Chapter IV: Introduction: The Kinds of Criticism (3)

Sad, sad indeed is the plight of the poet who publishes verses like this, of which there are thousands of lines to be found in Hogg. And then one comes to "Kilmeny," and the note changes with a vengeance:--

Bonny Kilmeny gaed up the glen;
But it wasna to meet Duneira's men,
Nor the rosy monk of the isle to see,
For Kilmeny was pure as pure could be.
It was only to hear the yorlin sing,
And pu' the cress-flower round the spring,
The scarlet hip and the hindberry,
For Kilmeny was pure as pure could be.

· · · · ·

Kilmeny looked up with a lovely grace,
But nae smile was seen on Kilmeny's face;
As still was her look and as still was her ee
As the stillness that lay on the emeraut lea,
Or the mist that sleeps on a waveless sea.
For Kilmeny had been she kent not where,
And Kilmeny had seen what she could not declare;
Kilmeny had been where the cock never crew,
Where the rain never fell and the wind never blew.

No matter that it is necessary even here to make a cento, that the untutored singer cannot keep up the song by natural force and has not skill enough to dissemble the lapses. "Kilmeny" at its best is poetry--such poetry as, to take Hogg's contemporaries only, there is none in Rogers or Crabbe, little I fear in Southey, and not very much in Moore. Then there is no doubt at all that he could write ballads. "The Witch of Fife" is long and is not improved by being written (at least in one version) in a kind of Scots that never was on land or sea, but it is quite admirable of its class. "The Good Grey Cat," his own imitation of himself in the _Poetic Mirror_, comes perhaps second to it, and "The Abbot McKinnon" (which is rather close to the imitations of Scott) third. But there are plenty of others. As for his poems of the more ambitious kind, "Mador of the Moor," "Pilgrims of the Sun," and even "Queen Hynde," let blushing glory--the glory attached to the literary department--hide the days on which he produced those. She can very well afford it, for the hiding leaves untouched the division of Hogg's poetical work which furnishes his highest claims to fame except "Kilmeny," the division of the songs. These are numerous and unequal as a matter of course. Not a few of them are merely variations on older scraps and fragments of the kind which Burns had made popular; some of them are absolute rubbish; some of them are mere imitations of Burns himself. But this leaves abundance of precious remnants, as the Shepherd's covenanting friends would have said. The before-mentioned "Donald Macdonald" is a famous song of its kind: "I'll no wake wi' Annie" comes very little short of Burns's "Green grow the rashes O!" The piece on the lifting of the banner of Buccleuch, though a curious contrast with Scott's "Up with the Banner" does not suffer too much by the comparison: "Cam' ye by Athole" and "When the kye comes hame" everybody knows, and I do not know whether it is a mere delusion, but there seems to me to be a rare and agreeable humour in "The Village of Balmaquhapple."

D'ye ken the big village of Balmaquhapple?
The great muckle village of Balmaquhapple?
'Tis steeped in iniquity up to the thrapple,
An' what's to become o' poor Balmaquhapple?

Whereafter follows an invocation to St. Andrew, with a characteristic suggestion that he may spare himself the trouble of intervening for certain persons such as

Geordie, our deacon for want of a better,
And Bess, wha delights in the sins that beset her--

ending with the milder prayer:

But as for the rest, for the women's sake save them,
Their bodies at least, and their sauls if they have them.

· · · · ·

And save, without word of confession auricular,
The clerk's bonny daughters, and Bell in particular;
For ye ken that their beauty's the pride and the stapple
Of the great wicked village of Balmaquhapple!

"Donald McGillavry," which deceived Jeffrey, is another of the half-inarticulate songs which have the gift of setting the blood coursing;

Donald's gane up the hill hard an' hungry;
Donald's come down the hill wild an' angry:
Donald will clear the gowk's nest cleverly;
Here's to the King and Donald McGillavry!

· · · · ·

Donald has foughten wi' reif and roguery,
Donald has dinnered wi' banes and beggary;
Better it war for Whigs an' Whiggery
Meeting the deevil than Donald McGillavry.
Come like a tailor, Donald McGillavry,
Come like a tailor, Donald McGillavry,
Push about, in an' out, thimble them cleverly.
Here's to King James an' Donald McGillavry!

"Love is Like a Dizziness," and the "Boys' Song,"

Where the pools are bright and deep,
Where the grey trout lies asleep,
Up the river and over the lea,
That's the way for Billy and me--

and plenty more charming things will reward the explorer of the Shepherd's country. Only let that explorer be prepared for pages on pages of the most unreadable stuff, the kind of stuff which hardly any educated man, however great a "gomeril" he might be, would ever dream of putting to paper, much less of sending to press. It is fair to repeat that the educated man who thus refrained would probably be a very long time before he wrote "Kilmeny," or even "Donald McGillavry" and "The Village of Balmaquhapple."

