Chapter IV: Preface: vii (3)

Several persons, whose opinions the donor highly respects,
have denied the authenticity of this picture; but he thinks that,
on a careful examination, its wonderful energy and muscular
movement can be attributed to no other hand, no other head, than
that of RUBENS. It is the Belvidere Torso--that only acknowledged
Master of MICHAEL ANGELO--put into action, and was doubtless
painted in Italy. It is known that _Rubens_ attempted to draw the
lion from nature, when he was irritated by his keeper. He made but
a hasty sketch.

(_Bryan Collection._)

B-162. Landscape, with Figures. (12X16½.) _Peter Paul Rubens._

From an old chateau in Normandy.

(_Bryan Collection._)

B-163. Ascension of the Virgin. (10X8.) Oval. _Copy from Peter Paul Rubens._

This copy was made by CORNELIUS POELEMBURG.

(_Bryan Collection._)

B-164. Group of Christ, St. John, and two Angels. (10X11½.) _Copy from Peter Paul Rubens._

(_Bryan Collection._)

B-165. Satyr and Nymphs. (13X18½.) _School of Rubens._

(_Bryan Collection._)

B-166. Effect of Candle-light. (40½X31.) _School of Rubens._

Copied from a well-known etching of RUBENS.

(_Bryan Collection._)

B-167. Distant View of Haarlem. (19X27½.) _Jacob Ruysdael._

The figures in the foreground are by VANDEVELDE.

(_Bryan Collection._)

B-168. Marine View. (30½X43.) _Jacob Ruysdael._

The figures are by VANDEVELDE.

(_Bryan Collection._)

B-169. Landscape, with Cattle. (22X17.) _School of Ruysdael._

(_Bryan Collection._)

B-170. Landscape. (14X21½.) _Solomon Ruysdael._

(_Bryan Collection._)

B-171. Dogs Worrying a Cat. (55X72.) _Francis Snyders._

The landscape by WILDENS, the cat by OUDRY, by whom it was
added, and to whom the picture belonged. From the collection of
DROLLING, the artist.

(_Bryan Collection._)

B-172. Still Life. (44X64.) _Francis Snyders._

Collection of Marshal Oudinot.

(_Bryan Collection._)

B-173. Interior: Family Scene. (29X37.) _Jan Steen._

The patient is the painter's own wife; on the right are the
VAN GOYENS, (her father and mother,) and JAN STEEN himself stands
on her left, regarding the operation with interest.

This picture, which is superior to the only specimen of the
Master in the Louvre, was purchased from the Gallery of the Count
De Turenne, the last of the family of the celebrated Marshal.

(_Bryan Collection._)

B-174. Landscape and Figures. (11½X14½.) _Jan Steen._

Signed by the artist, and bought in New York city.

(_Bryan Collection._)

B-175. Incantation Scene. (14½X20.) _David Teniers the Younger._

This picture is unsurpassed by any other of the Master; and
if ever equalled, it is only by one in the Gallery of Madrid,
representing TENIERS himself, painting the portrait of the Grand
Duke Leopold and his family; a picture which makes painters wonder
and despair. Collection Sylvestre.

(_Bryan Collection._)

B-176. Village Fête. (18½X28½.) _David Teniers the Younger._

Collection Marshal Sebastiani.

(_Bryan Collection._)

B-177. Village Fête. (17½X20.) _David Teniers the Younger._

A picture similar in subject but inferior in treatment to the
preceding; probably executed in old age.

(_Bryan Collection._)

_GERARD TERBURG._

(BRYAN COLLECTION)]

B-178. Boors Regaling, and playing at Skittles. (11X14½.) _David Teniers the Younger._

Collection Duc de Berri.

(_Bryan Collection._)

B-179. Charles V. leaving the town of Dort. (23X39.) _David Teniers the Younger._

The Emperor, in full armor, is about to descend the steps of
a large building. The Archbishop gives him his blessing. Persons
of dignity, in church and state, are grouped on all sides. In the
background is the ship in which the Emperor is about to embark.
This composition is filled with portraits; among which, in the
figure bearing the standard on the extreme right, we recognize that
of the Painter himself. Collection D'Espinoy.

(_Bryan Collection._)

B-180. Parable of the Laborer who received a Penny. (22X17.) _David Teniers the Younger._

In which is introduced the portrait of RUBENS in his medal
chain, also the portraits of REMBRANDT and other artists and two
children of TENIERS. From the collection of Louis Philippe.

(_Bryan Collection._)

B-181. Landscape and Figures. (9½X13½.) _David Teniers the Younger._

A wonderful effect, and familiarly styled by painters as the
"après déjeuner" manner. Bought in New York city.

(_Bryan Collection._)

B-182. Portrait of William, Prince of Orange, (William III.) (30½X23.) _Gerard Terburg._

This was supposed to be the portrait cited by Descamp as the
one which William insisted that the artist should paint; he being
a burgomaster devoted to the Prince's cause. It is signed "G.
TERBORCH," the only genuine signature of the Master.

(_Bryan Collection._)

B-183. Marine View. (25X29.) _William van de Velde._

(_Bryan Collection._)

B-184. Marine View. (12½X14.) _William van de Velde._

From Collection Giroud, Paris.

(_Bryan Collection._)

B-185. Marine View. (9½X12½.) _William van de Velde._

Bought in Philadelphia.

(_Bryan Collection._)

B-186. Landscape, with Animals. (9X11½.) _Adrian van de Velde._

This picture, though small, gives a just idea of the power
of the Master, from whose pencil the donor has never seen a
feeble work; though ADRIAN may have adorned with his figures the
compositions of inferior masters. This picture, together with the
small landscape by RUBENS (No. B-162), is from an old chateau in
Normandy.

(_Bryan Collection._)

B-187. Landscape, with Figures. (25X33.) _Abraham Verboom._

So fine a specimen of the Master is rarely to be found. The
group of figures, by LINGELBACH, is almost worthy of WOUWERMANS.

(_Bryan Collection._)

B-188. The Three Graces. (19X15½.) _Chevalier van der Werf._

From Hunter's collection, New York.

(_Bryan Collection._)

B-189. Ruins, with Figures. (22X17½.) _Jan Baptist Weenix._

In the opinion of the donor, this picture, though striking at
first, is extremely false in everything, like most others of this
painter's works. It is from the collection of Cardinal Fesch.

(_Bryan Collection._)

B-190. Travellers, by a River-side. (12X16.) _Philip Wouwermans._

This picture has, unfortunately, been much injured in many
places; but in the head and shoulders of the white horse may
be found a specimen of the Master's style of painting; and the
signature is unquestionably genuine.

(_Bryan Collection._)

B-191. Departure of a Hawking Party of Nobles from a Baronial Castle. (43X51½.) _Philip Wouwermans._

The largest picture in size and manner which the donor has
seen by this Master. From the Meert collection, sold in New York,
Dec., 1865.

(_Bryan Collection._)

_ALBRECHT DÜRER._

(BRYAN COLLECTION)]

B-192. The Burning and Sacking of a Town. (21X19.) _Philip Wouwermans._

If not a copy, it is an early picture of the Master, and
though meritorious, gives no idea of the fullness of his powers.

(_Bryan Collection._)

B-193. Landscape. (8X10½.) _Jan Wynants._

The equestrians and beggar in the foreground are by BARENT
GAAL. It is a fair specimen of the Master. Collection Giroud, Paris.

(_Bryan Collection._)

B-194. Still Life. (7¾X10¼.) _Henry Martin Rokes._

It, as well as the "Sorcery Scene," by TENIERS, ornamented
the collection of Mons. Sylvestre, whose ancestors have been
either artists or connected with art since the year 1490. A noble
pedigree. This artist inherited the name of _Zorg_ (careful) from
his father.

(_Bryan Collection._)

B-195. Ruins, with Figures. (20X26.) _Flemish School._

(_Bryan Collection._)

GERMAN SCHOOL

B-196. Venus and Cupid. (19½X13.) _Lucas Cranach._

(_Bryan Collection._)

B-197. Portrait of a Lady. (28X22.) _Lucas Cranach._

It is from this painter's pencil that we have the only known
or recognized portrait of Martin Luther. Collection D'Espinoy.

(_Bryan Collection._)

B-198. Portrait. (20½X17.) _Balthazar Denner._

An old Lady, with a silk hood. The marks of age are given with
great accuracy and truthfulness.

(_Bryan Collection._)

B-199. St. George and the Dragon. (16½X13.) _Albrecht Dürer._

(_Bryan Collection._)

B-200. Triumph of Christianity. (26½X38.) _School of Dürer._

This picture is from the collection Quedeville.

(_Bryan Collection._)

B-201. Interior of a Private Chapel. (33½X25.) _Hans Holbein._

The family of Count Valkeniers are at prayers--the father and
the two eldest sons being in armor, ready to depart for war.

From the collection of Joseph M. Meert de Domberg, New York.

(_Bryan Collection._)

B-202. Portrait of a Professor. (30½X23½.) _Hans Holbein._

(_Bryan Collection._)

B-203. The Judgment of Paris. (6½X9.) _Joachim Uytenwael._

(_Bryan Collection._)

B-204. Adoration. (43X32.) _Martin Schoen._

On the right will be seen a Priest, holding a book, and
supposed, by General D'Espinoy, from whose collection it came, to
be a portrait of Luther, in his youth.

(_Bryan Collection._)

B-205. Landscape, with Figures. (11½X16½.) _Valkenburg._

(_Bryan Collection._)

B-206. Landscape. (13X20.) _Valkenburg._

These pictures possess great interest, in being historically
known as the earliest landscapes painted otherwise than as a mere
accessory to some historical, religious, or other subject. Both of
them are from the collection Quedeville.

