Chapter C: R. LESLIE, R.A.--"Mr. Pickwick and Mrs. Bardell." Painted

for Dickens and engraved for the first Cheap Edition of the
"Pickwick Papers." (_See p. 220._)

ELEANOR E. MANLY.--"'It's Cobbs! It's Cobbs!' cries Master
Harry. 'We are going to be married, Cobbs, at Gretna Green.
We have run away on purpose'" ("Boots at the Holly Tree
Inn"). Royal Institute of Painters in Water-Colours, 1893.

MRS. M^CIAN.--"Little Nell Reading Inscription on the
Tombstone." Presented to Dickens by the artist.

FRED. MORGAN.--"Little Nell and her Grandfather." Royal
Academy, 1883.

R. H. NIBBS.--"Peggotty's Hut" ("David Copperfield"). Royal
Academy, 1852.

CHARLES W. NICHOLLS.--"What are the Wild Waves Saying?"
("Dombey and Son"). Engraved by G. H. Every, and published
by A. Lucas, 37 Duke Street, Piccadilly, 1881.

KATE PERUGINI.--"Brother and Sister.--'Oh, Floy!' cried her
brother, 'how I love you! how I love you, Floy!' 'And I you,
dear.' 'Oh, I am sure of that, Floy'" ("Dombey and Son").
Royal Academy, 1893.

"Little Nell." Institute of Painters in Water-Colours, 1885.

MARY S. PICKETT.--"Little Nell in the Old Church." Royal
Academy, 1898.

A. J. RAEMAKER.--"What are the Wild Waves Saying?"
Sculpture.

J. HALFORD ROSS.--"Our Mutual Friend." Eight Original
Drawings in Water-Colour, illustrating incidents in the
story.

H. R. STEER, R.I.--"The Ball at Dr. Blimber's Establishment"
("Dombey and Son").

"Little Nell and her Pet Bird." Royal Institute of Painters
in Water-Colours, 1888.

"Nicholas Nickleby Interposes on Smike's Behalf." Royal
Institute of Painters in Water-Colours, 1897.

LAWSON STEWART.--"'A Quiet Happy Place--A Place to Live and
Learn to Die In.'" The Graveyard in "The Old Curiosity
Shop." Institute of Painters in Water-Colours, 1885.

FRANK STONE, A.R.A.--"'Tilda Price," "Madeline Bray," and
"Kate Nickleby." These three pictures were painted for
Dickens. (_See pp. 178-9._)

F. W. TOPHAM.--"Barnaby Rudge and his Mother." Presented to
Dickens by the artist. (_See p. 190._)

"Little Nell and her Grandfather in the Tent, making
Bouquets for the Racecourse." Presented to Dickens by the
artist. (_See p. 190._)

H. WALLIS.--"The Devotion of Sydney Carton" ("A Tale of Two
Cities").

T. WEBSTER, R.A.--"Dotheboy's Hall: The Brimstone and
Treacle Scene." Painted for Dickens, and engraved for the
first Cheap Edition of "Nicholas Nickleby." (_See p. 220._)

In the above list the most interesting picture, in many respects, is Mr. Frith's "Dolly Varden." The artist was quite a young man, just rising into fame, when (in 1843) he made great success with several charming presentments of the locksmith's bewitching daughter, and on seeing one of these (described by Dickens as "Dolly with the bracelet"), the novelist so much admired it that he commissioned Mr. Frith to paint another portrait of her, together with a companion picture of Kate Nickleby. Writing shortly afterwards to the artist, whose acquaintance Dickens then made, he said, in reference to an engraving of the subject by C. E. Wagstaffe: "I saw an unfinished proof of Dolly at Mitchell's some two or three months ago: I thought it was proceeding excellently well then. It will give me great pleasure to see her when completed." The two pictures, when finished, were hung in the dining-room of the novelist's house. At the expiration of a few years, the portrait of Kate Nickleby was sent to Ireland (by Mr. Frith's desire) for the purpose of being engraved, and was delayed there so long that Dickens began to feel impatient. Accordingly, one morning he forwarded to the artist the following document, indited by himself:--

"ADVERTISEMENT.--To K--e N--y.--The Young Lady in Black, K.N.--If you will return to your disconsolate friends in Devonshire Terrace your absence in Ireland will be forgotten and forgiven, and you will be received with open arms. Think of your dear sister Dolly, and how altered her appearance and character are without you. She is not the same girl. Think, too, of the author of your being, and what he must feel, when he sees your place empty every day!

"_October Tenth, 1848._"

For each of these remarkable canvases Mr. Frith received the by no means extravagant sum of twenty pounds, that being the price demanded by him. At the sale of Dickens's effects, however, the portrait of Dolly Varden realised a thousand guineas, while that of Kate Nickleby found a purchaser, on the same eventful occasion, for two hundred guineas--a tribute alike to author and artist. Mr. Frith has favoured me with some interesting information respecting his presentments of Dolly Varden:--

