Chapter XII: Part I: Letters of Marque (11)

But the countryside was the thing that made us open our eyes. Imagine a land of rich black soil, very heavily manured, and worked by the spade and hoe almost exclusively, and if you split your field (of vision) into half-acre plots, you will get a notion of the raw material the cultivator works on. But all I can write will give you no notion of the wantonness of neatness visible in the fields, of the elaborate system of irrigation, and the mathematical precision of the planting. There was no mixing of crops, no waste of boundary in footpath, and no difference of value in the land. The water stood everywhere within ten feet of the surface, as the well-sweeps attested. On the slopes of the foot-hills each drop between the levels was neatly riveted with unmortared stones, and the edges of the watercuts were faced in like manner. The young rice was transplanted very much as draughts are laid on the board; the tea might have been cropped garden box; and between the lines of the mustard the water lay in the drills as in a wooden trough, while the purple of the beans ran up to the mustard and stopped as though cut with a rule.

On the seaboard we saw an almost continuous line of towns variegated with factory chimneys; inland, the crazy-quilt of green, dark-green and gold. Even in the rain the view was lovely, and exactly as Japanese pictures had led me to hope for. Only one drawback occurred to the Professor and myself at the same time. Crops don't grow to the full limit of the seed on heavily worked ground dotted with villages except at a price.

"Cholera?" said I, watching a stretch of well-sweeps.

"Cholera," said the Professor. "Must be, y'know. It's all sewage irrigation."

I felt that I was friends with the cultivators at once. These broad-hatted, blue-clad gentlemen who tilled their fields by hand--except when they borrowed the village buffalo to drive the share through the rice-slough--knew what the scourge meant.

"How much do you think the Government takes in revenue from vegetable gardens of that kind?" I demanded.

"Bosh," said he, quietly, "you aren't going to describe the land-tenure of Japan. Look at the yellow of the mustard!"

It lay in sheets round the line. It ran up the hills to the dark pines. It rioted over the brown sandbars of the swollen rivers, and faded away by mile after mile to the shores of the leaden sea. The high-peaked houses of brown thatch stood knee-deep in it, and it surged up to the factory chimneys of Osaka.

"Great place, Osaka," said the guide. "All sorts of manufactures there."

Osaka is built into and over and among one thousand eight hundred and ninety-four canals, rivers, dams, and watercuts. What the multitudinous chimneys mean I cannot tell. They have something to do with rice and cotton; but it is not good that the Japs should indulge in trade, and I will not call Osaka a "great commercial _entrepot_." "People who live in paper houses should never sell goods," as the proverb says.

Because of his many wants there is but one hotel for the Englishman in Osaka, and they call it Juter's. Here the views of two civilisations collide and the result is awful. The building is altogether Japanese; wood and tile and sliding screen from top to bottom; but the fitments are mixed. My room, for instance, held a _tokonoma_, made of the polished black stem of a palm and delicate woodwork, framing a scroll picture representing storks. But on the floor over the white mats lay a Brussels carpet that made the indignant toes tingle. From the back verandah one overhung the river which ran straight as an arrow between two lines of houses. They have cabinet-makers in Japan to fit the rivers to the towns. From my verandah I could see three bridges--one a hideous lattice-girder arrangement--and part of a fourth. We were on an island and owned a watergate if we wanted to take a boat.

_Apropos_ of water, be pleased to listen to a Shocking Story. It is written in all the books that the Japanese though cleanly are somewhat casual in their customs. They bathe often with nothing on and together. This notion my experience of the country, gathered in the seclusion of the Oriental at Kobe, made me scoff at. I demanded a tub at Juter's. The infinitesimal man led me down verandahs and upstairs to a beautiful bath-house full of hot and cold water and fitted with cabinet-work, somewhere in a lonely out-gallery. There was naturally no bolt to the door any more than there would be a bolt to a dining-room. Had I been sheltered by the walls of a big Europe bath, I should not have cared, but I was preparing to wash when a pretty maiden opened the door, and indicated that she also would tub in the deep, sunken Japanese bath at my side. When one is dressed only in one's virtue and a pair of spectacles it is difficult to shut the door in the face of a girl. She gathered that I was not happy, and withdrew giggling, while I thanked heaven, blushing profusely the while, that I had been brought up in a society which unfits a man to bathe _a deux_. Even an experience of the Paddington Swimming Baths would have helped me; but coming straight from India Lady Godiva was a ballet-girl in sentiment compared to this Actaeon.

It rained monsoonishly, and the Professor discovered a castle which he needs must see. "It's Osaka Castle," he said, "and it has been fought over for hundreds of years. Come along."

"I've seen castles in India. Raighur, Jodhpur--all sorts of places. Let's have some more boiled salmon. It's good in this station."

"Pig," said the Professor.

We threaded our way over the four thousand and fifty-two canals, etc., where the little children played with the swiftly running water, and never a mother said "don't," till our 'rickshaw stopped outside a fort ditch thirty feet deep, and faced with gigantic granite slabs. On the far side uprose the walls of a fort. But such a fort! Fifty feet was the height of the wall, and never a pinch of mortar in the whole. Nor was the face perpendicular, but curved like the ram of a man-of-war. They know the curve in China, and I have seen French artists, introduce it into books describing a devil-besieged city of Tartary. Possibly everybody else knows it too, but that is not my affair; life as I have said being altogether new to me. The stone was granite, and the men of old time had used it like mud. The dressed blocks that made the profile of the angles were from twenty feet long, ten or twelve feet high, and as many in thickness. There was no attempt at binding, but there was no fault in the jointing.

