Chapter XIV: Part 14

Owing to the general condition of poverty which prevailed after the French evacuation in the second decade of the 19th century, attention was turned to the means of industry offered by the unreclaimed heath-lands in the eastern provinces, and in 1818 the Society of Charity (_Maatschappij van Weldadigheid_) was formed with Count van den Bosch at its head. This society began by establishing the free agricultural colony of Frederiksoord, about 10 m. N. of Meppel, named after Prince Frederick, son of William I., king of the Netherlands. An industrious colonist could purchase a small farm on the estate and make himself independent in two years. In addition to this, various industries were set on foot for the benefit of those who were not capable of field work, such as mat and rope making, and jute and cotton weaving. In later times forest culture was added, and the Gerard Adriaan van Swieten schools of forestry, agriculture and horticulture were established by Major van Swieten in memory of his son. A Reformed and a Roman Catholic church are also attached to the colony. To this colony the Society of Charity later added the adjoining colonies of Willemsoord and Kolonie VII. in Overysel, and Wilhelminasoord partly in Friesland. The colony of Veenhuizen lies about 7 m. N.W. of Assen, and was founded by the same society in 1823. In 1859, however, the Veenhuizen estates were sold to the government for the purpose of a penal establishment for drunkards and beggars.

Owing to its geographical isolation, the development of Drente has remained behind that of every other province in the Netherlands, and there are few centres of any importance, either agricultural or industrial. Hence the character and customs of the people have remained peculiarly conservative. Assen is the chief town. In the south Meppel and Koevorden absorb the largest amount of trade. Hoogeveen, situated between these two, owes its origin to the fen reclamation which was begun here in 1625 by Baron van Echten. In the following year it was erected into a barony which lasted till 1795. The original industry has long since moved onwards to other parts, but the town remains a prosperous market centre, and has a considerable industrial activity. Extensive fir woods have been laid out in the neighbourhood. Zuidlaren is a picturesque village at the northern end of the Hondsrug, with an important market. The railway from Amsterdam to Groningen traverses Drente; branch lines connect Meppel with Leeuwarden and Assen with Delfzyl.

_History._--The early history of Drente is obscure. That it was inhabited at a remote date is proved by the prehistoric sepulchral mounds, the _Hunebedden_ already mentioned. In the 5th and 6th centuries the country was overrun by Saxon tribes, and later on was governed by counts under the Frankish and German kings. Of these only three are recorded, Eberhard (943-944), Balderic (1006) and Temmo (1025). In 1046 the emperor Henry III. gave the countship to the bishop and chapter of Utrecht, who governed it through the burgrave, or chatelain, of Koevorden, a dignity which became hereditary after 1143 in the family of Ludolf or Roelof, brother of Heribert of Bierum, bishop of Utrecht (1138-1150). This family became extinct in the male line about 1232, and was succeeded by Henry I. of Borculo (1232-1261), who had married the heiress of Roelof III. of Koevorden. In 1395 Reinald IV. (d. 1410) of Borculo-Koevorden was deposed by Bishop Frederick of Utrecht, and the country was henceforth administered by an episcopal official (_amptman_), who was, however, generally a native. With its popularly elected assembly of twenty-four Etten (_jurati_) Drente remained practically independent. This state of things continued till 1522, when it was conquered by Duke Charles of Gelderland, from whom it was taken by the emperor Charles V. in 1536, and became part of the Habsburg dominions.

Drente took part in the revolt of the Netherlands, and being a district covered by waste heath and moor was, on account of its poverty and sparse population, not admitted into the union as a separate province, and it had no voice in the assembly of the states-general. It was subdued by the Spaniards in 1580, but reconquered by Maurice of Nassau in 1594. During the years that followed, Drente, though unrepresented in the states-general, retained its local independence and had its own stadtholder. William Louis of Nassau-Siegen (d. 1620) held that office, and it was held later by Maurice, Frederick Henry, William II. and William III., princes of Orange. At the general assembly of 1651 Drente put forward its claim to admission as a province, but was not admitted. After the deaths of William II. (1650) and of William III. (1702) Drente remained for a term of years without a stadtholder, but in 1722 William Charles Henry of the house of Nassau-Siegen, who, through the extinction of the elder line, had become prince of Orange, was elected stadtholder. His descendants held that office, which was declared hereditary, until the French conquest in 1795. In the following year Drente at length obtained the privilege, which it had long sought, of being reckoned as an eighth province with representation in the states-general. Between 1806 and 1813 Drente, with the rest of the Netherlands, was incorporated in the French empire, and, with part of Groningen, formed the department of Ems Occidental. With the accession of William I. as king of the Netherlands it was restored to its old position as a province of the new kingdom.

DRESDEN, a city of Germany, capital of the kingdom of Saxony, 71 m. E.S.E. from Leipzig and 111 m. S. from Berlin by railway. It lies at an altitude of 402 ft. above the Baltic, in a broad and pleasant valley on both banks of the Elbe. The prospect of the city with its cupolas, towers, spires and the copper green roofs of its palaces, as seen from the distance, is one of striking beauty. On the left bank of the river are the Altstadt (old town) with four old suburbs and numerous new suburbs, and the Friedrichstadt (separated from the Altstadt by a long railway viaduct); on the right, the Neustadt (new town), Antonstadt, and the modern military suburb Alberstadt. Five fine bridges connect the Altstadt and Neustadt. The beautiful central bridge--the Alte or Augustusbrucke--with 16 arches, built in 1727-1731, and 1420 ft. long, has been demolished (1906) and replaced by a wider structure. Up-stream are the two modern Albert and Kunigin Carola bridges, and, down-stream, the Marien and the Eisenbahn (railway) bridges. The streets of the Alstadt are mostly narrow and somewhat gloomy, those of the Neustadt more spacious and regular.

