Chapter V: Front Matter (5)

By his will, made on the 12th of February 1536, he left what he had to leave, with the exception of some legacies, to Bonifazius Amerbach, partly for himself, partly in trust for the benefit of the aged and the infirm, or to be spent in portioning young girls, and in educating young men of promise. He left none of the usual legacies for masses or other clerical purposes, and was not attended by any priest or confessor in his last moments.

Erasmus's features are familiar to all, from Holbein's many portraits or their copies. Beatus Rhenanus, "summus Erasmi observator," as he is called by de Thou, describes his person thus: "In stature not tall, but not noticeably short; in figure well built and graceful; of an extremely delicate constitution, sensitive to the slightest changes of climate, food or drink. After middle life he suffered from the stone, not to mention the common plague of studious men, an irritable mucous membrane. His complexion was fair; light blue eyes, and yellowish hair. Though his voice was weak, his enunciation was distinct; the expression of his face cheerful; his manner and conversation polished, affable, even charming." His highly nervous organization made his feelings acute, and his brain incessantly active. Through his ready sympathy with all forms of life and character, his attention was always alive. The active movement of his spirit spent itself, not in following out its own trains of thought, but in outward observation. No man was ever less introspective, and though he talks much of himself, his egotism is the genial egotism which takes the world into its confidence, not the selfish egotism which feels no interest but in its own woes. He says of himself, and justly, "that he was incapable of dissimulation" (_Ep._ xxvi. 19; 1152). There is nothing behind, no pose, no scenic effect. It may be said of his letters that in them "tota patet vita senis." His nature was flexible without being faultily weak. He has many moods and each mood imprints itself in turn on his words. Hence, on a superficial view, Erasmus is set down as the most inconsistent of men. Further acquaintance makes us feel a unity of character underlying this susceptibility to the impressions of the moment. His seeming inconsistencies are reconciled to apprehension, not by a formula of the intellect, but by the many-sidedness of a highly impressible nature. In the words of J. Nisard, Erasmus was one of those "dont la gloire a ete de beaucoup comprendre et d'affirmer peu."

This equal openness to every vibration of his environment is the key to all Erasmus's acts and words, and among them to the middle attitude which he took up towards the great religious conflict of his time. The reproaches of party assailed him in his lifetime, and have continued to be heaped upon his memory. He was loudly accused by the Catholics of collusion with the enemies of the faith. His powerful friends, the pope, Wolsey, Henry VIII., the emperor, called upon him to declare against Luther. Theological historians from that time forward have perpetuated the indictment that Erasmus sided with neither party in the struggle for religious truth. The most moderate form of the censure presents him in the odious light of a trimmer; the vulgar and venomous assailant is sure that Erasmus was a Protestant at heart, but withheld the avowal that he might not forfeit the worldly advantages he enjoyed as a Catholic. When by study of his writings we come to know Erasmus intimately, there is revealed to us one of those natures to which partisanship is an impossibility. It was not timidity or weakness which kept Erasmus neutral, but the reasonableness of his nature. It was not only that his intellect revolted against the narrowness of party, his whole being repudiated its clamorous and vulgar excesses. As he loathed fish, so he loathed clerical fanaticism. Himself a Catholic priest--"the glory of the priesthood and the shame"--the tone of the orthodox clergy was distasteful to him; the ignorant hostility to classical learning which reigned in their colleges and convents disgusted him. In common with all the learned men of his age, he wished to see the power of the clergy broken, as that of an obscurantist army arrayed against light. He had employed all his resources of wit and satire against the priests and monks, and the superstitions in which they traded, long before Luther's name was heard of. The motto which was already current in his lifetime, "that Erasmus laid the egg and Luther hatched it," is so far true, and no more. Erasmus would have suppressed the monasteries, put an end to the domination of the clergy, and swept away scandalous and profitable abuses, but to attack the church or re-mould received theology was far from his thoughts. And when out of Luther's revolt there arose a new fanaticism--that of evangelism, Erasmus recoiled from the violence of the new preachers. "Is it for this," he writes to Melanchthon (_Ep._ xix. 113; 703), "that we have shaken off bishops and popes, that we may come under the yoke of such madmen as Otto and Farel?" Passages have been collected, and it is an easy task, from the writings of Erasmus to prove that he shared the doctrines of the Reformers. Passages equally strong might be culled to show that he repudiated them. The truth is that theological questions in themselves had no attraction for him. And when a theological position was emphasized by party passion it became odious to him. In the words of Drummond: "Erasmus was in his own age the apostle of common sense and of rational religion. He did not care for dogma, and accordingly the dogmas of Rome, which had the consent of the Christian world, were in his eyes preferable to the dogmas of Protestantism.... From the beginning to the end of his career he remained true to the purpose of his life, which was to fight the battle of sound learning and plain common sense against the powers of ignorance and superstition, and amid all the convulsions of that period he never once lost his mental balance."

Erasmus is accused of indifference. But he was far from indifferent to the progress of the revolution. He was keenly alive to its pernicious influence on the cherished interest of his life, the cause of learning. "I abhor the evangelics, because it is through them that literature is everywhere declining, and upon the point of perishing." He had been born with the hopes of the Renaissance, with its anticipation of a new Augustan age, and had seen this fair promise blighted by the irruption of a new horde of theological polemics, worse than the old scholastics, inasmuch as they were revolutionary instead of conservative. Erasmus never flouted at religion nor even at theology as such, but only at blind and intemperate theologians.

