Chapter XXXVIII: Book XC: Supplement to Rooks A and B

Concert Pieces in the virtuoso style by
Moszkowski and Vieuxtemps. (11480 c).

Palaestra, a collection of graduated pieces, revised by
Ernst Heim, offers the most suitable material for the
study of style and phrasing; each book corresponds in
difficulty with the same book of his Violin Duets,
“Arena”, see page 127, and his Violin Studies, “Gradus
ad Parnassum”, see page 118.

=Bach.= Chaconne. (2474).

This edition of Bach’s great work is of special interest
and value, as in it the accompaniments provided by
Mendelssohn and Schumann may be compared.

— Adagio and Fugue from 5th Violin Sonata. (B. Molique.)
(9401 a).

=Brahms, J.= Op. 77. Concerto.

=Bruch, M.= Op. 26. Concerto in G minor.

=Dancla, C.= Op. 50. Romance and Bolero.

A favorite and brilliant piece.

— Op. 53. Élégie et Barcarolle.

=David, Ferd.= Andante et Scherzo capriccioso. Op. 16.
(E. Heim.) (7348).

=Ernst, H. W.= Fantaisie brillante sur la Marche et
la Romance d’Otello de Rossini. Op. 11. (Ernst Heim.)
(11401).

— Op. 22. Hungarian Melodies. (2849).
— Op. 23. Concerto in F minor. (2850).

=Hauser.= Op. 34. Bird on the tree. (2565).

=Joachim, J.= Op. 11. Hungarian Concerto.

=Laub.= Op. 8. Polonaise. (Wilhelmj). (1093 b).

=Paganini.= First Concerto in E flat. (1991).

— Le Streghe (Witches’ Dance).

— Le Carnaval de Venise.

— I Palpiti.

— Celebrated Compositions. (1990).

=Rubinstein.= Op. 46. Concerto in G major. (1339).

=Sarasate, M.= Airs Espagnols.

=Spohr, L.= 7th Concerto in E minor.

— 8th Concerto in A minor (Gesangscene).
— 9th Concerto in D minor.

=Vieuxtemps.= Fantaisie sur Norma. Op. 18. (2573).

— Second Concerto in F♯ min. Op. 19.
(2574).

— 6 Morceaux de Salon. Op. 22:—

No. 1. Morceau brillant. (7594 a).
No. 2. Air varié. (7594 b).
No. 4. Souvenir du Bosphore. (7594 d).
No. 5. Tarentelle. (7594 e).
No. 6. L’Orage. (7594 f).

— Concerto in D min. Op. 31.

— La Chasse. Op. 32, No. 3 (Hermann). (11753).

— St. Patrick’s Day. Popular Melody. Op. 33, No. 2. (7497).

— Ballade et Polonaise. Op. 38. (7593).

=Wieniawski, H.= Polonaise de Concert. Op. 4.
(R. Scholz). (7491).

— Souvenir de Moscou. Airs Russes. Op. 6. (R. Scholz).
(7499).

— Capriccio-Valse. Op. 7. (Fr. Hermann). (11771).

— Romance sans Paroles. Op. 9. (Fr. Hermann). (11772).

— Carnaval Russe. Op. 11. (Fr. Hermann). (11773).

— Scherzo-Tarantelle. Op. 16. (Fr. Hermann). (11774).

String Trios.

Three Violins.

=Hermann, Fr.= The First Practice in Ensemble Playing.
32 Short Pieces, arranged. 2 Books. (5291 a, b). Ib.

=Hofmann, Richard.= 4 Pieces in an easy style for the
use of Music-schools, Academies, etc. Op. 104. (5292). III.

=Lachner, Ignaz.= 3 Sonatinas. Op. 92:—II.

No. 1, in B flat major. (5293 a).
2, in G major. (5293 b).
3, in A. (5293 c).

=Wohlfahrt, F.= Op. 88. Melodic pieces. 2 Bks. I.

=Wichtl.= 3 Trios. Op. 79. II.

Two Violins and Violoncello.

=Corelli, Arcangelo.= Œuvres revues par J. Joachim et
F. Chrysander. (In Score.) 8vo.:—

Livre I. Op. 1. 12 Sonate da Chiesa a tre (Du Violini, e
Violone, o Arcileuto col Basso per l’Organo). In Roma,
1683. Op. 2:—12 Sonate da Camera a tre (Due Violini, e
Violone, o Cembalo). In Roma, 1685. (4936 a). II.

Livre II. Op. 3. 12 Sonate da Chiesa a tre (Due Violini, e
Violone, o Arcileuto col Basso per l’Organo). In Modena,
1689. Op. 4. 12 Sonate da Camera a tre (Due Violini, e
Violone, o Cembalo). In Bologna, 1694. (4936 b). II.

— 6 Sonate da Camera a tre (due Violini, e Violone,
o Cembalo). Opera IV. Arranged for 2 Violins and
Violoncello (in parts), with all necessary indications
for the mode of executing, for bowing and fingering by
Gustav Jensen. (5303). I and II.

=Gurlitt, Cornelius.= Op. 105. Ouverture des
Marionettes. (7312). II.

