Chapter XXIX: Book III: Rêverie, Intermezzo, Adagio. Valse noble. (7382 c)

Twelve pleasing and graceful teaching pieces, also in
separate Nos.

— Idylle in D.

— Op. 190, No. 7. “Under the Village Lime-Tree”.

— Andantino in B flat, from the Sonatina, Op. 134, No. 2.

=Handel, G. F.= 2 Suites, arranged by G. Jensen:—

No. 1 in D. (7378 a)
No. 2 in E minor. (7378 b).

Jensen has been particularly happy in the selection of
the pieces which form these Suites and his thorough
knowledge of the great master’s style has enabled him to
provide accompaniments which breathe Handelian spirit,
and are in themselves full of interest.

— Adagio religioso ed Allegro (Jensen, V. 19).

— Sonata III. (A maj.). Arr. by F. Hermann. (7376).

— Sonata XII. (F. maj.). (Dr. Riemann.) (7502).

— Sonatas for Flute with Basso continuo, arranged; with
marks of expression by Gustav Jensen. (7385).

— Sarabande. (M.F. 96).

=Hartog, Henri.= Les Cloches. 5me Morceau de Salon.

=Haydn, J.= Serenade. (Jensen. V. 2).

— Adagio recitativo. (Jensen. V. 3).

— Ox Minuet. (M.F. 43).

=Hauptmann.= Sonata. Op. 6. (F. Hermann.) (7383).

=Hauser.= Die Plume (Preghiera). (M.F. 55).

— Dorflied. (M.F. 56).

=Heim, Ernst.= Abendlied (Evening Song).

=Hennessy, Swan.= Op. 7. “In the Mountains”.

Two poetical little pieces entitled “Mittagsstille” (Noon),
and “Zwiegespräch” (Duet in Canon).

=Henkel, H.= Sicilienne.

=Henselt, A.= La Fontaine. (M.F. 35).

=Hermann, F.= Sonatina in G. (7389 a).

— Op. 28, No. 2. Sonatina in D. (7390 a).

— Dance Movements from the works of Great Masters.

The following are suitable for this Step:—

Bach, Sarabande. (7387 a).
Cherubini. Ballet music. (7387 h).
Handel, Scherzo. (7387 b).
Gluck, Musette. (7387 l).

=Hoffmann, J.= Cantilena in A.

=Hofmann, Richard.= Op. 78. 4 Pieces:—Scherzino,
Romance, Gavotte. Minuet.

— 8 Vortragsstücke. Op. 103:—No. 1. Intermezzo. 5.
Berceuse.

— Three Short Pieces, Op. 110; No. 3. Scherzo.

— Wiegenlied (E. Heim).

=Hofmann.= Potpourris on popular Melodies from
classical and modern operas and oratorios.

Balfe. The Bohemian Girl. (5420 c).
Beethoven. Egmont. (5421 c).
Beethoven. Fidelio. (5422 c).
Donizetti. L’Elisire d’amore. (5423 c).
Donizetti. Lucrezia Borgia. (5424 c).
Gluck. Iphigénie en Aulide. (5425 c).
Handel. Judas Maccabaeus. (5426 c).
Kreutzer. Das Nachtlager in Granada. (5427 c).
Marschner. Hans Heiling. (5428 c).
Mendelssohn. A Midsummer Night’s Dream. (5429 c).
Mendelssohn. Elijah. (5430 c).
Meyerbeer. Les Huguenots. (5431 c).
Meyerbeer. Le Prophète. (5432 c).
Mozart. Le Nozze di Figaro. (5433 c).
Nicolai. Die lustigen Weiber von Windsor. (5434 c).
Wallace. Maritana. (5435 c).
Weber. Oberon. (5436 c).
Weber. Preciosa. (5437 c).

=Holländer, G.= Op. 3. Spinnerlied.

=Jansa, L.= Op. 54. Concertino. (7391).

— “Les Fleurs des Opéras”, edited and fingered by
Courvoisier. 20 Bks. (7441-7460).

— Second Series. 7 Books. (7463-7469).

=Jensen, A.= Ländler. (M.F. 8).

=Jensen.= Wanderbilder. 2 Bks. (2129 a, b).

Nos. 7, 10, 11 of these charming pieces belong to III.

=Kayser.= 36 Elementary and Progressive Studies, Op. 20
(introductory to those of Kreutzer), revised by E. Heim.

Books I and II. (7397 a, b).