Chapter II: Part 2

_KIND PERSON._--A star figures on the thumb, while the Mounts of Apollo and Mercury are much in evidence. The Heart line is not short.

_LIKING FOR OPPOSITE SEX._--A star is seen on the Mount of Mercury or a star may appear between the Heart and Head lines.

_LONG LIFE._--The Heart line curves entirely round the thumb, being plainly evident all the way, while the bracelets consist of three clear lines.

_LUCKY PERSON._--See diagram of a very lucky hand.

_MARRIAGE._--The Marriage line is a comparatively short line, found above the Heart line and starting from the edge of the palm, under the little finger.

If straight and well defined, it is a sign of a happy married life. (See Fig. A, p. 23.)

If curved down, there are troubles to overcome.

If the line runs down to the Heart line, money difficulties will arise in married life. (See Fig. B.)

If the line ends in a fork, there are fears of quarrels and, perhaps, separations. (See Fig. C.)

If the line runs up and touches the Fate line, marriage will bring many successes.

If there is practically no length to the actual marriage line, but a fork appears almost at the commencement, it is a clear proof that troubles will arise and prevent the owner from marrying when he or she desires it. There will be delays, postponements and other difficulties, but they will be overcome in the end. (See Fig. D.)

If there is an island where the line should commence, this may be taken as a sign that the possessor is not a suitable person for marriage. But, if the line is a good one, after the island is past, there are hopes that he or she will mend. (See Fig. E.)

If the marriage line hardly exists or does not appear at all, it is a sign of single blessedness through life.

If the marriage line on the right hand is minutely examined, short hair lines may be seen rising upwards from it. The number of these denotes the number of children of the marriage. It is usually said that the perpendicular lines represent the boys and the slanting lines the girls. As these lines are often very indistinct, it may be necessary to dust the hand with a dab of face-powder, in order to see them.

_NARROW-MINDED PERSON._--The Head line is short and it wavers or wriggles its way across the palm.

_NEAT, ORDERLY PERSON._--Where each finger is hinged to the palm, there is a deep crease making a badge on either side of it. The hand itself is square and vigorous in appearance.

_NERVOUS PERSON._--The hand is very much lined, and there is difficulty in picking out the chief lines. The Mount of Luna is large and much furrowed.

No. 9.--_The Life line begins on the Mount of Jupiter and is doubled._ The Heart line commences on the same mount and is forked at both ends. The Head line is doubled and forked at one end. The Fate line is long, straight and rises from the Bracelets. The finger of Apollo is lined. The Marriage line is straight and clear.]

_OVERBEARING PERSON._--The fingers are square-tipped and the first phalange of the thumb is long and thick. The hand itself is rough and coarse. A short Heart line.

_PASSIONATE PERSON._--The Heart line is long and the Mount of Mercury over-pronounced.

_PHILOSOPHIC PERSON._--The finger-tips are square; the phalanges are all more or less fleshy and full; the thumb is large and long; the palm is comparatively small.

_PROFLIGATE PERSON._--The Head line takes a wavering course, and there is a star on the thumb, close up to the nail.

_RECKLESS PERSON._--The finger of Saturn is more pointed at the tip than the other fingers. The Fate line does not come anywhere near to the Bracelets.

_REFINED PERSON._--The Mounts of Mercury and Luna are far more pronounced than the others; the fingers are slightly pointed, and the texture of the hand is silky.

_RELIGIOUS PERSON._--The first finger has a square tip; the Mount of Jupiter is large; the first phalanges of all the fingers are decidedly long, and there is a cross in the center of the palm, close to the Head and Heart lines.

_SECOND-SIGHT, PERSON WITH._--An unusual line runs from the Mount of Luna to the Mount of Mercury. It takes a circular course and much resembles the Life line, reversed. This line commences with an island.

_SLEEPY PERSON._--A deeply-grooved short Head line.

_SUCCESSFUL PERSON._--The Life line starts from the Mount of Jupiter and is double throughout its course. The Heart line commences at almost the same spot and is forked at both ends.

_SUPERSTITIOUS PERSON._--The Mount of Jupiter is particularly well developed. There are several lines running across it; while the Head line is shorter than usual.

_TACTFUL PERSON._--The hands are long and narrow; the texture of the skin is smooth and silky, and all the first phalanges are plump and, perhaps, longitudinally lined.

_TALKATIVE PERSON._--The Heart and Head lines are not easily discovered, and the Mount of Mercury stands up more than the other mounts.

_THOUGHTFUL PERSON._--The first finger almost as long as the second; it is pointed at the tip more than the others. A wide space is formed between the Heart, Head, Fate and Fortune (or Health) lines.

_TIMID PERSON._--None of the Mounts appear plainly, while the Head and Heart lines run very close together.

_UNTRUTHFUL PERSON._--The little finger is long, reaching at least to the base of the nail of the third finger. The Mount of Luna is crossed with many lines.

_VAIN PERSON._--The Mount of Jupiter is fuller than the others and it is crossed with many lines. The fingers are long and rather pointed.

_VINDICTIVE PERSON._--The Head line wriggles along its course. It has a fork close to the Mount of Luna.

_WEALTHY PERSON._--When earned, the Mount of Luna, on both hands, shows a number of lines which all run in one direction. They do not cross at all. When inherited, the same, but there is, in addition, a cross on the Bracelets.

_WITTY PERSON._--The Mount of Mercury shows up clearly. In addition, there is a curved line which runs from the junction of the first and second fingers to the junction of the third and fourth fingers. The Heart line is usually good.

YOUR HANDWRITING REVEALS YOUR CHARACTER

Your handwriting is you; disguise it as you will, it still reveals your character. As a matter of fact, it is a sheer impossibility for an ordinary person to alter his or her writing completely. The natural hand and the purposely-changed hand will bear several resemblances, however hard the individual may try to make them dissimilar. This is due to the fact that the same character lies behind both efforts. Not only is your handwriting you, but the handwriting of your friend is "him or her." This being so, you will find it a simple matter to arrive at his or her qualities by analyzing a few lines of the person's handwriting. To become sufficiently expert for this, you will not need more than half-an-hour's study.