Still (though to say it is enough to make him turn in his grave) if Hogg had been a verse-writer alone he would, except for "Kilmeny" and his songs, hardly be worth remembering, save by professed critics and literary free-selectors. A little better than Allan Cunningham, he is but for that single, sudden, and unsustained inspiration of "Kilmeny," and one or two of his songs, so far below Burns that Burns might enable us to pay no attention to him and not lose much. As for Scott, "Proud Maisie" (an unapproachable thing), the fragments that Elspeth Cheyne sings, even the single stanza in _Guy Mannering_, "Are these the Links of Forth? she said," any one of a thousand snatches that Sir Walter has scattered about his books with a godlike carelessness will "ding" Hogg and all his works on their own field. But then it is not saying anything very serious against a man to say that he is not so great as Scott. With those who know what poetry is, Hogg will keep his corner ("not a polished corner," as Sydney Smith would say) of the temple of Apollo.

Hogg wrote prose even more freely than he wrote verse, and after the same fashion--a fashion which he describes with equal frankness and truth by the phrases, "dashing on," "writing as if in desperation," "mingling pathos and absurdity," and so forth. Tales, novels, sketches, all were the same to him; and he had the same queer mixture of confidence in their merits and doubt about the manner in which they were written. _The Brownie of Bodsbeck_, _The Three Perils of Man_ (which appears refashioned in the modern editions of his works as _The Siege of Roxburgh_), _The Three Perils of Woman_, _The Shepherd's Calendar_ and numerous other uncollected tales exhibit for the most part very much the same characteristics. Hogg knew the Scottish peasantry well, he had abundant stores of unpublished folklore, he could invent more when wanted, he was not destitute of the true poetic knowledge of human nature, and at his best he could write strikingly and picturesquely. But he simply did not know what self-criticism was, he had no notion of the conduct or carpentry of a story, and though he was rather fond of choosing antique subjects, and prided himself on his knowledge of old Scots, he was quite as likely to put the baldest modern touches in the mouth of a heroine of the fourteenth or fifteenth century as not. If anybody takes pleasure in seeing how a good story can be spoilt, let him look at the sixth chapter of the _Shepherd's Calendar_, "The Souters of Selkirk;" and if any one wants to read a novel of antiquity which is not like Scott, let him read _The Bridal of Polmood_.

In the midst, however, of all this chaotic work, there is still to be found, though misnamed, one of the most remarkable stories of its kind ever written--a story which, as I have said before, is not only extraordinarily good of itself, but insists peremptorily that the reader shall wonder how the devil it got where it is. This is the book now called _The Private Memoirs and Confessions of a Fanatic_, but by its proper and original title, _The Confessions of a Justified Sinner_. Hogg's reference to it in his _Autobiography_ is sufficiently odd. "The next year (1824)," he says, "I published _The Confessions of a Fanatic [Sinner]_, but, it being a story replete with horrors, after I had written it I durst not venture to put my name to it, so it was published anonymously, and of course did not sell very well--so at least I believe, for I do not remember ever receiving anything for it, and I am sure if there had been a reversion [he means return] I should have had a moiety. However I never asked anything, so on that point there was no misunderstanding." And he says nothing more about it, except to inform us that his publishers, Messrs. Longman, who had given him for his two previous books a hundred and fifty pounds each "as soon as the volumes were put to press," and who had published the _Confessions_ on half profits, observed, when his next book was offered to them, that "his last publication (the _Confessions_) had been found fault with in some very material points, and they begged leave to decline the present one until they consulted some other persons." That is all. But the Reverend Thomas Thomson, Hogg's editor, an industrious and not incompetent man of letters, while admitting that it is "in excellence of plot, concentration of language and vigorous language, one of the best and most interesting [he might have said the best without a second] of Hogg's tales," observes that it "alarmed the religious portion of the community who hastily thought that the author was assailing Christianity." "Nothing could be more unfounded," says the Reverend Thomas Thomson with much justice. He might have added that it would have been much more reasonable to suspect the author of practice with the Evil One in order to obtain the power of writing anything so much better than his usual work.

For, in truth, _The Confessions of a Justified Sinner_, while it has all Hogg's merits and more, is quite astoundingly free from his defects. His tales are generally innocent of the most rudimentary notions of construction: this goes closely ordered, with a few pardonable enough digressions, from beginning to end. He has usually little concentrated grasp of character: the few personages of the _Confessions_ are consistent throughout. His dialogue is, as a rule, extraordinarily slipshod and unequal: here there is no fault to find with it. His greatest lack, in short, is the lack of form: and here, though the story might perhaps have been curtailed, or rather "cut" in the middle, with advantage, the form is excellent. As its original edition, though an agreeable volume, is rare, and its later ones are buried amidst discordant rubbish, it may not be improper to give some account of it. The time is pitched just about the Revolution and the years following, and, according to a common if not altogether praiseworthy custom, the story consists of an editor's narrative and of the _Confessions_ proper imbedded therein. The narrative tells how a drinking Royalist laird married an exceedingly precise young woman, how the dissension which was probable broke out between them, how a certain divine, the Reverend Robert Wringhim, endeavoured to convert the sinner at the instances of the saint, and perhaps succeeded in consoling the saint at the expense of the sinner; how the laird sought more congenial society with a certain cousin of his named Arabella Logan, and how, rather out of jealousy than forgiveness, such a union or quasi-union took place between husband and wife that they had two sons, George and Robert, the elder of whom was his father's favourite and like, while the younger was pretty much left to the care of Mr. Wringhim. The tale then tells how, after hardly seeing one another in boyhood, the brothers met as young men at Edinburgh, where on extreme provocation the elder was within an ace of killing the younger. The end of it was that, after Robert had brought against George a charge of assaulting him on Arthur's Seat, George himself was found mysteriously murdered in an Edinburgh close. His mother cared naught for it; his father soon died of grief; the obnoxious Robert succeeded to the estates, and only Arabella Logan was left to do what she could to clear up the mystery, which, after certain strange passages, she did. But when warrants were made out against Robert he had disappeared, and the whole thing remained wrapped in more mystery than ever.