"And the little Japs built this!" I cried, awe-stricken at the quarries that rose round me.

"Cyclopean masonry," grunted the Professor, punching with a stick a monolith of seventeen feet cube. "Not only did they build it, but they took it. Look at this. Fire!"

The stones had been split and bronzed in places, and the cleavage was the cleavage of fire. Evil must it have been for the armies that led the assault on these monstrous walls. Castles in India I know, and the forts of great Emperors I had seen, but neither Akbar in the north, nor Scindia in the south, had built after this fashion--without ornament, without colour, but with a single eye to savage strength and the utmost purity of line. Perhaps the fort would have looked less forbidding in sunlight. The grey, rain-laden atmosphere through which I saw it suited its spirit. The barracks of the garrison, the commandant's very dainty house, a peach-garden, and two deer were foreign to the place. They should have peopled it with giants from the mountains, instead of--Gurkhas! A Jap infantryman is not a Gurkha, though he might be mistaken for one as long as he stood still. The sentry at the quarter-guard belonged, I fancy, to the 4th Regiment. His uniform was black or blue, with red facings, and shoulder-straps carrying the number of the regiment in cloth. The rain necessitated an overcoat, but why he should have carried knapsack, blanket, boots, _and_ binoculars I could not fathom. The knapsack was of cowskin with the hair on, the boots were strapped soles, cut on each side, while a heavy country blanket was rolled U-shape over the head of the knapsack, fitting close to the back. In the place usually occupied by the mess-tin was a black leather case shaped like a field-glass. This must be a mistake of mine, but I can only record as I see. The rifle was a side-bolt weapon of some kind, and the bayonet an uncommonly good sword one, locked to the muzzle, English fashion. The ammunition pouches, as far as I could see under the greatcoat, ran on the belt in front, and were double-strapped down. White spatterdashes--very dirty--and peaked cap completed the outfit. I surveyed the man with interest, and would have made further examination of him but for fear of the big bayonet. His arms were well kept,--not speckless by any means,--but his uniform would have made an English colonel swear. There was no portion of his body except the neck that it pretended to fit. I peeped into the quarter-guard. Fans and dainty tea-sets do not go with one's notions of a barrack. One drunken defaulter of certain far-away regiments that I could name would not only have cleared out that quarter-guard, but brought away all its fittings except the rifle-racks. Yet the little men, who were always gentle, and never got drunk, were mounting guard over a pile that, with a blue fire on the bastions, might have served for the guard-gates of Hell.

I climbed to the top of the fort and was rewarded by a view of thirty miles of country, chiefly pale yellow mustard and blue-green pine, and the sight of the very large city of Osaka fading away into mist. The guide took most pleasure in the factory chimneys. "There is an exposition here--an exposition of industrialities. Come and see," said he. He took us down from that high place and showed us the glory of the land in the shape of corkscrews, tin mugs, egg-whisks, dippers, silks, buttons, and all the trumpery that can be stitched on a card and sold for five-pence three farthings. The Japanese unfortunately make all these things for themselves, and are proud of it. They have nothing to learn from the West as far as finish is concerned, and by intuition know how to case and mount wares tastefully. The exposition was in four large sheds running round a central building which held only screens, pottery, and cabinet-ware loaned for the occasion. I rejoiced to see that the common people did not care for the penknives, and the pencils, and the mock jewellery. They left those sheds alone and discussed the screens, first taking off their clogs that the inlaid floor of the room might not suffer. Of all the gracious things I beheld, two only remain in my memory,--one a screen in grey representing the heads of six devils instinct with malice and hate; the other, a bold sketch in monochrome of an old woodcutter wrestling with the down-bent branch of a tree. Two hundred years have passed since the artist dropped his pencil, but you may almost hear the tough wood jar under the stroke of the chopper, as the old man puts his back into the task and draws in the labouring breath. There is a picture by Legros of a beggar dying in a ditch, which might have been suggested by that screen.

Next morning, after a night's rain, which sent the river racing under the frail balconies at eight miles an hour, the sun broke through the clouds. Is this a little matter to you who can count upon him daily? I had not seen him since March, and was beginning to feel anxious. Then the land of peach blossom spread its draggled wings abroad and rejoiced. All the pretty maidens put on their loveliest crepe sashes,--fawn colour, pink, blue, orange, and lilac,--all the little children picked up a baby each, and went out to be happy. In a temple garden full of blossom I performed the miracle of Deucalion with two cents' worth of sweets. The babies swarmed on the instant, till, for fear of raising all the mothers too, I forbore to give them any more. They smiled and nodded prettily, and trotted after me, forty strong, the big ones helping the little, and the little ones skipping in the puddles. A Jap child never cries, never scuffles, never fights, and never makes mud pies except when it lives on the banks of a canal. Yet, lest it should spread its sash-bow and become a bald-headed angel ere its time, Providence has decreed that it should never, never blow its little nose. Notwithstanding the defect, I love it.

