Chapter XII: Part 12

CORREGGIO, or COREGGIO, the name ordinarily given to Antonio Allegri (1494-1534), the celebrated Italian painter, one of the most vivid and impulsive inventors in expression and pose and the most consummate executants. The external circumstances of his life have been very diversely stated by different writers, and the whole of what has been narrated regarding him, even waiving the question of its authenticity, is but meagre.

The first controversy is as to his origin. Some say that he was born of poor and lowly parents; others, that his family was noble and rich. Neither account is accurate. His father was Pellegrino Allegri, a tradesman in comfortable circumstances, living at Correggio, a small city in the territory of Modena; his mother Bernardina Piazzoli degli Aromani, also of a creditable family of moderate means. Antonio was born at Correggio, and was carefully educated. He was not (as has been often alleged) strictly self-taught in his art--a supposition which the internal evidence of his pictures must of itself refute. They show a knowledge of optics, perspective, architecture, sculpture and anatomy. The last-named science he studied under Dr Giovanni Battista Lombardi, whom he is believed to have represented in the portrait currently named "II Medico del Correggio" (Correggio's physician). It is concluded that he learned the first elements of design from his uncle, Lorenzo Allegri, a painter of moderate ability at Correggio, and from Antonio Bartolotti, named Tognino, and that he afterwards went to the school of Francesco Ferrari Bianchi (named Frare), and perhaps to that of the successors of Andrea Mantegna in Mantua. He is said to have learned modelling along with the celebrated Begarelli at Parma; and it has even been suggested that, in the "Pieta" executed by Begarelli for the church of Santa Margherita, the three finest figures are the work of Correggio, but, as the group appears to have been completed three years after the painter's death, there is very little plausibility in this story. Another statement connecting Begarelli with Correggio is probably true, namely, that the sculptor executed models in relief for the figures which the painter had to design on the cupolas of the churches in Parma. This was necessarily an expensive item, and it has been cited as showing that Correggio must have been at least tolerably well off,--an inference further supported by the fact that he used the most precious and costly colours, and generally painted on fine canvases or sometimes on sheets of copper.

The few certain early works of Correggio show a rapid progression towards the attainment of his own original style. Though he never achieved any large measure of reputation during his brief lifetime, and was perhaps totally unknown beyond his own district of country, he found a sufficiency of employers, and this from a very youthful age. One of his early pictures, painted in 1514 when he was nineteen or twenty years old, is a large altar-piece commissioned for the Franciscan convent at Carpi, representing the Virgin enthroned, with Saints; it indicates a predilection for the style of Leonardo da Vinci, and has certainly even greater freedom than similarly early works of Raphael. This picture is now in the Dresden gallery. Another painting of Correggio's youth is the "Arrest of Christ." A third is an Ancona (or triple altar-piece--the "Repose in Egypt, with Sts Bartholomew and John") in the church of the Conventuali at Correggio, showing the transition from the painter's first to his second style. Between 1514 and 1520 Correggio worked much, both in oil and in fresco, for churches and convents. In 1521 he began his famous fresco of the "Ascension of Christ," on the cupola of the Benedictine church of San Giovanni in Parma; here the Redeemer is surrounded by the twelve apostles and the four doctors of the church, supported by a host of wingless cherub boys amid the clouds. This he finished in 1524, and soon afterwards undertook his still vaster work on another cupola, that of the cathedral of the same city, presenting the "Assumption of the Virgin," amid an unnumbered host of saints and angels rapt in celestial joy. It occupied him up to 1530. The astounding boldness of scheme in these works, especially as regards their incessant and audacious foreshortenings--the whole mass of figures being portrayed as in the clouds, and as seen from below--becomes all the more startling when we recall to mind the three facts--that Correggio had apparently never seen any of the masterpieces of Raphael or his other great predecessors and contemporaries, in Rome, Florence, or other chief centres of art; that he was the first artist who ever undertook the painting of a large cupola; and that he not only went at once to the extreme of what can be adventured in foreshortening, but even forestalled in this attempt the mightiest geniuses of an elder generation--the "Last Judgment" of Michelangelo, for instance, not having been begun earlier than 1533 (although the ceiling of the Sixtine chapel, in which foreshortening plays a comparatively small part, dates from 1508 to 1512). The cupola of the cathedral has neither skylight nor windows, but only light reflected from below; the frescoes, some portions of which were ultimately supplied by Giorgio Gandini, are now dusky with the smoke of tapers, and parts of them, in the cathedral and in the church of St John, have during many past years been peeling off. The violent foreshortenings were not, in the painter's own time, the object of unmixed admiration; some satirist termed the groups a "guazzetto di rane," or "hash of frogs." This was not exactly the opinion of Titian, who is reported to have said, on seeing the pictures, and finding them lightly esteemed by local dignitaries, "Reverse the cupola, and fill it with gold, and even that will not be its money's worth." Annibale Caracci and the Eclectics generally evinced their zealous admiration quite as ardently. Parma is the only city which contains frescoes by Correggio. For the paintings of the cupola of San Giovanni he received the moderate sum of 472 sequins; for those of the cathedral, much less proportionately, 350. On these amounts he had to subsist, himself and his family, and to provide the colours, for about ten years, having little time for further work meanwhile. Parma was in an exceedingly unsettled and turbulent condition during some of the years covered by Correggio's labours there, veering between the governmental ascendancy of the French and of the Pope, with wars and rumours of wars, alarms, tumults and pestilence.