On account of its delightful situation and the many objects of interest it contains, Dresden is often called "German Florence," a name first applied to it by the poet Herder. The richness of its art treasures, the educational advantages it offers, and its attractive surroundings render it a favourite resort of people with private means. There are a large number of foreign residents, notably Austro-Hungarians and Russians, and also a considerable colony of English and Americans, the latter amounting to about 1500. The population of the city on the 1st of December 1905 was 516,996, of whom 358,776 lived on the left bank (Altstadt) and 158,220 on the right (Neustadt). The royal house belongs to the Roman Catholic confession, but the bulk of the inhabitants are Lutheran Protestants.

Dresden is the residence of the king, the seat of government for the kingdom of Saxony, and the headquarters of the XII. (Saxon) Army Corps. Within two decades (1880-1900) the capital almost at a single bound advanced into the front rank of German commercial and industrial towns; but while gaining in prosperity it has lost much of its medieval aspect. Old buildings in the heart of the Altstadt have been swept away, and their place occupied by modern business houses and new streets. Among the public squares in the Altstadt must be mentioned the magnificent Theaterplatz, with a fine equestrian statue of King John, by Schilling; the Altmarkt, with a monument commemorative of the war of 1870-71; the Neumarkt, with a bronze statue of King Frederick Augustus II., by E. J. Hahnel; the Postplatz, adorned by a Gothic fountain, by Semper; and the Bismarckplatz in the Anglo-American quarter. In the Neustadt are the market square, with a bronze equestrian statue of Augustus the Strong; the Kaiser Wilhelmplatz; and the Albertplatz. The continuous Schloss-, See- and Prager-Strasse, and the Wilsdruffer- and Kunig Johann-Strasse are the main streets in the Altstadt, and the Hauptstrasse in the Neustadt.

The most imposing churches include the Roman Catholic Hofkirche, built (1739-1751) by C. Chiaveri, in rococo style, with a tower 300 ft. high. It contains a fine organ by Silbermann and pictures by Raphael Mengs and other artists, the outside being adorned with 59 statues by Mattielli. On the Neumarkt is the Frauenkirche, with a stone cupola rising to the height of 311 ft.; close to the Altmarkt, the Kreuzkirche, rebuilt after destruction by fire in 1897, also with a lofty tower surmounted by a cupola; and near the Postplatz the Sophienkirche, with twin spires. In the Neustadt is the Dreikunigskirche (dating from the 18th century) with a high pinnacled tower. Among more modern churches may be mentioned: in the Altstadt, the Johanneskirche, with a richly decorated interior; the Lukaskirche; and the Trinitatiskirche; and in the Neustadt, the Martin Luther-Kirche and the new garrison church. Apart from the chapels in the royal palaces, Dresden contains in all 32 churches, viz. 21 Evangelical, 6 Roman Catholic, a Reformed, a Russian, an English (erected by Gilbert Scott) with a graceful spire, a Scottish (Presbyterian), and an American (Episcopal) church, the last a handsome building, with a pretty parsonage attached.

Of secular buildings, the most noteworthy are grouped in the Altstadt near the river. The royal palace, built in 1530-1535 by Duke George (and thus called Georgenschloss), was thoroughly restored, and in some measure rebuilt between 1890 and 1902, in German Renaissance style, and is now an exceedingly handsome structure. The Georgentor has been widened, and through it, and beneath the royal apartments, vehicular traffic from the centre of the town is directed to the Augustusbrucke. The whole is surmounted by a lofty tower--387 ft.--the highest in Dresden. The interior is splendidly decorated. In the palace chapel are pictures by Rembrandt, Nicolas Poussin, Guido Reni and Annibale Caracci. The adjoining Prinzen-Palais on the Taschenberg, built in 1715, has a fine chapel, in which are various works of S. Torelli; it has also a library of 20,000 volumes. The Zwinger, begun in 1711, and built in the rococo style, forms an enclosure, within which is a statue of King Frederick Augustus I. It was intended to be the vestibule to a palace, but now contains a number of collections of great value. Until 1846 it was open at the north side; but this space has since been occupied by the museum, a beautiful Renaissance building, the exterior of which is adorned by statues of Michelangelo, Raphael, Giotto, Dante, Goethe and other artists and poets by Rietschel and Hahnel, and it contains the famous picture gallery. The Bruhl palace, built in 1737 by Count Bruhl, the minister of Augustus II., has been in some measure demolished to make room for the new Standehaus (diet house), with its main facade facing the Hofkirche; before the main entrance there is an equestrian statue (1906) of King Albert. Close by is the Bruhl Terrace, approached by a fine flight of steps, on which are groups, by Schilling, representing Morning, Evening, Day and Night. The terrace commands a view of the Elbe and the distant heights of Loschwitz and the Weisser Hirsch, but the prospect has of late years become somewhat marred, owing to the extension of the town up the river and to the two new up-stream bridges. The Japanese palace in the Neustadt, built in 1715 as a summer residence for Augustus II., receives its name from certain oriental figures with which it is decorated; it is sometimes called the Augusteum and contains the royal library. Among other buildings of note is the Hoftheatre, a magnificent edifice in the Renaissance style, built after the designs of Semper, to replace the theatre burnt in 1869, and completed in 1878. A new town hall of huge dimensions, also in German Renaissance, with an octagon tower 400 ft. in height, stands on the former southern ramparts of the inner town, close to the Kreuzkirche. In the Altstadt the most striking of the newer edifices is the Kunstakademie, constructed from designs by K. Lipsius in the Italian Renaissance style, 1890-1894. The Albertinum, formerly the arsenal, built in 1559-1563, was rebuilt 1884-1889, and fitted up as a museum of oriental and classical antiquities, and as the depository of the state archives. On the right bank of the Elbe in Neustadt stand the fine buildings of the ministries of war, of finance, justice, the interior and education. The public monuments of Dresden also include the Moritz Monument, a relief dedicated by the elector Augustus to his brother Maurice, a statue of Weber the composer by Rietschel, a bronze statue of Theodor Kurner by Hahnel, the Rietschel monument on the Bruhl Terrace by Schilling, a bust of Gutzkow, and a statue of Bismarck on the promenade. In the suburbs which encircle the old town are to be noted the vast central Hauptbahnhof (1893-1898) occupying the site of the old Buhmischer railway station, the new premises of the municipal hospital and the Ausstellungs-Halle (exhibition buildings).