There was no business in Osaka that day because of the sunshine and the budding of the trees. Everybody went to a tea-house with his friends. I went also, but first ran along a boulevard by the side of the river, pretending to look at the Mint. This was only a common place of solid granite where they turn out dollars and rubbish of that kind. All along the boulevard the cherry, peach, and plum trees, pink, white, and red, touched branches and made a belt of velvety soft colour as far as the eye could reach. Weeping willows were the normal ornaments of the waterside, this revel of bloom being only part of the prodigality of Spring. The Mint may make a hundred thousand dollars a day, but all the silver in its keeping will not bring again the three weeks of the peach blossom which, even beyond the chrysanthemum, is the crown and glory of Japan. For some act of surpassing merit performed in a past life I have been enabled to hit those three weeks in the middle.

"Now is the Japanese festival of the cherry blossom," said the guide. "All the people will be festive. They will pray too and go to the tea-gardens."

Now you might wall an Englishman about with cherry trees in bloom from head to heel, and after the first day he would begin to complain of the smell. As you know, the Japanese arrange a good many of their festivals in honour of flowers, and this is surely commendable, for blossoms are the most tolerant of gods.

The tea-house system of the Japanese filled me with pleasure at a pleasure that I could not fully comprehend. It pays a company in Osaka to build on the outskirts of the town a nine-storied pagoda of wood and iron, to lay out elaborate gardens round it, and to hang the whole with strings of blood-red lanterns, because the Japanese will come wherever there is a good view to sit on a mat and discuss tea and sweetmeats and _saki_. This Eiffel Tower is, to tell the truth, anything but pretty, yet the surroundings redeem it. Although it was not quite completed, the lower storeys were full of tea-stalls and tea-drinkers. The men and women were obviously admiring the view. It is an astounding thing to see an Oriental so engaged; it is as though he had stolen something from a sahib.

From Osaka--canal-cut, muddy, and fascinating Osaka--the Professor, Mister Yamagutchi,--the guide,--and I took train to Kioto, an hour from Osaka. On the road I saw four buffaloes at as many rice-ploughs--which was noticeable as well as wasteful. A buffalo at rest must cover the half of a Japanese field; but perhaps they are kept on the mountain ledges and only pulled down when wanted. The Professor says that what I call buffalo is really bullock. The worst of travelling with an accurate man is his accuracy. We argued about the Japanese in the train, about his present and his future, and the manner in which he has ranged himself on the side of the grosser nations of the earth.

"Did it hurt his feelings very much to wear our clothes? Didn't he rebel when he put on a pair of trousers for the first time? Won't he grow sensible some day and drop foreign habits?" These were some of the questions I put to the landscape and the Professor.

"He was a baby," said the latter, "a big baby. I think his sense of humour was at the bottom of the change, but he didn't know that a nation which once wears trousers never takes 'em off. You see 'enlightened' Japan is only one-and-twenty years old, and people are not very wise at one-and-twenty. Read Reed's _Japan_ and learn how the change came about. There was a Mikado and a _Shogun_ who was Sir Frederick Roberts, but he tried to be the Viceroy and--"

"Bother the _Shogun_! I've seen something like the Babu class, and something like the farmer class. What I want to see is the Rajput class--the man who used to wear the thousands and thousands of swords in the curio-shops. Those swords were as much made for use as a Rajputana sabre. Where are the men who used 'em? Show me a Samurai."

The Professor answered not a word, but scrutinised heads on the wayside platforms. "I take it that the high-arched forehead, club nose, and eyes close together--the Spanish type--are from Rajput stock, while the German-faced Jap is the Khattri--the lower class."

Thus we talked of the natures and dispositions of men we knew nothing about till we had decided (1) that the painful politeness of the Japanese nation rose from the habit, dropped only twenty years ago, of extended and emphatic sword-wearing, even as the Rajput is the pink of courtesy because his friend goes armed; (2) that this politeness will disappear in another generation, or will at least be seriously impaired; (3) that the cultured Japanese of the English pattern will corrupt and defile the tastes of his neighbours till (4) Japan altogether ceases to exist as a separate nation and becomes a button-hook manufacturing appanage of America; (5) that these things being so, and sure to happen in two or three hundred years, the Professor and I were lucky to reach Japan betimes; and (6) that it was foolish to form theories about the country until we had seen a little of it.

So we came to the city of Kioto in regal sunshine, tempered by a breeze that drove the cherry blossoms in drifts about the streets. One Japanese town, in the southern provinces at least, is very like another to look at--a grey-black sea of house roofs, speckled with the white walls of the fire-proof godowns where merchants and rich men keep their chief treasures. The general level is broken by the temple roofs, which are turned up at the edges, and remotely resemble so many terai-hats. Kioto fills a plain almost entirely surrounded by wooded hills, very familiar in their aspect to those who have seen the Siwaliks. Once upon a time it was the capital of Japan, and to-day numbers two hundred and fifty thousand people. It is laid out like an American town. All the streets run at right angles to each other. That, by the way, is exactly what the Professor and I are doing. We are elaborating the theory of the Japanese people, and we can't agree.

