Chapter IV: Part III: Dramatic, Musical and Artistic Copyright
XI. DRAMATIC AND MUSICAL COPYRIGHT, INCLUDING PLAYRIGHT 162-201
Dramatists' and composers' rights, 162--American provisions,
162--Rights assured, 163--Dramatic rights, 163--Musical rights,
164--Excepted performance, 164--Performance "for profit,"
165--Works not reproduced, 166--Copyright notice,
166--Dramatico-musical works protected from mechanical
reproduction, 166--Dramatic and musical works excepted from
manufacturing provisions, 167--British colonial practice,
168--Entry under proper class, 168--Application and
certificates, 168--Right of dramatization, 169--Dramatization
term, 169--Musical arrangements, 169--Transposition, 170--Works
in the public domain, 170--Dramatization right protected,
170--English law and practice, 171--Infringement cases,
172--Substantial quotations, 173--Specific scenes or
situations, 174--What is a dramatic composition, 174--Judge
Blatchford's opinion, 175--Judicial definitions, 175--Moving
pictures, 176--Literary merit not requisite, 177--What is a
dramatico-musical composition, 177--Protection of playright,
178--Protection of unpublished work, 179--Indeterminate
protection, 180--Printing and performance, 180--Specific
English provisions, 182--Publication prior to performance,
183--British international protection, 184--What is public
performance, 185--Manuscript rights, 186--Unpublished
orchestral score, 187--Dramatic work by employee,
188--Copyright term, 188--Registration, 189--Assignment,
189--Parody, 190--Infringement by single situation,
191--Protection of title, 191--Names of characters,
192--Persons liable for infringement, 193--Protection against
"fly by night" companies, 194--State legislation, 194--Remedies
under present law, 195--Musical protection in England,
195--Acts of 1902-1906, 196--Playright in other countries,
197--International provisions, 197--Foreign protection of
arrangements, 197--International definitions, 198--National
formalities, 199--Specific reservations and conditions,
200--Pan American Union, 201.
XII. MECHANICAL MUSIC PROVISIONS 202-221
"Canned music" contest, 202--Mechanical music provisos,
202--Compulsory license, 203--Damages, 203--Public performance,
204--The compromise result, 204--Judicial construction,
205--Punishment of infringement, 206--Notice of intention to
use, 206--Constitutional question, 207--English law, 208--Berne
situation, 1886, 209--Paris, 1896, 209--Berlin provision, 1908,
209--German precedents, 210--Law of 1910, 211--Germany and the
United States, 212--French precedents, 212--Belgian precedents,
213--Italian precedents, 213--Other countries, 214--Argument
for inclusion, 214--Inscribed writings, 215--Direct
sound-writings, 216--Music transmissal, 216--Music notation,
217--The law prior to 1909, 218--Manuscript and copies,
218--Protection of the inventor, 219--The counter argument,
220--Complete protection, 221.
XIII. ARTISTIC COPYRIGHT 222-250
Threefold value in art works, 222--American provisions,
223--Copyright Office classification definitions, 223--The
question of exhibition, 224--Protection of unpublished work,
225--Copyright notice, 225--Deposit, 226--Summary of
requirements, 227--Material and immaterial properties distinct,
228--Manufacturing clause, 228--German post cards,
229--Artistic merit, unimportant, 229--Application forms,
229--Certificates, 230--Term in unpublished work, 230--Date not
required, 230--Re-copyright objectionable, 231--Exhibition
right transfer, 231--Early English decision, 232--The
Werckmeister leading case, 233--Unrestricted exhibition
hazardous, 234--Reservation on sale, 234--Publication
construed, 234--Danger of forfeiture, 235--Limited use and
license, 236--Character, not method of use, 237--Illustration,
237--Description of artistic work, 238--Portraits, 238--Right
of employer, 239--Photographs, 240--_Tableaux vivants_ and
moving pictures, 241--Architectural works, 242--Copy of a copy,
243--Alterations, 243, 244--Remedies, 245--Artistic copyright
term, 245--British practice, 246--Sculpture provisions,
247--Engraving provisions, 247--New British code, 247--Foreign
countries, 248--Berne convention, 1886, 248--Paris declaration,
1896, 249--Berlin convention, 1908, 250--Exhibition not
publication, 250--Pan American Union, 250.
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Copyright: Its History and Its LawChapter IV: Part III: Dramatic, Musical and Artistic Copyright
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