_FIRST_ of all we must attend to the direction of the lines of writing, as, should these be level, a normal and calm state of mind is shown, generally reliable, and not subject to change.

When the lines slope toward the right, much energy is indicated; when the lines slope downward, a lack of energy is shown, usually from depression which may result from ill health.

If the writing slopes upward with excess, it shows recklessness; if downwards, with a very sloping inclination, it shows mental depression verging almost on loss of reason.

If the signature slopes upwards, then we may expect to find personal ambition, but if downwards, some physical weakness. If instead of the whole line ascending only words here and there will ascend, this indicates "hope," but if scattered words ascend and descend in the same line, we may read a lack of tenacity in emotions.

_SECONDLY._--The lines forming the letters may appear:--

(A) Practically upright; or

(B) Sloping slightly to the right.

(C) Sloping very much to the right as if each letter were falling over the rest.

(D) Sloping to the left, and lastly,

(E) "Back-hand writing."

Between A and B might be called normal.

A Shows pluck and self-possession, and, if pointed, mathematics.

B Tenderness, but should the writing be pointed, a quick, acute mind, with no sympathy with sentiment.

C Shows indolence; if with pointed letters, mental power, but should the letters be rounded, mental and physical indolence.

D Shows a love of ease, while

E Looks peculiar and indicates self-consciousness, and, as a rule, hidden sentimentality.

_THIRDLY._--The writing small and pointed, we get curiosity; if medium in size, and gradually increasing towards the end of the line, it shows an outspoken nature; should the writing diminish towards the end of the line we read tact.

If it is fine and threadlike in appearance, it shows a sensitive mind, diplomacy.

Large writing shows promptness, but if the strokes are very fine, we see appreciation of other people's work--a connoisseur.

Small, clear writing shows love of the abstruse, and if the lines are very delicate, a feeling for the mystic. If the writing is extremely small, it shows pettiness of nature, fussiness over unimportant details.

Letters of different sizes show unreliability of nature, exaggerating trifles and ignoring more important things.

Light and fine writing means delicacy of feeling, but if carried to excess it shows fastidiousness.

_FOURTHLY._--The connections of the letters with each other must be judged. If the connecting stroke is long, it shows some facility in talking and expression, the power of using words well, _not_ talkativeness.

Letters ingeniously connected show constructiveness, but should they be separate, we get perception and intuition.

Any eccentricity indicates that the person's career has not been ordinary. Marked originality, especially of capitals, shows unusual taste. Tremulous tendency resulting neither from illness nor old age--Irritability. Highly restrained, small--Refractory disposition, difficult to live with. Regular and well-placed lines, followed by those careless and irregular--A mind quick to embark on an enterprise, but lacking perseverance. Back-handed less susceptible than inclined--The head ruling the heart.

Generally the body of the letter or specimen gives the present character, the signature the past.

_CROTCHETS._--Egotism, self-satisfaction (a return upon self.)

_HARPOONS (HOOKS)._--Tenacity, united perhaps with weak will.

_DASHES._--Perfectly straight--Persistence.

Undulating.--Art, levity.

Undulating, beginning or finishing with a crotchet or ungraceful flourish.--Lack of taste, slight vulgarity.

Light.--Writer attaches little idea to things expressed.

Ending Thickly.--Resolution, desires ideas to carry weight.

Curved Ascendingly.--Versatility; slight inconsistency; speaks without thought.

Tremulous.--Timidity, hesitation.

Placed at end of line or paragraph.--Lack of self-assertion.

Ending abruptly, thick and hard.--Distrust, reserve.

Sharply elongated.--Impulsive nature; prudence taught by experience.

Used instead of "full stops."--Cultivated caution.

_CAPITAL LETTERS._--Large and well-formed.--Pride.

Print-like in shape.--Dignity.

Thin strokes.--Boasting.

Exaggerated in height.--Love of ceremonial.

The angle very pointed.--Acuteness, penetrative, leadership.

Large and badly-formed.--Egomania.

Large upper hall.--Self-assertion.

Large bases.--Self-confidence.

The capital letter of Christian names larger than that of surname.--Love of home.

The capital letter of surname larger.--Love of position.

Small capitals.--Lack of self-assertion.

Capital letters made like small ones.--Said to show poetic feeling, love of Nature.

Print-like in form.--Originality.

Eccentric in any way.--Pose or whim.

Widely spaced.--Love of open air.

Curving far below the line, and almost encircling the word.--Protective love of animals.

Letters incorrectly used.--Small detail made over-important.

Tendency to replace by print.--Sense of form, artistic and poetic.

_SPECIAL LETTERS._--_A.M.N.H._, _G.O._, _R.U.W._--Normal width.--Well-poised mind.

Too wide.--Self-contentment, satisfaction.

Nearly touching.--Timidity, want of knowledge of the world.

First leg slightly raised.--Aristocratic tastes.

Second leg exaggerated.--Pose, affectation.

Unconnected, ending with crotchet rentrant.--Egotistical, selfish.

The letters begun and ended with a small crotchet rentrant.--Avarice, meanness.

Letters and words connected.--Power of assimilating ideas, but lack of originality; logic.

Letters disconnected even with their parts.--Creative power, want of logic.

Equally connected or disconnected.--Balanced intuition and deduction.

Last letter increasing in size.--Lack of power of concealment. Decreasing.--Finesse.

Handwriting does not invariably show sex, as the qualities indicated are common to both men and women.

The writing develops as the soul develops, and imitation comes before originality.

QUALITIES SHOWN IN HANDWRITING ALPHABETICALLY ARRANGED

_ABILITY._--Small writing, angular, clear, decided capitals.

_ACCURACY._--Neat, well-placed lines and words, punctuation correct.

