Chapter VI: Social Life (1759-1770) (1)

Any one must be ignorant of the facts who supposes that the men of the eighteenth century who did not believe in God, and were as little continent as King David, were therefore no better than the reckless vagabonds of Grub Street. Diderot, after he had once settled down to his huge task, became a very orderly person. It is true that he had an attachment to a lady who was not his wife. Marriage was in those days, among the courtiers and the encyclopaedic circle, too habitually regarded as merely an official relation. Provided that there was no official desertion, and no scandal, the world had nothing to say. Diderot was no worse than his neighbours, though we may well be sorry that a man of his generous sympathies and fine impulse was no better than his neighbours. Mademoiselle Voland, after proper deduction made for the manners of the time, was of a respectable and sentimental type. Her family were of good position; she lived with her mother and sisters, and Diderot was on good terms with them all. We have a glimpse of the characteristics of the three ladies in a little dialogue between Diderot and some one whom he met, and who happened to have made their acquaintance. "He informed me that he had passed three months in the country where you are.--_Three months_, said he, _is more than one needs to go mad about Madame Le Gendre_.[192]--True, but then she is so reserved.--_I scarcely know any woman with such an amount of self-respect_.--She is quite right.--_Madame Voland is a woman of rare merit_.--Yes, and her eldest daughter?--_She has the cleverness of a very devil_.--She is very clever, no doubt; but what I especially like is her frankness. I would lay a wager that she has never told a voluntary lie since she came to years of discretion."[193] The relations between Diderot and Sophie Voland were therefore not at all on the common footing of a low amour with a coarse or frivolous woman of the world. All the proprieties of appearance were scrupulously observed. Their mutual passion, though once not wholly without its gallantries, soon took on that worthy and decorous quality into which the ardour of valiant youth is reluctantly softened by middle age, when we gravely comfort it with names of philosophical compliment.

One of the most interesting of all the documentary memorials of the century is to be found in the letters which Diderot wrote to Mademoiselle Voland. No doubt has ever been thrown on the authenticity of these letters, and they bear ample evidence of genuineness, so far as the substance of them is concerned, in their characteristic style. They were first published in 1830, from manuscripts sold to the bookseller the year before by a certain French man of letters, Jeudy-Dugour by name. He became a naturalised Russian, changed his name to Gouroff, and died in the position of councillor of state and director of the university of St. Petersburg. How he came by any papers of Diderot it is impossible to guess. It is assumed that when Mademoiselle Voland died her family gave his letters and other papers back to Diderot. These, along with other documents, are supposed to have been given by Diderot to Grimm. Thence they went to the Library of the Hermitage at St. Petersburg. Whether Jeudy-Dugour sold copies or originals, and whether he made the copies, if copies they were, from the Library, which was, however, rigorously closed during the reign of Nicholas I., are literary secrets which it is impossible to fathom. So far as Diderot is concerned, some of the spirit of mystification that haunted literature in the eighteenth century still hovers about it in the nineteenth. This we shall presently find in a still more interesting monument of Diderot than even his letters to Mademoiselle Voland.[194]

They are not a continuous series. It was only when either Diderot was absent from Paris, or his correspondent was away at her mother's house in the country, that letter-writing was necessary. Diderot appears to have written to her openly and without disguise. The letters of Mademoiselle Voland in reply were for obvious reasons not sent to Diderot's house, but under cover to the office of Damilaville, so well known to the reader of Voltaire's correspondence. Damilaville was a commissioner in one of the revenue departments, and it is one among many instances of the connivance between authority and its foes, that most of the letters and packets of Voltaire, Diderot, and the rest of the group, should have been taken in, sent out, guarded, and franked by the head of a government office. The trouble that Damilaville willingly took in order to serve his friends is another example of what we have already remarked as the singular amiability and affectionate solicitude of those times. "Think of Damilaville's attention," says Diderot on one occasion: "to-day is Sunday, and he was obliged to leave his office. He was sure that I should come this evening, for I never fail when I hope for a letter from you. He left the key with two candles on a table, and between the two candles your little letter, and a pleasant note of his own." And by the light of the candles Diderot at once wrote a long answer.[195]

We need not wonder if much is said in these letters of tardy couriers, missing answers, intolerable absences, dreary partings, delicious anticipations. All these are the old eternal talk of men and women, ever since the world began; without them we should hardly know that we are reading the words of man to woman. They are in our present case only the setting of a curiously frank and open picture of a man's life.

It is held by some that one of the best means of giving the sense of a little fixity to lives that are but as the evanescent fabric of a dream and the shadow of smoke, is to secure stability of topographical centre by abiding in the same house. Diderot is one of the few who complied with this condition. For thirty years he occupied the fourth and fifth floors of a house which was still standing not long ago, at the corner of the Rue Saint Benoit by the Rue Taranne, in that Paris which our tourists leave unexplored, but which is nevertheless the true Paris of the eighteenth century. Of the equipment of his room we have a charming picture by the hand of its occupant. It occurs in his playful Regrets on My Old Dressing-gown, so rich in happy and delightful touches.