"The picture of 'Dolly Varden' which I painted for Dickens was never engraved. Before I began it I made a study of the figure, but only the half-length, down to below the waist. This study was bought by Sir R. Rawlinson, who allowed (without asking my permission) a most villainous chromo-lithograph to be made from it, and one day to my horror I saw it in a shop-window. For anything I know to the contrary, many of these things may have been sold.[55] The original completed picture never left Dickens's possession from the time it was finished till he died, nor was it ever exhibited. The portrait of Dolly (the 'laughing' Dolly) now in the South Kensington Museum, was bequeathed by Forster, who had it from Frank Stone, for whom I painted it. I painted two copies of the 'laughing' Dolly, but I don't know what became of them. I also painted two pictures in which Dolly figures in company with Emma Haredale--in one she is feeling in her pocket for a letter addressed to Miss Haredale, and in the other she is disdainfully treating Miss Haredale's hints about Joe Willet--she throws up her head and 'hopes she can do better than that, indeed!' I have just remembered another--a small half-length--in which she is looking at herself in a mirror and giving her curls a 'killing twist.' I have no idea where these pictures are. I may add that when Dickens came to see (on completion) my portraits of Dolly Varden and Kate Nickleby, which I painted expressly for him, he told me they were 'exactly what he meant.' This, of course, delighted me. They led to a friendship which lasted till his death." It will be remembered that in 1859 the novelist gave sittings for his portrait by Mr. Frith, which was painted as a commission from Forster, by whom it was bequeathed to the Nation. This portrait, now at South Kensington, occupies the most important place between the earlier portraits of Dickens by Samuel Laurence, Maclise, and R. J. Lane, and the later presentments of him by photography.

Footnote 55: That Mr. Frith did not always entertain such an
absolute objection to this reproduction is testified by the
following memorandum written by him on a copy of the print
now in the collection of Mr. W. R. Hughes:--"This is a very
good chromo-lithograph from the first study for the picture
painted by me for the late Charles Dickens. (Signed) W. P.
FRITH, December 23, 1884."

It is not generally known that Mr. Frith once had the privilege of illustrating a Dickens novel, _àpropos_ of which the artist writes: "I told Dickens one day when he was sitting for his likeness that I should like to be allowed to illustrate one of his books. He seemed pleased, and proposed 'Little Dorrit.' I forget to whom I sold the pictures, and where they are now I know not." The two paintings were beautifully engraved on steel by Lumb Stocks, R.A., as vignettes for the Library Edition, 1858-59.

The sketch by an American artist, Mr. James Hamilton, of "What are the Wild Waves Saying?" has a little history attached to it. While Dickens was in Philadelphia, during his last visit to America, he expressed a wish to purchase a painting of this subject,--one of the artist's most successful productions,--but, much to the novelist's regret, it had already been sold. The original sketch was still available, however, and with this Dickens was so greatly pleased that he immediately offered to buy it; whereupon the artist insisted on presenting it to the famous author of "Dombey and Son." Soon afterwards, Mr. Hamilton was agreeably surprised to receive a set of Dickens's novels, containing a pleasant inscription in the novelist's autograph.

The titles of Mr. Charles Green's admirable series of Dickens pictures were supplied to me by the artist himself, who favoured me with a complete list shortly before his death. In reference to these remarkable drawings I have received the following communication from Mr. William Lockwood, of Apsley Hall, Nottingham, for whom they were painted on commission: "The first work of Mr. Green's that really attracted my attention was his famous water-colour Race drawing, entitled, I believe, 'Here they come!' I saw that at a friend's house, and was so struck with admiration of Mr. Green's delicate sense of humour, subtle rendering of character, and fine drawing, that I at once told my friend of my great appreciation of Charles Dickens, and saw that, in my opinion, Mr. Charles Green would make the very best illustrator of his day of that great man's work. I then sought an introduction to Mr. Green, which resulted not only in my beautiful series of drawings, but in a warm friendship with the artist. In the execution of these pictures Mr. Green found most congenial work, and I think fully justified my judgment of his special power. When the series was exhibited at our local museum, it attracted universal admiration and the delighted appreciation of all classes." Mr. Lockwood has generously lent these pictures to many London galleries, including the English Humorists' Exhibition, held at the Royal Institute of Painters in Water-Colours in 1889.

INDEX

Abbey, E. A., R.A., 222.
Absolon, J., 228.
Ainsworth, H., 21, 23, 24, 54, 65, 113.
_All the Year Round_, 111, 160, 215.
"American Notes," designs for, 157-158, 202, 219, 221, 222, 226.
"Artist and the Author, The," 22.
_Athenæum, The_, 33, 43, 44, 60, 76.
Atkinson, W. A., 243.

Barnard, Fred, 221, =222=, 226, 227;
character sketches, 228-229;
pictures, 243.
Bartlett, W. H., 243.
"Battle of Life, The," designs for, 142-145, 151, 156-157, 164-168,
221.
Baxter, W. G., 229.
Becker, F. P., 137, 163.
Bell, Mackenzie, 33.
_Bell's Life in London_, 3, 30, 139, 233.
Benjamin, W. E., 225.
Bentley, Richard, 9, 61.
_Bentley's Miscellany_, 9-10, 11, 17, 19, 21, 25-26, 61, 240;
designs by G. Cruikshank, 25, 242.
Bicknell, E., 114.
Billings, H., 225.
Bolton, T., 158.
Bonchurch, 118, 147.
Bracewell, C. H., 229.
Browne, Dr. E. A., 99, 101.
Browne, Gordon, 226.
Browne, Hablôt K. ("Phiz"), 25, 52, 54, =59-120=, 122, 123, 124,
132, 146, 147, 192, 193, 195, 197, 204, 209, 217, 221, 226, 227,
=229-230=, 239, 240, 242;
biographical sketch, 113-118;
remuneration, 116;
illness, 116;
applies for pension, 117;
death, 117;
personal characteristics, 117-118;
water-colour _replicas_ of Dickens illustrations, 118;
"extra illustrations," 229-230.
Browne, Hablôt K.," Life and Labours of," 96, 111, 119-120.
Browne, W. G. R., 111.
Brune, Morton, 61.
"Brush," 230-231.
Bryan, Alfred, 231.
Bull and Mouth Street, St. Martin's le Grand, 48.
Bundy, E., 243.
Burnett, H., 47.
Buss, Frances Mary, 49, 57.
Buss, Rev. A. J., 51, 56, 57.
Buss, Robert W., =47-57=, 58, 60, 62, 63, 64;
remuneration for the "Pickwick" designs, 51;
his pictures, 55-56, 243;
his illustrations, 56;
death, 57.