No. XV

KIOTO AND HOW I FELL IN LOVE WITH THE CHIEF BELLE THERE AFTER I HAD CONFERRED WITH CERTAIN CHINA MERCHANTS WHO TRAFFICKED IN TEA. SHOWS FURTHER HOW, IN A GREAT TEMPLE, I BROKE THE TENTH COMMANDMENT IN FIFTY-THREE PLACES AND BOWED DOWN BEFORE KANO AND A CARPENTER. TAKES ME TO ARASHIMA.

"Could I but write the things I see,
My world would haste to gaze with me.
But since the traitor Pen hath failed
To paint earth's loveliness unveiled,
I can but pray my folk who read:--
'For lavish Will take starveling Deed.'"

We are consorting with sixty of the _Sahib-log_ in the quaintest hotel that ever you saw. It stands on the hillside overlooking the whole town of Kioto, and its garden is veritable Japanese. Fantastically trimmed tea trees, junipers, dwarfed pine, and cherry, are mixed up with ponds of goldfish, stone lanterns, quaint rock-work, and velvety turf all at an angle of thirty-five degrees. Behind us the pines, red and black, cover the hill and run down in a long spur to the town. But an auctioneer's catalogue cannot describe the charms of the place or deal justly with the tea-garden full of cherry trees that lies a hundred yards below the hotel. We were solemnly assured that hardly any one came to Kioto. That is why we meet every soul in the ship that had brought us to Nagasaki; and that is why our ears are constantly assailed with the clamour of people who are discussing places which must be "done." An Englishman is a very horrible person when he is on the war-path; so is an American, a Frenchman, or a German.

I had been watching the afternoon sunlight upon the trees and the town, the shift and play of colour in the crowded street of the cherry, and crooning to myself because the sky was blue and I was alive beneath it with a pair of eyes in my head.

Immediately the sun went down behind the hills the air became bitterly cold, but the people in crepe sashes and silk coats never ceased their sober frolicking. There was to be a great service in honour of the cherry blossom the next day at the chief temple of Kioto, and they were getting ready for it. As the light died in a wash of crimson, the last thing I saw was a frieze of three little Japanese babies with fuzzy top-knots and huge sashes trying to hang head downwards from a bamboo rail. They did it, and the closing eye of day regarded them solemnly as it shut. The effect in _silhouette_ was immense!

A company of China tea-merchants were gathered in the smoking-room after dinner, and by consequence talked their own "shop," which was interesting. Their language is not Our language, for they know nothing of the tea-gardens, of drying and withering and rolling, of the assistant who breaks his collar-bone in the middle of the busiest season, or of the sickness that smites the coolie lines at about the same time. They are happy men who get their tea by the break of a thousand chests from the interior of the country and play with it upon the London markets. None the less they have a very wholesome respect for Indian tea, which they cordially detest. Here is the sort of argument that a Foochow man, himself a very heavy buyer, flung at me across the table.

"You may talk about your Indian teas,--Assam and Kangra, or whatever you call them,--but I tell _you_ that if ever they get a strong hold in England, the doctors will be down on them, Sir. They'll be medically forbidden. See if they aren't. They shatter your nerves to pieces. Unfit for human consumption--that's what they are. Though I don't deny they _are_ selling at Home. They don't keep, though. After three months, the sorts that I've seen in London turn to hay."

"I think you are wrong there," said a Hankow man. "My experience is that the Indian teas keep better than ours by a long way. But"--turning to me--"if we could only get the China Government to take off the duties, we could smash Indian tea and every one connected with it. We could lay down tea in Mincing Lane at threepence a pound. No, we do not adulterate our teas. That's one of _your_ tricks in India. We get it as pure as yours--every chest in the break equal to sample."

"You can trust your native buyers then?" I interrupted.

"Trust 'em? Of course we can," cut in the Foochow merchant. "There are no tea-gardens in China as you understand them. The peasantry cultivate the tea, and the buyers buy from them for cash each season. You can give a Chinaman a hundred thousand dollars and tell him to turn it into tea of your own particular chop--up to sample. Of course the man may be a thorough-paced rogue in many ways, but he knows better than to play the fool with an English house. Back comes your tea--a thousand half-chests, we'll say. You open perhaps five, and the balance go home untried. But they are all equal to sample. That's business, that is. The Chinaman's a born merchant and full of backbone. I like him for business purposes. The Jap's no use. He isn't man enough to handle a hundred thousand dollars. Very possibly he'd run off with it--or try to."

"The Jap has no business savvy. God knows I hate the Chinamen," said a bass voice behind the tobacco smoke, "but you can do business with him. The Jap's a little huckster who can't see beyond his nose."