To this narrative succeed the confessions of Robert himself. He takes of course the extreme side both of his mother and of her doctrines, but for some time, though an accomplished Pharisee, he is not assured of salvation, till at last his adopted (if not real) father Wringhim announces that he has wrestled sufficiently in prayer and has received assurance.

Thereupon the young man sallies out in much exaltation of feeling and full of contempt for the unconverted. As he goes he meets another young man of mysterious appearance, who seems to be an exact double of himself. This wraith, however, presents himself as only a humble admirer of Robert's spiritual glory, and holds much converse with him. He meets this person repeatedly, but is never able to ascertain who he is. The stranger says that he may be called Gil Martin if Robert likes, but hints that he is some great one--perhaps the Czar Peter, who was then known to be travelling incognito about Europe. For a time Robert's Illustrious Friend (as he generally calls him) exaggerates the extremest doctrines of Calvinism, and slips easily from this into suggestions of positive crime. A minister named Blanchard, who has overheard his conversation, warns Robert against him, and Gil Martin in return points out Blanchard as an enemy to religion whom it is Robert's duty to take off. They lay wait for the minister and pistol him, the Illustrious Friend managing not only to avert all suspicion from themselves, but to throw it with capital consequences on a perfectly innocent person. After this initiation in blood Robert is fully reconciled to the "great work" and, going to Edinburgh, is led by his Illustrious Friend without difficulty into the series of plots against his brother which had to outsiders so strange an appearance, and which ended in a fresh murder. When Robert in the course of events above described becomes master of Dalchastel, the family estate, his Illustrious Friend accompanies him and the same process goes on. But now things turn less happily for Robert. He finds himself, without any consciousness of the acts charged, accused on apparently indubitable evidence, first of peccadillos, then of serious crimes. Seduction, forgery, murder, even matricide are hinted against him, and at last, under the impression that indisputable proofs of the last two crimes have been discovered, he flies from his house. After a short period of wandering, in which his Illustrious Friend alternately stirs up all men against him and tempts him to suicide, he finally in despair succumbs to the temptation and puts an end to his life. This of course ends the _Memoir_, or rather the _Memoir_ ends just before the catastrophe. There is then a short postscript in which the editor tells a tale of a suicide found with some such legend attaching to him on a Border hillside, of an account given in _Blackwood_ of the searching of the grave, and of a visit to it made by himself (the editor), his friend Mr. L----t of C----d [Lockhart of Chiefswood], Mr. L----w [Scott's Laidlaw] and others. The whole thing ends with a very well written bit of rationalisation of the now familiar kind, discussing the authenticity of the _Memoirs_, and concluding that they are probably the work of some one suffering from religious mania, or perhaps a sort of parable or allegory worked out with insufficient skill.

Although some such account as this was necessary, no such account, unless illustrated with the most copious citation, could do justice to the book. The first part or Narrative is not of extraordinary, though it is of considerable merit, and has some of Hogg's usual faults. The _Memoirs_ proper are almost wholly free from these faults. In no book known to me is the grave treatment of the topsy-turvy and improbable better managed; although, by an old trick, it pleases the "editor" to depreciate his work in the passage just mentioned. The writer, whoever he was, was fully qualified for the task. The possibility of a young man of narrow intellect--his passion against his brother already excited, and his whole mind given to the theology of predestination--gliding into such ideas as are here described is undoubted; and it is made thoroughly credible to the reader. The story of the pretended Gil Martin, preposterous as it is, is told by the unlucky maniac exactly in the manner in which a man deluded, but with occasional suspicions of his delusion, would tell it. The gradual change from intended and successful rascality and crime into the incurring or the supposed incurring of the most hideous guilt without any actual consciousness of guilty action may seem an almost hopeless thing to treat probably. Yet it is so treated here. And the final gathering and blackening of the clouds of despair (though here again there is a very slight touch of Hogg's undue prolongation of things) exhibits literary power of the ghastly kind infinitely different from and far above the usual raw-head-and-bloody-bones story of the supernatural.