In the mind of Erasmus there was no metaphysical inclination; he was a man of letters, with a general tendency to rational views on every subject which came under his pen. His was not the mind to originate, like Calvin, a new scheme of Christian thought. He is at his weakest in defending free will against Luther, and indeed he can hardly be said to enter on the metaphysical question. He treats the dispute entirely from the outside. It is impossible in reading Erasmus not to be reminded of the rationalist of the 18th century. Erasmus has been called the "Voltaire of the Renaissance." But there is a vast difference in the relations in which they respectively stood to the church and to Christianity. Voltaire, though he did not originate, yet adopted a moral and religious scheme which he sought to substitute for the church tradition. He waged war, not only against the clergy, but against the church and its sovereigns. Erasmus drew the line at the first of these. He was not an anticipation of the 18th century; he was the man of his age, as Voltaire of his; though Erasmus did not intend it, he undoubtedly shook the ecclesiastical edifice in all its parts; and, as Melchior Adam says of him, "pontifici Romano plus nocuit jocando quam Lutherus stomachando."

But if Erasmus was unlike the 18th century rationalist in that he did not declare war against the church, but remained a Catholic and mourned the disruption, he was yet a true rationalist in principle. The principle that reason is the one only guide of life, the supreme arbiter of all questions, politics and religion included, has its earliest and most complete exemplar in Erasmus. He does not dogmatically denounce the rights of reason, but he practically exercises them. Along with the charm of style, the great attraction of the writings of Erasmus is this unconscious freedom by which they are pervaded.

It must excite our surprise that one who used his pen so freely should have escaped the pains and penalties which invariably overtook minor offenders in the same kind. For it was not only against the clergy and the monks that he kept up a ceaseless stream of satiric raillery; he treated nobles, princes and kings with equal freedom. No 18th century republican has used stronger language than has this pensioner of Charles V. "The people build cities, princes pull them down; the industry of the citizens creates wealth for rapacious lords to plunder; plebeian magistrates pass good laws for kings to violate; the people love peace, and their rulers stir up war." Such outbursts are frequent in the _Adagia_. These freedoms are part cause of Erasmus's popularity. He was here in sympathy with the secret sore of his age, and gave utterance to what all felt but none dared to whisper but he. It marks the difference between 1513 and 1669 that, in a reprint of the _Julius Exclusus_ published in 1669 at Oxford, it was thought necessary to leave out a sentence in which the writer of that dialogue, supposed by the editor to be Erasmus, asserts the right of states to deprive and punish bad kings. It is difficult to say to what we are to ascribe his immunity from painful consequences. We have to remember that he was removed from the scene early in the reaction, before force was fully organized for the suppression of the revolution. And his popular works, the _Adagia_, and the _Colloquia_ (1524), had established themselves as standard books in the more easy going age, when power, secure in its unchallenged strength, could afford to laugh with the laughers at itself. At the date of his death the Catholic revival, with its fell antipathy to art and letters, was only in its infancy; and when times became dangerous, Erasmus cautiously declined to venture out of the protection of the Empire, refusing repeated invitations to Italy and to France. "I had thought of going to Besancon," he said, "ne non essem in ditione Caesaris" (_Ep._ xxx. 74; 1299). In Italy a Bembo and a Sadoleto wrote a purer Latin than Erasmus, but contented themselves with pretty phrases, and were careful to touch no living chord of feeling. In France it was necessary for a Rabelais to hide his free-thinking under a disguise of revolting and unintelligible jargon. It was only in the Empire that such liberty of speech as Erasmus used was practicable, and in the Empire Erasmus passed for a moderate man. Upon the strength of an established character for moderation he enjoyed an exceptional licence for the utterance of unwelcome truths; and in spite of his flings at the rich and powerful, he remained through life a privileged person with them.

But though the men of the keys and the sword let him go his way unmolested, it was otherwise with his brethren of the pen. A man who is always launching opinions must expect to be retorted on. And when these judgments were winged by epigram, and weighted by the name of Erasmus, who stood at the head of letters, a widespread exasperation was the consequence. Disraeli has not noticed Erasmus in his _Quarrels of Authors_, perhaps because Erasmus's quarrels would require a volume to themselves. "So thin-skinned that a fly would draw blood," as the prince of Carpi expressed it, he could not himself restrain his pen from sarcasm. He forgot that though it is safe to lash the dunces, he could not with equal impunity sneer at those who, though they might not have the ear of the public as he had, could yet contradict and call names. And when literary jealousy was complicated with theological differences, as in the case of the free-thinkers, or with French vanity, as in that of Budaeus, the cause of the enemy was espoused by a party and a nation. The quarrel with Budaeus was strictly a national one. Cosmopolitan as Erasmus was, to the French literati he was still the Teuton. Etienne Dolet calls him "enemy of Cicero, and jealous detractor of the French name." The only contemporary name which could approach to a rivalry with his was that of Budaeus (Bude), who was exactly contemporary, having been born in the same year as Erasmus. Rivals in fame, they were unlike in accomplishment, each having the quality which the other wanted. Budaeus, though a Frenchman, knew Greek well; Erasmus, though a Dutchman, very imperfectly. But the Frenchman Budaeus wrote an execrable Latin style, unreadable then as now, while the Teuton Erasmus charmed the reading world with a style which, though far from good Latin, is the most delightful which the Renaissance has left us.

The style of Erasmus is, considered as Latin, incorrect, sometimes even barbarous, and far removed from any classical model. But it has qualities far above purity. The best Italian Latin is but an echo and an imitation; like the painted glass which we put in our churches, it is an anachronism. Bembo, Sadoleto and the rest write purely in a dead language. Erasmus's Latin was a living and spoken tongue. Though Erasmus had passed nearly all his life in England, France and Germany, his conversation was Latin; and the language in which he talked about common things he wrote. Hence the spontaneity and naturalness of his page, its flavour of life and not of books. He writes from himself, and not out of Cicero. Hence, too, he spoiled nothing by anxious revision in terror lest some phrase not of the golden age should escape from his pen. He confesses apologetically to Christopher Longolius (_Ep._ iii. 63; 402) that it was his habit to extemporize all he wrote, and that this habit was incorrigible; "effundo verius quam scribo omnia." He complains that much reading of the works of St Jerome had spoiled his Latin; but, as Scaliger says (_Scalig^a 2^a_), "Erasmus's language is better than St Jerome's." The same critic, however, thought Erasmus would have done better "if he had kept more closely to the classical models."