_AFFECTION._--Softly sloping writing, rounded, fairly thick.

_AMIABILITY._--Rounded letters, often unfinished, medium capitals.

_AMBITION._--Large first stroke of capital "M's" ascending lines of writing. Imposing signature.

_ANALYTICAL._--Small-pointed, clear writing, letters divided, decided capitals.

_ARGUMENT._--Words connected, giving logic, and occasional extra long connecting strokes, small writing. (See A.2.)

_AUTHORITY._--Large capitals, especially the letter "I" and first letter of surname, level crossing to t's.

_BOASTFUL._--Large writing, exaggerated capital, flying cross bar to t's. (See A.1.)

_BOLD._--Large well-formed capitals, clear rounded, but not pointed writing.

_BROAD-MINDED._--Well-spaced words, clear capitals, O's and A's wide and rounded.

_CANDOUR._--O's and A's open at the top.

_CAPRICE._--Eccentric letters, irregular writing, no punctuation.

_CARE._--See Accuracy.

_CARELESSNESS._--Ill-formed letters, open O's, no punctuation.

_CAUTION._--Dashes used instead of full stops.

_CEREMONIOUS._--Capitals important, all large above the line, some added flourishes.

_CHANGEABLE._--Letters differently formed, eccentric capitals, variability of line.

_CHEERFULNESS._--Short, fat loops, rounded letters.

_DEJECTION._--Lines tending downwards, curved letters unfinished, last of capital "M" very small.

_DELICACY._--Thin thread-like letters, fine pointed writing. (See A.3.)

_DISORDER._--Ill-formed, unfinished letters, no punctuation, separate letters.

_DISSIMILATION._--Words terminating in thread-like strokes, interchangeable letters.

_DISTRUST._--Last downstroke ending very abruptly.

_DRINK._--Thick strokes, when seen through a glass very ragged, ill-formed letters; self-indulgence.

_EATING, GOURMANDIZING._--Small, rounded writing, black, small capitals.

_ECONOMY._--Close, compressed writing, no margins. (See A.4.)

_ENERGY._--Lines sloping upwards to the right, short downstrokes, high-barred crosses to t's.

_EXAGGERATION._--Very large and eccentric capitals, flourish under signature.

_EXTRAVAGANCE._--Wide margins, large letters, full loops above and below the lines.

_FAINT-HEARTED._--Small capitals, ill-formed thread-like letters, downward tendency.

_FOPPERY._--Exaggerated capitals, especially letter "I," wide spacing.

_FORGETFULNESS._--Letter "N" shaped like small "U." (See B.1.)

_FORMALITY._--Neat lettering, punctuation careful, capitals rather large.

_FRIVOLOUS._--Light writing, eccentric, or half-made capitals, irregular lines.

_GEOMETRY._--Small, neat writing, print-like small capitals, upright slope to writing, or slightly backward.

_GENEROSITY._--Final letters naturally rounded, with upward tendency.

_GESTURE OR MOVEMENT._--An elaborate finish resembling a flourish but joined to last letter.

_GRANDEUR, LOVE OF._--Imposing and well-formed capitals, large and carefully made "M's."

_GROSSNESS._--Very black, thick stroke both up and down, letters badly formed; short loops wide. (See B.2.)

_HASTY ACTION._--Long-shaped commas.

_HOME, LOVE OF._--Capital letter of Christian name larger than that of surname.

_HONESTY._--Well-formed, clear and even letters, level at the bottoms.

_HOPE._--The lines ascending with regularity.

_HYPOCRISY._--Small A's and O's, open at bottom.

_HYSTERIA._--Very irregular writing, badly made letters, and wild crossing strokes to t's, thin and long downstrokes, initial small letters out of proportion to remainder of words.

_INDOLENCE._--Rounded writing, sloping "backwards"--i.e., to the left (See A.5.)

_INDECISION._--Thin strokes crossing the t's, or else the stroke "tucked in."

_INGENUITY._--Curious and original shaped capitals.

_INSINCERITY._--Letters raised high above the level, words thread-like, terminations indistinct.

_INTEMPERANCE._--Curious rough, black strokes, or else vague formation of letters.

_INTRIGUE._--Twisted forms to letters, unnecessary and thread-like strokes.

_INTUITION._--Letters separated. (See B.3.)

_IRRITABLE._--Curious short downward crossing to t's, cramped and pointed letters.

_LANGUAGE._--Occasional long connecting strokes in middle of words or from word to word. (See B.4.)

_LOGICAL._--Even, small, well-formed letters, capitals well balanced.

_LUXURY._--Black writing, slanting strokes, large capitals.

_MADNESS._--Irregular, badly-formed, unfinished words, lines very irregular, and variable directions.

_MEAN._--Cramped and compressed letters and lines.

_METHODICAL._--Well-formed letters, even lines, good punctuation.

_NARROW._--Well-formed but close letters, careful capitals.

_NATURE, LOVE OF._--Simple capital letters. (See B.5.)

_NEUROTIC._--Irregular dwindling letters, various sizes, words unevenly placed.

_OBSTINACY._--Small writing, heavy crossing to "t's" and angular letters.

_ORDER._--Letters even, well formed and placed.

_ORIGINALITY._--Eccentric forms of letters.

_PENETRATIVE._--Acute letters, well-finished long upstrokes to "t's."

_PERSEVERANCE._--The bars crossing the "t's" increasing in size.

_POETRY, FEELING FOR._--Capital letters made like small ones in shape and neat well-formed words.

_PRETENTIOUSNESS._--Many curves and involved capitals.

_RETICENCE._--Closed "o's," "a's," and "e's."

_SIGHT._--In affections of the eyes the terminals are unfinished.

_SLY._--Dwindling ill-formed letters.

_STINGY._--Cramped writing, close lines.

_SUBTLETY._--Small letters and dwindling lines. (See 6.B.)

_SELFISH._--The final coming round to the left, and making a complete loop on itself.

