Chapter I: Part 1

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_Everybody's_

BOOK

LUCK

WHITMAN PUBLISHING COMPANY
RACINE, WIS. POUGHKEEPSIE, N. Y.

PRINTED IN U.S.A.

CONTENTS

CHAP. PAGE.

I. THINGS THAT BRING YOU GOOD LUCK AND BAD LUCK 3

II. HAVE YOU A TALISMAN? 6

III. HINTS ON FORTUNETELLING 12

IV. PALMISTRY--WHAT MAY BE LEARNED FROM HANDS 13

V. YOUR HANDWRITING REVEALS YOUR CHARACTER 32

VI. YOUR FACE IS YOUR FORTUNE 40

VII. WHAT DO YOUR BUMPS MEAN? 46

VIII. HOW ASTROLOGY DECIDES YOUR DESTINY 49

IX. YOUR CHILD'S OCCUPATION DECIDED BY THE STARS 55

X. WHAT ARE YOUR HOBBIES? 59

XI. WHAT IS YOUR LUCKY NUMBER? 60

XII. YOUR LUCKY COLOR 65

XIII. WHICH IS YOUR LUCKY STONE? 67

XIV. DREAMS--WHAT THEY MEAN 72

XV. TEACUP FORTUNETELLING 83

XVI. LUCKY AND UNLUCKY DAYS 91

XVII. THE LUCK OF FLOWERS 99

XVIII. SUPERSTITIONS REGARDING ANIMALS 104

XIX. CRYSTAL GAZING 107

XX. THE MOON AND THE LUCK IT BRINGS 111

XXI. FORTUNETELLING BY MEANS OF PLAYING CARDS 113

XXII. FORTUNETELLING GAMES 137

XXIII. THE LUCK OF WEDDINGS AND MARRIAGES 151

XXIV. FOLKLORE AND SUPERSTITIONS OF THE MONTHS 159

XXV. A CALENDAR FOR LOVERS 173

XXVI. MAKING USEFUL MASCOTS 191

THINGS THAT BRING YOU GOOD LUCK AND BAD LUCK

Ask a dozen people whether they have any superstitions, and the majority will tell you, without hesitation, that they have not the slightest belief in such things. If the truth is told there are very few of us who do not cherish some little weaknesses in this direction. One person may believe in a number of superstitions; another has, perhaps, only a few that are observed; but he or she that has none at all is a remarkably rare individual.

As a matter of fact, most superstitions are based on reason and sound common sense, and the man or woman who pays heed to them is acting intelligently, whether he or she knows it or not. Take, for instance, the belief that it is unlucky to walk under a ladder. True, the old assertion is that it is unlucky to do so because Jesus Christ was taken down from the Cross by means of a ladder. But the more practical reason is that painters and other men on ladders are very likely to drop things and, if you happen to be passing at the time, the paintpot or the tools will fall on you.

Of course, the reasons for all superstitions are not so evident as this one about walking under a ladder: nevertheless, there is a germ of reason in them all, whether or not we know the reason. Thus, the man or woman who observes the common superstitions of everyday life is acting wisely. Not only will he or she avoid a good deal of trouble, but his actions will provide him with a sense of well-being, and the effect it will have on his mind, the psychological effect as it is called, is all to the good.

It is not proposed to explain why this or that superstition is worthy of being observed; in many cases, the reason is obscure; but here we will give some of the beliefs which are current at the present time.

First of all, you should never pass anybody on the stairs of a private house, and, while talking of stairs, it may be said that many people believe that, for someone to fall up a step, is a sign of an approaching wedding.

Never light three cigarettes with the same match unless you are prepared for a spell of ill-fortune. This superstition gained currency during the War, probably because a match held long enough to light three cigarettes would give the enemy a clue to your position, especially at night-time.

If the cord of a picture frame snaps and the picture falls to the ground, it is an omen that somebody is going to die. If the picture is a portrait of a living person, then that person's life is the one likely to be terminated. This omen may be considered a remarkably silly one, with not a shred of sense to recommend it. Yet how many people can point to instances when the prophecy has come true!

Of salt, there are several omens. The chief one tells you not to help anybody to salt; in other words, it is unwise to put some on a person's plate. Helping them to salt is helping them to sorrow. Another superstition says that if you spill salt you will be unlucky unless you throw a pinch of it over your left shoulder.

To break a mirror is known by all as a serious matter. The reason why it is unlucky, we are told, doubtless finds its origin in a mere association of ideas. The mirror being broken, the image of the person looking into it is destroyed: therefore, bad luck in some form must be the fate of the careless one. What exactly is the penalty one must pay for breaking a mirror is not definite. Some people speak of seven years of misfortune, while others claim that it means seven years of celibacy.

To take certain things into the house is the height of folly, if you believe in superstitions. May or hawthorn blossom is one, though the berries of this flower seem to have no ill-potency. Peacock's feathers are another. Somewhat similar is the contention that it is very unlucky to open an umbrella indoors.

While sitting at the meal-table, there are several things that must not be done. Helping a friend to salt has been already mentioned, but you must not allow the knives or forks to become crossed. Quarrels with your friends will result if you do. Of course, you must not sit down, thirteen of you, around the table. As is well known, this belief has its origin in the Last Supper, when our Lord sat at meat with his twelve apostles. On the other hand, should you taste a fruit for the first time in that season, you have only to frame a wish and it will be granted. Much the same applies to mince-pies. You will be awarded with a whole happy month for each pie that you eat at Christmas-time which is made in a different house. Of course, it is highly unwise for two people to pour tea out of the same pot at the same meal.

