Chapter II: Front Matter (2)

See Bruno Weiss, _Funfzig Jahre auf Chatham Island_ (Berlin, 1900);
H.O. Forbes, "The Chatham Islands and their Story," _Fortnightly
Review_ (1893), vol. liii. p. 669, "The Chatham Islands, their
relation to a former Southern Continent," _Supplementary_ _Papers_,
R.G.S., vol. iii. (1893); J.H. Scott, "The Osteology of the Maori and
the Moriori," _Trans. New Zealand Institute_, vol. xxvi. (1893); C.W.
Andrews, "The Extinct Birds of the Chatham Islands," _Novitates
Zoologicae_, vol. ii. p. 73 (1896).

CHATILLON, the name of a French family whose history has furnished material for a large volume in folio by A. du Chesne, a learned Frenchman, published in 1621. But in spite of its merits this book presents a certain number of inaccurate statements, some of which it is important to notice. If, for instance, it be true that the Chatillons came from Chatillon-sur-Marne (Marne, arrondissement of Reims), it is now certain that, since the 11th century, this castle belonged to the count of Champagne, and that the head of the house of Chatillon was merely tenant in that place. One of them, however, Gaucher of Chatillon, lord of Crecy and afterwards constable of France, became in 1290 lord of Chatillon-sur-Marne by exchange, but since 1303 a new agreement allotted to him the countship of Porcien, while Chatillon reverted to the domain of the counts of Champagne. It may be well to mention also that, in consequence of a resemblance of their armorial bearings, du Chesne considered wrongly that the lords of Bazoches and those of Chateau-Porcien of the 12th and 13th centuries drew their descent from the house of Chatillon.

The most important branches of the house of Chatillon were those of (1) St Pol, beginning with Gaucher III. of Chatillon, who became count of St Pol in right of his wife Isabella in 1205, the last male of the line being Guy V. (d. 1360); (2) Blois, founded by the marriage of Hugh of Chatillon-St Pol (d. 1248) with Mary, daughter of Margaret of Blois (d. 1230),--this branch became extinct with the death of Guy II. in 1397; (3) Porcien, from 1303 to 1400, when Count John sold the countship to Louis, duke of Orleans; (4) Penthievre, by the marriage of Charles of Blois (d. 1364) with Jeanne (d. 1384), heiress of Guy, count of Penthievre (d. 1331), the male line becoming extinct in 1457.

See A. du Chesne, _Histoire genealogique de la maison de
Chastillon-sur-Marne_ (1621); Anselme, _Histoire genealogique de la
maison royale de France_, vi. 91-124 (1730). (A. Lo.)

CHATILLON-SUR-SEINE, a town of eastern France, capital of an arrondissement in the department of Cote-d'Or, on the Eastern and Paris-Lyon railways, 67 m. N.N.W. of Dijon, between that city and Troyes. Pop. (1906) 4430. It is situated on both banks of the upper Seine, which is swelled at its entrance to the town by the Douix, one of the most abundant springs in France. Chatillon is constructed on ample lines and rendered attractive by beautiful promenades. Some ruins on an eminence above it mark the site of a chateau of the dukes of Burgundy. Near by stands the church of St Vorle of the l0th century, but with many additions of later date; it contains a sculptured Holy Sepulchre of the 16th century and a number of frescoes. In a fine park stands a modern chateau built by Marshal Marmont, duke of Ragusa, born at Chatillon in 1774. It was burnt in 1871, and subsequently rebuilt. The town preserves several interesting old houses. Chatillon has a sub-prefecture, tribunals of first instance and of commerce, a school of agriculture and a communal college. Among its industries are brewing, iron-founding and the manufacture of mineral and other blacks. It has trade in wood, charcoal, lithographic and other stone. Chatillon anciently consisted of two parts, Chaumont, belonging to the duchy of Burgundy, and Bourg, ruled by the bishop of Langres; it did not coalesce into one town till the end of the 16th century. It was taken by the English in 1360 and by Louis XI. in 1475, during his struggle with Charles the Bold. Chatillon was one of the first cities to adhere to the League, but suffered severely from the oppression of its garrisons and governors, and in 1595 made voluntary submission to Henry IV. In modern times it is associated with the abortive conference of 1814 between the representatives of Napoleon and the Allies.

CHATSWORTH, a village of Derbyshire, England, containing a seat belonging to the duke of Devonshire, one of the most splendid private residences in England. Chatsworth House is situated close to the left bank of the river Derwent, 2-3/4 m. from Bakewell. It is Ionic in style, built foursquare, and enclosing a large open courtyard, with a fountain in the centre. In front, a beautiful stretch of lawn slopes gradually down to the riverside, and a bridge, from which may best be seen the grand facade of the building, as it stands out in relief against the wooded ridge of Bunker's Hill. The celebrated gardens are adorned with sculptures by Gabriel Gibber; Sir Joseph Paxton designed the great conservatory, unrivalled in Europe, which covers an acre; and the fountains, which include one with a jet 260 ft. high, are said to be surpassed only by those at Versailles. Within the house there is a very fine collection of pictures, including the well-known portraits by Reynolds of Georgiana, duchess of Devonshire. Other paintings are ascribed to Holbein, Durer, Murillo, Jan van Eyck, Dolci, Veronese and Titian. Hung in the gallery of sketches there are some priceless drawings attributed to Michelangelo, Leonardo da Vinci, Raffaelle, Correggio, Titian and other old masters. Statues by Canova, Thorwaldsen, Chantrey and R.J. Wyatt are included among the sculptures. In the state apartments the walls and window-panes are in some cases inlaid with marble or porphyry; the woodcarving, marvellous for its intricacy, grace and lightness of effect, is largely the work of Samuel Watson of Heanor (d. 1715). Chatsworth Park is upwards of 11 m. in circuit, and contains many noble forest-trees, the whole being watered by the Derwent, and surrounded by high moors and uplands. Beyond the river, and immediately opposite the house, stands the model village of Edensor, where most of the cottages were built in villa style, with gardens, by order of the 6th duke. The parish church, restored by the same benefactor, contains an old brass in memory of John Beaton, confidential servant to Mary, queen of Scots, who died in 1570; and in the churchyard are the graves of Lord Frederick Cavendish, murdered in 1882 in Phoenix Park, Dublin, and of Sir Joseph Paxton.