_TEMPER, HASTY._--Angular stops.

_IRRITABLE._--The cross-bars of the "t's" slightly hooked.

_OBSTINATE._--The cross-bar ending in a decided harpoon or hook; a low thick bar. High and thick and tending sharply downward.

_OBSTINACY AGAINST OWN INTERESTS._--A short straight down stroke.

_CONTROL OF._--Dashes used instead of stops.

_TRUE._--Clear, well-formed rounded letters.

_VANITY._--Large flourished capitals, wide margins. (See B.7.)

_WIT._--Small, rounded letters, generally undulating handwriting.

YOUR FACE IS YOUR FORTUNE

Everybody sums up the faces of his friends and of the people he meets. It is a habit we all have. But most of us are apt to classify these faces into groups according to whether the possessors are good-looking, ordinary or supremely ugly. We say to ourselves, "Isn't So-and-so charming," or alternatively, "How positively plain is So-and-so."

As a matter of fact, the degree of beauty expressed in an individual's face ought to count for very little. What ought to count is the character which his or her features reveal. Let it be said quite definitely that faces indicate character more accurately than any other physical property of an individual. A person can change his voice and he can check his actions, but he cannot alter his features for more than a second at a time, and then only superficially.

Thus it comes about that faces are definite indications of character, and these indications are fairly easy to read, once the rules are learned. Of course, all such things as accidental blemishes, such as scars and broken noses, must be ignored at the outset.

First, let us take the general shape of the face.

_THE SHAPE OF THE FACE._--There can be thousands of different shapes, but the normal is shown by Fig. 1, where the width across the forehead is more than across the chin. The forehead, the nose and the rest of the face should be about equal in length.

Add to the width across the forehead and you have a brainy person, a clear thinker, a person whose opinions are worth considering. Of course, an excess of width in this place suggests some mental instability.

Fig. 2 shows an entirely different type. It may belong to a jolly person who is excellent company; but do not go to him for sound advice. There is not enough length of forehead, nor width of forehead, to house a superabundance of brains.

Fig. 3 introduces us to a ponderous type, slow-thinking, fond of food, and with animal instincts lurking in the background of his make-up.

Fig. 4 reveals a long face, narrow for its width. This belongs to a person who is limited in vision, and who can be very awkward at times. Such an individual will find it very hard to agree with others, especially in business matters. He may be deep and more often than not, he is a rather sad companion.

_THE NOSE._--Fig. 1 shows the normal nose, betokening an average character.

Fig. 2 is too rounded at the tip. Force of character is lacking.

Fig. 3 reveals a drooping line between the tip of the nose and the upper lip. This stands for a character that loves amusements and is apt to neglect the real things of life.

Fig. 4 gives a pronounced, fleshy curl where the nose joins the face. This is a sign that the possessor is a clear thinker, a leader of others, an intelligent person.

Fig. 5 shows a thin, pointed nose. The possessor is, probably, of a refined nature, but he or she is apt to be lacking in sympathy, even cruel.

Fig. 6 depicts a curved ridge. This is the nose of a person who lacks a refined nature. He may be jolly and humorous, but certainly not actuated by the highest ideals. Many noses of this shape are the result of an accident, which, of course, does not count.

A long nose indicates cautiousness, watchfulness, and often timidity.

A prominent nose that stands well out from the face shows a desire to observe and examine things, without the interference of others.

A fleshy tip to the nose displays a kindly nature, and a love of ease.

A short, small nose tells of conceit and a lack of sympathy for others.

A turned-up nose means that the possessor is a busybody, one who cannot keep a secret, but may be kind and generous.

_THE EYES._--Large eyes denote love of talking and the ability to learn languages.

Small eyes denote secrecy and close-mindedness.

Full, dark eyes denote love of the opposite sex.

Truthful eyes are set straight in the head.

Untruthful eyes slope towards the nose.

Eyes that slope downwards from the nose are cruel and deceitful.

Eyes set widely apart denote breadth of mind.

Eyes set close together denote narrow-mindedness.

_THE CHEEKS._--Full, rounded cheeks denote sociability and a love of friends.

Thin cheeks denote those who prefer their own company.

Fullness in lower part of cheek denotes love of eating and drinking.

A moderate fullness denotes hospitality.

High cheekbones show that the possessor is very methodical. He or she is likely to interfere in other people's business.

_THE FOREHEAD._--Prominent brows denote a practical disposition.

Fullness in center of forehead denotes a good memory for dates and events.

A broad forehead denotes a humorous disposition.

A rounded forehead denotes musical ability; this is usually accompanied by curved eyebrows and wavy hair.

_THE MOUTH AND LIPS._--When upper lip is deeply grooved down the center, it denotes modesty and refinement.

A plain upper lip, boldness and forwardness.

A long upper lip denotes self-esteem and self-control.

Redness and fullness in center of lip, love and passion for opposite sex.

Fullness at either side shows love of children and animals.

A mouth that displays the teeth when smiling denotes love of approbation and attention.

A full, red, well-developed lower lip denotes a kindly, sympathetic disposition.

Thin lips denote a hard, selfish, and unsympathetic nature. The same with straight lips.

_THE CHIN._--A receding chin, as shown in Fig. 1, p. 43, denotes a lack of firmness. It belongs to a person who has insufficient will of his own.

A chin shaped as Fig. 2 or 3, or midway between these, provides a very acceptable character. There is determination and grit, without an excess of these qualities. Fig. 2 may be taken as the normal type.

Broad, bony structures of the chin denotes conscientiousness and straightforwardness.

Length and projection of chin denotes firmness, stability, and perseverance.

An extremely long and projecting chin denotes stubbornness and obstinacy. (Fig. 4.)

A full ridge of fat under the chin denotes economy.

_WRINKLES._--A wrinkle commencing in the lower cheek and extending right under the chin, from side to side, is caused from constant talking.