(_Bryan Collection._)

SPANISH SCHOOL

B-207. Philip IV. of Spain, as David with Goliath's Head. (74½X43.) _Diego Velasquez._

From the collection of Marshal Sebastiani.

(_Bryan Collection._)

B-208. Landscape. (37X43½.) _Diego Velasquez._

Found at Rome. A picture of a similar style--the only one
ever seen by the donor--is in the possession of Mr. Madrazo, the
Director of the Royal Gallery of Madrid.

(_Bryan Collection._)

B-209. Portrait of the Infanta Margarita of Spain. (28X24.) _Diego Velasquez._

From the collection of R. W. Meade, U. S. Consul at Cadiz.
1808.

(_Bryan Collection._)

B-210. Still Life. (27½X76.) _Diego Velasquez._

Preparation for an _olla podrida_, from the collection of R.
W. Meade.

(_Bryan Collection._)

B-211. Adoration of the Magi. (42X64½.) _Murillo._

In the style and color of the three pictures now in the
Vatican--a late gift to his Holiness by the Ex-Queen of Spain.

(_Bryan Collection._)

B-212. Adoration of the Shepherds. (57X80.) _Murillo._

From the Gallery of Marshal Soult.

(_Bryan Collection._)

B-213. The Vision of St. Francis. (23½X19.) _Murillo._

(_Bryan Collection._)

B-214. St. Joseph. (65½X47.) _Murillo._

St. Joseph is bearing Christ in his arms, who is looking at
the Carpenter's tools. From the collection of R. W. Meade.

(_Bryan Collection._)

B-215. The Entombment of Christ. (78X92.) _Sebastian Llanos y Valdes._

From the Gallery of Marshal Soult.

(_Bryan Collection._)

B-216. Christ borne to the Tomb. (70X50½.) _Spanish School._

A repetition of a Spanish picture in the Church of St. Pietro,
in Montorio, Rome.

(_Bryan Collection._)

B-217. Portrait of a Queen of Spain. (29X23.) _Spanish School._

Imitation of VELASQUEZ.

(_Bryan Collection._)

FRENCH SCHOOL

B-218. The Entombment of Christ. (27X9.)

(_Bryan Collection._)

B-219. The Resurrection. (27X9.)

(_Bryan Collection._)

B-220. Head of Christ. (15X11.)

It is upon leather, which was stamped and gilded so as to
form around it a strange quadrangular halo, in which _fleur de
lis_ is prominent. Upon the edge is an inscription, of which only
ADORO--REDENTOR, I. H. S., is legible. It is probably not older
than the latter part of the fourteenth century, and was, doubtless,
an object of adoration to some devout Catholic.

(_Bryan Collection._)

B-221. Diana of Poictiers, as Judith with the Head of Holofernes. (39X27.) _Martin Freminet._

The ornaments in gold, and precious stones, are from the
compositions of the celebrated BENVENUTO CELLINI, and have been
copied by modern jewelers.

(_Bryan Collection._)

B-222. The Repose in Egypt. (36½X30.) _Nicholas Poussin._

The attitude of the Virgin is remarkable, not only for its
graceful dignity, but for its perfect expression of the fact that
she is listening calmly but intently to the narrative which Joseph
is evidently relating. The landscape, though not highly finished,
is grandly composed; and upon it the twilight of dawn is made to
fall with sweet solemnity.

(_Bryan Collection._)

B-223. The Daughter of Pharaoh about to bathe in the Nile. (25½X29.) _Nicholas Poussin._

Two attendants are about to disrobe the Princess; a third
kneels at her feet with a vase of anointing oil. Before her is
a figure emblematic of the river. The group is finely composed,
and the forms and attitudes are simple and chaste almost to
statuesqueness.

Both these pictures display the knowledge of form, the
classical taste, and the color which are characteristic of this
Master, recognized as the _Peintre des Gens d'Esprit_. This
sketch is in the best manner of POUSSIN, and was formerly in the
collection of M. de St. Aubin.

(_Bryan Collection._)

B-224. Classic Landscape. (29X36½.) _Nicholas Poussin._

(_Bryan Collection._)

B-225. Diana and her Nymphs bathing. (44½X56.) _Nicholas Poussin._

This is an unfinished sketch.

(_Bryan Collection._)

B-226. Portrait of Duchesnois, the Flemish Sculptor. (27½X23.) _Nicholas Poussin._

Duchesnois lived with POUSSIN in Rome. From the collection of
Gen. D'Espinoy.

(_Bryan Collection._)

B-227. Landscape. (9½X7½.) _Guaspre Poussin._

(_Bryan Collection._)

B-228. Landscape. (9½X7½.) _Guaspre Poussin._

(_Bryan Collection._)

B-229. Grand Landscape: Hagar in the Desert. (37½X50½.) _Guaspre Poussin._

This picture, which has been engraved, is in the finest manner
of the Master. The figures are by PHILIPPE LAURI. It is from the
collection of Marshal Sebastiani.

(_Bryan Collection._)

B-230. Landscape, with Figures. (39½X50½.) _School of Claude Lorraine._

The peasants in the foreground are designed after DOMENICHINO;
but the figure who leans against a tree, in the shadow on the left,
and plays upon a pipe, is like CLAUDE. CLAUDE was so conscious of
the want of merit in his pictures, he used to say that he sold his
landscapes and gave away the people in them. Collection of Marshal
Sebastiani.

(_Bryan Collection._)

B-231. A Grand Landscape, Marine View, and Figures, an Ancient Group in marble representing Echo punished. (46X59.) _School of Claude Lorraine._

This picture belonged to M. Forbin-Janson, Director of the
Louvre; it was believed by him to be an original.

(_Bryan Collection._)

B-232. Landscape, with a Sea-View. (14X17.) _School of Claude Lorraine._

(_Bryan Collection._)

B-233. Landscape. (15½X15½.) Round. _School of Claude Lorraine._

(_Bryan Collection._)

B-234. Portrait of a Lady at her Toilet. (40½X32½.) Oval. _Pierre Mignard._

(_Bryan Collection._)

B-235. Holy Family. (14X12.) _Pierre Mignard._

(_Bryan Collection._)

B-236. The dead Christ supported by the Virgin. (18X17.) _Eustache le Sueur._

From the collection of the Abbé Genoud.

(_Bryan Collection._)

B-237. Portrait. (19X15.) _Charles Le Brun._

From the Parant Collection.

(_Bryan Collection._)

B-238. Battle-Piece. (9X19.) _Jacques Courtois._

(_Bryan Collection._)

B-239. Battle-Piece. (9X19.) _Jacques Courtois._

(_Bryan Collection._)

B-240. Christ in the Wilderness, ministered to by Angels. (36X46.) _Charles de la Fosse._

This picture was formerly in the collection of Cardinal Fesch.
After its arrival in Paris, in the possession of the donor, it was
solicited for the Gallery of the Louvre.

(_Bryan Collection._)

B-241, B-242. Scenes from the Life of St. Charles de Borromeo. (25X38½.) _Jean Jouvenet._

(_Bryan Collection._)

B-243. Portraits of two Ladies. (57X44½.) _Nicholas de Largillière._

This picture was also sought from the donor for the Gallery of
the Louvre.

(_Bryan Collection._)

B-244. Portrait of a Marshal of France. (32X25½.) Oval. _Hyacinthe Rigaud._

From the Collection Vien. It is a very fine specimen of the
Master. Our own STUART thought the Portraits of RIGAUD'S two
sisters, by him, the most natural and true he ever saw.

(_Bryan Collection._)

_NICHOLAS DE LARGILLIERE._

(BRYAN COLLECTION)]

B-245. Musicians. (18X15.) _Antoine Watteau._

This picture is evidently cut from a large and important work.

(_Bryan Collection._)

B-246. A Venetian Fête, or Ball, by day. (25½X31½.) _Antoine Watteau._

A composition unrivalled for picturesqueness of design and
richness of color.

(_Bryan Collection._)

B-247. Landscape, with Figures. (18X22.) _Antoine Watteau._

This is but a sketch, in the style of GIORGIONE. (See No.
B-32.)

(_Bryan Collection._)

B-248. Landscape, with Figures. (17½X22.) _Jean Baptiste Pater._

(_Bryan Collection._)

B-249. Portrait of the Cardinal de Rochechouart. (53½X39.) _Pompeo Battoni._

From the Chateau Courcelle, the seat of the Cardinal's family.

(_Bryan Collection._)

B-250. Head of a Boy. (11½X9.) _Pompeo Battoni._

(_Bryan Collection._)

B-251. Still Life. (16X24.) _Jean B. S. Chardin._

The viands for a _jour maigre_ under the rule of the Church.

(_Bryan Collection._)

B-252. Portrait of Louis XVII., Dauphin. (22½X17½.) _School of Greuze._

He is represented as seven or eight years old. He wears a blue
scarf indicating his rank. From the collection of M. de Mont Louis,
a devoted legitimist, who died at a very advanced age, in 1850. It
bears much resemblance to the works of CHARDIN.

(_Bryan Collection._)

B-253. Park of St. Cloud. (13X29.) _Hubert Robert._

(_Bryan Collection._)

B-254. Portrait of Dr. Ambroise Paré, the Father of French Surgery. (14½X11.) _Peter Porbus._

(_Bryan Collection._)

B-255. Italian Scenery, with Figures. (31½X45.) _Joseph Vernet._

Painted by the artist for his friend, Balthazar, the
architect, from whose collection it came. It is a fair specimen of
the Master.