They called for drinks and told tales, these merchants of China,--tales of money and bales and boxes,--but through all their stories there was an implied leaning upon native help which, even allowing for the peculiarities of China, was rather startling. "The compradore did this: Ho Whang did that: a syndicate of Pekin bankers did the other thing"--and so on. I wondered whether a certain lordly indifference as to details had anything to do with eccentricities in the China tea-breaks and fluctuations of quality, which do occur in spite of all the men said to the contrary. Again, the merchants spoke of China as a place where fortunes are made--a land only waiting to be opened up to pay a hundredfold. They told me of the Home Government helping private trade, in kind and unobtrusive ways, to get a firmer hold on the Public Works Department contracts that are now flying abroad. This was pleasant hearing. But the strangest thing of all was the tone of hope and almost contentment that pervaded their speech. They were well-to-do men making money, and they liked their lives. You know how, when two or three of Us are gathered together in our own barren pauper land, we groan in chorus and are disconsolate. The civilian, the military man, and the merchant, they are all alike. The one overworked and broken by exchange, the second a highly organised beggar, and the third a nobody in particular, always at loggerheads with what he considers an academical Government. I knew in a way that We were a grim and miserable community in India, but I did not know the measure of Our fall till I heard men talking about fortunes, success, money, and the pleasure, good living, and frequent trips to England that money brings. Their friends did not seem to die with unnatural swiftness, and their wealth enabled them to endure the calamity of Exchange with calm. Yes, we of India are a wretched folk.

Very early in the dawn, before the nesting sparrows were awake, there was a sound in the air which frightened me out of my virtuous sleep. It was a lisping mutter--very deep and entirely strange. "That's an earthquake, and the hillside is beginning to slide," quoth I, taking measures of defence. The sound repeated itself again and again, till I argued, that if it were the precursor of an earthquake, the affair had stuck half-way. At breakfast men said: "That was the great bell of Kioto just next door to the hotel a little way up the hillside. As a bell, y'know, it's rather a failure, from an English point of view. They don't ring it properly, and the volume of sound is comparatively insignificant."

"So I fancied when I first heard it," I said casually, and went out up the hill under sunshine that filled the heart and trees, that filled the eye with joy. You know the unadulterated pleasure of that first clear morning in the Hills when a month's solid idleness lies before the loafer, and the scent of the deodars mixes with the scent of the meditative cigar. That was my portion when I stepped through the violet-studded long grass into forgotten little Japanese cemeteries--all broken pillars and lichened tablets--till I found, under a cut in the hillside, the big bell of Kioto--twenty feet of green bronze hung inside a fantastically roofed shed of wooden beams. A beam, by the way, _is_ a beam in Japan; anything under a foot thick is a stick. These beams were the best parts of big trees, clamped with bronze and iron. A knuckle rapped lightly on the lip of the bell--it was not more than five feet from the ground--made the great monster breathe heavily, and the blow of a stick started a hundred shrill-voiced echoes round the darkness of its dome. At one side, guyed by half a dozen small hawsers, hung a battering-ram, a twelve-foot spar bound with iron, its nose pointing full-butt at a chrysanthemum in high relief on the belly of the bell. Then, by special favour of Providence, which always looks after the idle, they began to sound sixty strokes. Half a dozen men swung the ram back and forth with shoutings and outcries, till it had gathered sufficient way, and the loosened ropes let it hurl itself against the chrysanthemum. The boom of the smitten bronze was swallowed up by the earth below and the hillside behind, so that its volume was not proportionate to the size of the bell, exactly as the men had said. An English ringer would have made thrice as much of it. But then he would have lost the crawling jar that ran through rock-stone and pine for twenty yards round, that beat through the body of the listener and died away under his feet like the shock of a distant blasting. I endured twenty strokes and removed myself, not in the least ashamed of mistaking the sound for an earthquake. Many times since I have heard the bell speak when I was far off. It says _B-r-r-r_ very deep down in its throat, but when you have once caught the noise you will never forget it. And so much for the big bell of Kioto.

From its house a staircase of cut stone takes you down to the temple of Chion-in, where I arrived on Easter Sunday just before service, and in time to see the procession of the Cherry Blossom. They had a special service at a place called St. Peter's at Rome about the same time, but the priests of Buddha excelled the priests of the Pope. Thus it happened. The main front of the temple was three hundred feet long, a hundred feet deep, and sixty feet high. One roof covered it all, and saving for the tiles there was no stone in the structure; nothing but wood three hundred years old, as hard as iron. The pillars that upheld the roof were three feet, four feet, and five feet in diameter, and guiltless of any paint. They showed the natural grain of the wood till they were lost in the rich brown darkness far overhead. The cross-beams were of grained wood of great richness; cedar-wood and camphor-wood and the hearts of gigantic pine had been put under requisition for the great work. One carpenter--they call him only a carpenter--had designed the whole, and his name is remembered to this day. A half of the temple was railed off for the congregation by a two-foot railing, over which silks of ancient device had been thrown. Within the railing were all the religious fittings, but these I cannot describe. All I remember was row upon row of little lacquered stands each holding a rolled volume of sacred writings; an altar as tall as a cathedral organ where gold strove with colour, colour with lacquer, and lacquer with inlay, and candles such as Holy Mother Church uses only on her greatest days, shed a yellow light that softened all. Bronze incense-burners in the likeness of dragons and devils fumed under the shadow of silken banners, behind which, wood tracery, as delicate as frost on a window-pane, climbed to the ridge-pole. Only there was no visible roof to this temple. The light faded away under the monstrous beams, and we might have been in a cave a hundred fathoms below the earth but for the sunshine and blue sky at the portals where the little children squabbled and shouted.