Now, who wrote it?

No doubt, so far as I know, has been generally entertained of Hogg's authorship, though, since I myself entertained doubts on the subject, I have found some good judges not unwilling to agree with me. Although admitting that it appeared anonymously, Hogg claims it, as we have seen, not only without hesitation but apparently without any suspicion that it was a particularly valuable or meritorious thing to claim, and without any attempt to shift, divide, or in any way disclaim the responsibility, though the book had been a failure. His publishers do not seem to have doubted then that it was his; nor, I have been told, have their representatives any reason to doubt it now. His daughter, I think, does not so much as mention it in her _Memorials_, but his various biographers have never, so far as I know, hinted the least hesitation. At the same time I am absolutely unable to believe that it is Hogg's unadulterated and unassisted work. It is not one of those cases where a man once tries a particular style, and then from accident, disgust, or what not, relinquishes it. Hogg was always trying the supernatural, and he failed in it, except in this instance, as often as he tried it. Why should he on this particular occasion have been saved from himself? and who saved him?--for that great part of the book at least is his there can be no doubt.

By way of answer to these questions I can at least point out certain coincidences and probabilities. It has been seen that Lockhart's name actually figures in the postscript to the book. Now at this time and for long afterwards Lockhart was one of the closest of Hogg's literary allies; and Hogg, while admitting that the author of _Peter's Letters_ hoaxed him as he hoaxed everybody, is warm in his praise. He describes him in his _Autobiography_ as "a warm and disinterested friend." He tells us in the book on Scott how he had a plan, even later than this, that Lockhart should edit all his (the Shepherd's) works, for discouraging which plan he was very cross with Sir Walter. Further, the vein of the _Confessions_ is very closely akin to, if not wholly identical with, a vein which Lockhart not only worked on his own account but worked at this very same time. It was in these very years of his residence at Chiefswood that Lockhart produced the little masterpiece of "Adam Blair" (where the terrors and temptations of a convinced Presbyterian minister are dwelt upon), and "Matthew Wald," which is itself the history of a lunatic as full of horrors, and those of no very different kind, as the _Confessions_ themselves. That editing, and perhaps something more than editing, on Lockhart's part would have been exactly the thing necessary to prune and train and direct the Shepherd's disorderly luxuriance into the methodical madness of the Justified Sinner--to give Hogg's loose though by no means vulgar style the dress of his own polished manner--to weed and shape and correct and straighten the faults of the Boar of the Forest--nobody who knows the undoubted writing of the two men will deny. And Lockhart, who was so careless of his work that to this day it is difficult, if not impossible, to ascertain what he did or did not write unassisted, would certainly not have been the man to claim a share in the book, even had it made more noise; though he may have thought of this as well as of other things when, in his wrath over the foolish blethering about Scott, he wrote that the Shepherd's views of literary morality were peculiar. As for Hogg himself, he would never have thought of acknowledging any such editing or collaboration if it did take place; and that not nearly so much from vanity or dishonesty as from simple carelessness, dashed perhaps with something of the habit of literary _supercherie_ which the society in which he lived affected, and which he carried as far at least as any one of its members.

It may seem rather hard after praising a man's ewe lamb so highly to question his right in her. But I do not think there is any real hardship. I should think that the actual imagination of the story is chiefly Hogg's, for Lockhart's forte was not that quality, and his own novels suffer rather for want of it. If this be the one specimen of what the Shepherd's genius could turn out when it submitted to correction and training, it gives us a useful and interesting explanation why the mass of his work, with such excellent flashes, is so flawed and formless as a whole. It explains why he wished Lockhart to edit the others. It explains at the same time why (for the Shepherd's vanity was never far off) he set apparently little store by the book. It is only a hypothesis of course, and a hypothesis which is very unlikely ever to be proved, while in the nature of things it is even less capable of disproof. But I think there is good critical reason for it.

At any rate, I confess for myself, that I should not take anything like the same interest in Hogg, if he were not the putative author of the _Confessions_. The book is in a style which wearies soon if it be overdone, and which is very difficult indeed to do well. But it is one of the very best things of its kind, and that is a claim which ought never to be overlooked. And if Hogg in some lucky moment did really "write it all by himself," as the children say, then we could make up for him a volume composed of it, of "Kilmeny," and of the best of the songs, which would be a very remarkable volume indeed. It would not represent a twentieth part of his collected work, and it would probably represent a still smaller fraction of what he wrote, while all the rest would be vastly inferior. But it would be a title to no inconsiderable place in literature, and we know that good judges did think Hogg, with all his personal weakness and all his literary shortcomings, entitled to such a place.

FOOTNOTES:

[7] For something more, however, see the Essay on Lockhart below.