(_Bryan Collection._)

B-256. The Bay of Baia, an effect of Moonlight. (14½X25½.) _Joseph Vernet._

(_Bryan Collection._)

B-257. A Seaport. (39X53.) _Joseph Vernet._

(_Bryan Collection._)

B-258. Landscape, painted for a Snuff-Box. (5X5.) Round. _Joseph Vernet._

(_Bryan Collection._)

B-259. Portrait of a Receiver-General. (18½X14.) _Robert Tourniere._

(_Bryan Collection._)

B-260. A Nymph of Diana. (42X53.) _Jean Baptiste Greuze._

(_Bryan Collection._)

B-261. A Repetition of the L'Aveugle Dupé. (24X19.) _Jean Baptiste Greuze._

An early production. Bought in New York city.

(_Bryan Collection._)

B-262. Portrait of the Duc de Choiseul. (24X19½.) _Jean Baptiste Greuze._

From the collection of PARANT, who painted, on porcelain, the
heads of the celebrities of France. This head was probably procured
for that purpose.

(_Bryan Collection._)

B-263. Head of a Young Girl. (17X14.) Oval. _Jean Baptiste Greuze._

(_Bryan Collection._)

B-264. Virginie. (A study.) (18X15.) _Jean Baptiste Greuze._

(_Bryan Collection._)

B-265. Sketch of a Female Head. (18X15.) _Jean Baptiste Greuze._

The celebrated miniature-painter SAINT purchased this sketch
at the sale of GREUZE'S own collection after his death.

(_Bryan Collection._)

B-266. The Sister. (18X15.) _Nicholas Bernard Lepicié._

(_Bryan Collection._)

B-267. France Triumphant after the Restoration of Louis XVIII. (54X33½.) _Pierre Paul Prud'hon._

This picture is the finished sketch of a plafond now at Dijon,
the birth-place of the painter. It is from the collection of M.
VIEN, artist. It was sought of the donor by the Director of the
Louvre, for that Gallery.

(_Bryan Collection._)

B-268. Napoleon at Charleroi. (13X16.) _Horace Vernet._

The accessories and the horse are portraits. This little
picture ornamented the private study of Louis Philippe.

(_Bryan Collection._)

B-269. The Duke of Orleans. (21X31.) _Horace Vernet._

The Duke is giving orders to his groom. He is attended by a
negro-page and two greyhounds. In the background are a "cabriolet"
and horse. This is a very early picture of the Master. It was
rescued from the Chateau and Park de Monceau, on their destruction.

(_Bryan Collection._)

B-270. Attack repulsed at Constantine, Africa. (18½X15.) _Bellangé._

Death of Richepanse.

(_Bryan Collection._)

B-271. Fox-Chase. (14X18.) _J. B. Descamps._

(_Bryan Collection._)

B-272. Snipe-Shooting. (14X18.) _J. B. Descamps._

(_Bryan Collection._)

B-273. Duck-Shooting. (13X16.) _J. B. Descamps._

(_Bryan Collection._)

B-274. Nymphs and Cupids. (9½X12.) _Vallin._

(_Bryan Collection._)

B-275. Portrait of a Lady, as a Water-Nymph. (33½X23.) _L. J. Schaal._

It has been engraved as LA BELLE SOURCE, and is supposed to be
the portrait of the wife of a revolutionary character of some note,
named Source. From the Collection PARANT.

(_Bryan Collection._)

B-276. A Voluptuary. (22X18.) Oval. _François Boucher._

(_Bryan Collection._)

B-277. Winter-Scene. (25X30.) _François Boucher._

(_Bryan Collection._)

B-278. Landscape. (9½X12.) _Georges Michel._

The figures, by SWEBACH, are very spirited.

(_Bryan Collection._)

B-279. Landscape. (14X18.) _Frederic M. Kruseman._

(_Bryan Collection._)

B-280. The Inheritance. (17X21.) _Felix Van der Eycken._

Painted for the donor.

(_Bryan Collection._)

B-281. Student Travellers, Regaling at a Hostelry in Flanders. (22X29.) _Felix Van der Eycken._

Bought in New York city.

(_Bryan Collection._)

B-282. Landscape, with Sheep. (17½X15.) _Balthasar Ommeganck._

(_Bryan Collection._)

B-283. Catechism before Marriage, according to Belgian Law, being necessary for State and Matrimonial Security. (37½X48.) _Jean Henri de Coene._

(_Bryan Collection._)

B-284. Portrait of an Old Man. (9½X7½.) _M. Dykemans._

(_Bryan Collection._)

B-285. Portrait of the Artist, (1737-1815.) (36X30.) _John Singleton Copley._

(_Bryan Collection._)

B-286. Portrait of Guy Bryan, (1755-1829.) (36½X28.) _Thomas Sully._

This portrait of the father of the donor of the Bryan
Collection was considered by DUNLAP one of the happiest efforts of
Mr. SULLY.

(_Bryan Collection._)

_BY HIMSELF._

(BRYAN COLLECTION)]

B-287. The Confessional. (35X28.) _William E. West._

Mr. WEST is well known by his having painted the best portrait
of Lord Byron. This picture was a favorite of the late Washington
Irving.

(_Bryan Collection._)

B-288. Landscape. (48½X64.) _George L. Brown._

This view is from Nature, in the Island of Capri, Vesuvius
being seen in the distance.

(_Bryan Collection._)

B-289. A Midnight Conversation. (25X32.) _William Hogarth._

Engraved as the frontispiece of Ireland's Hogarth. In
Walpole's anecdotes of painters a catalogue is given professing to
contain a complete list of all of HOGARTH'S paintings and their
then owners. This painting appears in that list, but the owner's
name is not given.

(_Bryan Collection._)

B-290. The Harlot's Progress. (25X31½.) _Copy from William Hogarth._

This copy is by HORREMANS, of Vienna, and is one of the famous series of the "Harlot's Progress." The copyist has seen fit to make some variations from the print.

(_Bryan Collection._)

B-291. Portrait. (48X39.) _Sir Joshua Reynolds._

In his early style.

(_Bryan Collection._)

B-292. Pallas Appearing to Achilles, after the Death of Patroclus. (17½X14.) _Benjamin West._

This is a sketch for a large picture.

(_Bryan Collection._)

B-293. Portrait of Charles Wilson Peale, (1741-1827.) (28X23.) _Benjamin West._

From the Peale Gallery, Phila., 1854.

(_Bryan Collection._)

B-294. View of Genesee Falls, New York. (9½X13.) _Count Beaujolais._

This sketch is quite faithful as a representation of the
locality. Its chief interest, however, consists in its having been
made by the brother of Louis Philippe, when the two princes were
on their visit to this country, after the first French Revolution.
Collection Louis Philippe.

(_Bryan Collection._)

B-295. Landscape. (17½X24.) _Joseph Vollmering._

(_Bryan Collection._)

B-296. Winter-Scene. (10½X13½.) _Joseph Vollmering._

(_Bryan Collection._)

B-297. Murillo Sketching the Beggar-Boy. (17X21.) _Edwin White._

(_Bryan Collection._)

B-298. Family Group. (56X89.) _Charles Wilson Peale._

This composition contains portraits of the artist and his
brothers, St. George and James Peale; his sister, Margaret J.
Ramsey; his wife, Rachel Brewer Peale; his cousin, Margaret Durgan;
his sister, Elizabeth Digby Peale Polk; his mother, Margaret
Peale; his children, Titian R. and Rembrandt Peale; also the old
dog Argus, so well known to the frequenters of the Museum. The
following inscription is on the picture: "C. W. Peale painted these
portraits of his family in 1773--wishing to finish every work he
had undertaken--completed this picture in 1809."

From the Peale Gallery, Phila., 1854.

(_Bryan Collection._)

B-299. Portrait of George Washington, (1732-1799.) (29X24.) _Charles Wilson Peale._

(_Bryan Collection._)

B-300. Portrait of John Beale Bordley, (1727-1804.) (23X20.) _Charles Wilson Peale._

From the Peale Gallery, Phila., 1854.

(_Bryan Collection._)

B-301. Portrait of Pieter Johan Van Berckel, (1725-1800.) (23X20.) _Charles Wilson Peale._

Minister Plenipotentiary from the Netherlands to the United
States of America, 1782--being the first Minister sent and
recognized.

(_Bryan Collection._)

B-302. Portrait of Gilbert C. Stuart, (1755-1828.) (23X20.) _Charles Wilson and Rembrandt Peale._

From the Peale Gallery, Phila., 1854.

(_Bryan Collection._)

B-303. Portrait of George Washington, (1732-1799.) (30½X24½.) _Gilbert C. Stuart._

(_Bryan Collection._)

_BENJAMIN WEST._

(BRYAN COLLECTION)]

B-304. Portrait of John Adams, (1735-1826.) (20X22½.) _Gilbert C. Stuart._

(_Bryan Collection._)

B-305. Portrait of Alexander Hamilton, (1757-1804.) (30X25½.)

From the American Museum Collection, 1863.

(_Bryan Collection._)

B-306. Portrait of Thomas Jefferson, (1743-1826.) (29X24.) _Rembrandt Peale._

Painted in 1805.

(_Bryan Collection._)

B-307. Portrait of Dr. Joseph Priestley, (1733-1804.) (23X20.) _Rembrandt Peale._

From the Peale Gallery, Phila., 1854.

(_Bryan Collection._)

B-308. Portrait of Mrs. James Madison, (1772-1849.) (30X24½.) _Rembrandt Peale._

From the American Museum Collection, 1863.

(_Bryan Collection._)

B-309. Portrait of Stephen Decatur, U. S. N., (1751-1808.) (28½X23.) _Rembrandt Peale._

From the Peale Gallery, Phila., 1854.

