12,780), we have--

12,780
12,779
------
1

This counted backward from Cycle 1, brings us again to a Cycle 13 as the name of the first cycle in the Maya conception of time. In other words, the Maya conceived time to have commenced, in so far as we can judge from the single record available, with a Cycle 13, not with the beginning of a Cycle 1, as they did their chronology.

We have still to explain A1, figure 60. This glyph is quite clearly a form of the Initial-series introducing glyph, as already explained, in which the five components of that glyph are present in usual form: (1) Trinal superfix; (2) pair of comb-like lateral appendages; (3) the tun sign; (4) the trinal subfix; (5) the variable central element, here represented by a grotesque head.

Of these, the first only claims our attention here. The trinal superfix in A1 (fig. 60), as its name signifies, is composed of three parts, but, unlike other forms of this element, the middle part seems to be nothing more nor less than a numerical dot or 1. The question at once arises, can the two flanking parts be merely ornamental and the whole element stand for the number 1? The introducing glyph at the beginning of this text (not figured here), so far as it can be made out, has a trinal superfix of exactly the same character--a dot with an ornamental scroll on each side. What can be the explanation of this element, and indeed of the whole glyph? Is it one great-great-great-great cycle--a period twenty times as great as the one recorded in A2, or is it not a term of the series in glyphs A2-A9? {126} The writer believes that whatever it may be, it is at least _not_ a member of this series, and in support of his belief he suggests that if it were, why should it alone be retained in recording _all_ Initial-series dates, whereas the other three--the great-great-great cycle, the great-great cycle, and the great-cycle signs--have disappeared.

The following explanation, the writer believes, satisfactorily accounts for all of these points, though it is advanced here only by way of suggestion as a possible solution of the meaning of the Initial-series introducing glyph. It is suggested that in A1 we may have a sign representing "eternity," "this world," "time"; that is to say, a sign denoting the duration of the present world-epoch, the epoch of which the Maya civilization occupied only a small part. The middle dot of the upper element, being 1, denotes that this world-epoch is the first, or present, one, and the whole glyph itself might mean "the present world." The appropriateness of such a glyph ushering in every Initial-series date is apparent. It signified time in general, while the succeeding 7 glyphs denoted what particular day of time was designated in the inscription.

But why, even admitting the correctness of this interpretation of A1, should the great-great-great cycle, the great-great cycle, and the great cycle of their chronological scheme be omitted, and Initial-series dates always open with this glyph, which signifies time in general, followed by the current cycle? The answer to this question, the writer believes, is that the cycle was the greatest period with which the Maya could have had actual experience. It will be shown in Chapter V that there are a few Cycle-8 dates actually recorded, as well as a half a dozen Cycle-10 dates. That is, the cycle, which changed its coefficient every 400 years, was a period which they could _not_ regard as never changing within the range of human experience. On the other hand, it was the shortest period of which they were uncertain, since the great cycle could change its coefficient only every 8,000 years--practically eternity so far as the Maya were concerned. Therefore it could be omitted as well as the two higher periods in a date without giving rise to confusion as to which great cycle was the current one. The cycle, on the contrary, had to be given, as its coefficient changed every 400 years, and the Maya are known to have recorded dates in at least three cycles--Nos. 8, 9, and 10. Hence, it was Great Cycle 19 for 8,000 years, Great-great Cycle 11 for 160,000, and Great-great-great Cycle 1 for 3,200,000 years, whereas it was Cycle 9 for only 400 years. This, not the fact that the Maya never had a period higher than the cycle, the writer believes was the reason why the three higher periods were omitted from Initial-series dates--they were unnecessary so far as accuracy was concerned, since there could never be any doubt concerning them. {127}

It is not necessary to press this point further, though it is believed the foregoing conception of time had actually been worked out by the Maya. The archaic date recorded by Stela 10 at Tikal (9.3.6.2.0) makes this monument one of the very oldest in the Maya territory; indeed, there is only one other stela which has an earlier Initial Series, Stela 3 at Tikal. In the archaic period from which this monument dates the middle dot of the trinal superfix in the Initial-series introducing glyph may still have retained its numerical value, 1, but in later times this middle dot lost its numerical characteristics and frequently appears as a scroll itself.

