Chapter IV: Part 4

As he had etched about 2700 designs when he made this statement, it is impossible not to sympathise with his recreative change of medium. It must be remembered that, except in dry-point etching, the bite of the acid is trusted to engrave the design of the needle and that, when the stronger lines are obtained "by allowing the acid to act for a longer time" on a particular part or parts of the etched plate, the mechanical work, and work of calculation, imposed upon the etcher is formidable. Until, in the late seventies of the nineteenth century, the invasion of the process-block gave manual freedom to the bookseller's artist, that individual was continually sighing over the complexity of the method by which he paid the tribute of his imagination to Mammon. In the hands of the wood-engraver an artist's unengraved work was apparently always liable to the danger of misrepresentation unless the artist engraved it himself. Even the great John Thompson is not free from the suspicion of having unconsciously assisted "demon printers" in transforming into "little dirty scratches" some designs by Daniel Maclise, whose expressions are preserved in this sentence. Cruikshank who, if we add his woodcuts to his etchings, saw upwards of 4000 designs by him given with laborious indirectness to the world, would have been more than human if he had considered his unskilfulness in the art of producing and employing the colours between black and white as a reason for refraining from painting in oils. In 1853 "he entered as a student at the Royal Academy"; but his industry, in the role of a pupil of 60, was, it seems, less than his humility, for "he made very few drawings in the _Antique_," says Mr Charles Landseer, "and never got into the _Life_." Cruikshank, however, had exhibited in the Royal Academy as early as 1830, and in 1848 he dared to paint for the Prince Consort the picture entitled _Disturbing the Congregation_. This picture of a boy in church looking passionately unconscious of the fact that his sacrilegious pegtop is lying on the grave of a knight in full view of the beadle, is an anecdote painted more for God to laugh at than for Christians of the "so-called nineteenth century," but a philosophic sightseer like myself rejoices in it. This picture and _The Fairy Ring_, already praised, reveal Cruikshank's talent sufficiently to prevent one from regretting that he ultimately preferred covering canvases to furrowing plates.

(_b_) CRUSOE IN HIS ISLAND HOME.

From "Robinson Crusoe," 1831.]

To do him justice he was academically interested in the whole technique of pictorial art as practised in his day. He admitted, for instance, to Charles Hancock, "the sole inventor and producer of blocks by the process known as 'Etching on Glass,'" that if this invention had come earlier before him "it would have altered the whole character" of his drawing, though the designs which he produced by Hancock's process--the first of which was completed in April 1864--include nothing of importance.

We will not further linger over the media of reproduction employed by our artist, but summon a few ideas suggested by the vision we have had of him sitting like a schoolboy in the schoolroom of the Royal Academy.

As a draughtsman he had been professorial in 1817 when he published with S. W. Fores two plates entitled _Striking Effects produced by lines and dots for the assistance of young draftsmen_, wherein he showed, like Hogarth, the amount of pictorial information which an artist can convey by a primitively simple method. He was professorial, too, when in 1865 he attempted to put in perspective a twelve mile giant taking a stride of six miles, on a plate 6 inches long and 3-3/5 inches broad, and informed the publisher of "Popular Romances of the West of England" (1865) that about 1825 he had attempted to put in perspective the Miltonic Satan whose body

"Prone on the flood, extended long and large,
Lay floating many a rood."

Cruikshank's greatest enemy was his mannerism which may even delude the pessimist of scant acquaintance with him into the idea that it imperfectly disguises an inability to draw up to the standard of Vere Foster. The Cruikshankian has merely to direct the attention of such a person to the frontispiece executed by Cruikshank for T. J. Pettigrew's "History of Egyptian Mummies" (1834). If a man can draw well in the service of science his mannerism is the accomplishment of an intention.

Ruskin said that Cruikshank's works were "often much spoiled by a curiously mistaken type of face, divided so as to give too much to the mouth and eyes and leave too little for forehead," and yet there is extant a curious MS. note by Cruikshank to the effect that Mr Ruskin's eyes were "in the wrong Place and not set properly in his head," showing that Cruikshank was a student of even a patron's physiognomy and suggesting that, if Ruskin had roamed in Cruikshank's London he would have convicted the artist of a malady of imitativeness. It must be remembered that he repeatedly drew recognisable portraits of his contemporaries; indeed he was so far from being a realist devoted to libel that Mr Layard confides to us that various studies by George Cruikshank of "the great George" would, he thinks, "have resulted in an undue sublimation had completion ever been attained."

Yet the sublimation of the respectable is precisely the rosy view of Cruikshank the man enjoyed by me at the present moment. He is Captain of the 24th Surrey Rifle Volunteers; he is Vice-President of the London Temperance League. He sketches a beautiful palace as a pastime. He is in the same ballroom as Queen Victoria, and Her Majesty bows to him. Withal he is sturdy and declines the Prince Consort's offer for his collection of works by George Cruikshank. In the end St Paul's Cathedral receives him, and the person who knew him most intimately declares on enduring stone that she loved him best.

We are now at the end, and cannot stimulate the muse of our prose to further efforts. She being silent obliges our blunt British voice to speak for itself. Inasmuch as Cruikshank was a mannerist, he is inimitable except by them who take great pains to vex the critical of mankind. Inasmuch as he expressed the beauty of crookedness, as though he found the secret of artistic success in punning on his own name, he offers a model worthy of practical study. His fame as an etcher is too loud to be lost in the silence of Henri Beraldi, who enumerated "Les graveurs du dix-neuvieme siecle," in 12 tomes (1885-1892), without mentioning his name. Though C is more employed in the initials of words than any other letter in our alphabet, the name of Cruikshank comes only after "Curious" in its attractiveness for the readers of entries under the letter C in English catalogues of second-hand books. It may be that to etchings in books of Cruikshank's period is ascribed, since the usurpation of the process-block, the factitious value of curios, and that he, Beraldi's Great Omitted, profits thereby. It is a fact that he is "collected" like postage-stamps, though no published work of his has attained the price per copy of the imperforate twopenny Mauritius of 1847. But we have descended to a comparison so unfortunate in its logical consequences that it is well to prophesy the immortality of Cruikshank from other than commercial tokens. Those tokens exist in the undying praises of Dickens, Thackeray, "Christopher North," and Ruskin, in the enormous work of his principal bibliographer George William Reid, and, not least to the spiritual eye, in the permanence of the impression made by a few of his designs on a memory that has forgotten a little of that literary art which is the only atonement offered by its owner to the world for all the irony of his requickened life.

ANNOTATED BIBLIOGRAPHICAL INDEX

_Numbers referring to illustrations are in larger type. The titles of
illustrations are in italics, the titles of books and periodicals in
inverted commas. An article or demonstrative adjective in parenthesis
in the first line of an entry indicates that the article
parenthesised begins the title of the subject of that entry._

Achilles in Hyde Park, 171.
_See_ Brazen, Ladies, Making.

Acton, John Adams. _See_ Cruikshank, George.

Adam-tilers. An Adam-tiler is a receiver of stolen goods, a pickpocket, a fence, 103.

"Adventures (The) of Gil Blas of Santillane. Translated from the French of Lesage, by T. Smollett, M.D. To which is prefixed a memoir of the author, by Thomas Roscoe. Illustrated by George Cruikshank [and K. Meadows]" (2 vols., London: Effingham Wilson, 1833; being vols. xvi. and xvii. of "The Novelist's Library, edited by Thomas Roscoe, with illustrations by George Cruikshank"), 199.

"Adventures (The) of Joseph Andrews, by Henry Fielding, Esq., with illustrations by George Cruikshank" (London: James Cochrane & Co., 1832. It is vol. vii. of "The Novelist's Library: edited by Thomas Roscoe, Esq., with illustrations by George Cruikshank"), $189$.

"Adventures (The) of Sir Frizzle Pumpkin; Nights at Mess; and Other Tales. With illustrations by George Cruikshank" (William Blackwood & Sons, Edinburgh; and T. Cadell, Strand, London, 1836. The author is Rev. James White). 231.