(_Bryan Collection._)

B-310. Portrait of Jacob Jones, U. S. N., (1768-1850.) (28½X23.) _Rembrandt Peale._

From the Peale Gallery, Phila., 1854.

(_Bryan Collection._)

B-311. Portrait of William Bainbridge, U. S. N., (1774-1833.) (28½X23.) _Rembrandt Peale._

From the Peale Gallery, Phila., 1854.

(_Bryan Collection._)

B-312. Portrait of Oliver H. Perry, U. S. N., (1785-1819.) (28½X23.) _Rembrandt Peale._

From the Peale Gallery, Phila., 1854.

(_Bryan Collection._)

B-313. Portrait of William Handy, M.D. (30X25.) _Edward Savage._

From the American Museum Collection, 1863.

(_Bryan Collection._)

B-314. Portrait of the Seneca Chief, Corn Plant, or Ki-on-twog-ky. (30X25.) _F. Bartoli._

This portrait was painted at New York city, in the year 1796,
and is engraved in McKenney's History of the Indian Tribes, Vol.
I., page 85.

(_Bryan Collection._)

B-315. Portrait of Jean Parisot de la Valette. (29X24.)

Grand Master of the Knights of Malta, 1565. A modern copy of
this picture is in the Gallery at Versailles.

(_Bryan Collection._)

B-316. Portrait of Cadwallader D. Colden, (1769-1834.) (35X28½.) _John Wesley Jarvis._

First Vice President of the Society, 1821.

From the American Museum Collection, 1863.

(_Bryan Collection._)

B-317. Portrait of William Tilghman, (1756-1827.) (21X17.) _Rembrandt Peale._

Chief Justice of Pennsylvania.

From the American Museum Collection, 1863.

(_Bryan Collection._)

B-318. A Presentation at the Temple. (30X38.) _Spanish School._

(_Bryan Collection._)

B-319. St. Cecilia. In the Style of Correggio. (47X66.)

(_Bryan Collection._)

B-320. Fête Champêtre. (30X39½.) _Gonzales Coques._

(_Bryan Collection._)

B-321. Female Head. (18½X14½.) _School of Correggio._

(_Bryan Collection._)

B-322. St. Paul restored to Sight. (18½X14½.) _Copy from Domenichino._

(_Bryan Collection._)

B-323. Adoration of the Shepherds. (16X11½.) _Copy from Spagnoletto._

(_Bryan Collection._)

B-324. Female Head. (19X15.) _Copy from Greuze._

Original in the Lichtenstein Gallery.

(_Bryan Collection._)

B-325. Family Group, of the Artist, Wife and Children. (39X36½.) _Michael Van Musscher._

(_Bryan Collection._)

B-326. Æneas and his son Ascanius visiting Dido. (25X21.) _Constantine Netscher._

(_Bryan Collection._)

B-327. Portrait of Orelia Doria. (49X29.) _Italian School._

(_Bryan Collection._)

B-328. Portrait of Madalena Doria. (49X29.) _Italian School._

(_Bryan Collection._)

B-329. German Baron and his Family. (21X27½.) _Bartholomew Vander Helst._

(_Bryan Collection._)

B-330. Virgin and Child. (17X11½.)

(_Bryan Collection._)

B-331. Christ appearing to the Magdalen. (23X19.) _Fra Bartolomeo._

(_Bryan Collection._)

B-332. Virgin and Child. (22½X16.) _Bernardo Zenale._

From the Collection of Du Bluisel, Paris, 1870.

(_Bryan Collection._)

B-333. Triptique. (18X32.)

(_Bryan Collection._)

B-334. Landscape, with Figures. (28½X42.) _Adam Pynaker._

(_Bryan Collection._)

B-335. Family Fête. (33X39.) _Jan Steen._

From the Collection of Comtesse de Vergez, Paris, 1870.

(_Bryan Collection._)

B-336. Landscape, with Figures. (37X51.) _William de Buytenweg._

(_Bryan Collection._)

B-337. Bacchanal. (21X32.) _Sebastien Bourdon._

From the Olmade Collection, Paris, 1868.

(_Bryan Collection._)

B-338. Landscape, with Figures. (25½X30.) Cornelius Huysmans.

(_Bryan Collection._)

B-339. Landscape. (22X32½.) _Minderhout Hobbema._

(_Bryan Collection._)

B-340. The Fortune Teller. (23½X21.) _Antoine Watteau._

(_Bryan Collection._)

B-341. Snow Scene. (8X10.) _Philip Wouwermans._

From the Gaudinot Collection, Paris, 1839.

(_Bryan Collection._)

B-342. Dutch Interior. (23X21.) _Renier Brakenburg._

From the Olmade Collection, Paris, 1868.

(_Bryan Collection._)

B-343. Portrait of Margerethea De Bije. (19X14½.) _Constantine Netscher._

Wife of François Meerman, Recorder of the City of Leyden. She
died December 12, 1712.

(_Bryan Collection._)

B-344. Interior of a Cottage. (14X11.)

(_Bryan Collection._)

B-345. Portrait of a Dog. (29X42.) _John B. Weenix._

(_Bryan Collection._)

B-346. The Artist. (5X4.) _Godfrey Schalcken._

(_Bryan Collection._)

B-347. Landscape with Cattle. (16X22.) _Albert Cuyp._

(_Bryan Collection._)

B-348. Italian Landscape. (18½X25.) _Jan Hackaert._

(_Bryan Collection._)

B-349. Still Life. (19½X24.) _J. B. Simeon Chardin._

(_Bryan Collection._)

B-350. The Sacrifice. (17½X23.) _Leonard Bramer._

From the Olmade Collection, Paris, 1868.

(_Bryan Collection._)

B-351. The Village Fête. (11½X14½.) _Renier Brakenburg._

(_Bryan Collection._)

B-352. Flemish Interior. (15½X19½.) _Renier Brakenburg._

(_Bryan Collection._)

B-353. Portrait. (25X21¾.) _J. B. Simeon Chardin._

(_Bryan Collection._)

B-354. Landscape. (15X22.) _Adam Pynaker._

(_Bryan Collection._)

B-355. Pleasure Party. (19X15½.) _Antoine Watteau._

(_Bryan Collection._)

B-356. Interior. (15X12.) _Egbert van Hemskerk._

(_Bryan Collection._)

B-357. The Virgin and the Infant Jesus crushing the Serpent. (50X23.) _Pietro Berretini da Cortona._

From the Olmade Collection, Paris, 1868.

(_Bryan Collection._)

B-358. Landscape. (9X12.) _Dutch School._

From the Olmade Collection, Paris, 1868.

(_Bryan Collection._)

B-359. Entrance to a Park. (25X19½.) _Isaac Moucheron and John Lingelbach._

(_Bryan Collection._)

B-360. Marine View. (15½X24.)

(_Bryan Collection._)

B-361. Portrait. (23X18.) _Francis Hals._

(_Bryan Collection._)

B-362. Winter Scene. (14X18½.) _Egbert Vander Poel._

(_Bryan Collection._)

B-363. Portrait. (32½X26.) _Mlle. Ledoux._

(_Bryan Collection._)

B-364. Landscape. (9½X11.) _Isaac Moucheron._

(_Bryan Collection._)

B-365. Portrait of a Gentleman. (18X15.) _Gerard Terburg._

(_Bryan Collection._)

B-366. Portrait of a Lady. (18X15.) _Gerard Terburg._

(_Bryan Collection._)

B-367. Temptation of St. Anthony. (15X11½.) _Matthew Van Helmont._

From the Olmade Collection, Paris, 1868.

(_Bryan Collection._)

B-368. The Frozen Canal. (14X21.) _Hendrik Van Avercamp._

From the Olmade Collection, Paris, 1868.

(_Bryan Collection._)

B-369. Portrait of a Lady. (22X18.) _Thomas Gainsborough._

(_Bryan Collection._)

B-370. Landscape. (28X24½.) _Adam Pynaker._

(_Bryan Collection._)

B-371. The Lovers. (10X8½.)

(_Bryan Collection._)

B-372. Interior. (9½X13½.) _Adrian Van Ostade._

(_Bryan Collection._)

B-373. St. Jerome at Prayer. (15½X12½.) _Lodovico Mazzolino._

(_Bryan Collection._)

B-374. Family Group. (14X41½.) _Henry Goltzius._

(_Bryan Collection._)

B-375. Virgin and Child. (13X9½.)

(_Bryan Collection._)

B-376. The Flight into Egypt. (12X8½.) Oval Top.

(_Bryan Collection._)

B-377. Virgin and Child. (7X6.) _Bernard Van Orley._

(_Bryan Collection._)

B-378. Scene from "M. de Pourceaugnac." (9X15.) _Antoine Watteau._

From the Collection of Comtesse de Vergez, Paris, 1870.

(_Bryan Collection._)

B-379. The Fatigues of War. (9X13.) _Antoine Watteau._

(_Bryan Collection._)

B-380. The Relaxations of War. (9X13.) _Antoine Watteau._

(_Bryan Collection._)

B-381. The Lover's Present. (12X15.) _S. Freudenberger._

Water-color of a lady receiving a present of a spaniel dog.
Signed and dated Paris, 1770.

(_Bryan Collection._)

The following described Pictures were STOLEN from the BRYAN COLLECTION before it was received by the Society.

