Chapter VI: VI (8)
During the first year I was in England I sometimes saw harrowing scenes among the poor German families stranded and wrecked in London. These poor people flocked to the Prussian Legation. Generally they could only see the porter. If they were lucky, they saw a secretary; and, if very lucky, the Minister himself, Bunsen, came to see them in the hall. Now and then I was sent to find out what might be true in the heart-rending stories they told. And often there was plenty of truth in them. Father, mother, and children had been tempted away from a small village in the Black Forest or the Erzgebirge. They had been told that England was made of gold and silver, and that they had only to scratch the soil to get as much as they wanted and bring it home. They believed it all, and when they saw the glistening white chalk cliffs near Dover, they thought they were all of silver. Then when they came to London, the misery began, and began very soon. They were hungry, the children were sickly, and there was nothing for them to do to earn an honest penny. Nothing remained but to earn dishonest pennies, and in this they were readily helped by all the people around them.
I cannot tell the harrowing scenes I saw. Those who care to know what is going on among the poor German families in London should go themselves, and they would see more than they would wish ever to have seen. One case I shall never forget, and it is perhaps as well that people should know these things. In one room on a miserable bed there lay a poor girl, quite young, who had given birth to a child. The child had fortunately died. The people about her had been kind to her, and done all they could be expected to do. But, oh! the sad, half-delirious face of the dying mother, for there could be no doubt that she was dying. And what was her story? As far as I could find out from the women about her, she was the daughter of a German clergyman. A young Englishman had come to their vicarage to learn German. He had fallen in love with his pretty German teacher, and the poor girl had fallen in love with him. He had promised her marriage, and when she could no longer hide her state from her parents she had been persuaded by her lover to follow him to England. In London he had left her with a small sum of money at a little German hotel, promising to come back as soon as possible after he had seen his father. When the money which he had left for her became low, she had been sent to a poor German family. She never believed that he whom she called her English husband had forsaken her. Something, she felt sure, had happened to prevent him from coming back to her. I hope she was right. However, he never came; she died, and died in agonies, calling for him, for her child, for her happy home in Germany, and with her last breath and her last tears for her mother! She never divulged any names. She died and was buried with her child.
Can society do nothing for these poor victims? Can we only call them hard names—some of them being the most gentle, the most loving, the most innocent creatures in the world! Have we not even some Pharisees left among us who will go out one by one, beginning at the eldest even unto the last, instead of throwing a stone at her? Who is to solve this problem if not He who said: “Neither do I condemn thee; go, and sin no more”? And she, the poor girl, was she really so great a sinner? She did not look so. And if she was, had she not expiated her sin and been purified by the most awful suffering? She looked so pure and innocent that Heine’s lines were constantly coming into my mind:—
Mir ist’s als ob ich die Hände
Auf’s Haupt Dir legen sollt’,
Und beten dass Gott Dich behüte,
So fromm, so rein, so hold.
Poor girl! I felt for her with all my heart, but I had but few words of comfort for her. How difficult it is to judge. Love, youth, nature, and ignorance have to be reckoned with in our judgments; and society, which no doubt has to enforce certain laws for its own protection, should distinguish at least between sins against society and sins against God, before whom one untrue and unkind word, written or spoken, may weigh heavier in the scales, for all we know, than the sin of many a heart-broken girl.
INDEX
Abeken, 265
Albany, Duke of, 276–280
Albrecht the Bear, 211, 228–230
Alliterative poetry, 44–47
Americans, 167, 169
Anhalt-Coethen, last Duke of, 235–237
Anhalt-Dessau, Duke of, 230, 231
Anhalt-Dessau, Duchess of, 78, 245
Arndt, Moritz, 66, 67
Arnold, Matthew, 86, 120,1 28–142
Ascania, 230 _n._
Basedow, 6, 53
Basedow, Adolf von, 68, 69
Beck, Karl, 67
Bedesmen, 299, 300
Beethoven, 3, 4
Begging, excitement of, 290–292
Bennett, Sterndale, 30
Bernhard of Clairvaux, 227
Bhikshus, 299
Bird, R. Mertyns, 87
Bismarck, 248, 261, 269
Bluegowns, 299
Blum, Robert, 66, 69, 70
Boeckh, 24
Boetticher, Karl. _See_ Lagarde.