A. E. (George Russell), 161.

_A Going! A Going! The Last Time A Going!!!_ (print pub. 12 April 1821 by G. Humphrey), 25.

Ainsworth, William Harrison, 77, 81. _See_ Ainsworth's, Artist, Guy Fawkes, Jack Sheppard, Miser's, Rookwood, S[ain]t James's, Sir Lionel, Tower, Windsor.

"Ainsworth's Magazine: a Miscellany of Romance, General Literature, and Art. Edited by William Harrison Ainsworth" (illustrations by George Cruikshank appear in the first 6 vols. and the 9th vol. "Guy Fawkes" was reprinted with Cruikshank's etchings in vols. xvi. xvii. in 1849 and 1850. The first 9 vols. were published in London by [successively] Hugh Cunningham, 1842; Cunningham & Mortimer, 1842-1843; John Mortimer, 1843-1845; Henry Colburn, 1845; Chapman & Hall, 1846), 86, $87$, 90, $91$, 93, 137.

Akerman, John Yonge, 125, 126.
_See_ Gentleman.

Albert, Prince (the Prince Consort, born 1819, died 1861), 44, 240, 248.
_See_ Original.

Albert Memorial, 43.

Alfieri, 72.

Almanack. _See_ Comic Almanack.

Alphabet. 211-212.
_See_ Comic Alphabet.

Andersen, Hans Christian, 36.

"Angelo's Picnic; or, Table Talk, including numerous Recollections of Public Characters, who have figured in some part or another of the stage of life for the last fifty years; forming an endless variety of talent, amusement, and interest, calculated to please every person fond of Biographical Sketches and Anecdotes. Written by Himself.... In addition to which are several original literary contributions from the following Distinguished Authors:--Colman, Theodore Hook, Bulwer, Horace Smith, Mrs Radcliffe, Miss Jane Porter, Mrs Hall, Kenny, Peake, Boaden, Hermit in London, &c." (London: John Ebers, 1834), $225$.

"Annals (The) of Gallantry, or the Conjugal Monitor," by A. Moore, LL.D. (3 vols., London: printed for the proprietors by M. Jones, 1814, 1815. First issued in 18 parts), 70-71.

Anti-Slavery. _See_ New.

"Arabian Nights" (the publisher, Mr John Murray, has a record that George Cruikshank was paid L67, 4s. for some illustrations for the "Arabian Nights"), 156.

Arnold, Matthew, 69.

"Arthur O'Leary: His Wanderings and Ponderings in many Lands. Edited by his Friend, Harry Lorrequer, and Illustrated by George Cruikshank. In Three Volumes" (London: Henry Colburn, 1844), 196.

"Artist (The) and the Author. A Statement of Facts, by the Artist, George Cruikshank. Proving that the Distinguished Author, Mr W. Harrison Ainsworth, is 'labouring under a singular delusion' with respect to the origin of 'The Miser's Daughter,' 'The Tower of London,' &c." (London: Bell & Daldy, 1872), 60.

"Art Journal (The)," 184.

"Athenaeum (The)," 82.

"Attic Miscellany," 11.

Augustus Frederick, Duke of Sussex (6th son of George III., born 1773, died 1843. George Cruikshank etched facsimiles of five illustrations in a 13th century Hebrew and Chaldee Pentateuch, copies of two illuminations from a 13th century Armenian MS. of the Gospels and an illumination to a Latin Psalter of the 10th century for "Bibliotheca Sussexiana. A descriptive catalogue, accompanied by historical and biographical notices of the manuscripts and printed books contained in the library of His Royal Highness the Duke of Sussex, K.G., D.C.L., &c. &c. &c. &c., in Kensington Palace. By Thomas Joseph Pettigrew, F.R.S., F.A.S., F.L.S., and librarian to H.R.H. the Duke of Sussex" [London: Longman & Co., Paternoster Row; Payne & Foss, Pall Mall, Harding & Co., Pall Mall East; H. Bohn, Henrietta Street; and Smith & Son, Glasgow, 1827]). _See_ Illustrations of Popular.

Bacchus _See_ Worship; Oil Painting.

"Bachelor's (The) Own Book. The Adventures of Mr Lambkin, Gent., in the Pursuit of Pleasure and Amusement, and also in search of Health and Happiness" (designed, etched, and published by George Cruikshank, 1 Aug. 1844), 232-233.

Baker, A. Z., 212.

Ballooning, 40.

"Banbury Chap-Books." _See_ Pearson, Edwin.

"Bands (The) in the Parks. Copy of a letter supposed to have been sent from a High Dignitary of the Church to 'the Right Man in the Right Place,' upon the subject of the military Bands Playing in the Parks on Sundays. Picked up and published by George Cruikshank" (London: W. Tweedie, 1856), 59.

Bank of England, 28.

Bank Restriction Note (Hone is said to have realised over L700 by the sale of this shocker), 28.

Barham, Rev. Richard Harris ("Thomas Ingoldsby"; born 6 Dec. 1788, died 17 June 1845). _See_ Ingoldsby Legends.

Barker, M. H. ("The" and "An" "Old Sailor"), 95.
_See_ Greenwich, Old Sailor's Jolly Boat, Topsail-sheet.

Bartholomew Fair, 39.

Basile, Giambattista, 204.
_See_ Pentamerone.

Bateman, Lord. _See_ Loving.

Bath. _See_ New Bath.

Bayly, Thomas Haynes (died 22 April 1839), 216.

Beachy Head, 108.

"Beauties (The) of Washington Irving, Esq.... Illustrated with woodcuts, engraved by Thompson; from drawings by George Cruikshank, Esq." (4th ed., London: Thomas Tegg & Son, 1835. G. Cruikshank illustrated "Knickerbocker's New York" [_sic_] with a fine etching entitled _Ten Breeches_, and another entitled _Anthony Van Corlear & Peter Stuyvesant_, pub. in "Illustrations of Popular Works," 1830). _See_ Thompson, John.

"Bee (The) and the Wasp. A Fable--in verse. With designs and etchings, by G. Cruikshank" (London: Charles Tilt, 1832. The text is by Richard Frankum), 148.

Beerbohm, Max, 22.

Belch, W, 12.

Bentley, Richard, publisher (died 10 Sept. 1871 in the 77th year of his age), 86.

Bentley's Miscellany (64 vols., London: Richard Bentley, 1837-1868. George Cruikshank contributed illustrations to the first 14 vols. Charles Dickens edited vols. i.-v., and part of vol. v. William Harrison Ainsworth was the next editor, but started an opposition magazine in 1842), 74 (vol iv., 1838), 133 (The Handsome Clear Starcher), 175 (The Ingoldsby Legends).

Beraldi, Henri, 248, 251.

Berenger, Lt.-Col. Baron De. _See_ Stop.

Bergami, Baron Bartolomo, 26.

"Betting (The) Book. By George Cruikshank" (London: W. & F. G. Cash, 1852), 58.

Blake, William (born 1757, died 12 Aug. 1828). _See_ Three.

Blewitt, Mrs Octavian, 134. _See_ Rose and the Lily.

_Blucher (Old) beating the Corsican Big Drum_ (caricature published by S. W. Fores, 8 April 1814), 20.

"Blue Light (The)," 159.

Boleyn, Anne, 90.

Bolton, engraver, 249.

_Boney Hatching a Bulletin, or Snug Winter Quarters_ (caricature published Dec. 1812 by Walker & Knight), 18.

_Boney's Elb(a)ow Chair_ (caricature published 5 May 1814 by S. Knight), 20.

_Boney's Meditations on the island of St Helena. The Devil addressing the Sun._ (G. H. invt., G. Cruikshank fect. Caricature published by H. Humphrey, Aug. 1815), 133.

_Boney Tir'd of War's alarms_ (caricature published by Walker & Knight, Jan. 1813), 18.

