Chapter XXIV: Witchcraft (1)

Minor gods--Saint and Satyr--Tutelaries--Spells--Early Christianity
and the poor--Its doctrine as to pagan deities--Mediæval
Devils--Devils on the stage--An Abbot's revelations--The fairer
deities--Oriental dreams and spirits--Calls for Nemesis--Lilith
and her children--Neoplatonicism--Astrology and Alchemy--Devil's
College--Shem-hammphorásch--Apollonius of Tyana--Faustus--Black Art
Schools--Compacts with the Devil--Blood-covenant--Spirit-seances in
old times--The Fairfax delusion--Origin of its devil--Witch, goat,
and cat--Confessions of Witches--Witchcraft in New England--Witch
trials--Salem demonology--Testing witches--Witch trials in
Sweden--Witch Sabbath--Mythological elements--Carriers--Scotch
Witches--The cauldron--Vervain--Rue--Invocation of Hecaté--Factors
of Witch persecution--Three centuries of massacre--Würzburg
horrors--Last victims--Modern Spiritualism.

St. Cyprian saw the devil in a flower. [153] That little vision may report more than many more famous ones the consistency with which the first christians had developed the doctrine that nature is the incarnation of the Evil Spirit. It reports to us the sense of many sounds and sights which were heard and seen by ears and eyes trained for such and no other, all showing that the genii of nature and beauty were vanishing from the earth. Over the Ægean sea were heard lamentations and the voice, 'Great Pan is dead!' Augustus consults the oracle of Apollo and receives reply--

Me puer Hebræus, Divos Deus ipse gubernans,
Cedere sede jubet, tristremque redire sub orcum;
Aris ergo dehinc tacitis abscedito nostris.

But while the rage of these Fathers towards all the great gods and goddesses, who in their grand temples represented 'the pride of life,' was remorseless, they were comparatively indifferent to the belief or disbelief of the lower classes in their small tutelary divinities. They appear almost to have encouraged belief in these, perhaps appreciating the advantages of the popular custom of giving generous offerings to such personal and domestic patrons. At a very early period there seems to have arisen an idea of converting these more plebeian spirits into guardian angels with christian names. Thus Jerome relates in his Life of the first Hermit Paul, that when St. Anthony was on his way to visit that holy man, he encountered a Centaur who pointed out the way; and next a human-like dwarf with horns, hooked fingers, and feet like those of a goat. St. Anthony believing this to be an apparition of the Devil, made the sign of the Cross; but the little man, nowise troubled by this, respectfully approached the monk, and having been asked who he was, answered: 'I am a mortal, and one of those inhabitants of the Desert whom the Gentiles in their error worship under the names of Fauns, Satyrs, and Incubi: I am delegated by my people to ask of thee to pray for us to our common God, who we know has descended for the salvation of the world, and whose praises resound in all the earth.' At this glorification of Christ St. Anthony was transported with joy, and turning towards Alexandria he cried, 'Woe to thee, adulterous city, which adorest animals as gods!'

Perhaps the evolution of these desert demons into good christians would have gone on more rapidly and completely if the primitive theologians had known as much of their history as comparative mythology has disclosed to the modern world. St. Anthony was, however, fairly on the track of them when he turned towards Alexandria. Egypt appears to have been the especial centre from which were distributed through the world the fetish guardians of provinces, towns, households and individuals. Their Serapes reappear in the Teraphim of Laban, and many of the forms they used reappear in the Penates, Lares, and genii of Latin countries. All these in their several countries were originally related to its ancient religion or mythology, but before the christian era they were very much the same in Egypt, Greece, and Italy. They were shaped in many different, but usually natural forms, such as serpents, dogs, boys, and old men, though often some intimation was given of their demonic character. They were so multiplied that even plants and animals had their guardians. The anthropomorphic genii called the Patrii, who were supposed to preside over provinces, were generally represented bearing weapons with which they defended the regions of which they were patrons. These were the Averrunci or Apotropæi.

There are many interesting branches of this subject which cannot be entered into here, and others have already been considered in the foregoing parts of this work. It is sufficient for my present purpose to remark, that, in the course of time, all the households of the world had traditional guardians; these were generally represented in some shape on amulets and talismans, on which were commonly inscribed the verbal charms by which the patron could be summoned. In the process of further time the amulets--especially such as were reproduced by tribes migrating from the vicinity of good engravers--might be marked only with the verbal charms; these again were, in the end, frequently represented only by some word or name. This was the 'spell.' Imagination fails in the effort to conceive how many strata of extinct deities had bequeathed to the ancient Egyptians those mystical names whose exact utterance they believed would constrain each god so named to appear and bind him to serve the invoker's purpose whether good or evil. [154] This idea continued among the Jews and shaped the commandment, 'Thou shalt not take the name of the Lord thy God in vain.'

It was in these diminutive forms that great systems survived among the common people. Amid natural convulsions ancient formations of faith were broken into fragments; in the ebb and flow of time these fragments were smoothed, as it were, into these talismanic pebbles. Yet each of these conveyed all the virtue which had been derived from the great and costly ceremonial system from which it originally crumbled; the virtue of soothing the mind and calming the nerves of sufferers with the feeling that, though they might have been assailed by hostile powers, they had friendly powers too who were active in their behalf--Vindicators, to recall Job's phrase--who at last would stand by them to the end. In the further ebb and flow of generations the mass of such charms are further pulverised into sand or into mud; but not all of them: amid the mud will be found many surviving specimens, and such mud of accumulated superstitions is always susceptible of being remoulded after such lingering models, should occasion demand.