Chatsworth (_Chetsvorde_, _Chetelsvorde_, "the court of Chetel") took its name from Chetel, one of its Saxon owners, who held it of Edward the Confessor. It belonged to the crown and was entrusted by the Conqueror to the custody of William Peverell. Chatsworth afterwards belonged for many generations to the family of Leech, and was purchased in the reign of Elizabeth by Sir William Cavendish, husband of the famous Bess of Hardwick. In 1557 he began to build Chatsworth House, and it was completed after his death by his widow, then countess of Shrewsbury. Here Mary, queen of Scots, spent several years of her imprisonment under the care of the earl of Shrewsbury. During the Civil War, Chatsworth was occasionally occupied as a fortress by both parties. It was pulled down, and the present house begun by William, 1st duke of Devonshire in 1688. The little village consists almost exclusively of families employed upon the estate.

CHATTANOOGA, a city and the county-seat of Hamilton county, Tennessee, U.S.A., in the S.E. part of the state, about 300 m. S. of Cincinnati, Ohio, and 150 m. S.E. of Nashville, Tennessee, on the Tennessee river, and near the boundary line between Tennessee and Georgia. Pop. (1860) 2545; (1870) 6093; (1880) 12,892; (1890) 29,100; (1900) 30,154, of whom 994 were foreign-born and 13,122 were negroes; (U.S. census, 1910) 44,604. The city is served by the Alabama Great Southern (Queen and Crescent), the Cincinnati Southern (leased by the Cincinnati, New Orleans & Texas Pacific railway company), the Nashville, Chattanooga & St Louis (controlled by the Louisville & Nashville), and its leased line, the Western & Atlantic (connecting with Atlanta, Ga.), the Central of Georgia, and the Chattanooga Southern railways, and by freight and passenger steamboat lines on the Tennessee river, which is navigable to and beyond this point during eight months of the year. That branch of the Southern railway extending from Chattanooga to Memphis was formerly the Memphis & Charleston, under which name it became famous in the American Civil War. Chattanooga occupies a picturesque site at a sharp bend of the river. To the south lies Lookout Mountain, whose summit (2126 ft. above the sea; 1495 ft. above the river) commands a magnificent view. To the east rises Missionary Ridge. Fine driveways and electric lines connect with both Lookout Mountain (the summit of which is reached by an inclined plane on which cars are operated by cable) and Missionary Ridge, where there are Federal reservations, as well as with the National Military Park (15 sq. m.; dedicated 1895) on the battlefield of Chickamauga (q.v.); this park was one of the principal mobilization camps of the United States army during the Spanish-American War of 1898. Among the principal buildings are the city hall, the Federal building, the county court house, the public library, the high school and the St Vincent's and the Baroness Erlanger hospitals. Among Chattanooga's educational institutions are two commercial colleges, the Chattanooga College for Young Ladies (non-sectarian), the Chattanooga Normal University, and the University of Chattanooga, until June 1907, United States Grant University (whose preparatory department, "The Athens School," is at Athens, Tenn.), a co-educational institution under Methodist Episcopal control, established in 1867; it has a school of law (1899), a medical school (1889), and a school of theology (1888). East of the city is a large national cemetery containing more than 13,000 graves of Federal soldiers. Chattanooga is an important produce, lumber, coal and iron market, and is the principal trade and jobbing centre for a large district in Eastern Tennessee and Northern Georgia and Alabama. The proximity of coalfields and iron mines has made Chattanooga an iron manufacturing place of importance, its plants including car shops, blast furnaces, foundries, agricultural implement and machinery works, and stove factories; the city has had an important part in the development of the iron and steel industries in this part of the South. There are also flour mills, tanneries (United States Leather Co.), patent medicine, furniture, coffin, woodenware and wagon factories, knitting and spinning mills, planing mills, and sash, door and blind factories--the lumber being obtained from logs floated down the river and by rail. The value of the city's factory products increased from $10,517,886 in 1900 to $15,193,909 in 1905 or 44.5%.

Chattanooga was first settled about 1835, and was long known as Ross's Landing. It was incorporated in 1851 as Chattanooga, and received a city charter in 1866. Its growth for the three decades after the Civil War was very rapid. During the American Civil War it was one of the most important strategic points in the Confederacy, and in its immediate vicinity were fought two great battles. During June 1862 it was threatened by a Federal force under General O.M. Mitchel, but the Confederate army of General Braxton Bragg was transferred thither by rail from Corinth, Miss., before Mitchel was able to advance. In September 1863, however, General W.S. Rosecrans, with the Union Army of the Cumberland out-manoeuvred Bragg, concentrated his numerous columns in the Chickamauga Valley, and occupied the town, to which, after the defeat of Chickamauga (q.v.), he retired.

