Chapter V: Part 5

"Uncover your head, you wicked boy, when a man wounded by labor is passing by!"

The crowd had already passed, and a long streak of blood was visible in the middle of the street.

THE PRISONER.

Friday, 17th.

Ah, this is certainly the strangest event of the whole year! Yesterday morning my father took me to the suburbs of Moncalieri, to look at a villa which he thought of hiring for the coming summer, because we shall not go to Chieri again this year, and it turned out that the person who had the keys was a teacher who acts as secretary to the owner. He showed us the house, and then he took us to his own room, where he gave us something to drink. On his table, among the glasses, there was a wooden inkstand, of a conical form, carved in a singular manner. Perceiving that my father was looking at it, the teacher said:--

"That inkstand is very precious to me: if you only knew, sir, the history of that inkstand!" And he told it.

Years ago he was a teacher at Turin, and all one winter he went to give lessons to the prisoners in the judicial prison. He gave the lessons in the chapel of the prison, which is a circular building, and all around it, on the high, bare walls, are a great many little square windows, covered with two cross-bars of iron, each one of which corresponds to a very small cell inside. He gave his lessons as he paced about the dark, cold chapel, and his scholars stood at the holes, with their copy-books resting against the gratings, showing nothing in the shadow but wan, frowning faces, gray and ragged beards, staring eyes of murderers and thieves. Among the rest there was one, No. 78, who was more attentive than all the others, and who studied a great deal, and gazed at his teacher with eyes full of respect and gratitude. He was a young man, with a black beard, more unfortunate than wicked, a cabinet-maker who, in a fit of rage, had flung a plane at his master, who had been persecuting him for some time, and had inflicted a mortal wound on his head: for this he had been condemned to several years of seclusion. In three months he had learned to read and write, and he read constantly, and the more he learned, the better he seemed to become, and the more remorseful for his crime. One day, at the conclusion of the lesson, he made a sign to the teacher that he should come near to his little window, and he announced to him that he was to leave Turin on the following day, to go and expiate his crime in the prison at Venice; and as he bade him farewell, he begged in a humble and much moved voice, that he might be allowed to touch the master's hand. The master offered him his hand, and he kissed it; then he said:--

"Thanks! thanks!" and disappeared. The master drew back his hand; it was bathed with tears. After that he did not see the man again.

Six years passed. "I was thinking of anything except that unfortunate man," said the teacher, "when, the other morning, I saw a stranger come to the house, a man with a large black beard already sprinkled with gray, and badly dressed, who said to me: 'Are you the teacher So-and-So, sir?' 'Who are you?' I asked him. 'I am prisoner No. 78,' he replied; 'you taught me to read and write six years ago; if you recollect, you gave me your hand at the last lesson; I have now expiated my crime, and I have come hither--to beg you to do me the favor to accept a memento of me, a poor little thing which I made in prison. Will you accept it in memory of me, Signor Master?'

"I stood there speechless. He thought that I did not wish to take it, and he looked at me as much as to say, 'So six years of suffering are not sufficient to cleanse my hands!' but with so poignant an expression of pain did he gaze at me, that I instantly extended my hand and took the little object. This is it."

We looked attentively at the inkstand: it seemed to have been carved with the point of a nail, and with, great patience; on its top was carved a pen lying across a copy-book, and around it was written: "_To my teacher. A memento of No. 78. Six years!_" And below, in small letters, "_Study and hope._"

The master said nothing more; we went away. But all the way from Moncalieri to Turin I could not get that prisoner, standing at his little window, that farewell to his master, that poor inkstand made in prison, which told so much, out of my head; and I dreamed of them all night, and was still thinking of them this morning--far enough from imagining the surprise which awaited me at school! No sooner had I taken my new seat, beside Derossi, and written my problem in arithmetic for the monthly examination, than I told my companion the story of the prisoner and the inkstand, and how the inkstand was made, with the pen across the copy-book, and the inscription around it, "Six years!" Derossi sprang up at these words, and began to look first at me and then at Crossi, the son of the vegetable-vender, who sat on the bench in front, with his back turned to us, wholly absorbed on his problem.

"Hush!" he said; then, in a low voice, catching me by the arm, "don't you know that Crossi spoke to me day before yesterday of having caught a glimpse; of an inkstand in the hands of his father, who has returned from America; a conical inkstand, made by hand, with a copy-book and a pen,--that is the one; six years! He said that his father was in America; instead of that he was in prison: Crossi was a little boy at the time of the crime; he does not remember it; his mother has deceived him; he knows nothing; let not a syllable of this escape!"

I remained speechless, with my eyes fixed on Crossi. Then Derossi solved his problem, and passed it under the bench to Crossi; he gave him a sheet of paper; he took out of his hands the monthly story, _Daddy's Nurse_, which the teacher had given him to copy out, in order that he might copy it in his stead; he gave him pens, and stroked his shoulder, and made me promise on my honor that I would say nothing to any one; and when we left school, he said hastily to me:--

"His father came to get him yesterday; he will be here again this morning: do as I do."