On my word, I tried to note down soberly what lay before me, but the eye tired, and the pencil ran off into fragmentary ejaculations. But what would you have done if you had seen what I saw when I went round the temple verandah to what we must call a vestry at the back? It was a big building connected with the main one by a wooden bridge of deepest time-worn brown. Down the bridge ran a line of saffron-coloured matting, and down the matting, very slowly and solemnly, as befitted their high office, filed three and fifty priests, each one clad in at least four garments of brocade, crepe, and silk. There were silks that do not see the light of the markets, and brocades that only temple wardrobes know.

There was sea-green watered silk with golden dragons; terra-cotta crepe with ivory-white chrysanthemums clustering upon it; black-barred silk shot with yellow flames; lapis-lazuli silk and silver fishes; avanturine silk with plaques of grey-green let in; cloth of gold over dragon's blood; and saffron and brown silk stiff as a board with embroidery. We returned to the temple now filled with the gorgeous robes. The little lacquer stands were the priests' book-racks. Some lay down among them, while others moved very softly about the golden altars and the incense-burners; and the high priest disposed himself, with his back to the congregation, in a golden chair through which his robe winked like the shards of a tiger-beetle.

In solemn calm the books were unrolled, and the priests began chanting Pali texts in honour of the Apostle of Unworldliness, who had written that they were not to wear gold or mixed colours, or touch the precious metals. But for a few unimportant accessories in the way of half-seen images of great men--but these could have been called saints--the scene before me might have been unrolled in a Roman Catholic cathedral, say the rich one at Arundel. The same thought was in other minds, for in a pause of the slow chant a voice behind me whispered:--

"To hear the blessed mutter of the mass
And see God made and eaten all day long."

It was a man from Hong-Kong, very angry that he too had not been permitted to photograph an interior. He called all this splendour of ritual and paraphernalia just "an interior," and revenged himself by spitting Browning at it.

The chant quickened as the service drew to an end, and the candles burned low.

We went away to other parts of the temple pursued by the chorus of the devout till we were out of earshot in a paradise of screens. Two or three hundred years ago there lived a painterman of the name of Kano. Him the temple of Chion-in brought to beautify the walls of the rooms. Since a wall is a screen, and a screen is a wall, Kano, R. A., had rather a large job. But he was helped by pupils and imitators, and in the end left a few hundred screens which are all finished pictures. As you already know, the interior of a temple is very simple in its arrangements. The priests live on white mats, in little rooms, with brown ceilings, that can at pleasure be thrown into one large room. This also was the arrangement at Chion-in, though the rooms were comparatively large and gave on to sumptuous verandahs and passages. Since the Emperor occasionally visited the place there was a room set apart for him of more than ordinary splendour. Twisted silk tassels of intricate design served in lieu of catches to pull back the sliding screens, and the woodwork was lacquered. These be only feeble words, but it is not in my grip to express the restfulness of it all, or the power that knew how to secure the desired effect with a turn of the wrist. The great Kano drew numbed pheasants huddled together on the snow-covered bough of a pine; or a peacock in his pride spreading his tail to delight his womenfolk; or a riot of chrysanthemums poured out of a vase; or the figures of toilworn countryfolk coming home from market; or a hunting scene at the foot of Fujiyama. The equally great carpenter who built the temple framed each picture with absolute precision under a ceiling that was a miracle of device, and Time, the greatest artist of the three, touched the gold so that it became amber, and the woodwork so that it grew dark honey-colour, and the shining surface of the lacquer so that it became deep and rich and semi-transparent. As in one room, so in all the others. Sometimes we slid back the screens and discovered a tiny bald-pated acolyte praying over an incense-burner, and sometimes a lean priest eating his rice; but generally the rooms were empty, swept and garnished.

Minor artists had worked with Kano the magnificent. These had been allowed to lay brush upon panels of wood in the outer verandahs, and very faithfully had they toiled. It was not till the guide called my attention to them that I discovered scores of sketches in monochrome low down on the verandah doors. An iris broken by the fall of a branch torn off by a surly ape; a bamboo spray bowed before the wind that was ruffling a lake; a warrior of the past ambushing his enemy in a thicket, hand on sword, and mouth gathered into puckers of intensest concentration, were among the many notes that met my eye. How long, think you, would a sepia-drawing stand without defacement in the midst of our civilisation were it put on the bottom panel of a door, or the scantling of a kitchen passage? Yet in this gentle country a man may stoop down and write his name in the very dust, certain that, if the writing be craftily done, his children's children will reverently let it stand.

"Of course there are no such temples made nowadays," I said, when we regained the sunshine, and the Professor was trying to find out how panel pictures and paper screens went so well with the dark dignity of massive woodwork.

"They are building a temple on the other side of the city," said Mister Yamagutchi. "Come along, and see the hair-ropes which hang there."

We came flying in our 'rickshaws across Kioto, till we saw netted in a hundred cobwebs of scaffolding a temple even larger than the great Chion-in.

"That was burned down long ago,--the old temple that was here, you know. Then the people made a penny subscription from all parts of Japan, and those who could not send money sent their hair to be made into rope. They have been ten years building this new temple. It is all wood," said the guide.