Other leading works by Correggio are the following:--The frescoes in the Camera di San Paolo (the abbess's saloon) in the monastery of S. Lodovico at Parma, painted towards 1519 in fresco,--"Diana returning from the Chase," with auxiliary groups of lovely and vivacious boys of more than life size, in sixteen oval compartments. In the National Gallery, London, the "Ecce Homo," painted probably towards 1520 (authenticity not unquestioned); and "Cupid, Mercury and Venus," the latter more especially a fine example. The oil-painting of the Nativity named "Night" ("La Notte"), for which 40 ducats and 208 livres of old Reggio coin were paid, the nocturnal scene partially lit up by the splendour proceeding from the divine Infant. This work was undertaken at Reggio in 1522 for Alberto Pratoneris, and is now in the Dresden gallery. The oil-painting of St Jerome, termed also "Day" ("Il Giorno"), as contrasting with the above-named "Night." Jerome is here with the Madonna and Child, the Magdalene, and two Angels, of whom one points out to the Infant a passage in the book held by the Saint. This was painted for Briseida Bergonzi from 1527 onwards, and was remunerated by 400 gold imperials, some cartloads of faggots and measures of wheat, and a fat pig. It is now in the gallery at Parma. The "Magdalene lying at the entrance of her Cavern": this small picture (only 18 in. wide) was bought by Augustus III. of Saxony for 6000 louis d'or, and is in Dresden. In the same gallery, the two works designated "St George" (painted towards 1532) and "St Sebastian." In the Parma gallery, the Madonna named "della Scala," a fresco which was originally in a recess of the Porta Romana, Parma; also the Madonna "della Scodella" (of the bowl, which is held by the Virgin--the subject being the Repose in Egypt): it was executed for the church of San Sepolcro. Both these works date towards 1526. In the church of the Annunciation, "Parma," a fresco of the Annunciation, now all but perished. Five celebrated pictures painted or begun in 1532,--"Venus," "Leda," "Danae," "Vice," and "Virtue": the "Leda," with figures of charming girls bathing, is now in the Berlin gallery, and is a singularly delightful specimen of the master. In Vienna, "Jupiter and Io." In the Louvre, "Jupiter and Antiope," and the "Mystic Marriage of St Catharine." In the Naples Museum, the "Madonna Reposing," commonly named "La Zingarella," or the "Madonna del Coniglio" (Gipsy-girl, or Madonna of the Rabbit). On some of his pictures Correggio signed "Lieto," as a synonym of "Allegri." About forty works can be confidently assigned to him, apart from a multitude of others probably or manifestly spurious.

The famous story that this great but isolated artist was once, after long expectancy, gratified by seeing a picture of Raphael's, and closed an intense scrutiny of it by exclaiming "Anch' io son pittore" (I too am a painter), cannot be traced to any certain source. It has nevertheless a great internal air of probability; and the most enthusiastic devotee of the Umbrian will admit that in technical _bravura_, in enterprizing, gifted, and consummated execution, not Raphael himself could have assumed to lord it over Correggio.

In 1520 Correggio married Girolama Merlino, a young lady of Mantua, who brought him a good dowry. She was but sixteen years of age, very lovely, and is said by tradition to have been the model of his Zingarella. They lived in great harmony together, and had a family of four children. She died in 1529. Correggio himself expired at his native place on the 5th of March 1534. His illness was a short one, and has by some authors been termed pleurisy. Others, following Vasari, allege that it was brought on by his having had to carry home a sum of money, 50 scudi, which had been paid to him for one of his pictures, and paid in copper coin to humiliate and annoy him; he carried the money himself, to save expense, from Parma to Correggio on a hot day, and his fatigue and exhaustion led to the mortal illness. In this curious tale there is no symptom of authenticity, unless its very singularity, and the unlikelihood of its being invented without any foundation at all, may be allowed to count for something. He is said to have died with Christian piety; and his eulogists (speaking apparently from intuition rather than record) affirm that he was a good citizen, an affectionate son and father, fond and observant of children, a sincere and obliging friend, pacific, beneficent, grateful, unassuming, without meanness, free from envy and tolerant of criticism. He was buried with some pomp in the Arrivabene chapel, in the cloister of the Franciscan church at Correggio.

Regarding the art of Correggio from an intellectual or emotional point of view, his supreme gift may be defined as suavity,--a vivid, spontaneous, lambent play of the affections, a heartfelt inner grace which fashions the forms and features, and beams like soft and glancing sunshine in the expressions. We see lovely or lovable souls clothed in bodies or corresponding loveliness, which are not only physically charming, but are so informed with the spirit within as to become one with that in movement and gesture. In these qualities of graceful naturalness, not heightened into the sacred or severe, and of joyous animation, in momentary smiles and casual living turns of head or limb, Correggio undoubtedly carried the art some steps beyond anything it had previously attained, and he remains to this day the unsurpassed or unequalled model of pre-eminence. From a technical point of view, his supreme gift--even exceeding his prodigious faculty in foreshortening and the like--is chiaroscuro, the power of modifying every tone, from bright light to depth of darkness, with the sweetest and most subtle gradations, all being combined into harmonious unity. In this again he far distanced all predecessors, and defied subsequent competition. His colour also is luminous and precious, perfectly understood and blended; it does not rival the superb richness or deep intense glow of the Venetians, but on its own showing is a perfect achievement, in exact keeping with his powers in chiaroscuro and in vital expression. When we come, however, to estimate painters according to their dramatic faculty, their power of telling a story or impressing a majestic truth, their range and strength of mind, we find the merits of Correggio very feeble in comparison with those of the highest masters, and even of many who without, being altogether great have excelled in these particular qualities. Correggio never _means_ much, and often, in subjects where fulness of significance is demanded, he means provokingly little. He expressed his own miraculous facility by saying that he always had his thoughts at the end of his pencil; in truth, they were often thoughts rather of the pencil and its controlling hand than of the teeming brain. He has the faults of his excellences--sweetness lapsing into mawkishness and affectation, empty in elevated themes and lasciviously voluptuous in those of a sensuous type, rapid and forceful action lapsing into posturing and self-display, fineness and sinuosity of contour lapsing into exaggeration and mannerism, daring design lapsing into incorrectness. No great master is more dangerous than Correggio to his enthusiasts; round him the misdeeds of conventionalists and the follies of connoisseurs cluster with peculiar virulence, and almost tend to blind to his real and astonishing excellences those practitioners or lovers of painting who, while they can acknowledge the value of _technique_, are still more devoted to greatness of soul, and grave or elevated invention, as expressed in the form of art.