The early date of Stela 10 makes it not unlikely that this process of glyph elaboration may not have set in at the time it was erected, and consequently that we have in this simplified trinal element the genesis of the later elaborated form; and, finally, that A1, figure 60, may have meant "the present world-epoch" or something similar.

In concluding the presentation of these three numbers the writer may express the opinion that a careful study of the period glyphs in figures 58-60 will lead to the following conclusions: (1) That the six periods recorded in the first, the seven in the second, and the eight or nine in the third, all belong to the same series in each case; and (2) that throughout the six terms of the first, the seven of the second, and the eight of the third, the series in each case conforms strictly to the vigesimal system of numeration given in Table VIII.

As mentioned on page 116 (footnote 2), in this method of recording the higher numbers the kin sign may sometimes be omitted without affecting the numerical value of the series wherein the omission occurs. In such cases the coefficient of the kin sign is usually prefixed to the uinal sign, the coefficient of the uinal itself standing above the uinal sign. In figure 58, for example, the uinal and the kin coefficients are both 0. In this case, however, the 0 on the left of the uinal sign is to be understood as belonging to the kin sign, which is omitted, while the 0 above the uinal sign is the uinal's own coefficient 0. Again in figure 59, the kin sign is omitted and the kin coefficient 1 is prefixed to the uinal sign, while the uinal's own coefficient 12 stands above the uinal sign. Similarly, the 12 uinals and 17 kins recorded in figure 56, _d_, might as well have been written as in _o_ of the same figure, that is, with the kin sign omitted and its coefficient 17 prefixed to the uinal sign, while the uinal's own coefficient 12 appears above. Or again, the 9 uinals and 18 kins recorded in _f_ also might have been written as in _p_, that is, with the kin sign omitted and the kin coefficient 18 prefixed to the uinal sign while the uinal's own coefficient 9 appears above.

In all the above examples the coefficients of the omitted kin signs are on the _left_ of the uinal signs, while the uinal coefficients are _above_ the uinal signs. Sometimes, however, these positions are reversed, {128} and the uinal coefficient stands _on the left_ of the uinal sign, while the kin coefficient stands _above_. This interchange in certain cases probably resulted from the needs of glyphic balance and symmetry. For example, in figure 62, _a_, had the kin coefficient 19 been placed on the left of the uinal sign, the uinal coefficient 4 would have been insufficient to fill the space above the period glyph, and consequently the corner of the glyph block would have appeared ragged. The use of the 19 _above_ and the 4 to the left, on the other hand, properly fills this space, making a symmetrical glyph. Such cases, however, are unusual, and the customary position of the kin coefficient, when the kin sign is omitted, is on the left of the uinal sign, not above it. This practice, namely, omitting the kin sign in numerical series, seems to have prevailed extensively in connection with both Initial Series and Secondary Series; indeed, in the latter it is the rule to which there are but few exceptions.

The omission of the kin sign, while by far the most common, is not the only example of glyph omission found in numerical series in the inscriptions. Sometimes, though very rarely, numbers occur in which periods other than the kin are wanting. A case in point is figure 62, b. Here a tun sign appears with the coefficient 13 above and 3 to the left. Since there are only two coefficients (13 and 3) and three time periods (tun, uinal, and kin), it is clear that the signs of both the lower periods have been omitted as well as the coefficient of one of them. In _c_ of the last-mentioned figure a somewhat different practice was followed. Here, although three time periods are recorded--tuns, uinals and kins--one period (the uinal) and its coefficient have been omitted, and there is nothing between the 0 kins and 10 tuns. Such cases are exceedingly rare, however, and may be disregarded by the beginner.