"What induced me to part with it? It was made for me; I was made for it. It moulded itself to all the turns and outlines of my body without fretting me. I was picturesque and beautiful; its successor, so stiff, so heavy, makes a mere mannikin of me. There was no want to which, its complaisance did not lend itself, for indigence is ever obsequious. Was a book covered with dust, one of the lappets offered itself to wipe the dust away. Did the thick ink refuse to flow from the pen, it offered a fold. You saw traced in the long black lines upon it how many a service it had rendered me. Those long lines announced the man of letters, the writer, the workman. And now I have all the mien of a rich idler; you know not who I may be. I was the absolute master of my old robe; I am the slave of my new one. The dragon that guarded the golden fleece was not more restless than I. Care wraps me about.

"The old man who has delivered himself up bound hand and foot to the caprices of a young giddypate, says from morning to night: Ah, where is my old, my kind housekeeper? What demon possessed me the day that I dismissed her for this creature? Then he sighs, he weeps. I do not weep nor sigh; but at every moment I say: Cursed be the man who invented the art of making common stuff precious by dyeing it scarlet! Cursed be the costly robe that I stand in awe of! Where is my old, my humble, my obliging piece of homespun?

"That is not all, my friend. Hearken to the ravages of luxury--of a luxury that must needs be consistent with itself. My old gown was at one with the things about me. A straw-bottomed chair, a wooden table, a deal shelf that held a few books, and three or four engravings, dimmed by smoke, without a frame, nailed at the four corners to the wall. Among the engravings three or four casts in plaster were hung up; they formed, with my old dressing-gown, the most harmonious indigence. All has become discord. No more _ensemble_, no more unity, no more beauty.

"The woman who comes into the house of a widower, the minister who steps into the place of a statesman in disgrace, the molinist bishop who gets hold of the diocese of a jansenist bishop--none of these people cause more trouble than the intruding scarlet has caused to me.

"I can bear without disgust the sight of a peasant-woman. The bit of coarse canvas that covers her head, the hair falling about her cheeks, the rags that only half cover her, the poor short skirt that goes no more than half-way down her legs, the naked feet covered with mud--all these things do not wound me; 'tis the image of a condition that I respect, 'tis the sign and summary of a state that is inevitable, that is woful, and that I pity with all my heart. But my gorge rises, and in spite of the scented air that follows her, I turn my eyes from the courtesan, whose fine lace head-gear and torn cuffs, white stockings and worn-out shoes, show me the misery of the day in company with the opulence of last night. Such would my house have been, if the imperious scarlet had not forced all into harmony with itself. I had two engravings that were not without merit, Poussin's Manna in the Wilderness, and the same painter's Esther before Ahasuerus; the one is driven out in shame by some old man of Rubens's, the Fall of the Manna is scattered to the winds by a Storm of Vernet's. The old straw chair is banished to the ante-room by a luxurious thing of morocco. Homer, Virgil, Horace, Cicero, have been taken from their shelf and shut up in a case of grand marqueterie work, an asylum worthier of them than of me. The wooden table still held its ground, protected by a vast pile of pamphlets and papers heaped pell-mell upon it; they seemed as if they would long protect it from its doom. Yet one day that too was mastered by fate, and in spite of my idleness pamphlets and papers went to arrange themselves in the shelves of a costly bureau.... It was thus that the edifying retreat of the philosopher became transformed into the scandalous cabinet of the farmer-general. Thus I too am insulting the national misery.

"Of my early mediocrity there remained only a list carpet. The shabby carpet hardly matches with my luxury. I feel it. But I have sworn and I swear that I will keep this carpet, as the peasant, who was raised from the hut to the palace of his sovereign, still kept his wooden shoes. When in a morning, clad in the sumptuous scarlet, I enter my room, if I lower my eyes I perceive my old list carpet; it recalls to me my early state, and rising pride stands checked. No, my friend, I am not corrupted. My door is open as ever to want; it finds me affable as ever; I listen to its tale, I counsel, I pity, I succour it." ...

Yet the interior of Socrates-Diderot was as little blessed by domestic sympathy as the interior of the older and greater Socrates. Of course Diderot was far enough from being faultless. His wife is described by Rousseau as a shrew and a scold. It is too plain that she was so; sullen to her husband, impatient with her children, and exacting and unreasonable with her servants.[196] We cannot pretend accurately to divide the blame. The companionship was very dreary, and the picture grievous and most afflicting to our thoughts. Diderot returns in the evening from Holbach's, throws his carpet-bag in at the door, flies off to seek a letter from Mademoiselle Voland, writes one to her, gets back to his house at midnight, finds his daughter ill, puts cheerful and cordial questions to his wife, she replies with a tartness that drives him back into silence.[197] Another time the scene is violent. A torrent of injustice and unreasonableness flows over him for two long hours, and he wonders what the woman will profit, after she has made him burst a blood-vessel; he groans in anguish, "Ah, how hard life seems to me to bear! How many a time would I accept the end of it with joy!"[198] So sharp are the goads in a divided house; so sorely, with ache and smart and deep-welling tears, do men and women rend into shreds the fine web of one another's lives. But the pity of it, O the pity of it!