In the annals of classical learning Erasmus may be regarded as constituting an intermediate stage between the humanists of the Latin Renaissance and the learned men of the age of Greek scholarship, between Angelo Poliziano and Joseph Scaliger. Erasmus, though justly styled by Muretus (_Varr. Lectt._ 7, 15) "eruditus sane vir, ac multae lectionis," was not a "learned" man in the special sense of the word--not an "erudit." He was more than this; he was the "man of letters"--the first who had appeared in Europe since the fall of the Roman empire. His acquirements were vast, and they were all brought to bear upon the life of his day. He did not make a study apart of antiquity for its own sake, but used it as an instrument of culture. He did not worship, imitate and reproduce the classics, like the Latin humanists who preceded him; he did not master them and reduce them to a special science, as did the French Hellenists who succeeded him. He edited many authors, it is true, but he had neither the means of forming a text, nor did he attempt to do so. In editing a father, or a classic, he had in view the practical utility of the general reader, not the accuracy required by the gild of scholars. "His Jerome," says J. Scaliger, "is full of sad blunders" (_Scalig^a 2^a_). Even Julien Garnier could discover that Erasmus "falls in his haste into grievous error in his Latin version of St Basil, though his Latinity is superior to that of the other translators" (Pref. in _Opp. St. Bas._, 1721). It must be remembered that the commercial interests of Froben's press led to the introduction of Erasmus's name on many a title page when he had little to do with the book, e.g. the Latin _Josephus_ of 1524 to which Erasmus only contributed one translation of 14 pages; or the _Aristotle_ of 1531, of which Simon Grynaeus was the real editor. Where Erasmus excelled was in prefaces--not philological introductions to each author, but spirited appeals to the interest of the general reader, showing how an ancient book might be made to minister to modern spiritual demands.

Of Erasmus's works the Greek Testament is the most memorable. It has no title to be considered as a work of learning or scholarship, yet its influence upon opinion was profound and durable. It contributed more to the liberation of the human mind from the thraldom of the clergy than all the uproar and rage of Luther's many pamphlets. As an edition of the Greek Testament it has no critical value. But it was the first, and it revealed the fact that the Vulgate, the Bible of the church, was not only a second-hand document, but in places an erroneous document. A shock was thus given to the credit of the clergy in the province of literature, equal to that which was given in the province of science by the astronomical discoveries of the 17th century. Even if Erasmus had had at his disposal the MSS. subsidia for forming a text, he had not the critical skill required to use them. He had at hand a few late Basel MSS., one of which he sent straight to press, correcting them in places by collations of others which had been sent to him by Colet in England. In four reprints, 1519, 1522, 1527, 1535, Erasmus gradually weeded out many of the typographical errors of his first edition, but the text remained essentially such as he had first printed it. The Greek text indeed was only a part of his scheme. An important feature of the volume was the new Latin version, the original being placed alongside as a guarantee of the translator's good faith. This translation, with the justificatory notes which accompanied it, though not itself a work of critical scholarship, became the starting-point of modern exegetical science. Erasmus did nothing to solve the problem, but to him belongs the honour of having first propounded it.

Besides translating and editing the New Testament, Erasmus paraphrased the whole, except the Apocalypse, between 1517 and 1524. The paraphrases were received with great applause, even by those who had little appreciation for Erasmus. In England a translation of them made in 1548 was ordered to be placed in all parish churches beside the Bible. His correspondence is perhaps the part of his works which has the most permanent value; it comprises about 3000 letters, which form an important source for the history of that period. For the same purpose his _Colloquia_ may be consulted. They are a series of dialogues, written first for pupils in the early Paris days as formulae of polite address, but afterwards expanded into lively conversations, in which many of the topics of the day are discussed. Later in the century they were read in schools, and some of Shakespeare's lines are direct reminiscences of Erasmus.

His complete works have been printed twice; by the Froben firm under
the direction of his literary executors (9 vols., Basel, 1540); and by
Leclerc at Leiden (11 vols., 1703-1706). For his life the chief
contemporary sources are a _Compendium vitae_ written by himself in
1524, and a sketch prefixed by Beatus Rhenanus to the Basel edition of
1540. Of his writings he gives an account in his _Catalogus
lucubrationum_, composed first in January 1523 and enlarged in
September 1524; and also in a letter to Hector Boece of Aberdeen,
written in 1530. An elaborate bibliography, entitled _Bibliotheca
Erasmiana_, was undertaken by the officials of the Ghent University
Library; it is divided into three sections, for Erasmus's writings,
the books he edited, and the literature about him. _Listes sommaires_
were issued in 1893; and since 1897 the completed volumes have been
appearing at intervals. There is an excellent sketch of Erasmus's life
down to 1519 in F. Seebohm's _Oxford Reformers_ (3rd ed., 1887); and
of the many biographies those by S. Knight (1726), J. Jortin (2 vols.,
1758-1760) and R.B. Drummond (2 vols., 1873) may be mentioned. There
are also two volumes (1901-1904) of translations by F.M. Nichols from
Erasmus's letters down to 1517, with an ample commentary which amounts
almost to a biography; and an edition of the letters, in Latin, was
begun by the Oxford University Press in 1906 (vol. ii., 1910).
(M. P.; P. S. A.)