The chief pleasure-ground of Dresden is the Grosser Garten, in which there are a summer theatre, the Reitschel museum, and a chateau containing a museum of antiquities. The latter is composed chiefly of objects removed from the churches in consequence of the Reformation. Near the chateau is the zoological garden, formed in 1860, and excellently arranged. A little to the south of Dresden, on the left bank of the Elbe, is the village Racknitz, in which is Moreau's monument, erected on the spot where he was mortally wounded in 1813. The mountains of Saxon Switzerland are seen from this neighbourhood.

_Art._--Dresden owes a large part of its fame to its extensive artistic, literary and scientific collections. Of these the most valuable is its splendid picture gallery, founded by Augustus I. and increased by his successors at great cost. It is in the museum, and contains about 2500 pictures, being especially rich in specimens of the Italian, Dutch and Flemish schools. The gem of the collection is Raphael's "Madonna di San Sisto," for which a room is set apart. There is also a special room for the "Madonna" of the younger Holbein. Other paintings with which the name of the gallery is generally associated are Correggio's "La Notte" and "Mary Magdalene"; Titian's "Tribute Money" and "Venus"; "The Adoration" and "The Marriage in Cana," by Paul Veronese; Andrea del Sarto's "Abraham's Sacrifice"; Rembrandt's "Portrait of Himself with his Wife sitting on his Knee"; "The Judgment of Paris" and "The Boar Hunt," by Rubens; Van Dyck's "Charles I., his Queen, and their Children."

Of modern painters, this magnificent collection contains masterpieces by Defregger, Vautier, Makart, Munkacsy, Fritz von Uhde, Bucklin, Hans Thoma; portraits by Leon Pohle, Delaroche and Sargent; landscapes by Andreas and Oswald Achenbach and allegorical works by Sascha Schneider. In separate compartments there are a number of crayon portraits, most of them by Rosalba Carriera, and views of Dresden by Canaletto and other artists. Besides the picture gallery the museum includes a magnificent collection of engravings and drawings. There are upwards of 400,000 specimens, arranged in twelve classes, so as to mark the great epochs in the history of art. A collection of casts, likewise in the museum, is designed to display the progress of plastic art from the time of the Egyptians and Assyrians to modern ages. This collection was begun by Raphael Mengs, who secured casts of the most valuable antiques in Italy, some of which no longer exist.

The Japanese palace contains a public library of more than 400,000 volumes, with about 3000 MSS. and 20,000 maps. It is especially rich in the ancient classics, and in works bearing on literary history and the history of Germany, Poland and France. There are also a valuable cabinet of coins and a collection of ancient works of art. A collection of porcelain in the "Museum Johanneum" (which once contained the picture gallery) is made up of specimens of Chinese, Japanese, East Indian, Sevres and Meissen manufacture, carefully arranged in chronological order. There is in the same building an excellent Historical Museum. In the Grune Gewulbe (Green Vault) of the Royal Palace, so called from the character of its original decorations, there is an unequalled collection of precious stones, pearls and works of art in gold, silver, amber and ivory. The objects, which are about 3000 in number, are arranged in eight rooms. They include the regalia of Augustus II. as king of Poland; the electoral sword of Saxony; a group by Dinglinger, in gold and enamel, representing the court of the grand mogul Aurungzebe, and consisting of 132 figures upon a plate of silver 4 ft. 4 in. square; the largest onyx known, 6-2/3 in. by 2-1/4 in.; a pearl representing the dwarf of Charles II. of Spain; and a green brilliant weighing 40 carats. The royal palace also has a gallery of arms consisting of more than 2000 weapons of artistic or historical value. In the Zwinger are the zoological and mineralogical museums and a collection of instruments used in mathematical and physical science. Among other collections is that of the Kurner museum with numerous reminiscences of the Goethe-Schiller epoch, and of the wars of liberation (1813-15), and containing valuable manuscripts and relics. Founded by Hofrath Dr Emil Peschel, it has passed into the possession of the city.

_Education._--Dresden is the seat of a number of well-known scientific associations. The educational institutions are numerous and of a high order, including a technical high school (with about 1100 students), which enjoys the privilege of conferring the degrees of doctor of engineering, doctor of technical sciences, &c., a veterinary college, a political-economic institution (Gehestiftung), with library, a school of architects, a royal and four municipal gymnasia, numerous lower grade and popular schools, the royal conservatorium for music and drama, and a celebrated academy of painting. Dresden has several important hospitals, asylums and other charitable institutions.

_Music and the Theatres._--Besides the two royal theatres, Dresden possesses several minor theatres and music halls. The pride of place in the world of music is held by the orchestra attached to the court theatre. Founded by Augustus II., it has become famous throughout the world, owing to the masters who have from time to time been associated with it--such as Paer, Weber, Reissiger and Wagner. Symphony and popular concerts are held throughout the year in various public halls, and, during the winter, concerts of church music are frequently given in the Protestant Kreuz- and Frauen-Kirchen, and on Sundays in the Roman Catholic church.