There are many brighter intervals which make one willing to suppose that if the wife had been a little more patient, more tolerant, more cheerful, less severely addicted to her sterile superstition, there might have been somewhat more happiness in the house. One misery of the present social ideal of women is that, while it keeps them so systematically ignorant, superstitious, and narrow, it leaves them without humility. "Be content," said the great John Wesley to his froward wife, "be content to be a private insignificant person, known and loved by God and me. Of what importance is your character to mankind? If you was buried just now, or if you had never lived, what loss would it be to the cause of God?" This energetic remonstrance can hardly be said to exhaust the matter. Still it puts a wholesome side of the case which Madame Diderot missed, and which better persons are likely to miss, so long as the exclusion of women, by common opinion or by law, from an active participation in the settlement of great issues, makes them indifferent to all interests outside domestic egoism, and egoistic and personal religion. Brighter intervals shone in the household. "I announced my departure," writes Diderot, "for next Tuesday. At the first word I saw the faces both of mother and daughter fall. The child had a compliment for my fete-day all ready, and it would not do to let her waste the trouble of having learnt it. The mother had projected a grand dinner for Sunday. Well, we arranged everything perfectly. I made my journey, and came back to be harangued and feasted. The poor child made her little speech in the most bewitching way. In the middle there came some hard words, so she stopped and said to me, 'My papa, 'tis because my two front teeth have come out'--as was true. Then she went on. At the end, as she had a posy to give me, and it could not be found, she stopped a second time to say to me--'Here's the worst of the tale; my pinks have got lost.' Then she started off in search of her flowers. We dined in great style. My wife had got all her friends together. I was very gay, eating, drinking, and doing the honours of my table to perfection. On rising from table I stayed among them and played cards instead of going out. I saw them all off between eleven and twelve: I was charming, and if you only knew with whom; what physiognomies, what folk, what talk!"

Another time the child, whispering in his ear, asks why her mother bade her not remind him that the morrow was the mother's fete-day. The presence of the blithe all-hoping young, looking on with innocent unconscious eyes at the veiled tragedy of love turned to bitter discord, gives to such scenes their last touch of piteousness. Diderot, however, observed the day, and presented a bouquet which was neither well or ill received. At the birthday dinner the master of the house presided. "If you had been behind the curtains, you would have said to yourself, how can all this gossip and twaddle find a place in the same head with certain ideas! And in truth I was charming, and played the fool to a marvel."[199]

In the midst of distractions great and small, was an indomitable industry. "I tell you," he wrote, "and I tell all men, when you are ill at ease with yourself, instantly set about some good work. In busying myself to soothe the trouble of another, I forget my own." He was assiduous in teaching his daughter, though he complained that her mother crushed out in a day what it had taken him a month to implant. The booksellers found him the most cheerful and strenuous bondsman that ever booksellers had. He would pass a whole month without a day's break, working ten hours every day at the revision of proof-sheets. Sometimes he remains a whole week without leaving his workroom. He wears out his eyes over plates and diagrams, bristling with figures and letters, and with no more refreshing thought in the midst of this sore toil than that insult, persecution, torment, trickery, will be the fruit of it. He not only spent whole days bent over his desk, until he had a feeling as of burning flame within him; he also worked through the hours of the night. On one of these occasions, worn out with fatigue and weariness, he fell asleep with his head on his desk; the light fell down among his papers, and he awoke to find half the books and papers on the desk burnt to ashes. "I kept my own counsel about it," he writes, "because a single hint of such an accident would have robbed my wife of sleep for the rest of her life."[200]