"Bottle (The). In eight plates, designed and etched by George Cruikshank. Dedicated to Joseph Adshead, Esq., of Manchester. London: published for the artist, September 1st, 1847, by David Bogue, 86 Fleet Street; Wiley & Putnam, New York; and J. Sands, Sydney, New South Wales. Price six shillings," 27, 55-57, 69.

Bowring, John. _See_ Minor.

Boz. _See_ Dickens, Charles.

_Brazen (This) Image was erected by the ladies, in honor of Paddy Carey O'Killus, Esq., their Man o' Metal._ (J. P***y invt., G. Cruikshank fect. Caricature published by J. Fairburn, 20 July 1822), 171.

_Breaking Up_ (Holiday scene by George Cruikshank, published 12 Dec. 1826 by S. Knight), 1.

Brighton Pavilion ("the Folly"), 44.

Broadley, A. M., 12. See _Facing_, Reid.

"Brooks _alias_ Read," publisher who employed Percy Cruikshank and who was caricatured insultingly by George Cruikshank, 60.

Brough, Robt. B. _See_ Life of Sir.

Bruton, H. W., 133.

Buck, Adam (portrait painter, born 1759, died 1833. The Duke of York was among his sitters), 26.

Bull, John, 4, 7, 176. See _John Bull_, _John Bull's_, _Johnny Bull_, _Preparing_.

Bunyan, John, 120, 125. See _Christian_, Pilgrim's (2 items).

Burnand, Sir Francis Cowley, (born 29 Nov. 1836; became editor of "Punch" in 1880), 234.

Burns, Robert, 116 (_The Deil cam fiddling thro' the Town_), 172 ("The Jolly Beggars"). _See_ Royal Academy, 1852.

"Bursill's Biographies. No. 1. George Cruikshank. Artist--Humorist--Moralist" (London: John Bursill), 162.

Buzmen. A Buzman is a pickpocket, 103.

Byron, Lord, 183, 195. _See_ Memoirs of the Life.

"Cakes and Ale. By Douglas Jerrold" (2 vols., How & Parsons, 1842), 204 (_The Mayor of Hole-cum-Corner_).

Callot, Jacques (born 1592, died 28 March 1635), 93, 94.

Carbonaro, Jose Moreno, 199.

Carbonic Acid Gas. See _Good Effects_.

Carey, David, 46, 47.

Caroline of Brunswick, wife of George IV. (born 17 May 1768, married George, Prince of Wales, 8 April 1795, died 7 Aug. 1821. If the belief still linger that Cruikshank was a Caroliniac, see his drawing of _The Radical Ladder_ in "The Loyalist's Magazine," 1821. The preface to this publication remarks on "that Reginal mania, which for a season transported our countrymen"), 25. See _A Going_, Queen's, Royal Rushlight.

Carpenter, 27.

Carroll, Lewis, 32, 183-184, 216, 220, 223.

Cash, William, 57.

Catalani, Angelica, 11.

"Catalogue (A) of a Selection from the Works of George Cruikshank, Extending over a Period of Upwards of Sixty years [from 1799 to 1863,] Now Exhibiting at Exeter Hall. Consisting of Upwards of One Hundred Oil Paintings, Water-Colour Drawings, and Original Sketches; together with over a Thousand Proof Etchings, from his most popular Works, Caricatures, Scrap Books, Son[g] Headings, &c.; and The Worship of Bacchus. Open Daily from Ten till Dusk. Admission One Shilling. London: William Tweedie, 337, Strand, 1863. Price Two-pence" ('This title is copied from that of the 2nd ed. of the catalogue, desirable on account of G. Cruikshank's preface which is dated February, 1863), 1.

"Catholic Miracles; illustrated with seven designs, including a characteristic portrait of Prince Hohenlohe, by George Cruikshank. To which is added a reply to Cobbett's Defence of Catholicism, and his Libel on the Reformation" (London: Knight & Lacey. Dublin: Westley & Tyrrell, 1825), 140.

Cato Street, 3. See _Interior View of Hayloft_.

Cervantes, 183. _See_ History and, Illustrations of Don.

Chamisso, Adelbert von, 125.
_See_ Peter.

Charles Gustavus, King of Sweden, 74.

Chesson, Nora (poet), 231.

Chesterton, Gilbert Keith (quoted), 104.

_Children's Lottery Print_ (first published in 1804, by W. Belch, Newington Butts, price 1/2d. Mr G. S. Layard observes that "George did not make his copy from the earliest state of the plate,"), 15.

_Child's Christmas Piece--Daniel in the Lion's Den._ (An etching. Capt. Douglas writes, "the centre is left blank in which the child has to write its Christmas piece"), 11.

_Cholic (The)_ (caricature published by G. Humphrey, 12 Feb. 1819),166.

_Christian passing through the Valley of the Shadow of Death_ (print of which the foundation is unknown. Published by W. Tweedie, 337 Strand. Described on p. 125 from No. 10,043 in The George Cruikshank Collection, South Kensington Museum).

"Cigar (The)" (2 vols. London: T. Richardson, 98 High Holborn; Sherwood, Jones & Co., Paternoster Row; W. Hunter, Edinburgh, 1825. The vols. contain 25 different cuts; the same design appears on both their title-pages. Though W. Clarke was the editor of and chief contributor to "The Cigar," a re-issue in one vol. of the greater part of its contents, containing all the cuts except those on pp. 99 and 378, vol. i., and pp. 259 and 378, vol. ii., states that "The Cigar" is "by George Cruikshank, author of 'Three Courses and a Dessert'"!), 231.

"Cinderella and the Glass Slipper, edited and illustrated with ten subjects, designed and etched on steel, by George Cruikshank" (London: David Bogue, 1854), 57, $153$. _See_ Royal Academy, 1854, 1859.

Clarke, William (born 1800, died 1838), 215, 228, 231. _See_ Cigar, Three Courses.

Clarke, Mrs Mary Anne (nee Thompson, born 27 June 1771), married Clarke a stonemason in 1794. In 1803 she appears to have been set up in the world of fashion by the Duke of York, whose mistress she became. In 1809 her practice of accepting bribes from those desiring military promotion scandalised the House of Commons, and compelled the Duke to resign the post of Commander-in-Chief of the British army. She died 21 June 1852. Author of "The Rival Princes" (2 vols., London: C. Chapple, 1810), 4, 26-27. _See_ Mrs, Return, _Woman_.

Clarke, Mary Cowden, 152. _See_ Kit.

"Clement Lorimer, or, the Book with the Iron Clasps. A Romance by Angus B. Reach" (London: David Bogue, 1849; first published in 6 parts), 107, $109$.

Cobbett, William (born March 1762, died 18 June 1835. Author of "History of the Regency and Reign of King George the Fourth" [London: William Cobbett, 1830]), 8, 35, 235. See _Cobbett at_.

_Cobbett at Court, or St James's in a bustle_ (extracted from No. III. of "The Censor." Pub. by W. Deans, Catherine St., Strand, 16 Oct. 1807),32.

Collier, John Payne, 130. _See_ Punch and Judy.

_Columbus and the Egg_, 191.

Comic Almanack (19 vols., 1835-1853. The first six, 1835-1840, were published by Tilt. The next three, 1841-1843, were published by Tilt & Bogue. The remaining vols., 1844-1853, were published by David Bogue. The following is an abridged copy of the words of the first title-page: "The Comic Almanack for 1835: an Ephemeris in jest and earnest ... by Rigdum Funnidos, Gent. Adorned with a dozen of 'right merrie' cuts, pertaining to the months, sketched and etched by George Cruikshank, and divers humorous cuts by other hands. London: Imprinted for Charles Tilt, Bibliopolist, in Fleet Street. Vizetelly, Branston & Co., Printers, Fleet Street"), 32, 35, 39-40, $41$, 52, $53$, 196, 211-212, 224. _See_ Guys.

"Comic (A) Alphabet, designed, etched, and published by George Cruikshank, No. 23 Myddelton Terrace, Pentonville, 1836," 180 (Socrates), $181$.