Calvert, E., 183.
Cambridge, 59.
Camden Street, Camden Town, 57.
Cancelled designs--by G. Cruikshank, 16-17, 22;
by R. W. Buss, 50-51, 242;
by J. Leech, 141.
Canonbury Tower, 30.
Canterbury Cathedral, 105.
_Casket, The_, 239.
Caswell, E., 74.
Cattermole, G., 80, 82, 83, =121-135=, 162;
pictures, 134, 243;
illness and death, 134.
Cauty, H. H., 243.
_Century, The_, 210.
Chapman, E., 32, 37, 38, 42, 44, 45, 47, 61, 83, 128, 139, 158.
Chapman, F., 139, 212.
Character Studies--by F. Barnard, 228-229;
by W. G. Baxter, 229;
by A. Bryan, 231;
by J. W. Ehninger, 232;
by C. D. Gibson, 232, 239, 242;
by "Kyd," 233;
by "Stylus," 238 (and _see_ 243-248.)
"Charles Dickens by Pen and Pencil," 208.
"Charles Dickens: Gossip about his Life, Works, and Characters," 228.
"Charley Chalk: or the Career of an Artist," 242.
Charterhouse, The, 138.
Cheap editions, illustrators of, 219-226.
Cheltnam (engraver), 137.
"Children from Dickens's Novels," designs by F. O. C. Darley, 223.
"Child's Dream of a Star, A," designs by H. Billings, 225.
"Child's History of England, A," designs for, 189, 193, 202, 221.
Chominski, T. V., 225.
"Chimes, The," designs for, 141, 144, 150-151, 155-156, 162-163, 221;
picture by Buss, 55, 243.
Christie, J. E., 226.
Christmas Books, designs for, 119, 222.
"Christmas Carol, A," designs for, 140, 144, 146, 221, 225, 242.
Christmas Stories, designs for, 221, 222.
Clarke, J. Clayton. _See_ "Kyd."
Clint, G., A.R.A., 48.
Colborn, Henry, 25.
Collins, C. Alston, 204, 205, 209.
Collins, Wilkie, 159, 203, 204, 244.
Cooke, W. C., 226.
Corbeaux, F., 228.
Corbould (engraver), 137, 173.
Cornwall, Logan Stone in, 154; St. Nighton's Keive in, 168.
Cosens, F. W., 13, 77, 86, 118, 201, 233.
Coveny, C, 231.
"Cricket on the Hearth, The," designs for, 141-142, 151, 156, 163-164,
180, 225, 233;
picture by R. W. Buss, 55, 243.
"Crowquill, Alfred," _see_ "A. H. Forrester."
Cruikshank, George, =1-28=, 33, 47, 54, 55, 60, 68, 91, 114, 133, 146,
214, 217, 239, 242;
portraits of, 5-6;
Fairy Tales, 26-27;
described by Mrs. Gamp, 27-28;
as an actor, 28;
remuneration, 28;
death, 28;
bust by Adams, 28.

_Daily News_, 99, 182.
Daly, Augustin, 37, 38.
Dalziel Brothers, 137, 167, 198, 201, 212.
Dalziel, E. G., 221.
Darley, F. O. C, =223-224=, 231;
pictures by, 223.
Devonshire Terrace, Regent's Park, 246.
Dexter, J. F., 85, 86, 89, 93, 98, 100, 108, 111, 112, 141, 229.
"Dickens and _Punch_," 174.
Dickens, Charles, portraits of, 5-6, 56, 74, 168, 220, 221, 225, 236,
237, 238, 247.
Dickens, Frederick, 44, 45.
Dickens, Kate, 205 (and _see_ "Kate Perugini").
Dickens, Lieut. Sydney, 178.
Dickens, Mrs. Charles, 44, 45, 191.
Dickleburgh, 121.
Dicksee, H., 244.
Dobson, Austin, 15.
Dolly Varden, notes on portraits by W. P. Frith, R.A., 246-247.
Doyle, J. ("H. B."), 149.
Doyle, R., 137, 141, 142, =149-152=, 165, 172.
Drury Lane, Theatre Royal, 154.
Duchess of St. Albans, The, 85, 98, 104, 107.
Duke Street, Grosvenor Square, 56.
Dulcken, A., 231-232.
Du Maurier, G., 146.

