Chapter XIV: Part I: Letters of Marque (13)

Very cunning artists are the Japanese. Long ago a great-hearted king came to Nikko River and looked across at the trees, up-stream at the torrent and the hills whence it came, and down-stream at the softer outlines of the crops and spurs of wooded mountains. "It needs only a dash of colour in the foreground to bring this all together," said he, and he put a little child in a blue and white dressing-gown under the awful trees to judge the effect. Emboldened by his tenderness, an aged beggar ventured to ask for alms. Now it was the ancient privilege of the great to try the temper of their blades upon beggars and such cattle. Mechanically the king swept off the old man's head, for he did not wish to be disturbed. The blood spurted across the granite slabs of the river-ford in a sheet of purest vermilion. The king smiled. Chance had solved the problem for him. "Build a bridge here," he said to the court carpenter, "of just such a colour as that stuff on the stones. Build also a bridge of grey stone close by, for I would not forget the wants of my people." So he gave the little child across the stream a thousand pieces of gold and went his way. He had composed a landscape. As for the blood, they wiped it up and said no more about it; and that is the story of Nikko Bridge. You will not find it in the guide-books.

I followed the voice of the river through a rickety toy-village, across some rough bottom-land, till, crossing a bridge, I found myself among lichened stones, scrub, and the blossoms of spring. A hillside, steep and wooded as the flanks of the red Aravallis, rose on my left; on my right, the eye travelled from village to cropland, crop to towering cypress, and rested at last on the cold blue of an austere hill-top encircled by streaks of yet unmelted snow. The Nikko hotel stood at the foot of this hill; and the time of the year was May. Then a sparrow came by with a piece of grass in her beak, for she was building her nest; and I knew that the spring was come to Nikko. One is so apt to forget the changes of the year over there with you in India.

Sitting in a solemn line on the banks of the river were fifty or sixty cross-legged images which the untrained eye put down immediately as so many small Buddhas. They had all, even when the lichen had cloaked them with leprosy, the calm port and unwinking regard of the Lord of the World. They are not Buddhas really, but other things--presents from forgotten great men to dead and gone institutions, or else memorials of ancestors. The guide-book will tell you. They were a ghostly crew. As I examined them more closely I saw that each differed from the other. Many of them held in their joined arms a little store of river pebbles, evidently put there by the pious. When I inquired the meaning of the gift from a stranger who passed, he said: "Those so distinguished are images of the God who Plays with Little Children up in the Sky. He tells them stories and builds them houses of pebbles. The stones are put in his arms either that he may not forget to amuse the babies or to prevent his stock running low."

I have no means of telling whether the stranger spoke the truth, but I prefer to believe that tale as gospel truth. Only the Japanese could invent the God who Plays with Little Children. Thereafter the images took a new aspect in my eyes and were no longer "Graeco-Buddhist sculptures," but personal friends. I added a great heap of pebbles to the stock of the cheeriest among them. His bosom was ornamented with small printed slips of prayers which gave him the appearance of a disreputable old parson with his bands in disorder. A little further up the bank of the river was a rough, solitary rock hewn with what men called a Shinto shrine. I knew better: the thing was Hindu, and I looked at the smooth stones on every side for the familiar dab of red paint. On a flat rock overhanging the water were carved certain characters in Sanscrit, remotely resembling those on a Thibetan prayer-wheel. Not comprehending these matters, and grateful that I had brought no guide-book with me, I clambered down to the lip of the river--now compressed into a raging torrent. Do you know the Strid near Bolton--that spot where the full force of the river is pent up in two yards' breadth? The Nikko Strid is an improvement upon the Yorkshire one. The blue rocks are hollowed like soapstone by the rush of the water. They rise above head-level and in spring are tufted with azalea blossom. The stranger of the godlings came up behind me as I basked on a boulder. He pointed up the little gorge of rocks, "Now if I painted that as it stands, every critic in the papers would say I was a liar."

The mad stream came down directly from a blue hill blotched with pink, through a sky-blue gorge also pink-blotched. An obviously impossible pine mounted guard over the water. I would give much to see an accurate representation of that view. The stranger departed growling over some hidden grief--connected with the Academy perhaps.

Hounded on by the Professor, the guide sought me by banks of the river and bade me "come and see temples." Then I fairly and squarely cursed all temples, being stretched at my ease on some warm sand in the hollow of a rock, and ignorant as the grass-shod cattle that tramped the further bank. "Very fine temples," said the guide, "you come and see. By and by temple be shut up because priests make half an hour more time." Nikko time is half an hour ahead of the standard, because the priests of the temples have discovered that travellers arriving at three p.m. try to do all the temples before four--the official-hour of closing. This defrauds the church of her dues, so her servants put the clock on, and Nikko, knowing naught of the value of time, is well content.

When I cursed the temples I did a foolish thing, and one for which this poor pen can never make fitting reparation. We went up a hill by way of a flight of grey stone slabs. The _cryptomerias_ of the Nikko road were as children to the giants that overshadowed us here. Between their iron-grey boles were flashes of red--the blood-red of the Mikado's bridge. That great king who killed the beggar at the ford had been well pleased with the success of his experiment. Passing under a mighty stone arch we came into a square of splendour alive with the sound of hammers. Thirty or forty men were tapping the pillars and steps of a carnelian shrine heavy with gold. "That," said the guide, impassively, "is a godown. They are renewing the lacquer. First they extract it."