_Comic Composites for the Scrap Book_ (published by S. W. Fores, _circa_ 1821-1822. 2nd state published 1 June 1829 by W. B. Cooke), $141$, 142.

Composites. See _Comic Composites_.

_Coriolanus addressing the Plebeians_ (caricature published 27 Feb. 1820 by G. Humphrey), 4, 35.

_Coronation (The) of the Empress of the Nairs_ (in "The Scourge," 1 Sept. 1812), 24.

Cowper, William, 183, $213$. _See_ Diverting.

_Cow (The) Pox Tragedy. Scene the Last_ (caricature published 1812 in "The Scourge," Aug. 1812), 31.

Crinolines, 32.

Cruikshank, Miss Eliza (died young), 112.

Cruikshank, Mrs Eliza (nee Widdison, who married George Cruikshank, 7 March 1850), 112, $113$, 248. See _Original_.

Cruikshank, George. For Bibliographies of his works, _see_ Catalogue, Reid, Three Cruikshanks, Works. For Biographies of him and kindred works, _see_ Bursill's, Jerrold (Blanchard), Layard, Memoir, Meynell, Sala, Stephens. For literary and artistic volumes by him, _see_ Artist, Bands, Betting, Cinderella, Cruikshankiana, Discovery, Drawings, Few, George Cruikshank's (4 items), Glass, Handbook, History of Jack, Hop-o'-my-thumb, Illustrations of Time, Jack, My, Phrenological, Pop-Gun, Puss, Scraps, Slice, Stop. For pictures exhibited by him, _see_ Royal Academy. For portraits of him, _see_ frontispiece, 15, 27, 35, 47, 111, 112, 131. The monument to him, which includes a bust of him, in the crypt of St Paul's Cathedral, was designed and executed by John Adams Acton. A. Clayton sold a bust of G. Cruikshank to the National Portrait Gallery. There is an engraved portrait of him, full of character, by D.J. Pound, from a photo by John and Charles Watkins, Parliament St. For his residences, _see_ 10.

Cruikshank, Isaac (born 1756?, died 1810 or 1811), 10, 11, 111. See _Facing_.

Cruikshank, Isaac Robert (born 1789 or 1790, died 1856), 46, 47, 60, 67, 111, 200, 213.

Cruikshank, Percy, 60, 65.

"Cruikshankiana: An Assemblage of the Most Celebrated Works of George Cruikshank" (London: Thomas McLean, 1835), 233.

Crusoe, Robinson. _See_ Life and.

Cumberland, Duke of (Ernest Augustus, fifth son of George III.), 139-140.

D'Aiguille, P., 27.

_Daniel in the Lion's Den_, 11. See _Child's Christmas_.

Daumier, Honore (born 26 Feb. 1808, died 11 Feb. 1879. His extraordinary industry, evidenced by the fact that the catalogue of his lithographed works alone enumerates 3958 plates, reminds us of George Cruikshank), 176, 179.

Davenport, Samuel (line engraver, born 10 Dec. 1783, died 15 July 1867; he was one of the earliest to engrave on steel).

Defoe, Daniel. _See_ Life and, Journal.

Delort, C., 90.

Demonology. _See_ Twelve.

_Design for a Palace._ _See_ Palace.

Devil (The), 18-19, 116.

Dibdin, Charles. _See_ Songs.

Dickens, Charles ("Boz," born 7 Feb. 1812, died 9 June 1870), 99, 195, 224, 231-232. _See_ Oliver, Sketches, Sir Lionel.

"Dick Whittington and his Cat" (a Banbury Chap-Book designed by Cruikshank, engraved by Branstone [writes Edwin Pearson], and published by [? J. G.] Rusher about 1814. George and Robert Cruikshank designed and etched the folding coloured frontispiece to "History of Whittington and His Cat," published by Dean & Munday, Threadneedle St., 1822), 155.

"Dictionary (A) of the Slang and Cant Languages" (London: George Smeeton, 1809), 46.

_Dinner (The) of the Four-in-Hand Club at Salthill_ (caricature by George Cruikshank, published in "The Scourge," 1 June 1811, by M. Jones), 51.

Dirks, Gus, 212.

"Discovery (A) Concerning Ghosts; with a rap at the 'Spirit-Rappers,' by George Cruikshank. Illustrated with Cuts. Dedicated to the 'Ghost Club'" (London: Frederick Arnold, 1863), 59-60, 116.

_Distant (A) View of Shakespeare's Cliff, Dover_, 107.

_Disturbing the Congregation_ (oil-painting painted in 1848 for the Prince Consort), 240.

"Diverting (The) History of John Gilpin. Showing how he went farther than he intended and came safe home again," with six illustrations by George Cruikshank (London: Charles Tilt, 1828), $213$.

Don Quixote 199-200, $201$. _See_ History and Illustrations of Don.

Dots. See _Striking_.

Douglas, Capt. R. J. H., 16. See _New Union_, Works.

Doyle, Richard (born 1824, died 10 Dec. 1883), 4.

"Drawings by George Cruikshank prepared by him to illustrate an intended autobiography. Published for Sir Benjamin Ward Richardson by Chatto & Windus, 214 Piccadilly, London, January 21st, 1895," 59, 108.

"Drunkard (The), a Poem," by John O'Neill, with illustrations by George Cruikshank (London: Tilt & Bogue, 1842), 52, 55.

"Drunkard's (The) Children, a Sequel to The Bottle in eight plates, by George Cruikshank" (London: published July 1st, 1848, by David Bogue), 55, 57.

Dumas, Alexandre (_pere_), 94.

Du Maurier, George Louis Palmella Busson (born 6 March 1834, died 8 Oct. 1896), 43, 176, 196.

Dunstan, St., $122$, $123$. _See_ True.

Dussek, O.B. See _Fairy Songs_.

Dutton, Thomas. _See_ Monthly.

Education. _See_ Few.

Egan, Pierce (born 1772, died 1849), 46.

Ehrhart, S. D., 162. "1851: or The Adventures of Mr and Mrs Cursty Sandboys." _See_ World's.

Elizabeth, Princess (afterwards Queen of England), 85.

"Elysium (The) of Animals: A Dream. By Egerton Smith" (London: J. Nisbet, 1836. The etching by Geo. Cruikshank entitled _The Knackers_ [sic] _Yard, or the Horses_ [sic] _last home!_ here contains the notice "Licensed for Slaughtering Horses"), 220.

Etching, 236, 239.

"Every-Day (The) Book, or Everlasting Calendar of Popular Amusements, Sports, Pastimes, Ceremonies, Manners, Customs, and Events, Incident to each of the Three Hundred and Sixty-Five Days, in Past and Present Times," by William Hone (2 vols., London: Hunt & Clarke, 1826-7.) "The Table Book," by William Hone [2 vols., London: Hunt & Clarke, 1827-8.] is associated with "The Every-Day Book" in a collective title-page [1831], 85.

_Facing the Enemy_ (caricature published at Ackermann's Gallery, 1797-8. Mr A. M. Broadley has an impression of this caricature on which George Cruikshank has written "etched by Ik. Cruikshank not any by me G. Ck."), 12.

Fairies. _See_ "George Cruikshank's Fairy Library."

_Fairy (The)_ Ring, 160, 240.

"Fairy Songs and Ballads for the Young. Written, composed and dedicated to Her Royal Highness The Princess Royal, by O. B. Dussek. In Two Books" (London: D'Almaine & Co.), 155.

Falstaff, 48, 135. _See_ Life of Sir.

Farrow, G. E., 216.

_Fashion_, 7, 31-2, $33$, $37$. See _Monstrosities of 1816_, _Monstrosities of 1826_, _Mushroom_.

_Fat (The) in the Fire_, cut at end of "'Non mi Ricordo!' &c. &c. &c." (London: William Hone, 1820), 4.