We have seen that the order of the periods in the numbers in figure 56 was just the reverse of that in the numbers shown in figures 58 and 59; that in one place the kins stand at the top and in the other at the bottom; and finally, that this difference was not a vital one, since it had no effect on the values of the numbers. This is true, because in the first method of expressing the higher numbers, it matters not which end of the number comes first, the highest or the {129} lowest period, so long as its several periods always stand in the same relation to each other. For example, in figure 56, _q_, 6 cycles, 17 katuns, 2 tuns, 10 uinals, and 0 kins represent exactly the same number as 0 kins, 10 uinals, 2 tuns, 17 katuns, and 6 cycles; that is, with the lowest term first.

It was explained on page 23 that the order in which the glyphs are to be read is from top to bottom and from left to right. Applying this rule to the inscriptions, the student will find that all Initial Series are descending series; that in reading from top to bottom and left to right, the cycles will be encountered first, the katuns next, the tuns next, the uinals, and the kins last. Moreover, it will be found also that the great majority of Secondary Series are ascending series, that is, in reading from top to bottom and left to right, the kins will be encountered first, the uinals next, the tuns next, the katuns next, and the cycles last. The reason why Initial Series always should be presented as descending series, and Secondary Series usually as ascending series is unknown; though as stated above, the order in either case might have been reversed without affecting in any way the numerical value of either series.

This concludes the discussion of the first method of expressing the higher numbers, the only method which has been found in the inscriptions.

SECOND METHOD OF NUMERATION

The other method by means of which the Maya expressed their higher numbers (the second method given on p. 103) may be called "numeration by position," since in this method the numerical value of the symbols depended solely on position, just as in our own decimal system, in which the value of a figure depends on its distance from the decimal point, whole numbers being written to the left and fractions to the right. The ratio of increase, as the word "decimal" implies, is 10 throughout, and the numerical values of the consecutive positions increase as they recede from the decimal point in each direction, according to the terms of a geometrical progression. For example, in the number 8888.0, the second 8 from the decimal point, counting from right to left, has a value ten times greater than the first 8, since it stands for 8 tens (80); the third 8 from the decimal point similarly has a value ten times greater than the second 8, since it stands for 8 hundreds (800); finally, the fourth 8 has a value ten times greater than the third 8, since it stands for 8 thousands (8,000). Hence, although the figures used are the same in each case, each has a different numerical value, depending solely upon its position with reference to the decimal point.

In the second method of writing their numbers the Maya had devised a somewhat similar notation. Their ratio of increase was 20 in all positions except the third. The value of these positions increased {130} with their distance from the bottom, according to the terms of the vigesimal system shown in Table VIII. This second method, or "numeration by position," as it may be called, was a distinct advance over the first, since it required for its expression only the signs for the numerals 0 to 19, inclusive, and did not involve the use of any period glyphs, as did the first method. To its greater brevity, no doubt, may be ascribed its use in the codices, where numerical calculations running into numbers of 5 and 6 terms form a large part of the subject matter. It should be remembered that in numeration by position only the normal forms of the numbers--bar and dot numerals--are used. This probably results from the fact that head-variant numerals never occur independently, but are always prefixed to some other glyph, as period, day, or month signs (see p. 104). Since no period glyphs are used in numeration by position, only normal-form numerals, that is, bar and dot numerals, can appear.

The numbers from 1 to 19, inclusive, are expressed in this method, as shown in figure 39, and the number 0 as shown in figure 46. As all of these numbers are below 20, they are expressed as units of the first place or order, and consequently each should be regarded as having been multiplied by 1, the numerical value of the first or lowest position.

The number 20 was expressed in two different ways: (1) By the sign shown in figure 45; and (2) by the numeral 0 in the bottom place and the numeral 1 in the next place above it, as in figure 63, a. The first of these had only a very restricted use in connection with the tonalamatl, wherein numeration by position was impossible, and therefore a special character for 20 (see fig. 45) was necessary. See Chapter VI.