We emerged into the street; Crossi's father was there, a little to one side: a man with a black beard sprinkled with gray, badly dressed, with a colorless and thoughtful face. Derossi shook Crossi's hand, in a way to attract attention, and said to him in a loud tone, "Farewell until we meet again, Crossi,"--and passed his hand under his chin. I did the same. But as he did so, Derossi turned crimson, and so did I; and Crossi's father gazed attentively at us, with a kindly glance; but through it shone an expression of uneasiness and suspicion which made our hearts grow cold.

DADDY'S NURSE.

(_Monthly Story._)

One morning, on a rainy day in March, a lad dressed like a country boy, all muddy and saturated with water, with a bundle of clothes under his arm, presented himself to the porter of the great hospital at Naples, and, presenting a letter, asked for his father. He had a fine oval face, of a pale brown hue, thoughtful eyes, and two thick lips, always half open, which displayed extremely white teeth. He came from a village in the neighborhood of Naples. His father, who had left home a year previously to seek work in France, had returned to Italy, and had landed a few days before at Naples, where, having fallen suddenly ill, he had hardly time to write a line to announce his arrival to his family, and to say that he was going to the hospital. His wife, in despair at this news, and unable to leave home because she had a sick child, and a baby at the breast, had sent her eldest son to Naples, with a few soldi, to help his father--his _daddy_, as they called him: the boy had walked ten miles.

The porter, after glancing at the letter, called a nurse and told him to conduct the lad to his father.

"What father?" inquired the nurse.

The boy, trembling with terror, lest he should hear bad news, gave the name.

The nurse did not recall such a name.

"An old laborer, arrived from abroad?" he asked.

"Yes, a laborer," replied the lad, still more uneasy; "not so very old. Yes, arrived from abroad."

"When did he enter the hospital?" asked the nurse.

The lad glanced at his letter; "Five days ago, I think."

The nurse stood a while in thought; then, as though suddenly recalling him; "Ah!" he said, "the furthest bed in the fourth ward."

"Is he very ill? How is he?" inquired the boy, anxiously.

The nurse looked at him, without replying. Then he said, "Come with me."

They ascended two flights of stairs, walked to the end of a long corridor, and found themselves facing the open door of a large hall, wherein two rows of beds were arranged. "Come," repeated the nurse, entering. The boy plucked up his courage, and followed him, casting terrified glances to right and left, on the pale, emaciated faces of the sick people, some of whom had their eyes closed, and seemed to be dead, while others were staring into the air, with their eyes wide open and fixed, as though frightened. Some were moaning like children. The big room was dark, the air was impregnated with an acute odor of medicines. Two sisters of charity were going about with phials in their hands.

Arrived at the extremity of the great room, the nurse halted at the head of a bed, drew aside the curtains, and said, "Here is your father."

The boy burst into tears, and letting fall his bundle, he dropped his head on the sick man's shoulder, clasping with one hand the arm which was lying motionless on the coverlet. The sick man did not move.

The boy rose to his feet, and looked at his father, and broke into a fresh fit of weeping. Then the sick man gave a long look at him, and seemed to recognize him; but his lips did not move. Poor daddy, how he was changed! The son would never have recognized him. His hair had turned white, his beard had grown, his face was swollen, of a dull red hue, with the skin tightly drawn and shining; his eyes were diminished in size, his lips very thick, his whole countenance altered. There was no longer anything natural about him but his forehead and the arch of his eyebrows. He breathed with difficulty.

"Daddy! daddy!" said the boy, "it is I; don't you know me? I am Cicillo, your own Cicillo, who has come from the country: mamma has sent me. Take a good look at me; don't you know me? Say one word to me."

But the sick man, after having looked attentively at him, closed his eyes.

"Daddy! daddy! What is the matter with you? I am your little son--your own Cicillo."

The sick man made no movement, and continued to breathe painfully.

Then the lad, still weeping, took a chair, seated himself and waited, without taking his eyes from his father's face. "A doctor will surely come to pay him a visit," he thought; "he will tell me something." And he became immersed in sad thoughts, recalling many things about his kind father, the day of parting, when he said the last good by to him on board the ship, the hopes which his family had founded on his journey, the desolation of his mother on the arrival of the letter; and he thought of death: he beheld his father dead, his mother dressed in black, the family in misery. And he remained a long time thus. A light hand touched him on the shoulder, and he started up: it was a nun.

"What is the matter with my father?" he asked her quickly.

"Is he your father?" said the sister gently.

"Yes, he is my father; I have come. What ails him?"

"Courage, my boy," replied the sister; "the doctor will be here soon now." And she went away without saying anything more.

Half an hour later he heard the sound of a bell, and he saw the doctor enter at the further end of the hall, accompanied by an assistant; the sister and a nurse followed him. They began the visit, pausing at every bed. This time of waiting seemed an eternity to the lad, and his anxiety increased at every step of the doctor. At length they arrived at the next bed. The doctor was an old man, tall and stooping, with a grave face. Before he left the next bed the boy rose to his feet, and when he approached he began to cry.

