Chapter V: of the text. No. 1 represents a waggon-head vault

with an intersecting vault occupying part of its length. No.
2 represents one of the expedients adopted for vaulting an
oblong compartment before the pointed arch was introduced.
The narrower arch is stilted and the line of the groin is
not true. No. 3 represents a similar compartment vaulted
without any distortion or irregularity by the help of the
pointed arch. No. 4 represents one lay of a sexpartite
Gothic vault. No. 5 represents a vault with lierne ribs
making a star-shaped pallom on plan, and No. 6 is a somewhat
more intricate example of the same class of vault.

Vaults are met with in Renaissance buildings, but they are a
less distinctive feature of such buildings than they were in
the Gothic period; and in many cases where a vault or a
series of vaults would have been employed by a Gothic
architect, a Renaissance architect has preferred to make use
of a dome or a series of domes. This is called domical
vaulting. Examples of it occur occasionally in Gothic work.

WAGGON-HEAD VAULTING, OR BARREL-VAULTING.--A simple form of
tunnel-like vaulting, which gets its name from its
resemblance to the tilt often seen over large waggons, or to
the half of a barrel.

WAINSCOT.--(1) The panelling often employed to line the
walls of a room or building; (2) a finely marked variety of
oak imported chiefly from Holland; probably so called
because wainscot oak was at one time largely employed for
such panelling.

WEATHERING.--A sloping surface of stone employed to cover
the set-off (which see) of a wall or buttress and protect it
from the effects of weather.

WHEEL WINDOW.--A circular window, and usually one in which
mullions radiate from a centre towards the circumference
like the spokes of a wheel; sometimes called a rose-window.

WINDOW-HEAD.--For illustrations of the various forms and
filling-in of Gothic window-heads, see the words Arch and
Tracery.

HEAD AND TAILPIECES.

PAGE

HEADPIECE.--CRETE FROM NOTRE DAME, PARIS 1

" SCULPTURED ORNAMENT FROM RHEIMS CATHEDRAL 6

" " " SENS CATHEDRAL 21

" " " WESTMINSTER ABBEY 28

TAILPIECE.--NORMAN CAPITALS 44

HEADPIECE.--SCULPTURED ORNAMENT FROM WESTMINSTER ABBEY 45

TAILPIECE.--MISERERE SEAT FROM WELLS CATHEDRAL 68

HEADPIECE.--STAINED GLASS FROM CHARTRES CATHEDRAL 69

TAILPIECE.--MISERERE SEAT FROM WELLS CATHEDRAL 92

" ORNAMENT FROM RHEIMS CATHEDRAL 153

HEADPIECE.--RENAISSANCE ORNAMENT FROM A FRIEZE 154

" FROM A TERRA-COTTA FRIEZE AT LODI 165

TAILPIECE.--FROM A DOOR IN SANTA MARIA, VENICE 192

HEADPIECE.--ORNAMENT BY GIULIO ROMANO 193

" FROM A FRIEZE AT VENICE 235

THE END-PAPERS ARE FROM A TAPESTRY IN HARDWICK HALL.

GOTHIC ARCHITECTURE.