The numbers from 21 to 359, inclusive, involved the use of two places--the kin place and the uinal place--which, according to Table VIII, we saw had numerical values of 1 and 20, respectively. For example, the number 37 was expressed as shown in figure 63, b. The 17 in the kin place has a value of 17 (17 × 1) and the 1 in the uinal, or second, place a value of 20 (1 (the numeral) × 20 (the fixed numerical value of the second place)). The sum of these two products equals 37. Again, 300 was written as in figure 63, c. The 0 in the kin place has the value 0 (0 × 1), and the 15 in the second place has the value of 300 (15 × 20), and the sum of these products equals 300.

To express the numbers 360 to 7,199, inclusive, three places or terms were necessary--kins, uinals, and tuns--of which the last had a numerical value of 360. (See Table VIII.) For example, the number 360 is shown in figure 63, d. The 0 in the lowest place indicates that 0 kins are involved, the 0 in the second place indicates that 0 uinals or 20's are involved, while the 1 in the third place shows that there is 1 tun, or 360, kins recorded (1 (the numeral) × 360 (the fixed numerical value of the third position)); the sum of these three products equals 360. Again, the number 7,113 is expressed as shown in figure 63, e. {131} The 13 in the lowest place equals 13 (13 × 1); the 13 in the second place, 260 (13 × 20); and the 19 in the third place, 6,840 (19 × 360). The sum of these three products equals 7,113 (13 + 260 + 6,840),

The numbers from 7,200 to 143,999, inclusive, involved the use of four places or terms--kins, uinals, tuns, and katuns--the last of which (the fourth place) had a numerical value of 7,200. (See Table VIII.) For example, the number 7,202 is recorded in figure 63, _f_. {132} The 2 in the first place equals 2 (2×1); the 0 in the second place, 0 (0×20); the 0 in the third place, 0 (0×360); and the 1 in the fourth place, 7,200 (1×7,200). The sum of these four products equals 7,202 (2+0+0+7,200). Again, the number 100,932 is recorded in figure 63, _g_. Here the 12 in the first place equals 12 (12×1); the 6 in the second place, 120 (6×20); the 0 in the third place, 0 (0×360); and the 14 in the fourth place, 100,800 (14×7,200). The sum of these four products equals 100,932 (12+120+0+100,800).

The numbers from 144,000 to 2,879,999, inclusive, involved the use of five places or terms--kins, uinals, tuns, katuns, and cycles. The last of these (the fifth place) had a numerical value of 144,000. (See Table VIII.) For example, the number 169,200 is recorded in figure 63, _h_. The 0 in the first place equals 0 (0×1); the 0 in the second place, 0 (0×20); the 10 in the third place, 3,600 (10×360); the 3 in the fourth place, 21,600 (3×7,200); and the 1 in the fifth place, 144,000 (1×144,000). The sum of these five products equals 169,200 (0+0+3,600+21,600+144,000). Again, the number 2,577,301 is recorded in figure 63, _i_. The 1 in the first place equals 1 (1×1); the 3 in the second place, 60 (3×20); the 19 in the third place, 6,840 (19×360); the 17 in the fourth place, 122,400 (17×7,200); and the 17 in the fifth place, 2,448,000 (17x144,000). The sum of these five products equals 2,577,301 (1+60+6,480+122,400+2,448,000).