The doctor looked at him.

"He is the sick man's son," said the sister; "he arrived this morning from the country."

The doctor placed one hand on his shoulder; then bent over the sick man, felt his pulse, touched his forehead, and asked a few questions of the sister, who replied, "There is nothing new." Then he thought for a while and said, "Continue the present treatment."

Then the boy plucked up courage, and asked in a tearful voice, "What is the matter with my father?"

"Take courage, my boy," replied the doctor, laying his hand on his shoulder once more; "he has erysipelas in his face. It is a serious case, but there is still hope. Help him. Your presence may do him a great deal of good."

"But he does not know me!" exclaimed the boy in a tone of affliction.

"He will recognize you--to-morrow perhaps. Let us hope for the best and keep up our courage."

The boy would have liked to ask some more questions, but he did not dare. The doctor passed on. And then he began his life of nurse. As he could do nothing else, he arranged the coverlets of the sick man, touched his hand every now and then, drove away the flies, bent over him at every groan, and when the sister brought him something to drink, he took the glass or the spoon from her hand, and administered it in her stead. The sick man looked at him occasionally, but he gave no sign of recognition. However, his glance rested longer on the lad each time, especially when the latter put his handkerchief to his eyes.

Thus passed the first day. At night the boy slept on two chairs, in a corner of the ward, and in the morning he resumed his work of mercy. That day it seemed as though the eyes of the sick man revealed a dawning of consciousness. At the sound of the boy's caressing voice a vague expression of gratitude seemed to gleam for an instant in his pupils, and once he moved his lips a little, as though he wanted to say something. After each brief nap he seemed, on opening his eyes, to seek his little nurse. The doctor, who had passed twice, thought he noted a slight improvement. Towards evening, on putting the cup to his lips, the lad fancied that he perceived a very faint smile glide across the swollen lips. Then he began to take comfort and to hope; and with the hope of being understood, confusedly at least, he talked to him--talked to him at great length--of his mother, of his little sisters, of his own return home, and he exhorted him to courage with warm and loving words. And although he often doubted whether he was heard, he still talked; for it seemed to him that even if he did not understand him, the sick man listened with a certain pleasure to his voice,--to that unaccustomed intonation of affection and sorrow. And in this manner passed the second day, and the third, and the fourth, with vicissitudes of slight improvements and unexpected changes for the worse; and the boy was so absorbed in all his cares, that he hardly nibbled a bit of bread and cheese twice a day, when the sister brought it to him, and hardly saw what was going on around him,--the dying patients, the sudden running up of the sisters at night, the moans and despairing gestures of visitors,--all those doleful and lugubrious scenes of hospital life, which on any other occasion would have disconcerted and alarmed him. Hours, days, passed, and still he was there with his daddy; watchful, wistful, trembling at every sigh and at every look, agitated incessantly between a hope which relieved his mind and a discouragement which froze his heart.

On the fifth day the sick man suddenly grew worse. The doctor, on being interrogated, shook his head, as much as to say that all was over, and the boy flung himself on a chair and burst out sobbing. But one thing comforted him. In spite of the fact that he was worse, the sick man seemed to be slowly regaining a little intelligence. He stared at the lad with increasing intentness, and, with an expression which grew in sweetness, would take his drink and medicine from no one but him, and made strenuous efforts with his lips with greater frequency, as though he were trying to pronounce some word; and he did it so plainly sometimes that his son grasped his arm violently, inspired by a sudden hope, and said to him in a tone which was almost that of joy, "Courage, courage, daddy; you will get well, we will go away from here, we will return home with mamma; courage, for a little while longer!"

It was four o'clock in the afternoon, and just when the boy had abandoned himself to one of these outbursts of tenderness and hope, when a sound of footsteps became audible outside the nearest door in the ward, and then a strong voice uttering two words only,--"Farewell, sister!"--which made him spring to his feet, with a cry repressed in his throat.

At that moment there entered the ward a man with a thick bandage on his hand, followed by a sister.

The boy uttered a sharp cry, and stood rooted to the spot.

The man turned round, looked at him for a moment, and uttered a cry in his turn,--"Cicillo!"--and darted towards him.

The boy fell into his father's arms, choking with emotion.

The sister, the nurse, and the assistant ran up, and stood there in amazement.

The boy could not recover his voice.

"Oh, my Cicillo!" exclaimed the father, after bestowing an attentive look on the sick man, as he kissed the boy repeatedly. "Cicillo, my son, how is this? They took you to the bedside of another man. And there was I, in despair at not seeing you after mamma had written, 'I have sent him.' Poor Cicillo! How many days have you been here? How did this mistake occur? I have come out of it easily! I have a good constitution, you know! And how is mamma? And Concettella? And the little baby--how are they all? I am leaving the hospital now. Come, then. Oh, Lord God! Who would have thought it!"