Brahms, 3
Brazil, late Emperor of, 280–285
Brother, M. M.’s, 296–299
Browning, Robert, 41, 86, 120, 143, 159–162
Brugsch Pasha, 251
Bunsen, 306
Burnouf, Eugène, 136
Byron, 49
Carlyle, 86, 102, 103
Cetto, Baron, 254
Charity Organization Society, 300
Chorus = dance, 43, 44
Christian, Prince of Anhalt, 224
Church, Dean, 145
Clough, 86, 127, 128
Conservatoire, Paris, 15
Coxe, Rev. H. O., 303
Crown Prince (Emperor Frederick), 257–272
Curtius, Ernst, 256
Danish officer begging, 293–295
Darwin, 86, 202–204
Darwinian School, 194, 200–202
David, 3, 13, 18
Dessau, 5, 6
Dickens, 126, 127
Dindorf, 306, 308
Donkin, Professor, 36
Doyle, Sir F., 144
Eckstein, Baron von, 72
Emerson, 86, 148, 149, 170–177
Eugénie, the Empress, 208
Evolution, 194–200
Faraday, 86, 191–193
Feet in poetry, 42–45
Fiske, John, 137
Fontane, Theodor, 61
Foreigners in distress, Society for relieving, 302
Frederick the Great, 221, 222
Frederick William IV., 245–247, 249, 251, 260, 270, 271
Froude, J. A., 49, 86, 88–106, 138, 146
Gaberlunzie men, 299
Gaisford, Dean, 35
George, Prince of Anhalt, 226
German girl dying, 318
German principalities, 215
German tailor, poor, 312–315
German teacher, poor, 315–317
Gewandhaus Concerts, 13, 16, 27
Gibbon, 98, 99, 146
Goethe, 48, 52–54, 76, 137–139, 141, 142, 218, 234
Goldstücker, 247
Grant, Sir A., 145
Granville, Lord, 275
Greek coins, theft of, 309, 310
Grote, 86, 146
Gustavus Adolphus, 224, 225
Haupt, Professor, 56
Haydn, 3
Heine, H., 41, 48, 57–62
Helmholtz, 137
Helps, Sir A., 86, 188
Hensel, Fanny, 22–25, 27
Herder, 234
Herlossohn, 67
Herodotus, 99
Herwegh, 64–66
Hiller, 13, 17, 30, 31
Holland, late Queen of, 284, 285
Holmes, Oliver Wendell, 86, 169, 181–184
Hugo, Victor, 72, 158
Humboldt, Alexander von, 245, 248–251
Hummel, 21
Hundred Greatest Men, 137
Huxley, 86, 120
Jellineck, 70
Johnson, Manuel, 145
Jowett, 145
Jubilee, the Diamond, 285–288
Kalliwoda, 14, 18
Karl, August, Duke of Weimar, 219, 234
Kerner, J., 54, 55
Kingsley, Charles, 47, 86, 105–119
Klingemann, 32
Kühne, 67
Lagarde, Paul de, 82
Lamartine, 71–74
Lamennais, 72
Laube, 67
Lavater, 219
Leopold Friedrich, late Duke of Dessau, 210–215, 233, 237, 243
Leopold Friedrich Franz, Duke of Dessau, 217–220
Leopold, the old Dessauer, 220–223
Lepsius, 305, 307
Lightfoot, Bishop of Durham, 268
Lind, Jenny, 16, 34, 35
Liszt, 16–21
Livy, 99
Longfellow, 181
Lowell, 86, 170, 177–181
Luther, 224–226
Lyall, 86
Lytton, Lord, 188–190
Macaulay, 86, 99, 102, 185–187
Martineau, Rev. Dr., 86
Matthison, 219
Maurice, Frederick, 86, 192
Melody, 1, 27
Mendelssohn, 3, 4, 9, 10, 13, 18, 19, 21–27, 31–33
Metre, 42–45
Meyer, Dr. Karl, 273 _n._
Mill, J. S., 192
Milman, Dean, 192
Morier, 145
Moscheles, 21, 30
Mozart, 3, 4, 8
Müller, Wilhelm, 16, 48–55, 56, 84
Napoleon, 219
Natural selection, 195
Neate, 125, 145
Newman and Kingsley, 113–116
Novello, Clara, 30
Oriental languages, School of, 275, 276
Orléans, Duchesse d’, 73, 74
Ouseley, Sir F., 38
Owen, Sir Richard, 86
Palgrave, F., 144, 145
Platen, 40–42
Poetry, 139–143
Porter, Noah, 137
Prince Consort, 271, 272–275
Prussia, Prince of, 252–256
Prussia, Princess of, 256, 257
Pusey and Kingsley, 116
Raleigh, Sir Walter, 99
Ranke, 100
Renan, 137
Rhyme, 40–48
Roggenbach, Baron, 256
Rosen, F., 32
Royal Institution, 193
Rückert, 42, 46, 75–85
Ruskin, 86, 147–152
Russell, Lord John, 274
Sandars, 145
Sand, George, 72
Schiller, 234
Schlœzer, 256