His favourite form of holiday was a visit to Holbach's country house at Grandval. Here he spent some six weeks or more nearly every autumn after 1759. The manner of life there was delightful to him. There was perfect freedom, the mistress of the house neither rendering strict duties of ceremony nor exacting them. Diderot used to rise at six or at eight, and remain in his own room until one, reading, writing, meditating. Nobody was more exquisitely sensible than Diderot to the charm of loitering over books, "over those authors," as he said, "who ravish us from ourselves, in whose hands nature has placed a fairy wand, with which they no sooner touch us, than straightway we forget the evils of life, the darkness lifts from our souls, and we are reconciled to existence."[201] The musing suggestiveness of reading when we read only for reading's sake, and not for reproduction nor direct use, was as delightful to our laborious drudge as to others, but he could indulge himself with little of this sweet idleness. It was in harder labour that he passed most of his mornings. These hours of work achieved, he dressed and went down among his friends. Then came the mid-day dinner, which was sumptuous; host and guests both ate and drank more than was good for their health. After a short siesta, towards four o'clock they took their sticks and went forth to walk, among woods, over ploughed fields, up hills, through quagmires, delighting in nature. As they went, they talked of history, or politics, or chemistry, of literature, or physics, or morality. At sundown they returned, to find lights and cards on the tables, and they made parties of piquet, interrupted by supper. At half-past ten the game ends, they chat until eleven, and in half an hour more they are all fast asleep.[202] Each day was like the next; industry, gaiety, bodily comfort, mental activity, diversifying the hours. Grimm was often there, "the most French of all the Germans," and Galiani, the most nimble-witted of men, inexhaustible in story, inimitable in pantomimic narration, and yet with the keenest intellectual penetration shining through all his Neapolitan prank and buffoonery. Holbach cared most for the physical sciences. Marmontel brought a vein of sentimentalism, and Helvetius a vein of cynical formalism. Diderot played Socrates, Panurge, Pantophile; questioning, instructing, combining; pouring out knowledge and suggestion, full of interest in every subject, sympathetic with every vein, relishing alike the newest philosophic hardihood, the last too merry mood of Holbach's mother-in-law, the freshest piece of news brought by a traveller. It was not at Grandval that he found life hard to bear, or would have accepted its close with joy. And indeed if one could by miracle be transported back into the sixth decade of that dead century for a single day, perhaps one might choose that such a day should be passed among the energetic and vivid men who walked of an afternoon among the fields and woods of Grandval.

The unblushing grossness of speech which even the ladies of the party permitted themselves cannot be reproduced in the decorous print of our age. It is nothing less than inconceivable to us how Diderot can have brought himself to write down, in letters addressed to a woman of good education and decent manners, some of the talk that went on at Grandval. The coarsest schoolboy of these days would wince at such shameless freedoms. But it would be wrong to forget the allowance that must be made for differences in point of fashion. Diderot, for instance, in these very letters is wonderfully frank in his exposure of the details of his health. He describes his indigestions, and other more indescribable obstructions to happiness, as freely as Cicero wrote about the dysentery which punished him, when, after he had resisted oysters and lampreys at supper, he yielded to a dish of beet and mallow so dressed with pot-herbs, _ut nil posset esse suavius_. Whatever men could say to one another or to their surgeons they saw no harm in saying to women. We have to remember how Sir Walter Scott's great-aunt, about the very time when Diderot was writing to Mademoiselle Voland, had heard Mrs. Aphra Behn's books read aloud for the amusement of large circles, consisting of the first and most creditable society in London. We think of Swift, in an earlier period of the century, enclosing to Stella some recklessly gross verses of his own upon Bolingbroke, and habitually writing to fine ladies in a way that Falstaff might have thought too bad for Doll Tearsheet. In saying that these coarse impurities are only points of manners, we are as far as possible from meaning that they are on that account unimportant. But it is childish to waste our time in censorious judgment on the individual who does no worse than represent a ruling type. We can only note the difference and pass on.

A characteristic trait in this rural life is Diderot's passion for high winds. They gave him a transport, and to hear the storm at night, tossing the trees, drenching the ground with rain, and filling the air with the bass of its hoarse ground-tones, was one of his keenest delights.[203] Yet Diderot was not of those in whom the feeling for the great effects of nature has something of savagery. He was above all things human, and the human lot was the central source of his innermost meditations. In the midst of gossip is constantly interpolated some passage of fine reflection on life--reflection as sincere, as real, coming as spontaneously from the writer's inmost mood and genuine sentiment, as little tainted either by affectation or by commonness, as ever passed through the mind of a man. Some of these are too characteristic to be omitted, and there is so little of what is exquisite in the flavour of Diderot's style, that he perhaps suffers less from the clumsiness of translation than writers of finer colour or more stirring melody. One of these passages is as follows:--

"The last news from Paris has made the Baron anxious, as he has considerable sums in royal securities. He said to his wife: 'Listen, my friend; if this is going on, I put down the carriage, I buy you a good cloak and a good parasol, and for the rest of our days we will bless the minister for ridding us of horses, lackeys, coachmen, ladies'-maids, cooks, great dinner-parties, false friends, tiresome bores, and all the other privileges of opulence.' And for my part I began to think, that for a man without a wife or child, or any of those connections that make us long for money, and never leave any superfluity, it would be almost indifferent whether he were poor or rich. This paradox comes of the equality that I discover among various conditions of life, and in the little difference that I allow, in point of happiness, between the master of the house and the hall-porter. If I am sound in mind and body, if I have worth and a pure conscience, if I know the true from the false, if I avoid evil and do good, if I feel the dignity of my being, if nothing lowers me in my own eyes, then people may call me what they will, _My Lord,_ or _Sirrah_. To do what is good, to know what is true--that is what distinguishes one man from another; the rest is nothing. The duration of life is so short, its true needs are so narrow, and when we go away, it all matters so little whether we have been somebody or nobody. When the end comes, all that you want is a sorry piece of canvas and four deal boards. In the morning I hear the labourers under my window. Scarce has the day dawned before they are at work with spade and barrow, delving and wheeling. They munch a crust of black bread; they quench their thirst at the flowing stream; at noon they snatch an hour of sleep on the hard ground. They are cheerful; they sing as they work; they exchange their good broad pleasantries with one another; they shout with laughter. At sundown they go home to find their children naked round a smoke-blackened hearth, a woman hideous and dirty, and their lot is neither worse nor better than mine. I came down from my room in bad spirits; I heard talk about the public misery; I sat down to a table full of good cheer without an appetite; I had a stomach overloaded with the dainties of the day before; I grasped a stick and set out for a walk to find relief; I returned to play cards, and cheat the heavy-weighing hours. I had a friend of whom I could not hear; I was far from a woman whom I sighed for. Troubles in the country, troubles in the town, troubles everywhere. He who knows not trouble is not to be counted among the children of men. All gets paid off in time; the good by the evil, evil by good, and life is naught. Perhaps to-morrow night or Monday morning we may go to pass a day in town; so I shall see the woman for whom I sighed, and recover the man of whom I could not hear. But I shall lose them the next day; and the more I feel the happiness of being with them, the worse I shall suffer at parting. That is the way that all things go. Turn and turn and turn again; there is ever a crumpled rose-leaf to vex you."[204]