The place was alive with men who were putting the finishing touches to the great tiled roof and laying down the floors. Wooden pillars as gigantic, carving as wantonly elaborate, eaves as intricate in their mouldings, and joinery as perfect as anything in the Chion-in temple met me at every turn. But the fresh-cut wood was creamy white and lemon where, in the older building, it had been iron-hard and brown. Only the raw ends of the joists were stopped with white lacquer to prevent the incursions of insects, and the deeper tracery was protected against birds by fine wire netting. Everything else was wood--wood down to the massive clamped and bolted beams of the foundation which I investigated through gaps in the flooring.

Japan is a great people. Her masons play with stone, her carpenters with wood, her smiths with iron, and her artists with life, death, and all the eye can take in. Mercifully she has been denied the last touch of firmness in her character which would enable her to play with the whole round world. We possess that--We, the nation of the glass flower-shade, the pink worsted mat, the red and green china puppy-dog, and the poisonous Brussels carpet. It is our compensation....

"Temples!" said a man from Calcutta, some hours later as I raved about what I had seen. "Temples! I'm sick of temples. If I've seen one, I've seen fifty thousand of 'em--all exactly alike. But I tell you what is exciting. Go down the rapids at Arashima,--eight miles from here. It's better fun than any temple with a fat-faced Buddha in the middle."

But I took my friend's advice. Have I managed to convey the impression that April is fine in Japan? Then I apologise. It is generally rainy, and the rain is cold; but the sunshine when it comes is worth it all. We shouted with joy of living when our fiery, untamed 'rickshaws bounded from stone to stone of the vilely paved streets of the suburbs and brought us into what ought to have been vegetable gardens but were called fields. The face of the flat lands was cut up in every direction by bunds, and all the roads seem to run on the top of them.

"Never," said the Professor, driving his stick into the black soil, "never have I imagined irrigation so perfectly controlled as this is. Look at the _rajbahars_ faced with stone and fitted with sluices; look at the water-wheels and,--phew! but they manure their fields too well."

The first circle of fields round any town is always pretty rank, but this superfluity of scent continued throughout the country. Saving a few parts near Dacca and Patna, the face of the land was more thickly populated than Bengal and was worked five times better. There was no single patch untilled, and no cultivation that was not up to the full limit of the soil's productiveness. Onions, barley, in little ridges between the ridges of tea, beans, rice, and a half a dozen other things that we did not know the names of, crowded the eye already wearied with the glare of the golden mustard. Manure is a good thing, but manual labour is better. We saw both even to excess. When a Japanese ryot has done everything to his field that he can possibly think of, he weeds the barley stalk by stalk with his finger and thumb. This is true. I saw a man doing it.

We headed through the marvellous country straight across the plain on which Kioto stands, till we reached the range of hills on the far side, and found ourselves mixed up with half a mile of lumber-yard.

Cultivation and water-cuts were gone, and our tireless 'rickshaws were running by the side of a broad, shallow river, choked with logs of every size. I am prepared to believe anything of the Japanese, but I do not see why Nature, which they say is the same pitiless Power all the world over, should send them their logs unsplintered by rocks, neatly barked, and with a slot neatly cut at the end of each pole for the reception of a rope, I have seen timber fly down the Ravi in spate, and it was hooked out as ragged as a tooth-brush. This material comes down clean. Consequently the slot is another miracle.

"When the day is fine," said the guide, softly, "all the people of Kioto come to Arashima to have picnics."

"But they are always having picnics in the cherry-tree gardens. They picnic in the tea-houses. They--they--"

"Yes, when it is a fine day, they always go somewhere and picnic."

"But why? Man isn't made to picnic."

"But why? Because it is a fine day. Englishmen say that the money of the Japanese comes from heaven, because they always do nothing--so you think. But look now, here is a pretty place."

The river charged down a turn in the pine-grown hills, and broke in silver upon the timber and the remains of a light bridge washed away some days before. On our side, and arranged so as to face the fairest view of the young maples, stood a row of tea-houses and booths built over the stream. The sunlight that could not soften the gloom of the pines dwelt tenderly among the green of the maples and touched the reaches below where the cherry blossom broke in pink foam against the black-roofed houses of a village across the water.

There I stopped.

No. XVI

THE PARTY IN THE PARLOUR WHO PLAYED GAMES. A COMPLETE HISTORY OF ALL MODERN JAPANESE ART; A SURVEY OF THE PAST, AND A PROPHECY OF THE FUTURE, ARRANGED AND COMPOSED IN THE KIOTO FACTORIES.

"Oh, brave new world that has such creatures in it,
How beautiful mankind is!"

How I got to the tea-house I cannot tell. Perhaps a pretty girl waved a bough of cherry blossom at me, and I followed the invitation. I know that I sprawled upon the mats and watched the clouds scudding across the hills and the logs flying down the rapids, and smelt the smell of the raw peeled timber, and listened to the grunts of the boatmen as they wrestled with that and the rush of the river, and was altogether happier than it is lawful for a man to be.