Correggio was the head of the school of painting of Parma, which forms one main division of the Lombardic school. He had more imitators than pupils. Of the latter one can name with certainty only his son Pomponio, who was born in 1521 and died at an advanced age; Francesco Capelli; Giovanni Giarola; Antonio Bernieri (who, being also a native of the town of Correggio, has sometimes been confounded with Allegri); and Bernardo Gatti, who ranks as the best of all. The Parmigiani (Mazzuoli) were his most highly distinguished imitators.

A large number of books have been written concerning Correggio. The
principal modern authority is Conrado Ricci, _Life and Times of
Correggio_ (1896); see also Pungileoni, _Memorie storiche di Antonio
Allegri_ (1817); Julius Meyer, _Antonio Allegri_ (1870, English
translation, 1876); H. Thode, _Correggio_ (1898); Bigi, _Vita ed
opere_ (1881); Colnaghi, _Correggio Frescoes at Parma_ (1845); Fagan,
_Works of Correggio_ (1873); and T. Sturge Moore, _Correggio_ (1906)
(a work which includes some adverse criticism on the views of Bernhard
Berenson, in his _Study of Italian Art_, 1901, and elsewhere).
(W. M. R.)

CORRENTI, CESARE (1815-1888), Italian revolutionist and politician, was born on the 3rd of January 1815, at Milan, of a poor but noble family. While employed in the public debt administration, he flooded Lombardy with revolutionary pamphlets designed to excite hatred against the Austrians, and in 1848 proposed the general abstention of the Milanese from smoking, which gave rise to the insurrection known as the Five Days. During the revolt he was one of the leading spirits of the operations of the insurgents. Until the reoccupation of Milan by the Austrians he was secretary-general of the provisional government, but afterwards he fled to Piedmont, whence he again distributed his revolutionary pamphlets throughout Lombardy, earning a precarious livelihood by journalism. Elected deputy in 1849, he worked strenuously for the national cause, supporting Cavour in his Crimean policy, although he belonged to the Left. After the annexation of Lombardy he was made commissioner for the liquidation of the Lombardo-Venetian debt, in 1860 was appointed councillor of state, and received various other public positions, especially in connexion with the railway and financial administration. He veered round to the Right, and in 1867 and again in 1869 he held the portfolio of education; he played an important part in the events consequent upon the occupation of Rome, and helped to draft the Law of Guarantees. As minister of education he suppressed the theological faculties in the Italian universities, but eventually resigned office and allied himself with the Left again on account of conservative opposition to his reforms. His defection from the Right ultimately assured the advent of the Left to power in 1876; and while declining office, he remained chief adviser of Agostino Depretis until the latter's death. On several occasions--notably in connexion with the redemption of the Italian railways, and with the Paris exhibition of 1878--he acted as representative of the government. In 1877 he was given the lucrative appointment of secretary of the order of Saints Maurice and Lazarus by Depretis, and in 1886 was created senator. He died at Rome on the 4th of October 1888. He left a considerable body of writings on a variety of subjects, none of which is of exceptional merit.

See E. Massarani, _Cesare Correnti nella vita e nelle opere_ (1890);
and L. Carpi, _Il Risorgimento italiano_, vol. iv. (Milan, 1888).
(L. V.*)

CORRESPONDENCE (from med. scholastic Lat. _correspondentia_, _correspondere_, compounded of Lat. _cum_, with, and _respondere_, to answer; cf. Fr. _correspondence_), strictly a mutual agreement or fitness of parts or character, that which fits or answers to a requirement in another, or more generally a similarity or parallelism. In the 17th and 18th centuries the word was frequently applied to relations and communications between states. It is now, outside special applications, chiefly applied to the interchange of communications by letter, or to the letters themselves, between private individuals, states, business houses, or from individuals to the press. The "doctrine of correspondence or correspondences," one of the leading tenets of Swedenborgianism, is that every natural object corresponds to and typifies some spiritual principle or truth, this being the only key to the true interpretation of Scripture. In mathematics, the term "correspondence" implies the existence of some relation between the members of two groups of objects. If each object of one group corresponds to one and only one object of the second, and vice versa, then a one-to-one correspondence exists between the groups. If each object of the first group corresponds to [beta] objects of the second group, and each object of the second group corresponds to a objects of the first group, then an [alpha] to [beta] correspondence exists between the two groups. For examples of the application of this notion see CURVE.