The boy tried to interpolate a few words, to tell the news of the family. "Oh how happy I am!" he stammered. "How happy I am! What terrible days I have passed!" And he could not finish kissing his father.

But he did not stir.

"Come," said his father; "we can get home this evening." And he drew the lad towards him. The boy turned to look at his patient.

"Well, are you coming or not?" his father demanded, in amazement.

The boy cast yet another glance at the sick man, who opened his eyes at that moment and gazed intently at him.

Then a flood of words poured from his very soul. "No, daddy; wait--here--I can't. Here is this old man. I have been here for five days. He gazes at me incessantly. I thought he was you. I love him dearly. He looks at me; I give him his drink; he wants me always beside him; he is very ill now. Have patience; I have not the courage--I don't know--it pains me too much; I will return home to-morrow; let me stay here a little longer; I don't at all like to leave him. See how he looks at me! I don't know who he is, but he wants me; he will die alone: let me stay here, dear daddy!"

"Bravo, little fellow!" exclaimed the attendant.

The father stood in perplexity, staring at the boy; then he looked at the sick man. "Who is he?" he inquired.

"A countryman, like yourself," replied the attendant, "just arrived from abroad, and who entered the hospital on the very day that you entered it. He was out of his senses when they brought him here, and could not speak. Perhaps he has a family far away, and sons. He probably thinks that your son is one of his."

The sick man was still looking at the boy.

The father said to Cicillo, "Stay."

"He will not have to stay much longer," murmured the attendant.

"Stay," repeated his father: "you have heart. I will go home immediately, to relieve mamma's distress. Here is a scudo for your expenses. Good by, my brave little son, until we meet!"

He embraced him, looked at him intently, kissed him again on the brow, and went away.

The boy returned to his post at the bedside, and the sick man appeared consoled. And Cicillo began again to play the nurse, no longer weeping, but with the same eagerness, the same patience, as before; he again began to give the man his drink, to arrange his bedclothes, to caress his hand, to speak softly to him, to exhort him to courage. He attended him all that day, all that night; he remained beside him all the following day. But the sick man continued to grow constantly worse; his face turned a purple color, his breathing grew heavier, his agitation increased, inarticulate cries escaped his lips, the inflammation became excessive. On his evening visit, the doctor said that he would not live through the night. And then Cicillo redoubled his cares, and never took his eyes from him for a minute. The sick man gazed and gazed at him, and kept moving his lips from time to time, with great effort, as though he wanted to say something, and an expression of extraordinary tenderness passed over his eyes now and then, as they continued to grow smaller and more dim. And that night the boy watched with him until he saw the first rays of dawn gleam white through the windows, and the sister appeared. The sister approached the bed, cast a glance at the patient, and then went away with rapid steps. A few moments later she reappeared with the assistant doctor, and with a nurse, who carried a lantern.

"He is at his last gasp," said the doctor.

The boy clasped the sick man's hand. The latter opened his eyes, gazed at him, and closed them once more.

At that moment the lad fancied that he felt his hand pressed. "He pressed my hand!" he exclaimed.

The doctor bent over the patient for an instant, then straightened himself up.

The sister detached a crucifix from the wall.

"He is dead!" cried the boy.

"Go, my son," said the doctor: "your work of mercy is finished. Go, and may fortune attend you! for you deserve it. God will protect you. Farewell!"

The sister, who had stepped aside for a moment, returned with a little bunch of violets which she had taken from a glass on the window-sill, and handed them to the boy, saying:--

"I have nothing else to give you. Take these in memory of the hospital."

"Thanks," returned the boy, taking the bunch of flowers with one hand and drying his eyes with the other; "but I have such a long distance to go on foot--I shall spoil them." And separating the violets, he scattered them over the bed, saying: "I leave them as a memento for my poor dead man. Thanks, sister! thanks, doctor!" Then, turning to the dead man, "Farewell--" And while he sought a name to give him, the sweet name which he had applied to him for five days recurred to his lips,--"Farewell, poor daddy!"

So saying, he took his little bundle of clothes under his arm, and, exhausted with fatigue, he walked slowly away. The day was dawning.

THE WORKSHOP.

Saturday, 18th.

Precossi came last night to remind me that I was to go and see his workshop, which is down the street, and this morning when I went out with my father, I got him to take me there for a moment. As we approached the shop, Garoffi issued from it on a run, with a package in his hand, and making his big cloak, with which he covers up his merchandise, flutter. Ah! now I know where he goes to pilfer iron filings, which he sells for old papers, that barterer of a Garoffi! When we arrived in front of the door, we saw Precossi seated on a little pile of bricks, engaged in studying his lesson, with his book resting on his knees. He rose quickly and invited us to enter. It was a large apartment, full of coal-dust, bristling with hammers, pincers, bars, and old iron of every description; and in one corner burned a fire in a small furnace, where puffed a pair of bellows worked by a boy. Precossi, the father, was standing near the anvil, and a young man was holding a bar of iron in the fire.