Schneider, F., 8, 10, 12
Schubert, 16, 49
Schumann, 4, 18, 27–30
Schwab, G., 54
Sedgwick, 86
Sellar, 145
Sewell, Dr., 89
“S. G. O.,” 88
Shaftesburys, the three Lord, 130–133, 135
Shairp, John, 144
Shakespeare, 141
Shapira, 308
Simonides, 303–308
Socialism, Christian, 111
Stainer, Sir John, 37
Stanley, Dean, 1, 34, 86, 107, 116, 137, 193, 208, 285
Stanley, Lady, 193
Stern, Daniel, 73
Stockhausen, 16
Stockmarr, General, 240
Strophe, antistrophe, 43
Stubbs, Dr., 104, 105
Taine, H., 137
Tennyson, 41, 47, 86, 152–159, 285
Thackeray, 124–126
Thalberg, 30
Thirlwall, Bishop, 86, 192
Thirty-nine Articles, 141
Translations, 93, 97
Trinity, doctrine of the, 130–135
Trithen, Dr., 149
Turner’s pictures, 151
Tyndall, 120
Uhland, 54, 56
Uranios, Simonides’ forgery of, 304–308
Versus, 43
Vineta, 50
Wagner, 4
Wales, Prince of, at Oxford, 276
Weber, C. M., 11
Whewell, 86
Wieck, Clara (Madame Schumann), 17, 21, 28, 29
Wieland, 219, 234
William I., 265, 272
William II., 267
Winckelmann, 218
Wörlitz, 219, 225
Wolfgang, Prince of Anhalt, 225
Wolfsohn, 62
Wolverton, Lord, 86
-----
Footnote 1:
See M. M., “Vedic Hymns,” S.B.E., vol. xxxii., p. 96.
Footnote 2:
Autobiographie, p. 224.
Footnote 3:
“Neugriechische Volkslieder,” gesammelt von C. Fauriel, übersetzt von
Wilhelm Müller, Leipzig, 1825.
Footnote 4:
See J. Kerner, “Die Seherin von Prevorst,” 1829.
Footnote 5:
The metre used in his volume of “Tragödien nebst einem lyrischen
Intermezzo,” Berlin, 1823. I possess a copy of it with Heine’s
dedication: “Als ein Zeichen seiner Achtung und mit dem besonderen
Wunsche, dass der Waldhornist das lyrische Intermezzo seiner
Aufmerksamkeit würdige, überreicht dieses Buch der Verfasser.”
Footnote 6:
As many of my unknown friends have come to my assistance and sent me
Herwegh’s poem I feel bound to give it here in its entirety:—
STROPHEN AUS DER FREMDE.
Ich möchte hingeh’n wie das Abendroth,
Und wie der Tag mit seinen letzten Gluthen—
O! leichter, sanfter ungefühlter Tod!—
Mich in den Schoosz des Ewigen verbluten.
Ich möchte hingeh’n wie der heitre Stern,
In vollstem Glanz in ungeschwächtem Blinken;
So stille und so schmerzlos möchte gern
Ich in des Himmels blaue Tiefen sinken.
Ich möchte hingeh’n wie der Blume Duft,
Der freudig sich dem schönen Kelch entringet
Und auf dem Fittig blüthenschwangrer Luft
Als Weihrauch auf des Herrn Altar sich schwinget.
Ich möchte hingeh’n wie der Thau im Thal,
Wenn durstig ihm des Morgens Feuer winken;
O wollte Gott, wie ihn der Sonnenstrahl,
Auch meine lebensmüde Seele trinken!
Ich möchte hingeh’n wie der bange Ton,
Der aus den Saiten einer Harfe dringet;
Und, kaum dem irdischen Metall entfloh’n,
Ein Wohllaut, in des Schöpfers Brust verklinget.
Du wirst nicht hingeh’n wie das Abendroth,
Du wirst nicht stille, wie der Stern, versinken,
Du stirbst nicht einer Blume leichten Tod,
Kein Morgenstrahl wird deine Seele trinken.
Wohl wirst du hingeh’n, hingeh’n ohne Spur,
Doch wird das Elend deine Kraft erst schwächen
Sanft stirbt es einzig sich in der Natur,
Das arme Menschenherz muss stückweis brechen.
Footnote 7:
See Brugsch, “Mein Leben,” p. 104.
Footnote 8:
“Literature and Dogma,” 1873, pp. 305, _seq._
Footnote 9:
“Literature and Dogma,” p. 143.
Footnote 10:
Schiller’s “Wallenstein,” Prolog, vv. 48, 49.
Footnote 11:
This was written in 1851, and here in 1897 that Welcome has never
ceased to be a blessing to me.