Erasmus, in his 'Adages,' suggests that it was from these genii of 'the Gentiles' that the christians derived their notion of each person being attended by two angels, a good and a bad. Probably he was but half right. The peoples to whom he refers did not generally believe that each man was attended by a bad spirit, a personal enemy. That was an honour reserved for individuals particularly formidable to the evil powers,--Adam, Jacob, Hercules, or Zoroaster. The one preternatural power attending each ordinary individual defended him from the general forces of evil. But it was Christianity which, in the gradual effort to substitute patron-saints and guardian-angels of its own for the pagan genii, turned the latter from friends to enemies, and their protecting into assailing weapons.

All the hereditary household gods of what is now called Christendom were diabolised. But in order that the masses might turn from them and invoke christian guardians, the Penates, Lares, and genii had to be belittled on the one hand, and the superior power of the saints and angels demonstrated. When Christianity had gained the throne of political power, it was easy to show that the 'imps,' as the old guardians were now called, could no longer protect their invokers from christian punishment, or confer equal favours.

Christianity conquered Europe by the sword, but at first that sword was not wielded against the humble masses. It was wielded against their proud oppressors. To the common people it brought glad tidings of a new order, in which, under the banner of a crucified working-man and his (alleged) peasant mother, all caste should disappear but that of piety and charity. Christ eating with publicans and sinners and healing the wayside cripples reappeared in St. Martin dividing his embroidered cloak with a beggar--type of a new aristocracy. They who worshipped the Crucified Peasant in the rock-cave of Tours which St. Martin had consecrated, or in little St. Martin's Church at Canterbury where Bertha was baptized, could not see the splendid cathedrals now visible from them, built of their bones and cemented with their blood. King Ethelbert surrendered the temple of his idol to the consecration of Augustine, and his baptized subjects had no difficulty in seeing the point of the ejected devil's talons on the wall which he assailed when the first mass was therein celebrated.

Glad tidings to the poor were these that the persecuted first missionaries brought to Gaul, Britain, and Germany. But they did not last. The christians and the pagan princes, like Herod and Pilate, joined hands to crucify the European peasant, and he was reduced to a worse serfdom than he had suffered before. Every humble home in Europe was trampled in the mire in the name of Christ. The poor man's wife and child, and all he possessed were victims of the workman of Jerusalem turned destroyer of his brethren. Michelet has well traced Witchcraft to the Despair of the Middle Ages. [155] The decay of the old religions, which Christianity had made too rapid for it to be complete, had left, as we have seen, all the trains laid for that terrible explosion; and now its own hand of cruelty brought the torch to ignite them. Let us, at risk of some iteration, consider some of these combustible elements.

In the first place the Church had recognised the existence of the pagan gods and goddesses, not wishing to imbreed in the popular mind a sceptical habit, and also having use for them to excite terror. Having for this latter purpose carved and painted them as ugly and bestial, it became further of importance that they should be represented as stupid and comparatively impotent. Baptism could exorcise them, and a crucifix put thousands of them to flight. This tuition was not difficult. The peasantries of Europe had readily been induced to associate the newly announced (christian) Devil with their most mischievous demons. But we have already considered the forces under which these demons had entered on their decline before they were associated with Satan. Many conquered obstructions had rendered the Demons which represented them ridiculous. Hence the 'Dummeteufel' of so many German fables and of the mediæval miracle-plays. 'No greater proof,' says Dr. Dasent, 'can be given of the small hold which the christian Devil has taken of the Norse mind, than the heathen aspect under which he constantly appears, and the ludicrous way in which he is always outwitted.' [156] 'The Germans,' says Max Müller, 'indoctrinated with the idea of a real devil, the Semitic Satan or Diabolus, treated him in the most good-humoured manner.' [157] A fair idea of the insignificance he and his angels reached may be gained from the accompanying picture (Fig. 18), with which a mediæval Missal now in possession of Sir Joseph Hooker is illuminated. It could not be expected that the masses would fear beings whom their priests thus held up to ridicule. It is not difficult to imagine the process of evolution by which the horns of such insignificant devils turned to the asinine ears of such devils as this stall carving at Corbeil, near Paris (Fig. 19), which represented the popular view of the mastery obtained by witches over devils. It must be remembered also that this power over devils was in accordance with the traditions concerning Solomon, and the subserviency of Oriental demons generally to the lamps or charms to which they were bound.

What the popular christian devil had become in all the Northern nations is sufficiently shown in the figure he presented in most of the old miracle-plays and 'Moralities.' 'The Devill in his fethers all ragged and rent,' [158] had horns, wide mouth, long (sometimes up-turned) nose, red beard, cloven foot, and tail. He was attended by a buffoon called Vice. 'And,' says Harsenet, 'it was a pretty part in the old Church playes when the nimble Vice would skip up nimbly like a Jackanapes into the Devil's necke, and ride the Devil a course, and belabour him with a wooden dagger, till he made him roar, whereat the people would laugh to see the Devil so Vice-haunted.' [159] The two must have nearly resembled the clown and his unhappy victim Pantaloon in our pantomimes, as to their antics. It would seem that sometimes holy personages were caricatured in the make-up of the stage-devil. Thus in 'Gammer Gurton's Needle' we have this conversation:--

GAMMER. But, Hodge, had he no horns to push?