The lady of the tea-house insisted upon screening us off from the other pleasure-parties who were tiffining in the same verandah. She brought beautiful blue screens with storks on them and slid them into grooves. I stood it as long as I could. There were peals of laughter in the next compartment, the pattering of soft feet, the clinking of little dishes, and at the chinks of the screens the twinkle of diamond eyes. A whole family had come in from Kioto for the day's pleasuring. Mamma looked after grandmamma, and the young aunt looked after a guitar, and the two girls of fourteen and fifteen looked after a merry little tomboy of eight, who, when she thought of it, looked after the baby who had the air of looking after the whole party. Grandmamma was dressed in dark blue, mamma in blue and grey, the girls had gorgeous dresses of lilac, fawn, and primrose crepe with silk sashes, the colour of apple blossom and the inside of a newly cut melon; the tomboy was in old gold and russet brown; but the baby tumbled his fat little body across the floor among the dishes in the colours of the Japanese rainbow, which owns no crude tints. They were all pretty, all except grandmamma, who was merely good-humoured and very bald, and when they had finished their dainty dinner, and the brown lanquer stands, the blue and white crockery, and the jade-green drinking-cups had been taken away, the aunt played a little piece on the _samisen_, and the girls played blindman's-buff all round the tiny room.

Flesh and blood could not have stayed on the other side of the screens. I wanted to play too, but I was too big and too rough, and so could only sit in the verandah, watching these dainty bits of Dresden at their game. They shrieked and giggled and chattered and sat down on the floor with the innocent abandon of maidenhood, and broke off to kiss the baby when he showed signs of being overlooked. They played puss-in-the-corner, their feet tied with blue and white handkerchiefs because the room did not allow unfettered freedom of limb, and when they could play no more for laughing, they fanned themselves as they lay propped up against the blue screens,--each girl a picture no painter could reproduce,--and I shrieked with the best of them till I rolled off the verandah and nearly dropped into the laughing street. Was I a fool? Then I fooled in good company, for an austere man from India--a person who puts his faith in race-horses and believes nothing except the Civil Code--was also at Arashima that day. I met him flushed and excited.

"'Had a lively time," he panted, with a hundred children at his heels. "There's a sort of roulette table here where you can gamble for cakes. I bought the owner's stock-in-trade for three dollars and ran the Monte Carlo for the benefit of the kids--about five thousand of 'em. Never had such fun in my life. It beats the Simla lotteries hollow. They were perfectly orderly till they had cleared the tables of everything except a big sugar-tortoise. Then they rushed the bank, and I ran away."

And he was a hard man who had not played with anything as innocent as sweetmeats for many years!

When we were all weak with laughing, and the Professor's camera was mixed up in a tangle of laughing maidens to the confusion of his pictures, we too ran away from the tea-house and wandered down the river bank till we found a boat of sewn planks which poled us across the swollen river, and landed us on a little rocky path overhanging the water where the iris and the violet ran riot together and jubilant waterfalls raced through the undergrowth of pine and maple. We were at the foot of the Arashima rapids, and all the pretty girls of Kioto were with us looking at the view. Up-stream a lonely black pine stood out from all its fellows to peer up the bend where the racing water ran deep in oily swirls. Down-stream the river threshed across the rocks and troubled the fields of fresh logs on its bosom, while men in blue drove silver-white boats gunwale-deep into the foam of its onset and hooked the logs away. Underfoot the rich earth of the hillside sent up the breath of the turn of the year to the maples that had already caught the message from the fire-winds of April. Oh! it was good to be alive, to trample the stalks of the iris, to drag down the cherry-bloom spray in a wash of dew across the face, and to gather the violets for the mere pleasure of heaving them into the torrent and reaching out for fairer flowers.

"What a nuisance it is to be a slave to the camera," said the Professor, upon whom the dumb influences of the season were working though he knew it not.

"What a nuisance it is to be a slave to the pen," I answered, for the spring had come to the land. I had hated the spring for seven years because to me it meant discomfort.

"Let us go straight home and see the flowers come out in the Parks."

"Let us enjoy what lies to our hand, you Philistine." And we did till a cloud darkened and a wind ruffled the river reaches, and we returned to our 'rickshaws sighing with contentment.

"How many people do you suppose the land supports to the square mile?" said the Professor, at a turn in the homeward road. He had been reading statistics.

"Nine hundred," I said at a venture. "It's thicker set with humans than Sarun or Behar. Say one thousand."

"Two thousand two hundred and fifty odd. Can you believe it?"

"Looking at the landscape I can, but I don't suppose India will believe it. S'pose I write fifteen hundred?"

"They'll say you exaggerate just the same. Better stick to the true total. Two thousand two hundred and fifty-six to the square mile, and not a sign of poverty in the houses. How do they do it?"

I should like to know the answer to that question. Japan of my limited view is inhabited almost entirely by little children whose duty is to prevent their elders from becoming too frivolous. The babies do a little work occasionally, but their parents interfere by petting them. At Yami's hotel the attendance is in the hands of ten-year-olds because everybody else has gone out picnicing among the cherry trees. The little imps find time to do a man's work and to scuffle on the staircase between whiles. My special servitor, called "The Bishop" on account of the gravity of his appearance, his blue apron, and gaiters, is the liveliest of the lot, but even his energy cannot account for the Professor's statistics of population....