From the end of September to the 24th of November the Army of the Cumberland was then invested in Chattanooga by the Confederates, whose position lay along Missionary Ridge from its north end near the river towards Rossville, whence their entrenchments extended westwards to Lookout Mountain, which dominates the whole ground, the Tennessee running directly beneath it. Thus Rosecrans was confined to a semicircle of low ground around Chattanooga itself, and his supplies had to make a long and difficult _detour_ from Bridgeport, the main road being under fire from the Confederate position on Lookout and in the Wauhatchie valley adjacent. Bragg indeed expected that Rosecrans would be starved into retreat. But the Federals once more, and this time on a far larger scale, concentrated in the face of the enemy. The XI. and XII. corps from Virginia under Hooker were transferred by rail to reinforce Rosecrans; other troops were called up from the Mississippi, and on the 16th of October the Federal government reconstituted the western armies under the supreme command of General Grant. The XV. corps of the Army of the Tennessee, under Sherman, was on the march from the Mississippi. Hooker's troops had already arrived when Grant reached Chattanooga on the 23rd of October. The Army of the Cumberland was now under Thomas, Rosecrans having been recalled. The first action was fought at Brown's Ferry in the Wauhatchie valley, where Hooker executed with complete precision a plan for the revictualling of Chattanooga, established himself near Wauhatchie on the 28th, and repulsed a determined attack on the same night. But Sherman was still far distant, and the Federal forces at Knoxville, against which a large detachment of Bragg's army under Longstreet was now sent, were in grave danger. Grant waited for Sherman's four divisions, but prepared everything for battle in the meantime. His plan was that Thomas in the Chattanooga lines should contain the Confederate centre on Missionary Ridge, while Hooker on the right at Wauhatchie was to attack Lookout Mountain, and Sherman farther up the river was to carry out the decisive attack against Bragg's extreme right wing at the end of Missionary Ridgg. The last marches of the XV. corps were delayed, by stormy weather, Bragg reinforced Longstreet, and telegraphic communication between Grant and the Federals at Knoxville had already ceased. But Grant would not move forward without Sherman, and the battle of Chattanooga was fought more than two months after Chickamauga. On the 23rd of November a forward move of Thomas's army, intended as a demonstration, developed into a serious and successful action, whereby the first line of the Confederate centre was driven in for some distance. Bragg was now much weakened by successive detachments having been sent to Knoxville, and on the 24th the real battle began. Sherman's corps was gradually brought over the river near the mouth of Chickamauga Creek, and formed up on the east side.

The attack began at 1 P.M. and was locally a complete success. The heights attacked were in Sherman's hands, and fortified against counter-attack, before nightfall. Hooker in the meanwhile had fought the "Battle above the Clouds" on the steep face of Lookout Mountain, and though opposed by an equal force of Confederates, had completely driven the enemy from the mountain. The 24th then had been a day of success for the Federals, and the decisive attack of the three armies in concert was to take place on the 25th. But the maps deceived Grant and Sherman as they had previously deceived Rosecrans. Sherman had captured, not the north point of Missionary Ridge, but a detached hill, and a new and more serious action had to be fought for the possession of Tunnel Hill, where Bragg's right now lay strongly entrenched. The Confederates used every effort to hold the position and all Sherman's efforts were made in vain. Hooker, who was moving on Rossville, had not progressed far, and Bragg was still free to reinforce his right. Grant therefore directed Thomas to move forward on the centre to relieve the pressure on Sherman. The Army of the Cumberland was, after all, to strike the decisive blow. About 3.30 P.M. the centre advanced on the Confederate's trenches at the foot of Missionary Ridge. These were carried at the first rush, and the troops were ordered to lie down and await orders. Then occurred one of the most dramatic episodes of the war. Suddenly, and without orders either from Grant or the officers at the front, the whole line of the Army of the Cumberland rose and rushed up the ridge. Two successive lines of entrenchments were carried at once. In a short time the crest was stormed, and after a last attempt at resistance the enemy's centre fled in the wildest confusion. The pursuit was pressed home by the divisional generals, notably by Sheridan. Hooker now advanced in earnest on Rossville, and by nightfall the whole Confederate army, except the troops on Tunnel Hill, was retreating in disorder. These too were withdrawn in the night, and the victory of the Federals was complete. Bragg lost 8684 men killed, wounded and prisoners out of perhaps 34,000 men engaged; Grant, with 60,000 men, lost about 6000.

CHATTEL (for derivation see CATTLE), a term used in English law as equivalent to "personal property," that is, property which, on the death of the owner, devolves on his executor or administrator to be distributed (unless disposed of by will) among the next of kin according to the Statutes of Distributions. Chattels are divided into _chattels real_ and _chattels personal_. Chattels real are those interests in land for which no "real action" (see ACTION) lies; estates which are less than freehold (estates for years, at will, or by sufferance) are chattels real. Chattels personal are such things as belong immediately to the person of the owner, and for which, if they are injuriously withheld from him, he has no remedy other than by a personal action. Chattels personal are divided into _choses in possession_ and _choses in action_ (see CHOSE).

A chattel mortgage, in United States law, is a transfer of personal property as security for a debt or obligation in such form that the title to the property will pass to the mortgagee upon the failure of the mortgagor to comply with the terms of the contract. At common law a chattel mortgage might be made without writing, and was valid as between the parties, and even as against third parties if accompanied by possession in the mortgagee, but in most states of the Union legislation now requires a chattel mortgage to be in writing and duly recorded in order to be valid against third parties. At common law a mortgage can be given only of chattels actually in existence and belonging to the mortgagor, though if he acquired title afterwards the mortgage would be good as between the parties, but not as against subsequent purchasers or creditors. In equity, on the other hand, a chattel mortgage, though not good as a conveyance, is valid as an executory agreement.

_Goods and chattels_ is a phrase which, in its widest signification, includes any property other than freehold. The two words, however, have come to be synonymous, and the expression, now practically confined to wills, means merely things movable in possession.

CHATTERIS, a market town in the Wisbech parliamentary division of Cambridgeshire, England, 25-1/2 m. N. by W. of Cambridge by the Great Eastern railway. Pop. of urban district (1901) 4711. It lies in the midst of the flat Fen country. The church of St Peter is principally Decorated; and there are fragments of a Benedictine convent founded in the 10th century and rebuilt after fire in the first half of the 14th. The town has breweries, and engineering and rope-making works. To the north runs the great Forty-foot Drain, also called Vermuyden's, after the Dutch engineer whose name is associated with the fen drainage works of the middle of the 17th century.

