Chapter VI: Introduction (2)

Along with the theory of warning coloration the theory of _mimicry_ has been propounded. According to this if a butterfly in a given region shows warning coloration, having developed such coloration because it is distasteful to birds and mammals, it may be mimicked by another butterfly in the same region belonging to another group, the latter butterfly being edible, but benefiting by its resemblance to the distasteful species, because birds or mammals mistake it for the latter and do not attempt to catch it. The most notable example of such mimicry in North America is that of the Monarch butterfly, which is supposed to be the distasteful species, and the Viceroy butterfly, which is supposed to mimic it. Several other instances of mimicry are found among our own butterflies, while in South America, Africa, and Asia there are numberless examples.

HELIOTROPISM

It has long been known that the green surfaces of plants respond to the stimulus of the sun's rays in a most remarkable manner. This response has commonly been called _heliotropism_ and it has been carefully studied by botanists all over the habitable world. More recently, the fact has been observed that many animals respond in certain definite ways to the stimulus of direct sunshine and the same term has been applied in this case. Very little attention has been given to the subject of heliotropism until within a few recent years. But the observations which have been made by Parker, Longstaff, Dixey, and others open up a most interesting field for further observation. An admirable summary of our present knowledge of the subject has been published by Dr. Longstaff in his book "Butterfly Hunting in Many Lands."

One of the earliest observations upon this subject was that published in my book "Nature Biographies" which appeared in June, 1901, concerning the habit in the Mourning Cloak: "On a spring-like day early in November (the 8th) I came across one of these butterflies basking in the sunshine upon the ties of a railway track. It rested with its wings wide open. On being disturbed, it would fly a short distance and then alight, and I was interested to notice that after alighting it would always turn about until the hind end of its body pointed in the direction of the sun, so that the sun's rays struck its wings and body nearly at right angles. I repeatedly observed this habit of getting into the position in which the most benefit from the sunshine was received, and it is of interest as showing the extreme delicacy of perception toward the warmth of sunshine which these creatures possess."

A little later, some very elaborate observations were made upon this habit of the Mourning Cloak by Prof. G. H. Parker of Harvard University. Professor Parker noticed that during the warm spells in winter the butterflies came out of their hiding places and after alighting, always placed themselves with their heads away from the direction of the sun and their bodies lying nearly at right angles to the sun's rays. By experiment, he found that they adjusted themselves to this position as soon as they were fully exposed to direct sunshine, even if at the time of alighting they were in a shadow. He found that this movement was a reflex action through the eyes, for when the eyes were blinded no such adjustment took place. He called it _negative heliotropism_.

Dr. Longstaff uses the term _orientation_ for this adjustment of the butterfly to the sun's rays and he finds it is a very general habit, especially with the Angle-wings, for the butterfly thus to orient itself after alighting, in such a way that the hind end of the body points toward the sun. This occurs not only with those species which keep their wings spread open when they alight but also with those in which the wings are closed together and held in a vertical position on alighting.

Various explanations of this phenomenon have been offered but apparently none of them are yet generally accepted. Were the habit confined to butterflies like the Mourning Cloak, it would seem easy to prove that a main advantage was found in the benefit derived from the heat rays of the sun. Were it confined to those species which always fold their wings on alighting, it would seem easy to believe that it was a device for reducing the shadow cast by the insect to its lowest terms. It has also been suggested that the habit is for the purpose of revealing to the fullest extent the markings of the butterfly. Evidently there is here an ample field for further investigation before definite conclusions are reached.

LIST AND SHADOW OBSERVATIONS

Another field for most interesting studies upon the habits of living butterflies has been opened up by the very interesting discussion of _list and shadow_ in Colonel G. B. Longstaff's fascinating book, "Butterfly Hunting in Many Lands." He there summarizes his numerous observations upon butterflies in various localities which he has seen to lean over at a decided angle when they alight. He defines "_List_" as "an attitude resulting from the rotation of the insect about its longitudinal axis, as heliotropism results from a rotation about an imaginary vertical axis at right angles to this." The name is adapted from the sailors' term applied to a vessel leaning to one side or another in a storm.