"Ah! here he is," said the smith, as soon as he caught sight of us, and he lifted his cap, "the nice boy who gives away railway trains! He has come to see me work a little, has he not? I shall be at your service in a moment." And as he said it, he smiled; and he no longer had the ferocious face, the malevolent eyes of former days. The young man handed him a long bar of iron heated red-hot on one end, and the smith placed it on the anvil. He was making one of those curved bars for the rail of terrace balustrades. He raised a large hammer and began to beat it, pushing the heated part now here, now there, between one point of the anvil and the middle, and turning it about in various ways; and it was a marvel to see how the iron curved beneath the rapid and accurate blows of the hammer, and twisted, and gradually assumed the graceful form of a leaf torn from a flower, like a pipe of dough which he had modelled with his hands. And meanwhile his son watched us with a certain air of pride, as much as to say, "See how my father works!"

"Do you see how it is done, little master?" the blacksmith asked me, when he had finished, holding out the bar, which looked like a bishop's crosier. Then he laid it aside, and thrust another into the fire.

"That was very well made, indeed," my father said to him. And he added, "So you are working--eh! You have returned to good habits?"

"Yes, I have returned," replied the workman, wiping away the perspiration, and reddening a little. "And do you know who has made me return to them?" My father pretended not to understand. "This brave boy," said the blacksmith, indicating his son with his finger; "that brave boy there, who studied and did honor to his father, while his father rioted, and treated him like a dog. When I saw that medal--Ah! thou little lad of mine, no bigger than a soldo[1] of cheese, come hither, that I may take a good look at thy phiz!"

[1] The twentieth part of a cubit; Florentine measure.

The boy ran to him instantly; the smith took him and set him directly on the anvil, holding him under the arms, and said to him:--

"Polish off the frontispiece of this big beast of a daddy of yours a little!"

And then Precossi covered his father's black face with kisses, until he was all black himself.

"That's as it should be," said the smith, and he set him on the ground again.

"That really is as it should be, Precossi!" exclaimed my father, delighted. And bidding the smith and his son good day, he led me away. As I was going out, little Precossi said to me, "Excuse me," and thrust a little packet of nails into my pocket. I invited him to come and view the Carnival from my house.

"You gave him your railway train," my father said to me in the street; "but if it had been made of gold and filled with pearls, it would still have been but a petty gift to that sainted son, who has reformed his father's heart."

THE LITTLE HARLEQUIN.

Monday, 20th.

The whole city is in a tumult over the Carnival, which is nearing its close. In every square rise booths of mountebanks and jesters; and we have under our windows a circus-tent, in which a little Venetian company, with five horses, is giving a show. The circus is in the centre of the square; and in one corner there are three very large vans in which the mountebanks sleep and dress themselves,--three small houses on wheels, with their tiny windows, and a chimney in each of them, which smokes continually; and between window and window the baby's swaddling-bands are stretched. There is one woman who is nursing a child, who prepares the food, and dances on the tight-rope. Poor people! The word _mountebank_ is spoken as though it were an insult; but they earn their living honestly, nevertheless, by amusing all the world--and how they work! All day long they run back and forth between the circus-tent and the vans, in tights, in all this cold; they snatch a mouthful or two in haste, standing, between two performances; and sometimes, when they get their tent full, a wind arises, wrenches away the ropes and extinguishes the lights, and then good by to the show! They are obliged to return the money, and to work the entire night at repairing their booth. There are two lads who work; and my father recognized the smallest one as he was traversing the square; and he is the son of the proprietor, the same one whom we saw perform tricks on horseback last year in a circus on the Piazza Vittorio Emanuele. And he has grown; he must be eight years old: he is a handsome boy, with a round and roguish face, with so many black curls that they escape from his pointed cap. He is dressed up like a harlequin, decked out in a sort of sack, with sleeves of white, embroidered with black, and his slippers are of cloth. He is a merry little imp. He charms every one. He does everything. We see him early in the morning, wrapped in a shawl, carrying milk to his wooden house; then he goes to get the horses at the boarding-stable on the Via Bertola. He holds the tiny baby in his arms; he transports hoops, trestles, rails, ropes; he cleans the vans, lights the fire, and in his leisure moments he always hangs about his mother. My father is always watching him from the window, and does nothing but talk about him and his family, who have the air of nice people, and of being fond of their children.

One evening we went to the circus: it was cold; there was hardly any one there; but the little harlequin exerted himself greatly to cheer those few people: he executed precarious leaps; he caught hold of the horses' tails; he walked with his legs in the air, all alone; he sang, always with a smile constantly on his handsome little brown face. And his father, who had on a red vest and white trousers, with tall boots, and a whip in his hand, watched him: but it was melancholy. My father took pity on him, and spoke of him on the following day to Delis the painter, who came to see us. These poor people were killing themselves with hard work, and their affairs were going so badly! The little boy pleased him so much! What could be done for them? The painter had an idea.

"Write a fine article for the _Gazette_," he said: "you know how to write well: relate the miraculous things which the little harlequin does, and I will take his portrait for you. Everybody reads the _Gazette_, and people will flock thither for once."