Eastlake, Sir C., 181.
East London Theatre, 153.
Eddystone Lighthouse, C. Stanfield's act-drop, 159.
Edinburgh, 153; theatre, 154.
Edwards (engraver), 85, 100.
Egley, W. M., 244.
Ehninger, J. W., 232.
Elderton, Miss, 121.
Elwell, F. E., 244.
"Empty Chair, The" 215.
"English Graphic Satire," 57.
"Etchings and Sketchings," by John Leech, 39.
Etty, William, R.A., 63.
Everitt, Graham, 26.
Eytinge, Sol., =224-225=.

"Fagin in the Condemned Cell," 15-16, 21-22, 23, 214.
"Fairy Library, The," 27.
Fennell, J. G., 62, 117.
Field Lane, 21.
Fields, J. T., 209, 225.
Fildes, Luke, R.A., 117, =204-217=;
recollections of Dickens, 208, 216;
his drawing of "The Empty Chair," 215.
Finden, E. & W., 60, 62, 63, 64, 74, 114, 119, 120, 179, 228, 233.
Findlay (engraver), 10, 240.
Fisher, Miss L. M., 226.
Flaxman, 138.
Fleet Market, 132.
Forrester, A. H. ("Alfred Crowquill"), 59, 227, =231=, =240=.
Forster, John, 18, 19, 22, 24, 51, 92, 93, 94, 107, 118, 127, 134,
143, 144, 145, 147, 150, 154, 156, 157, 162, 163, 164, 165, 168,
169, 170, 200, 215, 247.
"Fortunio," 203.
Fraser, F. A., 221.
"Frauds on the Fairies," 26.
French, 222.
French, H., 221.
Frith, W. P., R.A., 148, 205, 213;
pictures, 244.
Frost, A. B., 221, 222, 223.
"Frozen Deep, The," 203.
Furniss, H., 226.
Furnival's Inn, 36, 39, 45, 59, 91, 119.

"Gabriel Grub," ("Pickwick"), designs by T. Nast, 223.
Gad's Hill, 205, 214, 225.
Gale, W., 244.
Gaugengigl, J. M., 225.
"George Silverman's Explanation," designs by F. Barnard, 222;
by M. Greiffenhagen, 226.
Gibson, C. D., =232=, =242=.
Gilbert, Sir John., R.A., 223, =224=, 227, 232-233, 241.
"Gleanings from Popular Authors," Dickens illustrations by J. Nash,
F. Barnard, T. W. Wilson, J. E. Christie, and G. Browne, 226.
Gorway, C. M., 233.
Graham, Florence, 244.
_Graphic, The_, 206, 207, 215.
Gray, C., 61, 80, 137.
"Great Expectations," designs for, 201, 221, 222, 223, 236.
Greenaway (engraver), 232.
Green, Charles, =221-222=, 225;
pictures, 245, 248.
Green, Townley, 221.
Green, W. T., 85, 137, 198.
Greiffenhagen, M., 226.
Groves (engraver), 137.

Hablôt, Colonel, 114.
Hall, Mr. (Chapman & Hall), 44, 49, 116.
Hamerton, P. G., 2, 183.
Hamilton, Colonel, 6.
Hamilton, J., 245, 248.
Hampstead Road, 199.
Hanley, E., 245.
"Hard Times," designs for, 220, 221, 222.
Harley, J. P., 73.
Harrison, F., 80, 82.
"Haunted Man, The," designs for, 146, 157, 173, 175-178, 221.
Haweis, Rev. H. R., 151.
Heath, W., 233.
"Heiress, The," 32, 38.
Highgate Cemetery, 116, 179.
"History of _Punch_," 149.
Hodder, G., 15.
Hogarth, Miss G., 100, 168, 216.
"Holiday Romance," designs by F. Barnard, 222;
by Sir J. Gilbert and G. G. White, 224.
"Holly Tree Inn, The," picture by Eleanor E. Manly, 245.
Hood, Tom, 113, 140.
"Hook and Eye" Club, The, 6.
Hook, Theodore, 32.
Houghton, A. Boyd, =220=.
_Household Words_, 23, 26, 189.
Hove, 117.
Hughes, W. R., 247.
"Hunted Down," designs by F. Barnard, 222;
by M. Greiffenhagen, 226.
Hunter, E., 245.
Hunt, Holman, 148.
Hunt, Leigh, 32, 107, 150.
Hyde Park Place, 206, 208, 211, 216.

_Illustrated London News_, 224, 240.
Irving, Washington, 220.
Islington, 31, 35, 38.
"Is She His Wife?" design by F. W. Pailthorpe, 236.
Italy, 162, 182.

"Jack Ketch," 33.
Jackson, John, 4, 36, 41, 48, 54, 56.
Jackson, Mason, 60.
"Jacob Parallel," =236=, =241-242=.
"Jack Straw's Castle," Hampstead, 162.
Jerrold, Blanchard, 24.
Jerrold, Douglas, 140, 153.
Jodrell, Rev. Sir E. R., 168.

Kate Nickleby, notes on the portraits by W. P. Frith, R.A., 246-247.
Keeley, Robert, 142.
Kennington, 113.
Kensal Green, 28.
"Ketch Papers, The," 33.
Knight (engraver), 85, 100.
Knight, Admiral Sir John, 114.
Knight, Charles, 56.
"Kyd" (pseudonym of J. Clayton Clarke), 233.