CHATTERJI, BANKIM CHANDRA [BANKIMACHANDRA CHATTARADH-YAYA] (1838-1894), Indian novelist, was born in the district of the Twenty-four Parganas in Bengal on the 27th of June 1838, and was by caste a Brahman. He was educated at the Hugli College, at the Presidency College in Calcutta, and at Calcutta University, where he was the first to take the degree of B.A. (1858). He entered the Indian civil service, and served as deputy magistrate in various districts of Bengal, his official services being recognized, on his retirement in 1891, by the title of rai bahadur and the C.I.E. He died on the 8th of April 1894.

Bankim Chandra was beyond question the greatest novelist of India during the 19th century, whether judged by the amount and quality of his writings, or by the influence which they have continued to exercise. His education had brought him into touch with the works of the great European romance writers, notably Sir Walter Scott, and he created in India a school of fiction on the European model. His first historical novel, the _Durges-Nandini_ or _Chief's Daughter_, modelled on Scott, made a great sensation in Bengal; and the _Kapala-Kundala_ and _Mrinalini_, which followed it, established his fame as a writer whose creative imagination and power of delineation had never been surpassed in India. In 1872 he brought out his first social novel, the _Biska-Brikkha_ or _Poison Tree_, which was followed by others in rapid succession. It is impossible to exaggerate the effect they produced; for over twenty years Bankim Chandra's novels were eagerly read by the educated public of Bengal, including the Hindu ladies in the zenanas; and though numerous works of fiction are now produced year by year in every province of India, his influence has increased rather than diminished. Of all his works, however, by far the most important from its astonishing political consequences was the _Ananda Math_, which was published in 1882, about the time of the agitation arising out of the Ilbert Bill. The story deals with the Sannyasi (i.e. fakir or hermit) rebellion of 1772 near Purmea, Tirhut and Dinapur, and its culminating episode is a crushing victory won by the rebels over the united British and Mussulman forces, a success which was not, however, followed up, owing to the advice of a mysterious "physician" who, speaking as a divinely-inspired prophet, advises Satyananda, the leader of "the children of the Mother," to abandon further resistance, since a temporary submission to British rule is a necessity; for Hinduism has become too speculative and unpractical, and the mission of the English in India is to teach Hindus how to reconcile theory and speculation with the facts of science. The general moral of the _Ananda Math_, then, is that British rule and British education are to be accepted as the only alternative to Mussulman oppression, a moral which Bankim Chandra developed also in his _Dharmatattwa_, an elaborate religious treatise in which he explained his views as to the changes necessary in the moral and religious condition of his fellow-countrymen before they could hope to compete on equal terms with the British and Mahommedans. But though the _Ananda Math_ is in form an apology for the loyal acceptance of British rule, it is none the less inspired by the ideal of the restoration, sooner or later, of a Hindu kingdom in India. This is especially evident in the occasional verses in the book, of which the _Bande Mataram_ is the most famous.

As to the exact significance of this poem a considerable controversy has raged. _Bande Mataram_ is the Sanskrit for "Hail to thee, Mother!" or more literally "I reverence thee, Mother!", and according to Dr G.A. Grierson (_The Times_, Sept. 12, 1906) it can have no other possible meaning than an invocation of one of the "mother" goddesses of Hinduism, in his opinion Kali "the goddess of death and destruction." Sir Henry Cotton, on the other hand (ib. Sept. 13, 1906), sees in it merely an invocation of the "mother-land" Bengal, and quotes in support of this view the free translation of the poem by the late W.H. Lee, a proof which, it may be at once said, is far from convincing. But though, as Dr Grierson points out, the idea of a "mother-land" is wholly alien to Hindu ideas, it is quite possible that Bankim Chandra may have assimilated it with his European culture, and the true explanation is probably that given by Mr J.D. Anderson in _The Times_ of September 24, 1906. He points out that in the 11th chapter of the 1st book of the _Ananda Math_ the Sannyasi rebels are represented as having erected, in addition to the image of Kali, "the Mother who Has Been," a white marble statue of "the Mother that Shall Be," which "is apparently a representation of the mother-land. The _Bande Mataram_ hymn is apparently addressed to both idols."

The poem, then, is the work of a Hindu idealist who personified Bengal under the form of a purified and spiritualized Kali. Of its thirty-six lines, partly written in Sanskrit, partly in Bengali, the greater number are harmless enough. But if the poet sings the praise of the "Mother"

"As Lachmi, bowered in the flower
That in the water grows,"

he also praises her as "Durga, bearing ten weapons," and lines 10, 11 and 12 are capable of very dangerous meanings in the mouths of unscrupulous agitators. Literally translated these run, "She has seventy millions of throats to sing her praise, twice seventy millions of hands to fight for her, how then is Bengal powerless?" As S.M. Mitra points out (_Indian Problems_, London, 1908), this language is the more significant as the _Bande Mataram_ in the novel was the hymn by singing which the Sannyasis gained strength when attacking the British forces.

During Bankim Chandra Chatterji's lifetime the _Bande Mataram_, though its dangerous tendency was recognized, was not used as a party war-cry; it was not raised, for instance, during the Ilbert Bill agitation, nor by the students who flocked round the court during the trial of Surendra Nath Banerji in 1883. It has, however, obtained an evil notoriety in the agitations that followed the partition of Bengal. That Bankim Chandra himself foresaw or desired any such use of it is impossible to believe. According to S.M. Mitra, he composed it "in a fit of patriotic excitement after a good hearty dinner, which he always enjoyed. It was set to Hindu music, known as the _Mallar-Kawali-Tal_. The extraordinarily stirring character of the air, and its ingenious assimilation of Bengali passages with Sanskrit, served to make it popular."