_Communications and Industries._--Dresden lies at the centre of an extensive railway system, which places it in communication with the chief cities of northern and central Germany as well as with Austria and the East. Here cross the grand trunk lines Berlin-Vienna, Chemnitz-Gurlitz-Breslau. It is connected by two lines of railway with Leipzig and by local lines with neighbouring smaller towns. The navigation on the Elbe has of recent years largely developed, and, in addition to trade by river with Bohemia and Magdeburg-Hamburg, there is a considerable pleasure-boat traffic during the summer months. The communications within the city are maintained by an excellent system of electric trams, which bring the more distant suburbs into easy connexion with the business centre. A considerable business is done on the exchange, chiefly in local industrial shares, and the financial institutions number some fifty banks, among them branches of the Reichs Bank and of the Deutsche Bank. Among the more notable industries may be mentioned the manufacture of china (see CERAMICS), of gold and silver ornaments, cigarettes, chocolate, coloured postcards, perfumery, straw-plaiting, artificial flowers, agricultural machinery, paper, photographic and other scientific instruments. There are several great breweries; corn trade is carried on, and an extensive business is done in books and objects of art.

_Surroundings._--The environs of the city are delightful. To the north are the vine-clad hills of the Lussnitz commanding views of the valley of the Elbe from Dresden to Meissen; behind them, on an island in a lake, is the castle of Moritzburg, the hunting box of the king of Saxony. On the right bank of the Elbe, 3 m. above the city, lies the village of Loschwitz, where Schiller, in the summer of 1786, wrote the greater part of his _Don Carlos_: above it on the fringe of the Dresdner Heide, the climatic health resort Weisser-Hirsch; farther up the river towards Pirna the royal summer palace Pillnitz; to the south the Plauensche Grund, and still farther the Rabenauer Grund.

_History._--Dresden (Old Slav _Drezga_, forest, _Drezgajan_, forest-dwellers), which is known to have existed in 1206, is of Slavonic origin, and was originally founded on the right bank of the Elbe, on the site of the present Neustadt, which is thus actually the _old_ town. It became the capital of Henry the Illustrious, margrave of Meissen, in 1270, but belonged for some time after his death, first to Wenceslaus of Bohemia, and next to the margrave of Brandenburg. Early in the 14th century it was restored to the margrave of Meissen. On the division of Saxony in 1485 it fell to the Albertine line, which has since held it. Having been burned almost to the ground in 1491, it was rebuilt; and in the 16th century the fortifications were begun and gradually extended. John George II., in the 17th century, formed the Grosser Garten, and otherwise greatly improved the town; but it was in the first half of the 18th century, under Augustus I. and Augustus II., who were kings of Poland as well as electors of Saxony, that Dresden assumed something like its present appearance. The Neustadt, which had been burned down in the 17th century, was founded anew by Augustus I.; he also founded Friedrichstadt. The town suffered severely during the Seven Years' War, being bombarded in 1760. Some damage was also inflicted on it in 1813, when Napoleon made it the centre of his operations; one of the buttresses and two arches of the old bridge were then blown up. The dismantling of the fortifications had been begun by the French in 1810, and was gradually completed after 1817, the space occupied by them being appropriated to gardens and promenades. Many buildings were completed or founded by King Anthony, from whom Antonstadt derives its name. Dresden again suffered severely during the revolution of 1849, but all traces of the disturbances which then took place were soon effaced. In 1866 it was occupied by the Prussians, who did not finally evacuate it until the spring of the following year. Since that time numerous improvements have been carried out.

See Lindau, _Geschichte der Haupt- und Residenzstadt Dresden_ (2
vols., Dresden, 1884-1885); Prulss, _Geschichte des Hoftheaters in
Dresden_ (Dresden, 1877); Schumann, _Fuhrer durch die kunigl.
Sammlungen zu Dresden_ (1903); Woerl, _Fuhrer durch Dresden_; Daniel,
_Deutschland_ (1894).

BATTLE OF DRESDEN. The battle of Dresden, the last of the great victories of Napoleon, was fought on the 26th and 27th of August 1813. The intervention of Austria in the War of Liberation, and the consequent advance of the Allies under the Austrian field-marshal Prince Schwarzenberg from Prague upon Dresden, recalled Napoleon from Silesia, where he was engaged against the Prussians and Russians under Blucher. Only by a narrow margin of time, indeed, was he able to bring back sufficient troops for the first day's battle. He detached a column under Vandamme to the mountains to interpose between Schwarzenberg and Prague (see NAPOLEONIC CAMPAIGNS); the rest of the army pressed on by forced marches for Dresden, around which a position for the whole army had been chosen and fortified, though at the moment this was held by less than 20,000 men under Gouvion St Cyr, who retired thither from the mountains, leaving a garrison in Kunigstein, and had repeatedly sent reports to the emperor as to the allied masses gathering to the southward. The battle of the first day began late in the afternoon, for Schwarzenberg waited as long as possible for the corps of Klenau, which formed his extreme left wing on the Freiberg road. At last, about 6 p.m. he decided to wait no longer, and six heavy columns of attack advanced against the suburbs defended by St Cyr and now also by the leading troops of the main army. Three hundred guns covered the assault, and Dresden was set on fire in places by the cannonade, while the French columns marched unceasingly over the bridges and through the Altstadt. On the right the Russians under Wittgenstein advanced from Striesen, the Prussians under Kleist through the Grosser Garten, whilst Prussians under Prince Augustus and Austrians under Colloredo moved upon the Moczinski redoubt, which was the scene of the most desperate fighting, and was repeatedly taken and retaken. The attack to the westward was carried out by the other Austrian corps; Klenau, however, was still far distant. In the end, the French defences remained unshaken. Ney led a counter-attack against the Allies' left, the Moczinski redoubt was definitely recaptured from Colloredo, and the Prussians were driven out of the Grosser Garten. The _coup_ of the Allies had failed, for every hour saw the arrival of fresh forces on the side of Napoleon, and at length the Austrian leader drew off his men to the heights again. He was prepared to fight another battle on the morrow--indeed he could scarcely have avoided it had he wished to do so, for behind him lay the mountain defiles, towards which Vandamme was marching with all speed.