"Few (A) Remarks on the System of General Education as prepared by the National Education League, by George Cruikshank, with a second edition of A Slice of Bread and Butter, upon the same subject, with cuts" (London: William Tweedie, 1870), 59.

Fielding, Henry, 183, 188. _See_ Adventures of Joseph, Illustrations of Smollett, Tom.

"Fireside Plate (The)," an etching for "Oliver Twist," 9.

_First (The) Appearance of William Shakespeare, on the stage of "The Globe," surrounded by part of his Dramatic Company, the other members coming over the hills._ (Designed by George Cruikshank, Jan. 1863. The drawing in the South Kensington Museum was done by our artist in 1864-5, and is "from the original water color drawing by George Cruikshank, in the possession of T. Morson, Esq., Junr." A replica of the design for Mr Morson was "printed in permanent pigments" by the Autotype Fine Art Co., Ltd., and published by them at 36 Rathbone Place, London. No. 10,081 of the George Cruikshank coll. at the South Kensington Museum is a smaller version of the same design with a different colour scheme signed "George Cruikshank, 1876"), 187. _See_ Royal Academy, 1867.

_Fitting out Moses for the Fair._ _See_ Royal Academy, 1830.

Fitzherbert, Mrs, 17, 22.

Flight, Edward G. _See_ True.

Flying Machines, 40.

Fores, S. W., publisher. 50 Piccadilly, boasted "an Exhibition of the compleatest Collection of Caricatures in Europe," 243.

Four-in hand Club. See _Dinner_.

Frankum, Richard, 148. _See_ Bee.

Frederick, Duke of York and Albany, second son of George III. (born 16 Aug. 1762, died 5 Jan. 1827), 23, 26. _See_ Clarke, Mrs Mary Anne; Osnaburg; _Return to Office_.

Frederick the Great, 74.

_French Musicians, or Les Savoyards_ (an etching. London: G. Humphrey, 16 June 1819), 100.

French Republic. See _Leader_.

Funnidos, Rigdum. _See_ Comic Almanack.

"Gentleman (The) in Black," by John Yonge Akerman (London: William Kidd, 1831), 60, 125.

"Gentlemen's (The) Pocket Magazine and Album of Literature and Fine Arts" (London: Joseph Robins, 1827-1829), 96.

George, Prince of Wales, afterwards George IV. (born 12 Aug. 1762, died 26 June 1830), 4, 8, 19, 22-26, 35, 133. See _Boney's Meditations_, _Coriolanus_, _Coronation_, _Fat_, _John Bull Advising_, _Kick_, _Meditations_, _Princely Agility_, _R[egen]t_, _Results_, Wright (Thomas).

"George Cruikshank's Fairy Library" (4 numbers, London: David Bogue, 1853, 1854, 1864), 57 and $153$ (Cinderella), 59, 74 (Hop o' my Thumb), 155-156, $157$, 159 (Jack and the Beanstalk).

"George Cruikshank's Magazine" (Edited by Frank E Smedley. London: D. Bogue, 1854, Jan. and Feb.), 39 (Passing Events), 44, 59, $217$, 224.

"George Cruikshank's Omnibus. Illustrated with one hundred engravings on steel and wood. Edited by Laman Blanchard, Esq." (London: Tilt & Bogue, Fleet Street, 1842. First issued in 9 monthly parts, the first for May 1841 the last for Jan. 1842). Frontispiece, 20, 35, 43, 216.

"George Cruikshank's Table Book" (Edited by Gilbert Abbott a Beckett. London: published at the Punch Office, 92 Fleet St., 1845. First issued in 12 monthly numbers from Jan. to Dec., 1845), 35, 40, 43, 147, $177$, 180 and $185$ (_The_ Lion of the Party), 223, 224.

"German Popular Stories, translated from the Kinder und Haus Maerchen, collected by M. M. Grimm from Oral Tradition" (London: C. Baldwyn, 1823, but issued 1822; vol. ii., London: James Robins & Co.; Dublin: Joseph Robins, Jun., & Co., 1826. The etchings were so skilfully imitated in Cruikshank's lifetime that he at first sight imagined the copies in question to be impressions from the lost plates etched by him), 144, $145$, 147, 152.

German Romance. _See_ Specimens.

Ghosts, 31, 59-60, 136, 139-140. _See_ Discovery.

Gibson, Charles Dana, 176.

Gil Blas, 199. _See_ Adventures of Gil.

Gillray, James (born 1757, died 1 June 1815), 7, 8, 11, 16-18, 21, 31, 166, $225$. _See_ Grego.

Glascock, Capt. (R.N.), 139. _See_ Land Sharks.

"Glass (The) and the New Crystal Palace. By George Cruikshank, with cuts" (London: J. Cassell), 58-59, $62$, $63$.

Goldsmith, Oliver, 183, 191. _See_ Illustrations of Smollett, Royal Academy 1830, Vicar.

Goles (=Golls, goll means hand), 23.

_Good (The) Effects of Carbonic Acid Gas_ (caricature published by S. W. Fores, 10 Dec. 1807), 31.

"Good (The) Genius that turned everything into gold, or, The Queen Bee and the Magic Dress, A Christmas Fairy Tale, by the Brothers Mayhew, with illustrations by George Cruikshank" (called on the paper cover, "Books for the Rail, the Road, and the Fireside. II. The Magic of Industry." London: David Bogue, 1847), 148, $149$, 150.

Gorey, 95.

Gould, Sir Francis Carruthers, 4.

"Greatest (The) Plague of Life: or The Adventures of a Lady in Search of a Good Servant. By One who has been 'almost worried to death.' Edited by the Brothers Mayhew. Illustrated by George Cruikshank" (London: David Bogue, 1847. First issued in 6 parts), 176, 219, $221$.

"Greenwich Hospital, a series of Naval Sketches, Descriptive of the Life of a Man-of-War's Man. By an Old Sailor," by M. H. Barker (London: James Robins & Co.; Dublin: Joseph Robins, Junr., & Co., 1826; first issued in four parts, Demy 4to), 95.

Grego, Joseph (author of "The Works of James Gillray, The Caricaturist, edited by Thomas Wright, Esq., M.A., F.S.A." [London: Chatto & Windus, 1873], also of "Rowlandson the Caricaturist" [2 vols., Chatto & Windus, 1880], Mr Grego died Jan. 24, 1908), 166. _See_ Oliver.

Grimaldi, Joseph (born 18 Dec. 1779, died 31 May 1837). _See_ Memoirs of Joseph.

Grimm, Jacob Ludwig Carl and Wilhelm Carl (brothers), 43, 144, 159. _See_ German.

Guy, 39 and 85 (Guys in Council, in "The Comic Almanack," 1838), 85 (Guy for "The Every-Day Book").

"Guy Fawkes; or, The Gun-powder Treason. An Historical Romance by William Harrison Ainsworth," (3 vols., London: Richard Bentley, 1841. It came out in "Bentley's Miscellany," vols. vii., viii., ix., x., 1840-1841), 85-86, 140.

"Guy Mannering," by Sir Walter Scott, $197$.

Hall, Samuel Carter. _See_ Old Story.

Hamilton, Walter, 112, 231. _See_ Memoir of.

Hancock Charles, 243. _See_ Handbook.

"Handbook (A) for Posterity: or Recollections of Twiddle Twaddle by George Cruikshank about himself and other people. A series of sixty-two etchings on glass with descriptive notes" (London: W. T. Spencer, 1896. The notes are by Charles Hancock), 243 (quoted).

Harley, Robert (Earl of Oxford, born 1661, died 21 May 1724), $91$.

Hastings, 107.

_Headache (The)_ (caricature published by G. Humphrey, 12 Feb. 1819), 166.

Henry VIII., 24, 90, $137$.

Hepenstall, Lieut., 94-95.

Hermit. _See_ Peeps.

Herne, 90, 135, 136, $137$.

Hertford, Marchioness of 4, 24. See _Coronation_.