Circumstances have made the _Bande Mataram_ the most famous and the most widespread in its effects of Bankim Chandra's literary works. More permanent, it may be hoped, was the wholesome influence he exercised on the number of literary men he gathered round him, who have left their impress on the literature of Bengal. In his earlier years he served his apprenticeship in literature under Iswar Chandra Vidyasagar, the chief poet and satirist of Bengal during the earlier half of the 19th century. Bankim Chandra's friend and colleague, Dina Bandhu Mitra, was virtually the founder of the modern Bengali drama. Another friend of his, Hem Chandra Banerji, was a poet of recognized merit and talent. And among the younger men who venerated Bankim Chandra, and benefited by his example and advice, may be mentioned two distinguished poets, Nalein Chandra Sen and Rabindra Nath Tagore.

Of Bankim Chandra's novels some have been translated into English by H.A.D. Phillips and by Mrs M.S. Knight.

CHATTERTON, THOMAS (1752-1770), English poet, was born at Bristol on the 20th of November 1752. His pedigree has a curious significance. The office of sexton of St Mary Redcliffe, at Bristol, one of the most beautiful parish churches in England, had been transmitted for nearly two centuries in the Chatterton family; and throughout the brief life of the poet it was held by his uncle, Richard Phillips. The poet's father, Thomas Chatterton, was a musical genius, somewhat of a poet, a numismatist, and a dabbler in occult arts. He was one of the sub-chanters of Bristol cathedral, and master of the Pyle Street free school, near Redcliffe church. But whatever hereditary tendencies may have been transmitted from the father, the sole training of the boy necessarily devolved on his mother, who was in the fourth month of her widowhood at the time of his birth. She established a girls' school, took in sewing and ornamental needlework, and so brought up her two children, a girl and a boy, till the latter attained his eighth year, when he was admitted to Colston's Charity. But the Bristol blue-coat school, in which the curriculum was limited to reading, writing, arithmetic and the Church Catechism, had little share in the education of its marvellous pupil. The hereditary race of sextons had come to regard the church of St Mary Redcliffe as their own peculiar domain; and, under the guidance of his uncle, the child found there his favourite haunt. The knights, ecclesiastics and civic dignitaries, recumbent on its altar tombs, became his familiar associates; and by and by, when he was able to spell his way through the inscriptions graven on their monuments, he found a fresh interest in certain quaint oaken chests in the muniment room over the porch on the north side of the nave, where parchment deeds, old as the Wars of the Roses, long lay unheeded and forgotten. They formed the child's playthings almost from his cradle. He learned his first letters from the illuminated capitals of an old musical folio, and learned to read out of a black-letter Bible. He did not like, his sister said, reading out of small books. Wayward, as it seems, almost from his earliest years, and manifesting no sympathy with the ordinary pastimes of children, he was regarded for a time as deficient in intellect. But he was even then ambitious of distinction. His sister relates that on being asked what device he would like painted on a bowl that was to be his, he replied, "Paint me an angel, with wings, and a trumpet, to trumpet my name over the world."

From his earliest years he was liable to fits of abstraction, sitting for hours in seeming stupor, or yielding after a time to tears, for which he would assign no reason. He had no one near him to sympathize in the strange world of fancy which his imagination had already called into being; and circumstances helped to foster his natural reserve, and to beget that love of mystery which exercised so great an influence on the development of his genius. When the strange child had attained his sixth year his mother began to recognize his capacity; at eight he was so eager for books that he would read and write all day long if undisturbed; and in his eleventh year he had become a contributor to _Felix Farley's Bristol Journal_. The occasion of his confirmation inspired some religious poems published in this paper. In 1763 a beautiful cross of curious workmanship, which had adorned the churchyard of St Mary Redcliffe for upwards of three centuries, was destroyed by a churchwarden. The spirit of veneration was strong in the boy, and he sent to the local journal on the 7th of January 1764 a clever satire on the parish Vandal. But his delight was to lock himself in a little attic which he had appropriated as his study; and there, with books, cherished parchments, saved from the loot of the muniment room of St Mary Redcliffe, and drawing materials, the child lived in thought with his 15th-century heroes and heroines. The first of his literary mystifications, the duologue of "Elinoure and Juga," was written before he was twelve years old, and he showed his poem to the usher at Colston's hospital, Thomas Phillips, as the work of a 15th-century poet.

Chatterton remained an inmate of Colston's hospital for upwards of six years, and the slight advantages gained from this scanty education are traceable to the friendly sympathy of Phillips, himself a writer of verse, who encouraged his pupils to write. Three of Chatterton's companions are named as youths whom Phillips's taste for poetry stimulated to rivalry; but Chatterton held aloof from these contests, and made at that time no confidant of his own more daring literary adventures. His little pocket-money was spent in borrowing books from a circulating library; and he early ingratiated himself with book collectors, by whose aid he found access to Weever, Dugdale and Collins, as well as to Speght's edition of Chaucer, Spenser and other books.

His "Rowleian" jargon appears to have been chiefly the result of the study of John Kersey's _Dictionarium Anglo-Britannicum_, and Prof. W. W. Skeat seems to think his knowledge of even Chaucer was very slight. His holidays were mostly spent at his mother's house; and much of them in the favourite retreat of his attic study there. He had already conceived the romance of Thomas Rowley, an imaginary monk of the 15th century, and lived for the most part in an ideal world of his own, in that elder time when Edward IV. was England's king, and Master William Canynge--familiar to him among the recumbent effigies in Redcliffe church--still ruled in Bristol's civic chair. Canynge is represented as an enlightened patron of literature, and Rowley's dramatic interludes were written for performance at his house. In order to escape a marriage urged by the king, Canynge retired to the college of Westbury in Gloucestershire, where he enjoyed the society of Rowley, and eventually became dean of the institution. In "The Storie of William Canynge," one of the shorter pieces of his ingenious romance, his early history is recorded.