Have you ever "extracted" lacquer from wood? I smote the foot of a pillar with force, and after half a dozen blows chipped off one small fragment of the stuff, in texture like red horn. Betraying no surprise, I demanded the name of a yet more magnificent shrine across the courtyard. It was red lacquered like the others, but above its main door were carved in open work three apes--one with his hands to his ears, another covering his mouth, and a third blinding his eyes.

"That place," said the guide, "used to be a stable when the Daimio kept his horses there. The monkeys are the three who hear no wrong, say no wrong, and see no wrong."

"Of course," I said. "What a splendid device for a stable where the grooms steal the grain!" I was angry because I had grovelled before a godown and a stable, though the round world cannot hold their equals.

We entered a temple, or a tomb, I do not know which, through a gateway of carven pillars. Eleven of them bore a running pattern of trefoil--the apex pointing earthward--the twelfth had its pattern reversed.

"Make 'em all the same--no good," said the guide, emphatically. "Something sure to come bad by an' by. Make one different all right. Save him so. Nothing happen then."

Unless I am mistaken, that voluntarily breaking of the set was the one sacrifice that the designer had made to the great Gods above who are so jealous of the craft of men. For the rest he had done what he pleased--even as a god might have done--with the wood in its gleaming lacquer sheath, with enamel and inlay and carving and bronze, hammered work, and the work of the inspired chisel. When he went to his account he saved himself from the jealousy of his judges, by pointing to the trefoil pillars for proof that he was only a weak mortal and in no sense their equals. Men say that never man has given complete drawings, details, or descriptions of the temples of Nikko. Only a German would try, and he would fail in spirit. Only a Frenchman could succeed in spirit, but he would be inaccurate. I have a recollection of passing through a door with _cloisonnee_ hinges, with a golden lintel and red lacquer jambs, with panels of tortoise-shell lacquer and clamps of bronze tracery. It opened into a half-lighted hall on whose blue ceiling a hundred golden dragons romped and spat fire. A priest moved about the gloom with noiseless feet, and showed me a pot-bellied lantern four feet high, that the Dutch traders of old time had sent as a present to the temple. There were posts of red lacquer dusted over with gold, to support the roof. On one post lay a rib of lacquer, six inches thick, that had been carved or punched over with high relief carvings and had set harder than crystal.

The temple steps were of black lacquer, and the frames of the sliding screens red. That money, lakhs and lakhs of money, had been lavished on the wonder impressed me but little. I wished to know who were the men that, when the _cryptomerias_ were saplings, had sat down and spent their lives on a niche or corner of the temple, and dying passed on the duty of adornment to their sons, though neither father nor child hoped to see the work completed. This question I asked the guide, who plunged me in a tangle of Daimios and Shoguns, all manifestly extracted from a guide-book.

After a while the builder's idea entered into my soul.

He had said: "Let us build blood-red chapels in a Cathedral." So they planted the Cathedral three hundred years ago, knowing that tree-boles would make the pillars and the sky the roof.

Round each temple stood a small army of priceless bronze or stone lanterns, stamped, as was everything else, with the three leaves that make the Daimio's crest. The lanterns were dark green or lichened grey, and in no way lightened the gloom of the red. Down below, by the sacred bridge, I believed red was a joyous colour. Up the hillside under the trees and the shadow of the temple eaves I saw that it was the hue of sorrow. When the great king killed the beggar at the ford he did not laugh, as I have said. He was very sorry, and said: "Art is Art, and worth any sacrifice. Take that corpse away and pray for the naked soul." Once, in one of the temple courtyards, nature dared to rebel against the scheme of the hillside. Some forest tree, all unimpressed by the _cryptomerias_, had tossed a torrent of tenderest pink flowers down the face of a grey retaining wall that guarded a cutting. It was as if a child had laughed aloud at some magnificence it could not understand.

"You see that cat?" said the guide, pointing out a pot-bellied pussy painted above a door. "That is the Sleeping Cat. The artist he paint it left-handed. We are proud of that cat."

"And did they let him remain left-handed after he had painted that thing?"

"Oh yes. You see he was always left-handed."

The infinite tenderness of the Japanese towards their children extends, it would seem, even to artists. Every guide will take you to see the Sleeping Cat. Don't go. It is bad. Coming down the hill, I learned that all Nikko was two feet under snow in the winter, and while I was trying to imagine how fierce red, white, and black-green would look under the light of a winter sun I met the Professor murmuring expletives of admiration.

"What have you done? What have you seen?" said he.

"Nothing. I've accumulated a lot of impressions of no use to any one but the owner."

"Which means you are going to slop over for the benefit of the people in India," said the Professor.

And the notion so disgusted me that I left Nikko that very afternoon, the guide clamouring that I had not seen half its glories. "There is a lake," he said; "there are mountains. You must go see!"

"I will return to Tokio and study the modern side of Japan. This place annoys me because I do not understand it."

"Yet I am _the_ good guide of Yokohama," said the guide.