"Historical (An) Account of the Campaign in the Netherlands in 1815," by William Mudford (London: Henry Colburn, 1847. The late Edwin Truman, M.R.C.S., as famous for his Cruikshank collection as for his success in purifying gutta-percha, states on the mount of the original etched plate of "The Battle of Waterloo," for this book, that he considers it the most valuable plate in his collection), 71.

"History (The) and Adventures of the Renowned Don Quixote: from the Spanish of Miguel De Cervantes Saavedra. By T. Smollett M.D. To which is prefixed a memoir of the author by Thomas Roscoe. Illustrated by George Cruikshank. In three volumes" (London: Effingham Wilson; Dublin: W. F. Wakeman; Edinburgh: Waugh & Innes, 1833; being vols. xiii., xiv., xv. of "The Novelist's Library, edited by Thomas Roscoe, with illustrations by George Cruikshank"), 199, $201$. _See_ Illustrations.

"History (A) of Egyptian Mummies, and an Account of The Worship and Embalming of the Sacred Animals by the Egyptians; with Remarks on the Funeral Ceremonies of Different Nations, and Observations on the Mummies of the Canary Islands, of the ancient Peruvians, Burman Priests, &c. By Thomas Joseph Pettigrew, F.R.S., F.S.A., F.L.S." (London: Longman, Rees, Orme, Brown, Green, and Longman, 1834), 244.

"History (The) of Jack and the Beanstalk, edited and illustrated with six etchings, by George Cruikshank" (London: David Bogue, 1854), 156, 159.

"History of the Irish Rebellion in 1798; with memoirs of the Union, and Emmett's Insurrection in 1803. By W. H. Maxwell, Esq." (London: Baily, Brothers, Cornhill, 1845; first published in 15 parts), 93.

Hoffmann, Ernst Theodor Wilhelm, author of "Meister Floh" (Master Flea), which George Cruikshank illustrated in "Specimens of German Romance" (vol. ii., 1826), 151.

Hogarth, William (born 1697, died 26 Oct. 1764), 8, 77, 78, 243.
_See_ Trusler.

Hone, William (born 1779, died 6 Nov. 1842), 28, 35.
_See_ Every-Day, Non, Queen's.

Hood, Thomas (born 1798, died 3 May 1845), 165.

"Hop-o'-my-Thumb and The Seven-League Boots. Edited and illustrated with six etchings by George Cruikshank" (London: David Bogue, 1853), (No. I of "George Cruikshank's Fairy Library"), 74, 156.

Hoskyns, C. W, 208.
_See_ Talpa.

"House and Home," Part VIII, New Series, Oct. 1882 (No. for Sept. 29, 1882. London E. C.)., 69.

Humour, 165.

"Humourist (The), A Collection of Entertaining Tales, Anecdotes, Epigrams, Bon Mots [_sic_], &c. &c." (4 vols, London: J. Robins & Co, 1819-1820. First issued in numbers), 35, 72-73, 179, $205$, 209, 211, 213.

Humphrey, H., publisher, 20.

Hunt, Robert. _See_ Popular.

Hyde Park, 3, 171.

"Illustrations of Don Quixote, in a series of fifteen plates, designed and etched by George Cruikshank" (London: Charles Tilt, 1834), 199-200, $201$.

"Illustrations of Popular Works. By George Cruikshank" (Part I., without successor. London pub. for the Artist by Longman, Rees, Orme, Brown & Green, 1830. George Cruikshank dedicates this work to H.R.H. Prince Augustus Frederick, Duke of Sussex), 116, 191-192, $193$. _See_ Beauties.

"Illustrations of Smollett, Fielding, and Goldsmith, in a series of forty-one plates, designed and engraved by George Cruikshank. Accompanied by descriptive extracts" (London: Charles Tilt, 1832), 188, $189$.

"Illustrations of Time. By George Cruikshank" (London: published May 1st, 1827, by the Artist, 22 Myddelton Terrace, Pentonville), 184, $225$.

_Imperial (The) Family Going to the Devil_ (caricature published 1 March 1814, by T. Hughes, Ludgate Hill), 19.

"Impostor (The) Unmasked; or, the New Man of the People, with anecdotes, never before published [_sic_], illustrative of the character of the renowned and immaculate Bardolpho Inscribed without permission, _to that superlatively honest and disinterested Man_, R. B. S-r-d-n, Esq." (London: Tipper & Richards, 1806. Bardolph was a nickname of R. B. Sheridan), 15.

Inglis, Henry David (died 20 March 1835), 200. _See_ Rambles.

"Ingoldsby (The) Legends or Mirth and Marvels, by Thomas Ingoldsby, Esquire" (London: Richard Bentley, 1840, 1842, 1847. The author was Rev. Richard Harris Barham), $117$, 119, 175 (Lady Jane).

_Interior View of Hayloft, etc., in Cato Street, occupied by the Conspiratars_ (etching published by G. Humphrey, 9 March 1820).

_"Interior View of the House of God"_ (caricature published in "The Scourge," 1 Nov. 1811), 27.

Ireland, 93-95.

Irish Rebellion. _See_ History of the.

Irving, Washington. _See_ Beauties.

"Italian Tales. Tales of Humour, Gallantry, and Romance, selected and translated from the Italian, with sixteen illustrative drawings by George Cruikshank" (London: Charles Baldwyn, Newgate St., 1824. The words "Italian Tales" are not printed on the title-page of the second edition. The suppressed plate is _The Dead Rider_, not to be confounded with the etching of the same title, representing two friars, each on horseback), 166.

Jack and the Beanstalk. _See_ History of Jack.

"Jack Sheppard. A Romance. By W. Harrison Ainsworth, Esq." (3 vols., London: Richard Bentley, 1839), 77-78, $79$, $80$, 104.

Jenner, Edward (M.D., born 1749, died 1823), 31.

Jerrold, Blanchard, author of "The Life of George Cruikshank in two epochs" (new ed., London: Chatto & Windus, 1898), 46, 231.

Jerrold, Douglas William (born 3 Jan. 1803, died 8 June 1857), 165.
_See_ Cakes.

Jersey, Frances, Countess of, 4.

Johannot, Tony (born 9 Nov. 1803, died 4 Aug. 1852), 89.

_John Bull Advising with his Superiors_ (print pub. by S. W. Fores, 3 April 1808), 23.

_John Bull's Three Stages, or from Good to Bad, and from Bad to Worse_ (caricature published in "The Scourge" for March 2, 1815), 27.

_Johnny Bull and his Forged Notes!! or Rags and Ruin in the Paper Currency!!!_ (caricature published Jan. 1819 by J. Sidebotham, 287 Strand), 28, $29$.

"Journal (A) of The Plague Year; or Memorials of the Great Pestilence in London, in 1665. By Daniel De Foe" (London: John Murray, 1833), 96, $97$, 104.

_Juliet and the Nurse_ (In Reid 2732, George Cruikshank coll., British Museum, are included a plain and a coloured lithograph signed "G. Ck. fect. 1815." In MS. below each design are the words "Juliet and the Nurse. Pubd. by G. Cruikshank, 117 Dorset St., City, 1815." The nurse is enormous and seated; Juliet stands behind her at left. Reid 2733, a coloured unsigned, undated lithograph without publisher's name, has a printed footline--"Juliet and the Nurse." Juliet stands at the right of the nurse and there is a curtain at left. The figures are the same as in Reid 2732, and Reid says that the design [Reid 2733] is copied from a Spanish sketch or etching), 184.

_Juvenile Monstrosities_ (caricature published by G. Humphrey, 24 Jan. 1826. Reprinted in "Cruikshankiana"), 32, $33$.

Karslake, Frank, 107.

Kean, Edmund, 184.

Keene, Charles Samuel (born 10 Aug. 1823, died 4 Jan. 1891), 43.

_Kick (A) from Yarmouth to Wales; or The New Rowly Powly_ (print pub. by J. Johnston, 1812. A publication exists entitled "R-y-l Stripes, or, a Kick from Yar-h to Wa-s" [London E. Wilson, 1812]), 24.