"Straight was I carried back to times of yore,
Whilst Canynge swathed yet in fleshly bed,
And saw all actions which had been before,
And all the scroll of Fate unravelled;
And when the fate-marked babe acome to sight,
I saw him eager gasping after light.
In all his sheepen gambols and child's play,
In every merrymaking, fair, or wake,
I kenn'd a perpled light of wisdom's ray;
He ate down learning with the wastel-cake;
As wise as any of the aldermen,
He'd wit enow to make a mayor at ten."

This beautiful picture of the childhood of the ideal patron of Rowley is in reality that of the poet himself--"the fate-marked babe," with his wondrous child-genius, and all his romantic dreams realized. The literary masquerade which thus constituted the life-dream of the boy was wrought out by him in fragments of prose and verse into a coherent romance, until the credulous scholars and antiquaries of his day were persuaded into the belief that there had lain in the parish chest of Redcliffe church for upwards of three centuries, a collection of MSS. of rare merit, the work of Thomas Rowley, an unknown priest of Bristol in the days of Henry VI. and his poet laureate, John Lydgate.

Among the Bristol patrons of Chatterton were two pewterers, George Catcott and his partner Henry Burgum. Catcott was one of the most zealous believers in Rowley, and continued to collect his reputed writings long after the death of their real author. On Burgum, who had risen in life by his own exertions, the blue-coat boy palmed off the de Bergham pedigree, and other equally apocryphal evidences of the pewterer's descent from an ancestry old as the Norman Conquest. The de Bergham quartering, blazoned on a piece of parchment doubtless recovered from the Redcliffe muniment chest, was itself supposed to have lain for centuries in that ancient depository. The pedigree was professedly collected by Chatterton from original records, including "The Rowley MSS." The pedigree still exists in Chatterton's own handwriting, copied into a book in which he had previously transcribed portions of antique verse, under the title of "Poems by Thomas Rowley, priest of St. John's, in the city of Bristol"; and in one of these, "The Tournament," Syrr Johan de Berghamme plays a conspicuous part. The ennobled pewterer rewarded Chatterton with five shillings, and was satirized for this valuation of a noble pedigree in some of Chatterton's latest verse.

On the 1st of July 1767, Chatterton was transferred to the office of John Lambert, attorney, to whom he was bound apprentice as a clerk. There he was left much alone; and after fulfilling the routine duties devolving on him, he found leisure for his own favourite pursuits. An ancient stone bridge on the Avon, built in the reign of Henry II., and altered by many later additions into a singularly picturesque but inconvenient thoroughfare, had been displaced by a structure better adapted to modern requirements. In September 1768, when Chatterton was in the second year of his apprenticeship, the new bridge was partially opened for traffic. Shortly afterwards the editor of _Felix Farley's Journal_ received from a correspondent, signing himself _Dunelmus Bristoliensis_, a "description of the mayor's first passing over the old bridge," professedly derived from an ancient MS. William Barrett, F.S.A., surgeon and antiquary, who was then accumulating materials for a history of Bristol, secured the original manuscript, which is now preserved in the British Museum, along with other Chatterton MSS., most of which were ultimately incorporated by the credulous antiquary into a learned quarto volume, entitled the _History and Antiquities of the City of Bristol_, published nearly twenty years after the poet's death. It was at this time that the definite story made its appearance--over which critics and antiquaries wrangled for nearly a century--of numerous ancient poems and other MSS. taken by the elder Chatterton from a coffer in the muniment room of Redcliffe church, and transcribed, and so rescued from oblivion, by his son. The pieces include the "Bristowe Tragedie, or the Dethe of Syr Charles Bawdin," a ballad celebrating the death of the Lancastrian knight, Charles Baldwin; "Aella," a "Tragycal Enterlude," as Chatterton styles it, but in reality a dramatic poem of sustained power and curious originality of structure; "Goddwyn," a dramatic fragment; "Tournament," "Battle of Hastings," "The Parliament of Sprites," "Balade of Charitie," with numerous shorter pieces, forming altogether a volume of poetry, the rare merit of which is indisputable, wholly apart from the fact that it was the production of a mere boy. Unfortunately for him, his ingenious romance had either to be acknowledged as his own creation, and so in all probability be treated with contempt, or it had to be sustained by the manufacture of spurious antiques. To this accordingly Chatterton resorted, and found no difficulty in gulling the most learned of his credulous dupes with his parchments.

The literary labours of the boy, though diligently pursued at his desk, were not allowed to interfere with the duties of Mr Lambert's office. Nevertheless the Bristol attorney used to search his apprentice's drawer, and tear up any poems or other manuscripts that he could lay his hands upon; so that it was only during the absences of Mr Lambert from Bristol that he was able to expend his unemployed time in his favourite pursuits. But repeated allusions, both by Chatterton and others, seem to indicate that such intervals of freedom were of frequent occurrence. Some of his modern poems, such as the piece entitled "Resignation," are of great beauty; and these, with the satires, in which he took his revenge on all the local celebrities whose vanity or meanness had excited his ire, are alone sufficient to fill a volume. The Catcotts, Burgum, Barrett and others of his patrons, figure in these satires, in imprudent yet discriminating caricature, along with mayor, aldermen, bishop, dean and other notabilities of Bristol. Towards Lambert his feelings were of too keen a nature to find relief in such sarcasm.