Apparently this interesting habit was first called to the attention of European entomologists by an observation of Colonel C. T. Bingham made in 1878, but not published until long afterward. The observation was this:

"The _Melanitis_ was there among dead leaves, its wings folded and looking for all the world a dead, dry leaf itself. With regard to Melanitis, I have not seen it recorded anywhere that the species of this genus when disturbed fly a little way, drop suddenly into the undergrowth with closed wings, and invariably lie a little askew and slanting, which still more increases their likeness to a dead leaf casually fallen to the ground."

Long before this was printed, however, a similar habit had been observed by Scudder in the case of our White Mountain butterfly (_Oenis semidea_). But this species is so exceptional in its habitat that the habit seems to have been considered a special adaptation to the wind-swept mountain top. The possibility of its being at all general among the butterflies in lowlands seems to have been overlooked.

The observations recorded by Longstaff relate chiefly to various members of the Satyrid group. For example, a common Grayling, _Satyrus semele_, was watched many times as it settled on the ground. As a rule three motions are gone through in regular sequence: the wings are brought together over the back; the forewings are drawn between the hind wings; the whole is thrown over to right or left to the extent of thirty, forty, or even fifty degrees.

This habit, of course, is of advantage to the insect. It seems possible that the advantage might be explained in either of two ways: first, the leaning over on the ground among grasses and fallen leaves might help to render the disguising coloration of the insect more effective, the large ocelli serving to draw the eye away from the outline of body and wing; second, the listing of the butterfly toward the sun tends to reduce the shadow and to hide it beneath the wings. There is no doubt that when a Grayling butterfly lights upon the ground in strong sunshine the shadow it casts is more conspicuous than the insect itself and the hiding of this might be of distinct advantage in helping it to escape observation. It is significant that in England the butterflies observed appear to lean over more frequently in sunshine than in shade. An observation of Mr. E. G. Waddilove, reported by Colonel Longstaff, is interesting in this connection:

"A Grayling settled on a patch of bare black peat earth, shut up its wings vertically, and crawled at once some two yards to the edge of the patch to where some fir-needles, a cone or two, and a few brittle twigs were lying, and then becoming stationary threw itself over at an angle of some forty-five degrees square to the sun. It thus became quite indistinguishable from its surroundings."

Apparently, some of the Angle-wings may have the same habit, for in Barrett's "Lepidoptera of the British Islands," there is a note in regard to _Grapta C-album_ to the effect that it is fond of sunning itself in roads, on warm walls, or on the ground upon dead leaves in sheltered valleys. "Here, if the sun becomes overclouded, it will sometimes close its wings and almost lie down, in such a manner that to distinguish its brown and green marbled under side from the dead leaves is almost impossible."

Here is a most fascinating opportunity for American observers to determine definitely the facts in regard to our numerous species of butterflies that may show this habit. An observer with a reflex type of camera might easily be able to get pictures that would be of great value in helping to determine the principal facts in regard to the subject. Our common Graylings and numerous species of Angle-wings are so abundant and easily observed that they offer splendid opportunities to any one who will undertake a serious study of the subject.

PARASITIC ENEMIES

All three of the earlier stages of butterflies--egg, larva, and chrysalis--are subject to attack by various parasitic insects which develop at the expense of the host. Such parasites are probably the most important check upon the increase of butterflies, and along with birds, mammals, and bacterial diseases, they help to keep up that balance of nature which in the long run maintains a surprising uniformity in the numbers of each kind of butterfly.

For the most part these insect parasites are small four-winged flies, although many of them are two-winged flies. In either case the life stages show a series of changes much like those of the butterflies themselves. Each parasite exists first as an egg, second as a larva, third as a pupa, and fourth as an adult fly. The larval stage, however, is simply that of a footless grub which lives within the body of its victim absorbing its life blood and gradually killing it.

The parasites of butterfly eggs are legion. They are tiny flies whose life-story in briefest summary is this: The butterfly lays an egg. The parasite fly finds this egg soon after it is laid, and pierces the shell with her tiny, sharply pointed ovipositor and deposits inside of the shell her own microscopic egg. This egg within the egg soon hatches into a curious little larva that develops at the expense of the contents of the butterfly egg shell, and soon absorbs the whole of them. The parasite larva now changes to a pupa which a little later changes again to an adult fly like the one that laid the parasite egg in the beginning. Of course the butterfly egg never hatches into a caterpillar.