"Lamplighter, The," 25; design by F. W. Pailthorpe, 236.
"Lamplighter's Story, The," 25-26.
Landells, E., 46, 80.
Landseer, Sir E., R.A., 135, 137, 162, =180-181=.
Lane, R. J., A.R.A., 247.
Lang, A., 92.
Laurence, S., 238, 247.
Leamington, 96.
Lee, 59.
Leech, John, 59, 60, 114, =138-148=, 161, 173, 176, 240;
extraordinary blunder in "The Battle of Life" by, 145;
"The Rising Generation," 147;
as an actor, 147;
accident to, 147;
death, 148;
portrait by Sir J. E. Millais, P.R.A., 148.
Leighton, Lord, P.R.A., 195, 206.
Leslie, C. R., R.A., =219-220=, 245.
Letters:--
Browne (H. K.) to W. G. R. Browne, 111-112;
to Morton Brune, 61;
to Dickens, 83, 84, 115;
to R. Young, 113, 120.
Cattermole (G.) to Dickens, 130.
Chapman (E.) to Dickens, 43.
Chapman (F.) to _Anon._, 139.
Cosens (F. W.) to author, 118.
Cruikshank (G.) to Dickens, 14;
to _The Times_, 19-22.
Dickens (C.) to _Anon._, _re_ "Pickwick," 36-37;
to _The Athenæum_, 43-44;
to H. K. Browne, 88-89, 93, 94, 96-97, 99, 100, 111, 115-116;
to G. Cattermole, 122-134;
to Chapman & Hall, 205;
to E. Chapman, 83-84, 158;
to F. Chapman, 212;
to G. Cruikshank, 16-17;
to C. Dickens the younger, 44-45;
to Mrs. C. Dickens, 191;
to J. T. Fields, 209;
to L. Fildes, R.A., 207;
to J. Forster, 24, 92, 94, 103, 145, 147, 157, 179, 200;
to T. Longman, 194;
to S. Palmer, 184;
to R. Seymour, 39-40;
to C. Stanfield, R.A., 154, 155-156, 159;
to F. Stone, A.R.A., 158-159, 176-178;
to M. Stone, R.A., 193, 196, 197-198;
to Wilkie Collins, 244.
Fennell (J. G.) to author, 62.
Leech (J.) to J. Forster, 143-144.
Lockwood (W.) to author, 248.
Maclise (D., R.A.) to C. Dickens, 169-170;
to J. Forster, 163, 164, 165, 166, 167, 170.
Young (R.) to author, 64.
"Letters of Charles Dickens, The," 159.
Lever, Charles, 65, 113.
"Library of Fiction, The," 3, 33, 45-46, 54-55, 61-62.
"Lighthouse, The," 159.
Lincoln's Inn Fields, 163.
Linnell, J., 182.
Linton, W. J., 137, 140, 144 (and see note 144), 225.
"Little Talk about Spring and the Sweeps, A," designs by Buss and
Cruikshank, 54-55.
Liverpool Road, Islington, 35.
Lockwood, W., 248.

Mackenzie, Dr. S., 17-18, 19.
Maclise, D., R.A., 74, 122, 134, 137, 143, 144, 154, =161-171=, 247;
amusing sketch by, 163;
portrait of Dickens by, 168;
letter _re_ "Grip," 169-170;
death, 170;
Dickens's tribute, 170-171.
Macready, W., 127.
Macrone, J., 3, 4, 25, 115.
Maddox, W., 233.
Maguire, T. H., 220.
Mahoney, J., 221.
Manly, Eleanor E., 245.
Marold, 225.
Marshalsea, The, 111.
Martin (engraver), 137, 173.
"Maxims and Hints for an Angler," 31, 38.
Mayhew, Horace, 15, 32.
M^cIan, Mrs., 245.
M^cLean, 32.
M^cLenan, J., 223.
Meadows, Kenny, 227, =233-234=, =240-241=.
"Memoirs of Grimaldi," designs by G. Cruikshank, 24;
by F. W. Pailthorpe, 236.
Meynell, Mrs., 210.
Millais, Sir J. E., P.R.A., 148, 195, 205, 206.
Minories, The, 97.
Mittis, 225.
_Monthly Magazine, The,_ 3, 116.
Morgan, F., 245.
_Morning Chronicle, The_, 3, 4, 33.
"Mr. Nightingale's Diary," design by F. W. Pailthorpe, 236.
Mudfog Papers, The, designs by G. Cruikshank, 25, 242.

Nash, J., 226.
Nasmyth, 154.
Nast, T., 222, 223.
"Nemo" (pseudonym of H. K. Browne), 65.
Newman Street, 62.
"New Piljian's Projiss, A," 27;
designs by F. W. Pailthorpe, 236.
Nibbs, R. H., 245.
Nicholls, C. W., 245.
Nickleby, Kate, Notes on the Portraits by W. P. Frith, R.A., 246-247.

Onwhyn, T., 227, =234-235=, =241=.
"Origin of Sam Weller, The," design by F. W. Pailthorpe, 236.
_Our Young Folks_, 224.