No. XX

SHOWS HOW I GROSSLY LIBELLED THE JAPANESE ARMY, AND EDITED A CIVIL AND MILITARY GAZETTE WHICH IS NOT IN THE LEAST TRUSTWORTHY.

"And the Duke said, 'Let there be cavalry,' and there were
cavalry. And he said, 'Let them be slow,' and they were slow,
d----d slow; and the Japanese Imperial Horse called he them."

I was wrong. I know it. I ought to have clamoured at the doors of the Legation for a pass to see the Imperial Palace. I ought to have investigated Tokio and called upon some of the political leaders of the Liberal and Radical parties. There are a hundred things which I ought to have done, but somehow or other the bugles began to blare through the chill of the morning, and I heard the tramp of armed men under my window. The parade-ground was within a stone's throw of the Tokio hotel; the Imperial troops were going on parade. Would _you_ have bothered your head about politics or temples? I ran after them.

It is rather difficult to get accurate information about the Japanese army. It seems to be in perpetual throes of reorganisation. At present, so far as one can gather, it is about one hundred and seventy thousand strong. Everybody has to serve for three years, but payment of one hundred dollars will shorten the term of service by one year at least. This is what a man who had gone through the mill told me. He capped his information with this verdict: "English army no use. Only navy any good. Have seen two hundred English army. No use."

On the parade-ground they had a company of foot and a wing of what, for the sake of brevity, I will call cavalry under instruction. The former were being put through some simple evolutions in close order; the latter were variously and singularly employed. To the former I took off the hat of respect; at the latter I am ashamed to say I pointed the finger of derision. But let me try to describe what I saw. The likeness of the Jap infantryman to the Gurkha grows when you see him in bulk. Thanks to their wholesale system of conscription the quality of conscripts varies immensely. I have seen scores of persons with spectacles whom it were base flattery to call soldiers, and who I hope were in the medical or commissariat departments. Again I have seen dozens of bull-necked, deep-chested, flat-backed, thin-flanked little men who were as good as a colonel commanding could desire. There was a man of the 2d Infantry whom I met at an up-country railway station. He carried just the proper amount of insolent swagger that a soldier should, refused to answer any questions of mine, and parted the crowd round him without ceremony. A Gurkha of the Prince of Wales' Own could not have been trimmer. In the crush of a ticket-collecting--we both got out together--I managed to run my hand over that small man's forearm and chest. They must have a very complete system of gymnastics in the Japanese army, and I would have given much to have stripped my friend and seen how he peeled. If the 2d Infantry are equal to sample, they are good.

The men on parade at Tokio belonged either to the 4th or the 9th, and turned out with their cowskin valises strapped, but I think not packed. Under full kit, such as I saw on the sentry at Osaka Castle, they ought to be much too heavily burdened. Their officers were as miserable a set of men as Japan could furnish--spectacled, undersized even for Japan, hollow-backed and hump-shouldered. They squeaked their words of command and had to trot by the side of their men to keep up with them. The Jap soldier has the long stride of the Gurkha, and he doubles with the easy lope of the 'rickshaw coolie. Throughout the three hours that I watched them they never changed formation but once, when they doubled in pairs across the plain, their rifles at the carry. Their step and intervals were as good as those of our native regiments, but they wheeled rather promiscuously, and were not checked for this by their officers. So far as my limited experience goes, their formation was not Ours, but continental. The words of command were as beautifully unintelligible as anything our parade-grounds produce; and between them the officers of each half-company vehemently harangued their men, and shook their swords at 'em in distinctly unmilitary style. The precision of their movements was beyond praise. They enjoyed three hours of steady drill, and in the rare intervals when they stood easy to draw breath I looked for slackness all down the ranks, inasmuch as "standing easy" is the crucial test of men after the first smartness of the morning has worn off. They stood "easy," neither more nor less, but never a hand went to a shoe or stock or button while they were so standing. When they knelt, still in this queer column of company, I understood the mystery of the long-sword bayonet which has puzzled me sorely. I had expected to see the little fellows lifted into the air as the bayonet-sheath took ground; but they were not. They kicked it sideways as they dropped. All the same, the authorities tie men to the bayonets instead of bayonets to the men. When at the double there was no grabbing at the cartridge pouch with one hand or steadying the bayonet with the other, as may be seen any day at running-firing on Indian ranges. They ran cleanly--as our Gurkhas run.

It was an unchristian thought, but I would have given a good deal to see that company being blooded on an equal number of Our native infantry--just to know how they would work. If they have pluck, and there is not much in their past record to show that they have not, they ought to be first-class enemies. Under British officers instead of the little anatomies at present provided, and with a better rifle, they should be as good as any troops recruited east of Suez. I speak here only for the handy little men I saw. The worst of conscription is that it sweeps in such a mass of fourth and fifth-rate citizens who, though they may carry a gun, are likely, by their own excusable ineptitude, to do harm to the morale and set-up of a regiment. In their walks abroad the soldiery never dream of keeping step. They tie things to their side-arms, they carry bundles, they slouch, and dirty their uniforms.