HODGE. As long as your two armes. Saw ye never fryer Rushe
Painted on cloth, with a side long cowe's tayle
And crooked cloven feet, and many a hooked nayle?
For all the world (if I should judge) should reckon him his brother;
Loke, even what face fryer Rushe had, the devil had such another.

In the scene of Christ's delivering souls from purgatory, the Devil is represented as blowing lustily a horn to alarm his comrades, and crying, 'Out, out, aronzt!' to the invader. He fights with a three-pronged fork. He and his victims are painted black, [160] in contrast with the souls of the saved, which are white. The hair was considered very important. [161] When he went to battle, even his fiery nature was sometimes represented in a way that must have been more ludicrous than impressive. [162]

The insignificance to which the priests had reduced the devil in the plays, where they were usually the actors, reflected their own petty routine of life. They could conceive of nothing more terrible than their own mean mishaps and local obstructions. One great office of the Devil was to tempt some friar to sleep when he should be at prayer, [163] make another drink too much, or a third cast warm glances at a village beauty. The Revelations of the Abbot Richalmus, written seven hundred years ago, shows the Devil already far gone in his process of diminution. The Devil here concentrates the energies which once made the earth tremble on causing nausea to the Abbot, and making the choir cough while he is preaching. 'When I sit down to holy studies,' he says, 'the devils make me heavy with sleep. Then I stretch my hands beyond my cuffs to give them a chill. Forthwith the spirits prick me under my clothes like so many fleas, which causes me to put my hands on them; and so they get warm again, and my reading grows careless.' 'Come, just look at my lip; for twenty years has an imp clung to it just to make it hang down.' It is ludicrous to find that ancient characteristic of the gods of Death already adverted to--their hatred of salt, the agent of preservation--descended from being the sign of Job's constancy to Jehovah into a mere item of the Abbot's appetite. 'When I am at dinner, and the devil has taken away my appetite, as soon as I have tasted a little salt it comes back to me; and if, shortly afterwards, I lose it again, I take some more salt, and am once more an hungered.' [164]

One dangerous element was the contempt into which, by many causes, the infernal powers had been brought. But a more dangerous one lay in another direction. Though the current phrases of the New Testament and of the Fathers of the Church, declaring this world, its wealth, loves, and pleasures, to be all the kingdom of Satan, had become cant in the mouths of priests ruling over Europe, it had never been cant to the humble peasantries. Although they had degraded many devils imported by the priests, it had been in connection with the declining terrors of their native demonologies. But above these degraded and hated gnomes and elves, whose paternity had been transferred from Soetere to Satan, there was an array of beautiful deities--gentle gods and goddesses traditionally revered and loved as protectors of the home and the family--which had never really lost their hold on the common people. They might have shrunk before the aggressive victories of the Saints into little Fairies, but their continued love for the poor and the oppressed was the romance of every household. What did these good fairies do? They sometimes loaded the lowly with wealth, if summoned in just the right way; they sang secrets to them from trees as little birds, they smoothed the course of love, clothed ash-maidens in fine clothes, transported people through the air, enabled them to render themselves invulnerable, or invisible, to get out of prisons, to vanquish 'the powers that be,' whether 'ordained of God' or not. Now all these were benefits which, by christian theory, could only be conferred by that Prince of this World who ministered to 'the pride of life.'

Into homes which the priest and his noble had stripped of happiness and hope,--whose loving brides were for baptized Bluebeards, whose hard earnings were taken as the price of salvation from devils whose awfulness was departing,--there came from afar rumours of great wealth and splendour conferred upon their worshippers by Eastern gods and goddesses. The priests said all those were devils who would torture their devotees eternally after death; yet it could not be denied that the Moors had the secret of lustres and ornamentation, that the heathen East was gorgeous, that all Christendom was dreaming of the wealth of Ormus and of Ind. Granted that Satan had come westward and northward, joined the scurvy crew of Loki, and become of little importance; but what of Baal or Beelzebub, of Asmodeus, of the genii who built Solomon's temple, of rich Pluto, of august Ahriman? Along with stories of Oriental magnificence there spread through Christendom names of many deities and demons; many of them beautiful names, too, euphemism having generally managed to bestow melodious epithets alike on deities feared and loved. In Faust's 'Miraculous Art and Book of Marvels, or the Black Raven' (1469), the infernal heirarchy are thus named:--King, Lucifer; Viceroy, Belial; Gubernatores, Satan, Beelzebub, Astaroth, Pluto; Chief Princes, Aziel, Mephistopheles, Marbuel, Ariel, Aniguel, Anisel, Barfael. Seductive meanings, too, corresponding to these names, had filtered in some way from the high places they once occupied into the minds of the people. Lucifer was a fallen star that might rise again; Belial and Beelzebub were princes of the fire that rendered possible the arts of man, and the Belfires never went out in the cold North; Astarte meant beauty, and Pluto wealth; Aziel (Asael) was President of the great College of occult arts, from whom Solomon learned the secrets by which he made the jinni his slaves; Marbuel was the artist and mechanic, sometimes believed to aid artisans who produced work beyond ordinary human skill; Ariel was the fine spirit of the air whose intelligence corresponded to that of the Holy Ghost on the other side; Aniguel is the serpent of Paradise, generally written Anisel; Anizazel is probably a fanciful relative of Azazel, 'the strong god;' and Barfael, who in a later Faust book is Barbuel, is an orientalised form of the 'demon of the long beard' who holds the secret of the philosopher's stone.