CORREZE, a department of south-central France, formed from the southern portion of the old province of Limousin, bounded N. by the departments of Haute-Vienne and Creuse, E, by Puy-de-Dome, S.E. by Cantal, S. by Lot, and W. by Dordogne. Area, 2273 sq. m. Pop. (1906) 317,430. Correze is situated on the western fringe of the central plateau of France. It forms a hilly tableland elevated in the east and north, and intersected by numerous fertile river valleys, trending for the most part to the south and south-west. The highest points, many of which exceed 3000 ft., are found in the north, where the Plateau de Millevaches separates the basins of the Loire and the Garonne. Except for a small district in the extreme north, which is watered by the Vienne, Correze belongs to the basin of the Garonne. The Dordogne waters its south-eastern region. The Correze, from which the department takes its name, and the Vezere, of which the Correze is the chief tributary, rise in the Plateau de Millevaches, flow south-west, and unite to the west of Brive. The climate of Correze is, in general, cold, damp and variable, except in the south-west, where it is mild and agreeable. The majority of the inhabitants live by agriculture. About one-third of the department is arable land, most of which is found in the south-west. Rye, buckwheat and wheat (in the order named) are the most abundant cereals. Hemp, flax and tobacco are also grown. The more elevated regions of the north and east are given over to pasture, sheep being specially numerous on the Plateau de Millevaches. Pigs and goats are reared to a considerable extent; and poultry-farming and cheese-making are much practised. The vineyards of the neighbourhood of Brive produce wine of medium quality. Chestnuts, largely used as an article of food, walnuts and cider-apples are the chief fruits. Coal in small quantities, slate, building-stone and other stone are the mineral products, and clay, used in potteries and tile-works, is also worked. The most important industrial establishment is the government manufactory of fire-arms at Tulle. There are flour-mills, breweries, oil-works, saw-mills and dye-works; and hats (Bort), coarse woollens, silk, preserved foods, wooden shoes, chairs, paper and leather are manufactured. Coal and raw materials for textile industries are leading imports; live stock and agricultural products are the chief exports. The department is served by the Orleans railway, and the Dordogne is navigable. The department is divided into the arrondissements of Tulle, Brive and Ussel, containing 29 cantons and 289 communes. It belongs to the archdiocese of Bourges, the region of the XII. army corps, and the _Academie_ (educational division) of Clermont-Ferrand. Its court of appeal is at Limoges. Tulle, the capital, and Brive are the principal towns of the department. Uzerche is a picturesque old town on the Vezere, with a Romanesque church, old houses, a gate and other remains of medieval fortifications. At Aubazine (or Obazine) there is a Romanesque church of the 12th century, formerly belonging to the celebrated Cistercian abbey, of which Etienne "of Obazine" (d. 1159 and subsequently beatified) was the founder and first abbot. It contains the fine sculptured tomb of the founder. To the same style belong the abbey church of Beaulieu, the south portal of which is elaborately carved, the abbey church of Meymac, and the abbey church of Vigeois. Treignac, with its church, bridge and ramparts of the 15th century, and Turenne, dominated by the ruins of the castle of the famous family of that name, are ancient and interesting towns. The dolmen at Espartignac and the cromlech of Aubazine are the chief megalithic remains in the department. A Roman eagle and other antiquities have been found close to Ussel, which at the end of the 16th century became the centre of the duchy of Ventadour.

CORRIB, LOUGH, a lake of western Ireland, in the counties Galway and Mayo. It lies N.W. and S.E., and is 27 m. long, including a long projecting arm at the north-west. The extreme breadth is 7 m., but the outline is extremely irregular, and the lough narrows near the centre to a few hundred yards. Lough Corrib is very shallow, hardly exceeding 30 ft. in depth at any point, and it is covered with islands, of which there are some 300. It lies 29 ft. above sea-level, and drains by the short river Corrib to Galway Bay. The large Lough Mask lies to its north and is connected with it by a partly subterranean channel. The scenery is pleasant, but the shores are low, except at the north-west, where the wild foothills of Joyce's Country rise.

CORRIDOR (Fr. _corridor_, from Ital. _corridore_, Med. Lat. _corridorium_, a "running-place," from _currere_, to run), a main passage in a large building, on which various apartments open. In public offices, prisons, workhouses, hospitals, &c., the corridors are usually of severe simplicity; but in mansions and palaces large corridors (galleries) are often adorned with works of art, whence comes the term "picture gallery" applied to many collections. The term "corridor carriage" is applied to the modern style of railway carriage in which a narrow passage connects the separate compartments, the object being to combine a certain degree of privacy for the traveller with access from one compartment to another whilst the train is in motion.

CORRIE (Gaelic _coire_, cauldron; hence whirlpool, or circular hollow), a term used in the Highlands of Scotland for a steep-sided, rounded hollow in a mountain-side, from the lower part of which a stream usually issues as the outlet of a small lake ponded by glacial debris. Corrie-lakes are common in all glaciated mountain regions. (See CIRQUE.)

CORRIENTES, a north-eastern province of the Argentine Republic, and part of a region known as the Argentine Mesopotamia, bounded N. by Paraguay, N.E. by Misiones (territory), E. by Brazil, S. by Entre Rios, and W. by Santa Fe and the Chaco. Pop. (1895) 239,618; (1904 estimate) 299,479; area, 32,580 sq. m. Nearly one-third of the province is covered by swamps and lagoons, or is so little above their level as to be practically unfit for permanent settlement unless drained. The Ibera lagoon (c. 8500 sq. m., according to the _Argentine Year Book_ for 1905-1906) includes a large part of the central and north-eastern departments, and the Maloya lagoon covers a large part of the north-western departments. Several streams flowing into the Parana and Uruguay have their sources in these lagoons, the Ibera sending its waters in both directions. The southern districts of the province, however, are high and rolling, similar to the neighbouring departments of Entre Rios, and are admirably adapted to grazing and agriculture. The north-eastern corner is also high, but it is broken by ranges of hills and is heavily forested, like the adjacent territory of Misiones. The climate on the higher plains is sub-tropical, but in the northern swamps it is essentially tropical. Corrientes is the hottest province of Argentina, notwithstanding its large area of water and forest. The exports include cattle and horses, jerked beef, hides, timber and firewood, cereals and fruit. The principal towns are Corrientes, the capital; Goya, a flourishing agricultural town (1906 estimate, 7000) on a side channel of the Parana, 150 m. S. of Corrientes, the seat of a modern normal school and the market-town of a prosperous district; Bella Vista (pop. 1906 estimate, 3000), prettily situated on the Parana, 80 m. S. of Corrientes, the commercial centre of a large district; Esquina (pop. 1906 estimate, 3000) on the Parana at the mouth of the Corrientes river, 86 m. S. of Goya, which exports timber and firewood from the neighbouring forest of Payubre; Monte Caseros (pop. 1906 estimate, 4000) on the Uruguay river, from which cattle are shipped to Brazil, the eastern terminus of the Argentine North-Eastern railway (which crosses the province in a N.W. direction to Corrientes), and a station on the East Argentine railway (which runs northward to Paso de Los Libres, opposite Uruguayana, Brazil and to San Tome, and southward to a junction with the Entre Rios railways). A considerable district on the upper Uruguay was once occupied by prosperous Jesuit missions, all of which fell into decay and ruins after the expulsion of that order from the Spanish possessions in 1767. The population of the province is composed very largely of Indian and mixed races, and Guarani is still the language of the country people.