It is not often that we find such active benevolence as Diderot's, in conjunction with such a vein of philosophy as follows:--

"Ah, what a fine comedy this world would be, if only one had not to play a part in it; if one existed, for instance, in some point of space, in that interval of the celestial orbs where the gods of Epicurus slumber, far, far away, whence one could see this globe, on which we strut so big, about the size of a pumpkin, and whence one could watch all the airs and tricks of that two-footed mite who calls itself man. I would fain only look at the scenes of life in reduced size, so that those which are stamped with atrocity may be brought down to an inch in space, and to actors half a line high. But how bizarre, that our sense of revolt against injustice is in the ratio of the space and the mass. I am furious if a large animal unjustly attacks another. I feel nothing at all if it is two atoms that tear and rend. How our senses affect our morality. There is a fine text for philosophising!"[205]

"What I see every day of physic and physicians does not much heighten my opinion of them. To come into the world in imbecility, in the midst of anguish and cries; to be the toy of ignorance, of error, of necessity, of sickness, of malice, of all passions; to return step by step to that imbecility whence one sprang; from the moment when we lisp our first words, down to the moment when we mumble the words of our dotage, to live among rascals and charlatans of every kind; to lie expiring between a man who feels your pulse, and another man who frets and wearies your head; not to know whence one comes, nor why one has come, nor whither one is going--that is what we call the greatest gift of our parents and of nature--human life."[206]

These sombre meditations hardly represent Diderot's habitual vein; they are rather a reaction and a relief from the busy intensity with which he watches the scene, and is constantly putting interrogatories to human life, as day by day its motley circumstance passes before his eyes. We should scarcely suspect from his frequent repetitions of the mournful eternal chorus of the nullity of man and the vanity of all the things that are under the sun, how alert a watch he kept on incident and character, with what keen and open ear he listened for any curious note of pain, or voice of fine emotion, or odd perversity of fate. All this he does, not in the hard temper of a Balzac, not with the calm or pride of a Goethe, but with an overflowing fulness of spontaneous and uncontrollable sympathy. He is a sentimentalist in the rationalistic century, not with the sentimentalism of misanthropy, such as fired or soured Rousseau, but social, large-hearted, many-sided, careless of the wise rigours of morality. He is never callous nor neutral; on the contrary, he is always approving or disapproving, but not from the standards of the ethical text-books. The casuistry of feeling is of everlasting interest to him, and he is never tired of inventing imaginary cases, or pondering real ones, in which pliant feeling is invoked against the narrowness of duty. These are mostly in a kind of matter which modern taste hardly allows us to reproduce; nor, after all, is there much to be gained by turning the sanctities of human relationship, with all their immeasurable bliss, their immeasurable woe, into the playthings of an idle dialectic. It is pleasanter, and for us English not less instructive than pleasant, to see this dreaming, restless, thrice ingenious spirit, half Titan of the skies, half gnome of the lower earth, entering joyously or pitifully into the simple charm and natural tenderness of life as it comes and passes. Nothing delights him more than to hear or to tell such a story as this of Madame D'Epinay. She had given a small lad eighteen sous for a day's work. At night he went home without a farthing. When his mother asked him whether they had given him nothing for his work, he said No. The mother found out that this was untrue, and insisted on knowing what had become of the eighteen sous. The poor little creature had given them to an alehouse-keeper, where his father had been drinking all day; and so he had spared the worthy man a rough scene with his wife when he got home.[207]

From the pathos of kindly youth to the grace of lovable age the step is not far. "To-day I have dined with a charming woman, who is only eighty years old. She is full of health and cheerfulness; her soul is still all gentleness and tenderness. She talks of love and friendship with the fire and sensibility of a girl of twenty. There were three men of us at table with her; she said to us, 'My friends, a delicate conversation, a true and passionate look, a tear, a touched expression, those are the good things of the world; as for all besides, it is hardly worth talking of. There are certain things that were said to me when I was young, and that I remember to this day, and any one of those words is to be preferred before ten glorious deeds: by my faith, I believe if I heard them even now, my old heart would beat the quicker.' 'Madame, the reason is that your heart has grown no older.' 'No, my son, you are right; it is as young as ever. It is not for having kept me alive so long that I thank God, but for having kept me kind-hearted, gentle, and full of feeling.'"[208] All this was after Diderot's own heart, and he declares such a conversation to be worth more than all the hours of talk on politics and philosophy that he had been having a few days before with some English friends. We may understand how, as we shall presently see, a member of a society that could relish the beauty of such a scene, would be likely to think Englishmen hard, surly, and cheerless.