III

SYDNEY SMITH

The hackneyed joke about biographers adding a new terror to death holds still as good as ever. But biography can sometimes make a good case against her persecutors; and one of the instances which she would certainly adduce would be the instance of Sydney Smith. I more than suspect that his actual works are less and less read as time goes on, and that the brilliant virulence of _Peter Plymley_, the even greater brilliance, not marred by virulence at all, of the _Letters to Archdeacon Singleton_, the inimitable quips of his articles in the _Edinburgh Review_, are familiar, if they are familiar at all, only to the professed readers of the literature of the past, and perhaps to some intelligent newspaper men who find Sydney[8] to be what Fuseli pronounced Blake, "d----d good to steal from." But the _Life_ which Lady Holland, with her mother's and Mrs. Austin's aid, produced more than thirty years ago has had a different fate; and a fresh lease of popularity seems to have been secured by another _Life_, published by Mr. Stuart Reid in 1883. This was partly abridged from the first, and partly supplied with fresh matter by a new sifting of the documents which Lady Holland had used. Nor do the authors of these works, however great must be our gratitude to them, take to themselves any such share of the credit as is due to Boswell in the case of Johnson, to Lockhart in the case of Scott, to Carlyle in the case of Sterling. Neither can lay claim to the highest literary merit of writing or arrangement; and the latter of the two contains digressions, not interesting to all readers, about the nobility of Sydney's cause. It is because both books let their subject reveal himself by familiar letters, scraps of journal, or conversation, and because the revelation of self is so full and so delightful, that Sydney Smith's immortality, now that the generation which actually heard him talk has all but disappeared, is still secured without the slightest fear of disturbance or decay. With a few exceptions (the Mrs. Partington business, the apologue of the dinners at the synod of Dort, "Noodle's Oration," and one or two more), the things by which Sydney is known to the general, all come, not from his works, but from his _Life_ or _Lives_. No one with any sense of fun can read the Works without being delighted; but in the Life and the letters the same qualities of wit appear, with other qualities which in the Works hardly appear at all. A person absolutely ignorant of anything but the Works might possibly dismiss Sydney Smith as a brilliant but bitter and not too consistent partisan, who fought desperately against abuses when his party was out, and discovered that they were not abuses at all when his party was in. A reader of his Life and of his private utterances knows him better, likes him better, and certainly does not admire him less.

He was born in 1771, the son of an eccentric and apparently rather provoking person, who for no assigned reason left his wife at the church door in order to wander about the world, and who maintained his vagabond principles so well that, as his granddaughter ruefully records, he bought, spent money on, and sold at a loss, no less than nineteen different houses in England and Wales. Sydney was also the second of four clever brothers, the eldest and cleverest being the somewhat famous "Bobus," who co-operated in the _Microcosm_ with Canning and Frere, survived his better known brother but a fortnight, founded a family, and has left one of those odd reputations of immense talent not justified by any producible work, to which our English life of public schools, universities, and Parliament gives peculiar facilities. Bobus and Cecil the third brother were sent to Eton: Sydney and Courtenay, the fourth, to Winchester, after a childhood spent in precocious reading and arguing among themselves. From Winchester Sydney (of whose school-days some trifling but only trifling anecdotes are recorded,) proceeded in regular course to New College, Oxford, and being elected of right to a Fellowship, then worth about a hundred pounds a year, was left by his father to "do for himself" on that not extensive revenue. He did for himself at Oxford during the space of nine years; and it is supposed that his straitened circumstances had something to do with his dislike for universities, which however was a kind of point of conscience among his Whig friends. It is at least singular that this residence of nearly a decade has left hardly a single story or recorded incident of any kind; and that though three generations of undergraduates passed through Oxford in his time, no one of them seems in later years to have had anything to say of not the least famous and one of the most sociable of Englishmen. At that time, it is true, and for long afterwards, the men of New College kept more to themselves than the men of any other college in Oxford; but still it is odd. Another little mystery is, Why did Sydney take orders? Although there is not the slightest reason to question his being, according to his own standard, a very sincere and sufficient divine, it obviously was not quite the profession for him. He is said to have wished for the Bar, but to have deferred to his father's wishes for the Church. That Sydney was an affectionate and dutiful son nobody need doubt: he was always affectionate, and in his own way dutiful. But he is about the last man one can think of as likely to undertake an uncongenial profession out of high-flown dutifulness to a father who had long left him to his own resources, and who had neither influence nor prospects in the Church to offer him. The Fellowship would have kept him, as it had kept him already, till briefs came. However, he did take orders; and the later _Life_ gives more particulars than the first as to the incumbency which indirectly determined his career. It was the curacy of Netheravon on Salisbury Plain; and its almost complete seclusion was tempered by a kindly squire, Mr. Hicks-Beach, great-grandfather of the present Sir Michael Hicks-Beach. Mr. Hicks-Beach offered Sydney the post of tutor to his eldest son; Sydney accepted it, started for Germany with his pupil, but (as he picturesquely though rather vaguely expresses it) "put into Edinburgh under stress of war" and stayed there for five years.