In a later chapter the growth of favourable views of the devil is considered. Some of the legends therein related may be instructively read in connection with the development of Witchcraft. Many rumours were spread abroad of kindly assistance brought by demons to persons in distress. But even more than by hopes so awakened was the witch aided by the burning desire of the people for vengeance. They wanted Zamiel (Samaël) to help them to mould the bullet that would not miss its mark. The Devil and all his angels had long been recognised by their catechists as being utilised by the Deity to execute his vengeance on the guilty; and to serfs in their agony that devil who would not spare prince or priest was more desired than even the bestower of favours to their starving minds and bodies.

Under the long ages of war in Europe, absorbing the energies of men, women had become the preservers of letters. The era of witchcraft in Europe found that sex alone able to read and write, arts disesteemed in men, among the peasantry at least. To them men turned when it had become a priestly lesson that a few words were more potent than the weapons of princes. Besides this, women were the chief sorcerers, because they were the chief sufferers. In Alsace (1615), out of seventy-five who perished as witches, sixty-two were women. The famous Malleus Maleficorum, which did more evil than any work ever published, derives femina from fide minus. Although in the Faust legend Mephistopheles objects to marriage, many stories represent diabolical weddings. Particular details were told of the marriage of Satan with the daughter of a Sorceress at Egnischen (1585), on which occasion the three towers of the castle there were said to have been illuminated, and a splendid banquet spread, the favourite dish being a ragout of bats. There was exquisite music, and a 'beautiful man' blessed the nuptials. How many poor peasant girls must have had such dreams as they looked up from their drudgery to the brilliant chateaux?

In the illuminated manuscript known as 'Queen Mary's Psalter' (1553) there is a picture of the Fall of Man (Fig. 20) which possesses far-reaching significance. It is a modification of that idea, which gained such wide currency in the Middle Ages, that it was the serpent-woman Lilith who had tempted Adam to eat the forbidden fruit. In this picture, while the beautiful face and ample hair of Lilith are given, instead of the usual female bust she has the body of a cat. This nocturnal animal, already sacred to Freyja, the Teutonic Venus, whose chariot it drew, gained a new mythological career in the North by the large number of Southern and Oriental stones which related it to the lunar and amorous demonesses. When the gods fled before the Titans, Diana, as Ovid relates, changed herself to a cat, and as infernal Hecate that animal was still beside her. If my reader will turn to vol. i. p. 130, some of the vast number of myths which prepared the cat to take its place as familiar of the witch may be found. Whether the artist had Lilith in his mind or not, the illumination in 'Queen Mary's Psalter' represents a remarkable association of myths. For Lilith was forerunner of the mediæval mothers weeping for their children; her voice of perpetual lamentation at the cruel fate allotted her by the combined tyranny of God and man was heard on every sighing wind; and she was the richly dressed bride of the Prince of Devils, ever seeking to tempt youth. Such stories floated through the mind of the Middle Ages, and this infernal Madonna is here seen in association with the cat, beneath whose soft sparkling fur the goddess of Love and Beauty was supposed to be still lurking near the fireside of many a miserable home. Some fragrance of the mystical East was with this feline beauty, and nothing can be more striking than the contrast which the ordinary devils beside her present. Their unseductive ugliness and meanness is placed out of sight of the pair tempted to seek the fruit of forbidden knowledge. They inspire the man and woman in their evidently eager grasping after the fruit, which here means the consultation of fair fortune-tellers and witches to obtain that occult knowledge for which speculative men are seeking in secret studies and laboratories.

Those who have paid attention to the subject of Witchcraft need not be reminded that its complexity and vastness would require a larger volume than the present to deal with it satisfactorily. The present study must be limited to a presentation of some of the facts which induce the writer to believe that, beneath the phenomena, lay a profound alienation from Christianity, and an effort to recall the banished gods which it had superseded.

The first christian church was mainly Jewish, and this is also to say that it inherited the vast Angelolatry and the system of spells which that tribe had brought from Babylon. To all this was now superadded the accumulation of Assyrian and Egyptian lore which was re-edited in the form of Neoplatonicism. This mongrel mass, constituted of notions crumbled from many systems, acquired a certain consistency in Gnosticism. The ancient Egyptians had colleges set apart for astrological study, and for cultivation of the art of healing by charms. Every month, decade, day of the year had its special guardian in the heavens. The popular festivals were astronomic. To the priests in the colleges were reserved study of the sacred books in which the astrological secrets were contained, and whose authorship was attributed to the god Thoth, inventor of writing, the Greek Hermes, and, later, Egyptian Hermes Trismegistus. The zodiac is a memorial of the influence which the stars were supposed to exert upon the human body. Alchemy (the word is Egyptian, Kémi meaning 'black earth') was also studied in connection with solar, lunar, and stellar influences. The Alchemists dreamed of discovering the philosopher's stone, which would change base metals to gold; and Diocletian, in burning the Alchemists' books, believed that, in so doing, he would deprive the Egyptians of their source of wealth. [165]

Imported into Greece, these notions and their cult had a twofold development. Among the Platonists they turned to a naturalistic and allegorical Demonology; among the uncultivated they formed a Diabolarchy, which gathered around the terrible lunar phantasm--Hecate.