And so much for a raw opinion on Japanese infantry. The cavalry were having a picnic on the other side of the parade-ground--circling right and left by sections, trying to do something with a troop, and so forth. I would fain believe that the gentlemen I saw were recruits. But they wore all their arms, and their officers were just as clever as themselves. Half of them were in white fatigue-dress and flat cap,--and wore half-boots of brown leather with short hunting-spurs and black straps; no chains. They carried carbine and sword--the sword fixed to the man, and the carbine slung over the back. No martingales, but breastplates and crupper, a huge, heavy saddle, with single hide-girth, over two _numdahs_, completed the equipment which a thirteen-hand pony, all mane and tail, was trying to get rid of. When you thrust a two-pound bit and bridoon into a small pony's mouth, you hurt his feelings. When the riders wear, as did my friends, white worsted gloves, they cannot take a proper hold of the reins. When they ride with both hands, sitting well on the mount's neck, knuckles level with its ears and the stirrup leathers as short as they can be, the chances of the pony getting rid of the rider are manifestly increased. Never have I seen such a wild dream of equitation as the Tokio parade-ground showed. Do you remember the picture in _Alice in Wonderland_, just before Alice found the Lion and the Unicorn; when she met the armed men coming through the woods? I thought of that, and I thought of the White Knight in the same classic, and I laughed aloud. Here were a set of very fair ponies, sure-footed as goats, mostly entires, and full of go. Under Japanese weights they would have made very thorough mounted infantry. And here was this blindly imitative nation trying to turn them into heavy cavalry. As long as the little beasts were gravely trotting in circles they did not mind their work. But when it came to slashing at the Turk's head they objected very much indeed. I affiliated myself to a section who, armed with long wooden swords, were enjoying some Turk's-heading. Out started a pony at the gentlest of canters, while the rider bundled all the reins into one hand, and held his sword like a lance. Then the pony shied a little shy, shook his shaggy head, and began to passage round the Turk's head. There was no pressure of knee or rein to tell him what was wanted. The man on top began kicking with the spurs from shoulder to rump, and shaking up the ironmongery in the poor brute's mouth. The pony could neither rear, nor kick, nor buck; but it shook itself free of the incubus who slid off. Three times I saw this happen. The catastrophe didn't rise to the dignity of a fall. It was the blundering collapse of incompetence plus worsted gloves, two-handed riding, and a haystack of equipment. Very often the pony went at the post, and the man delivered a back-handed cut at the Turk's head which nearly brought him out of his world-too-wide saddle. Again and again this solemn performance was repeated. I can honestly say that the ponies are very willing to break rank and leave their companions, which is what an English troop-horse fails in; but I fancy this is more due to the urgent private affairs of the pony than any skill in training. The troops charged once or twice in a terrifying canter. When the men wished to stop they leaned back and tugged, and the pony put his head to the ground, and bored all he knew. They charged me, but I was merciful, and forebore to empty half the saddles, as I assuredly could have done by throwing up my arms and yelling "Hi!" The saddest thing of all was the painful conscientiousness displayed by all the performers in the circus. They had to turn these rats into cavalry. They knew nothing about riding, and what they did know was wrong; but the rats must be made troop-horses. Why wouldn't the scheme work? There was a patient, pathetic wonder on the faces of the men that made me long to take one of them in my arms and try to explain things to him--bridles, for instance, and the futility of hanging on by the spurs. Just when the parade was over, and the troops were ambling off, Providence sent diagonally across the parade-ground, at a gallop, a big, rawboned man on a lathy-red American horse. The brute cracked his nostrils, and switched his flag abroad, and romped across the plain, while his rider dropped one hand and sat still, swaying lightly from the hips. The two served to scale the surroundings. Some one really ought to tell the Mikado that ponies were never intended for dragoons.

If the changes and chances of military service ever send you against Japanese troops, be tender with their cavalry. They mean no harm. Put some fusees down for the horses to step on, and send a fatigue-party out to pick up the remnants. But if you meet Japanese infantry, led by a Continental officer, commence firing early and often and at the longest ranges compatible with getting at them. They are bad little men who know too much.

Having thoroughly settled the military side of the nation exactly as my Japanese friend at the beginning of this letter settled Us,--on the strength of two hundred men caught at random,--I devoted myself to a consideration of Tokio. I am wearied of temples. Their monotony of splendour makes my head ache. You also will weary of temples unless you are an artist, and then you will be disgusted with yourself. Some folk say that Tokio covers an area equal to London. Some folk say that it is not more than ten miles long and eight miles broad. There are a good many ways of solving the question. I found a tea-garden situated on a green plateau far up a flight of steps, with pretty girls smiling on every step. From this elevation I looked forth over the city, and it stretched away from the sea, far as the eye could reach--one grey expanse of packed house-roof, the perspective marked by numberless factory chimneys. Then I went several miles away and found a park, another eminence, and some more tea-girls prettier than the last; and, looking again, the city stretched out in a new direction as far as the eye could reach. Taking the scope of the eye on a clear day at eighteen miles, I make Tokio thirty-six miles long by thirty-six miles broad exactly; and there may be some more which I missed. The place roared with life through all its quarters. Double lines of trams ran down the main streets for mile on mile, rows of omnibuses stood at the principal railway station, and the "Compagnie General des Omnibus de Tokio" paraded the streets with gold and vermilion cars. All the trams were full, all the private and public omnibuses were full, and the streets were full of 'rickshaws. From the sea-shore to the shady green park, from the park to the dim distance, the land pullulated with people.