His letters constantly offer us sensible and imaginative reflection. He amused himself in some country village by talking to an old man of eighty. "I love children and old men; the latter seem to me like some singular creatures that have been spared by caprice of fate." He meets some old schoolfellows at Langres, nearly all the rest having gone: "Well, there are two things that warn us of our end, and set us musing--old ruins, and the short duration of those who began life with us." He is taken by a host over-devoted to such joys, to walk among dung-heaps. "After all," he says, "it ought not to offend one's sense. To an honest nose that has preserved its natural innocence, 'tis not a goat, but a bemusked and ambre-scented woman, who smelleth ill."

"When I compare our friendships to our antipathies, I find that the first are thin, small, pinched; we know how to hate, but we do not know how to love."

"A poet who becomes idle, does excellently well to be idle; he ought to be sure that it is not industry that fails, but that his gift is departing from him."

"Comfort the miserable; that is the true way to console yourself for my absence. I recollect saying to the Baron, when he lost his first wife, and was sure that there was not another day's happiness left for him in this world, 'Hasten out of doors, seek out the wretched, console them, and then you will pity yourself, if you dare.'"[209]

"An infinitude of tyrannical things interpose between us and the duties of love and friendship; and we do nothing aright. A man is neither free for his ambition, nor free for his taste, nor free for his passion. And so we all live discontented with ourselves. One of the great inconveniences of the state of society is the multitude of our occupations and, above all, the levity with which we make engagements to dispose of all our future happiness. We marry, we go into business, we have children, all before we have common sense."[210]

After some equivocal speculations as to the conduct of a woman who, by the surrender of herself for a quarter of an hour to the desires of a powerful minister, wins an appointment for her husband and bread for her six children, he exclaims: "In truth, I think Nature heeds neither good nor evil; she is wholly wrapped up in two objects, the preservation of the individual and the propagation of the species."[211] True; but the moral distinction between right and wrong is so much wrung from the forces that Diderot here calls Nature.

The intellectual excitement in which he lived and the energy with which he promoted it, sought relief either in calm or else in the play of sensibility. "A delicious repose," he writes in one of his most harassed moments, "a sweet book to read, a walk in some open and solitary spot, a conversation in which one discloses all one's heart, a strong emotion that brings the tears to one's eyes and makes the heart beat faster, whether it comes of some tale of generous action, or of a sentiment of tenderness, of health, of gaiety, of liberty, of indolence--there is the true happiness, nor shall I ever know any other."

_A Point in Rhetoric._--"Towards six in the evening the party broke up. I remained alone with D., and as we were talking about the Eloges on Descartes that had been sent in to the Academy, I made two remarks that pleased him upon eloquence. One, that it is a mistake to try to stir the passions before convincing the reason, and that the pathetic remains without effect, when it is not prepared by the syllogism. Second, that after the orator had touched me keenly, I could not endure that he should break in upon this melting of the soul with some violent stroke: that the pathetic insists on being followed by something moderate, weak, vague, that should leave room for no contention on my part."[212]

_Holbach's Impressions of England._--"The Baron has returned from England. He started with the pleasantest anticipations, he had a most agreeable reception, he had excellent health, and yet he has returned out of humour and discontented; discontented with the country, which he found neither as populous nor as well cultivated as people say; discontented with the buildings, that are nearly all bizarre and Gothic; with the gardens, where the affectation of imitating nature is worse than the monotonous symmetry of art; with the taste that heaps up in the palaces what is first-rate, what is good, what is bad, what is detestable, all pell-mell. He is disgusted at the amusements, which have the air of religious ceremonies; with the men, on whose countenances you never see confidence, friendship, gaiety, sociability, but on every face the inscription, _'What is there in common between me and you?'_; disgusted with the great people, who are gloomy, cold, proud, haughty, and vain; and with the small people, who are hard, insolent, and barbarous. The only thing that I have heard him praise is the facility of travel: he says there is not a village, even on a cross-road, where you do not find four or five post-chaises and a score of horses ready to start.... There is no public education. The colleges--sumptuous buildings--palaces to be compared to the Tuileries, are occupied by rich idlers, who sleep and get drunk one part of the day, and the rest they spend in training, clumsily enough, a parcel of uncouth lads to be clergymen.... In the fine places that have been built for public amusements, you could hear a mouse run. A hundred stiff and silent women walk round and round an orchestra that is set up in the middle. The Baron compares these circuits to the seven processions of the Egyptians round the tomb of Osiris. A charming _mot_ of my good friend Garrick, is that London is good for the English, but Paris is good for all the world.... There is a great mania for conversions and missionaries. Mr. Hume told me a story which will let you know what to think of these pretended conversions of cannibals and Hurons. A minister thought he had done a great stroke in this line; he had the vanity to wish to show his proselyte, and brought him to London. They question his little Huron, and he answers to perfection. They take him to church, and administer the sacrament, where, as you know, the communion is in both kinds. Afterwards, the minister says to him, 'Well, my son, do you not feel yourself more animated with the love of God? Does not the grace of the sacrament work within you? Is not all your soul warmed?' 'Yes,' says the Huron: 'the wine does one good, but I think it would have done still better if it had been brandy.'"[213]