A wrinkle running from the side of the nose, downwards upon the lower cheek, to the outer corners of the mouth, is a sign of love of approbation.

Whenever in laughter three parallel circular lines are formed in the cheeks there is a fund of folly in the character.

Wrinkles lying horizontally across the root of the nose denote ability to command.

Several perpendicular wrinkles between the eyebrows denote a plodding, persevering disposition.

_DIMPLES._--A round dimple in the chin denotes love of the beautiful in the opposite sex.

Dimples at the outer corners of the mouth are another sign of mirthfulness.

Dimples in the center of cheeks are another sign of approbation.

When a little cleft is seen at the tip of the nose it denotes the natural critic.

Close attention should always be given to texture and quality of the hair, eyes, and skin; this is most important, as the coarseness or refinement of character is shown very plainly to those who take the trouble to notice these things.

Color of hair, eyes, and skin is also very important; the depth of the feelings and passions is shown here; poorly colored people are much less passionate than their deeper colored fellow-creatures.

Thus from dark individuals of coarse quality we expect coarse passions, and from dark fine-quality individuals deep, refined emotions.

_THE EYEBROWS._--Fig. 2 is intended for the eyebrows of a normal individual. Such a person goes about his duties in an ordinary, intelligent manner and does his best to make the world a little better place for having him in it.

In Fig. 1, the eyebrows have insufficient shape. They belong to an individual of extremes; he or she is either too determined or devoid of kindness.

In Fig. 3, the eyebrows are too curved, forming a full semi-circle. This is a sign of shallowness; they belong to a person who is not going to put himself out for somebody else.

In Fig. 4, the eyebrows are higher at the outer than at the inner ends. Such are difficult to diagnose. They may belong to a very jolly, funny person; but they may also belong to someone absolutely untrustworthy, a foxy individual, in fact. They should be read in company with other facial signs.

In Fig. 5, the eyebrows meet on the nose. Hesitate before trusting a person so provided. He may be perfectly reliable, but make sure first.

Nos. 1 to 5 show eyebrows of fine or medium thickness, but Figs. 6 and 7 are coarser and heavier. Those that are neither too fine or too thick are best, since they are more likely to belong to a well-balanced person. Fine pencil streaks show a finniky, perhaps unkind nature. Heavy, bushy eyebrows point to an austere, querulous nature.

In Fig. 7, the upstanding hairs suggest a nature that may derive pleasure from posing.

_A FINAL HINT._--In checking the "points" of a face, it is often found that one feature may contradict another. This does not prove that the explanations given above are incorrect. It goes to show that the character of the individual is not definitely set in one direction. He may vary at times or he may have the aptitude for fighting against one characteristic in favor of another. The only sound plan is to assess the character by striking a balance of all the "points" at issue.

HAVE YOU A MOLE?

Many people do not like these little marks, but let them be comforted, for in olden times, according to the wise men of the day, great reliance was placed on them. Just what a mole means depends on where it is to be found. The following may describe a mole of your own:--

RIGHT EYE (above).--Wealth and a happy marriage.

LEFT EYE (above).--You have a great liking for the opposite sex and you will, thereby, gain much happiness.

TEMPLE.--As above.

NOSE.--You will succeed in business.

CHEEK.--You will be happy, but not be blessed with fame and fortune.

CHIN.--Fortunate in your choice of friends.

EAR (either).--A contented nature.

ARMS.--A happy nature, but with something of the "don't care" spirit.

SHOULDERS.--Will face difficulties with fortitude.

HANDS.--A practical nature. Able to take care of yourself.

LEGS.--Strong willed.

NECK.--You have a great deal of patience.

WHAT DO YOUR BUMPS MEAN?

Just feel the shape of your own head, and then ask a friend to let you do the same thing to him or her. Most likely you will be very surprised at the difference between the two. You may have bumps in certain places while your friend has them in totally different parts.

The science of phrenology, which is the reading of bumps, has discovered that bumps in certain places point to certain characteristics; if you have them, you must have the characteristics, and, if you have not them, you cannot have those qualities. In fact, the reading of character through the medium of bumps is a very definite science, and it is a science that can be easily learned and applied by almost anyone. Of course, there is much to learn, but there is no need to know a great deal if you merely want to assess a person's character in general terms.

A chart is supplied on p. 47, and on it is marked out just enough to enable you to read a head with ease. Only certain areas are mapped out; the rest of the head may be the location of bumps, but it does not present the bumps which are likely to interest us just now.

The areas are as follows:--

1.--_Lying at the top of the head, in the center and coming a little way towards the forehead._ If this area is well developed, it shows that the individual has a benevolent nature. He is generous and kind; he will work for the good of others and not think only of himself.

If the area is over-developed, the individual will be inclined to favor others at the expense of his own safety; if it is under-developed, he will be cruel and selfish.

2.--_Situated above but a little behind the eye; usually the place is just covered by hair._ When this area is well developed, it shows that the individual possesses plenty of happiness and a store of wit and mirth. He is a pleasant person, smiles on adversity and is excellent company.

If the area is over-developed, the individual is one who can never be taken seriously, who pokes fun at everything; if it is under-developed, he is the type of person who is never known to smile.

3.--_In the middle of the head, where it curves down towards the back of the neck._ In cases where this area is well developed, the person is one who has strength of mind; he is firm in his actions; he cannot be persuaded against his own judgment; and he likes his own way.

If this area is over-developed, the person is obstinate and stubborn; if it is under-developed, he is easily led, apt to waver and has not a mind of his own.

1--Benevolence, generosity, kindness.
2--Happiness, Wit, Mirth.
3--Firmness, Strength of Mind.
4--Self-Esteem, Dignity, Pride.
5--Conscientiousness, Sense of Duty.
6--Love.
7--Courage.
8--Desire for Marriage.
9--Love of Children.
]

4.--_In the middle of the head, lower down at the back than No. 3._ When this area is found in a well-developed condition, the possessor is a person who has dignity, self-esteem and proper pride. He is one who lives an upright life because he puts a high price on these qualities.