And thus they did. My father wrote a fine article, full of jests, which told all that we had observed from the window, and inspired a desire to see and caress the little artist; and the painter sketched a little portrait which was graceful and a good likeness, and which was published on Saturday evening. And behold! at the Sunday performance a great crowd rushed to the circus. The announcement was made: _Performance for the Benefit of the Little Harlequin_, as he was styled in the _Gazette_. The circus was crammed; many of the spectators held the _Gazette_ in their hands, and showed it to the little harlequin, who laughed and ran from one to another, perfectly delighted. The proprietor was delighted also. Just fancy! Not a single newspaper had ever done him such an honor, and the money-box was filled. My father sat beside me. Among the spectators we found persons of our acquaintance. Near the entrance for the horses stood the teacher of gymnastics--the one who has been with Garibaldi; and opposite us, in the second row, was the little mason, with his little round face, seated beside his gigantic father; and no sooner did he catch sight of me than he made a hare's face at me. A little further on I espied Garoffi, who was counting the spectators, and calculated on his fingers how much money the company had taken in. On one of the chairs in the first row, not far from us, there was also poor Robetti, the boy who saved the child from the omnibus, with his crutches between his knees, pressed close to the side of his father, the artillery captain, who kept one hand on his shoulder. The performance began. The little harlequin accomplished wonders on his horse, on the trapeze, on the tight-rope; and every time that he jumped down, every one clapped their hands, and many pulled his curls. Then several others, rope-dancers, jugglers, and riders, clad in tights, and sparkling with silver, went through their exercises; but when the boy was not performing, the audience seemed to grow weary. At a certain point I saw the teacher of gymnastics, who held his post at the entrance for the horses, whisper in the ear of the proprietor of the circus, and the latter instantly glanced around, as though in search of some one. His glance rested on us. My father perceived it, and understood that the teacher had revealed that he was the author of the article, and in order to escape being thanked, he hastily retreated, saying to me:--

"Remain, Enrico; I will wait for you outside."

After exchanging a few words with his father, the little harlequin went through still another trick: erect upon a galloping horse, he appeared in four characters--as a pilgrim, a sailor, a soldier, and an acrobat; and every time that he passed near me, he looked at me. And when he dismounted, he began to make the tour of the circus, with his harlequin's cap in his hand, and everybody threw soldi or sugar-plums into it. I had two soldi ready; but when he got in front of me, instead of offering his cap, he drew it back, gave me a look and passed on. I was mortified. Why had he offered me that affront?

The performance came to an end; the proprietor thanked the audience; and all the people rose also, and thronged to the doors. I was confused by the crowd, and was on the point of going out, when I felt a touch on my hand. I turned round: it was the little harlequin, with his tiny brown face and his black curls, who was smiling at me; he had his hands full of sugar-plums. Then I understood.

"Will you accept these sugar-plums from the little harlequin?" said he to me, in his dialect.

I nodded, and took three or four.

"Then," he added, "please accept a kiss also."

"Give me two," I answered; and held up my face to him. He rubbed off his floury face with his hand, put his arm round my neck, and planted two kisses on my cheek, saying:--

"There! take one of them to your father."

THE LAST DAY OF THE CARNIVAL.

Tuesday, 21st.

What a sad scene was that which we witnessed to-day at the procession of the masks! It ended well; but it might have resulted in a great misfortune. In the San Carlo Square, all decorated with red, white, and yellow festoons, a vast multitude had assembled; masks of every hue were flitting about; cars, gilded and adorned, in the shape of pavilions; little theatres, barks filled with harlequins and warriors, cooks, sailors, and shepherdesses; there was such a confusion that one knew not where to look; a tremendous clash of trumpets, horns, and cymbals lacerated the ears; and the masks on the chariots drank and sang, as they apostrophized the people in the streets and at the windows, who retorted at the top of their lungs, and hurled oranges and sugar-plums at each other vigorously; and above the chariots and the throng, as far as the eye could reach, one could see banners fluttering, helmets gleaming, plumes waving, gigantic pasteboard heads moving, huge head-dresses, enormous trumpets, fantastic arms, little drums, castanets, red caps, and bottles;--all the world seemed to have gone mad. When our carriage entered the square, a magnificent chariot was driving in front of us, drawn by four horses covered with trappings embroidered in gold, and all wreathed in artificial roses, upon which there were fourteen or fifteen gentlemen masquerading as gentlemen at the court of France, all glittering with silk, with huge white wigs, a plumed hat, under the arm a small-sword, and a tuft of ribbons and laces on the breast. They were very gorgeous. They were singing a French canzonette in concert and throwing sweetmeats to the people, and the people clapped their hands and shouted. Suddenly, on our left, we saw a man lift a child of five or six above the heads of the crowd,--a poor little creature, who wept piteously, and flung her arms about as though in a fit of convulsions. The man made his way to the gentlemen's chariot; one of the latter bent down, and the other said aloud:--

"Take this child; she has lost her mother in the crowd; hold her in your arms; the mother may not be far off, and she will catch sight of her: there is no other way."