_Two Cases of Conscience_.--"The cure said that unhappy lovers always talked about dying, but that it was very rare to find one who kept his word; still he had seen one case. It was that of a young man of family, called Soulpse. He fell in love with a young lady of beauty and of good character, but without money, and belonging to a dishonoured family. Her father was in the galleys for forgery. The young man, who foresaw all the opposition, and all the good grounds for opposition, that he would have to encounter among his family, did all that he could to cure himself of his passion; but when he was assured of the uselessness of his efforts, he plucked up courage to open the matter to his parents, who wearied themselves with remonstrances. Our lover suddenly stopped them short, saying, 'I know all that you have to say against me; I cannot disapprove of your reasons, which I should be the first to urge against my own son, if I had one. But consider whether you would rather have me dead or badly married; for it is certain that if I do not marry the woman that I love, I shall die of it.' They treated this speech as it deserved; the result does not affect that. The young man fell sick, faded from day to day, and died. 'But, Cure,' said I, 'in the place of the father, what would you have done?' 'I would have called my son; I would have said: Soulpse has been your name hitherto; never forget that it is yours no more; and call yourself by what other name you please. Here is your lawful share of our property; marry the woman you love, so far from here that I may never hear speak of you again, and God bless you. 'For my part,' said old Madame D'Esclavelles, 'if I had been the mother of the young madman, I would have done exactly as his father did, and let him die.' And upon this there was a tremendous division of opinion, and an uproar that made the room ring again.

"The dispute lasted a long time, and would be going on now if the cure had not broken it off by putting to us another case. A young priest, discontented with his profession, flees to England, apostatises, marries according to the law, and has children. After a certain time he longs for his native country; he comes back to France with his children and his wife. After that, again, he is stricken by remorse; he returns to his religion, has scruples about his marriage, and thinks of separating from his wife. He opens his heart to our cure, who finds the case very embarrassing, and not venturing to decide it, refers him to casuists and lawyers. They all decide that he cannot, with a sure conscience, remain with his wife. When the separation, which the wife opposed with all her might, was about to be legally effected--rather against the wishes of our cure--the husband fell dangerously ill. When he knew that he could not recover, he said to the cure: 'My friend, I wish to make public amends for my backsliding, to receive the sacraments, and to die in the hospital; be kind enough to have me taken there.' 'I will take care to do no such thing,' the cure replied to him. 'This woman is innocent; she married you according to law; she knew nothing of the obstacles that existed. And these children, what share have they in your sin? You are the only wrongdoer, and it is they who are to be punished! Your wife will be disgraced, your children will be declared illegitimate, and what is the gain of it all?' And the good cure stuck to his text. He confessed his man, the illness grew worse, he administered the last sacraments. The man died, and his wife and children remained in possession of the titles they had. We all approved the cure's wisdom, and Grimm insisted on having his portrait taken."[214]

_Chinese Superiority_.---"Apropos of the Chinese, do you know that with them nobility ascends, and descends never? It is the children who ennoble their ancestors, and not the ancestors the children. And upon my word that is most sensible. We are greater poets, greater philosophers, greater orators, greater architects, greater astronomers, greater geometers, than these good people; but they understand better than we the science of good sense and virtue; and if peradventure that science should happen to be the first of all sciences, they would be right in saying that they have two eyes and we have only one, and all the rest of the world is blind."[215]

_Why Women write good Letters_.--"She writes admirably, really admirably. That is because good style is in the heart; and that is why so many women talk and write like angels without ever having learnt either to talk or to write, and why so many pedants will both talk and write ill all the days of their life, though they were never weary of studying,--only without learning."[216]