ERASTUS, THOMAS (1524-1583), German-Swiss theologian, whose surname was Luber, Lieber, or Liebler, was born of poor parents on the 7th of September 1524, probably at Baden, canton of Aargau, Switzerland. In 1540 he was studying theology at Basel. The plague of 1544 drove him to Bologna and thence to Padua as student of philosophy and medicine. In 1553 he became physician to the count of Henneberg, Saxe-Meiningen, and in 1558 held the same post with the elector-palatine, Otto Heinrich, being at the same time professor of medicine at Heidelberg. His patron's successor, Frederick III., made him (1559) a privy councillor and member of the church consistory. In theology he followed Zwingli, and at the sacramentarian conferences of Heidelberg (1560) and Maulbronn (1564) he advocated by voice and pen the Zwinglian doctrine of the Lord's Supper, replying (1565) to the counter arguments of the Lutheran Johann Marbach, of Strassburg. He ineffectually resisted the efforts of the Calvinists, led by Caspar Olevianus, to introduce the Presbyterian polity and discipline, which were established at Heidelberg in 1570, on the Genevan model. One of the first acts of the new church system was to excommunicate Erastus on a charge of Socinianism, founded on his correspondence with Transylvania. The ban was not removed till 1575, Erastus declaring his firm adhesion to the doctrine of the Trinity. His position, however, was uncomfortable, and in 1580 he returned to Basel, where in 1583 he was made professor of ethics. He died on the 31st of December 1583. He published several pieces bearing on medicine, astrology and alchemy, and attacking the system of Paracelsus. His name is permanently associated with a posthumous publication, written in 1568. Its immediate occasion was the disputation at Heidelberg (1568) for the doctorate of theology by George Wither or Withers, an English Puritan (subsequently archdeacon of Colchester), silenced (1565) at Bury St Edmunds by Archbishop Parker. Withers had proposed a disputation against vestments, which the university would not allow; his thesis affirming the excommunicating power of the presbytery was sustained. Hence the treatise of Erastus. It was published (1589) by Giacomo Castelvetri, who had married his widow, with the title _Explicatio gravissimae quaestionis utrum excommunicatio, quatenus religionem intelligentes et amplexantes, a sacramentorum usu, propter admissum facinus arcet, mandato nitatur divino, an excogitata sit ab hominibus_. The work bears the imprint Pesclavii (i.e. Poschiavo in the Grisons) but was printed by John Wolfe in London, where Castelvetri was staying; the name of the alleged printer is an anagram of Jacobum Castelvetrum. In the Stationers' Register (June 20, 1589) the printing is said to have been "alowed" by Archbishop Whitgift. It consists of seventy-five _Theses_, followed by a _Confirmatio_ in six books, and an appendix of letters to Erastus by Bullinger and Gualther, showing that his _Theses_, written in 1568, had been circulated in manuscript. An English translation of the _Theses_, with brief life of Erastus (based on Melchior Adam's account), was issued in 1659, entitled _The Nullity of Church Censures_; it was reprinted as _A Treatise of Excommunication_ (1682), and, as revised by Robert Lee, D.D., in 1844. The aim of the work is to show, on Scriptural grounds, that sins of professing Christians are to be punished by civil authority, and not by withholding of sacraments on the part of the clergy. In the Westminster Assembly a party holding this view included Selden, Lightfoot, Coleman and Whitelocke, whose speech (1645) is appended to Lee's version of the _Theses_; but the opposite view, after much controversy, was carried, Lightfoot alone dissenting. The consequent chapter of the Westminster Confession ("Of Church Censures") was, however, not ratified by the English parliament. "Erastianism," as a by-word, is used to denote the doctrine of the supremacy of the state in ecclesiastical causes; but the problem of the relations between church and state is one on which Erastus nowhere enters. What is known as "Erastianism" would be better connected with the name of Grotius. The only direct reply made to the _Explicatio_ was the _Tractatus de vera excommunicatione_ (1590) by Theodore Beza, who found himself rather savagely attacked in the _Confirmatio thesium_; e.g. "Apostolum et Mosen adeoque Deum ipsum audes corrigere."

See A. Bonnard, _Thomas Eraste et la discipline ecclesiastique_
(1894); Gass, in _Allgemeine deutsche Biog._ (1877); G.V. Lechler and
R. Stahelin, in A. Hauck's _Realencyklop. fur prot. Theol. u. Kirche_
(1898). (A. Go.*)

ERATOSTHENES OF ALEXANDRIA (c. 276-c. 194 B.C.), Greek scientific writer, was born at Cyrene. He studied grammar under Callimachus at Alexandria, and philosophy under the Stoic Ariston and the Academic Arcesilaus at Athens. He returned to Alexandria at the summons of Ptolemy III. Euergetes, by whom he was appointed chief librarian in place of Callimachus. He is said to have died of voluntary starvation, being threatened with total blindness. Eratosthenes was one of the most learned men of antiquity, and wrote on a great number of subjects. He was the first to call himself Philologos (in the sense of the "friend of learning"), and the name Pentathlos was bestowed upon him in honour of his varied accomplishments. He was also called _Beta_ as being second in all branches of learning, though not actually first in any. In mathematics he wrote two books _On means_ ([Greek: Peri mesoteton]) which are lost, but appear, from a remark of Pappus, to have dealt with "loci with reference to means." He devised a mechanical construction for two mean proportionals, reproduced by Pappus and Eutocius (Comm. on Archimedes). His [Greek: koskinon] or _sieve_ (_cribrum Eratosthenis_) was a device for discovering all prime numbers. He laid the foundation of mathematical geography in his _Geographica_, in three books. His greatest achievement was his measurement of the earth. Being informed that at Syene (Assuan), on the day of the summer solstice at noon, a well was lit up through all its depth, so that Syene lay on the tropic, he measured, at the same hour, the zenith distance of the sun at Alexandria. He thus found the distance between Syene and Alexandria (known to be 5000 stadia) to correspond to 1/50th of a great circle, and so arrived at 250,000 stadia (which he seems subsequently to have corrected to 252,000) as the circumference of the earth. He is credited by Ptolemy and his commentator Theon with having found the distance between the tropics to be 11/83 rds. of the meridian circle, which gives 23 deg. 51' 20" for the obliquity of the ecliptic. His astronomical poem _Hermes_ began apparently with the birth and exploits of Hermes, then passed to the legend of his having ordered the heavens, the zones and the stars, and gave a history of the latter. His _Erigone_, of which a few fragments are also preserved, is sometimes spoken of as a separate poem, but it may have belonged to the _Hermes_, which appears also to have been known by other names such as _Catalogi_. The still extant _Catasterismi_, containing the story of certain stars in prose, is probably not by Eratosthenes.