One of the most interesting questions in regard to these egg parasites is this: How does the tiny parasitic fly find the newly laid egg? One would think that the proverbial search for a needle in a haymow would be an easy task compared with that of a fly about as large as the head of a pin finding a butterfly egg of similar size upon some part of one of the millions of leaves upon the trees and shrubs in field and forest. Yet the search is successful, as every one who has tried to get caterpillars from eggs found out of doors will testify. On a later page in this book, in connection with the story of the life of the Mourning Cloak butterfly, I have recorded some observations upon the little parasite which seemed to have been riding around upon the body of the butterfly waiting for her to lay her eggs.

For one parasite upon the eggs of butterflies, there probably are dozens that attack the caterpillars. A large proportion of the butterfly larvae brought in from outdoors, especially those which are half-grown or more, will yield not butterflies but parasites. This is the experience of practically every one who attempts to rear these insects, and it emphasizes the value of the advice that in order to get fine specimens, it is desirable to rear them from eggs laid by butterflies beneath netting or in cages.

The life-histories of the parasites that attack caterpillars vary greatly. The simplest are those of the large Ichneumon flies: The mother fly lays an egg beneath the skin of the caterpillar. The egg hatches into a larva that absorbs the fatty parts of the body of the caterpillar, gradually growing larger and larger until at last it reaches a length of possibly an inch. By this time it is likely to have absorbed so large a part of the inside of the caterpillar that the latter dies. The parasite larva now changes to a pupa, either inside or outside the skin of the caterpillar, and a little later changes again to an adult Ichneumon fly.

In the case just given, one egg only was deposited within the skin of the caterpillar. In many others, however, a large number of eggs may be so deposited by a single fly. A special group of Ichneumon flies, called the Microgasters, contains many parasites that have this peculiarity. The Microgaster larvae on coming forth from the caterpillar have the habit of spinning tiny cocoons within which they change to pupae. By collecting some cabbage worms which are nearly full grown, and keeping them in a glass jar one can generally get a considerable number of these Microgaster cocoons and rear the flies from them.

Another group of caterpillar parasites is still more minute. They are called the Chalcid flies. Their life-histories are full of interest, and might easily furnish opportunity for a long lifetime of study and experiment. One is likely to get hundreds of these Chalcid flies from a single caterpillar.

Another interesting group of parasites is that of the two-winged Tachina flies (_see cut on this page_). The life-story of some of these is comparatively simple: a buzzing fly, looking much like a large housefly, lays a small whitish egg upon the skin of a caterpillar. This egg is glued tightly and is large enough to be readily seen by the unaided eye. It hatches into a tiny larva that eats its way through the part of the shell glued to the caterpillar's skin, and through the latter at the same time. So the newly hatched Tachina larva finds itself in the body of its caterpillar host. It lives there, absorbing the fatty juices around it until at last it either kills or stupefies its unfortunate victim. It has then become full grown as a larva, and its last larval skin hardens into a brown pupa-case within which the little creature changes into a pupa. It may or may not have burrowed through the skin of the caterpillar before this happened. A little later the pupa changes to a Tachina fly which breaks apart the pupa-case and flies out into the world.

It has lately been found, however, that many Tachinids have much more complicated life-histories than this. I have already discussed some of the more important of these in my book entitled, "Seeing Nature First" (_pages 150-158_).

One can frequently rear parasites from the chrysalids of butterflies, but in many cases it is probable that these began their parasitic development in the caterpillars, which were able to change to chrysalids before being killed. In some cases, however, the chrysalids seem to be attacked, especially by certain Ichneumon flies.

REARING BUTTERFLIES FROM CATERPILLARS

There are few things in the world more interesting to watch than the wonderful changes which a moth or butterfly goes through in the course of its life. You find on a tree or shrub a worm-like caterpillar. You take it in charge, placing it in a box or jar where you can provide leaves for its food and soon it either spins around itself a silken shroud, thus hiding from your sight, or else it simply seems to change to a lifeless object without eyes or wings or legs, unable to move about and motionless, save for a slight wriggle when you touch it. Yet if you keep the shroud or the mummy-like object for two or three weeks you are likely to see a beautiful moth come from the shroud or a glorious butterfly break out of the mummy case. (_See plate, page 49._) So you can get the realest kind of moving pictures by simply bringing in the caterpillars that are easily found in garden, field, and wood.