In December 1768, in his seventeenth year, he wrote to Dodsley, the London publisher, offering to procure for him "copies of several ancient poems, and an interlude, perhaps the oldest dramatic piece extant, wrote by one Rowley, a priest in Bristol, who lived in the reigns of Henry VI. and Edward IV." To this letter he appended the initials of his favourite pseudonym, _Dunelmus Bristoliensis_, but directed the answer to be sent to the care of Thomas Chatterton, Redcliffe Hill, Bristol. To this, as well as to another letter enclosing an extract from the tragedy of "Aella," no answer appears to have been returned. Chatterton, conceiving the idea of finding sympathy and aid at the hand of some modern Canynge, bethought him of Horace Walpole, who not only indulged in a medieval renaissance of his own, but was the reputed author of a spurious antique in the _Castle of Otranto_. He wrote to him offering him a document entitled "The Ryse of Peyncteyne yn Englande, wroten by T. Rowleie, 1469, for Mastre Canynge," accompanied by notes which included specimens of Rowley's poetry. To this Walpole replied with courteous acknowledgments. He characterized the verses as "wonderful for their harmony and spirit," and added, "Give me leave to ask you where Rowley's poems are to be had? I should not be sorry to print them; or at least a specimen of them, if they have never been printed." Chatterton replied, enclosing additional specimens of antique verse, and telling Walpole that he was the son of a poor widow, and clerk to an attorney, but had a taste for more refined studies; and he hinted a wish that he might help him to some more congenial occupation. Walpole's manner underwent an abrupt change. The specimens of verse had been submitted to his friends Gray and Mason, the poets, and pronounced modern. They did not thereby forfeit the wonderful harmony and spirit which Walpole had already professed to recognize in them. But he now coldly advised the boy to stick to the attorney's office; and "when he should have made a fortune," he might betake himself to more favourite studies, Chatterton had to write three times before he recovered his MSS. Walpole has been loaded with more than his just share of responsibility for the fate of the unhappy poet, of whom he admitted when too late, "I do not believe there ever existed so masterly a genius."

Chatterton now turned his attention to periodical literature and politics, and exchanged _Felix Farley's Bristol Journal_ for the _Town and County Magazine_ and other London periodicals. Assuming the vein of Junius--then in the full blaze of his triumph--he turned his pen against the duke of Grafton, the earl of Bute, and the princess of Wales. He had just despatched one of his political diatribes to the _Middlesex Journal_, when he sat down on Easter Eve, I7th April 1770, and penned his "Last Will and Testament," a strange satirical compound of jest and earnest, in which he intimated his intention of putting an end to his life the following evening. Among his satirical bequests, such as his "humility" to the Rev. Mr Camplin, his "religion" to Dean Barton, and his "modesty" along with his "prosody and grammar" to Mr Burgum, he leaves "to Bristol all his spirit and disinterestedness, parcels of goods unknown on its quay since the days of Canynge and Rowley." In more genuine earnestness he recalls the name of Michael Clayfield, a friend to whom he owed intelligent sympathy. The will was probably purposely prepared in order to frighten his master into letting him go. If so, it had the desired effect. Lambert cancelled his indentures; his friends and acquaintance made him up a purse; and on the 25th or 26th of the month he arrived in London.

Chatterton was already known to the readers of the _Middlesex Journal_ as a rival of Junius, under the _nom de plume_ of Decimus. He had also been a contributor to Hamilton's _Town and County Magazine_, and speedily found access to the _Freeholder's Magazine_, another political miscellany strong for Wilkes and liberty. His contributions were freely accepted; but the editors paid little or nothing for them. He wrote in the most hopeful terms to his mother and sister, and spent his first earnings in buying gifts for them. His pride and ambition were amply gratified by the promises and interested flattery of editors and political adventurers; Wilkes himself had noted his trenchant style, "and expressed a desire to know the author"; and Lord Mayor Beckford graciously acknowledged a political address of his, and greeted him "as politely as a citizen could." But of actual money he received but little. He was extremely abstemious, his diligence was great, and his versatility wonderful. He could assume the style of Junius or Smollett, reproduce the satiric bitterness of Churchill, parody Macpherson's Ossian, or write in the manner of Pope, or with the polished grace of Gray and Collins. He wrote political letters, eclogues, lyrics, operas and satires, both in prose and verse. In June 1770--after Chatterton had been some nine weeks in London--he removed from Shoreditch, where he had hitherto lodged with a relative, to an attic in Brook Street, Holborn. But for most of his productions the payment was delayed; and now state prosecutions of the press rendered letters in the Junius vein no longer admissible, and threw him back on the lighter resources of his pen. In Shoreditch, as in his lodging at the Bristol attorney's, he had only shared a room; but now, for the first time, he enjoyed uninterrupted solitude. His bed-fellow at Mr Walmsley's, Shoreditch, noted that much of the night was spent by him in writing; and now he could write all night. The romance of his earlier years revived, and he transcribed from an imaginary parchment of the old priest Rowley his "Excelente Balade of Charitie." This fine poem, perversely disguised in archaic language, he sent to the editor of the _Town and County Magazine_, and had it rejected.

The high hopes of the sanguine boy had begun to fade. He had not yet completed his second month in London, and already failure and starvation stared him in the face. Mr Cross, a neighbouring apothecary, repeatedly invited him to join him at dinner or supper; but he refused. His landlady also, suspecting his necessity, pressed him to share her dinner, but in vain. "She knew," as she afterwards said, "that he had not eaten anything for two or three days." But he was offended at her urgency, and assured her that he was not hungry. The note of his actual receipts, found in his pocket-book after his death, shows that Hamilton, Fell and other editors who had been so liberal in flattery, had paid him at the rate of a shilling for an article, and somewhat less than eightpence each for his songs; while much which had been accepted was held in reserve, and still unpaid for. The beginning of a new month revealed to him the indefinite postponement of the publication and payment of his work. He had wished, according to his foster-mother, to study medicine with Barrett; in his desperation he now reverted to this, and wrote to Barrett for a letter to help him to an opening as a surgeon's assistant on board an African trader. He appealed also to Mr Catcott to forward his plan, but in vain. On the 24th of August 1770, he retired for the last time to his attic in Brook Street, carrying with him the arsenic which he there drank, after tearing into fragments whatever literary remains were at hand.