The astrological College of Egypt gave to the Jews their strange idea of the high school maintained among the devils, already referred to in connection with Asmodeus, who was one of its leading professors. The rabbinical legend was, that two eminent angels, Asa and Asael, remonstrated with the Creator on having formed man only to give trouble. The Creator said they would have done the same as man under similar circumstances; whereupon Asa and Asael proposed that the experiment should be tried. They went to earth, and the Creator's prediction was fulfilled: they were the first 'sons of God' who fell in love with the daughters of men (Gen. vi. 2). They were then embodied. In heaven they had been angels of especial knowledge in divine arts, and they now used their spells to reascend. But their sin rendered the spells powerless for that, so they repaired to the Dark Mountains, and there established a great College of Sorcery. Among the many distinguished graduates of this College were Job, Jethro, and Bileam. It was believed that these three instructed the soothsayers who attempted to rival the miracles of Moses before Pharaoh. Job and Jethro were subsequently converted, but Bileam continued his hostility to Israel, and remains a teacher in the College. Through knowledge of the supreme spell--the Shem-hammphorásch, or real name of God--Solomon was able to chain Professor Asmodeus, and wrest from him the secret of the worm Schámir, by whose aid the Temple was built.

Traditions of the learning of the Egyptians, and of the marvels learned by Solomon from Asa and Asael by which he compelled demons to serve him, and the impressive story of the Witch of Endor, powerfully influenced the inquisitive minds of Europe. The fierce denunciations of all studies of these arts of sorcery by the early Church would alone reveal how prevalent they were. The wonderful story of Apollonius of Tyana, [166] as told by Philostratus, was really a kind of gospel to the more worldly-minded scholars. Some rabbins, following the outcry against Jesus, 'He casteth out devils by Beelzebub,' circulated at an early date the story that Jesus had derived his power to work miracles from the spell Shem-hammphorásch, which he found on one of the stones of the Temple where Solomon had left it. Though Eusebius cast doubt upon them, the christians generally do not appear to have denied the miracles of Apollonius, which precisely copy those of Jesus from the miraculous birth to the ascension, but even to have quoted them as an evidence of the possibility of miracles. Celsus having attributed the miracles of Jesus to sorcery, and said that magic influenced only the ignorant and immoral, Origen replies that, in order to convince himself of the contrary, he has only to read the memoirs of Apollonius by Mæragenes, who speaks of him as a philosopher and magician, who repeatedly exercised his powers on philosophers. Arnobius and the fathers of the fourth century generally believed in the Apollonian thaumaturgy and attributed it to magic. Aldus Manutius published the book of Philostratus in the fifteenth century, and the degree to which the fascinating and marvellous stories concerning Apollonius fired the European imagination just awaking under the breath of the Renaissance, may be estimated by the fury with which the 'magician' was anathematised by Pico della Mirandola, Jean Bodin, and Baronius. The book and the controversy attracted much attention, and while the priests still continued to charge Apollonius with being a 'magician,' they appear to have perceived that it would have been more to the point, so far as their real peril was concerned, to have proved him an impostor. Failing that, Dr. Faustus and his fellow-professors in the 'black art' were left masters of the situation. The people had to digest the facts admitted, that a Pagan had learned, by initiations into the astrological schools of Egypt and India, the means of healing the sick, raising the dead, flying through the air, throwing off chains, opening locks, rendering himself invisible, and discerning the future.

There was a call for some kind of Apollonius, and Faustus arose. Side by side flourished Luther and Faustus. To Roman Catholic eyes they were twin sons of the Devil; [167] that they were characteristic products of one moral age and force appears to me certain, even as to-day the negations of Science and the revival of 'Spiritualism' have a common root in radical disbelief of the hereditary dogmas and forms of so-called religion. It is, however, not surprising that Protestantism felt as much horror of its bastard brother as Science has of the ghostly seances. Through the early sixteenth century we can trace this strange Dr. Faustus ('auspicious,' he had chosen that name) going about Germany, not omitting Erfurth, and talking in taverns about his magic arts and powers. More is said of him in the following chapter; it is sufficient to observe here, and it is the conclusion of Professor Morley, who has sifted the history with his usual care, that about him, as a centre of crystallisation, tales ascribed in the first place to other conjurers arranged themselves, until he became the popular ideal of one who sought to sound the depths of this world's knowledge and enjoyments without help from the Church or its God. The priests did not doubt that this could be done, nor did the Protestants; they generally agreed that it could be accomplished at cost of the soul. As angels of the good God must answer to the formulas of invocation to those who had made a sacramental compact with their Chief, so was it possible to share a sacrament of Satan, and by certain invocations summon his infernal angels to obtain the pleasures of this world of which he is Prince. A thousand years' experience of the Church had left the poor ready to sign the compact if they could secure some little earthly joy. As for Heaven, if it were anything like what its ministers had provided for the poor on earth, Hell might be preferable after all.

Dr. Wuttke, while writing his recent work on German superstitions, was surprised to learn that there still exist in France and in Wurtemberg schools for teaching the Black Art. A priest in the last-named country wrote him that a boy had confessed to having passed the lower grade of such a school, but, scared by the horrid ceremonies, had pronounced some holy words which destroyed the effect of the wicked practices, and struck the assembled Devil-worshippers with consternation. The boy said he had barely escaped with his life. I have myself passed an evening at a school in London 'for the development of Spirit-mediums,' and possibly Dr. Wuttke's correspondent would describe these also as Devil-worshippers. No doubt all such circles might be traced archæologically to that Sorcerers' College said by the rabbins to have been kept by Asa and Asael. But what moral force preserved them? They do but represent a turning of methods made familiar by the Church to coax benefits from other supernatural powers in the hope that they would be less dilatory than the Trinity in bestowing their gifts. What is the difference between St. Wolfram's God and King Radbot's Devil? The one offers a golden mansion on earth warranted to last through eternity, the other a like mansion in the skies receivable after death. The Saint agrees that if Radbot's Devil can build him such a house the king would be quite right to worship the architect. The question of the comparative moral merits of the two invisible Powers is not mentioned. This legend, related in a preceding chapter, is characteristic of the motives to which the priesthood appealed through the Middle Ages. It is no wonder that the people began to appeal to the gods of their traditional Radbots, nor that they should have used the ceremonial and sacramental formulas around them.