CORRIENTES (_San Juan de Corrientes_), a city and river port, and the capital of the above province, in the north of the Argentine Republic, on the left bank of the Parana river, 20 m. below the junction of the Upper Parana and Paraguay, and 832 m. N. of Buenos Aires. The name is derived from the _siete corrientes_ (seven currents) caused by rocks in the bed of the river just above the town. Pop. (1895) 16,129; (1907 local estimate) 30,172, largely Indian and of mixed descent. The appearance of Corrientes is not equal to its commercial and political importance, the buildings both public and private being generally poor and antiquated. There are four churches, the more conspicuous of which are the Matriz and San Francisco. The government house, originally a Jesuit college, is an antiquated structure surrounding an open court (_patio_). There is a national college. The commercial importance of Corrientes results from its unusually favourable situation near the confluence of the Upper Parana and Paraguay, and a short distance below the mouth of the Bermejo. The navigation of the Upper Parana and Bermejo rivers begins here, and freight for the Upper Parana and Chaco rivers is transhipped at Corrientes, which practically controls the trade of the extensive regions tributary to them. Corrientes is the western terminus of the Argentine North-Eastern railway, which crosses the province S.E. to Monte Caseros, where it connects with the East Argentine line running S. to Concordia and N. to San Tome. The principal exports are timber, cereals, mate, sugar, tobacco, hides, jerked beef, fruit and quebracho.

CORRIGAN, MICHAEL AUGUSTINE (1839-1902), third archbishop of the Roman Catholic archdiocese of New York, in the United States, was born in Newark, New Jersey, on the 13th of August 1839. In 1859 he graduated at Mount St Mary's College, Emmittsburg, Maryland, and began his studies for the priesthood as the first of the twelve students with whom the American College at Rome was opened. On the 19th of September 1863 he was ordained priest, and in 1864 obtained the degree of D.D. Returning to America, he was appointed professor of Dogmatic Theology and Sacred Scripture, and director of the ecclesiastical seminary of Seton Hall College at South Orange, New Jersey; soon afterwards he was made vice-president of the institution; and in 1868 became president, succeeding Rev. Bernard J. M'Quaid (b. 1823), the first Roman Catholic bishop of Rochester. In October 1868 Corrigan became vicar-general of Newark, a diocese then including all the state of New Jersey. When Archbishop Bayley was transferred to the see of Baltimore in 1873, Pius IX. appointed Corrigan bishop of Newark. In 1876 he resigned the presidency of Seton Hall College. In 1880 Bishop Corrigan was made coadjutor, with the right of succession, to Cardinal McCloskey, archbishop of New York, under the title of archbishop of Petra; and thereafter nearly all the practical work of the archdiocese fell to his hands. He was at the time the youngest archbishop in the Catholic Church in America. On the death of Cardinal McCloskey in 1885 Archbishop Corrigan became metropolitan of the diocese of New York. He died on the 5th of May 1902. He was a scholar of much erudition, with great power of administrative organization, simple, generous and kindly in character. The earlier years of his archiepiscopate were disturbed by his controversy with Edward McGlynn (1839-1900), a New York priest (and a fellow-student with Corrigan at Rome), who disapproved of parochial schools, refused to go to Rome for examination, and was excommunicated in July 1887, but returned to the church five years later.

See _Michael Augustine Corrigan: A Memorial_, with biographical sketch
by John A. Mooney (New York, 1902).

CORROSIVE SUBLIMATE, MERCURIC CHLORIDE, PERCHLORIDE OF MERCURY (HgCl2), a white solid obtained by the action of chlorine on mercury or calomel, by the addition of hydrochloric acid to a hot, strong solution of mercurous nitrate, Hg2(NO3)2 + 4HCl = 2HgCl2 + 2H2O + 2NO2, and, commercially, by heating a mixture of mercuric sulphate and common salt, the mercuric chloride subliming and being condensed in the form of small rhombic crystals. It melts at 288 deg., and boils at 303 deg.; it is sparingly soluble in cold water, more so in hot; it is very soluble in alcohol and ether. It is soluble in hydrochloric acid forming compounds such as HgCl2.2HCl, 3HgCl2.4HCl, 2HgCl2.HCl, according to the temperature and concentration; it also forms double salts with many chlorides; _sal alembroth_, 2NH4Cl.HgCl2.H2O, is the compound with ammonium chloride. It absorbs ammonia to form HgCl2.NH3, which may be distilled without decomposition. Various oxychlorides are formed by digesting corrosive sublimate with mercuric oxide. Corrosive sublimate has important applications in medicine--as an astringent, stimulant, caustic and antiseptic (see MERCURY).

CORRUPT PRACTICES, a term used in English election law, as defined by the Corrupt and Illegal Practices Prevention Act 1883, to include bribery, treating, undue influence, personation, and aiding, abetting, counselling and procuring personation. Bribery and corruption at elections have been the subject of much legislation, statutes for their prevention have been passed in 1729, 1809, 1827, 1842, 1854, 1868 and 1883.

By the Corrupt and Illegal Practices Prevention Act 1883 (which incorporated the Corrupt Practices Prevention Act 1854, an act that repealed all former legislation) the following persons are to be deemed guilty of _bribery_:--

1. Every person who shall directly or indirectly, by himself or by any other person on his behalf, give, lend, &c., or offer, promise, or promise to procure, &c., any money or valuable consideration to or for any voter or any other person in order to induce any voter to vote or refrain from voting, or shall corruptly do any such act on account of such voter having voted or refrained from voting at any election.