The writing of numbers above 2,880,000 up to and including 12,489,781 (the highest number found in the codices) involves the use of six places, or terms--kins, uinals, tuns, katuns, cycles, and great cycles--the last of which (the sixth place) has the numerical value 2,880,000. It will be remembered that some have held that the sixth place in the inscriptions contained only 13 units of the fifth place, or 1,872,000 units of the first place. In the codices, however, there are numerous calendric checks which prove conclusively that in so far as the codices are concerned the sixth place was composed of 20 units of the fifth place. For example, the number 5,832,060 is expressed as in figure 63, _j_. The 0 in the first place equals 0 (0×1); the 3 in the second place, 60 (3×20); the 0 in the third place, 0 (0×360); the 10 in the fourth place, 72,000 (10×7,200); the 0 in the fifth place, 0 (0×144,000); and the 2 in the sixth place, 5,760,000 (2×2,880,000). The sum of these six terms equals 5,832,060 (0+60+0+72,000+0+5,760,000). The highest number in the codices, as explained above, is 12,489,781, which is recorded on page 61 of the Dresden Codex. This number is expressed as in figure 63, _k_. The 1 in the first place equals 1 (1×1); the 15 in the second place, 300 (15×20); the 13 in the third place, 4,680 (13×360); the 14 in the fourth place, 100,800 (14×7,200); the 6 in the fifth place, 864,000 (6×144,000); and the 4 in the sixth place, 11,520,000 (4×2,880,000). The sum of these six products equals 12,489,781 (1+300+4,680+100,800+864,000+11,520,000). {133}

It is clear that in numeration by position the order of the units could not be reversed as in the first method without seriously affecting their numerical values. This must be true, since in the second method the numerical values of the numerals depend entirely on their position--that is, on their distance above the bottom or first term. In the first method, the multiplicands--the period glyphs, each of which had a fixed numerical value--are always expressed[86] with their corresponding multipliers--the numerals 0 to 19, inclusive; in other words, the period glyphs themselves show whether the series is an ascending or a descending one. But in the second method the multiplicands are not expressed. Consequently, since there is nothing about a column of bar and dot numerals which in itself indicates whether the series is an ascending or a descending one, and since in numeration by position a fixed starting point is absolutely essential, in their second method the Maya were obliged not only to fix arbitrarily the direction of reading, as from bottom to top, but also to confine themselves exclusively to the presentation of one kind of series only--that is, ascending series. Only by means of these two arbitrary rules was confusion obviated in numeration by position.

However dissimilar these two methods of representing the numbers may appear at first sight, fundamentally they are the same, since both have as their basis the same vigesimal system of numeration. Indeed, it can not be too strongly emphasized that throughout the range of the Maya writings, codices, inscriptions, or Books of Chilam Balam[87] the several methods of counting time and recording events found in each are all derived from the same source, and all are expressions of the same numerical system.

That the student may better grasp the points of difference between the two methods they are here contrasted:

TABLE XII. COMPARISON OF THE TWO METHODS OF NUMERATION

FIRST METHOD | SECOND METHOD
|
1. Use confined almost exclusively | 1. Use confined exclusively to
to the inscriptions. | the codices.
|
2. Numerals represented by both | 2. Numerals represented by
normal forms and head variants. | normal forms exclusively.
|
3. Numbers expressed by using | 3. Numbers expressed by using
the numerals 0 to 19, inclusive, | the numerals 0 to 19,
as multipliers with the period | inclusive, as multipliers in
glyphs as multiplicands. | certain positions the
| fixed numerical values of
| which served as
| multiplicands.
|
4. Numbers presented as | 4. Numbers presented as
ascending or descending series. | ascending series
| exclusively.
|
5. Direction of reading either | 5. Direction of reading from
from bottom to top, or vice | bottom to top exclusively.
versa.

We have seen in the foregoing pages (1) how the Maya wrote their 20 {134} numerals, and (2) how these numerals were used to express the higher numbers. The next question which concerns us is, How did they use these numbers in their calculations; or in other words, how was their arithmetic applied to their calendar? It may be said at the very outset in answer to this question, that in so far as known, _numbers appear to have had but one use throughout the Maya texts, namely, to express the time elapsing between dates_.[88] In the codices and the inscriptions alike all the numbers whose use is understood have been found to deal exclusively with the counting of time.