To give a friend an edged tool is sure to cut the friendship, whether it be a knife, a pair of scissors, a razor or a chisel. When such a gift is to be made, the usual plan is to sell it to your friend for a penny.

You should never put a shoe on a table, and, to see a pin lying on the floor and leave it there, is an omen that you will want before you die. As the jingle runs:

See a pin and let it lie, you're sure to want before you die.
See a pin and pick it up, then you're sure to have good luck.

Elsewhere, a good deal is said about dreams. Here it will be sufficient to mention one or two items of interest. It is decidedly unlucky to dream of a baby, yet to dream of a funeral is lucky. The following is worth bearing in mind:

Friday dream and Saturday told;
Sure to come true, if ever so old.

And here it will be appropriate to recall the fact that it is an unwise thing to get out of bed on the wrong side. The devil will be with you all the day, if you do.

You should avoid looking at the new moon through glass; but if you have a wish that you want fulfilled, you have only to count seven stars on seven nights in succession. Let it be said, however, that to count seven stars for this space of time is not as simple as it appears.

It is unlucky to treasure locks of people's hair, and, should you drop a glove, it is to your advantage if someone else picks it up for you. If the fire refuses to light properly in the morning, anticipate a whole day with the devil.

Everybody knows that one of the luckiest things that can be done is to pick up a horse-shoe. But it is not generally known that the more nails left in it, the better. Nor is it sufficiently well recognized that a shoe, hung up, should have the tips pointing upwards. If they are turned down, the luck will run out of them.

Naturally, you will never start anything fresh on a Friday, and you will not cut your fingernails on a Sunday. Regarding fingernails, a poet, of sorts, has said:

Cut them on Monday, you cut them for news.
Cut them on Tuesday, a new pair of shoes.
Cut them on Wednesday, you cut them for health.
Cut them on Thursday, you cut them for wealth.
Cut them on Friday, a sweetheart you'll know.
Cut them on Saturday, a journey you'll go.
Cut them on Sunday, you cut them for evil:
For all the next week, you'll be ruled by the devil.

Of course, bad luck has not a monopoly on your superstitions, for good luck has something to say also. To see a piebald horse is fortunate; to find white heather, four-leaved clover or four-leaved shamrock is even more fortunate. To open a pea-pod and find ten peas in it is particularly lucky. For a black cat to come into your house is worth much. To come across a nickel with a hole in it is not without its merits, but the best thing of all is to put on some article of clothing inside out, and to wear it all day long, without being aware of it until bed-time.

HAVE YOU A TALISMAN?

"A person who finds a four-leaved clover, and believes it is a harbinger of something good, has adopted the right attitude, for he keeps a keen look-out for that particular good and holds out both hands for it. Seldom is he disappointed, for he has unconsciously set going the mental machinery which brings his wishes within reach. Had he not found the clover and had gone along life's highway unexpectant of anything good, he would never have discovered this pleasant happening. And therein lies the true psychology of luck, which seems too simple to be true, but then its simplicity is really the sign-manual of its verity."

This quotation from the writings of a well-known author goes direct to the point about talismans. If you adopt a talisman and put your faith in it, you immediately prepare your mind for receiving an abundance of good fortune. Reject all talismans and argue that there is no such thing as luck, and you straightway set going the mental machinery which looks on the dark side of things and which misses every slice of luck that comes along. Therefore, we say, with emphasis, take to yourself a talisman, a mascot, a charm--call it what you will--and you will never regret it.

Of talismans, there are countless varieties; some are known the world over, others are the particular choice of individuals. They range from the amulets and scarabs of the ancients to the golliwogs and crudities of the ultra-moderns. Your choice may roam between these two extremes, but whatever your choice, it must be set with the seal of your faith.

In order to assist you in picking out a talisman for yourself, we append the following accounts of those examples which are favored most:--

_THE HORSE-SHOE._--No symbol is a greater favorite than the horse-shoe. There are many legends regarding its origin, but the most commonly accepted concerns the well-known visit of his Satanic Majesty to the shoe-smith. As a consequence, the Devil evinced a wholesome dread of horseshoes, and would not go near a house or person possessing one. It is more likely, however, that the horse-shoe was accepted as a symbol of luck because it was a commonplace object very nearly the same shape as the metal crescents worn by the Romans when they wanted to be fortunate. These crescents were always carried with the horns turned up, and, if a horse-shoe is to bring good luck, it, too, must be placed with the prongs uppermost. The reason for the prongs being so turned depends on a belief that misfortune always travels in circles, but when it reaches the tips of a horse-shoe, it is baffled, unless all the luck has already run out of the tips through them being turned downwards.

Of course, an old, worn shoe is more lucky than a new one, and it is a recognized fact that the more nails found in it the luckier will be the finder.

_THE SCARAB._--This device is accounted very lucky or very unlucky, according to the disposition of the wearer. The symbol represents the scarab beetle with its wings outspread or with them closed. Such charms are made to-day in large numbers for sale in Egypt, but those who trade in them usually claim that each particular specimen has been in the family since Biblical times. As a rule, the device is made in a rough kind of bluish porcelain and is carved, in intaglio, with divine figures. The Egyptians used to make up the scarab as a neck pendant or as a little ornament for placing in the coffins of the dead. Its mission was to scare away the evil one.