Kidd, William, 60.

"Kit Bam's Adventures, or, the Yarns of an Old Mariner. By Mary Cowden Clarke" (London Grant & Griffith, 1849), 152.

_Knacker's (The) Yard_, 220. _See_ Elysium, Voice.

Konigsmark, 74.

_Ladies Buy your Leaf!!_ (caricature by G. Cruikshank, pub. July 1822 by Fairburn, Broadway: Irish Chairman), 171.

Lambert, Daniel, 73.

Lambeth, 86.

"Lambkin, Mr." _See_ Bachelor's.

Landells, C. (wood-engraver The only Landells famous as a wood-engraver in Cruikshank's working-life is Ebenezer Landells, born 13 April 1808, died 1 Oct. 1860 Therefore, though "C. Landells" is on the title-page of "The Gentleman in Black" [1831], I suggest that the cuts facing pp. 53, 95, of which the latter is clearly signed "Landells" _tout court_, are by Ebenezer Landells), 126.

Landells, Ebenezer. _See_ Landells, C.

Landscape-Historical Illustrations of Scotland, and the Waverley Novels from drawings by J. M. W. Turner, Professor, R.A., Balmer, Bentley, Chisholm, Hart, A.R.A., Harding, McClise, A.R.A., Melville, etc. etc. Comic Illustrations by G. Cruikshank. "Descriptions by the Rev. G. N. Wright, M. A., &c." (2 vols, Fisher, Son, & Co., London, Paris, and America, 1836-8. Cruikshank's etchings appear in the same publisher's edition in 48 vols. of "Waverley Novels" [1836-8] and they are dated 1836, 1837, 1838), $169$, 175, 192, $197$, $237$.

Landseer, Charles, 240.

"Land Sharks and Sea Gulls" By Captain Glascock, R.N. (3 vols, London: Richard Bentley, 1838), 139, 191.

Lang, Andrew, 231.

Latham, O'Neill, 162.

Layard, George Somes, author of "George Cruikshank's Portraits of Himself" (London: W. T. Spencer, 1897), 15, 35, 120, 247.

_Leader (The) of the Parisian Blood Red Republic of 1870, or The Infernal Fiend_ (caricature designed, etched and published by George Cruikshank, June 1871), 3.

"Legend (A) of the Rhine," 196.

Leloir, Maurice, 94.

Le Sage, Alain Rene, 183. _See_ Adventures of Gil.

Lever, Charles James (born 1806, died 1872), 196.

"Life (The) and Surprising Adventures of Robinson Crusoe, of York, Mariner. With introductory verses by Bernard Barton, and illustrated with numerous engravings from drawings by George Cruikshank, expressly designed for this edition" (2 vols, London John Major, 1831), $241$.

"Life in London, or, the Day and Night Scenes of Jerry Hawthorn, Esq. and his elegant friend Corinthian Tom, accompanied by Bob Logic, the Oxonian, in their Rambles and Sprees through the Metropolis By Pierce Egan, author of 'Walks through Bath,' 'Sporting Anecdotes,' 'Pictures of the Fancy,' 'Boxiana,' &c. Dedicated to his most gracious majesty King George the Fourth Embellished with thirty six scenes from real life, designed and etched by I. R. and G. Cruikshank, and enriched also with numerous original designs on Wood, by the same Artists" (London: Sherwood, Neely, & Jones, 1821 First issued in 12 monthly parts, the first on 2 Oct 1820 the last in July 1821), 46-47 $49$, 67.

"Life in Paris, comprising the Rambles Sprees and Amours of Dick Wildfire, of Corinthian Celebrity, and his Bang-up Companion, Squire Jenkins and Captain O'Shuffleton, with the whimsical Adventures of the Halibut Family, including Sketches of a Variety of other Eccentric Characters in the French Metropolis By David Carey Embellished with Twenty one Coloured Plates, representing Scenes from Real Life designed and engraved by George Cruikshank Enriched also with Twenty two Engravings on wood drawn by the same Artist, and executed by Mr White" (London: John Fairburn, 1822. It was issued in parts), 46-47.

"Life (The) of Mansie Wauch Tailor in Dalkeith, written by himself. A new Edition revised and greatly enlarged With eight illustrations, by George Cruickshank [_sic_] William Blackwood & Sons, Edinburgh and Thomas Cadell, London, 1839" (The author is David Macbeth Moir), 175.

"Life (The) of Napoleon, a Hudibrastic Poem in fifteen cantos by Doctor Syntax, embellished with thirty engravings by G. Cruikshank" (London: T. Tegg, III. Cheapside, Wm. Allason, 31 New Bond Street, and J. Dick, Edinburgh, 1815 Until H. R. Tedder wrote in "Dictionary of National Biography" that "The Life of Napoleon" had been "wrongfully ascribed," the author was generally supposed to be William Combe, who wrote "The Tour of Doctor Syntax in Search of the Picturesque," etc.), 21 (_The Red Man_), 71-72.

"Life (The) of Sir John Falstaff. Illustrated by George Cruikshank. With a biography of the knight from authentic sources by Robert B. Brough" (London: Longman, Brown, Green, Longmans, and Roberts, 1858. First issued in 10 monthly parts, 1857-8), 184.

Lilla (A long eared spaniel In the South Kensington Museum is a pretty pencil sketch, 9784 F, entitled _George, Cruikshank's Godson, George Cruikshank Pulford, and his dear little pet dog Lilla_, and another pencil sketch, 9611 B, entitled _My little pet dog Lilla_), 223.

Lines. See _Striking_.

Linse, Jan, 171.

Locker-Lampson, Frederick, 159-160.

London 36, 46, 47, 96-107.
_See_ Life in London.

London Hermit. _See_ Peeps.

Lottery Print, 15. See _Children's Lottery_.

Louis XVIII. (born 1755, died 1824), 7. See _Old Bumble-head_.

Lowell, James Russell, 234.

"Loving (The) Ballad of Lord Bateman, with XI Plates by George Cruikshank" (London: Charles Tilt, Constantinople, Mustapha Syried, 1839. G. Cruikshank's drawing [for his contemplated autobiography] entitled "The Loving Ballad of Lord Bateman," appears in "Drawings by George Cruikshank" [1895. _See_ Drawings]), $229$, 231-232.

"Loyalist's (The) Magazine." _See_ Caroline.

Mackay, Dr Charles, 55.

Maclise, Daniel (died April 1870), 239.

Magdalen See _Woman_, 27.

_Making Decent!!_ (Caricature published by G. Humphrey, 8 Aug. 1822. Invented by Capt. Marryat whose signature is an anchor. G. Cruikshank, fect.), 171.

Mansie Wauch. _See_ Life of Mansie.

Marchmont, Frederick. _See_ Cigar, Three Cruikshanks.

Marlborough, John Churchill, Duke of (born 1650, died 1722), 90.

Marryat, Capt. Frederick (born 10 July 1792, died 2 Aug. 1848), 95, 166, 171. See _Making_, Progress.

Mary I., Queen of England, $83$.

Mathew, Father Theobald (born 1790, died 1857), 48.

Maxwell, William Hamilton, 93, 219. _See_ History of the.

Mayhew, The Brothers, $149$, 151. _See_ Good Genius, Greatest.

Mayhew, Henry. _See_ World's.

_Mayor (The) of Hole-cum-Corner_ (frontispiece to vol. 1. of Douglas Jerrold's "Cakes and Ale" [1842]), 204.

_Meditations Amongst the Tombs_ (print pub. 1 May 1813, by J. Johnston), 24.

"Melange (The), a variety of Original Pieces in Prose and Verse; comprising the Elysium of Animals. Illustrated by engravings." (By Egerton Smith. Liverpool: Egerton Smith & Co., 1834), 220.

Melville, H., 120.