He was only seventeen years and nine months old; but the best of his numerous productions, both in prose and verse, require no allowance to be made for the immature years of their author, when comparing him with the ablest of his contemporaries. He pictures Lydgate, the monk of Bury St Edmunds, challenging Rowley to a trial at versemaking, and under cover of this fiction, produces his "Songe of Aella," a piece of rare lyrical beauty, worthy of comparison with any antique or modern production of its class. Again, in his "Tragedy of Goddwyn," of which only a fragment has been preserved, the "Ode to Liberty," with which it abruptly closes, may claim a place among the finest martial lyrics in the language. The collection of poems in which such specimens occur furnishes by far the most remarkable example of intellectual precocity in the whole history of letters. Collins, Burns, Keats, Shelley and Byron all awaken sorrow over the premature arrestment of their genius; but the youngest of them survived to his twenty-fifth year, while Chatterton was not eighteen when he perished in his miserable garret. The death of Chatterton attracted little notice at the time; for the few who then entertained any appreciative estimate of the Rowley poems regarded him as their mere transcriber. He was interred in a burying-ground attached to Shoe Lane Workhouse, in the parish of St Andrew's, Holborn, which has since been converted into a site for Farringdon Market. There is a discredited story that the body of the poet was recovered, and secretly buried by his uncle, Richard Phillips, in Redcliffe Churchyard. There a monument has since been erected to his memory, with the appropriate inscription, borrowed from his "Will," and so supplied by the poet's own pen--"To the memory of Thomas Chatterton. Reader! judge not. If thou art a Christian, believe that he shall be judged by a Superior Power. To that Power only is he now answerable."

BIBLIOGRAPHY.--_Poems supposed to have been written at Bristol by
Thomas Rowley and others, in the Fifteenth Century_ (1777) was edited
by Thomas Tyrwhitt; Thomas Warton, in his _History of English Poetry_
(1778), vol. ii. section viii., gives Rowley a place among the 15th
century poets; but neither of these critics believed in the antiquity
of the poems. In 1782 a new edition of Rowley's poems appeared, with a
"Commentary, in which the antiquity of them is considered and
defended," by Jeremiah Milles, dean of Exeter. The controversy which
raged round the Rowley poems is discussed in A. Kippis, _Biographia
Britannica_ (vol. iv., 1789), where there is a detailed account by G.
Gregory of Chatterton's life (pp. 573-619). This was reprinted in the
edition (1803) of Chatterton's _Works_ by R. Southey and J. Cottle,
published for the benefit of the poet's sister. The neglected
condition of the study of earlier English in the 18th century alone
accounts for the temporary success of Chatterton's mystification. It
has long been agreed that Chatterton was solely responsible for the
Rowley Poems, but the language and style are analysed in confirmation
of this view by Prof. W.W. Skeat in an introductory essay prefaced to
vol. ii. of _The Poetical Works of Thomas Chatterton_ (1871) in the
"Aldine Edition of the British Poets." This, which is the most
convenient edition, also contains a memoir of the poet by Edward Bell.
The spelling of the Rowley poems is there modernized, and many of the
archaic words are replaced by modern equivalents provided in many
cases from Chatterton's own notes, the theory being that Chatterton
usually composed in modern English, and inserted his peculiar words
and his complicated orthography afterwards. For some criticism of
Prof. Skeat's success in the very difficult task of reconstituting the
text, see H.B. Forman, _Thomas Chatterton and his latest Editor_
(1874). The Chatterton MSS., originally in the possession of William
Barrett of Bristol, were left by his heir to the British Museum in
1800. Others are preserved in the Bristol library.

Chatterton's genius and his tragic death are commemorated by Shelley
in _Adonais_, by Wordsworth in "Resolution and Independence," by
Coleridge in "A Monody on the Death of Chatterton," by D.G. Rossetti
in "Five English Poets," and John Keats inscribed _Endymion_ "to the
memory of Thomas Chatterton." Alfred de Vigny's drama of _Chatterton_
gives an altogether fictitious account of the poet. Herbert Croft
(q.v.), in his _Love and Madness_, interpolated a long and valuable
account of Chatterton, giving many of the poet's letters, and much
information obtained from his family and friends (pp. 125-244, letter
li.). There is a valuable collection of "Chattertoniana" in the
British Museum, consisting of separate works by Chatterton, newspaper
cuttings, articles, dealing with the Rowley controversy and other
subjects, with MS. notes by Joseph Haslewood, and several autograph
letters.

Among biographies of Chatterton may be mentioned _Chatterton: A
Biographical Study_ (1869), by Daniel Wilson; _Chatterton: A
Biography_ (1899; first printed 1856 in a volume of essays), by D.
Masson; "Thomas Chatterton" (1900), by Helene Richter, in _Wiener
Beitrage zur engl. Philologie; Chatterton_, by C.E. Russell (1909).

CHATTI, an ancient German tribe inhabiting the upper reaches of the rivers Weser, Eder, Fulda and Werra, a district approximately corresponding to Hesse-Cassel, though probably somewhat more extensive. They frequently came into conflict with the Romans during the early years of the 1st century. Eventually they formed a portion of the Franks and were incorporated in the kingdom of Clovis probably with the Ripuarii, at the beginning of the 6th century.

Tacitus, _Annals_, i. 2, II, 12, 13; _Germania_, 30-31; Strabo p. 291 f.

CHAUCER, GEOFFREY

Life