Paget, H. M., 235.
Pailthorpe, F. W., 6, 73, 227, 231, =235-236=, =242=.
Palmer, A. H., 184, 185, 188.
Palmer, Samuel, =182-188=;
his water-colour drawings, 183, 184;
etchings, 183.
"Parallel, Jacob," =236=, =241-242=.
Payn, James, 108.
Peggotty's Boat, 103.
Perugini, Kate, 245 (and _see_ "Kate Dickens").
"Peter Palette" (pseudonym of Thomas Onwhyn), 227, =234-235=.
Phillips, Watts, 111.
"Phiz," 65 (and _see_ "Hablôt K. Browne").
Pickett, Mary S., 245.
Pickwick, Mr., prototype of, 38-39;
Sketches by H. K. Browne, 72;
by C. D. Gibson, 242.
"Pickwick Papers, The, An Account of the Origin of," 42.
"Pickwick, Tales from," designs by E. J. Wheeler, 226.
"Pic Nic Papers, The," 25, 115.
Pictures of Dickens subjects, 243-248.
"Pictures from Italy," 182;
designs by H. K. Browne, 119;
by S. Palmer, =183-187=;
by M. Stone, R.A., 202;
by G. Thomson (Household Edition), 221;
by M. Greiffenhagen, 226.
Pinwell, G. J., =220=.
Planché, 150, 203.
Portraits:--
Cruikshank (G.) 5-6, 28;
Dickens (C.), 5-6, 56, 74, 168, 220, 221, 225, 236, 237, 238, 247;
Dickens (Lieut. Sydney), 178;
Leech (J.), 148;
Seymour (R.) 37.
_Punch_, 75, 136, 138, 139, 140, 147, 150, 172, 173, 174, 240, 241.
"_Punch's_ Valentines," 75.
Putney Bridge, 211; church, 42, 211.

"Quiz" (pseudonym of Dickens), 74.

Raemaker, A. J., 246.
Ralston, J. M^cL., 221.
"Readings of Mr. Charles Dickens, The," designs by S. Eytinge, 224.
Regent's Canal, 199.
Reinhart, C. S., 222.
"Reprinted Pieces," designs by F. Walker, A.R.A., 221;
by E. G. Dalziel (Household Edition), 221.
Richardson, E., 236.
"Rising Generation, The," by John Leech, 147.
Roberts, C., 212.
Roberts, D., R.A., 154.
Rochester, 214;
Castle, 216;
Cathedral, 211, 216;
Eastgate House, 211, 216;
High Street, 211.
Roe (engraver), 59.
Roffe, E., 230.
Ross, J. Halford, 246.
Rotherhithe, 198.
Ruskin, Prof. John, 1, 16, 82, 121, 146, 150.

Sala, G. A., 4, 28, 67, 142.
"Sam Weller" (pseudonym of Thomas Onwhyn), 227, =234-235=;
"The origin of," 236.
"Sam Weller's Jest Book," 239.
Sands (engraver), 63.
Sandys, F., 195.
Scenes (various) from Dickens, depicted by C. Coveny, 231;
by F. O. C. Darley, 231;
by N. P. Whitlock, 238;
by C. D. Gibson, 232, 242;
miscellaneous, 240;
pictures, 243-248.
"Scrap Book of Literary Varieties, The," 234.
Seymour, Mrs., 42, 44;
her "Pickwick" pamphlet, 42-45.
Seymour, R., =29-46=, 47, 51, 54, 60, 64, 66, 211, 240;
death of, 35, 36-37, 139;
tribute to, 35;
final drawing, 36;
remuneration, 40;
portrait of, 46.
Seymour, R., jun., 43.
Shaw, William, prototype of Squeers, 75-76.
Sheppard, W. L., 222.
Shury, G. S., 244.
Sibson, T., =237=.
"Sketches of Young Couples," designs by H. K. Browne, 74.
"Sketches of Young Gentlemen," designs by H. K. Browne, 74.
"Sketches of Young Ladies," designs by H. K. Browne, 74.
Smith (engraver), 137.
Smith, Orrin, 61.
"Somebody's Luggage," picture by H. H. Cauty, 243.
Spielmann, M. H., 60, 77, 149, 210, 222.
"Squib Annual, The," 43.
St. Andrew's Street, Seven Dials, 199.
St. Bartholomew's Hospital, 138.
St. Dunstan's Church, Fleet Street, 150, 155.
St. James's Theatre, 73, 191.
St. James's, Westminster, 20, 21.
St. Martin's Lane, 63.
St. Nighton's Keive, near Tintagel, 168.
St. Paul's Cathedral, 28, 181.
Stanfield, C., R.A., 137, 150, =153-160=, 168, 173, 219;
presents from Dickens, 155, 157, 159;
drawing of S.S. _Britannia_, 158;
Eddystone Lighthouse, act drop, 159;
nicknames, 159;
death, 160;
Dickens's tribute, 160.
Stanfield, F., 156, 159.
Stanfield, G., 160.
Staple Inn, 212.
Steer, H. R., 246.
Stewart, Lawson, 246.
Stone, F., A.R.A., 137, 158, 173, =175-179=, 192, 194, 195, 203,
=237-238=, 247;
as an actor, 178;
Mrs. Gamp's description of, 178;
nicknames, 178;
his portrait of Lieut. Sydney Dickens, 178;
death, 179;
pictures, 246.
Stone, Marcus, R.A., 113, 175, 177, =192-203=, 204, 215;
his first design for Dickens, 195;
his drawings for "Our Mutual Friend," =195-201=;
the prototype of Mr. Venus, 199-200;
private theatricals, 203.
"Strange Gentleman, The," =73=;
designs by H. K. Browne, 73;
by F. W. Pailthorpe, 236.
"Stroller's Tale, The" ("Pickwick"), 36, 39-40.
"Stylus," 238.
"Sunday Under Three Heads," =61-62=.
Swain, Joseph, 106, 137, 150.