Cupid discharging an Arrow. _In the style of Correggio._

Cupid after the discharge of the Arrow--with finger raised constraining silence. _In the style of Correggio._

Adoration of the Magi. _Leonard Bramer._

The Virgin, with the infant Christ and Joseph, sits in
front of a ruined building. Around them the Magi are grouped in
adoration. The distribution of the light in this little picture is
truly grand, and the color is rich and harmonious. The influence of
Rembrandt is apparent in every touch.

Vision of St. Louis. _Anthony van Dyck._

The sainted King starts from a canopied couch to gaze upon
the apparition of Pope GREGORY IV., who appears before him,
cloud-borne, and surrounded by angels. In the background is a
sentinel. This little picture is noble in style and harmonious in
color. The action of the figures is remarkably free and vigorous.

A Lace-Worker. _Peter De Hooghe._

A young woman sits by an open window, with her hands
resting upon the cushion on which is her work. The light falls
in a broad mass upon one side of her face and figure, while the
other is in the half-shadow of reflected light. This little
sketch, so unobtrusive in subject and treatment, will impress
the close observer with a sense of great power and thorough
knowledge--knowledge which is content to know without seeming
learned.

Miniature Portrait. _Balthazar Denner._

An old man, wearing a cap, and a breastplate over a rich
doublet. This head is painted with an elaborateness of detail
worthy of Gerard Douw, while at the same time it is modelled with a
free and learned hand.

(_Collection of General Count Turenne._)

THE DURR COLLECTION

WITH ADDITIONS PURCHASED BY THE

DURR GALLERY FUND

LOUIS DURR

Louis Durr was born in Carlsruhe, Germany, in 1821, and died in New York City, March 31, 1880. His father was the Treasurer of the Duke of Baden-Baden, and was a watch-maker by trade, as well as a dealer in works of art.

Mr. Durr graduated from the Lyceum in his native city, and after visiting Geneva and Paris, came to this country with his brother in 1848 and for a time was connected with Balbach's gold smelting works in Newark, N. J. In 1853-54 he was established at 111 Nassau Street, this city, as a refiner of gold and silver. In 1856 he removed to 51 Ann Street and the following year to 53 Ann Street, where he carried on his business as an assayer and refiner for many years with his brother.

He accumulated a fortune and spent all his spare time studying and collecting works of art. He lived at No. 30 East 4th Street, where he kept his paintings.

He was a member of the Liederkranz Club, then near his home, and became a member of this Society in 1873.

By will Mr. Durr directed that the most meritorious works of art were to be selected from his gallery of paintings and placed by his executors in some public art gallery, to be known as the "Durr Gallery of Paintings," the residue of his paintings to be sold and the proceeds invested for the purchase of suitable additions for the "Durr Gallery of Paintings."

In 1880 the executors of his estate under the terms of his will offered the collection of paintings to The New York Historical Society, and in 1882 they were transferred to the Society, together with the proceeds of the above-mentioned sale, which the Society designated the "Durr Gallery Fund" and from which the Gallery is added to.

_HENRY BAERER._

FOUNDER OF THE DURR COLLECTION.

PRESENTED BY THE EXECUTORS OF HIS ESTATE.]

THE DURR COLLECTION

NO. SUBJECTS OF PAINTINGS. ARTISTS.

D-1. St. Ferdinand I., King of Castile, receiving the Code de las Partidas from the Madonna. (65X41½.) _Murillo._

(_Durr Collection._)

D-2. The Immaculate Conception. (24X32.) _Murillo._

From the Emmet Collection.

(_Durr Collection._)

D-3. Jesus Suffering. (19X24.) _J. A. Escalante._

Signed. From the Emmet Collection.

(_Durr Collection._)

D-4. Jesus Victorious. (19X24.) _J. A. Escalante._

Signed. From the Emmet Collection.

(_Durr Collection._)

D-5. St. John the Baptist. (41X65½.) _Velasquez._

From a collection brought from Seville, and purchased by Mr.
Francis Tomes.

(_Durr Collection._)

D-6. Ecce Homo. (50X80.) _Luis Morales._

From a Catholic church in Mexico, brought to New York about
1855.

(_Durr Collection._)

D-7. Portrait of a Philosopher. (29X39.) _Spagnoletto._

Purchased in Philadelphia.

(_Durr Collection._)

D-8. Adoration of the Shepherds. (45X37.) _Il Bassano._

Brought from Italy by Mr. W. Metcalfe.

(_Durr Collection._)

D-9. Martyrdom of St. Sebastian. (21X27.) _Tintoretto._

(_Durr Collection._)

D-10. Martyrdom of St. Lawrence. (90X97.) _Titian._

This painting is signed, and shows evidences of being the
first of three of this subject which Titian painted--the second,
ordered by King Philip II. of Spain, remains at the Escurial; the
third is in the Jesuits' Church at Venice. This composition is
esteemed by such authorities as Kugler one of the most important of
Titian's works.

From the collection owned by Gideon Nye, Jr., who valued this
picture at sixteen thousand guineas.

(_Durr Collection._)

D-11. Portrait. (19X25.)

The following is inscribed in French on the back of
the portrait: "Collection of Alix, General-in-Chief of
Westphalia.--This precious picture was found in the wagon of a
vivandière, named Michau, who was killed at the battle of Marengo.
After being in the possession of General Lemarois, it passed into
the private cabinet of the Chevalier Denon, Director of the Musée
Napoleon."

(_Durr Collection._)

D-12. Assumption of the Virgin. (19½X40½.) _Piazetta._

(_Durr Collection._)

D-13. Italian Palace. (68½X47½.) _Pannini._

From the Stone Collection.

(_Durr Collection._)

D-14. Landscape. (28½X23½.) _Salvator Rosa._

(_Durr Collection._)

D-15. Arion and Dolphin. (60½X45½.) _Annibale Caracci._

Signed.

(_Durr Collection._)

D-16. Christ and the Disciples at Emmaus. (70½X46½.) _Paul Veronese._

Bought in Philadelphia. The same composition, with slight
variations, is in the Dresden Gallery.

(_Durr Collection._)

D-17. Madonna and Child. (18X22½.) _Fra Bartolomeo._

(_Durr Collection._)

D-18. Holy Family. (7X9½.) _School of Correggio._

(_Durr Collection._)

D-19. Portrait of Jerome Savonarola. (22½X28½.) _Fra Bartolomeo._

(_Durr Collection._)

D-20. Lucretia. (22X26½.) _Venetian School, 17th Century._

(_Durr Collection._)

D-21. Nymphs Disarming Cupids. (14X11.) _Francesco Albano._

(_Durr Collection._)

D-22. Pieta. (11X15.) _Annibale Caracci._

(_Durr Collection._)

D-23. Bacchus and Ariadne. (51X39½.) _Titian._

This is an old copy. The original is now in the National
Gallery, London.

(_Durr Collection._)

D-24. Palace of the Prince of Orange, in the South of France, with Portrait figures. (44X43.) _Federigo Zuccaro._

(_Durr Collection._)

D-25. Cattle Piece. (13X13.) _Tempesta._

(_Durr Collection._)

D-26. Cattle Piece. (13X13.) _Tempesta._

(_Durr Collection._)

D-27. Spanish Lady and Children. (67X85½.) _Velasquez._

Purchased with Le Brun's Scenes in the Life of Alexander.

(_Durr Collection._)

D-28-33. Scenes from the Life of Alexander the Great. (75X72.) _Charles Le Brun._

Le Brun's larger pictures of Nos. D-28, 29, 30, 32 and 33,
found in the collection of Louis XIV., are in the Louvre.

D-28. Triumphal Entry of Alexander into Babylon. (72X74½.) _Charles Le Brun._

(_Durr Collection._)

D-29. Alexander and Hephestion entering the Tent of Darius. (74X77.) _Charles Le Brun._

(_Durr Collection._)

D-30. Defeat of Darius at Arbela. (72X74½.) _Charles Le Brun._

(_Durr Collection._)

D-31. Alexander cutting the Knot of Gordius. (73X75½.) _Charles Le Brun._

(_Durr Collection._)

D-32. Porus brought to Alexander after his Defeat. (72X74½.) _Charles Le Brun._

(_Durr Collection._)

D-33. Passage of the Granicus. (72X74½.) _Charles Le Brun._

(_Durr Collection._)

D-34. Adoration of the Golden Calf. (70X49.) _Nicholas Poussin._

Brought from Italy by James Benkard. The subject was a
favorite one with Poussin.

(_Durr Collection._)

D-35. Portrait of a French Gentleman. (32½X42.) _Hyacinthe Rigaud._

(_Durr Collection._)

D-36. Odysseus Taking Leave of Penelope. (50X37.) _Claude Lorraine._

(_Durr Collection._)

D-37. Evening Landscape. (39X31.) _Gaspar Poussin._

(_Durr Collection._)

D-38. Virgin and Child. (23½X36.)

Signed I. G.

(_Durr Collection._)

D-39. Adoration of the Magi. (25X31½.) _Dutch School, 15th Century._

(_Durr Collection._)

D-40. Christ in the Prætorium. _John de Mabuse._

Signed "IOANNES, MALBODIVS, PINCEB 1527." From the collection
of Thomas Jefferson, made at Paris while United States Minister to
France. Sold at Boston, July 19, 1833.

(_Durr Collection._)

D-41. Christ Sinking Under the Cross. (13X18½.) _Copy from Albrecht Dürer._

This composition forms one of the series in the Passion,
engraved by Dürer on wood.

(_Durr Collection._)

D-42. Christ with the Tribute Money. (33½X11¾.) _Albrecht Dürer._

Signed A. D., dated 1525. The wings of this triptique are
ornamented with the head of a Monk and of a Nun.