To collect these caterpillars it is only necessary to be provided with a pair of sharp eyes and an empty coffee can or some other form of tin box. Go out into the garden or along the borders of the woods. Look carefully. If you see places where leaves have been eaten, search the leaves near by and you are likely to find one or more of the caterpillars that caused the injury. Transfer them to the box and take them home with a few leaves of the food plant. There place them in some form of vivarium, which simply means a box or cage in which you can keep living creatures.

The most satisfactory cages for rearing caterpillars are those which are open above so that there is not even a glass plate between the observer and the insect. This kind of vivarium is easily made by using a band of some sticky substance like the tree tanglefoot with which trees are commonly banded, or a strip of sticky fly paper. Any wide shallow box may be used by simply placing an inch-wide band of the sticky material around the vertical sides near the top. The caterpillars will be free to move all over the open box but they cannot cross the band to escape. Fresh leaves are easily placed in the open box and the withered ones removed.

The same plan may be adopted with wide glass jars, like the ordinary battery jar. Choose a rather large one and smear the inner side near the top with a band of sticky material. The caterpillars are thus prevented from crawling out, but they are open to observation at all times. (_See plate, pages 48-49._)

In the case of the caterpillars that change to butterflies no soil need be placed in the bottom of the jar as these will attach their chrysalids to the sides or to a stick or board which may easily be put in. In the case of many caterpillars that change to moths, however, it is desirable to place about two inches of soil in the bottom of the jar. Then if the caterpillars are not cocoon spinners they can burrow into the soil when they are ready to change to pupae.

Instead of applying the sticky material directly to the glass a strip of sticky fly paper may be glued to it.

As a rule the butterfly caterpillar easiest to find lives upon cabbages. Go into the garden and you are likely to see a dozen green caterpillars upon as many cabbage plants. Bring in several of the larger ones and place them in a vivarium with some fresh cabbage leaves. In a few days some of them will be likely to fasten themselves to the vertical sides of the vivarium and shed the caterpillar skin. Each thus becomes a chrysalis. About ten days later this chrysalis skin will break open and a white Cabbage butterfly will come out.

So your caterpillar goes through the four different stages of insect life. It was first an egg laid upon the leaf by a butterfly; the egg hatched into the caterpillar or larva; the larva changed to the chrysalis; the chrysalis changed to the butterfly or adult insect.

One of the most satisfactory ways to rear the caterpillars of butterflies is to get the females to lay their eggs upon the food plant. In the case of many species this is not difficult. The simplest way is to enclose the mother butterfly in a small gauze bag tied over the branch of the food plant. If she has eggs ready to deposit she is very likely to lay them under these conditions. After they are laid the mother butterfly may be allowed to escape, but it is well to replace the gauze protection as a safeguard against many sorts of enemies which may destroy the eggs or the young caterpillars that hatch from them. Another way is to enclose the butterflies with a twig of the food plant in a glass jar, sealing it tight to prevent the leaves from wilting. The butterfly is likely after she has quieted down to lay her eggs upon the leaves. According to William G. Wright, who speaks from his long experience with the butterflies of the West Coast, these genera will lay their eggs on anything: Parnassius, Argynnis, Euptoieta, Neonympha, and all members of the family Satyridae. In these cases one can get the eggs by simply enclosing the butterflies in glass jars or gauze nets without even the leaves of the food plant. William H. Edwards found in his long experience that one can get the eggs of practically all butterflies in confinement, provided only the insects are sufficiently mature so that the eggs are ready to be laid. He found that the cause of failure to get eggs from many of the Fritillaries early in the season was that the eggs were not mature and that from the same kinds of butterflies with which he failed early in the summer he got plenty of eggs in September.

There is here a rich field for observation and experiment for every naturalist who wishes to take up the study of butterflies. He can be sure of the parentage of the caterpillars and can trace them from the very moment of egg-laying through all their wonderful changes until they become butterflies again.