"A little adventure has just happened here that proves that all our fine sermons on intolerance have as yet produced but poor fruit. A young man of respectable birth, some say apprentice to an apothecary, others to a grocer, took it into his head to go through a course of chemistry; his master consented, on condition that he should pay for board; the lad agreed. At the end of the quarter the master demanded the money, and it was paid. Soon after, another demand from the master; the apprentice replied that he barely owed a single quarter. The master denied that the first quarter had been paid. The affair was taken into court. The master is put on his oath, and swears. He had no sooner perjured himself than the apprentice produced his receipt, and the master was straightway fined and disgraced. He was a scoundrel who deserved it, but the apprentice was a rash fellow, whose victory was bought at a price dearer than life. He had received, in payment or otherwise, from some colporteur, two copies of _Christianity Unveiled_, and one of them he had sold to his master. The master informs against him. The colporteur, his wife, and his apprentice, are all three arrested, and they have just been pilloried, whipped, and branded, and the apprentice condemned to nine years of the galleys, the colporteur to five years, and the woman to the hospital for life.... Do you see the meaning of this judgment? A colporteur brings me a prohibited book. If I buy more than one copy, I am declared to be encouraging unlawful trading, and exposed to a frightful prosecution. You have read the _Man with Forty Crowns_,[217] and will hardly be able to guess why it is placed under the ban in the judgment I am telling you of. It is in consequence of the profound resentment that our lords and masters feel about a certain article, _Tyrant_, in the _Philosophical Dictionary_. They will never forgive Voltaire for saying that it was better to have to do with a single wild beast, which one could avoid, than with a band of little subaltern tigers who are incessantly getting between your legs.... To return to those two unfortunate wretches whom they have condemned to the galleys. When they come out, what will become of them? There will be nothing left for them to do, save to turn highway robbers. The ignominious penalties, which take away all resource from a man, are worse than the capital punishment that takes away his life."[218]

_Method and Genius: an Apologue._--"There was a question between Grimm and M. Le Roy of creative genius and co-ordinating method. Grimm detests method; according to him, it is the pedantry of letters. Those who can only arrange, would do as well to remain idle; those who can only get instruction from what has been arranged, would do as well to remain ignorant. What necessity is there for so many people knowing anything else besides their trade? They said a great many things that I don't report to you, and they would be saying things still, if the Abbe Galiani had not interrupted them:

'My friends, I remember a fable: pray listen to it. One day, in the depths of a forest, a dispute arose between a Nightingale and a Cuckoo. Each prizes its own gift. What bird, said the Cuckoo, has a song so easy, so simple, so natural, so measured, as mine?

What bird, said the Nightingale, has a song sweeter, more varied, more brilliant, more touching, than mine?

_The Cuckoo:_ I say few things, but they are things of weight, of order, and people retain them.

_The Nightingale:_ I love to use my voice, but I am always fresh, and I never weary. I enchant the woods; the Cuckoo makes them dismal. He is so attached to the lessons of his mother, that he would not dare to venture a single note that he had not taken from her. Now for me, I recognise no master. I laugh at rules. What comparison between his pedantic method and my glorious bursts?

The Cuckoo tried several times to interrupt the Nightingale. But nightingales always go on singing, and never listen; that is rather their weakness. Ours, carried away by his ideas, followed them with rapidity, without paying the least attention to the answers of his rival.

So after some talk and counter-talk, they agreed to refer their quarrel to the judgment of a third animal. But where were they to find this third, equally competent and impartial? It is not so easy to find a good judge. They sought on every side. As they crossed a meadow, they spied an Ass, one of the gravest and most solemn that ever was seen. Since the creation of the world, no ass had ever had such long ears. 'Ah,' said the Cuckoo, 'our luck is excellent; our quarrel is a matter of ears: here is our judge. God Almighty made him for the very purpose!'

The Ass went on browsing. He little thought that one day he would have to decide a question of music. But Providence amuses itself with this and many another thing. Our two birds bow very low, compliment him upon his gravity and his judgment, explain the subject of their dispute, and beseech him, with all deference, to listen to their case and decide.

But the Ass, hardly turning his heavy head and without losing a single toothsome blade, makes them a sign with his ears that he is hungry, and that he does not hold his court to-day. The birds persist; the Ass goes on browsing. At last his hunger was appeased. There were some trees planted by the edge of the meadow. 'Now, if you like,' said he, 'you go there, I will follow; you shall sing, I will digest; I will listen, and I'll give you my opinion.'

The birds instantly fly away, and perch on branches. The Ass follows them with the air and the step of a chief justice crossing Westminster Hall: he stretches himself flat on the ground, and says, 'Begin, the court listens.'

Says the Cuckoo: 'My lord, there is not a word to lose. I beg of you to seize carefully the character of my singing; above all things, deign, my lord, to mark its artifice and its method.' Then filling its throat, and flapping its wings at each note, it sang out, 'Coucou, coucou, coucou, coucou, coucou, coucou.' And after having combined this in every possible way, it fell silent.

The Nightingale, without any prelude, pours forth his voice at once, launches into the most daring modulations, pursues the freshest and most delicate melodies, cadences, pauses, and trills; now you heard the notes murmuring at the bottom of its throat, like the ripple of the brook as it loses itself among the pebbles; now you heard them rising and gradually swelling and filling the air, and lingering long-drawn in the skies. It was tender, glad, brilliant, pathetic; but his music was not made for everybody.