The gentleman took the child in his arms: all the rest stopped singing; the child screamed and struggled; the gentleman removed his mask; the chariot continued to move slowly onwards. Meanwhile, as we were afterwards informed, at the opposite extremity of the square a poor woman, half crazed with despair, was forcing her way through the crowd, by dint of shoves and elbowing, and shrieking:--

"Maria! Maria! Maria! I have lost my little daughter! She has been stolen from me! They have suffocated my child!" And for a quarter of an hour she raved and expressed her despair in this manner, straying now a little way in this direction, and then a little way in that, crushed by the throng through which she strove to force her way.

The gentleman on the car was meanwhile holding the child pressed against the ribbons and laces on his breast, casting glances over the square, and trying to calm the poor creature, who covered her face with her hands, not knowing where she was, and sobbed as though she would break her heart. The gentleman was touched: it was evident that these screams went to his soul. All the others offered the child oranges and sugar-plums; but she repulsed them all, and grew constantly more convulsed and frightened.

"Find her mother!" shouted the gentleman to the crowd; "seek her mother!" And every one turned to the right and the left; but the mother was not to be found. Finally, a few paces from the place where the Via Roma enters the square, a woman was seen to rush towards the chariot. Ah, I shall never forget that! She no longer seemed a human creature: her hair was streaming, her face distorted, her garments torn; she hurled herself forward with a rattle in her throat,--one knew not whether to attribute it to either joy, anguish, or rage,--and darted out her hands like two claws to snatch her child. The chariot halted.

"Here she is," said the gentleman, reaching out the child after kissing it; and he placed her in her mother's arms, who pressed her to her breast like a fury. But one of the tiny hands rested a second longer in the hands of the gentleman; and the latter, pulling off of his right hand a gold ring set with a large diamond, and slipping it with a rapid movement upon the finger of the little girl, said:--

"Take this; it shall be your marriage dowry."

The mother stood rooted to the spot, as though enchanted; the crowd broke into applause; the gentleman put on his mask again, his companions resumed their song, and the chariot started on again slowly, amid a tempest of hand-clapping and hurrahs.

THE BLIND BOYS.

Thursday, 24th.

The master is very ill, and they have sent in his stead the master of the fourth grade, who has been a teacher in the Institute for the Blind. He is the oldest of all the instructors, with hair so white that it looks like a wig made of cotton, and he speaks in a peculiar manner, as though he were chanting a melancholy song; but he does it well, and he knows a great deal. No sooner had he entered the schoolroom than, catching sight of a boy with a bandage on his eye, he approached the bench, and asked him what was the matter.

"Take care of your eyes, my boy," he said to him. And then Derossi asked him:--

"Is it true, sir, that you have been a teacher of the blind?"

"Yes, for several years," he replied. And Derossi said, in a low tone, "Tell us something about it."

The master went and seated himself at his table.

Coretti said aloud, "The Institute for the Blind is in the Via Nizza."

"You say blind--blind," said the master, "as you would say poor or ill, or I know not what. But do you thoroughly comprehend the significance of that word? Reflect a little. Blind! Never to see anything! Not to be able to distinguish the day from night; to see neither the sky, nor sun, nor your parents, nor anything of what is around you, and which you touch; to be immersed in a perpetual obscurity, and as though buried in the bowels of the earth! Make a little effort to close your eyes, and to think of being obliged to remain forever thus; you will suddenly be overwhelmed by a mental agony, by terror; it will seem to you impossible to resist, that you must burst into a scream, that you must go mad or die. But, poor boys! when you enter the Institute of the Blind for the first time, during their recreation hour, and hear them playing on violins and flutes in all directions, and talking loudly and laughing, ascending and descending the stairs at a rapid pace, and wandering freely through the corridors and dormitories, you would never pronounce these unfortunates to be the unfortunates that they are. It is necessary to observe them closely. There are lads of sixteen or eighteen, robust and cheerful, who bear their blindness with a certain ease, almost with hardihood; but you understand from a certain proud, resentful expression of countenance that they must have suffered tremendously before they became resigned to this misfortune.

"There are others, with sweet and pallid faces, on which a profound resignation is visible; but they are sad, and one understands that they must still weep at times in secret. Ah, my sons! reflect that some of them have lost their sight in a few days, some after years of martyrdom and many terrible chirurgical operations, and that many were born so,--born into a night that has no dawn for them, that they entered into the world as into an immense tomb, and that they do not know what the human countenance is like. Picture to yourself how they must have suffered, and how they must still suffer, when they think thus confusedly of the tremendous difference between themselves and those who see, and ask themselves, 'Why this difference, if we are not to blame?'

"I who have spent many years among them, when I recall that class, all those eyes forever sealed, all those pupils without sight and without life, and then look at the rest of you, it seems impossible to me that you should not all be happy. Think of it! there are about twenty-six thousand blind persons in Italy! Twenty-six thousand persons who do not see the light--do you understand? An army which would employ four hours in marching past our windows."