This highly specialized use of the numbers in Maya texts has determined the first step to be taken in the process of deciphering them. Since the primary unit of the calendar was the day, all numbers should be reduced to terms of this unit, or in other words, to units of the first order, or place.[89] Hence, we may accept the following as the _first step_ in ascertaining the meaning of any number:

FIRST STEP IN SOLVING MAYA NUMBERS

Reduce all the units of the higher orders to units of its first, or lowest, order, and then add the resulting quantities together.

The application of this rule to any Maya number, no matter of how many terms, will always give the actual number of primary units which it contains, and in this form it can be more conveniently utilized in connection with the calendar than if it were left as recorded, that is, in terms of its higher orders.

The reduction of units of the higher orders to units of the first order has been explained on pages 105-133, but in order to provide the student with this same information in a more condensed and accessible form, it is presented in the following tables, of which Table XIII is to be used for reducing numbers to their primary units in the inscriptions, and Table XIV for the same purpose in the codices. {135}

TABLE XIII. VALUES OF HIGHER PERIODS IN TERMS OF LOWEST, IN INSCRIPTIONS

1 great cycle = [90]2,880,000
1 cycle 144,000
1 katun 7,200
1 tun 360
1 uinal 20
1 kin 1

TABLE XIV. VALUES OF HIGHER PERIODS IN TERMS OF LOWEST, IN CODICES

1 unit of the 6th place = 2,880,000
1 unit of the 5th place 144,000
1 unit of the 4th place 7,200
1 unit of the 3d place 360
1 unit of the 2d place 20
1 unit of the 1st place 1

It should be remembered, in using these tables, that each of the signs for the periods therein given has its own particular numerical value, and that this value in each case is a multiplicand which is to be multiplied by the numeral attached to it (not shown in Table XIII). For example, a 3 attached to the katun sign reduces to 21,600 units of the first order (3×7,200). Again, 5 attached to the uinal sign reduces to 100 units of the first order (5×20). In using Table XIV, however, it should be remembered that the position of a numeral multiplier determines at the same time that multiplier's multiplicand. Thus a 5 in the third place indicates that the 5's multiplicand is 360, the numerical value of the third place, and such a term reduces to 1,800 units of the first place (5×360=1,800). Again, a 10 in the fourth place indicates that the 10's multiplicand is 7,200, the numerical value corresponding to the fourth place, and such a term reduces to 72,000 units of the first place.

Having reduced all the terms of a number to units of the 1st order, the next step in finding out its meaning is to discover the date from which it is counted. This operation gives rise to the _second step_.

SECOND STEP IN SOLVING MAYA NUMBERS

Find the date from which the number is counted:

This is not always an easy matter, since the dates from which Maya numbers are counted are frequently not expressed in the texts; consequently, it is clear that no single rule can be formulated which will cover all cases. There are, however, two general rules which will be found to apply to the great majority of numbers in the texts:

_Rule 1._ When the starting point or date is expressed, usually, though not invariably, it precedes[91] the number counted from it.

It should be noted, however, in connection with this rule, that the starting date hardly ever immediately precedes the number from which it is counted, but that several glyphs nearly always stand {136} between.[92] Certain exceptions to the above rule are by no means rare, and the student must be continually on the lookout for such reversals of the regular order. These exceptions are cases in which the starting date (1) follows the number counted from it, and (2) stands elsewhere in the text, entirely disassociated from, and unattached to, the number counted from it.

The second of the above-mentioned general rules, covering the majority of cases, follows:

_Rule 2_. When the starting point or date is not expressed, if the number is an Initial Series the date from which it should be counted will be found to be 4 Ahau 8 Cumhu.[93]

This rule is particularly useful in deciphering numbers in the inscriptions. For example, when the student finds a number which he can identify as an Initial Series,[94] he may assume at once that such a number in all probability is counted from the date 4 Ahau 8 Cumhu, and proceed on this assumption. The exceptions to this rule, that is, cases in which the starting point is not expressed and the number is not an Initial Series, are not numerous. No rule can be given covering all such cases, and the starting points of such numbers can be determined only by means of the calculations given under the third and fourth steps, below.