_THE TET._--This symbol was shaped somewhat like a mallet, and was always worn with the head uppermost and the handle hanging down. It was made in porcelain or stone, and was often colored gaudily. The Egyptians were the first to find efficacy in this charm, and they wore it suspended around the neck to ward off attacks from visible and invisible enemies. Thus, it was a protection against evil in any form; it was also supposed to provide the wearer with strength and endurance. The tet has been much forgotten of late years, but there are adherents who value it above the horseshoe and almost any other charm.

_THE ARROW-HEAD._--The early Britons spent a great deal of their time in taking suitable flints and shaping them into the form of triangles. These were called arrow-heads, and when the two side edges had been sharpened they were fixed into sticks and used as weapons or tools. Out of this use grew the idea that arrow-heads were potent charms in providing bodily protection against enemy force or the usual illnesses. Accordingly, people began to wear them as neck ornaments and, for this purpose, decorative arrow-heads were made. Ever since then, they have been cherished for their powers in warding off attacks, and a superstition still exists which claims that if one of these arrow-heads is dipped in water, the water will be more potent than any doctor's medicine.

_THE CADUCEUS._--This device, which figures as part of the design of some postage stamps, has been considered a bringer of good fortune ever since the time of the ancient Greeks. It consists of two snakes entwining a rod, surmounted by a pine cone. By the side of the cone is a pair of wings. It was the symbol of Mercury. The rod had the supernatural powers of quelling disputes and letting people dwell in harmony. The snakes possessed the property of healing; the pine cone preserved good health; and the wings stood for speed and progress. Thus people wear the caduceus today in order to ensure a life free from quarrels and illness, and to enable them to be healthy and "go ahead."

_THE EYE AGATE._--As is generally appreciated, the "evil eye" is the source of all trouble and misfortunes, and the early Eastern races thought that, if the "evil eye" could be avoided or frightened away, all would be well. Searching for a charm to effect their purpose, they alighted upon the eye agate, and this they believed would give no quarter to the "evil eye." Accordingly, agates were cut to resemble an eye which would be powerful enough to neutralize the effects of the evil one, and these were worn as brooches, rings and necklaces. The agate chosen for the purpose consisted of thin layers of stone of various colors. Thus, by cutting the stones oval and removing parts of the top layers, it was possible to produce a charm closely resembling a human eye, both in shape and color.

Such eyes are still sold today, and many people treasure them in the hope that they will ward off evil in any form.

_THE JADE AXE-HEAD._--Many jewelers still sell little axe-heads carved out of jade, for wearing around the neck. The axe-head has been considered a symbol of strength and vigor ever since primitive times, and jade has a world-wide reputation as a charm against disease and accidents.

_THE SEAL OF SOLOMON._--This device is now regarded as a symbol of the Jewish religion, but it can be traced to several other religions, and, no doubt, it dates even farther back than the commencement of the Jewish era. The triangle with the upward point stood for goodness; the triangle with the downward point for wickedness; while the two intertwined symbolized the triumph of good over bad. Those who wear the device contend that it preserves them from all that is ill, and, at the same time, it gives them a share of the world's blessings.

_THE ABRACADABRA._--This charm dates from the second century, and was a symbol of the Gnostic worship. It often took the form of a little piece of parchment, folded into the shape of a cross, but it can, also, be seen as a tablet, made of stone or metal, shaped like an inverted triangle. On the charm, of whatever shape, was inscribed the following:

A B R A C A D A B R A
B R A C A D A B R
R A C A D A B
A C A D A
C A D
A

It will be seen that the word "Abracadabra" can be read along the upper line and also down and up the two sides. This word is said to conceal the name of God and the charm has the powers of warding off dangers and sickness.

_THE FOUR-LEAF CLOVER OR SHAMROCK._--Everyone knows that a four-leaf clover or shamrock is supposed to be a bringer of luck and good fortune. As these are not readily found and, moreover, they soon perish, the opportunity has been seized by jewelers to produce artificial ones in various precious and semi-precious metals. To wear either is supposed to avoid misfortune. It may be mentioned that the four-leaf Shamrock as a charm has proved immensely popular by those who are interested in the Irish sweepstakes.

_BLACK CATS._--Of course, it is lucky for a black cat to walk into your house, but failing an actual cat, a counterfeit one serves the same purpose. Thus, people who pin their faith to black cats often make stuffed ones, or draw pictures of them, and look to the creature of their own handiwork to serve the role of mascot.

_YOUR OWN TALISMAN._--So far, the talismans that have received universal acceptance have alone been mentioned, but the tendency today is for enthusiasts to originate a mascot of their very own. It may take any or every form, according to the whim or fancy of the individual. Maybe you will prefer to find your own mascot or talisman in this direction. If you have no preferences, why not constitute a device which embraces your lucky number, your lucky flower, your lucky color, and so on? It is a suggestion bristling with opportunities.

Just to show that people are tending towards the idea of choosing a talisman of their very own, we will conclude with a story that was recently published.

"There is a precious stone to which the board of directors of a firm of diamond dealers annually pass a vote of thanks. The stone is a sapphire and it has been named Shani, meaning 'bringer of luck.'

"Shani was bought by the firm about seventy years ago, and it only leaves the safe on New Year's Day. A special meeting, attended by every member of the firm, is then held in the board room. Shani is placed in the middle of the table and, with hands clasped in prayer, the members offer thanks for the good luck the sapphire has brought the firm during the preceding year.