Napoleon's plan for the 27th was, as usual, simple in its outline. As at Friedland, a ravine separated a part of the hostile line of battle from the rest. The villages west of the Plauen ravine and even Lubda were occupied in the early morning by General Metzko with the leading division of Klenau's corps from Freiberg, and upon Metzko Napoleon intended first to throw the weight of his attack, giving to Victor's infantry and the cavalry of Murat, king of Naples, the task of overwhelming the isolated Austrians. The centre, aided by the defences of the Dresden suburbs, could hold its own, as the events of the 26th had shown, the left, now under Ney, with whom served Kellermann's cavalry and the Young Guard, was to attack Wittgenstein's Russians on the Pirna road. Thus, for once, Napoleon decided to attack both flanks of the enemy. His motives in so doing have been much discussed by the critics; Vandamme's movements, it may be suggested, contributed to the French emperor's plan, which if carried out would open the Pirna road. Still, the left attack may have had a purely tactical object, for in that quarter was the main body of the Prussians and Russians, and Napoleon's method was always to concentrate the fury of the attack on the heaviest masses of the enemy, i.e. the best target for his own artillery. A very heavy rainstorm during the night seriously affected the movements of troops on the following day, but all to Napoleon's advantage, for his more mobile artillery, reinforced by every horse available in and about Dresden, was still able to move where the Allied guns sank in mud. Further, if the cavalry had to walk, or at most trot, through the fields the opposing infantry was almost always unable to fire their muskets. "You cannot fire; surrender," said Murat to an Austrian battalion in the battle. "Never," they replied; "you cannot charge us." On the appearance of Murat's horse artillery, however, they had to surrender at once. Under such conditions, Metzko, unsupported either by Klenau or the main army beyond the ravine, was an easy victim. Victor from Lubda drove in the advanced posts and assaulted the line of villages Wolfnitz-Tultschen; Metzko had to retire to the higher ground S.W. of the first line, and Murat, with an overwhelming cavalry force from Cotta and Burgstadl, outflanked his left, broke up whole battalions, and finally, with the assistance of the renewed frontal attack of Victor's infantry, annihilated the division. The Austrian corps of Gyulai arrived too late to save it. A few formed bodies escaped across the ravine, but Metzko and three-fourths of his men were killed or taken prisoners.

Meanwhile Ney on the other flank, with his left on the Pillnitz road and his right on the Grosser Garten, had opened his attack. The Russians offered a strenuous resistance, defending Seidnitz, Gross Dubritz and Reick with their usual steadiness, and Ney was so far advanced that several generals at the Allied headquarters suggested a counter-attack of the centre by way of Strehlen, so as to cut off the French left from Dresden. This plan was adopted, but, owing to various misunderstandings, failed of execution. Thus the Allied centre remained inactive all day, cannonaded by the Dresden redoubts. One incident only, but that of great importance, took place here. The tsar, the king of Prussia, Schwarzenberg and a very large headquarter staff watched the fighting from a hill near Racknitz and offered an easy mark to the French guns. In default of formed bodies to fire at, the latter had for a moment ceased fire; Napoleon, riding by, half carelessly told them to reopen, and one of their first shots, directed at 2000 yards range against the mass of officers on the sky-line, mortally wounded General Moreau, who was standing by the emperor Alexander. A council of war followed. The Allied sovereigns were for continuing the fight; Schwarzenberg, however, knowing the exhaustion of his troops decided to retreat. As at Bautzen, the French cavalry was unable to make any effective pursuit.

The forces engaged were 96,000 French, Saxons, &c., and 200,000 Austrians, Russians and Prussians. The French losses were about 10,000, or a little over 10%, those of the Allies 38,000 killed, wounded and prisoners (the latter 23,000) or 19%. They lost also 15 colours and 26 guns.

DRESS (from the Fr. _dresser_, to set out, arrange, formed from Lat. _directus_, arranged, _dirigere_, to direct, arrange), a substantive of which the current meaning is that of clothing or costume in general, or, specifically, the principal outer garment worn by a woman (see COSTUME). The verb "to dress" has various applications which can be deduced from its original meaning. It is thus used not only of the putting on of clothing, but of the preparing and finishing of leather, the preparation of food for eating, the application of cleansing and healing substances or of bandages, &c., to a wound, the drawing up in a correct line of a body of troops, and, generally, adorning or decking out, as of a ship with flags. In the language of the theatre the "dresser" is the person who looks after the actor's wardrobe and assists him in the changing of his costumes. For the printer's use of "dresser" see TYPOGRAPHY.