(_Durr Collection._)

D-43. The Last Judgment. (31½X43½.) Oval Top. _Lucas Van Leyden._

(_Durr Collection._)

D-44. St. Paul Preaching at Athens. (23X30.) _Martin Van Veen Hemskerk._

(_Durr Collection._)

D-45. The Holy Night. (36X28.) _Karl du Jardin._

(_Durr Collection._)

D-46. Christ Before Caiaphas. (63X43.) _G. Van Herp._

Signed. This and the two following pictures, forming a series,
were brought from Seville by E. Boonen Graves. From the Emmet
Collection.

(_Durr Collection._)

D-47. Christ Bearing the Cross. (63X43.) _G. Van Herp._

(_Durr Collection._)

D-48. Christ Crowned with Thorns. (63X43.) _G. Van Herp._

(_Durr Collection._)

D-49. Landing of Æneas in Italy. (60X40½.) _Tempesta._

(_Durr Collection._)

D-50. The Madonna. (29X36.) _Philip de Champagne._

Bought by Mr. Durr at Stuttgart.

(_Durr Collection._)

D-51. The Angel Gabriel. (29X36.) _Philip de Champagne._

Bought by Mr. Durr at Stuttgart.

(_Durr Collection._)

D-52. Kitchen Utensils. (11X13.) _Barend Cornelis._

A Dutch painter, of whose life little is known, but whose
manner of handling is praised by Karel Van Mander, the art
commentator of the seventeenth century, as being superior to that
of his contemporaries. This picture is signed.

(_Durr Collection._)

D-53. Halt at a Tavern. (14½X10.) _Peter Bout._

(_Durr Collection._)

D-54. Portraits of John Bainbridge, M.D., (1582-1643) and Daughter. (38X50.) _Sir Peter Lely._

Bought at the sale of the collection of Thomas Sully, December
20, 1872.

(_Durr Collection._)

D-55. Portrait of a Lady. (27X33½.) Oval. _B. Denner._

Signed and dated 1734.

(_Durr Collection._)

D-56. Portrait of a Gentleman. (27X33½.) Oval. _B. Denner._

Signed and dated 1734.

(_Durr Collection._)

D-57. Miracle of the Loaves and Fishes. (43½X29.) _Andreas Both._

Purchased December, 1865, from the collection of Joseph M.
Meert de Domberg.

(_Durr Collection._)

D-58. Moses Striking the Rock. (43½X29.) _Andreas Both._

In this picture almost every position of the human body is
represented. It is from the collection of Joseph M. Meert de
Domberg.

(_Durr Collection._)

D-59. Still Life. (41X47½.) _Van Westhofen._

(_Durr Collection._)

D-60. Portrait of a Gentleman. (15X19.) _School of Van Dyck._

(_Durr Collection._)

D-61. Landscape with Spanish Figures. (53½X49½.) _Lucas Vanuden._

(_Durr Collection._)

D-62. Landscape, with Cattle. (48X37½.) _John H. Roos._

This and the following picture were purchased in Bavaria by
Mr. Keller.

(_Durr Collection._)

D-63. Landscape, with Cattle. (48X37½.) _John H. Roos._

(_Durr Collection._)

D-64. Crossing the River. (23X16½.) _Solomon Ruysdael._

(_Durr Collection._)

D-65. Passage of the Red Sea. (32X25.) _Francis Francken, the Elder._

Brought by Mr. Forbes from Sicily.

(_Durr Collection._)

D-66. The Crucifixion. (26X20.) _Francis Francken, the Elder._

From the collection of John G. Boker.

(_Durr Collection._)

D-67. Landscape with Figures. (40X24½.) _D. Hagelstein._

A pupil of A. Elzheimer, figures by C. Poelemburg. Signed and
dated 1630.

(_Durr Collection._)

D-68. Game. (47X36½.) _J. B. Weenix._

(_Durr Collection._)

D-69. The Riverside. (21X14½.) _Jan Van Hughtenburg._

(_Durr Collection._)

D-70. Marine. (22X17½.) _L. Backhuysen._

(_Durr Collection._)

D-71. Expulsion of Adam and Eve. (94X69.) _A. Bloemaert._

(_Durr Collection._)

D-72. Mother and Child. (27½X35.) _Jan Victor._

Purchased February, 1870, at the sale of the collection of
Thomas Thompson.

(_Durr Collection._)

D-73. Landscape. (9X11.) _Anthony Waterloo._

(_Durr Collection._)

D-74. Reptiles, Birds, and Insects. (29X38½.) _Otho Marcellis._

Signed and dated 1667. From the collection of Gideon Nye, Jr.

(_Durr Collection._)

D-75. The Flute Player. (41X33.) _Jacob Vanloo._

Purchased February, 1870, from the collection of Thomas Thompson.

(_Durr Collection._)

D-76. The Bean King. (36X29.) _John Molenaer._

Signed.

(_Durr Collection._)

D-77. The Rhinefall at Schaffhouse. (18½X13½.)

Signed A. K., 1609.

(_Durr Collection._)

D-78. Moonlight Landscape. (17X15.) _Claude Joseph Vernet._

(_Durr Collection._)

D-79. Kitchen Utensils. (10X11.) _William Kalf._

(_Durr Collection._)

D-80. Portrait of a Lady. (23X30.) _German School._

(_Durr Collection._)

D-81. The Music Lesson--Effect of Candle-light. (37½X27½.) _Gerard Honthorst._

(_Durr Collection._)

D-82. Portrait of Lucretia Van der Meulen. (28X34½.) _John Van Ravesteyn._

Signed.

(_Durr Collection._)

D-83. Sealing the Letter--Effect of Candle-light. (37½X27½.) _Gerard Honthorst._

(_Durr Collection._)

D-84. Portrait of a Lady. (23X29.) _John de Baan._

(_Durr Collection._)

D-85. Winter Landscape. (22X17½.)

Signed, J. V. E. From the Beckett Collection, Philadelphia.

(_Durr Collection._)

D-86. Hunters Resting. (14½X17½.) _John Miel._

(_Durr Collection._)

D-87. Landscape. (22X19.) _John Wynants._

From the Beckett Collection, Philadelphia.

(_Durr Collection._)

D-88. Stag Hunt. (24X19.) _Gerard Van Battem._

Signed.

(_Durr Collection._)

D-89. Evening Landscape. (32½X23½.) _Minderhout Hobbema._

Signed. Purchased from Mr. Joseph Vollmering.

(_Durr Collection._)

D-90. Farm House with Cattle. (34½X22.) _Albert Cuyp._

(_Durr Collection._)

D-91. Evening Landscape. (32½X22½.) _A. Verboom._

Signed.

(_Durr Collection._)

D-92. The Happy Burgher. (8X9.) _Ary de Voys._

(_Durr Collection._)

D-93. Huntsman Feeding his Dogs. (22X15½.) _Cornelius Saftleven._

(_Durr Collection._)

D-94. Landscape. (21X16.) _Adam Pynaker._

(_Durr Collection._)

D-95. Interior of a Dutch Tavern. (21X15.) _Egbert van Hemskerk, the Younger._

(_Durr Collection._)

D-96. Interior.--Dutch Kitchen. (18½X25.) _Q. Brekelenkam._

Signed.

(_Durr Collection._)

D-97. Arrival of the Dutch Fleet at Amsterdam.(26X16½.) _W. van de Velde, the Younger._

(_Durr Collection._)

D-98. Women Bathing. (11½X8½.) _Daniel Vertangen._

(_Durr Collection._)

D-99. The Flight into Egypt. (4½X5½.) _Dutch School, 16th Century._

(_Durr Collection._)

D-100. Starting for the Pasture. (21½X17½.) _David Teniers the Younger._

(_Durr Collection._)

D-101. Dutch Interior.--Washerwomen. (28X21.) _Henry M. Rokes._

(_Durr Collection._)

D-102. Interior of a Church. (33X26.) _Anthony de Lorme._

A Dutch painter of architecture, about 1660. Figures by A. VAN
DE VELDE. The picture is signed. From the Emmet Collection.

(_Durr Collection._)

D-103. Combat of Cavalry. (33½X20½.) _Rembrandt._

From the collection of Gideon Nye, Jr. Signed.

(_Durr Collection._)

D-104. The Deluge. (9X7.) _Daniel Vertangen._

From the Beckett Collection, Philadelphia.

(_Durr Collection._)

D-105. Tavern Interior. (12X8½.) _Isaac van Ostade._

(_Durr Collection._)

D-106-110. Allegorical Representation of the Five Senses. (12X8.) _Adrian Van Ostade._

From the Beckett Collection, Philadelphia. The subject was a
favorite one with the artist. A repetition of No. D-106 will be
found in No. B-372 of this catalogue.

D-106. Sight. _Adrian Van Ostade._

(_Durr Collection._)

D-107. Hearing. _Adrian Van Ostade._

(_Durr Collection._)

D-108. Taste. _Adrian Van Ostade._

(_Durr Collection._)

D-109. Touch. _Adrian Van Ostade._

(_Durr Collection._)

D-110. Smell. _Adrian Van Ostade._

(_Durr Collection._)

D-111. Mars and Venus. (19X14.) _J. Rottenhamer._

The background is painted by JOHN BRUEGHEL. This painting has
been engraved by J. D. Herz.

(_Durr Collection._)

D-112. Entombment of Christ. (36X28½.) _Rubens._

Old copy. Original in the Vienna Gallery. From the Thompson
Collection, February, 1870.

(_Durr Collection._)

D-113. Hunting Party. (41X28½.) _Simon van der Does._

(_Durr Collection._)

D-114. Frederick I., Emperor of Germany, surnamed "Barbarossa." (19X36½.) _Lucas Cranach._

(_Durr Collection._)

D-115. Vegetable Vender. (24½X18.) _John Doncker._

Signed, J. DONCK, 1630.