But to these were added other formulas borrowed from different sources. The 'Compact with the Devil' had in it various elements. It appears to have been a custom of the Odinistic religion for men to sign acts of self-dedication to trusted deities, somewhat corresponding to the votive tablets of Southern religion. It was a legend of Odin that when dying he marked his arm with the point of a spear, and this may have been imitated. In the 'Mysteries' of pagan and christian systems blood played an important part--the human blood of earlier times being symbolised by that of animals, and ultimately, among christians, in wine of the Eucharist. The primitive history of this blood-covenant is given in another chapter. Some astrological formulas, and many of the deities invoked, spread through Europe with the Jews. The actual, and quite as often fabulous, wealth of that antichristian race was ascribed to Antichrist, and while christian princes thought of such gold as legitimate spoil, the honest peasants sought from their astrologers the transmitted 'key of Solomon,' in virtue of which the demons served him. The famous 'Compact' therefore was largely of christian-judaic origin, and only meant conveyance of the soul in consideration of precisely the same treasures as those promised by the Church to all whose names were written in the Lamb's Book,--the only difference being in the period when redemption of the respective issues of priest and astrologer should fall due. One was payable during this life, the other after death.

The ceremonial performances of Witchcraft have also always existed in some form. What we are familiar with of late as Spirit-seances are by no means new. More than a hundred years ago, Mr. Wesley and various clergymen were sitting at a table in Cock Lane, asking the spirit 'Fanny' to rap twice if she were 'in a state of progressive happiness.' Nay, a hundred years before that (1661), Sir Thomas Chamberlain and others, sitting in a haunted house at Tedworth, Wilts, asked 'Satan, if the Drummer set thee to work, give three knocks, and no more, which it did very distinctly, and stopped.' [168] We also learn that, in another town and case (1654), 'a naked arm and hand appeared and beat the floor.' It would not be difficult to go further back and find that the dark circle of our Spiritualists with much of its apparatus has existed continuously through the Middle Ages. The dark seance which Goethe has represented in Faust, Part II., at which the spirits of Helen and Paris are evoked, is a very accurate picture of the 'materialisations' now exhibited by mediums, more than forty years after its publication. These outer resemblances are physiognomical. The seance of to-day has lost the darker features of its mediæval prototype, because the Present has not a real and temporal, but only a speculative and sentimental despair, and this is the kind that possesses chiefly the well-to-do and idle classes. It is not difficult to meet the eye of our everyday human nature amid those frenzied periods when whole districts seemed afflicted with epidemic madness, and look deep in that eye to the fathomless heart of humanity.

In an old parish register of Fewston, Yorkshire, are the following entries:--'1621. Anne, daughter of Edward Fairfax, baptized the 12th June.' '1621. Edward Fairfax, Esq., a child named Anne, buried the 9th October.' Then in the History of Knaresborough we read of this child, 'She was held to have died through witchcraft.' In what dreams did that child, supposed to have been snatched away by diabolic malice, return as a pure spirit uplifted in light, yet shadowed by the anxiety and pain of the bereaved family! A medium is at hand, one through whose mind and heart all the stormy electricities of the time are playing. The most distinguished representative of the Fairfax family is off fighting for Parliament against the King. Edward Fairfax is a zealous Churchman. His eldest daughter, Helen, aged twenty-one, is a parishioner of the Rev. Mr. Smithson, yet she has come under the strong influence of a Nonconformist preacher, Mr. Cook. The scholarly clergyman and his worldly Church on one side, and the ignorant minister with his humble followers on the other, are unconscious personifications of Vice and Virtue, while between them poor Helen is no Heraklea.

Nineteen days after the burial of her little sister Anne, as mentioned above, Helen is found 'in a deadly trance.' After a little she begins to speak, her words showing that she is, by imagination, 'in the church at Leeds, hearing a sermon by Mr. Cook.' On November 3, as she lies on her bed, Helen exclaims, 'A white cat hath been long upon me and drawn my breath, and hath left in my mouth and throat so filthy a smell that it doth poison me!' Next we have the following in the father's diary: 'Item. Upon Wednesday, the 14th of November, she saw a black dog by her bedside, and, after a little sleep, she had an apparition of one like a young gentleman, very brave, his apparel all laid with gold lace, a hat with a golden band, and a ruff in fashion. He did salute her with the same compliment as she said Sir Fernandino Fairfax useth when he cometh to the house and saluteth her mother.... He said he was a Prince, and would make her Queen of England and of all the world if she would go with him. She refused, and said, 'In the name of God, what art thou?' He presently did forbid her to name God; to which she replied, 'Thou art no man if thou canst not abide the name of God; but if thou be a man, come near, let me feel of thee;' which he would not do, but said, 'It is no matter for feeling.' She proceeded, 'If thou wert a man, thou wouldst not deny to be felt; but thou art the devil, and art but a shadow.'