Here you saw how Western civilisation had eaten into them. Every tenth man was attired in Europe clothes from hat to boots. It is a queer race. It can parody every type of humanity to be met in a large English town. Eat and prosperous merchant with mutton-chop whiskers; mild-eyed, long-haired professor of science, his clothes baggy about him; schoolboy in Eton jacket, broadcloth trousers; young clerk, member of the Clapham Athletic Club in tennis flannels; artisans in sorely worn tweeds; top-hatted lawyer with clean-shaven upper lip and black leather bag; sailor out of work; and counter-jumper; all these and many, many more you shall find in the streets of Tokio in half an hour's walk. But when you come to speak to the imitation, behold it can only talk Japanese. You touch it, and it is not what you thought. I fluctuated down the streets addressing myself to the most English-looking folk I saw. They were polite with a graciousness that in no way accorded with their raiment, but they knew not a word of my tongue. One small boy in the uniform of the Naval College said suddenly: "I spik Inglees," and collapsed. The rest of the people in our clothes poured their own vernacular upon my head. Yet the shop-signs were English, the tramway under my feet was English gauge, the commodities sold were English, and the notices on the streets were in English. It was like walking in a dream. I reflected. Far away from Tokio and off the line of rail I had met men like these men in the streets. Perfectly dressed Englishmen to the outer eye, but dumb. The country must be full of their likes.

"Good gracious! Here is Japan going to run its own civilisation without learning a language in which you can say Damn satisfactorily. I must inquire into this."

Chance had brought me opposite the office of a newspaper, and I ran in demanding an editor. He came--the Editor of the _Tokio Public Opinion_, a young man in a black frock-coat. There are not many editors in other parts of the world who would offer you tea and a cigarette ere beginning a conversation. My friend had but little English. His paper, though the name was printed in English, was Japanese. But he knew his business. Almost before I had explained my errand, which was the pursuit of miscellaneous information, he began: "You are English. How you think now the American Revision Treaty?" Out came a note-book and I sweated cold. It was not in the bargain that he should interview me.

"There's a great deal," I answered, remembering Sir Roger, of blessed memory,--"a great deal to be said on both sides. The American Revision Treaty--h'm--demands an enormous amount of matured consideration and may safely be referred--"

"But we of Japan are now civilised."

Japan says that she is now civilised. That is the crux of the whole matter so far as I understand it. "Let us have done with the idiotic system of treaty-ports and passports for the foreigner who steps beyond them," says Japan in effect. "Give us our place among the civilised nations of the earth, come among us, trade with us, hold land in our midst. Only be subject to our jurisdiction and submit to our--tariffs." Now since one or two of the foreign nations have won special tariffs for their goods in the usual way, they are not over-anxious to become just ordinary folk. The effect of accepting Japan's views would be excellent for the individual who wanted to go up-country and make his money, but bad for the nation. For Our nation in particular.

All the same I was not prepared to have my ignorance of a burning question put down in any note-book save my own. I Gladstoned about the matter with the longest words I could. My friend recorded them much after the manner of Count Smorltork. Then I attacked him on the subject of civilisation--speaking very slowly because he had a knack of running two words of mine together, and turning them into something new.

"You are right," said he. "We are becoming civilised. But not too quick, for that is bad. Now there are two parties in the State--the Liberal and the Radical: one Count he lead one, one Count lead the other. The Radical say that we should swiftly become all English. The Liberal he says not so quick, because that nation which too swiftly adopt other people's customs he decay. That question of civilisation and the American Revision Treaty he occupied our chief attentions. Now we are not so zealous to become civilised as we were two--three years gone. Not so quick--that is our watchword. Yes."

If matured deliberation be the wholesale adoption of imperfectly understood arrangements, I should dearly like to see Japan in a hurry. We discussed comparative civilisations for a short time, and I protested feebly against the defilement of the streets of Tokio by rows of houses built after glaring European models. Surely there is no need to discard your own architecture, I said.

"Ha," snorted the chief of the _Public Opinion_. "You call it picturesque. I call it too. Wait till he light up--incendiate. A Japanese house then is one only fire box. _That_ is why we think good to build in European fashion. I tell you, and you must believe, that we take up no change without thinking upon it. Truth, indeed, it is not because we are curious children, wanting new things, as some people have said. We have done with that season of picking up things and throwing them down again. You see?"

"Where did you pick up your Constitution, then?"

I did not know what the question would bring forth, yet I ought to have been wise. The first question that a Japanese on the railway asks an Englishman is: "Have you got the English translation of our Constitution?" All the book-stalls sell it in English and Japanese, and all the papers discuss it. The child is not yet three months old.

"Our Constitution?--That was promised to us--promised twenty years ago. Fourteen years ago the provinces they have been allowed to elect their big men--their heads. Three years ago they have been allowed to have assemblies, and thus Civil Liberty was assured."

I was baffled here for some time. In the end I thought I made out that the municipalities had been given certain control over police funds and the appointment of district officials. I may have been entirely wrong, but the editor bore me along on a torrent of words, his body rocking and his arms waving with the double agony of twisting a foreign tongue to his service and explaining the to-be-taken-seriouslyness of Japan. Whack come the little hand on the little table, and the little tea-cups jumped again.