(_Durr Collection._)

D-116. Tavern Scene. (23X19½.) _John Horremans, the Elder._

(_Durr Collection._)

D-117. Tavern Scene. (23X19½.) _John Horremans, the Elder._

(_Durr Collection._)

D-118. Italian Landscape. (22X15.) _J. F. van Bloemen._

(_Durr Collection._)

D-119. Birds and Fish. (22X16½.) _Albert Flamen._

(_Durr Collection._)

D-120. Storm at Sea. (29½X19.) _Bonaventura Peters._

(_Durr Collection._)

D-121. A Dutch Interior--Beggars Carousing.(27½X21.) _Adrian Brower._

Signed. From the collection of Joseph M. Meert de Domberg.

(_Durr Collection._)

D-122. Seaport. (25½X20½.) _L. Backhuysen._

(_Durr Collection._)

D-123. A Sea Fight. (28X21.) _John Lingelbach._

(_Durr Collection._)

D-124. Rendezvous of Smugglers. (25X20.) _John van Geel._

(_Durr Collection._)

D-125. Tavern Interior. (16½X20.) _Peter Verelst._

(_Durr Collection._)

D-126. Burning of a Cottage at Night. (15X16½.) _Egbert vander Poel._

(_Durr Collection._)

D-127. Burning of a Cottage at Night. (19X14½.) _Egbert vander Poel._

(_Durr Collection._)

D-128. Landscape with Figures and Cattle. (22X15.) _Nicholas Berghem._

(_Durr Collection._)

D-129. Fruit Piece. (21X15½.) _Albert Cuyp._

(_Durr Collection._)

D-130. Dutch Windmill. (16X13½.) _John vander Meer._

Signed and dated 1693. From the Stone Collection.

(_Durr Collection._)

D-131. Card Players. (17½X13½.) _Leonard de France._

From the Beckett Collection, Philadelphia.

(_Durr Collection._)

D-132. Landscape with Cattle. (15½X11½.) _Karl du Jardin._

(_Durr Collection._)

D-133. Flowers. (28X33.) _Simon Verelst._

(_Durr Collection._)

D-134. Playing the Bagpipe. (8X9½.) _John Tilius._

(_Durr Collection._)

D-135. Landscape with Figures. (14X12.) _Philip Wouwermans._

From the Beckett Collection, Philadelphia.

(_Durr Collection._)

D-136. The Pedler. (8X9½.)

From the Beckett Collection, Philadelphia.

(_Durr Collection._)

D-137. Chateau and Park. (12X9½.) _John vander Heyden._

(_Durr Collection._)

D-138. Samson and Delilah. (33½X25.) _Van Dyck._

The finished picture of this sketch is in the Belvidere
Gallery, Vienna.

(_Durr Collection._)

D-139. Historical Subject. (40X34.) _G. van den Eckhout._

Signed, "IS. ISAACKSEN, Inventr. _G. V. Eckhout_, ping-sit.
A.D. 1670."

(_Durr Collection._)

D-140. Interior of a Church. (20X23.) _Emanuel de Witt._

(_Durr Collection._)

D-141. Dutch Interior--Effect of Candle-light. (28½X22.) _David Ryckaert._

(_Durr Collection._)

D-142. The Magi Going to Bethlehem. (41½X30½.) _Leonard Bramer._

(_Durr Collection._)

D-143. Musical Party. (10½X11.) _Matthew Van Helmont._

Signed.

(_Durr Collection._)

D-144. Farm-yard--Peasants Playing Cards. (22X18.) _Karl du Jardin._

Signed, and dated 1667.

(_Durr Collection._)

D-145. Landscape. (31X26.) _John Wynants._

Signed.

(_Durr Collection._)

D-146. Landscape with Sheep and Figures. (24X18.) _P. B. Ommeganck._

(_Durr Collection._)

D-147. The Pasture-field. (19X14½.) _Jan Kobell._

(_Durr Collection._)

D-148. Kitchen Interior. (9½X12.) _H. Van Hove._

(_Durr Collection._)

D-149. Family Group. (14X18.) _F. G. Waldmuller._

(_Durr Collection._)

D-150. View on the Moselle River. (18X15½.) _Barend C. Koekkoek._

(_Durr Collection._)

D-151. Halt at the Tavern. (24X19.) _Baron Henry Leys._

(_Durr Collection._)

D-152. Wayside Hospitality. (9½X7½.) _Fritz Franz._

(_Durr Collection._)

D-153. Evening Landscape--Sunset. (17X11.)

(_Durr Collection._)

D-154. Germania. (108X90.) _Christian Köhler._

The struggle of the German people in the year 1848 gave rise
to this allegorical composition. Germania, the Goddess of Germany,
awakened from her slumber on a bear's skin by Justice and Liberty,
seizes the national crown and sword, and drives away the demons of
Despotism and Discord. This picture was finished in 1849, when it
was purchased by Mr. John G. Boker, and brought by him to New York,
where for many years it was exhibited in the Düsseldorf Gallery.

(_Durr Collection._)

D-155. The Wood Road. (34X28.) _P. Barbièrs._

Signed.

(_Durr Collection._)

D-156. The Lute Player. (25X30.) _Gilbert Stewart Newton._

(_Durr Collection._)

D-157. Group of Fishermen on the Seashore. (60X43½.) _Albert Cuyp._

Signed.

(_Durr Collection._)

D-158. The Three Marys. (27X36.) _Bernardino Luini._

(_Durr Collection._)

D-159. Shandaken Range, Kingston, N. Y. (16¼X21½.) _A. B. Durand._

(_Durr Collection._)

_BERNARDINO LUINI._

(DURR COLLECTION)]

D-160. Trees by the Brookside, Kingston, N. Y. (16½X21.) _A. B. Durand._

(_Durr Collection._)

D-161. Study at Marbletown, N. Y. (16¾X21.) _A. B. Durand._

(_Durr Collection._)

D-162. Group of Trees. (17½X23¼.) _A. B. Durand._

(_Durr Collection._)

D-163. Pool in the Catskills. (17X23.) _Josephine Walters._

(_Durr Collection._)

D-164. The Parting Guests, 1775. (36X22.) _Wordsworth Thompson._

(_Durr Collection._)

D-165. Portrait of Matthew L. Davis, (1766-1850.) (6X5.) Oval. (Miniature.)

(_Durr Collection._)

D-166. Portrait of Benjamin Franklin, (1706-1790.) (23X28½.) Oval. _Joseph S. Duplessis._

Painted, in Paris, about 1784.

(_Durr Collection._)

D-167. Summer in the Land of the Midnight Sun. (42X72.) _William Bradford._

(_Durr Collection._)

D-168. Portrait of Asher B. Durand, (1796-1886.) (20½X26.) Painted in 1825. _John Trumbull._

(_Durr Collection._)

D-169. Portrait of William S. Mount, (1807-1868.) (20X26.) _Frank B. Carpenter._

From the original by ELLIOTT.

(_Durr Collection._)

D-170. The Palisades, New Jersey. (21X14.) Water Color. _William G. Wall._

(_Durr Collection._)

D-171. View near Fishkill, New York. (21X14.) Water Color. _William G. Wall._

(_Durr Collection._)

D-172. Portrait of Samuel F. B. Morse, (1791-1872.) (32X26.) Crayon.

(_Durr Collection, 1905._)

D-173. Portrait of Alexander Anderson, M.D., (1775-1870.) (17X21.)

(_Durr Collection, 1907._)

D-174. Portrait of Mrs. Alexander Hamilton, (1757-1854.) (14¾X12¾.) Crayon. _Eastman Johnson._

From life, in the Capitol at Washington, March, 1846.

(_Durr Collection, 1907._)

D-175. Tontine Coffee House. (1800.) (65X43.) _Francis Guy._

Northwest corner Wall and Water Streets, New York City.

(_Durr Gallery, 1907._)

D-176. Portrait of James Riker, (1822-1889.) (14X11.) _Emil Kosa._

From a photograph.

(_Durr Gallery Fund, 1911._)

D-177. Portrait of Solomon Kip. (6X3¾.) Oval.

(_Durr Gallery Fund, 1912._)

D-178. Portrait of Gen. Pierre Van Cortlandt, (1762-1848.) (30X25.) _Wm. Collins._

(_Durr Gallery Fund, 1913._)

D-179. Portrait of William C. Bouck, (1786-1859.) (21X17.) _Charles L. Elliott._

Painted, 1847.

Governor of New York, 1843-1845.

(_Durr Gallery Fund, 1913._)

D-180. Portrait of Caleb Heathcote, (1665-1721.) (31½X26¼.)

(_Durr Gallery Fund, 1913._)

D-181. Portrait of Hamilton Fish, (1808-1893.) (35X30.) _Augustus G. Heaton._

From the original by DANIEL HUNTINGTON.

President of the Society, 1867-1869; Vice President, 1881-1888.

(_Durr Gallery Fund, 1914._)

CATALOGUE

OF THE

PETER MARIÉ COLLECTION OF MINIATURES

PRESENTED TO

THE NEW YORK HISTORICAL SOCIETY

MARCH 25TH, 1905

BY THE RESIDUARY LEGATEES UNDER

THE WILL OF THE LATE PETER MARIÉ

PETER MARIÉ COLLECTION OF MINIATURES

NO. SUBJECTS OF MINIATURES. ARTISTS.

1. Adams, Maude.

2. Alexandre, Mrs. John E. _J. C. Coope, 1901._

3. Allen, Mrs. William. _Carl Weidner._

4. Amory, Mrs. Frances. _Paillet, 1892._

Anderson, Mary Houstoun. See Allen, Mrs. William.