It is possible that Helen Fairfax had read in Shakspere's 'Lear,' printed twelve years before, that

The Prince of Darkness is a gentleman;
Modo he's called, and Mahu. [169]

But the reader will remark how her vision anticipates that of Faust, the transformation of the poodle to finely-dressed Mephistopheles. On the next apparition a bit from Patmos is interpolated, the Devil appearing as a beast with many horns; but the folklore of Yorkshire prevails, and 'presently he was like a very little dog, and desired her to open her mouth and let him come into her body, and then he would rule all the world.' Lastly, he 'filled the room with fire.'

In the account thus far we have the following items of ancient mythology:--1, the Cat; 2, the Dog; 3, the Pride of Life (Asmodeus), represented in the fine dress and manners of the fiend; 4, the Prince of this World, offering its throne; 5, the Egyptian belief in potency of the Name; 6, the Hunger-Demon, who dares not be felt, because his back is hollow, and, though himself a shadow, casts none; 7, the disembodied devil of the rabbins, who seeks to enter a human form, in order to enjoy the higher powers of which man is capable; 8, the fiend of fire.

The period in which Helen Fairfax lived supplied forms for the 'materialisation' of these notions flitting from the ancient cemeteries of theology. The gay and gallant Asmodeus had been transformed into a goat under the ascetic eye of Europe; his mistress is a naked witch; her familiar and slave is a cat. This is the conventionalised theologic theory, as we find it in many examples, one of which is here shown (Fig. 21), as copied from a stone panel at the entrance of Lyons Cathedral. This is what Helen's visions end in. She and her younger sister of seven years, and a young neighbour, a girl of twelve, who have become infected with Helen's hysterics, identify six poor women as witches, and Edward Fairfax would have secured their execution had it not been for the clergyman Smithson.

Cats played a large part in this as in other witch-trials. They had long been regarded as an insurance of humble households. In many regions still may be found beliefs that a three-coloured cat protects against fire; a black cat cures epilepsy, protects gardens; and in Bohemia a cat is the favourite bridal gift to procure a happy wedded life. One who kills a cat has no luck for seven years. The Yorkshire women called witches remembered these proverbs to their cost. Among the cats regarded by the Fairfaxes as familiars of the accused, some names are notable. One is called 'Gibbe.' This is the Icelandic gabba, to 'delude,' and our gibber; it is the 'Gib' cat of Reinicke Fuchs, and of the 'Romaunt of the Rose.' In 'Gammer Gurton' we read, 'Hath no man gelded Gyb, her cat;' and in Henry IV. i. 2, 'I am as melancholy as a gib cat.' Another of the cats is called Inges. That is, ignis, fire--Agni maintaining his reign of terror.

Helen's devil hates the dissenter, and says, 'Cook is a lying villain,' because Cook exorcises him with a psalm. On the other hand, the devil praises the clergyman, but Helen breaks out with 'He is not worthy to be a vicar who will bear with witches.' Amid the religious controversies then exciting all households, mourning for his dead child, humiliated by the suspicions of his best neighbours that his daughter was guilty of deception, Edward Fairfax, Gentleman, a scholar and author, lent an ear to the vulgar superstitions of his neighbourhood. Could he have stood on the shoulders of Grimm, he would have left us a very different narrative than that preserved by the Philobiblion Society. [170]

It is hardly possible to determine now the value of the alleged confessions of witches. They were extorted by torture or by promises of clemency (the latter rarely fulfilled); they were shaped by cross-examiners rather than by their victims; and their worth is still more impaired where, as is usual, they are not given in detail, but recorded in 'substance,' the phraseology in such case reflecting the priest's preconceived theory of witches and their orgies. It is to be feared, for instance, that 'devil' is often written instead of some name that might now be interesting. Nevertheless, there seems to be ground for believing that in many cases there were seances held to invoke supernatural powers.