"One of the directors said, 'My grandfather once received a tempting offer for Shani and yielded, but a few hours after the sapphire had been sent away he was taken violently ill with fever. The sapphire was brought back from a distant part of India, and my grandfather became well at once.'"

Should not we all have a Shani?

HINTS ON FORTUNETELLING

Hundreds of dollars are paid each week to professional fortunetellers by people in all walks of life, in order that they may gain a peep into the future. These people belong to every class of society; they are of all ages and they consult the mediums on almost every matter connected with human existence. There is the industrial magnate, the society girl, and the hard-working shop assistant, all anxious to peer into the coming months.

Accordingly, the teller of fortunes and the writer of horoscopes is doing an excellent business. The dollars and the cents are pouring in at a remarkable rate, and those who read the future, as a profession, are having the time of their lives.

This state of things is one calculated to make you stop and think for a moment. Why should not you learn the rudiments of fortunetelling yourself? Why should not you find out how to read the signs of your own future and the future of your friends? The subject is interesting; it is not a difficult one and all you need to know is set out in this book.

Your course of study may well begin with the chapter on Palmistry. Having mastered that, turn to the one on Handwriting, and follow with "_What do your Bumps Mean?_" These three sections will give you a very useful start and then you might continue with "_How Astrology Decides Your Destiny_" and "_Your Face is Your Fortune_."

The five chapters named will enable you to read people with a great deal of success, and it should not be long before your friends compliment you on your accuracy. Probably this will spur you to further efforts, and you will study the passages on lucky numbers, dreams, tea-cup readings, lucky colors, etc. These will add a polish to your preliminary knowledge.

Very soon you will gain a reputation as a seer and it will add not a little to your vanity when people come to you and ask you to read their futures. In doing so, you will be advised to follow a few rules. Never jump to hasty conclusions. Weigh all the facts and strike a balance. If the hand says "yes" and the face says "no," the conclusion is that "it may be." When disappointing things are noted, be charitable and let the applicant off lightly. In cases where dire illnesses are portended, suppress the facts or state them in such a way that the applicant has a chance of avoiding the trouble, if he or she takes suitable measures. But, whatever happens, never make a statement for which you have not "chapter and verse."

And this brings me to my last point. Hands, faces, heads and other characteristics give their readings, but none of these readings should be taken as absolutely final. The power is within us to fight against our failings and to better our good qualities. We may even allow our best ones to deteriorate. That is why two people born at the same time and in the same town need not grow up exactly alike. And it is also why a small percentage of horoscopes and fortunes are bound to miss the mark.

PALMISTRY--WHAT MAY BE LEARNED FROM HANDS

"There are more things in Heaven and Earth...."

People who can see as far as the ends of their noses and then only through a fog, declare (with a superior sniff) that Palmistry is nothing but a trap to catch fools; they call it quackery, or declare perhaps that it is merely a fake or blind guesswork.

Now, while we would be the first to deny that Palmistry is an exact and infallible science, yet we just as strongly affirm that it is undoubtedly a most fascinating and interesting recreation; as to its truth, each one must decide that question for himself.

For the few who have a wish to take up this study seriously, there are many now who will naturally wish to know just sufficient to be able to "tell fortunes." Fortunetellers are always popular at some jolly party or quiet friendly gathering of an evening.

In this book they will find all the simple information required; on the other hand the student will find a sincere delight in reading and sifting thoroughly the numerous books that probe the depths of the subject.

Quite apart from any markings which may be upon the hand, a general indication of the habits and temperament of the individual in question can readily be gained by a careful examination of the texture or quality of the skin.

It were as well to note here that the impressions gained must never be taken by themselves, but only in conjunction with other confirming signs. Especially is this so when judging the character of a friend or acquaintance.

_TEXTURE OF SKIN._--The skin may, of course, be smooth or rough. To judge this you should turn the hand in question back upwards; now get the feel of the skin by actual touch; a smooth, fine-textured skin denotes a refined nature, and _vice versa_. This is a very strong indication indeed, insomuch that should there be other tendencies pointing to coarseness of nature, this texture of the hand would have a refining effect upon the whole.

_ELASTICITY OF THE HAND._--This is best tested by actual grip (as in shaking hands). All hands naturally present some feeling of elasticity; this is a matter of comparison, but it is very easy to tell the quick, virile grip of an elastic hand to the dead fish feeling which a flabby hand gives us when we grasp it.

_A FLEXIBLE HAND_ denotes an active and energetic person, one who will be readily adaptable to new conditions. He will always rise to the occasion, and manfully withstands the buffets of ill-fortune. This type is always trustworthy and a good friend.

_A FLABBY HAND_--one that does not respond to your grip or responds but sluggishly--is the hand of an idle man, untrustworthy and inconsistent, a man of weak and negative character; but be sure to search well for other confirming signs of this weakness.

THE SHAPE OF THE HAND

A fairly accurate guide to character is certainly contained in the shape of the hand. Hands may be roughly divided into two classes--broad and long. A person having a _long hand_ you may judge to have great capacity for mental effort and matters of detail.

The broad-handed person you may expect to be a strong man physically; his culture will be bodily rather than mental. He could with advantage improve his culture by reading, and by enjoying the best music.

THE SHAPE OF THE FINGERS

When an individual is found with _square_ finger-tips, he should make a good marriage partner; he will be practical--a man of method and reason. He is punctual, but should cultivate imagination.

_POINTED FINGER_ tips will be found on the hand of the musician, the painter, and, in fact, anyone who is of artistic temperament.