If this area is over-developed, the individual is over-confident, he thinks too much of himself and is haughty; if it lacks development, he is too humble and suffers from an inferiority complex.

5.--_Lying beside Nos. 3 and 4._ To find this area well developed is a sure sign that the possessor is a conscientious individual; it shows that he has a high sense of duty, and his life will center around actions that are based on what he thinks is right.

If this area is over-developed, the possessor will never progress far because he will be always stopping and wondering whether what he proposes to do is right; if under-developed, the possessor is one who does not care whether what he does is wrong or right, so long as it brings him pleasure and gain.

6.--_At the base of the skull, at the back, where it joins the backbone._ If this area is well developed, it shows that the individual has the power of loving somebody of the opposite sex in a proper manner. He or she will fall in love when a suitable occasion arises and will make an excellent partner.

If this area is over-developed, the individual will be too passionate, will fall in love with little or slight provocation, and will give himself or herself a great deal of unhappiness; if under-developed, he or she will be too cold to be moved by the thoughts of love.

7.--_A slight distance away from the back of the ear._ When this area is well developed, the individual may be counted on to be courageously inclined. He will not know the meaning of fear, and will not hold back because troubles may be brewing.

If this area is over-developed, we have a quarrelsome person and if under-developed, one who is afraid of his skin.

8.--_Beside No. 7, but more in the center of the back of the head._ Whenever this area is properly developed, it shows that the possessor would make an admirable husband or wife. He or she would be devoted, loyal and attentive.

If the area is over-developed, the possessor has a jealous disposition; if under-developed, he or she is fickle and apt to flirt with others.

9.--_Beside No. 8, in the center of the back of the head, low down._ Should this area be well developed, it shows that the possessor has a proper love and regard for children and that he thinks no person has experienced the fullest joys of life who has not become a parent.

If this area is over-developed, the possessor thinks so much of children that he spoils them; if it is under-developed, he is of the type that "cannot stand them at any price."

HOW ASTROLOGY DECIDES YOUR DESTINY

Astrology is one of the oldest sciences in the world. It is said to have originated with the Egyptians, almost at the very beginning of time. Indeed, it is almost impossible to trace a period when this science was not practiced.

There is nothing new under the sun, and its close followers will scarcely allow any errors in its deductions. They go so far as to declare it to be an exact science, a term which means that everything can be reasoned out and proved; nothing is left to guesswork.

Such sciences are Mathematics, Algebra, and Geometry. We need not believe that Astrology is all this, but certainly some very startling and accurate predictions have been made by astrologers.

However, as in all other methods of fortunetelling attempted by us mortals, it is far from infallible. So long as we do not take it to be exact and sure, we shall get plenty of amusement and interest from its study, with the exciting feeling all the time at the back of our minds that "it might come true."

Here is a list giving you the names and meanings given to planets by astrologers.

---------+------------------------------------------
Name. | Approximate meaning given by Astrologers.
---------+------------------------------------------
Mars. | Strength.
Venus. | Beauty.
Mercury. | Capacity for adapting oneself.
Uranus. | Improvement.
Sun. | Life.
Jupiter. | Freedom and growth.
Saturn. | Diminished--shrinking--lack of growth.
Neptune. | Able to receive--receptive.
Earth. | Physical--not spiritual.
The Moon.| Feeling.
---------+------------------------------------------

The main idea at the back of astrology is that the planets (or starry bodies which revolve round the sun) each have a strong and varying influence upon the minds of human beings.

_THE ZODIAC._--Of course when the planets revolve round the sun they travel through a course or path. The Zodiac is the name given by astronomers to the boundary which encloses this course or path in the sky.

The signs of the Zodiac are the spaces into which the Zodiac is divided.

Here are the signs of the Zodiac arranged in order to show which signs are opposite to each other.

Aries. facing Libra.
Taurus. Scorpio.
Gemini. Sagittarius.
Cancer. Capricorn.
Leo. Aquarius.
Virgo. Pisces.

Now each sign has a planet which is said to rule it; this is called the ruling planet. It is from the nature of this planet that the probable character and fate of the individual are told. It is not necessary to know the whys and wherefores of this, if you have not studied astronomy it will only serve to muddle you, and if, on the other hand, you do understand astronomy you will not need any explanation. We will just say what does happen, and that will tell you all you need in these first steps.

Well, we all know that the earth revolves upon its axis once in every 24 hours. Now, according to astronomers, this causes one of the Zodiac signs to appear in the eastern sky, where it remains for two hours. We have said that each sign has a planet ruling it, so the sign that appears on the sky at the time of birth decides what planet that person is born under or is influenced by.

Let us suppose for a moment that you were born when the sign Libra was rising, as the saying is. The planet which rules Libra is Venus, so the person born at that time would be a Venus type, i.e., a person having the influence of Venus upon him.

In addition to the main ruling planet, astrologers will tell you that there are other "neighboring" planets--we will call them neighboring because it is a simple term--which also have their effect upon us. Astrologers call this one planet being "in aspect" with another. For instance, you might have the planet Mars in aspect with (or influenced by) the planet Saturn; you would then be dealing with a very strong character.

The qualities of Mars which give the fighter and the pushing type, or in excess the bully, will be well steadied by the qualities of Saturn, which by themselves give coldness and, in excess, lack of feeling. The two together result in a character remarkable for its steadiness combined with its never-wearying energy and good balance.

So you see, we seldom find pure types (i.e., qualities of Mars, or other planets by themselves), and it is very fortunate that this is so; we should get a very one-sided world if we did.

Now we come to that part of Astrology which really interests most people; here will be shown the birth-dates for each month in the year and the probable characters of persons born at that special time. You may ask why the characters are given and why not the fate or future of the person concerned. The reason is this: you can be pretty sure that what you read of an individual's character will give you a sound idea of what in all probability his future will be.