Footnote 12:
I had written some articles in _The Times_ to show that when we meet
with jade tools in countries far removed from the few mines in which
jade is found, we must admit that they were carried along as precious
heirlooms by the earliest emigrants from Asia to Europe, by the same
people who carried the tools of their mind, that is the words of their
language, from their original homes to the shores of the
Mediterranean, to Iceland, to Ireland, and in the end to America.
Footnote 13:
(“Professor” I would fain have said,
But the pinched line would not admit it,
And where the nail submits its head,
There must the hasty hammer hit it!)
Footnote 14:
“Lectures on the Science of Language,” vol. ii., p. 343.
Footnote 15:
Ascania seems to have been the Latin rendering of Asgaria, which
appears on the map as Ascharien, and is now called Aschersleben. It
must have been very tempting for a mediæval Latin scholar to see in
Asgaria or Ascharia a trace of Ascanius, the son of Aeneas. Old local
names, however, are difficult to explain, particularly if they occur
on German soil that was formerly occupied by Slavonic tribes, because
the Germans often mispronounced and then misinterpreted Slavonic
names. It is easy to guess, but often difficult to prove their
original form and meaning. If, as seems but fair, we admit a German
origin for _Asgaria_ or Ascharien, it is most natural to see in it a
modification of the well-known word _As-gard_, _i.e._, the home of the
gods. Âs (or ass), plus-aesir, was a name of the gods in Old Norse; in
Gothic it would have been, as Grimm has shown (“Deutsche Mythol.,” p.
22), Anses, and this is found in several proper names such as Ansgâr,
AS. Oscar, god-spear. The Swedish åska, lightning, thunder, if it
stands for ás-ekja, meant originally the driving of the god, _i.e._,
of Thor, thunder being supposed to be due to the rattle of his
chariot. Proper names such as Ásbjörn, Ásmodr display the same
element. Asgard is the abode of the gods, by the side of Mitgart, the
abode of men, or the earth, and would have supplied a very natural
name either for a sanctuary or for any place sacred to the gods. But
though our way seems easy from Asgard to Asgaria, Ascania, Ascharien
and even Aschersleben, and though in Esics also, the name of a Prince
of Asgaria, we may recognise a derivation of Âs, meaning divine or
beloved by the gods, Gottlieb, there is another word that may put in a
claim on Askanius if that was not a more learned corruption of
Asgaria. For Askr in German mythology (Grimm, _l.c._, p. 327) is the
first man, and means ashtree, and from him the Iscaevones, mentioned
by Tacitus, derived their name (Grimm, _l.c._, p. 324). According to
tradition the first King of the Saxons also was called Aschanes, and
he is said to have sprung from a rock in the midst of a wood (Grimm,
_l.c._, p. 537). We must admit therefore the possibility that our
Ascanius was a German word Aschanes, and in that case had nothing to
do with Âs, aesir, the ancient gods of the Scandinavians. Having met
with these various traces of the gods as the names of men and places
in Anhalt, one feels tempted to see in the An of Anhalt too a remnant
of the same name. Anhalt is explained as the place ane holt, without
wood, but as it seems to have stood in the very midst of a wood, or an
der halde, near the precipice, this derivation is not very likely.
Others take it in the modern sense of Anhalt, a firm hold or safe
refuge. All this is possible, but it is likewise possible to take An
for Ans, so that Anhalt might have been the wood or grove of the gods.
We must not lay too much stress on the loss of the s, particularly if
by a popular etymology Anhalt had been made to convey the meaning of
support or stronghold. All these are and can only be guesses, and
certainty could only be gained, if at all, from old historical
documents giving the original forms of all these names and trustworthy
indications as to how they arose. The whole question is one for the
historian rather than for the philologist, and I gladly leave it to
them to solve the riddle if they can.
Footnote 16:
Dr. Meyer was a most interesting character. He had been for years in
Bunsen’s house, formerly private secretary to Schelling, the
philosopher. He was a poet and a scholar, very strong in Welsh, having
spent many years travelling about in Wales. He certainly was not cut
out for life at court. After leaving England he spent the last years
of his life as reader to the old Emperor of Germany; a most faithful
soul, and full of varied information. Some of his occasional poems
were beautiful, his “Bellone Orientalis” a masterwork; but they are
all forgotten now. Dr. Meyer was devoted to the Prince, and much that
the world does not know of him, and never will know, I learnt at the
time from Dr. Meyer.
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TRANSCRIBER’S NOTES
1. Silently corrected obvious typographical errors and variations in spelling. 2. Retained archaic, non-standard, and uncertain spellings as printed. 3. Enclosed italics font in _underscores_. 4. The music files are the music transcriber's interpretation of the printed notation and are placed in public domain.
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Auld lang syneChapter VI: VI (8)
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