PHOTOGRAPHING BUTTERFLIES

There is a famous old saying that to make hare stew it is first necessary to catch your hare. So if one wishes to make perfect pictures of butterflies it is first necessary to get the caterpillars. For though caterpillars are not butterflies they are butterflies in the making and they will show you most interesting stages in nature's manufacture of these dainty and exquisite creatures. This is not, however, the chief reason why the photographer should get them. He will wish to make perfect pictures and in order to do this he must have not only perfect specimens but living butterflies which are willing to look pleasant while he makes comparatively long exposures under conditions of light that he can control. If you catch a butterfly outdoors and bring it in you will be likely to find that it is by no means a docile subject. The sunlight shining through the nearest window will be a call which you cannot counteract and your butterfly will constantly respond to it in a most vexing manner. So you must catch the butterfly young and take advantage of a brief but docile period in their lives when they are willing to pose before your camera in quite a remarkable manner. This is the period just after the butterfly emerges from the chrysalis when its wings are fully developed but before the tissues have hardened and the muscles in the thorax are strong enough for flight. At this time the butterfly is perfect, every scale is in its place and every spot of color is at its best, and it will rest quietly upon a flower, leaf, or twig while you adjust the camera and expose the plate. From one such specimen one can get many pictures upon different flowers and with different angles of view. (_See plates, pages 160, 225._)

In order to make admirable photographs of living butterflies it is by no means necessary to have a regular photographic studio. If one has a room lighted from the north or east one can arrange for exposure near the window, using cardboard reflectors to make the light more even from both sides. In such a situation one soon learns the exposure periods required and can easily get many beautiful photographs.

A collection of prints of the butterflies of one's locality would be one of the most interesting photographic exhibits that an amateur could select. It is comparatively easy to get rather full sets showing the life-histories of several of our larger species and such sets are of course of especial interest. In the case of those caterpillars which make nests upon the food plant, like the Painted Beauty larva which remains for weeks feeding upon the leaves of the common wild everlasting, the taking of the pictures of the different stages is comparatively easy. One can keep the plant with the stem in water, and get the caterpillar to change to the chrysalis, and emerge as the butterfly, in the nest made from the flower heads and the upper leaves.

THE BLACK SWALLOWTAIL
Caterpillar, chrysalis and butterfly]

A MIGRATION OF MONARCH BUTTERFLIES]

THE IMPROVED OPEN VIVARIUM]

THE CYNTHIA MOTH AND THE COCOON FROM WHICH IT CAME]

BUTTERFLY COLLECTIONS

There are few groups in Nature which offer such advantages to the collector as that of the butterflies. They are easily obtained, easily preserved, and retain their beauty for a long period even under exposure to strong light. They offer opportunities for serious study in which one cannot only review the facts which others have already discovered, but also hope to contribute something of value to the sum of human knowledge.

The mistake most commonly made by beginners with butterflies, as with other collections, is to undertake too much. Instead of starting on the hopeless task of making a collection of the butterflies of the world, it is much better to start with the intention of making a collection of those of one's own town. In the latter case one can hope soon to attain the desired end and then, if one wishes, it is a simple matter to reach out and make a collection of the butterflies of the state or even of the particular region in which the state is located. The natural limitations for a collection in New England is to make a collection of New England butterflies. There is a splendid example of such a collection on exhibition in the museum of the Boston Society of Natural History. This contains representatives of practically every kind that has been collected in New England, and yet there are less than a hundred species in all. So it is apparent that a local collection should be attainable by any enthusiastic student and the very fact that the number of species is limited adds interest and satisfaction to the pursuit.

The main value of any collection of objects lies in the point of view of the collector. The most natural point of view for a beginner is that of the local fauna, as indicated in the previous paragraph. Such a collection best serves as a basis for a study of the subject but it may well lead to a broader field through some special phase of scientific interest. Thus while it would be hopeless for most persons to attempt a collection of the butterflies of the world it would be entirely reasonable for one to start a collection of all the species in the world of any given genus or tribe, and such a set of specimens would soon come to possess decided scientific value. Or, instead of the point of view of generic or family relationship, one could take the point of view of special geographical distribution. Thus a collection of all the butterflies found within a certain number of degrees of the North Pole showing the circumpolar butterfly fauna would have great scientific interest.