DRESSER, in furniture, a form of sideboard. The name is derived from the Fr. _dressoir_, a piece of furniture used to range or _dresser_ the more costly appointments of the table. The appliance is the direct descendant of the credence and the buffet, and is, indeed, a much more legitimate inheritor of their functions than the modern sideboard, which, as we know it, is practically an 18th-century invention. It developed into its present shape about the second quarter of the 17th century, and has since then changed but little. As a piece of movable furniture it was made rarely, if at all, after the beginning of the 19th century until the revival of interest in what is called "farmhouse furniture" at the very beginning of the 20th century led in the first place to the construction of many imitation antique dressers from derelict pieces of old oak, and especially from panels of chests, and in the second to the making of avowed imitations. The dresser conformed to a model which varied only in detail and in ornament. Its simple and agreeable form consisted of a long and rather narrow table or slab, with drawers or cupboards beneath and a tall upright closed-in back arranged with a varying number of shallow shelves for the reception of plates; hooks for mugs were often fixed upon the face of these shelves. Towards the end of the 17th century small cupboards were often added to the superstructure. The majority of these dressers were made of oak, but when, early in the Georgian period mahogany came into general use, they were frequently inlaid with that wood; holly and box were also used for inlaying, most frequently in the shape of plain bands or lines. A peculiarly effective combination of oak and mahogany is found in the dressers, as in other "farmhouse furniture," made on the borders of Staffordshire and Shropshire. The excellence of the work of this kind in that district and in the country lying west of it may perhaps explain the expression "Welsh dresser," which is now no more than a trade term, not necessarily suggestive of the place of origin, and applied to all dressers of this type. They are most frequently found in the houses of small yeomen and substantial farmers, into which fashion penetrated slowly. The dresser is now most familiar as necessary plenishing of the kitchen, in which it is invariably a fixture. In form it is essentially identical with the movable variety, but it is usually much larger, is made of deal or other soft wood, and the superstructure has no back.

DREUX, a town of north-western France, capital of an arrondissement in the department of Eure-et-Loir, 27 m. N.N.W. of Chartres by rail. Pop. (1906) 8209. It is situated on the Blaise, which at this point divides into several arms. It is overlooked from the north by an eminence on which stands a ruined medieval castle; within the enclosure of this building is a gorgeous chapel, begun in 1816 by the dowager duchess of Orleans, and completed and adorned at great cost by Louis Philippe. It contains the tombs of the Orleans family, chief among them that of Louis Philippe, whose remains were removed from England to Dreux in 1876. The sculptures on the tombs and the stained glass of the chapel windows are masterpieces of modern art. The older of the two hotels-de-ville of Dreux was built in the early 16th century, chiefly by Clement Metezau, the founder of a famous family of architects, natives of the town. It is notable both for the graceful carvings of the facade and for the fine staircase and architectural details of the interior. The church of St Pierre, which is Gothic in style, contains good stained glass and other works of art. The town has a statue of the poet Jean de Rotrou, born there in 1609. Dreux is the seat of a subprefect. Among the public institutions are tribunals of first instance and of commerce, and a communal college. The manufacture of boots and shoes, metal-founding and tanning, are carried on, and there is trade in wheat and other agricultural products and poultry.

Dreux was the capital of the Gallic tribe of the _Durocasses_. In 1188 it was taken and burnt by the English; and in 1562 Gaspard de Coligny, and Louis I., prince of Conde, were defeated in its vicinity by Anne de Montmorency and Francis, duke of Guise. In 1593 Henry IV. captured the town after a fortnight's siege. It was occupied by the Germans on the 9th of October 1870, was subsequently evacuated, and was again taken, on the 17th of November, by General Von Tresckow. In the 10th century Dreux was the chief town of a countship, which Odo, count of Chartres, ceded to king Robert, and Louis VI. gave to his son Robert, whose grandson Peter of Dreux, younger brother of Count Robert III., became duke of Brittany by his marriage with Alix, daughter of Constance of Brittany by her second husband Guy of Thouars. By the marriage of the countess Jeanne II. with Louis, viscount of Thouars (d. 1370), the Capetian countship of Dreux passed into the Thouars family. In 1377 and 1378, however, two of the three co-heiresses of Jeanne, Perronelle and Marguerite, sold their shares of the countship to King Charles V. Charles VI. gave it to Arnaud Amanien d'Albret, but took it back in order to give it to his brother Louis of Orleans (1407); later he gave it back to the lords of Albret. Francis of Cleves laid claim to it in the 16th century as heir of the d'Albrets of Orval, but the parlement of Paris declared the countship to be crown property. It was given to Catherine de' Medici (1539), then to Francis, duke of Alencon (1569); it was pledged to Charles de Bourbon, count of Soissons, and through him passed to the houses of Orleans, Vendome and Conde.

DREW, the name of a family of American actors. JOHN DREW (1827-1862) was born in Dublin and made his first New York appearance in 1846. He played Irish and light comedy parts with success in all the American cities, and was manager of the Arch Street theatre in Philadelphia. He visited England in 1855, and Australia in 1859, and died in Philadelphia. His wife, LOUISE LANE DREW (1820-1897), was the daughter of a London actor, and in 1827 went to America, appearing as the Duke of York to the elder Booth's Richard III., and as Albert to Edwin Forrest's William Tell. After this she starred as a child actress, and then as leading lady. She had been twice married before she became Mrs Drew in 1850. From 1861 to 1892 she had the management of the Arch Street theatre in Philadelphia. In 1880 she toured with Joseph Jefferson in his elaborate revival of _The Rivals_, playing Mrs Malaprop to perfection. She had three children, John, Sidney and Georgiana, wife of Maurice Barrymore (1847-1905), and mother of Lionel and Ethel Barrymore, all actors. The eldest son, JOHN DREW (b. 1853), began his stage career under his mother's management in Philadelphia as Plumper in _Cool as a Cucumber_, on the 22nd of March 1873; and after playing with Edwin Booth and others, became leading man in Augustin Daly's company in 1879. His association with this company, and with Ada Rehan as the leading lady, constituted a brilliant period in recent stage history, his Petruchio being only one, though perhaps the most striking, of a series of famous impersonations. In 1892 he left Daly's company, and began a career as a "star."