Among the vast number of trials and confessions, I have found none more significant than the following. In February 1691 a daughter and niece of Mr. Parris, minister in Salem (Massachusetts), girls of ten or eleven years, and several other girls, complained of various bodily torments, and as the physicians could find no cause for them, they were pronounced bewitched. The Rev. Mr. Parris had once been in business at the Barbadoes, and probably brought thence his two slaves, Spanish Indians, man and wife. When the children were declared bewitched, the Indian woman, Tituba, tried an experiment, probably with fetishes familiar in the Barbadoes, to find out the witch. Whereupon the children cried out against the Indian woman as appearing to them and tormenting them. Tituba said her mistress, in her own country, had taught her how to find out a witch, but denied being one herself; but afterwards (urged, as she subsequently declared, by her master) she confessed; and the marks of Spanish cruelty on her body were assumed to be the Devil's wounds. The Rev. Mr. Parris in a calmer time might have vindicated poor Tituba by taking for text of his sermon on the subject Christ's saying about a house divided against itself, and reminding the colony, which held public fast against Satan, that the devil was too clever to cover his Salem agent with wounds; but instead of that he preached on the words, 'Have I not chosen you twelve, and one of you is a devil.' During this sermon a woman left the church; she was sister of a woman who had also been accused by the children, and, being offended by something Mr. Parris said, went out of meeting; of course, also to prison. There were three other women involved with Tituba, in whose fetish experiments a well-informed writer thinks the Salem delusion began. [171] The examination before the Deputy-Governor (Danforth) began at Salem, April 11, 1692, and there are several notable points in it. Tituba's husband, the Indian John, cunningly escaped by pretending to be one of the afflicted. He charged Goody Proctor, and said, 'She brought the book to me.' No one asked what book! Abigail Williams, also one of the accusers of Goody, was asked, 'Does she bring the book to you? A. Yes. Q. What would she have you do with it? A. To write in it, and I shall be well.' Not a descriptive word is demanded or given concerning this book. The examiners are evidently well acquainted with it. In the alleged confessions preserved in official reports, but not in the words of the accused, the nature of the book is made clear. Thus Mary Osgood 'confesses that about eleven years ago, when she was in a melancholy state and condition, she used to walk abroad in her orchard, and, upon a certain time she saw the appearance of a cat at the end of the house, which yet she thought was a real cat. However, at that time it diverted her from praying to God, and instead thereof she prayed to the Devil; about which time she made a covenant with the Devil, who, as a black man, came to her, and presented her a book, upon which she laid her finger, and that left a red spot. And that upon her signing that book, the devil told her that he was her god.' This is not unlikely to be a paraphrase of some sermon on the infernal Book of Satan corresponding to the Book of Life, the theory being too conventional for the court to inquire about the mysterious volume. Equally well known was the Antichrist theory which had long represented that avatar of Satan as having organised a church. Thus we read:--'Abigail Williams, did you see a company at Mr. Parris's house eat and drink? A. Yes, sir; that was their sacrament. Q. What was it? A. They said it was our blood.' 'Mary Walcot, have you seen a white man? A. Yes, sir, a great many times. Q. What sort of man was he? A. A fine grave man, and when he came he made all the witches to tremble.' When it is remembered that Mary Osgood had described the Devil as 'a black man' (all were thinking of the Indians), this Antiblackman suggests Christ resisting Antichrist. Again, although nothing seems to have been said in the court previously about baptism, one of the examiners asks 'Goody Laccy how many years ago since they were baptized? A. Three or four years ago I suppose. Q. Who baptized them? A. The old serpent. Q. How did he do it? A. He dipped their heads in the water, saying they were his, and that he had power over them; ... there were six (who) baptized. Q. Name them. A. I think they were of the higher powers.'

There are interspersed through the proceedings suggestions of mercy on condition of confession, which, joined to these theoretical questions, render it plain that the retractations which the so-called witches made were true, and that in New England, at least, there was little if any basis for the delusion beyond the experiment of the two Spanish Indians. The terrible massacre of witches which occurred there was the result of the decision of English judges and divines that witchcraft is recognised in the Bible, and there assigned the death-penalty.

It will be observed here that ancient mythology to Salem is chiefly that of the Bible, modified by local conditions. White man and black man represent Christ and Antichrist, and we have the same symbols on both sides,--eucharists, baptisms, and names written in books. The survivals from European folklore met with in the New England trials are--the cat, the horse (rarely), and the dog. In one case a dog suffered from the repute of being a witch, insomuch that some who met him fell into fits; he was put to death. Riding through the air continues, but the American witches ride upon a stick or pole. The old-fashioned broom, the cloud-symbol of the Wild Huntsman, is rarely mentioned. One thing, however, survives from England, at least; the same sharp controversy that is reflected in the Fairfax case. Cotton Mather tried one of the possessed with the Bible, the 'Assembly's Catechism,' his grandfather's 'Milk for Babes,' his father's 'Remarkable Providence,' and a book to prove there were witches. 'And when any of those were offered for her to read in, she would be struck dead and fall into convulsions.' But when he tried her with Popish and Quaker books, the English Prayer-Book, and a book to prove there were no witches, the devil permitted her to read these as long as she pleased. One is at a loss which most to admire, the astuteness of the accused witch in bearing testimony to the Puritan religion, or the phenomenon of its eminent representative seeking a witness to it in the Father of lies.

If now we travel towards the East we find the survivals growing clearer, as in the West they become faint.

In 1669 the people of the villages of Mohra and Elfdale in Sweden, believing that they were troubled by witches, were visited by a royal commission, the result of whose investigations was the execution of twenty-three adults and fifteen children; running of the gauntlet by thirty-six between the ages of nine and sixteen years; the lashing on the hand of twenty children for three Sundays at the church-door, and similar lashing of the aforesaid thirty-six once a week for a year. Portions of the confessions of the witches are given below from the Public Register as translated by Anthony Horneck, D.D., and printed in London, anno 1700. I add a few words in brackets to point out survivals.

'We of the province of Elfdale do confess that we used to go to a gravel-pit which lay hard by a cross-way (Hecate), and there we put on a vest (Wolf-girdle) over our heads, and then danced round, and after this ran to the cross-way, and called the Devil thrice, first with a still voice, the second time somewhat louder, and the third time very loud, with these words--Antecessor, come and carry us to Blockula. Whereupon immediately he used to appear, but in different habits; but for the most part we saw him in a grey coat and red and blue stockings: he had a red beard (Barbarossa), a high-crowned hat (Turn-cap), with linen of divers colours wrapt about it, and long garters upon his stockings.

'Then he asked us whether we would serve him with soul and body. If we were content to do so, he set us upon a beast which he had there ready, and carried us over churches and high walls; and after all we came to a green meadow where Blockula lies. We must procure some scrapings of altars, and filings of church clocks; and then he gives us a horn with a salve in it, wherewith we do anoint ourselves (chrism); and a saddle with a hammer (Thor's), and a wooden nail, thereby to fix the saddle (Walkyr's); whereupon we call upon the Devil and away we go.'