2. Every person who shall similarly give or procure or promise, &c., any office, place or employment to or for any voter or other person in order to induce him to vote, &c.

3. Every person who shall make any gift, loan, promise, &c., as aforesaid to any person to induce such person to procure the return of any person to serve in parliament or the vote of any voter.

4. Every person who shall, in consequence of such gift, procure or engage, promise or endeavour to procure the return of any person or the vote of any voter.

5. Every person who shall pay any money with the intent that it should be spent in bribery, or who shall pay money in repayment of any money wholly or in part expended in bribery.

6. Every person who before or during an election shall receive or contract for any money, &c., for voting, or refraining, or agreeing to vote or to refrain from voting.

7. Every person who, after the election, receives money, &c., on account of any person having voted or refrained, &c.

_Treating._--Any person who corruptly by himself or by any other person either before, during or after an election, directly or indirectly gives or provides, or pays wholly or in part the expense of giving or providing any meat, drink or entertainment, or provision to or for any person in order to be elected, or for being elected, or for the purpose of corruptly influencing such person to give or refrain from giving his vote at an election, &c., shall be deemed guilty of treating, and every elector corruptly accepting such meat, drink, &c., shall also be guilty of treating.

_Undue Influence._--Every person who shall directly or indirectly make use of or threaten to make use of any force, violence, &c., or inflict or threaten to inflict any temporal or spiritual injury, &c., upon any person to induce or compel such person to vote or refrain from voting, or who shall by abduction, duress, or any fraudulent device or contrivance impede or prevent the exercise of the franchise of any elector, or shall thereby compel, induce, &c., any elector to give or refrain from giving his vote, shall be guilty of undue influence.

Illegal, as distinguished from "corrupt," practices are certain acts and omissions in regard to an election which are now prohibited, whether done or omitted, honestly or dishonestly. They may be classified under the following heads:--(1) Acts which are illegal practices by whomsoever committed. These are as follows: Payment or receipt or contracts to pay or receive money for conveyance of voters to or from the poll, on account of any committee room beyond the number allowed by the act, or to an elector for use of house or land to exhibit addresses, &c., or for exhibition by him (otherwise than in the ordinary course of his business of advertising agent) of such addresses, &c.; payment of election expenses otherwise than by or through the election agent, and payment otherwise than to a candidate or election agent of money provided by any other person for election expenses; voting or procuring to vote of any person prohibited from voting, if the person offending knows of the prohibition; knowingly publishing a false statement that a candidate has withdrawn, or publishing with a view to affect the return of a candidate a false statement as to his character or conduct. (2) Acts and omissions which are illegal practices in the case of candidates and agents only, being breaches of duties specially imposed on them. These are the payment or incurring expenses in excess of the maximum authorized by the legislature, the omitting without lawful excuse to make a return and declaration of expenses in due time, and the payment by an election agent of any election expense amounting to 40s. not vouched by bill of particulars and receipt, of any claim for expenses not sent in in due time, or of any such claim after the time allowed for payment thereof. (3) Acts which are illegal practices when done by a candidate or agent, and are a minor offence when done by any one else. These are illegal payments, employment and hiring, and printing, publishing or posting a bill, placard or poster not bearing on its face the name of the printer or publisher. Illegal payments are knowingly providing money for prohibited payments or expenses in excess of the maximum, corruptly inducing a candidate to withdraw by payment or promise of payment (the candidate so induced being guilty of the like offence), paying or agreeing to pay for torches, flags, banners, cockades, ribbons and other marks of distinction (the receiver being guilty of the like offence if he is aware of the illegality). Illegal employment is the employment for payment or promise of payment of persons beyond the number allowed by the legislature or for purposes not authorized. The employe is guilty of the like offence if he knows of the illegality. Illegal hiring is the letting or lending, or the employing, hiring, borrowing or using to carry voters to the poll of stage, or hackney carriages, or horses, or of carriages or horses ordinarily let for hire, and the hiring of committee rooms in premises licensed for the sale of intoxicants, in a club (not being a permanent political club) where intoxicants are sold, in premises where refreshments are ordinarily sold, or in a public elementary school in receipt of a parliamentary grant. Personation and aiding, abetting, &c., of personation are felonies punishable with two years' imprisonment with hard labour. All other corrupt practices are indictable misdemeanours (in Scotland, crimes and offences) punishable with one year's imprisonment, with or without hard labour, or a fine not exceeding L200. Conviction of any corrupt practice also renders the offender incapable for seven years of being registered as an elector, or voting at any election, parliamentary or other, in the United Kingdom, or of holding any public or judicial office, or of being elected to or sitting in the House of Commons; and any such office or seat held by him at the time is vacated. In the case of a parliamentary candidate, if an election court finds that there has been treating or undue influence by him, or any other corrupt practice with his knowledge or consent, he becomes incapable of ever being elected for the same constituency, and incurs the like incapacities as if he had been convicted on indictment; if it is found by the election court that he has been guilty by his agents of a corrupt practice, he becomes incapable for seven years of being elected for the same constituency. Illegal practices are offences punishable on summary conviction with a fine not exceeding L100, and with five years' incapacity for being registered or voting as a parliamentary elector, or an elector to public office within the county or borough where the offence was committed. Illegal payments, employment and hiring, and printing and publishing of bills, &c., not bearing the printer's or publisher's name, are, when committed by any one who is not a candidate or agent, offences punishable on summary conviction with a fine not exceeding L100, but carry with them no incapacities. Where an election court finds that any illegal practice has been committed with the knowledge or consent of a parliamentary candidate, he becomes incapable for seven years of being elected to or sitting in the House of Commons for the same constituency. He incurs the like incapacity, limited to the duration of the parliament for which the election was held, if the election court finds that he was guilty by his agents of an illegal practice. A prosecution for any of the above offences cannot be instituted more than a year after the offence was committed, unless an inquiry by election commissioners takes place, in which case it may be instituted at any time within two years from the commission of the offence, not being more than three months after the date of the commissioners' report.