Persons with these fingers should curb their imagination with reason, and cultivate the power of doing things, not only dreaming them, though dreaming is well enough in its way.

_TAPERING_ fingers indicate people of extremes. "Ice and fire" are these people--impulsive and generous to a fault. They should guard against undue and morbid sensitiveness, and should cultivate a sane philosophical outlook upon life. They are capable of the highest, but are frequently their own worst enemies.

_SPATULATE FINGERS._--These are the sportsmen of the world. They are not worried much by the opinions of others, while they love a busy, healthy life; a sound mind in a sound body.

GENERAL SHAPE AND FORMATION OF THE HAND

If the hands are knotted with the joints swollen, powers of analysis, calculation and reflection are shown; philosophers have this type of hand.

_SMOOTH_ fingers and hands indicate the artistic temperament. These people are frequently inspired, and have curious intuitions concerning coming events. Musicians, spiritualists, and martyrs are of this type, together with many folk who are square pegs in round holes; maybe doing work which is uncongenial to them.

_THE THUMB_ has also in it certain very marked indications of character. The three bones (or Phalanges) in the thumb each have their interpretation. Beginning at the top these should be judged by length as follows:--

1. Will. (The pushing type of man.)
2. Reasoning power. (The thinker or philosopher.)
3. Love.

Thus a long first or top phalange indicates great will power; or if it is not a certain indication, it points to a definite likelihood of the will being strong.

THE MOUNTS

Take your subject's hand and examine it closely; a strong magnifying glass should form part of the equipment of every wise palmist. It will be seen that there are certain portions of the hands which are raised above the surface. These are known as "mounts." As will be noticed in the accompanying picture, we call these mounts by astrological names, a method adopted from the very earliest times. They are eight in number, named: Jupiter, Mercury, Venus, Saturn, Apollo, Luna and Mars (of which there are two).

Let us look at our picture on page 21. At the base of the first finger you will see Mount Jupiter, then taking the base of each finger in turn, will be found Mounts Saturn, Apollo, and Mercury. Mount Luna will be found at the base of the hand, below the little finger, near the wrist, Mount Mars just above it, Mount Venus stands below Jupiter and at the root of the thumb, with the second Mars above it.

All individuals have not these mounts developed to the same extent, and in these variations strong indications of character are to be found.

We will now have a little discussion upon the subject of Mounts, taking each individually, and in turn.

Usually one of these mounts in your subject's hands will be found to stand out clearly from the remainder. This will give you a good idea of the general type of person whose hand you are judging.

These are the general indications to be found.

_THE SATURNIAN._--If the Mount of Saturn be over-developed, you have the cold, sceptical type of man. He lacks the milk of human kindness, and is probably a pessimist. A moderate development, on the other hand, is good; this man should be prudent, not miserly; optimistic yet not fatuously so, a well-balanced man.

We well know that the excess or over-development of one particular quality (however excellent this quality may be) is evil. Thus a super-artistic temperament gives the neurotic; while the over-prudent man becomes the grasping miser.

_THE JUPITERIAN._--Jupiterians, or folk with an excessively strong mount of this name, are the strong men of the world. In excess they are ambitious to a fault, masterful, overbearing and bullying. With a moderate development we have exceedingly good qualities indicated. Power of leadership, rightful ambition, initiative, and great abilities for hard work.

_THE APOLLONIAN._--Taking the men and women of Apollo we have the essential optimists, the Micawbers and Mark Tapleys of life. Allied to their cheery natures is a love of the artistic and the really beautiful. The sculptors, painters, and musicians who make life so pleasant, are very frequently Apollonians. The best advice to give an Apollonian is "moderation in all things." He or she must be very careful in the choice of a marriage partner; this last is very important indeed.

_THE MERCURIAN._--In excess we have craft, guile, and fondness for falsehoods. In moderation we find the good business man, shrewd, cautious, possessor of a capacity for doing the lion's share of the work, and a fine eye for the main chance. Let him cultivate his opposites. Unselfishness, kindness and generosity will make a Mercurian a most charming person. Their lack will leave a clever, scheming scoundrel.

_THE MARTIAN._--When we find Mars in the ascendant (i. e., the mounts excessively developed) we find aggression and even bullying. In moderation we have a fighter in the best sense of the word; a man who will withstand the blows of fate and fight his way through life, resisting evil. He is never mean, and you will find him a sincere and trustworthy friend.

_THE VENUSIAN._--When this mount is predominant in excess we find a person of unbalanced mind; he will be careless and will make a dangerous marriage partner. Developed to a moderate degree we find generosity, a power to feel for others, with a pleasing personality. The folk of Venus love beauty, and love their life; they are strongly attracted to those of the opposite sex, and are likely to fall in love without counting the cost. These people should cultivate a habit of thinking before they act, and should not allow generosity to degenerate into extravagance.

_THE LUNARIAN._--Lastly let us take the Mount of the Moon. In excess we again find the neurotic or unduly nervous person. In moderation the Lunarian will be a person of imagination, sympathy, and one who loves to look on all that is most beautiful in life. He should be successful as a musician, playwright, or novelist, and has a ready capacity for learning foreign languages.

Let me give one piece of final advice to those who truly judge character by the mounts, or indeed by any signs on the hand. Never judge by one sign or you will be led into stupid mistakes. Always take the hand as a whole, for frequently some point in the formation striking you as bad may be strongly counterbalanced by other good signs.

This is exceedingly important, and rightly applied will save you many foolish pitfalls in your early fortunetelling days!