The master paused. Not a breath was audible in all the school. Derossi asked if it were true that the blind have a finer sense of feeling than the rest of us.

The master said: "It is true. All the other senses are finer in them, because, since they must replace, among them, that of sight, they are more and better exercised than they are in the case of those who see. In the morning, in the dormitory, one asks another, 'Is the sun shining?' and the one who is the most alert in dressing runs instantly into the yard, and flourishes his hands in the air, to find out whether there is any warmth of the sun perceptible, and then he runs to communicate the good news, 'The sun is shining!' From the voice of a person they obtain an idea of his height. We judge of a man's soul by his eyes; they, by his voice. They remember intonations and accents for years. They perceive if there is more than one person in a room, even if only one speaks, and the rest remain motionless. They know by their touch whether a spoon is more or less polished. Little girls distinguish dyed wools from that which is of the natural color. As they walk two and two along the streets, they recognize nearly all the shops by their odors, even those in which we perceive no odor. They spin top, and by listening to its humming they go straight to it and pick it up without any mistake. They trundle hoop, play at ninepins, jump the rope, build little houses of stones, pick violets as though they saw them, make mats and baskets, weaving together straw of various colors rapidly and well--to such a degree is their sense of touch skilled. The sense of touch is their sight. One of their greatest pleasures is to handle, to grasp, to guess the forms of things by feeling them. It is affecting to see them when they are taken to the Industrial Museum, where they are allowed to handle whatever they please, and to observe with what eagerness they fling themselves on geometrical bodies, on little models of houses, on instruments; with what joy they feel over and rub and turn everything about in their hands, in order to see how it is made. They call this _seeing_!"

Garoffi interrupted the teacher to inquire if it was true that blind boys learn to reckon better than others.

The master replied: "It is true. They learn to reckon and to write. They have books made on purpose for them, with raised characters; they pass their fingers over these, recognize the letters and pronounce the words. They read rapidly; and you should see them blush, poor little things, when they make a mistake. And they write, too, without ink. They write on a thick and hard sort of paper with a metal bodkin, which makes a great many little hollows, grouped according to a special alphabet; these little punctures stand out in relief on the other side of the paper, so that by turning the paper over and drawing their fingers across these projections, they can read what they have written, and also the writing of others; and thus they write compositions: and they write letters to each other. They write numbers in the same way, and they make calculations; and they calculate mentally with an incredible facility, since their minds are not diverted by the sight of surrounding objects, as ours are. And if you could see how passionately fond they are of reading, how attentive they are, how well they remember everything, how they discuss among themselves, even the little ones, of things connected with history and language, as they sit four or five on the same bench, without turning to each other, and converse, the first with the third, the second with the fourth, in a loud voice and all together, without losing a single word, so acute and prompt is their hearing.

"And they attach more importance to the examinations than you do, I assure you, and they are fonder of their teachers. They recognize their teacher by his step and his odor; they perceive whether he is in a good or bad humor, whether he is well or ill, simply by the sound of a single word of his. They want the teacher to touch them when he encourages and praises them, and they feel of his hand and his arms in order to express their gratitude. And they love each other and are good comrades to each other. In play time they are always together, according to their wont. In the girls' school, for instance, they form into groups according to the instrument on which they play,--violinists, pianists, and flute-players,--and they never separate. When they have become attached to any one, it is difficult for them to break it off. They take much comfort in friendship. They judge correctly among themselves. They have a clear and profound idea of good and evil. No one grows so enthusiastic as they over the narration of a generous action, of a grand deed."

Votini inquired if they played well.

"They are ardently fond of music," replied the master. "It is their delight: music is their life. Little blind children, when they first enter the Institute, are capable of standing three hours perfectly motionless, to listen to playing. They learn easily; they play with fire. When the teacher tells one of them that he has not a talent for music, he feels very sorrowful, but he sets to studying desperately. Ah! if you could hear the music there, if you could see them when they are playing, with their heads thrown back a smile on their lips, their faces aflame, trembling with emotion, in ecstasies at listening to that harmony which replies to them in the obscurity which envelops them, you would feel what a divine consolation is music! And they shout for joy, they beam with happiness when a teacher says to them, "You will become an artist." The one who is first in music, who succeeds the best on the violin or piano, is like a king to them; they love, they venerate him. If a quarrel arises between two of them, they go to him; if two friends fall out, it is he who reconciles them. The smallest pupils, whom he teaches to play, regard him as a father. Then all go to bid him good night before retiring to bed. And they talk constantly of music. They are already in bed, late at night, wearied by study and work, and half asleep, and still they are discussing, in a low tone, operas, masters, instruments, and orchestras. It is so great a punishment for them to be deprived of the reading, or lesson in music, it causes them such sorrow that one hardly ever has the courage to punish them in that way. That which the light is to our eyes, music is to their hearts."

Derossi asked whether we could not go to see them.