Eratosthenes was the founder of scientific chronology in his [Greek: chronographia] in which he endeavoured to fix the dates of the chief literary and political events from the conquest of Troy. An important work was his treatise on the old comedy, dealing with theatres and theatrical apparatus generally, and discussing the works of the principal comic poets themselves. Works on moral philosophy, history, and a number of letters were also attributed to him.

There is a complete edition of the fragments of Eratosthenes by
Bernhardy (1822); poetical fragments, Hillier (1872); geographical,
Seidel (1799) and Berger (1880); [Greek: katasterismoi], Schaubach
(1795) and Robert (1878). See Sandys, _Hist. Class. Schol._ i. (1906).
(T. L. H.)

ERBACH, a town of Germany, in the grand-duchy of Hesse-Darmstadt, on the Mumling, 22 m. S.E. of Darmstadt. It has cloth mills and ivory-turning, for which last branch it possesses a technical school. Wool and cattle fairs are held twice a year. Pop. 2800. The castle contains an interesting collection of weapons and pictures, and in the chapel are the coffins of Einhard, the friend and biographer of Charlemagne, and his wife, Emma.

Erbach has long been the residence of the counts of Erbach, who trace their descent back to the 12th century, and who held the office of cupbearer to the electors palatine of the Rhine until 1806. In 1532 the emperor Charles V. made the county a direct fief of the Empire, on account of the services rendered by Count Eberhard during the Peasants' War. Since 1717 the family has been divided into the three lines of Erbach-Furstenau, Erbach-Erbach and Erbach-Schonberg, who rank for precedence, not according to the age of their descent, but according to the age of the chief of their line. In 1818 the counts of Erbach-Erbach inherited the county of Wartenberg-Roth, and in 1903 the count of Erbach-Schonberg was granted the title of prince. The county was mediatized in 1806, and is now incorporated with the duchy of Hesse-Darmstadt.

See Simon, _Die Geschichte der Dynasten und Grafen zu Erbach_
(Frankfort, 1858).

ERBIUM (symbol, Er; atomic weight, 165-166), one of the metals of the rare earths. The first of the rare earth minerals was discovered in 1794 by J. Gadolin and was named gadolinite from its discoverer. In 1797 Ekeberg showed that gadolinite contained another rare earth, which was given the name yttria. Yttria is an exceedingly complex mixture, which has been decomposed, yielding as an intermediate product terbia. This latter substance in its turn has been split by J.L. Soret, P.T. Cleve, Lecoq de Boisbaudran and others into erbia, holmia, thulia and dysprosia, but it is still doubtful whether any one of these four splitting products is a single substance. The rare earth metals are found in the minerals gadolinite, samarskite, fergusonite, euxenite and cerite. They are separated from the minerals by converting them into oxalates, which by ignition give the corresponding oxides. The oxides are then converted into double sulphates which are separated from each other by repeated fractional crystallization or by fractional precipitation with ammonia or some other base. Erbium forms rose-coloured salts and a rose-coloured oxide. The oxide dissolves slowly in acids; it is not reduced by hydrogen and is infusible. The salts show a characteristic absorption spectrum.

See J.F. Bahr and R. Bunsen (_Ann._, 1866, 137, p. 1); A. v. Welsbach
(_Monats._, 1883, 4, p. 641; 1884, 5, p. 508; 1885, 6, p. 477); P.T.
Cleve (_Comptes rendus_, 1879, 89, p. 478; 1880, 91, pp. 328, 381;
1882, 95, p. 1225; _Bull. de la soc. chim._, 1874, 21, p. 196; 1883,
39, p. 287); C. Marignac (_Ann. Chim. phys._, 1849 [3] 27, p. 226); B.
Brauner (_Monats._, 1882, 3, p. 13); W. Crookes (_Proc. Roy. Soc._,
1886, 40, p. 502); Lecoq de Boisbaudran (_Comptes rendus_, 1886, 102,
p. 1005); A. Bettendorf (_Ann._, 1892, 270, p. 376); M. Muthmann
(_Ber._, 1898, 31, p. 1718; 1900, 33, p. 42); G. Kruss (_Zeit. f.
anorg. Chem._, 1893, 3, p. 108).

ERCILLA Y ZUNIGA, ALONSO DE (1533-1595), Spanish soldier and poet, was born in Madrid on the 7th of August 1533. In 1548 he was appointed page to the heir-apparent, afterwards Philip II. In this capacity Ercilla visited Italy, Germany and the Netherlands, and was present in 1554 at the marriage of his master to Mary of England. Hearing that an expedition was preparing to subdue the Araucanians of Chile, he joined the adventurers. He distinguished himself in the ensuing campaign; but, having quarrelled with a comrade, he was condemned to death in 1558 by his general, Garcia Hurtado de Mendoza. The sentence was commuted to imprisonment, but Ercilla was speedily released and fought at the battle of Quipeo (14th of December 1558). He returned to Spain in 1562, visited Italy, France, Germany, Bohemia, and in 1570 married Maria de Bazan, a lady distantly connected with the Santa Cruz family; in 1571 he was made knight of the order of Santiago, and in 1578 he was employed by Philip II. on a mission to Saragossa. He complained of living in poverty but left a modest fortune, and was obviously disappointed at not being offered the post of secretary of state. His principal work is _La Araucana_, a poem based on the events of the wars in which he had been engaged. It consists of three parts, of which the first, composed in Chile and published in 1569, is a versified narrative adhering strictly to historic fact; the second, published in 1578, is encumbered with visions and other romantic machinery; and the third, which appeared in 1589-1590, contains, in addition to the subject proper, a variety of episodes mostly irrelevant. This so-called epic lacks symmetry, and has been over-praised by Cervantes and Voltaire; but it is written in excellent Spanish, and is full of vivid rhetorical passages. An analysis of the poem was given by Hayley in his _Essay on Epic Poetry_ (1782).