THE FINGERS

Each of the mounts at the base of the fingers gives its name to the finger above it, i. e., the first finger is called Jupiter, the little finger is Mercury, and so on.

When judging character by the mounts, the fingers which share their name must also always be noted as to their development. Let us first take Jupiter.

If that finger is well developed (i. e., long in comparison to the remainder) this will accentuate the Jupiterian qualities seen in the well-developed mounts. This may be applied throughout the mounts. The important thing to remember is that mount and corresponding finger should be read together. This is essential.

To conclude this section let us take the phalanges (or joints of the finger) with their interpretations.

Counting from the top joint nearest to the nail, the meaning given by palmists to the three phalanges of each finger are as follows:--

(_Length of phalanx_, or distance between the respective joints, is the _deciding factor_.) For simplicity, we have made a small table.

THE LINES OF YOUR DESTINY

We now come to the most fascinating side of Palmistry--the actual study of the network of lines upon the hand, and their relation to the mounts and to each other.

This is where your magnifying glass will be of enormous value. There are very many small signs, seemingly of little matter, but in reality of very great importance, such as stars, crosses, squares, and triangles, little marks with frequently great meanings.

One word of warning must be given before we go farther. If you see evil in a palm never on any account tell of it. But if you see some misfortune approaching which a little foresight might avoid, by all means warn your subject. Should you by any chance see, or think you see, anything calculated to alarm another, keep it to yourself. Always remember that human intelligence is frail and finite but life is infinite. Palmistry shares in this frailty; it is interesting and intensely fascinating, but far from infallible. It is not an exact science in the sense of mathematics, where two plus two equals four, no more and no less.

Let us take these lines in turn and discuss the meaning of each.

THE LIFE LINE

When the Life line rises high in the hand, great ambition is shown. If you see a Life line circling well into the palm (thus forming a large Mount of Venus) emotional characteristics such as love and generosity are shown. If, on the contrary, the line forms a small Mount of Venus, coldness will be predominant.

If the Life line commences very feebly and gradually strengthens, this is a good sign. It indicates a weak childhood but a robust maturity.

THE HEAD LINE

The Head line works in conjunction with the line of Health (see illustration), thus:--If the Head line is broken some ill health may be indicated which has made or will make its effect felt upon the brain and thinking powers. But only if all other lines should support this.

An independent nature is shown when the Head line branches off from the Life line early in its course, and vice versa.

If the Head line should curve towards Saturn, there is shown a material outlook upon life; this is the financier's Head line. Curving towards Apollo an artistic nature is shown, while should this line originate near Mount Jupiter it is a sure sign of capacity for leadership, and many go-ahead qualities that make for success. If the Head line is firm, a definite, purposeful nature is probable, while a weak, wavy Head line indicates a weak, wavering outlook upon life.

With the Head line joining the Heart line, emotional qualities are to the fore; this individual is impulsive and should put the curb of reason upon himself.

Should the Head line have branches which run towards Mount Mercury, Luna and Mars, it is an excellent sign, showing good balance, ready wit, and quick adaptability.

THE HEART LINE

When this originates on or near the mount called Saturn, there is a leaning towards a sensual, pleasure-loving nature.

Rising from between Saturn and its neighbor Jupiter, we have a very deliberate, practical man. His love, while very sincere, is governed by reason; he is intensely practical, and rather lacking in imagination, which it were well worth his while to cultivate. His head will always rule his Heart, especially is this indicated should the Heart line bend towards that of the Head.

Should the Heart line cross the palm entirely, the owner is the exact opposite of the individual just mentioned. This person's heart will rule his head; he is sentimental even to a fault, and should practice business-like qualities, and not dream overmuch. Love in a cottage is all very well--but how when the roof leaks?

A short Heart line is a warning for care in marriage; without this care a couple may well come to shipwreck on the rocks of married life. Forewarned is forearmed!

THE LINE OF FORTUNE

This is a line running (as its name suggests) towards the Mount of Apollo. It is a valuable and somewhat rarely-found line. This is the line of genius; effort will scarcely be needed by its owner; he will seem to fly towards success on the wings of destiny.

This is the ideal, but it must be borne in mind that there are other lines which must be studied in conjunction with it.

On the other hand its absence does by no means prohibit or even endanger success; it merely indicates that individual effort will be required, and what is life without something to strive for?

THE HEALTH LINE

A good strong Health line is very desirable; should this line be broken, however, there is no need for alarm, it is merely indicated that a certain amount of care is necessary in one's personal habits of life.

THE LINE OF FATE

This line runs across the middle of the palm, from the Mount of Saturn to the Bracelets, but its full course need not be traced on any particular hand. When of full length and a middle position is revealed, the fate of the individual may be reckoned as particularly lucky. Such a person has strong determination, can make quick decisions and can be powerful without being a tyrant. He has the power of drawing people to him, in a friendly way, and is, thus, always liked.

_a._ Life line;
_b._ Fate line;
_c._ Health line;
_d._ Head line;
_e._ Heart line;
_f._ Marriage line;
_g._ Bracelets;
_h._ Mount of Jupiter;
_j._ Mount of Saturn;
_k._ Mount of Apollo;
_l._ Mount of Mercury;
_m._ and _o._ Mounts of Mars;
_n._ Mount of Venus;
_p._ Mount of Luna;
_s._ Line of Fortune.
]

Should the line run from the Bracelets and stop at the Head line, this is a sign that the possessor will have many troubles and obstacles to overcome. Whether he will surmount them depends on the strength of the Head line. In cases where the Fate line continues up one of the fingers, the owner must take care that success does not turn his head and ruin the future. A Fate line that wriggles its way across the palm indicates a life of ups and downs, and, should the line be broken in places, it is a sign that happiness will vary from time to time. Generally speaking, if small lines run upwards out of the Fate line, the signs are good, but the reverse is the case if they run downwards.