Anderson, Mary. See Navarro, Mrs. Antonio F. de.

5. Andréi, Madame Harriet de Bermingham. _Paillet, 1892._

6. Annesly, Lady.

Anthony, Rose. See Post, Mrs. William.

Appleton, May. See Hoyt, Mrs. Gerald L.

Appleton, Caroline. See Bonaparte, Mrs. Jerome.

7. Arnaud, Gen. Joseph Louis (Grandfather of Mr. Marié).

8. Arnaud, Mrs. Mary. _Paillet, 1892._

9. Ashton, Elizabeth. _Carl Weidner._

Ashton, Elizabeth. See Glover, Miss Elizabeth.

10. Astor, Mrs. William Waldorf. _Meave T. Gedney._

11. Astor, Mrs. William Waldorf. _Paillet, 1890._

12. Bacon, Mrs. Francis McNeill, Jr. _Paillet, 1893._

13. Bacon, Mrs. Walter Rathbone. _Weidner._

Banks, Josephine Lenox. See Marshall, Mrs. Charles H.

14. Baring, Mrs. Harold A. _Weidner._

Barker, Virginia Purdy. See Bacon, Mrs. Walter Rathbone.

15. Barnwell, Mrs. Morgan G. _Weidner._

16. Baylies, Mrs. Edmund L. _Behenna._

Beekman, Margaret A. See Steward, Mrs. Campbell.

17. Bell, Mrs. Isaac. _Behenna._

Belmont, Fredrica. See Howland, Mrs. Samuel S.

18. Bend, Amy. _Paillet, 1889._

19. Bend, Beatrice. _Weidner._

Bend, Elizabeth Pelham. See Robbins, Mrs. Henry Asher.

Bermingham, Henriette de. See Andréi, Madame.

Berry, Katherine. See Zerega, Mrs. John A. di.

Berryman, Georgiana L. See de Rham, Mrs. H. Casimir.

20. Biddle, Betsy. _Weidner._

21. Bishop, Mrs. Abigail Hancock. _Weidner._

22. Bishop, The Misses, daughters of Heber R. Bishop.
_C. and F. Weidner._

23. Blackwood, Lady Terence T. _Paillet, 1890._

24. Boissevain, Mrs. G. Louis. _Weidner._

25. Bonaparte, Mrs. Jerome. _Paillet, 1892._

26. Bond, Miss Carolina Washington. _Weidner._

Borland, Mrs. John. See Rives, The Misses.

27. Brancaccio, Princess.

28. Brewster, Pauline.

29. Bristed, Mrs. Charles Astor.

30. Brown, Mrs. Alexander. _Behenna, 1894._

Brown, Sophia Carter. See Sherman, Mrs. W. Watts.

31. Bryce, Mrs. Lloyd. _Behenna._

Bulkley, Helen C. See Redmond, Mrs. Roland.

32. Burden, Mrs. James Abercrombie. _Paillet, 1892._

33. Burke, Mabel. _Weidner._

34. Burke-Roche, Mrs. James B. _C. and F. Weidner._

35. Byrd, Lucy. _Weidner._

36. Cameron, Mrs. Senator Don. _Paillet, 1889._

Carey, Marion de Peyster. See Dinsmore, Mrs. Wm. B., Jr.

Carley, Grace. See Harriman, Mrs. Oliver, Jr.

Carley, Pearl. See Hunt, Mrs. Richard Howland.

37. Carroll, Mrs. John Lee. _Paillet, 1892._

38. Carroll, Mrs. Royal Phelps. _Paillet, 1891._

39. Carson, Rita. _Weidner, 1895._

Carter, Mary Frances. See Ronalds, Mrs. Mary Frances.

40. Cary, Mrs. Clarence. _Behenna._

Chamberlain, Jennie. See Leyland, Lady Naylor.

41. Chapin, Mrs. Alfred C. _C. and F. Weidner._

42. Charette, Baroness de. _Behenna._

43. Choate, Mabel. _Behenna._

Churchill, Marie. See Baring, Mrs. Harold A.

44. Clarkson, Margaret. _Paillet, 1890._

45. Cleveland, Mrs. Grover. _Paillet, 1891._

46. Clews, Mrs. Henry. _Behenna._

Coffey, Edwalyn. See De Kay, Mrs. Charles.

Colgate, Cora Smith. See Strafford, Countess of.

47. Cotton, Mrs. J. Leslie. _Paillet._

Cooper, Edith. See Bryce, Mrs. Lloyd.

48. Cram, Ethel. _Behenna._

Cram, Henriette. See Haven, Mrs. J. Woodward.

49. Cram, Mrs. Henry S. _Paillet, 1891._

50. Crosby, Angelica Schuyler. _Weidner._

Crosby, Elizabeth. See Powel, Mrs. Robert J. Hare.

51. Crosby, Elsinor.

52. Cross, Mrs. Horatio R. Odo. _Paillet, 1891._

53. Cruger, Mrs. Van Rensselaer. _Paillet, 1893._

54. Curzon, Lady. _Paillet, 1889._

55. Cutting, Mrs. Wm. Bayard. _Behenna, 1894._

56. Dahlgren, Romola. _Weidner._

57. Davis, Bessie Frelinghuysen. _Weidner._

Davis, Flora. See Blackwood, Lady Terence T.

58. De Kay, Mrs. Charles. _Paillet, 1891._

59. Del Grillo, Donna Bianca Capranica. _Paillet, 1889._

60. De Rham, Mrs. Charles, Jr. _Weidner, 1895._

61. De Rham, Mrs. H. Casimir. _Behenna._

62. Dexter, Louise. _Behenna._

63. D'Hauteville, Mrs. Frederic Grand. _Behenna._

64. Dinsmore, Mrs. Wm. B., Jr. _Edward Fesser, 1896._

Di Zerega, Charlotte Berry. See Lady Frankland.

65. Domingnez, Mrs. _Behenna, 1893._

66. Drayton, Caroline. _Cecile E. Payen._

Dresser, Pauline. See Merrill, Mrs. G. Grenville.

67. Drexel, Mrs. John R. _Abendschein._

68. Drummond, Mrs. Victor. _Paillet, 1893._

Duncan, Jessie. See Phipps, Mrs. William Wilton.

69. Duncan, Mrs. Wm. Butler. _Behenna._

Duval, Lee. See Marié, Mrs. Louis.

Eames, Emma. See Story, Mrs. Julian.

70. Edey, Mrs. Frederick. _Paillet, 1892._

71. Edgar, Caroline. _Weidner._

72. Edwards, Mary G. _Weidner._

73. Elliott, Mrs. Duncan. _Paillet, 1891._

74. Emmet, Mrs. Bache McEvers. _Paillet, 1892._

75. Emmet, Mrs. Herman Le Roy.

76. Emmet, Jane. _Behenna, 1893._

77. Emmet, Lydia. _Behenna, 1893._

78. Essex, Countess of. _Behenna._

Fearing, Miss. See Sheldon, Mrs. Frederick.

79. Fearing, Mrs. Daniel B. _Paillet, 1890._

80. Fenno, Mrs. _Behenna._

Field, Elizabeth H. See Brancaccio, Princess.

81. Field, Mary Pearsall. _Behenna._

Fish, Sarah Hamilton. See Webster, Mrs. Sidney.

Fish, Susan Le Roy. See Rogers, Mrs. Wm. E.

Foster, Emily. See de Rham, Mrs. Charles, Jr.

82. Francklyn, Mrs. Charles G. _Paillet, 1892._

83. Frankland, Lady. _J. Clausen Coope._

84. French, Mrs. Seth Barton. _C. and F. Weidner._

85. Gambrill, Mrs. Richard. _Behenna._

Garner, Fanny. See Iselin, Mrs. C. Oliver.

86. Gebhard, Mrs. Frederick. _Behenna._

87. Gebhard, Mrs. Frederick. _Edward Fesser, 1898._

88. Glover, Elizabeth, and Elizabeth Ashton. _Weidner._

Goddard, Hope. See Iselin, Mrs. C. Oliver.

89. Goddard, Mrs. William. _Paillet, 1891._

90. Godfrey, Ada. _C. and F. Weidner._

Gordon, Mabel. See Leigh, Mrs. Roland.

Grant, Adele. See Essex, Countess of.

91. Gray, Mrs. Griswold. _Paillet, 1892._

92. Gray, Mrs. John Clinton. _Weidner, 1896._

93. Greene, Elizabeth McClelland. _Paillet, 1892._

Grew, Jane N. See Morgan, Mrs. J. Pierpont, Jr.

Griswold, Florence. See Cross, Mrs. Horatio R. Odo.

94. Griswold, Mrs. George. _Behenna._

95. Gurnee, The Misses Bell and Lucy. _Weidner._

Hall, Anna. See Roosevelt, Mrs. Elliott.

Hall, Elizabeth Livingston. See Mortimer, Mrs. Stanley.

96. Handy, May. _Paillet, 1894._

Hargous, Sallie. See Elliott, Mrs. Duncan.

Harriman, Mrs. J. Low. See Bishop, The Misses.

97. Harriman, Mrs. Oliver, Jr. _Meave T. Gedney._

98. Havemeyer, Mrs. C. F. _Paillet, 1892._

99. Haven, Mrs. J. Woodward. _Behenna._

Heckscher, Georgiana L. See Wilmerding, Mrs. John C.

Heckscher, Emeline D. See Winthrop, Mrs. Egerton L., Jr.

100. Heckscher, Mrs. John G. _Weidner._