"Truly, and indeed, this Constitution of ours has _not_ come too soon. It proceeded step-by. You understand that? Now your Constitution, the Constitutions of the foreign nations, are all bloody--bloody Constitutions. Ours has come step-by. We did not fight as the barons fought with King John at Runnymede."

This was a quotation from a speech delivered at Otsu, a few days previously, by a member of the Government. I grinned at the brotherhood of editors all the world over. Up went the hand anew.

"We shall be happy with this Constitution and a people civilised among civilisations."

"Of course. But what will you actually do with it? A Constitution is rather a monotonous thing to work after the fun of sending members to Parliament has died out. You have a Parliament, have you not?"

"Oh yes, _with_ parties--Liberal and Radical."

"Then they will both tell lies to you and to each other. Then they will pass bills, and spend their time fighting each other. Then all the foreign governments will discover that you have no fixed policy."

"Ah, yes. But the Constitution." The little hands were crossed in his lap. The cigarette hung limply from his mouth.

"No fixed policy. Then, when you have sufficiently disgusted the foreign Powers, they will wait until the Liberals and Radicals are fighting very hard, and then they will blow you out of the water."

"You are not making fun? I do not quite understand," said he. "Your Constitutions are all so bloody."

"Yes. That is exactly what they are. You are very much in earnest about yours, are you not?"

"Oh yes, we all talk politics now."

"And write politics, of course. By the way, under what--h'm, arrangements with the Government is a Japanese paper published? I mean, must you pay anything before starting a press?"

"Literary, scientific, and religious papers--no. Quite free. All purely political papers pay five hundred yen--give to the Government to keep, or else some man says he will pay."

"You must give security, you mean?"

"I do not know, but sometimes the Government can keep the money. We are purely political."

Then he asked questions about India, and appeared astonished to find that the natives there possessed considerable political power, and controlled districts.

"But have you a Constitution in India?"

"I am afraid that we have not."

"Ah!"

He crushed me there, and I left very humbly, but cheered by the promise that the _Tokio Public Opinion_ would contain an account of my words. Mercifully, that respectable journal is printed in Japanese, so the hash will not be served up to a large table. I would give a good deal to discover what meaning he attached to my forecast of Constitutional government in Japan.

"We all talk politics now." That was the sentence which remained to me. It was true talk. Men of the Educational Department in Tokio told me that the students would "talk politics" by the hour if you allowed them. At present they were talking in the abstract about their new plaything, the Constitution, with its Upper House and its Lower House, its committees, its questions of supply, its rules of procedure, and all the other skittles we have played with for six hundred years.

Japan is the second Oriental country which has made it impossible for a strong man to govern alone. This she has done of her own free will. India, on the other hand, has been forcibly ravished by the Secretary of State and the English M. P.

Japan is luckier than India.

No. XXI

SHOWS THE SIMILARITY BETWEEN THE BABU AND THE JAPANESE. CONTAINS THE EARNEST OUTCRY OF AN UNBELIEVER. THE EXPLANATION OF MR. SMITH OF CALIFORNIA AND ELSEWHERE. TAKES ME ON BOARD SHIP AFTER DUE WARNING TO THOSE WHO FOLLOW.

Very sadly did we leave it, but we gave our hearts in pledge
To the pine above the city, to the blossoms by the hedge,
To the cherry and the maple and the plum tree and the peach,
And the babies--Oh, the babies!--romping fatly under each.
Eastward ho! Across the water see the black bow drives and swings
From the land of Little Children, where the Babies are the Kings.

The Professor discovered me in meditation amid tea-girls at the back of the Ueno Park in the heart of Tokio. My 'rickshaw coolie sat by my side drinking tea from daintiest china, and eating maccaroons. I thought of Sterne's donkey and smiled vacuously into the blue above the trees. The tea-girls giggled. One of them captured my spectacles, perched them on her own snubby-chubby nose, and ran about among her cackling fellows.

"And loose thy fingers in the tresses of The cypress-slender minister of wine," quoted the Professor, coming round a booth suddenly. "Why aren't you at the Mikado's garden party?"

"Because he didn't invite me, and, anyhow, he wears Europe clothes--so does the Empress--so do all the Court people. Let's sit down and consider things. This people puzzles me."

And I told my story of the interview with the Editor of the _Tokio Public Opinion_. The Professor had been making investigation into the Educational Department. "And further," said he at the end of the tale, "the ambition of the educated student is to get a place under Government. Therefore he comes to Tokio: will accept any situation at Tokio that he may be near to his chance."

"Whose son is that student?"

"Son of the peasant, yeoman farmer, and shopkeeper, _ryot_, _tehsildar_, and _bunnia_. While he waits he imbibes Republican leanings on account of the nearness of Japan to America. He talks and writes and debates, and is convinced he can manage the Empire better than the Mikado."

"Does he go away and start newspapers to prove that?"

"He may; but it seems to be unwholesome work. A paper can be suspended without reason given under the present laws; and I'm told that one enterprising editor has just got three years' simple imprisonment for caricaturing the Mikado."