There are also various other points of view which could be followed in making a collection. There are already in many of the museums of the world collections of butterflies which illustrate the various phases of true mimicry--the resemblance of one species to another in the same region. This is a field in which one could spend a lifetime of endeavor, and secure results of great value to the world of science. An easier problem for most collectors in the United States would be a collection made from the point of view of resemblance to environment, including such examples as the Angle-wings that show a bark-like set of marks on the under surface. Yet another point of view would be that of hibernation, the making of a collection of all butterflies that hibernate as adults.

These are only a few suggestions. There are many other phases of butterfly life which could be utilized as the basis for interesting collections. The important thing is to have a definite object in view and to make the collection a basis for a real study of the subject, so that the collector will not only be growing intellectually but will also be making a real contribution to our scientific knowledge.

_Collecting Apparatus_

To collect and preserve butterflies in proper condition for study, certain apparatus is necessary. Perhaps the first essential is the collecting net for catching butterflies in the field. The simplest way to obtain this is to buy it of the dealers in entomological supplies. Nets in considerable variety and at various prices are offered in the catalogues of these firms. One can make, however, a net at home with little difficulty. One need only obtain an iron wire about one fifth of an inch in diameter and bend it into a circular ring a foot or fifteen inches wide, leaving the ends projecting at right angles to the circle and having a blacksmith weld them together so as to form a spur about four inches long. Now thrust this spur into some convenient handle, such as a broomstick, and sew over the wire circle a bag of mosquito netting, Swiss muslin, or some similar fabric. It is better that this material be green or black rather than white.

After the butterflies are caught, they must be killed, so some form of killing bottle is necessary. Most collectors use a cyanide bottle, in which the fumes of cyanide of potassium kill the insects. One of the best ways to make this is to place in a wide-mouthed bottle two or three lumps of cyanide of potassium, approximately an inch across. Over this place some fine sawdust and on top of the sawdust, pour liquid plaster of paris carefully so that it will harden into a layer about half an inch thick. Allow the plaster to become thoroughly dry, then insert the stopper into the bottle and it will be ready for use. It is better to use a ground glass stopper so that the bottle will always be air tight. The sawdust is often omitted, the plaster of paris being poured directly over the cyanide. The special advantage of the sawdust is that it tends to absorb the cyanide in case it liquefies, as it often does in damp weather. As this cyanide is a deadly poison, it is better to let a druggist prepare the bottle or else to buy it already prepared of the dealers in such supplies.

After the specimens have been killed in the cyanide bottle, some method of keeping them is necessary. The simplest way is to preserve them with their wings closed together in pieces of paper folded over into triangles as indicated on the accompanying diagrams. Such specimens may be kept for an indefinite time and if one wishes to mount them later, it is only necessary to place them for a few hours in a relaxing jar, which is simply a closed vessel with enough water in the bottom to saturate the air with moisture. A great advantage of keeping the specimens in these paper covers is that they require so little room and are easily stored away in tin cans or boxes where they are safe from dust and destroying enemies.

Those butterflies which are to be preserved in the ordinary way, in drawers or cabinets, must be spread out and held in position while the body is drying so that the wings will remain expanded. For this purpose, some form of a setting board is necessary. These may be bought of dealers or made at home. One of the simplest kinds consists of two thin strips of pine board, a foot or more long, nailed to end pieces with a space between the two boards wide enough to accommodate the bodies of the butterflies. Beneath this open space, a piece of thin cork is tacked. The pin on which the butterfly is fastened is pushed through the cork until the wings of the insect are level with the boards. The wings are then brought forward with a needle point until they are in the desired position and they are then held in place by pieces of glass or by bits of cardboard fastened down by pins. The butterflies must be left in this position until thoroughly dry.

Special insect pins should be used for butterflies. These are longer than common pins and have rounded heads. They are offered for sale by entomological dealers. Instead of pinning the insects and preserving them in cabinets, one may keep them in the Riker mounts, which have the advantage of being sealed so that there is no chance for dust or museum pests to reach the specimens. If one wishes to collect extensively, one will need a considerable number of setting boards and it will be worth while to prepare for them a special drying box like that shown in the picture above.