THE LINE OF MARRIAGE

This line is a short, comparatively inconspicuous one, found at the edge of the palm, below the little finger. It runs inwards but not very far towards the center of the palm. How to recognize its significance is explained under the heading, "An ABC of Hands."

Now let us put our house in order, refresh our minds, and summarize the broad principles upon which any study of Palmistry must rest.

First we have the mounts. It is in the varying relation of the lines to these mounts and to their adjacent fingers that our deductions are founded. One mount lies at the base of each finger, Jupiter, Saturn, Apollo and Mercury respectively. Secondly, we have the four fingers with their astrological names, each finger bearing the name of the mount at its base.

_Table showing the general qualities of the mounts._

------------+-----------------------------------------------------------
Name of |
Mount | Quality
------------+-----------------------------------------------------------
_JUPITER_ | Ambition, leadership, a magnetic personality. (In excess)
| Brutal and bullying.
------------+-----------------------------------------------------------
_SATURN_ | Cautious, prudent. (In excess) Miserliness, coldness.
------------+-----------------------------------------------------------
_APOLLO_ | Artistic Temperament, optimist, healthy living. (In
| excess) Shallow character, frivolous, and extravagant.
------------+-----------------------------------------------------------
_MERCURY_ | Energy, good judgment. (In excess) Lying, fraud,
| deception.
------------+-----------------------------------------------------------

Here is a good, sound rule to remember when reading the hands of your friends. First find your type--i.e., Jupiterian, Apollonian, etc. This is accomplished by noting the main characteristics of the hand which you are examining. Suppose that the Mount of Apollo is fully developed and well raised, and that the finger of Apollo is inclined to be long, there you have practically a pure Apollonian type, i.e., Apollo in excess. If the Mount of Apollo is developed but also the finger of Saturn is long, this forms an admirable mixture. This subject will feel the benefit of the steadying influence of Saturn at work on his light-hearted Apollonian nature.

Pure types are rare--and fortunately so--for in a pure type, no matter which, you are frequently liable to find a rather poorly-balanced outlook on life. The cold need heat, and the brilliant require solid perseverance and a capacity for hard work to win lasting success.

WHICH HAND SHOULD BE READ?

The answer to this question is a very decided both! As a general rule the left hand will show the inherent characteristics of the individual; the right hand shows the same characteristics modified by our surroundings or by the individual's personal efforts. The former is possibility--the latter actuality; in short, it is what we actually make our life.

The safest rule about reading right and left hands is this:--Read both hands separately and carefully, then read them in their relation one to the other.

There is no blind fatalism in the sayings and doings of a true student of Palmistry. What he does or should do is to point out the likelihoods and warn against inherent weakness. In so much he is like a guide helping us to pick our way through the tortuous maze of life.

It may strike some of our readers that we have spoken more of the indications of character to be found in the hand rather than of the indications of "Fortune." A few moments' thought will show a very sound reason for this.

It is certainly our characters which shape our destinies; should you find a hand with all the indications of strong character, while also possessing a strong will and well-cut Life line, you would be sure in prophesying a happy life for its owner; or as sure as we poor humans ever can hope to be!

If you find a hand with the indications of weak will and character, yet with the Health and Life lines strong and well defined, you may well advise the owner of the hand that effort, effort and effort again, is required if he or she would win through!

Remember that tact is more precious than fine gold! A tactful and timely warning may prove of the greatest value, while without tact you will surround yourself with an army of acquaintances whose feelings you have hurt by your thoughtless and unintentionally cruel remarks!

There is no infallibility about this matter, but with the facts given in this book there are vast possibilities for really pleasurable and interesting recreation. If the study be taken up seriously, and used with discretion, there are almost unbelievable opportunities for good.

This is what a man once said to me--and he was a man who thought deeply, and probed matters to their depths:

"A wise palmist is as precious as a careful signalman upon life's crowded railroad, and a wise palmist is a tactful palmist."

AN A B C OF HANDS

In order to be able to follow the explanations given for each type of hand, the list set out below will prove useful.

(1) The 1st phalange is the section of the finger carrying the nail.

(2) The 2nd phalange is the section of the finger between the 1st and 2nd joints.

(3) The 3rd phalange is the section of the finger between the 2nd and 3rd joints.

(4) The positions of the Mounts of Mercury, Apollo, Saturn, Jupiter, Luna and Venus are shown in Fig. 7. Of the Mounts of Mars, there are two positions. One is situated between the Mount of Jupiter and the thumb, while the other comes between the Mounts of Mercury and Luna.

(5) The Girdle of Venus, which is rarely found, is a curved line running between Mercury and either Jupiter or Saturn.

(6) The Bracelets are the lines running across the wrist, close to where it joins the palm.

_ABILITY._--A small cross is shown where the Life line finishes.

_ABILITY, LACK OF._--A short Head line, terminating in the center of the palm, with the Mounts of Saturn and Apollo almost non-existing.

_ACTIVE PERSON._--A rough, firm palm and an indistinct Heart line.