Talfourd, Sergeant, 84.
Tavistock House, 158, 159, 175, 203;
Square, 179.
Taylor, Weld, 238.
Tenniel, Sir John, 136, 137, 147, =172-174=, 176, 191.
Thackeray, W. M., 12-13, 15, 28, 59, 62, 135, 138, 139, 166, 175, 180,
195, 219, 240.
Theatrical entertainments, 27, 158-159, 178, 190, 191, 203.
Thomas, W. L., 206.
Thomson, D. C, 96, 111, 119.
Thomson, Gordon, 221.
Thompson, J., 137, 166.
Tilney, F. C., 226.
"Timothy Sparks" (Dickens's pseudonym), 61.
Topham, F. W., =189-191=;
pictures of scenes in "Master Humphrey's Clock," 190, 246;
love of acting, 190-191;
ability as a juggler, 191.
Topham, F. W. W., 190.
"Travelling Sketches" ("Pictures from Italy"), 182.
Trollope, Anthony, 113, 201.
"Tuggses at Ramsgate, The," 33, 54;
designs by Seymour and Cruikshank, 46.

"Uncommercial Traveller, The," designs for, 220, 221, 222, 226.

Varden, Dolly, notes on portraits by W. P. Frith, R.A., 246-247.
Vasey (engraver), 80.
"Village Coquettes, The," design by F. W. Pailthorpe, 236.

Walker, C. W., 228.
Walker, F., A.R.A., 195, =221=;
pictures by, 221.
Wall, C. H., 238.
Wallis, H., 246.
Warren, H., 233.
Weatherhead (engraver), 64.
Webster, T., R.A., 219, =220=, 246.
Wedmore, F., 6, 7.
"Weller, Sam" (pseudonym of Thomas Onwhyn), 227, =234-235=;
"The Origin of," 236.
Wheeler, E. J., 226.
White, G. G., 224.
Whitehead, C., 33, 45.
"Whole Hogs," 23.
Williams, S., 80, 123.
Williams, T., 133, 137, 167, 220.
Willis (prototype of Mr. Venus), 199-200.
Wilson, Thomas, 233, 236.
Wilson, T. Walter, 226.
Worth, T., 222.
Wright (engraver), 232.
Wright, W., 4, 105, 220, 236.
W., T. C., 238.
W., W. C., 239.

Yarmouth Denes, 103, 106.
Yates, Edmund, 60.
Yeager, J., 235, 237.
Young, Robert, 63, 64, 85, 87, 100, 113, 117, =119-120=, 229.

REFERENCES TO THE PRINCIPAL WORKS

"Barnaby Rudge," =81-86=, =127-133=, 169, 202.
Designs by Hablôt K. Browne, 85-86, 230;
by George Cattermole, 127-133;
by Frederick Barnard, 222;
by Absolon and Corbeaux, 228;
by C. B. Bracewell, 229;
by E. Richardson, 236;
by T. Sibson, 237;
Anon., 239.
Pictures by E. Bundy, 243;
by R. W. Buss, 55, 243;
by W. F. Frith, R.A. 244, 246-247;
by C. Green, 245;
by E. Hanley, 245;
by F. W. Topham, 190, 246
(and _see_ "Master Humphrey's Clock").

"Bleak House," =106-109=, 193.
Designs by H. K. Browne, 106-109;
by F. Barnard, 222.
Pictures by C. Green, 245;
by E. Hunter, 245.

"David Copperfield," =102-106=, 207, 208.
Designs by H. K. Browne, 102-106;
by F. Barnard, 222;
by Phil May, 226.
Picture by R. H. Nibbs, 245.

"Dombey and Son," =90-101=, 170.
Unpublished designs by R. W. Buss, 55;
designs by H. K. Browne, 90-101, 230;
by F. Barnard, 222;
by W. L. Sheppard, 222.
Pictures by H. K. Browne, 99;
by W. H. Bartlett, 243;
by C. Green, 245;
by J. Hamilton, 245, 248;
by C. W. Nicholls, 245;
by K. Perugini, 245;
by A. J. Raemaker (sculpture), 246;
by H. R. Steer, 246.

"Little Dorrit," =109-111=, 160.
Designs by H. K. Browne, 109-111;
by M. Stone, R.A. 195, 201;
by J. Mahoney (Household edition), 221;
by W. P. Frith, R.A., 244, 247.
Pictures by W. P. Frith, R.A., 244;
by W. Gale, 244;
by C. Green, 245.

"Martin Chuzzlewit," =86-90=.
Designs by H. K. Browne, 86-90;
by F. Stone, A.R.A., 179;
by F. Barnard, 222;
by C. H. Wall, 238.
Picture by C. Green, 245.

"Master Humphrey's Clock," =79-86=, 239-240.
Designs by H. K. Browne, 79-86;
by G. Cattermole, 122-134, 162;
by D. Maclise, R.A., 162;
by F. Barnard, 222;
by "Brush," 230-231;
by "Jacob Parallel," 236, 241-242;
by T. Sibson, 237;
by T. C. W., 238
(and _see_ "The Old Curiosity Shop" and "Barnaby Rudge").