Having determined the starting point or date from which a given number is to be counted (if this is possible), the next step is to find out which way the count runs; that is, whether it is _forward_ from the starting point to some _later date_, or whether it is _backward_ from the starting point to some _earlier date_. This process may be called the _third step_.

THIRD STEP IN SOLVING MAYA NUMBERS

Ascertain whether the number is to be counted forward or backward from its starting point.

It may be said at the very outset in this connection that the overwhelming majority of Maya numbers are counted _forward_ from their starting points and not backward. In other words, they proceed from _earlier to later dates_ and not vice versa. Indeed, the preponderance of the former is so great, and the exceptions are so rare, that the student should always proceed on the postulate that the count is forward until proved definitely to be otherwise. {137}

In the codices, moreover, when the count is backward, or contrary to the general practice, the fact is clearly indicated[95] by a special character. This character, although attached only to the lowest term[96] of the number which is to be counted backward, is to be interpreted as applying to all the other terms as well, its effect extending to the number as a whole. This "backward sign" (shown in fig. 64) is a circle drawn in red around the lowest term of the number which it affects, and is surmounted by a knot of the same color. An example covering the use of this sign is given in figure 64. Although the "backward sign" in this figure surrounds only the numeral in the first place, 0, it is to be interpreted, as we have seen, as applying to the 2 in the second place and the 6 in the third place. This number, expressed as 6 tuns, 2 uinals, and 0 kins, reduces to 2,200 units of the first place, and in this form may be more readily handled (first step). Since the starting point usually precedes the number counted from it and since in figure 64 the number is expressed by the second method, its starting point will be found standing below it. This follows from the fact that in numeration by position the order is from bottom to top. Therefore the starting point from which the 2,200 recorded in figure 64 is counted will be found to be below it, that is, the date 4 Ahau 8 Cumhu[97] (second step). Finally, the red circle and knot surrounding the lowest (0) term of this 2,200 indicates that this number is to be counted _backward_ from its starting point, not forward (third step).

On the other hand, in the inscriptions no special character seems to have been used with a number to indicate that it was to be counted backward; at least no such sign has yet been discovered. In the inscriptions, therefore, with the single exception[98] mentioned below, the student can only apply the general rule given on page 136, that in the great majority of cases the count is forward. This rule will be found to apply to at least nine out of every ten numbers. The exception above noted, that is, where the practice is so uniform as to render possible the formulation of an unfailing rule, has to do with Initial Series. This rule, to which there are no known exceptions, may be stated as follows:

_Rule 1_. In Initial Series the count is _always forward_, and, in general throughout the inscriptions. The very few cases in which the count _is_ backward, are confined chiefly to Secondary Series, and it is in {138} dealing with this kind of series that the student will find the greatest number of exceptions to the general rule.

Having determined the direction of the count, whether it is forward or backward, the next (_fourth_) step may be given.

FOURTH STEP IN SOLVING MAYA NUMBERS

To count the number from its starting point.

We have come now to a step that involves the consideration of actual arithmetical processes, which it is thought can be set forth much more clearly by the use of specific examples than by the statement of general rules. Hence, we will formulate our rules after the processes which they govern have been fully explained.

In counting any number, as 31,741, or 4.8.3.1 as it would be expressed in Maya notation,[99] from any date, as 4 Ahau 8 Cumhu, there are four unknown elements which have to be determined before we can write the date which the count reaches. These are:

1. The day coefficient, which must be one of the numerals 1 to 13, inclusive.

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An Introduction to the Study of the Maya HieroglyphsChapter VI: is reached, which treats of the codices exclusively. {96} (2)

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