The sojourn at Edinburgh began in June 1798: it ended in August 1803. It will thus be seen that Sydney was by no means a very young man even when he began reviewing, the year before leaving the Scotch capital. Indeed the aimless prolongation of his stay at Oxford, which brought him neither friends, money, nor professional experience of any kind, threw him considerably behindhand all his life; and this delay, much more than Tory persecution or Whig indifference, was the cause of the comparative slowness with which he made his way. His time at Edinburgh was, however, usefully spent even before that invention of the _Review_, over which there is an amicable and unimportant dispute between himself and Jeffrey. His tutorship was so successful that Mr. Hicks-Beach rewarded it with a cheque for a thousand pounds: he did duty in the Episcopal churches of Edinburgh: he made friends with all the Whigs and many of the Tories of the place: he laughed unceasingly at Scotchmen and liked them very much. Also, about the middle of his stay, he got married, but not to a Scotch girl. His wife was Miss Catherine Pybus, of Cheam, and the marriage was as harebrained a one, from the point of view of settlements, as Jeffrey's own.[9] Sydney's settlement on his wife is well known: it consisted of "six small silver teaspoons much worn," with which worldly goods he did her literally endow by throwing them into her lap. It would appear that there never was a happier marriage; but it certainly seemed for some years as if there might have been many more prosperous in point of money. When Sydney moved to London he had no very definite prospect of any income whatever; and had not Mrs. Smith sold her mother's jewels (which came to her just at the time), they would apparently have had some difficulty in furnishing their house in Doughty Street. But Horner, their friend (the "parish bull" of Scott's irreverent comparison), had gone to London before them, and impressed himself, apparently by sheer gravity, on the political world as a good young man. Introduced by him, Sydney Smith soon became one of the circle at Holland House. It is indeed not easy to live on invitations and your mother-in-law's pearls; but Sydney reviewed vigorously, preached occasionally, before very long received a regular appointment at the Foundling Hospital, and made some money by lecturing very agreeably at the Royal Institution on Moral Philosophy--a subject of which he honestly admits that he knew, in the technical sense, nothing. But his hearers did not want technical ethics, and in Sydney Smith they had a moral philosopher of the practical kind who could hardly be excelled either in sense or in wit. One little incident of this time, however, throws some light on the complaints which have been made about the delay of his promotion. He applied to a London rector to license him to a vacant chapel, which had not hitherto been used for the services of the Church. The immediate answer has not been preserved; but from what followed it clearly was a civil and rather evasive but perfectly intelligible request to be excused. The man was of course quite within his right, and a dozen good reasons can be guessed for his conduct. He may really have objected, as he seems to have said he did, to take a step which his predecessors had refused to take, and which might inconvenience his successors. But Sydney would not take the refusal, and wrote another very logical, but extremely injudicious, letter pressing his request with much elaboration, and begging the worthy Doctor of Divinity to observe that he, the Doctor, was guilty of inconsistency and other faults. Naturally this put the Doctor's back up, and he now replied with a flat and very high and mighty refusal. We know from another instance that Sydney was indisposed to take "No" for an answer. However he obtained, besides his place at the Foundling, preacherships in two proprietary chapels, and seems to have had both business and pleasure enough on his hands during his London sojourn, which was about the same length as his Edinburgh one. It was, however, much more profitable, for in three years the ministry of "All the Talents" came in, the Holland House interest was exerted, and the Chancellor's living of Foston, near York, valued at five hundred pounds a year, was given to Sydney. He paid for it, after a fashion which in a less zealous and convinced Whig might seem a little dubious, by the famous lampoons of the _Plymley Letters_, advocating the claims of Catholic emancipation, and extolling Fox and Grenville at the expense of Perceval and Canning. Very edifying is it to find Sydney Smith objecting to this latter that he is a "diner out," a "maker of jokes and parodies," a trifler on important subjects--in fact each and all of the things which the Rev. Sydney Smith himself was, in a perfection only equalled by the object of his righteous wrath. But of Peter more presently.