A good biography precedes the _Morceaux choisis_ (Paris, 1900) by Jean
Ducamin.

ERCKMANN-CHATRIAN, the joint names of two French writers whose collaboration made their work that of, so to speak, one personality. EMILE ERCKMANN (1822-1899) was born on the 20th of May 1822 at Phalsbourg, and LOUIS GRATIEN CHARLES ALEXANDRE CHATRIAN (1826-1890) on the 18th of December 1826 at Soldatenthal, Lorraine. In 1847 they began to write together, and continued doing so till 1889. Chatrian died in 1890 at Villemomble near Paris, and Erckmann at Luneville in 1899. The list of their publications is a long one, ranging from the _Histoires et contes fantastiques_ (1849; reprinted from the _Democrate du Rhin_), _L'Illustre Docteur Matheus_ (1859), _Madame Therese_ (1863), _L'Ami Fritz_ (1864), _Histoire d'un conscrit de 1813_ (1864), _Waterloo_ (1865), _Le Blocus_ (1867), _Histoire d'un paysan_ (4 vols., 1868-1870), _L'Histoire du plebiscite_ (1872), to _Le Grand-pere Lebigue_ (1880); besides dramas like _Le Juif polonais_ (1869) and _Les Rantzau_ (1882). Without any special literary claim, their stories are distinguished by simplicity and genuine descriptive power, particularly in the battle scenes and in connexion with Alsatian peasant life. They are marked by a genuine democratic spirit, and by real patriotism, which developed after 1870 into hatred of the Germans. The authors attacked militarism by depicting the horrors of war in the plainest terms.

See also J. Claretie, _Erckmann-Chatrian_ (1883), in the series of
"Celebrites contemporaines."

ERDELYI, JANOS (1814-1868), Hungarian poet and author, was born in 1814 at Kapos, in the county of Ungvar, and educated at the Protestant college of Sarospatak. In 1833 he removed to Pest, where he was, in 1839, elected member of the Hungarian Academy of Sciences. His literary fame was made by his collection of Hungarian national poems and folk-tales, _Magyar Nepkoltesi Gyujtemeny, Nepdalok es Mondak_ (Pest, 1846-1847). This work, published by the Kisfaludy Society, was supplemented by a dissertation upon Hungarian national poetry, afterwards partially translated into German by Stier (Berlin, 1851). Erdelyi also compiled for the Kisfaludy Society an extensive collection of Hungarian proverbs--_Magyar Kozmondasok konyve_ (Pest, 1851),--and was for some time editor of the _Szepirodalmi Szemle_ (_Review of Polite Literature_). In 1848 he was appointed director of the national theatre at Pest; but after 1849 he resided at his native town. He died on the 23rd of January 1868. A collection of folklore was published the year after his death, entitled _A Nep Kolteszete nepdalok, nepmesek es kozmondasok_ (Pest, 1869). This work contains 300 national songs, 19 folk-tales and 7362 Hungarian proverbs.

ERDMANN, JOHANN EDUARD (1805-1892), German philosophical writer, was born at Wolmar in Livonia on the 13th of June 1805. He studied theology at Dorpat and afterwards at Berlin, where he fell under the influence of Hegel. From 1829 to 1832 he was a minister of religion in his native town. Afterwards he devoted himself to philosophy, and qualified in that subject at Berlin in 1834. In 1836 he was professor-extraordinary at Halle, became full professor in 1839, and died there on the 12th of June 1892. He published many philosophical text-books and treatises, and a number of sermons; but his chief claim to remembrance rests on his elaborate _Grundriss der Geschichte der Philosophie_ (2 vols., 1866), the 3rd edition of which has been translated into English. Erdmann's special merit is that he does not rest content with being a mere summarizer of opinions, but tries to exhibit the history of human thought as a continuous and ever-developing effort to solve the great speculative problems with which man has been confronted in all ages. His chief other works were: _Leib und Seele_ (1837), _Grundriss der Psychologie_ (1840), _Grundriss der Logik und Metaphysik_ (1841), and _Psychologische Briefe_ (1851).

ERDMANN, OTTO LINNE (1804-1869), German chemist, son of Karl Gottfried Erdmann (1774-1835), the physician who introduced vaccination into Saxony, was born at Dresden on the 11th of April 1804. In 1820 he began to attend the medico-chirurgical academy of his native place, and in 1822 he entered the university of Leipzig where in 1827 he became extraordinary professor, and in 1830 ordinary professor of chemistry. This office he held until his death, which happened at Leipzig on the 9th of October 1869. He was particularly successful as a teacher, and the laboratory established at Leipzig under his direction in 1843 was long regarded as a model institution. As an investigator he is best known for his work on nickel and indigo and other dye-stuffs. With R.F. Marchand (1813-1850) he also carried out a number of determinations of atomic weights. In 1828, in conjunction with A.F.G. Werther (1815-1869), he founded the _Journal fur technische und okonomische Chemie_, which became in 1834 the _Journal fur praktische Chemie_. He was also the author of _Uber das Nickel_ (1827), _Lehrbuch der Chemie_ (1828), _Grundriss der Waarenkunde_ (1833), and _Uber das Studium der Chemie_ (1861).

EREBUS, in Greek mythology, son (according to Hesiod, _Theog._ 123) of Chaos, and father of Aether (upper air) and Hemera (day) by his sister Nyx (night). The word, which signifies darkness, is in Homer the gloomy subterranean region through which the departed shades pass into Hades. The entrance to it was in the extreme west, on the borders of Ocean, in the mythical land of the Cimmerians. It is to be distinguished from Tartarus, the place of punishment for the wicked.