"Then there is yet hope for Japan. I can't quite understand how a people with a taste for fighting and quick artistic perceptions can care for the things that delight our friends in Bengal."

"You make the mistake of looking on the Bengali as unique. So he is in his own peculiar style; but I take it that the drunkenness of Western wine affects all Oriental folk in much the same way. What misleads you is that very likeness. Followest thou? Because a Jap struggles with problems beyond his grip in much the same phraseology as a Calcutta University student, and discusses Administration with a capital A, you lump Jap and Chatterjee together."

"No, I don't. Chatterjee doesn't sink his money in railway companies, or sit down and provide for the proper sanitation of his own city, or of his own notion cultivate the graces of life, as the Jap does. He is like the _Tokio Public Opinion_--'purely political.' He has no art whatever, he has no weapons, and there is no power of manual labour in him. Yet he is like the Jap in the pathos of his politics. Have you ever studied Pathetic Politics? _Why_ is he like the Jap?"

"Both drunk, I suppose," said the Professor. "Get that girl to give back your gig-lamps, and you will be able to see more clearly into the soul of the Far East."

"The 'Far East' hasn't got a soul. She swapped it for a Constitution on the Eleventh of February last. Can any Constitution make up for the wearing of Europe clothes? I saw a Jap lady just now in full afternoon calling-kit. She looked atrocious. Have you seen the later Japanese art--the pictures on the fans and in the shop windows? They are faithful reproductions of the changed life--telegraph poles down the streets, conventionalised tram-lines, top-hats, and carpet-bags in the hands of the men. The artists can make those things almost passable, but when it comes to conventionalising a Europe dress, the effect is horrible."

"Japan wishes to take her place among civilised nations," said the Professor.

"That's where the pathos comes in. It's enough to make you weep to watch this misdirected effort--this wallowing in unloveliness for the sake of recognition at the hands of men who paint their ceilings white, their grates black, their mantelpieces French grey, and their carriages yellow and red. The Mikado wears blue and gold and red, his guards wear orange breeches with a stone-blue stripe down them; the American missionary teaches the Japanese girl to wear bangs--"shingled bangs"--on her forehead, plait her hair into a pigtail, and to tie it up with magenta and cobalt ribbons. The German sells them the offensive chromos of his own country and the labels of his beer-bottles. Allen and Ginter devastate Tokio with their blood-red and grass-green tobacco-tins. And in the face of all these things the country wishes to progress toward civilisation! I have read the entire Constitution of Japan, and it is dearly bought at the price of one of the kaleidoscope omnibuses plying in the street there."

"Are you going to inflict all that nonsense on them at home?" said the Professor.

"I am. For this reason. In the years to come, when Japan has sold her birthright for the privilege of being cheated on equal terms by her neighbours; when she has so heavily run into debt for her railways and public works that the financial assistance of England and annexation is her only help; when the Daimios through poverty have sold the treasures of their houses to the curio-dealer, and the dealer has sold them to the English collector; when all the people wear slop-trousers and ready-made petticoats, and the Americans have established soap factories on the rivers and a boarding-house on the top of Fujiyama, some one will turn up the files of the _Pioneer_ and say: 'This thing was prophesied.' Then they will be sorry that they began tampering with the great sausage-machine of civilisation. What is put into the receiver must come out at the spout; but it must come out mincemeat. _Dixi!_ And now let us go to the tomb of the Forty-Seven Ronins."

"It has been said some time ago, and much better than you can say it," said the Professor, _apropos_ of nothing that I could see.

Distances are calculated by the hour in Tokio. Forty minutes in a 'rickshaw, running at full speed, will take you a little way into the city; two hours from the Ueno Park brings you to the tomb of the famous Forty-Seven, passing on the way the very splendid temples of Shiba, which are all fully described in the guide-books. Lacquer, gold-inlaid bronze-work, and crystals carved with the words "Om" and "Shri" are fine things to behold, but they do not admit of very varied treatment in print. In one tomb of one of the temples was a room of lacquer panels overlaid with gold leaf. An animal of the name of V. Gay had seen fit to scratch his entirely uninteresting name on the gold. Posterity will take note that V. Gay never cut his fingernails, and ought not to have been trusted with anything prettier than a hog-trough.

"It is the handwriting upon the wall," I said.

"Presently there will be neither gold nor lacquer--nothing but the finger-marks of foreigners. Let us pray for the soul of V. Gay all the same. Perhaps he was a missionary."

* * * * *

The Japanese papers occasionally contain, sandwiched between notes of railway, mining, and tram concessions, announcements like the following: "Dr. ---- committed _hara-kiri_ last night at his private residence in such and such a street. Family complications are assigned as the reason of the act." Nor does _hara-kiri_ merely mean suicide by any method. _Hara-kiri_ is _hara-kiri_, and the private performance is even more ghastly than the official one. It is curious to think that any one of the dapper little men with top-hats and reticules who have a Constitution of their own, may in time of mental stress, strip to the waist, shake their hair over their brows, and, after prayer, rip themselves open. When you come to Japan, look at Farsari's _hara-kiri_ pictures and his photos of the last crucifixion (twenty years ago) in Japan. Then at Deakin's, inquire for the modelled head of a gentleman who was not long ago executed in Tokio. There is a grim fidelity in the latter work of art that will make you uncomfortable. The Japanese, in common with the rest of the East, have a strain of blood-thirstiness in their compositions. It is very carefully veiled now, but some of Hokusai's pictures show it, and show that not long ago the people revelled in its outward expression. Yet they are tender to all children beyond the tenderness of the West, courteous to each other beyond the courtesy of the English, and polite to the foreigner alike in the big towns and in the Mofussil. What they will be after their Constitution has been working for three generations the Providence that made them what they are alone knows!