Even his admiring biographers have noticed, with something of a chuckle, the revenge which Perceval, who was the chief object of Plymley's sarcasm, took, without in the least knowing it, on his lampooner. Had it not been for the Clergy Residence Bill, which that very respectable, if not very brilliant, statesman passed in 1808, and which put an end to perhaps the most flagrant of all then existing abuses, Sydney, the enemy of abuses, would no doubt have continued with a perfectly clear conscience to draw the revenues of Foston, and while serving it by a curate, to preach, lecture, dine out, and rebuke Canning for making jokes, in London. As it was he had to make up his mind, though he obtained a respite from the Archbishop, to resign (which in the recurring frost of Whig hopes was not to be thought of), to exchange, which he found impossible, or to bury himself in Yorkshire. This was a real hardship upon him, because Foston, as it was, was uninhabitable, and had had no resident clergyman since the seventeenth century. But whatever bad things could be said of Sydney (and I really do not know what they are, except that the combination of a sharp wit, a ready pen, and strong political prejudices sometimes made him abuse his talents), no one could say that he ever shirked either a difficulty or a duty. When his first three years' leave expired, he went down in 1809 with his family to York, and established himself at Heslington, a village near the city and not far from his parish. And when a second term of dispensation from actual residence was over, he set to work and built the snuggest if the ugliest parsonage in England, with farm-buildings and all complete, at the cost of some four thousand pounds. Of the details of that building his own inimitable account exists, and is or ought to be well known. The brick-pit and kiln on the property, which were going to save fortunes and resulted in nothing but the production of exactly a hundred and fifty thousand unusable bricks: the four oxen, Tug, Lug, Haul and Crawl, who were to be the instruments of another economy and proved to be, at least in Sydneian language, equal to nothing but the consumption of "buckets of sal volatile:" the entry of the distracted mother of the household on her new domains with a baby clutched in her arms and one shoe left in the circumambient mud: the great folks of the neighbourhood (Lord and Lady Carlisle) coming to call graciously on the strangers, and being whelmed, coach and four, outriders and all, in a ploughed field of despond: the "universal scratcher" in the meadows, inclined so as to let the brute creation of all heights enjoy that luxury: Bunch the butler, a female child of tender years but stout proportions: Annie Kay the factotum: the "Immortal," a chariot which was picked up at York in the last stage of decay, and carried the family for many years half over England--all these things and persons are told in divers delightful scraps of autobiography and in innumerable letters, after a fashion impossible to better and at a length too long to quote.

Sydney Smith was for more than twenty years rector of Foston, and for fully fifteen actually resided there. During this time he made the acquaintance of Lord and Lady Grey, next to Lord and Lady Holland his most constant friends, visited a little, entertained in his own unostentatious but hearty fashion a great deal, wrote many articles for the _Edinburgh Review_, found himself in a minority of one or two among the clergy of Yorkshire on the subject of Emancipation and similar matters, but was on the most friendly terms possible with his diocesan, Archbishop Vernon Harcourt. Nor was he even without further preferment, for he held for some years (on the then not discredited understanding of resignation when one of the Howards was ready for it) the neighbouring and valuable living of Londesborough. Then the death of an aunt put an end to his monetary anxieties, which for years had been considerable, by the legacy of a small but sufficient fortune. And at last, when he was approaching sixty, the good things of the Church, which he never affected to despise, came in earnest. The Tory Chancellor Lyndhurst gave him a stall at Bristol, which carried with it a small Devonshire living, and soon afterwards he was able to exchange Foston (which he had greatly improved), for Combe Florey near Taunton. When his friend Lord Grey became Prime Minister, the stall at Bristol was exchanged for a much more valuable one at St. Paul's; Halberton, the Devonshire vicarage, and Combe Florey still remaining his. These made up an ecclesiastical revenue not far short of three thousand a year, which Sydney enjoyed for the last fifteen years of his life. He never got anything more, and it is certain that for a time he was very sore at not being made a bishop, or at least offered a bishopric. Lord Holland had rather rashly explained the whole difficulty years before, by reporting a conversation of his with Lord Grenville, in which they had hoped that when the Whigs came into power they would be more grateful to Sydney than the Tories had been to Swift. Sydney's acuteness must have made him wince at the omen. For my part I do not see why either Harley or Grey should have hesitated, as far as any scruples of their own went. But I think any fair-minded person must admit the possibility of a scruple, though he may not share it, about the effect of seeing either the _Tale of a Tub_ or _Peter Plymley's Letters_, with "By the Right Rev. the Lord Bishop of----" on the title-page. The people who would have been shocked might in each case have been fools: there is nothing that I at least can see, in either book, inconsistent with sound religion and churchmanship. But they would have been honest fools, and of such a Prime Minister has to take heed. So Amen Corner (or rather, for he did not live there, certain streets near Grosvenor Square) in London, and Combe Florey in the country, were Sydney Smith's abodes till his death. In the former he gave his breakfasts and dinners in the season, being further enabled to do so by his share (some thirty thousand pounds) of his brother Courtenay's Indian fortune. The latter, after rebuilding it,--for he had either a fate or a passion for bricks and mortar,--he made on a small scale one of the most beautiful and hospitable houses in the West of England.

To Combe Florey, as to Foston, a sheaf of fantastic legends attaches itself; indeed, as Lady Holland was not very fond of dates, it is sometimes not clear to which of the two residences some of them apply. At both Sydney had a huge store-room, or rather grocer's and chemist's shop, from which he supplied the wants, not merely of his household, but of half the neighbourhood. It appears to have been at Combe Florey (for though no longer poor he still had a frugal mind), that he hit upon the device of "putting the cheapest soaps in the dearest papers," confident of the result upon the female temper. It was certainly there that he fitted up two favourite donkeys with a kind of holiday-dress of antlers, to meet the objection of one of his lady-visitors that he had no deer; and converted certain large bay-trees in boxes into the semblance of an orangery, by fastening some dozens of fine fruit to the branches. I like to think of the mixed astonishment and disgust of a great Russian, and a not very small Frenchman, both not long deceased, M. Tourguénieff and M. Paul de Saint-Victor, if they had heard of these pleasing tomfooleries. But tomfoolery, though, when properly and not inordinately indulged, one of the best things in life, must, like the other good things of life, come to an end. After an illness of some months Sydney Smith died at his house in Green Street, of heart disease, on 22nd February 1845, in the seventy-fourth year of his age.