DREW, SAMUEL (1765-1833), English theologian, was born in the parish of St Austell, in Cornwall, on the 6th of March 1765. His father was a poor farm labourer, and could not afford to send him to school long enough even to learn to read and write. At ten he was apprenticed to a shoemaker, and at twenty he settled in the town of St Austell, first as manager for a shoemaker, and in 1787 began business on his own account. He had already gained a reputation in his narrow circle as a keen debater and a jovial companion, and it is said that he had several smuggling adventures. He was first aroused to serious thought in 1785 by a funeral sermon preached over his elder brother by Adam Clarke. He joined the Methodists, was soon employed as a class leader and local preacher, and continued to preach till a few months before his death. His opportunities of gaining knowledge were very scanty, but he strenuously set himself to make the most of them. It is stated that an accidental introduction to Locke's great essay determined the ultimate direction of his studies. In 1798 the first part of Thomas Paine's _Age of Reason_ was put into his hands; and in the following year he made his first appearance as an author by publishing his _Remarks_ on that work. The book was favourably received, and was republished in 1820. Drew had begun to meditate a greater attempt before he wrote his _Remarks on Paine_; and, encouraged by the antiquary John Whitaker, he published his _Essay on the Immateriality and Immortality of the Soul_ in 1802. This work made the "Cornish metaphysician," as he was called, widely known, and for some time it held a high place in the judgment of the religious world as a conclusive argument on its subject. A fifth edition appeared in 1831. Drew continued to work at his trade till 1805, when he entered into an engagement with Dr Thomas Coke, a prominent Wesleyan official, which enabled him to devote himself entirely to literature. In 1809 he published his _Essay on the Identity and General Resurrection of the Human Body_, perhaps the most original of his works, which reached a second edition in 1822. In 1814 he completed a history of Cornwall begun by F. Hitchins. In 1819 he removed to Liverpool, being appointed editor of the _Imperial Magazine_, then newly established, and in 1821 to London, the business being then transferred to the capital. Here he filled the post of editor till his death, and had also the supervision of all works issued from the Caxton Press. He was an unsuccessful competitor for the Burnett prize offered in 1811 for an essay on the existence and attributes of God. The work which he then wrote, and which in his own judgment was his best, was published in 1820, under the title of _An Attempt to demonstrate from Reason and Revelation the Necessary Existence, Essential Perfections, and Superintending Providence of an Eternal Being, who is the Creator, the Supporter, and the Governor of all Things_ (2 vols. 8 vo). This procured him the degree of M.A. from the university of Aberdeen. Among Drew's lesser writings are a _Life of Dr Thomas Coke_ (1817), and a work on the deity of Christ (1813). He died at Helston in Cornwall on the 29th of March 1833. He was a man of strong mind, honourable spirit and affectionate disposition, energetic both in speech and in writing.

A memoir of his life by his eldest son appeared in 1834.

DREWENZ, a river of Germany, a right-bank tributary of the Vistula. It rises on the plateau of Hohenstein in East Prussia, 5 m. S.W. of the town of Hohenstein. After passing through the lake of Drewenz (7 m. long), it flows S.W. through flat marshy country, and forms, from just below the town of Strassburg to that of Leibitsch, a distance of 30 m., the frontier between Prussia and Russian Poland. After a course of 148 m. it enters the Vistula from the right, a little above the fortress of Thorn. It is navigable only for rafts. Lake Drewenz is connected with Elbing (and so with the Baltic) by the navigable Elbing-Oberland Canal.

DREXEL, ANTHONY JOSEPH (1826-1893), American banker, was born in Philadelphia, Pennsylvania, on the 13th of September 1826. He was the son of Francis M. Drexel (1792-1863), a native of Austrian Tirol, who emigrated to America in 1817, and, after some years spent as a portrait-painter, became a banker and the founder of the house of Drexel & Company. Anthony, who entered his father's counting-house in 1839, eventually, with his brothers Francis and Joseph, succeeded to the control of the business, and organized the banking houses of Drexel, Morgan & Company, New York, of which his brother Joseph W. (1833-1888) was long the resident head, and of Drexel, Harjes & Company, Paris. In 1864 he joined his friend George W. Childs in the purchase of the Philadelphia _Public Ledger_, and with him in 1892 founded the Printers' Home for union men at Colorado Springs. In 1891 he founded, and endowed with $2,000,000, the Drexel Institute of Art, Science and Industry in Philadelphia, the buildings for which he constructed at a cost of $750,000. This institution provides technical instruction for both night and day classes and public lecture courses, and has a good museum and a library of 35,000 volumes. Drexel died at Carlsbad, Germany, on the 30th of June 1893.

DREYFUS, ALFRED (1859- ), French soldier, of Jewish parentage, the scandal of whose condemnation for treason and subsequent rehabilitation convulsed French political life between 1894 and 1899, and only ended in 1906, was born in Mulhausen, Upper Alsace, removing to Paris in 1874. After going through the usual course of military instruction with credit, he became a sous-lieutenant in the artillery in 1882, and was promoted captain in 1889; and, after passing through the _Ecole de Guerre_ with distinction, he was appointed to the general staff. His name was, however, unknown to the general public till he was arrested on the 15th of October 1894 on a charge of selling military secrets to Germany, condemned, publicly degraded (January 4, 1895), and transported (March 10) to the Ile du Diable, French Guiana. The story of the subsequent proceedings in this celebrated case is told in the article ANTI-SEMITISM, and need not here be repeated. It was not till 1899 that the unfortunate prisoner was brought back to France for retrial by court-martial, and even then, so strong was the anti-Semitic and military prejudice, he was again found guilty "with extenuating circumstances" at Rennes (September 9), though ten days later he was "pardoned" by President Loubet. It was not till the Cour de Cassation ordered a further investigation, and on the 12th of July 1906 decided that his conviction had been based on a forgery and that Dreyfus was innocent, that the agitation came to a final conclusion. He was then restored to his rank in the army and promoted major. But the anti-Semitic and anti-Dreyfusard spirit in certain French circles could not easily be quelled even then; and on the occasion of the translation of the remains of Emile Zola (Dreyfus's determined champion) to the Pantheon on the 4th of June 1908, Major Dreyfus was shot at and wounded by a fanatical journalist named Gregori, who was subsequently acquitted by a Paris jury of the charge of attempted murder, his own plea being that he had merely intended a "demonstration."