After all, the carving out of our lives is in our own hands. We are the masters of our fate, or as the song has it, "Captain of our Soul."

However, if we believe astrologers, there is a way to tell the times of our lives when matters should go smoothly or the reverse. The most favorable times for speculating with money, starting in business, in fact, the most and least favorable periods of our lives can, according to astrology, be worked out by what is known as the Horoscope.

Now this Horoscope is in reality a chart of your life. The rocky waters are shown, and the barrier reefs which each of us must avoid through our life, so you will see a use in the study of astrology. It would seem to be Nature's warning to us all of the necessity for effort, effort and again effort.

Here are the birth dates and characteristics of persons born between the dates mentioned. Since astrology is not infallible, do not take all these characteristics too seriously.

You will notice that each date is taken from about the 20th of one month to the 20th of the next month.

WHEN WERE YOU BORN?

Dec. 22nd to Jan. 20th.

People born during this period have considerable mental ability and a keen business instinct. They are fond of the imaginative arts. They are proud; they like their own way and they see that they get it. Generally speaking, they are better fitted to lead than to follow others.

However, they do not take kindly to changes of any kind, and are annoyed by newfangled ideas. They do not want the advice of other people and often resent it. They do not strike out in new directions and they avoid taking risks. They lack "push."

To these people, we say:

Don't wait for opportunities--make them.

Don't let your pride persuade you to keep on the wrong road rather than turn back.

Don't be afraid of admitting and correcting a mistake.

Don't run away from trouble; meet it with a bold front.

Jan. 21st to Feb. 19th.

People born during this period have a strong sense of duty. They have a kindly disposition and are inclined to be affectionate. They refuse to think ill of anyone until the bad qualities are proved. Being straightforward themselves, they imagine everyone else is the same and, on this account, they are likely to suffer some bitter experiences.

However, they lack a proper regard for their own welfare. They are a little too confiding and they are not adaptable. Once they make up their minds on a matter, it is almost impossible to persuade them to change it.

To these people we say:

Don't brood over troubles. Face the facts, fight them out, and then, forget all about them.

Don't be guided by impulses.

Don't neglect the financial side of things, if you want to succeed.

Feb. 20th to March 20th.

People born during this period are just in their dealings, and would not injure another willingly. Their code of honor is a strict one. They are industrious and persistent. They endeavor to perform their share in making the world a better and a happier place.

However, they are too cautious and do not take sufficient risks to make life a complete success. Too often, they ask themselves whether they should go ahead with a project and, while they are hesitating, the opportune moment flies away.

To these people, we say:

Don't listen to the voice of despair.

Don't be downhearted, if you don't see, at first, the way to do a thing.

Don't think in small things. Think large.

March 21st to April 19th.

People born during this period are thoughtful. They are artistic, are fond of the fine arts, and like all that is beautiful. They are self-willed and rebel when others try to drive them. They do not take much notice of convention, and the way of the world means nothing to them.

However, they are apt to shrink from disagreeable work, and everything sordid disgusts them. They are too sensitive and take offense too readily.

To these people, we say:

Don't set yourself against the world: you will lose if you do.

Don't tire of your task before it is done.

Don't be too thin-skinned.

Don't forget that it takes all sorts of people to make up the world.

April 20th to May 20th.

People born during this period possess a warm and generous heart. They are good workers and display a genuine interest in everything they undertake. They possess the kind of mind that seems to act instinctively and which does not depend so much on real reason. They are lavish in gifts and kindness.

However, they are liable to rush to extremes, and they lack balance. Consequently, they are easily misled.

To these people, we say:

Don't get excited unnecessarily.

Don't be too easily persuaded.

Don't allow your emotions to master you.

May 21st to June 21st.

People born during this period are ambitious and they aspire to very high things. They are sensitive and sympathetic. They have lively imaginations and they are given to building castles in the air. They are naturally eloquent and are never at a loss for something to say.

However, they are rarely content with things as they find them. Consequently, they grumble a great deal. They do not weigh up the "pros and cons" before deciding on a matter; and they jump to conclusions.

To these people, we say:

Don't be discouraged too quickly.

Dream if you like, but don't neglect to translate your dreams into realities.

Don't be too enthusiastic.

Don't forget that work rather than plans win a home.

June 22nd to July 22nd.

People born during this period are highly generous and they make sacrifices in order to help others. They do nothing in a half-hearted way, whether it is work or play. They are persevering and the home is put before anything else.

However, they dislike changes which mean an alteration in domestic life and they are a trifle old-fashioned in some of their beliefs. A little flattery or persuasion is apt to lead them astray, and their better judgment is rapidly overborne by a strong personality.

To these people, we say:

Don't dash headlong into anything.

Don't be irritable under contradiction.

Don't let your emotions run away with you.

Don't spoil your chances for a little show of love.

July 23rd to August 21st.

People born during this period easily adapt themselves to circumstances, and they are considered "jolly good company." They have "push" and enterprise in a marked degree. They are affectionate, generous and highly capable.

However, they lack a certain amount of self-control and they are not always dependable. They frequently forget promises, and they are often late in keeping appointments. In money affairs, they are likely to overlook their obligations.

To these people, we say:

Don't let your emotions sweep you off your feet.

Don't become downcast too easily.

Don't be obstinate.

Don't make up your mind in a hurry.

August 22nd to Sept. 22nd

People born during this month are well equipped for the battle of life, and they have several qualities which should bring them success. They are not easily flurried, and they know how to stand firm in an emergency. They are quick in perceiving the correct thing to do, no matter what it is. They are capable, dependable and thorough.

However, they are prone to be too independent, and they are apt to disregard good advice, preferring their own judgment. They are not quick in making friends because they are too wrapped up in themselves.

To these people, we say:

Don't take a plunge before reckoning up everything first.

Don't forget that there are two sides to every question. There is yours and the other man's.

Don't fall into the habit of doing tomorrow what should be done today.

Sept. 23rd to Oct. 23rd.