All the world seems ready to proffer them advice. Colonel Olcott is wandering up and down the country now, telling them that the Buddhist religion needs reformation, offering to reform it, and eating with ostentation rice gruel which is served to him in cups by admiring handmaidens. A wanderer from Kioto tells me that in the Chion-in, loveliest of all the temples, he saw only three days ago the Colonel mixed up with a procession of Buddhist priests, just such a procession as the one I tried vainly to describe, and "tramping about as if the whole show belonged to him." You cannot appreciate the solemnity of this until you have seen the Colonel and the Chion-in temple. The two are built on entirely different lines, and they don't seem to harmonise. It only needs now Madame Blavatsky, cigarette in mouth, under the _cryptomerias_ of Nikko, and the return of Mr. Caine, M. P., to preach the sin of drinking _saki_, and the menagerie would be full.

Something should be done to America. There are many American missionaries in Japan, and some of them construct clapboard churches and chapels for whose ugliness no creed could compensate. They further instil into the Japanese mind wicked ideas of "Progress," and teach that it is well to go ahead of your neighbour, to improve your situation, and generally to thresh yourself to pieces in the battle of existence. They do not mean to do this; but their own restless energy enforces the lesson. The American is objectionable. And yet--this is written from Yokohama--how pleasant in every way is a nice American whose tongue is cleansed of "right there," "all the time," "noos," "revoo," "raound," and the Falling Cadence. I have met such an one even now--a Californian ripened in Spain, matured in England, polished in Paris, and yet always a Californian. His voice and manners were soft alike, temperate were his judgments and temperately expressed, wide was his range of experience, genuine his humour, and fresh from the mint of his mind his reflections. It was only at the end of the conversation that he startled me a little.

"I understand that you are going to stay some time in California. Do you mind my giving you a little advice? I am speaking now of towns that are still rather brusque in their manners. When a man offers you a drink accept at once, and then stand drinks all round. I don't say that the second part of the programme is as necessary as the first, but it puts you on a perfectly safe footing. Above all, remember that where you are going you must never carry anything. The men you move among will do that for you. They have been accustomed to it. It is in some places, unluckily, a matter of life and death as well as daily practice to draw first. I have known really lamentable accidents occur from a man carrying a revolver when he did not know what to do with it. Do you understand anything about revolvers?"

"N-no," I stammered, "of course not."

"Do you think of carrying one?"

"Of course not. I don't want to kill myself."

"Then you are safe. But remember you will be moving among men who go heeled, and you will hear a good deal of talk about the thing and a great many tall stories. You may listen to the yarns, but you must not conform to the custom however much you may feel tempted. You invite your own death if you lay your hand on a weapon you don't understand. No man flourishes a revolver in a bad place. It is produced for one specified purpose and produced before you can wink."

"But surely if you draw first you have an advantage over the other man," said I, valorously.

"You think so? Let me show you. I have no use for any weapon, but I believe I have one about me somewhere. An ounce of demonstration is worth a ton of theory. Your pipe-case is on the table. My hands are on the table too. Use that pipe case as a revolver and as quickly as you can."

I used it in the approved style of the penny dreadful--pointed it with a stiff arm at my friend's head. Before I knew how it came about the pipe case had quitted my hand, which was caught close to the funny-bone and tingled horribly. I heard four persuasive clicks under the table almost before I knew that my arm was useless. The gentleman from California had jerked out his pistol from its pocket and drawn the trigger four times, his hand resting on his hip while I was lifting my right arm.

"Now, do you believe?" he said. "Only an Englishman or an Eastern man fires from the shoulder in that melodramatic manner. I had you safe before your arm went out, merely because I happened to know the trick; and there are men out yonder who in a trouble could hold me as safe as I held you. They don't reach round for their revolver, as novelists say. It's here in front, close to the second right brace-button, and it is fired, without aim, at the other man's stomach. You will understand now why in event of a dispute you should show very clearly that you are unarmed. You needn't hold up your hands ostentatiously; keep them out of your pockets, or somewhere where your friend can see them. No man will touch you then. Or if he does, he is pretty sure to be shot by the general sense of the room."

"That must be a singular consolation to the corpse," I said.

"I see I've misled you. Don't fancy that any part in America is as free and easy as my lecture shows. Only in a few really tough towns do you require _not_ to own a revolver. Elsewhere you are all right. Most Americans of my acquaintance have got into the habit of carrying something; but it's only a habit. They'd never dream of using it unless they are hard pressed. It's the man who draws to enforce a proposition about canning peaches, orange-culture, or town lots or water-rights that's a nuisance."

"Thank you," I said faintly. "I purpose to investigate these things later on. I'm much obliged to you for your advice."