"Memoir (A) of George Cruikshank, Artist and Humourist. With numerous illustrations and a L1 Bank Note. By Walter Hamilton, F.R.G.S." (London: Elliot Stock, 1878. Students should get the 2nd edition, also dated 1878, which contains additional matter), 112, 231.

"Memoirs of Joseph Grimaldi. Edited by 'Boz.' With illustrations by George Cruikshank In two volumes" (London. Richard Bentley, 1838), 195.

"Memoirs of the Life and Writings of Lord Byron. By George Clinton, Esq." (London: James Robins & Co., 1825. Two editions are of this date; one has 43 plates, the other 40), 134, 195.

"Merry (The) Wives of Windsor" 191.

"Meteor (The), or Monthly Censor" (vol 1 and 2 Nos of vol ii, London: printed by W. Lewis, and sold by T. Hughes 1814), 35, 129.

Meynell, Mrs Alice (author under her maiden name of "A Bundle of Rue: Being Memorials of artists recently deceased I. George Cruikshank" This chapter appeared in "The Magazine of Art," March 1880), 35.

Michelangelo, 120.

"Midsummer Night's Dream." _See_ Royal Academy, 1853.

Miller, Henry, 160.

Milton, John, 119.

"Minor Morals for Young People. Illustrated in Tales and Travels. By John Bowring. With engravings by George Cruikshank and William Heath" (London: Whittaker & Co., 1834. The same publishers in 1835 issued Part II of this work illustrated by George Cruikshank alone, who also is the sole illustrator of Part III issued in Edinburgh by William Tait, in London by Simpkin, Marshall & Co., and in Dublin by John Cumming, 1839), 133.

Miser's (The) Daughter. A Tale by William Harrison Ainsworth (3 vols., London: Cunningham & Mortimer, 1842), 86, $87$, 88.

Moir, David Macbeth (born 1798, died 1851). _See_ Life of Mansie.

Monstrosities. See _Juvenile, Mushroom_.

_Monstrosities of 1816, scene, Hyde Park_ (caricature by G. Cruikshank pub. by H. Humphrey, 12 March 1816), 7.

Monstrosities of 1822 (caricature by G. Cruikshank, pub. by G. Humphrey Pub. 19 Oct. 1822), 7.

"Monthly (The) Theatrical Reporter, or Literary Mirror," by Thomas Dutton, A. M. (London: J. Roach. 1814-15), 184.

Moore, Dr A., 71. _See_ Annals.

Moore, Julian, 89. _See_ Three Cruikshanks.

Moore, Thomas, 19.

"More Mornings at Bow Street. A new Collection of Humourous and Entertaining Reports, by John Wight of the _Morning Herald_, with twenty five illustrations by George Cruikshank" (London: James Robins & Co., 1827), 47.

Mornings at Bow Street: a Selection of the most humourous and entertaining reports which have appeared in the _Morning Herald_, by Mr Wight (Bow Street: Reporter to the _Morning Herald_) with twenty-one illustrative drawings by George Cruikshank (London: Charles Baldwyn 1824), 47. _See_ Thompson, John.

"Mother Hubbard and her Dog," a Banbury Chap-Book designed by George Cruikshank (early work) and engraved by Branston, 155.

_Mother's (A) Love._ _See_ Three.

Mottram, Charles, engraver (born 9 April 1807, died 30 Aug. 1876). See _Worship of Bacchus or._

_Mrs Clark's Petticoat_ (caricature published by S. W. Fores, 23 Feb. 1809), 26.

Mudford, William, 71. _See_ Historical.

Mummies. _See_ History of Egyptian.

Munchausen. _See_ Travels and.

_Mushroom Monstrosities_ (caricature published by G. Humphrey, 24 Jan. 1826. Reprinted in "Cruikshankiana)," 7.

"My Sketch Book," by George Cruikshank (9 numbers published by George Cruikshank, 23 Myddelton Terrace, Pentonville, 1834, 1835, 1836), 60, 108, 211, 219-220.

Nagler, Dr., 65.

Nairs. See _Coronation_.

Napier, Gen. Sir Charles James, G.C.B. (born 10 Aug. 1782, died 29 Aug. 1853), 103.

Napier Gen. Sir William Francis Patrick (born 17 Dec. 1785, died 10 Feb. 1860). _See_ Pop-Gun.

Napoleon Buonaparte (born 15 Aug. 1769, died 5 May 1821), 3, 17-21, 71-72, 133, 159. See _Blucher_, _Boney_, _Boney's_, _Boney Tir'd_, _Imperial_, _Life of Napoleon_, _Napoleon's_, _Old Bumble-head_, _Peddigree_, _Phenix_.

_Napoleon's Trip from Elba to Paris, and from Paris to St Helena_ (caricature by G. Cruikshank appearing in "The Scourge" for Sept. 1815).

Netherlands. _See_ Historical.

Nevison, 77.

"New (The) Bath Guide; or Memoirs of the B-n-r-d Family, in a series of Poetical Epistles: by Christopher Anstey, Esq.... A new edition: with a biographical and topographical preface, and anecdotal annotations, by John Britton, F.S.A., and member of several other societies. Embellished with engravings" (London: Hurst, Chance & Co., 1830), 175.

Newcastle, Duke of, 91.

Newton, Sir Isaac, 74.

_New (The) Union Club. Being a representation of what took place at a celebrated dinner given by a celebrated Society--vide Mr M-r-t's Pamphlet, More Thoughts, etc. etc_ ([J]--G Cruikshank sculpt. Pub. 19 July 1819, by G. Humphrey. In Capt. R. J. H. Douglas's opinion this is "the chef d'oeuvre of George Cruikshank's Caricatures." It did not impress me particularly. It humourously satirises William Wilberforce's Anti-Slavery Movement).

Nield, W. A., 213.

"'Non Mi Ricordo!' &c. &c. &c." (London: William Hone [the author], 1820). _See_ Fat in the Fire, also 25.

Nottage, George S. (the letter referred to is in the George Cruikshank coll., South Kensington Museum, and is dated July 25, 1874, from the London Stereoscopic Co.), 212.

O'Hara, Kane. _See_ Tom.

_Oil (The) painting of "The Worship of Bacchus," 13 feet 4 by 7 feet 8, being conveyed to the National Gallery Department of the British Museum_, April 8, 1869, 66.

_Old Bumble-head the 18th trying on the Napoleon Boots, or Preparing for the Spanish Campaign_ (caricature by G. Cruikshank, pub. by Jno. Fairburn, 17 Feb. 1823), 7.

Oldcastle, Sir John, 184.

Old Sailor. _See_ Barker, M. H.

"Old (The) Sailor's Jolly Boat. Laden with Tales, Yarns, Scraps, Fragments, &c. &c. To Please all hands; Pulled by Wit, Fun, Humor, and Pathos, and steered by M. H. Barker" (London: W. Strange; Nottingham: Allen; Leicester: Allen, 1884, first appeared in 12 parts commencing 1 May 1843), 95, 175.

"Old (An) Story, by S. C. Hall, F.S.A., &c." (London: Virtue, Spalding, & Co., 1875. To this vol. George Cruikshank contributed his "last temperance piece"--_The Last Half Hour_, engraved by Dalziel Brothers), 69.

"Oliver Twist. By Charles Dickens" (3 vols., London: Richard Bentley, 1838. The first issue of the first edition contains the etching entitled "Rose Maylie and Oliver" known to collectors as "the Fireside plate," which Dickens disliked so much that in Oct. 1838 he wrote to Cruikshank asking him if he would object to design the plate afresh the result being the etching of Rose and Oliver contemplating the memorial tablet to Agnes. Nevertheless Cruikshank made a water colour drawing of "the Fireside plate," which was published in "Cruikshank's water colours with introduction by Joseph Grego," published by A. & C. Black early in 1904--the date on title page being 1903), 9 ("fireside plate") 60, 99 (Mr Bumble), 103-104.

O'Meara, Dr., 27.

O'Neill, John, 52. _See_ Drunkard.

_On Guard._ _See_ Royal Academy, 1858.