_AFFECTIONATE PERSON._--A clear Heart line and a very plump Mount of Apollo.

_AMBITIOUS PERSON._--A short line traced from the Life line to the Mount of Jupiter, existing on both hands.

_AMIABLE PERSON._--The Mounts of Jupiter and Mercury are very plump on both palms.

_AMOROUS PERSON._--A hand deeply furrowed, somewhat silky in texture and the Heart line well developed.

_ANGER._--The thumb has short phalanges, especially the first phalange; finger-nails square and reddish at the base.

_ARTISTIC TEMPERAMENT._--A line running directly from the Head line to the third finger, and fingers long and tapering.

_AUDACIOUS PERSON._--The Mount of Mercury and the two Mounts of Mars very clearly in evidence.

_AVARICIOUS._--The Head line extends across the palm, from end to end, and is straight. At its end, it forms a small triangle.

_BILIOUS TEMPERAMENT._--The Health line wriggles its way along the palm, while the hand is damp and clammy.

_BRAVE PERSON._--Straight fingers and both the Mounts of Mars are well defined. Few hair lines cut across these mounts.

_CAUTIOUS PERSON._--The first phalange of the thumb twists inwards, whilst all the fingers are remarkably straight.

_CHARITABLE PERSON._--A good Heart line with well-developed Mounts of Venus and Mars (particularly the Mars Mount below Jupiter.)

_CHEERFUL PERSON._--A long first phalange to the fourth finger and the Mounts of Jupiter, Apollo and Mercury nice and plump.

_CLEVER PERSON._--The Life line shows a cross at one of its ends and the Mounts of Apollo and Mercury are well defined.

_CONCEITED PERSON._--Very plump Mounts of Saturn, Apollo and Mercury.

_CONSCIENTIOUS PERSON._--A broad, thin hand, a very distinct Mount of Jupiter, and the first phalange of the thumb nicely curved.

_CONVINCING SPEAKER._--The fourth finger is almost as long as the third, usually because the first phalange is long. This finger is pointed.

_CORDIALITY._--The Heart line extends almost across the palm; it is straight, except at one end, which branches into a fork.

_COWARDLY._--When the hand is opened out flat, the fourth phalanges of all the fingers dip or curve downwards. None of the mounts are distinct.

_CRUEL PERSON._--The Heart line is almost or quite non-existing. The hand is long, but square-cornered, and the finger-nails are pointed at the base.

_DARING PERSON._--The Heart line curves round to the back of the hand, while both the Mounts of Mars are fully developed.

_DECEITFUL PERSON._--The Head line wavers, is not very distinct, and it has a double prong at one end. One of the prongs cuts across the Mount of Luna.

_DEFIANT PERSON._--The third phalange of the first finger is longer than the third phalanges of other fingers. The thumb is large.

_DISAPPOINTMENTS TO BE EXPERIENCED._--The Life line has a number of small hair lines running from it, like herringbone pattern. Some of these hair lines reach the bracelets.

_DISSIPATED PERSON._--A star beside the thumb-nail and the Head line is deep and wide.

_ENERGETIC PERSON._--The head line runs from side to side of the palm. It is clear throughout, while the four mounts below the four fingers are very distinct.

_ENVIOUS PERSON._--On the first finger there are several clear lines; they are found mostly on the third phalange, but some exist on the second. None on the first.

_EXTRAVAGANT PERSON._--The tips of all the fingers bend back and the Head line is weak.

_FAITHLESS PERSON._--The two Mounts of Mars and that of Mercury stand out more clearly than the others.

_FAME, PERSON DESTINED FOR._--The Fate line is more distinct than any other and no other line crosses it.

_FAR-SEEING PERSON._--The palm is depressed in the middle, the thumb is well developed, strong in outline, and all the phalanges of the fingers are about as long as they are wide.

_FAULT-FINDING PERSON._--A long, narrow hand, with an ill-defined Heart line.

_FLIRT._--The Head line consists of a line joining up several links, forming a species of chain.

_FORCEFUL PERSON._--A cross on the Mount of Apollo and small lines crossing.

_FORTUNATE PERSON._--The Heart and Head lines almost touch below the Mount of Jupiter. A cross is often found between them just at this point. The third finger shows a long line running the length of two phalanges.

_GOOD CHARACTER._--The Mounts of Jupiter, Saturn and Mercury are much in evidence, while the tips of the fingers are nicely rounded.

_GREEDY PERSON._--When the hand is spread out the fingers bend inwards, because of the excessive width of the palm. The Head line runs across the palm almost in a straight line.

_HAPPY PERSON._--On the third finger there is a deep line running the length of the third phalange. Also, the bracelets appear as a single deep furrow.

_HARD WORKER._--The fourth finger has the second phalange a trifle long, while the two Mounts or Mars are well developed.

_IDLER._--The Head line is very short; the Mounts of Luna and Mercury are well developed, while the Mount of Mercury almost touches that of Mars.

_IMPATIENT PERSON._--The Mounts of Mars and Mercury stand well above the level of the palm and are crossed by several small lines.

_INTELLIGENT PERSON._--The Mounts of Apollo and Mercury are much in evidence, while the Life line terminates in a cross.

_JEALOUS PERSON._--The Head line continues round to the back of the hand, while the Mount of Mercury is more defined than the others.

_JUST PERSON._--Square-tipped fingers and square nails, while the space formed between the Heart and Head lines is unusually wide.

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Everybody's Book of LuckChapter I: Part 1

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