ERECH (_Uruk_ in the Babylonian inscriptions; Gr. _Orchoe_), the Biblical name of an ancient city of Babylonia, situated E. of the present bed of the Euphrates, on the line of the ancient Nil canal, in a region of marshes, about 140 m. S.S.E. from Bagdad. It was one of the oldest and most important cities of Babylonia, and the site of a famous temple, called E-Anna, dedicated to the worship of Nana, or Ishtar. Erech played a very important part in the political history of the country from an early time, exercising hegemony in Babylonia at a period before the time of Sargon. Later it was prominent in the national struggles of the Babylonians against Elam (2000 B.C. and earlier), in which it suffered severely; recollections of these conflicts are embodied in the Gilgamesh epic, as it has come down to us through the library of Assur-bani-pal. Erech enjoyed much distinction in the later times, as a seat of learning and of the worship of Ishtar, and Assur-bani-pal drew largely on its literary stores for his library at Nineveh, from which we derive our principal information concerning ancient Babylonian literature. The inscriptions found here show that it continued in existence through the Persian and Seleucid periods. The ruins of the ancient site, known as Warka, which are among the largest in all Babylonia, forming an irregular circle nearly 6 m. in circumference, bounded by a wall, still standing in some places to the height of 40 ft., were explored and partially excavated by W.K. Loftus in 1850 and 1854. The most conspicuous ruin, now called Abu-Berdi, "Father of Marsh Grass," or Buwariye, "reed matting," because of the layers of reeds between each twelve courses of unbaked brick, is the _ziggurat_ (tower) of the ancient temple of E-Anna. It is about 100 ft. in height, and strikingly resembles in general appearance the ruins of the ziggurat of the temple of Enlil at Nippur. Second to this in size was the ruin called Wuswas, a walled quadrangle, including an area of more than seven and a half acres, within which was an edifice 246 ft. long and 174 ft. wide, elevated on an artificial platform 50 ft. in height. The south-west facade, still standing in some places to the height of 23 ft., exhibited an interesting use of half columns, and stepped recesses for purposes of decoration. In another ruin Loftus found a wall, 30 ft. long, composed entirely of small yellow terra-cotta nail-headed cones, such as have been discovered in great numbers, inscribed and uninscribed, used for votive purposes in connexion with walls at Tello and elsewhere in Babylonia. His excavations being superficial, the Babylonian inscriptions found by him, about one hundred in all, exclusive of the ancient Ur-Gur bricks from the temple, belong in general to the neo-Babylonian, Persian and Seleucid periods. The older remains are buried deep beneath the huge mass of later debris. Loftus also discovered at Erech, almost everywhere within and without the walls, great numbers of clay coffins, piled one above another, to the height of over 30 ft., forming a vast and, on the whole, well-ordered cemetery belonging to the Persian, Parthian and later occupations of Babylonia, during which period Erech, like other cities of the south, evidently became a necropolis for a large extent of country. After Loftus's time the mounds were visited by various travellers, but no further excavations have been conducted. Work on this important part of the site is attended with very great difficulties, owing to the inaccessible position of the ruins, the unsettled character of the country, the frequent sand-storms, and above all, the immense mass of material of later periods which must be removed before a systematic excavation of the more ancient and interesting ruins could be undertaken. A curious feature of the Warka neighbourhood is the existence of conical sand-hills, rising to a considerable height, so compact as to be almost like stone. These hills extend from Warka northward as far as Tel Ede.

See W.K. Loftus, _Chaldaea and Susiana_ (1857); J.P. Peters, _Nippur_
(1897); E. Sachau, _Am Euphrat und Tigris_ (1900). Cf. also NIPPUR and
authorities there quoted. (J. P. Pe.)

ERECHTHEUM, a temple (commonly called after Erechtheus, to whom a portion of it was dedicated) on the acropolis at Athens, unique in plan, and in its execution the most refined example of the Ionic order. There is no clear evidence as to when the building was begun, some placing it among the temples projected by Pericles, others assigning it to the time after the peace of Nicias in 421 B.C. The work was interrupted by the stress of the Peloponnesian War, but in 409 B.C. a commission was appointed to make a report on the state of the building and to undertake its completion, which was carried out in the following year.

The peculiar plan of the Erechtheum has given rise to much speculation. It may be due partly to the natural conformation of the rock and the differences of level, partly to the necessity of enclosing within a single building several objects of ancient sanctity, such as the mark of Poseidon's trident and the spring that arose from it, the sacred olive tree of Athena, and the tomb of Cecrops. But there are some features which cannot be so explained, and which have led Professor W. Dorpfeld and others to believe that the plan, as we now have it, is a modification or abridgment of the original design, due to the same conservative influences as led to the curtailment of the plan of the Propylaea (q.v.).

The building as completed consisted of a temple of the ordinary type, opening by a door and two windows to the east front, before which stood a portico of six Ionic columns. This part was the temple of Athena Polias. Adjoining it on the west was the central chamber, on a lower level; this chamber was separated by a partition, originally of wood and later of marble, from the western compartment of the temple, which was of peculiar construction. The west end was formed by a wall, on which stood four columns between antae; but the main entrance to this western compartment was through a large and very ornate doorway on the north; and a large Ionic portico, consisting of four columns in the front, and one in the return on each side, was placed in front of this door. At the south end of the western compartment was a smaller door, with steps leading up to the higher level, within a projecting space enclosed by a low wall and covered with a projecting porch carried by six "maidens" or caryatides. The construction of the building at this south-western corner shows that there was some sacred object that had to be bridged over by a huge block of marble; this we know from inscriptions to have been the Cecropeum or tomb of Cecrops. In the north portico a square hole in the floor, with a corresponding hole in the roof above it, must have given access to another sacred object, the mark of Poseidon's trident in the rock. The sacred olive tree probably stood just outside the temple to the west in the Pandroseion. The Ionic order, as used in this temple, is of the most ornate Attic type. The bases of the columns are either reeded or decorated with a plait-pattern; the capital has the broad channel between the volutes subdivided by a carefully-profiled incision; and the top of the shafts is ornamented by a broad band of palmette or honeysuckle pattern. A similar band of ornament runs round the top of the walls outside, and at their base is a reeded torus. The frieze consisted of white marble figures in relief, affixed to a background of black Eleusinian stone.