The law as to corrupt and illegal practices, as above stated, applies equally to parliamentary, municipal, county and parish council elections. Incapacities corresponding to those incurred by parliamentary candidates found guilty by an election court are incurred by municipal and other candidates in the like case, e.g. a municipal candidate found personally guilty of a corrupt practice is incapacitated forever, and a candidate found guilty by his agents is incapacitated for three years from holding corporate office in the borough.

See Rogers, _On Elections_, 3 vols.; Fraser, _Law of Parliamentary
Elections_.

CORRY, a city of Erie county, Pennsylvania, U.S.A., 37 m. S.E. of Erie, in the N.W. part of the state, at an elevation of about 1430 ft. Pop. (1890) 5677; (1900) 5369 (671 foreign-born); (1910) 5991. It is served by the Erie and the Pennsylvania railways. Corry is situated in the midst of a fine farming region, which is rich in petroleum and natural gas, and is widely known for its mineral springs. One mile W. of the city is a state fish hatchery, and there are fine trout streams in the neighbourhood. Among the city's manufactures are steel, engines, locomotives, radiators, shovels, bricks, flour, furniture and leather. Corry was settled in 1860, and was incorporated as a borough in 1863 and as a city in 1866.

CORSAIR (through the Fr. from the Med. Lat. _cursarius_, a pirate; _cursus_, or _cursa_, from _currere_, to run, being Late Latin for a plundering foray), the name given by the Mediterranean peoples to the privateers of the Barbary coast who plundered the shipping of Christian nations; they were not strictly pirates, as they were commissioned by their respective governments, but the word came to be synonymous, in English, with "pirate." The French word _corsaire_ is still used for "privateer," and _guerre de course_ is applied to the use in naval warfare of "commerce-destroyers." (See PIRATE, BARBARY PIRATES and PRIVATEER.)

CORSICA (Fr. _Corse_), a large island of the Mediterranean, forming a department of France. It is situated immediately to the north of Sardinia (from which it is separated by the narrow strait of Bonifacio), between 41 deg. 21' and 43 deg. N. and 8 deg. 30' and 9 deg. 30' E. Area, 3367 sq.m. Pop. (1906) 291,160. Corsica lies within 54 m. W. of the coast of Tuscany, 98 m. S. of Genoa and 106 m. S.E. of the French coast at Nice. The extreme length of the island is 114 m. and its breadth 52 m. The greater part of the surface of Corsica is occupied by forest-clad mountains, whose central ridge describes a curve from N.W. to S.W., presenting its convexity towards the E. Secondary chains diverge in all directions from this main range, enclosing small basins both geographically and socially isolated; on the west and south of the island they either terminate abruptly on the shore or run out to a great distance into the sea, forming picturesque bays and gulfs, some of which afford excellent harbours. The highest peaks are the Monts Cinto (8881 ft.), Rotondo (8612), Paglia Orba (8284), Padro (7851) and d'Oro (7845). On the eastern side of the island, between Bastia and Porto Vecchio, there intervenes between the mountains and the sea a considerable tract of low and unhealthy, but fertile country, and the coast is fringed in places by lagoons.

_Geology._--Corsica may be divided into two parts, which are
geologically distinct, by a line drawn from Belgodere through Corte to
the east coast near Favone. West of this line the island is composed
chiefly of granite, with a large mass of granophyres, quartz
porphyries and similar rocks forming the high mountains around Mt.
Cinto; but between the Gulfs of Porto and Galeria, schists, limestones
and anthracite, containing fossils of Upper Carboniferous age, occur.
The famous orbicular diorite of Corsica is found near Sta.
Lucia-di-Tallano in the arrondissement of Sartene. In the eastern part
of the island the predominant rocks are schists of unknown age, with
intrusive masses of serpentine and euphotide. Folded amongst the
schists are Strips of Upper Carboniferous beds similar to those of the
west coast. Overlying these more ancient rocks are limestones with
Rhaetic and Liassic fossils, occurring in small patches at Oletta,
Morosaglia, &c. Nummulitic limestone of Eocene age is found near St
Florent, and occupies several large basins near the boundary between
the granite and the schist. Miocene molasse with _Clypeaster_, &c.,
forms the plain of Aleria on the east coast, and occurs also at St
Florent in the north and Bonifacio in the south. A small patch of
Pliocene has been found near Aleria. The caves of Corsica, especially
in the neighbourhood of Bastia, contain numerous mammalian remains,
the commonest of which belong to _Lagomys corsicanus_, Cuv.

See Hollande, "Geologie de la Corse," _Ann. sci. geol._, vol. ix.
(1877); Nentien, "Etudes sur les gites mineraux de la Corse," _Ann.
Mines Paris_, ser. 9, vol. xii. pp. 231-296, pi. v. (1897).

Corsica is well watered by rivers and torrents, which, though short in their course, bring down large volumes of water from the mountains. The longest is the Golo, which rises in the pastoral region of Niolo, isolated among the mountains to the west of Corte and inhabited by a distinct population of obscure origin. It enters the sea on the east coast to the south of the salt-water lake of Biguglia; farther south, on the same side of the island, is the Tavignano, while on the west there are the Liamone, the Gravone and the Taravo. The other streams are all comparatively small. Owing to the rugged and indented outline of the western coast there are an unusual number of bays and harbours. Of the bays the most important are Porto, Sagone, Ajaccio and Valinco; of the ports, St Florent (San Fiorenzo), Ile Rousse (Isola Rossa), Calvi, Ajaccio and Propriano. On the eastern side, which is much less rugged and broken, the only harbours worth mentioning are those of Bastia and Porto Vecchio (the _Portus Syracusanus_ of the ancients), and the only gulfs those of Porto Vecchio and Santa Manza. At the extreme south are the harbour and town of Bonifacio, giving name to the strait which separates Corsica from Sardinia.