"Mystery of Edwin Drood, The," 202, 204, 205, 206, 207, 208,
=209-216=, 225.
C. A. Collins's design for wrapper, 205;
designs by L. Fildes, R.A., 208-217.

"Nicholas Nickleby," =74-78=, 168, 180.
Designs by H. K. Browne, 76-78;
by F. Stone, A.R.A., 178-179, 237-238;
by T. Webster, R.A., 220;
by F. Barnard, 222;
by C. S. Reinhart, 222;
by Sir John Gilbert, R.A., 232;
by K. Meadows, 233-234, 241;
by T. Onwhyn, 235, 242;
by W. Taylor, 238;
Anon., 239.
Pictures by W. P. Frith, R.A., 244, 246-247;
by C. Green, 245;
by H. R. Steer, 246;
by F. Stone, A.R.A., 178-179, 246;
by T. Webster, R.A., 220, 246.

"Old Curiosity Shop, The," =80-81=, =123-127=;
Designs by H. K. Browne, 80-81, 85, 221, 229-230;
by G. Cattermole, 123-127, 133;
by D. Maclise, R.A., 162;
by C. Green, 221;
by T. Worth, 222;
by W. Maddox and H. Warren, 233;
by K. Meadows, 234;
by "Stylus," 238;
Anon., 239;
Water-colour drawings by H. K. Browne, 86.
Pictures by G. Cattermole, 134, 243;
by W. A. Atkinson, 243;
by H. Dicksee, 244;
by W. M. Egley, 244;
by F. E. Elwell (sculpture), 244;
by F. Graham, 244;
by C. Green, 245;
by Mrs. M^cIan, 245;
by F. Morgan, 245;
by M. S. Pickett, 245;
by K. Perugini, 245;
by H. R. Steer, 246;
by L. Stewart, 246;
by F. W. Topham, 190, 246
(and _see_ "Master Humphrey's Clock").

"Oliver Twist," =9-24=, 60.
Designs by G. Cruikshank, 9-24;
sale of original drawings, 13;
water-colour _replicas_, 13;
_Edition de luxe_, 13;
The Cancelled Plate, 16-17, 22;
Cruikshank's Account of the Origin of the Story, 17-24.
Designs by H. K. Browne, 119;
by J. Mahoney (Household edition), 221;
by F. W. Pailthorpe, 236;
Anon., 239.

"Our Mutual Friend," 148, 192, =195-201=, 204.
Designs by A. B. Houghton, 220;
by J. Mahoney (Household edition), 221.
Pictures by J. H. Ross, 246.

"Pickwick Papers, The," 29, =32-45=, 47, 48, =49-54=, =58-61=, 139,
182, 211, 213, 240.
Designs by R. Seymour, 36-37, 41, 50, 64;
by R. W. Buss, 50-54, 62, 64, 242;
by J. Leech, 60, 139;
by H. K. Browne, 62-73, 229;
by C. R. Leslie, R.A., 219, 220;
by T. Nast, 222;
by A. B. Frost, 223;
by E. J. Wheeler, 226;
by C. Coveny, 231;
by "Crowquill," 231, 242;
by A. Dulcken, 231-232;
by Sir John Gilbert, R.A., 232, 241;
by W. Heath, 233;
by T. Onwhyn, 234-235;
by H. M. Paget, 235;
by F. W. Pailthorpe, 235-236;
by T. Sibson, 237;
by "Stylus," 238;
by W. C. W., 239;
Anon., 239.
Pictures by C. Green, 245;
by C. R. Leslie, R.A., 200, 245.

"Sketches by Boz," =3-9=, 23, 24, 32, 46, 60, 73.
Designs by G. Cruikshank, 3-9, 54;
by H. K. Browne, 118-119;
by F. Barnard, 222;
by A. B. Frost, 222.
Picture by F. Barnard, 243.

"Tale of Two Cities, A," =111-113=, 192.
Designs by H. K. Browne, 112-113;
by M. Stone, R.A., 202;
by F. Barnard, 222;
by J. M^cLenan, 223.
Pictures by F. Barnard, 243;
by H. Wallis, 246.

THE END

Printed by BALLANTYNE, HANSON & CO.
Edinburgh & London

* * * * *

TRANSCRIBER NOTES:

Missing punctuation has been added and obvious punctuation
errors have been corrected without note.

Archaic words and alternate spellings have been retained with
the exception of those noted below.

Page 13: "Syke's" changed to "Sykes's" for spelling
consistentcy (Sykes's[3] farewell to his dog;).

Page 67: "especally" changed to "especially" (the original
designs, especially if he saw an opportunity for improving
them.)

Page 73: "than" changed to "that" (It was under such
distressing conditions that in 1873-74 he executed a
commision).

Page 81 and 88: "apropos" changed to "àpropos" for
consistentcy ("Phiz" was often àpropos) and (sly touches of
humour peculiarly àpropos of the principal theme.)

Page 136: "encourged" changed to "encouraged" (Its
extraordinary popularity encouraged him to prepare a similar
story).

End of Project Gutenberg's Dickens and His Illustrators, by Frederic G. Kitton