The memorials and evidences of his peculiar if not unique genius consist of three different kinds; reported or remembered conversations and jokes, letters, and formal literary work. He was once most famous as a talker; but conversation is necessarily the most perishable of all things, and its recorded fragments bear keeping less than any other relics. Some of the verbal jests assigned to him (notably the famous one about the tortoise, which, after being long known by the initiated not to be his, has at last been formally claimed by its rightful owner), are certainly or probably borrowed or falsely attributed, as rich conversationalists always borrow or receive. And always the things have something of the mangled air which sayings detached from their context can hardly escape. It is otherwise with the letters. The best letters are always most like the actual conversation of their writers, and probably no one ever wrote more as he talked than Sydney Smith. The specially literary qualities of his writing for print are here too in great measure; and on the whole, though of course the importance of subject is nearly always less, and the interest of sustained work is wholly absent, nowhere can the entire Sydney be better seen. Of the three satirists of modern times with whom he may not unfairly claim to rank--Pascal, Swift, and Voltaire--he is most like Voltaire in his faculty of presenting a good thing with a preface which does not in the least prepare you for it, and then leaving it without the slightest attempt to go back on it, and elaborate it, and make sure that his hearer has duly appreciated it and laughed at it. And of the two, though the palm of concentration must be given to Voltaire, the palm of absolute simplicity must be given to Sydney. Hardly any of his letters are without these unforced flashes of wit, from almost his first epistle to Jeffrey (where, after rallying that great little man on being the "only male despondent he has met," he adds the postscript, "I beg to except the Tuxford waiter, who desponds exactly as you do") to his very last to Miss Harcourt, in which he mildly dismisses one of his brethren as "anything but a _polished_ corner of the Temple." There is the "usual establishment for an eldest landed baby:" the proposition, advanced in the grave and chaste manner, that "the information of very plain women is so inconsiderable, that I agree with you in setting no store by it:" the plaintive expostulation with Lady Holland (who had asked him to dinner on the ninth of the month, after previously asking him to stay from the fifth to the twelfth), "it is like giving a gentleman an assignation for Wednesday when you are going to marry him on the previous Sunday--an attempt to combine the stimulus of gallantry with the security of connubial relations:" the simple and touching information that "Lord Tankerville has sent me a whole buck. This necessarily takes up a good deal of my time;" that "geranium-fed bacon is of a beautiful colour, but it takes so many plants to fatten one pig that such a system can never answer;" that "it is a mistake to think that Dr. Bond could be influenced by partridges. He is a man of very independent mind, with whom pheasants at least, or perhaps even turkeys, are necessary;" and scores more with references to which I find the fly-leaves of my copy of the letters covered. If any one wants to see how much solid there is with all this froth, let him turn to the passages showing the unconquerable manliness, fairness, and good sense with which Sydney treated the unhappy subject of Queen Caroline, out of which his friends were so ready to make political capital; or to the admirable epistle in which he takes seriously, and blunts once for all, the points of certain foolish witticisms as to the readiness with which he, a man about town, had taken to catechisms and cabbages in an almost uninhabited part of the despised country. In conversation he would seem sometimes to have a little, a very little, "forced the note." The Quaker baby, and the lady "with whom you might give an assembly or populate a parish," are instances in point. But he never does this in his letters. I take particular pleasure in the following passage written to Miss Georgiana Harcourt within two years of his death: "What a charming existence! To live in the midst of holy people; to know that nothing profane can approach you; to be certain that a Dissenter can no more be found in the Palace than a snake can exist in Ireland, or ripe fruit in Scotland! To have your society strong, and undiluted by the laity; to bid adieu to human learning; to feast on the Canons and revel in the Thirty-Nine Articles! Happy Georgiana!" Now if Sydney had been what some foolish people think him, merely a scoffer, there would be no fun in this; it would be as impertinent and in as bad taste as the stale jokes of the eighteenth century about Christianity. But he was much else.

Of course, however, no rational man will contend that in estimating Sydney Smith's place in the general memory, his deliberate literary work, or at least that portion of it which he chose to present on reflection, acknowledged and endorsed, can be overlooked. His _Life_ contains (what is infinitely desirable in all such Lives and by no means always or often furnished) a complete list of his contributions to the _Edinburgh Review_, and his works contain most of them. To these have to be added the pamphlets, of which the chief and incomparably the best are, at intervals of thirty years, _Peter Plymley_ and the _Letters to Archdeacon Singleton_, together with sermons, speeches, and other miscellaneous matter. The whole, except the things which he did not himself care to reprint, can be obtained now in one volume; but the print is not to be recommended to aged or weakly sight.