Chapter XVIII: Part II: (2 and 1b). For clavichord. See p. 131

_Sonatas (213) in A minor._ From a sonata for two violins,
viola da gamba and bass in Reinken’s “Hortus Musicus.”

_In C major._ Arranged from Reinken’s “Hortus Musicus.”

_In D minor._ Arranged from the sonata in A minor for violin
alone (228).

_Prelude and Fugue in E flat (214)._

_Fugue in B minor (214)._

_Suites in A minor (214)._

_In E flat._

_In G._

_Preludio con Fughetta in F (214)._

_In G._

_Prelude in G (214)._

_The adagio of violin solo sonata in C arranged for clavier (214)._

_Chromatic Fantasia and Fugue in D minor (207)._

_Prelude and Fugue in A minor (207)._ Composed at Cöthen.

_Toccata and Fugue in E minor (210)._ The toccata is in three
movements.

_Toccata and Fugue in F sharp minor (210)._ Allegro moderato,
lento, fugue (for three voices) allegro moderato fugue (for four
voices).

_Toccata and Fugue in C minor (210)._ The toccata is in two
movements--allegro moderato and adagio.

_Fantasia and Fugue in A minor (208)._

_Fantasia and Fughetta in B flat (212)._ These are written on
one stave, with figures for the harmony.

_In D._

_Capriccio sopra la lontananza del suo fratello dilettissimo
(208)._ See p. 28.

_Toccata and Fugue in D minor (210)._ The toccata contains
three movements--allegro moderato, allegro, adagio.

_Four Duets (208)._ For right and left hand.

_A Prelude with Fugue on the notes B, A, C, H (212)._ Apocryphal.

_Six Partitas in B flat, C minor, A minor, D, G, E minor
(205)._ From the Clavierübung, Part I.

_Concerto “in the Italian style” (207)._ From the Clavierübung,
Part II.

_Suite in B minor (208) or Partita._ From the Clavierübung,