The contents of the Erechtheum are described by Pausanias. It contained the ancient image of Athena Polias, and three altars, one to Poseidon and Erechtheus, one to Butes and one to Hephaestus; there were portraits of the family of the Butadae on the walls. Within it was also the gold lamp of Callimachus, which burnt for a year without refilling, and had a chimney in the form of a palm-tree.

The Erechtheum was damaged by a fire, soon after its completion, in 406 B.C., but was repaired early in the following century. The west end appears to have been damaged in Roman times and to have been replaced by the attached columns with windows between them which appear in old drawings and are still partially extant. It was used as a church in Christian times, and under Turkish rule as the harem of the governor of Athens. Lord Elgin carried off to London, about 1801-1803, one of the columns of the east portico and one of the caryatides; these were replaced later by terra-cotta casts. During the siege of the Acropolis in 1827, the roof of the north portico was thrown down and the building was otherwise much damaged. It was partially rebuilt between 1838 and 1846; the west front was blown down in a storm in 1852. Since 1900 the project of rebuilding the Erechtheum as far as possible with the original blocks has again been undertaken.

See Stuart, _Antiquities of Athens_; Inwood, _The Erechtheum_; H.
Forster in _Papers of American School at Athens_, i. (1882-1883); J.H.
Middleton, _Plans and Drawings of Athenian Buildings_ (1900), pls.
xiv.-xxii.; E.A. Gardner, _Ancient Athens_, chap. viii.; W. Dorpfeld,
"Der ursprungliche Plan des Erechtheion" in _Mitteil. Athen._, 1904,
p. 101, taf. 6; G.P. Stevens, "The East Wall of the Erechtheum," in
_American Journ. Arch._, 1906, pls. vi.-ix. (E. Gr.)

ERECHTHEUS, in Greek legend, a mythical king of Athens, originally identified with Erichthonius, but in later times distinguished from him. According to Homer, who knows nothing of Erichthonius, he was the son of Aroura (Earth), brought up by Athena, with whom his story is closely connected. In the later story, Erichthonius (son of Hephaestus and Atthis or Athena herself) was handed over by Athena to the three daughters of Cecrops--Aglauros (or Agraulos), Herse and Pandrosos--in a chest, which they were forbidden to open. Aglauros and Herse disobeyed the injunction, and when they saw the child (which had the form of a snake, or round which a snake was coiled) they went mad with fright, and threw themselves from the rock of the Acropolis (or were killed by the snake). Athena herself then undertook the care of Erichthonius, who, when he grew up, drove out Amphictyon and took possession of the kingdom of Athens. Here he established the worship of Athena, instituted the Panathenaea, and built an Erechtheum. The Erechtheus of later times was supposed to be the grandson of Erechtheus-Erichthonius, and was also king of Athens. When Athens was attacked by the Thracian Eumolpus (or by the Eleusinians assisted by Eumolpus) victory was promised Erechtheus if he sacrificed one of his daughters. Eumolpus was slain and Erechtheus was victorious, but was himself killed by Poseidon, the father of Eumolpus, or by a thunderbolt from Zeus. The contest between Erechtheus and Eumolpus formed the subject of a lost tragedy by Euripides; Swinburne has utilized the legend in his _Erechtheus_. The scene of the opening of the chest is represented on a Greek vase in the British Museum. The name Erichthonius is connected with [Greek: chthon] ("earth") and the representation of him as half-snake, like Cecrops, indicates that he was regarded as one of the autochthones, the ancestors of the Athenians who sprung from the soil.

See Apollodorus iii. 14. 15; Euripides, _Ion_; Ovid, _Metam._ ii. 553;
Hyginus, _Poet. astron._ ii. 13; Pausanias i. 2. 5. 8; E. Ermatinger,
_Die attische Autochthonensage_ (1897); article by J.A. Hild in
Daremberg and Saglio's _Dictionnaire des antiquites_; B. Powell in
_Cornell Studies_, xvii. (1906), who identifies Erechtheus,
Erichthonius, Poseidon and Cecrops, all denoting the sacred serpent of
Athena, whose cult she first contested, but then amalgamated with her
own. The birth of Erichthonius (as a corn-spirit) is interpreted by
Mannhardt as a mythical way of describing the growth of the corn, and
by J.E. Harrison (_Myths and Monuments of Ancient Athens_,
xxvii.-xxxvi.) as a fiction to explain the ceremony performed by the
two maidens called Arrephori. See also Farnell, _Cults of the Greek
States_, i. 270; and Frazer's _Pausanias_, ii. 169.

ERESHKIGAL, also known as ALLATU, the name of the chief Babylonian goddess of the nether-world where the dead are gathered. Her name signifies "lady of the nether-world." She is known to us chiefly through two myths, both symbolizing the change of seasons, but intended also to illustrate certain doctrines developed in the temple-schools of Babylonia. One of these myths is the famous story of Ishtar's descent to Irkalla or Aralu, as the lower world was called, and her reception by her sister who presides over it; the other is the story of Nergal's offence against Ereshkigal, his banishment to the kingdom controlled by the goddess and the reconciliation between Nergal and Ereshkigal through the latter's offer to have Nergal share the honours of the rule over Irkalla. The story of Ishtar's descent is told to illustrate the possibility of an escape from Irkalla, while the other myth is intended to reconcile the existence of two rulers of Irkalla--a goddess and a god.

It is evident that it was originally a goddess who was supposed to be in control of Irkalla, corresponding to Ishtar in control of fertility and vegetation on earth. Ereshkigal is therefore the sister of Ishtar and from one point of view her counterpart, the symbol of nature during the non-productive season of the year. As the doctrine of two kingdoms, one of this world and one of the world of the dead, becomes crystallized, the dominions of the two sisters are sharply differentiated from one another. The addition of Nergal represents the harmonizing tendency to unite with Ereshkigal as the queen of the nether-world the god who, in his character as god of war and of pestilence, conveys the living to Irkalla and thus becomes the one who presides over the dead. (M. Ja.)