The climate of the island ranges from warmth in the lowlands to extreme rigour in the mountains. The intermediate region is the most temperate and healthy. The mean annual temperature at Ajaccio is 63 deg. F. The dominant winds are those from the south-west and south-east.

There are mines of anthracite, antimony and copper; the island produces granite, building stone, marble, and amianthus, and there are salt marshes. Among other places Guagno, Pardina Guitera, and Orezza have mineral springs.

The agriculture of Corsica suffers from scarcity of labour, due partly to the apathy of the inhabitants, and from scarcity of capital. The cultivation of cereals, despite the fertility of the soil, is neglected; wheat is grown to some extent, but in this respect, the population is dependent to a large degree on outside supplies. The culture of fruit, especially of the vine, cedrates, citrons and olives (for which the Balagne region, in the north-west, is noted), of vegetables and of tobacco, and sheep and goat rearing are the main rural industries, to which may be added the rearing of silk-worms. The exploitation of the fine forests, which contain the well-known Corsican pine, beeches, oaks and chestnuts, is also an important resource, but tends to proceed too rapidly. Chestnuts are exported, and, ground into flour, are used as food by the mountaineers. Most of the inhabitants are proprietors of land, but often the properties are so split up that many hours, or even a whole day, are spent in going from the vineyard or olive plantation to the arable land in the plain or the chestnut-wood in the mountain. A great part of the agricultural labour is performed by labourers from Tuscany and Lucca, who periodically visit the island for that purpose. Sheep of a peculiar breed, resembling chamois and known as _mouflons_, inhabit the more inaccessible parts of the mountains. The uncultivated districts are generally overgrown with a thick tangled underwood, consisting of arbutus, myrtle, thorn, laurel broom and other fragrant shrubs, and known as the _maquis_, the fragrance of which can be distinguished even from the sea.

Fishing and shooting are allowed almost everywhere to the possessor of a government licence; special permission, where it is necessary, is easily obtained. Wild boars, stags, in the eastern districts, and hares as well as the _mouflon_ are found, while partridges, quail, woodcock, wild duck and water-fowl are abundant. Trout and eels are the chief fish. The flesh of the Corsican blackbird is considered a delicacy. The fisheries of tunny, pilchard and anchovy are extensively prosecuted for the supply of the Italian markets; but comparatively few of the natives are engaged in this industry.

The Corsican is simple and sober but unenterprising; dignified and proud, he is possessed of a native courtesy, manifested in his hospitality to strangers, the refusal of which is much resented. He is, however, implacable towards his own countrymen when his enmity is once aroused, and the practice of the blood-feud or _vendetta_ has not died out. Each individual is attached to some powerful family, and the influence of this usage is specially marked in politics, the individual voting with his clan on pain of arousing the vindictiveness of his fellow-members. Another dominant factor in social life in Corsica is the almost universal ambition on the part of the natives towards an official career, a tendency from which commerce and agriculture inevitably suffer.

The manufactures of the island are of small importance. They include the extraction of gallic acid from chestnut-bark, the preparation of preserved citrons and other delicacies, and of macaroni and similar foods and the manufacture of fancy goods and cigars.

The chief ports are Bastia, Ajaccio and Ile Rousse. A railway runs from Bastia to Ajaccio with branches to Calvi and Ghisonaccia, but, in general, lack of means of communication as well as of capital are a barrier to commercial activity. In 1905 imports reached a value of L113,000. The chief were tobacco furniture and wooden goods, wine, cereals, coal, cheese and bran. Exports were valued at L336,000, and included chestnut-extract, charcoal, timber, citrons and other fruits, seeds, casks, skins, chestnuts and tanning bark.

Corsica is divided into five arrondissements (chief towns--Ajaccio, Bastia, Calvi, Corte and Sartene), with 62 cantons and 364 communes. It forms part of the _academie_ (educational circumscription) and archiepiscopal province of Aix (Bouches-du-Rhone) and of the region of the XV. army corps. The principal towns are Ajaccio, the capital and the seat of the bishop of the island and of the prefect; Bastia, the seat of the court of appeal and of the military commander; Calvi, Corte and Bonifacio. Other places of interest are St Florent, near which stand the ruins of the cathedral (12th century) of the vanished town of Nebbio; Murato, which has a church (12th or 13th century) of Pisan architecture, which is exemplified in other Corsican churches; and Cargese, where there is a Greek colony, dating from the 17th century. Near Lucciana are the ruins of a fine Romanesque church called La Canonica. Megalithic monuments are numerous, chief among them being the dolmen of Fontanaccia in the arrondissement of Sartene.

_History._--The earliest inhabitants of Corsica were probably Ligurian. The Phocaeans of Ionia were the first civilized people to establish settlements there. About 560 B.C. they landed in the island and founded the town of Alalia. By the end of the 6th century, however, their power had dwindled before that of the Etruscans, who were in their turn driven out by the Carthaginians. The latter were followed by the Romans, who gained a footing in the island at the time of the First Punic War, but did not establish themselves there till the middle of the 2nd century B.C. Both Marius and Sulla founded colonies--the one at Mariana (near Lucciana) in 104, the second at Aleria in 88. In the early centuries of the Christian era Corsica formed one of the senatorial provinces of the Empire, but though it was in continuous commercial communication with Italy, it was better known as a place of banishment for political offenders. One of the most distinguished of those was the younger Seneca, who spent in exile there the eight years ending A.D. 49.