People born during this month are far-seeing and have excellent judgment. They have a passion for "finding out" things, and they want to know about everything that happens. Consequently, they are intelligent. They make delightful companions.

However, they are bad losers, and they often let themselves get out of hand. This seriously hurts their vanity, as they are exceedingly desirous of creating a good impression.

To these people, we say:

Don't speak until you have thought twice.

Don't be obstinate. Admit you are wrong when you know you are.

Don't abuse your opponent.

Oct. 24th to Nov. 22nd.

People born during this month possess great ambition, and are persevering. They are full of energy and passionate spirit. One rebuff does not stop them; they return to the fray again and again, until they have conquered. They are precise in their actions, neat, methodical and tidy.

However, they are domineering, and endeavor to impose their will on others. They lack discrimination and, once they conceive a hatred, there is nothing which can dispel it.

To these people, we say:

Don't domineer.

Don't do things when you feel resentful.

Don't forget that prim and proper things sometimes defeat their own ends.

Nov. 23rd to Dec. 21st.

People born during this month are, usually, virile and full of go and enterprise. They have more will power than the average and know how to surmount obstacles. Nothing comes amiss to them, and they are self-reliant.

However, they are inclined to quarrel with those who offer advice. They carry independence too far, and they often speak without realizing the significance of their words. They seldom confide in others.

To these people, we say:

Don't act or speak and then think. Think first.

Don't be obstinate and think you are being determined.

Don't be headstrong and disregard advice that is disinterested.

Don't be carried away by fickle fancies.

YOUR CHILD'S OCCUPATION DECIDED BY THE STARS

It is a well-known fact that every human being is considerably influenced, as far as character and capabilities are concerned, by the time of the year in which he or she was born. That being so, it follows that the occupation best suited to any particular individual is, in a measure, related to his or her birth-date.

Parents who are anxious to do the best for their children should take note of these conditions; they may be helpful in keeping round pegs out of square holes. Below, we offer suggestions which have proved of use in thousands of cases, where doubt had previously existed. The information may be used in this way: Suppose a child is about to leave school and is ready to make his or her entry into the world of work. In a number of cases, the child has a very definite idea of what he or she wants to do. If the work is reasonably suited to the child's temperament, station in life, and so on, it is much the best plan to allow him or her to follow the particular bent. It is just as well to note whether the chosen occupation fits in with the work which we list below for his or her individual birth-date. If it approximates to some occupation which we mention, well and good. Let the child go ahead, there is every chance of success. But, if it is quite alien to anything which is given in the list, caution is needed. We do not say that the child's ambition should be checked and that he or she should be put to a job of our selection, but we do say that caution ought to be exercised. We are perfectly ready to admit that the stars and the birth-date are not the only factors which count. Environment, upbringing, the father's occupation, and other things must influence the child. All these influences should be weighed and carefully considered.

But where astrology and the stars can give most help is in the case of a boy or girl who has no formulated idea as to what he or she wants to become. Thousands of children reach the school-leaving age without showing the slightest inkling for any particular job. To the parents of such children, we say, consult the lists set out below, seeing that they are based on astrological teachings. Go over the selected occupations carefully, discuss them with the child, explain what they offer in terms of money, work, hours, etc., and watch the effect they have on the child. In this way, it will soon be possible to gain an idea as to what occupation should be eventually decided on.

Here are the occupations suitable for each person:

_CAPRICORN BORN_ (Dec. 22nd to Jan. 20th).--Since people born in this period have considerable mental ability, it follows that they do well in most of the professions, since they can pass the necessary examinations and become well qualified. Thus, they ought to do satisfactorily in medicine, the law, dentistry, the scholastic profession and similar occupations. The fact that they do not care to take risks unfits them for many business openings, but where aspirations are not high, they do well as clerks and in filling posts which consist of routine work. Girls, especially, should seek work which is connected with the imaginative arts.

_AQUARIAN BORN_ (Jan. 21st to Feb. 19th).--Boys display a good deal of interest in occupations which require the use of their hands. This makes them capable in many engineering posts, in wireless, in cabinet-making and similar jobs. They are not good at creating or inventing in connection with these industries, however. There is the roving disposition implanted in these boys and many of them think that the pilot's job on an air liner could not be equalled.

Girls are, also, interested in working with their hands: thus they are fitted for dressmaking, the millinery trade, for dealing with arts and crafts supplies, etc. A certain number are eminently suited to secretarial work.

_PISCEAN BORN_ (Feb. 20th to March 20th).--Children born in this period have a love for the sea and, therefore, the boys find congenial work as ship's mates, stewards, marine engineers, etc., while girls are suitable for stewardesses and other jobs filled by women on ocean-going vessels.

In addition boys and girls are both fitted to all kinds of work in shops, chain stores, etc., but they are not at their best when managing their own businesses. They require authority behind them.

A few Pisceans have artistic ability which should lead them to do splendidly as authors, painters, musicians, etc.

_ARIES BORN_ (March 21st to April 19th).--The Aries child is often a problem, for certain of them have a rooted objection to anything in the nature of routine work. They chafe at going and coming at the same hour each day, and of doing the same work year after year. It is not that they are lazy, but that their nature refuses to be driven by set rules. With such children, it is wisest to interest them in whatever they fancy, until the time comes when they launch out on some brilliant scheme of their own. Aries men are the ones that fill unusual, out-of-the-way posts.

Where this rooted objection does not exist, the children are good in almost any position which permits of movement, as travellers, for instance.

_TAURIAN BORN_ (April 20th to May 20th).--As a rule, children who are Taurians are very successful. They do not mind hard work and they have a "flair" for doing the right thing, without knowing why. They have a head for figures and money, and thus do well in banks and stockbroker's offices. They take kindly to long training, which enables them to succeed in law and medicine.

Both boys and girls are good with their hands. This makes them successful in a large number of occupations, as widely diverse as engineering and tailoring, or hairdressing and piano playing.