Chapter XXIV: Section III: Marks of Booksellers and Printers Signed with the Lorraine (4)

_Van Praët, M., and the MS. of 'Les Commentaires de César,'_ 161.

_Varlot, M., 'Illustration de l'ancienne imprimerie troyenne,'_ 173,
197, 257-258.

_Vascosan, Michel de_, 286.

_Vaudemont. See Gringoire._

_Verdier, Antoine du_, 143.

_Vernassal, M., 'Histoire de Primaleon de Grèce' (translation)_, 241.

_Vésale's Anatomy_, 225.

_Vidoue, Pierre_, 178, 179, 197, 274, 275.

_Vincentino, Ludovico_, 16 _and note_ 1.

_Virgil, Æneid in French_, 261 _note_ 4; (1549) 271.

_Viriville, Vallet de_, 171 _note_ 1.

_Vivian, Mathieu_, 273.

_Vivian, Thielman, his mark_, 287.

VOLATERRAN, LA MANIERE DE PARLER ET SE TAIRE, _Tory's translation of_,
32, 99-100.

_Volcyr, Nicole, de Serouville, 'Histoire de la glorieuse victoire,'
etc._, 181-182, 184.

_Vostre, Simon, Hours published by_, 172.

WASSEBOURG, _Richard de, 'Antiquités de la Gaule belgique,' etc._,
239-240.

_Wey, Francis_, 295-296.

_Willemin, 'Monuments français inédits,'_ 114.

_Woeiriot_, 127, 147, 189 _note_ 4, 244 _note_ 2.

XENOPHON, _'Œconomicus.' See 'Economic Xenophon.'_

ZANI, 145.

A LIST OF THE REPRODUCTIONS IN THIS VOLUME OF DESIGNS ATTRIBUTED TO TORY BY M. BERNARD.

REPRODUCED
ON PAGE

DESCRIBED
ON PAGE

Design on covers: from the binding of a copy of Petrarch, Venice,
1525, in the Library of the British Museum. 47

I The letter Alpha: from the Greek alphabet of Robert Estienne. 189

III Border: from the title-page of 'Champ fleury.' 192

IV Border: from Ovid's 'Tristia,' 'Fasti,' etc. Paris, Colines,
1541.

V Frieze: from the Works of Justin Martyr. Paris, Robert Estienne,
1551 (slightly reduced). 189

V Initial: from the Greek alphabet of Robert Estienne (1541). 189

IX Border: from the Colines Hours of 1543. 210

X-XIX Borders in niello: from the Colines Hours of 1543. 211

XXI Border used by Colines on the title-pages of various works. 174

1 Frieze: from a border of the Colines Hours of 1543 (reduced). 210

1 Initial letter L: from folio 1 of 'Champ fleury.' 22

6 Monogram of 'Civis.' 6

12 Pot Cassé, as printed in Tory's poem on his daughter's death. 12

20 Pot Cassé, as used by Tory on bindings. 20

21 Pot Cassé: from 'Champ fleury,' folio 43. 21

23 Letters I and K, by Jean Perreal: from 'Champ fleury,' folio
46. 23

45 Tory's autograph, on Manuscript of Cicero's orations against
Verres: from Bernard. 45

45-47 Various forms of the Pot Cassé. 45-47

48 Letter A with the 'lisflambe': from 'Champ fleury.' 192

49 Border: from 'Champ fleury.' Afterwards used on various works. 196

50-51 Triumph of Apollo and the Muses: from 'Champ fleury,'
folios 29 verso and 30 recto. 192

100 Arms of France: from 'Champ fleury' verso of title. 192

101-117 Borders and illustrations: from the Hours of 1524-1525;
from the copy in the British Museum. 109-116

129 The Visitation: from Mallard's octavo Hours of 1542. Bernard
describes only the octavo edition of 1541. 129, 218

130 Border: from title-page of Macault's translation of Diodorus
Siculus. 136

137 Mark of Pierre Roffet. 140, 285

140 Border of title: 'Isocratis Oratoris dissertissimi sermo,'
etc. Paris, Simonem Colinæum, 1529. Not mentioned by Bernard.

141 The 'Gallic Hercules': from 'Champ fleury,' folio 3. 192

152 Allegorical letter Z: from 'Champ fleury,' folio 65. 193

153 Frieze (slightly reduced). See under page v. 189

171 Coronation of the Virgin: from the quarto Hours of 1527. 124

172 Frieze (slightly reduced). See under page v. 189

172 Monogram: from Vostre's Hours of 1515; from Bernard. 172

179 Monogram of Tory. 179

183 Monogram of Tory: from 'The Labours of Hercules'; from Bernard.

186-188 Floriated (Roman) letters engraved for Robert Estienne. 185

190-191 Floriated (Greek) letters: engraved for Robert Estienne. 189

193 Letter Y: from 'Champ fleury,' folio 63. 193

194 Greek Alphabet: from 'Champ fleury,' folio 71. 193

195 Latin Alphabet: from 'Champ fleury,' folio 72. 193

198 Title-page of the Aristophanes of 1528, with the sign of
Gilles de Gourmont and the Gourmont arms. 197

206 Frontispiece of Macault's translation of Diodorus Siculus. 205

209-211 Borders: from Colines quarto Hours of 1543. 210

233 Portrait of Theodore de Bèze: from 'Theodori Bezæ Vezelii
Poemata,' 1548. 233

234 Portrait of Luchinus, Duke of Milan: from Pauli Jovii
Novocomensis, etc., 1549. 235

236 A man on horseback: from the Entrée de Henri II à Paris, 1549.
Usually attributed to Bernard Salomon (Le petit Bernard). 237

240 A fleet of ships: from 'Gerard d'Euphrate,' 1549. 241

263 Frontispiece of 'Textus de Sphæra' Joannis de Sacrobosco.
Paris, Simon de Colines, 1527 (reduced). Not mentioned by
Bernard.

264 Mark of Philippe Le Noir. 279

265 Frieze (slightly reduced.) See under page v. 189

265 Mark of the Marnefs. 265

266 Mark of Conrad Bade. 266

268 Mark of Simon de Colines. 268

269 Mark of Simon de Colines. 268

269 Mark of Gilles Corrozet. 269

270 Mark of Mathieu David. 270

271 Mark of Robert Estienne. 271

272 Mark of Robert Estienne. 272

273 Mark of Michel Fezandat. 272

274 Mark of Gilles de Gourmont. 274

277 Mark of Louis Grandin. 277

278 Mark of Charlotte Guillard. 277

281 Mark of Sebastien Nivelle. 280

283 Mark of Nicole Paris. 283

285 Mark of Gilles Robinot. 285

286 Mark of Jean de Roigny. 285

287 Mark of Thielman Vivian. 287

288 The Triumph of Death: from the quarto Hours of 1527. 124

289 Frieze: from Orontius Finæus. Colines, 1544 (slightly
reduced). Not mentioned by Bernard.

289 Initial G, with Lorraine cross: from the Roman alphabet
engraved for Robert Estienne. 185

325 Border: from Robert Estienne's Greek testament, folio, 1550.
Not mentioned by Bernard.

338 Letter Omega: from the Greek alphabet, engraved for Robert
Estienne. 189

339 Illustration from Mallard's octavo Hours of 1542. 129, 218

TABLE OF CONTENTS.

PRINTERS' PREFACE. PAGE V

AUTHOR'S PREFACE. IX