See Dreyfus's own _Five Years of my Life_ (1901), and literature cited
under ANTI-SEMITISM.

DRIBURG, a town and spa of Germany, in Prussian Westphalia, pleasantly situated on the Aa and the railway Soest-Huxter-Berlin. Pop. 2600. It has an Evangelical and a Roman Catholic church and some glass manufactures. It is celebrated for its saline-ferruginous springs, discovered in 766, and since 1779 largely frequented in summer. In the vicinity are the ruins of Iburg, a castle destroyed by Charlemagne in 775, and bestowed by him upon the bishopric of Paderborn.

DRIFFIELD (officially Great Driffield), a market town in the Buckrose parliamentary division of the East Riding of Yorkshire, England, 19-1/2 m. N. by W. from Hull, the junction of several branch lines of the North Eastern railway. Pop. of urban district (1901) 5766. It is pleasantly situated at the foot of the Wolds, and is connected with Hull by a navigable canal. The church of All Saints is of various dates from Norman onwards. The town is the centre of a rich agricultural district, and large markets and fairs are held. There are works for the manufacture of oil-cake. Driffield is of high antiquity, and numerous tumuli are seen in the vicinity, while there is an excellent private antiquarian museum in the town.

DRIFT (from "drive"), a verb or noun used in various connexions with the sense of propelled motion, especially (but not necessarily) of an aimless sort, undirected. Thus it is possible to speak of a snow-drift, an accumulation driven by the wind; of a ship drifting out of its course; of the drift of a speech, i.e. its general tendency. The word is also used in some technical senses, more immediately resulting from the action of driving something in. But the most important technical use of the word is in geology, as introduced by C. Lyell in 1840 in place of "Diluvium." The earlier geologists had been in the habit of dividing the Quaternary deposits into an older Diluvium and a younger Alluvium; the latter is still employed in England, but the former has dropped out of use, though it is still retained by some continental writers. The Alluvium was distinguished from Diluvium by the fact that its mammalian fossils were representatives of still living forms, but it is a matter of great difficulty to separate these two divisions in practice. "The term drift is now applied generally to the Quaternary deposits, which consist for the most part of gravel, sand, loam or brickearth and clay; it naturally refers to strata laid down at some distance from the rocks to whose destruction they are largely due; but, although applied to river deposits, the word drift is more appropriately used in reference to the accumulations of the Glacial period.

"The occurrence of stones and boulders far removed from their parent source early attracted the attention of geologists, but for a long period the phenomena, now known as of glacial origin, were unexplained, and the drifts were looked upon as little more than 'extraneous rubbish,' the product of geological agents, quite distinct from those which helped to form the more 'solid' rocks that underlie them." (See H. B. Woodward, _The Geology of England and Wales_, 2nd ed., 1887.) The conception of an underlying "solid" geological structure covered by a superficial mantle of "drift" is still retained for certain practical purposes; thus, the Geological Survey of Great Britain issues many of the maps in two forms, the "Solid Edition," showing the "solid geology," which embraces all igneous rocks and the stratified rocks older than Pleistocene, and the "Drift Edition," which shows only such older strata as are unobscured by drift.

In writing and in conversation the geological expression "drift" is now usually understood to mean Glacial drift, including boulder clay and all the varieties of sand, gravel and clay deposits formed by the agency of ice sheets, glaciers and icebergs. But in the "Drift" maps many other types of deposit are indicated, such, for instance, as the ordinary modern alluvium of rivers, and the older river terraces (River-drift of various ages), including gravels, brickearth and loam; old raised sea beaches and blown-sand (Aeolian-drift); the "Head" of Cornwall and Devon, an angular detritus consisting of stones with clay or loam; clay-with-flints, rainwash (landwash), scree and talus; the "Warp," a marine and estuarine silt and clay of the Humber; and also beds of peat and diatomite.

See GLACIAL PERIOD; PLEISTOCENE; BOULDER CLAY. (J. A. H.)

DRILL. (1) A tool for boring or making holes in hard substances, such as stone, metal, &c. (an adaptation in the 17th century from the Dutch _dril_ or _drille_, from _drillen_, to turn, bore a hole; according to the New English Dictionary the word is not to be connected with the English "thrill"). The word _drillen_ was used in Dutch, German and Danish, from the 17th century for training in military exercises and was adopted into English in the same sense. The origin of the application seems to be in the primary sense of "to turn round," from the turning of the troops in their evolutions and from the turning of the weapons in the soldiers' hands. Drill is, formally, the preparation of soldiers for their duties in war by the practice or rehearsal of movements in military order and the handling of arms, and, psychologically, the method of producing in the individual soldier habits of self-control and of mechanically precise actions under disturbing conditions, and of rendering the common instinctive will of a body of men, large or small, amenable to the control of, and susceptible to a stimulus imparted by its commander's will.

(2) A furrow made in the soil in which seed may be sown, and a machine used for sowing seed in such furrows (see SOWING). The word is somewhat doubtful in origin. It may be the same as an obsolete word "drill," to trickle, flow in drops, also a small stream or flow of water, a rill, and is possibly an altered form of "trill."

(3) In zoology, the native name of a large short-tailed west African baboon, _Papio leucophaeus_, closely allied to the mandrill (q.v.), but distinguished by the absence of brilliant blue and scarlet on the jaws of the fully adult males.