— Op. 137. “Commedietta” Ouverture. (5310). II.

— Our Favourite Tunes. (5345). I.

=Handel.= Zwei Suiten nach Händel’schen
Original-Compositionen herausgegeben von Gustav Jensen.
(5312). II.

=Herrmann, E.= Petites Variations faciles. Op. 13. (5332). Ib.

=Pleyel, I. J.= Œuvres. Arrangées par F. Hermann:—

— Op. 8. Six Trios. (7305). I.
— Op. 44. 3 Trios. (5353). III.
— Op. 48. Six Sonatinas. (5354). II and III.

=Reinecke, C.= Toy symphony (with 9 toy instruments). (7115). II.

=Wanhal.= 15 Trios Faciles. (5360). I.

Two Violins and Viola.

=Hofmann, Richard.= Op. 112. Trio. (5323). II and III.

Violin, Viola, and Violoncello.

=Pleyel, I. J.= Op. 44. 3 Trios. (5365). II and III.

=Haydn.= Op. 53. 3 Trios. III.

=Mozart.= Divertimento. Op. 19. III and IV.

=Beethoven.= Op. 8, 25. Serenade and Trios. IV.

Pianoforte Trios.

Piano, Violin, and Violoncello.

=Barnett, John Francis.= Trio. Op. 49, in C minor.
(9299). IV.

=Beethoven.= 6 Quartets. Op. 18. Arranged by F.
Hermann. 6 Books. (9291-96). IV.

=Beethoveniana.= Extraits des Sonates pour Piano de
Beethoven arrangés par Fr. Hermann:—

Livre A. Op. 7; Op. 10, No. 2; Op. 26; Op. 27, No. 2.
(7242 a). III.

Livre B. Op. 10, No. 3. Complete. (7242 b). III.

Livre C. Op. 2. No. 3; Op. 13; Op. 14. No. 2; Op. 31.
No. 3. (7242 c). III.

=Bennett, W. Sterndale.= Chamber Trio. Op. 26. (9659). III.

=Brahms, Johannes.= Trio. Op. 8. (7246). V.

=Dancla, J. C.= 12 Mélodies. Arr. by Cornelius Gurlitt. (7248). Ib.

=Dussek. J. L.= Favourite Sonata. Op. 37. (7249). II.

=Ellerton.= Trio, in A. Op. 27. (9304). III.

— Trio, in G. Op. 45. (9305). II.

— Trio, in E minor. Op. 46. (9306). II.

— Trio, in C minor. Op. 47. (9307). II.

— Trio, in F. Op. 48. (9308). II.

=Gade, Niels.= Novelletten. Op. 29. (7257). IV.

— Trio. Op. 42. (7256). IV.

=Gurlitt. C.= Op. 105. Ouverture des Marionettes.
(7258) II.

— Op. 137. “Commedietta” Ouverture. (7261). II.

— Our Favourite Tunes. Arranged by F. Hermann. (9310). Ia and b.

— Op. 181. Miniature Trio. (7259). II.

The same refinement of conception which characterises all
Gurlitt’s compositions pervades also this work which on
account of its simplicity is very suitable for beginners.

— Op. 129. Trio im leichten Style. (7260). II.

Happily conceived for youthful minds. The composer has been
wise in giving as much importance and melodic interest
as possible to every instrument.

— Op. 171. Third Trio (im leichteren Style). (7255). III.

The technique of this Trio makes greater demands than
Op. 129, but the brilliant spirit pervading this work which
appeals to slightly more advanced pupils, will amply
repay its study.

=Hennessy, Swan.= Lieder an den Mond: 1. Um
Mitternacht; 2. In der Frühe; 3. Am Abend. Op. 10. (9309). Ib.

=Hermann, F.= Sonatine en sol majeur. (7389 b). Ib.

— Sonatine en ré majeur. (7390 b). II.

=Horsley.= Trio in A. Op. 7. (9660). IV.

=Hudson, J. W.= Trio in D. (7263). II.

=Ivimey, J. W.= Trio. Op. 1, in D. (7262). IV.

An excellent Op. 1. Interesting subjects well developed.

=Kalliwoda.= 1st Grand Trio in F minor. Op. 121. (9661). IV.

=Kreuz, Emil.= Trio facile. Op. 31. (7264). I.

=Mayseder.= 4th Grand Trio, in G. Op. 59. (9662). V.

=Meyer, L.= Trios faciles (Kinder-Trios):—

No. 1, in G. (9317 a). Ib.
2, in G. (9317 b). Ib.
3, in F. (9317 c). Ib.

These are not only easy and excellent in form, but their
contents appeal to youthful minds, and they are invaluable
to awaken the love for chamber music in children.

=Molique.= 1st Trio, in B flat. Op. 27. (9663). IV.

=Pleyel, I. J.= Œuvres arrangés par F. Hermann:—

— Op 8. Six Trios. (7272). I.
— Op. 48. Six Sonatinas. (5261). II and III.

=Potpourris= on Popular Melodies from classical and
modern Operas and Oratorios. Arranged by R. Hofmann.
45 Books.

Series I. (in the first position). I and II.

Le Postillon. (5401 e).
La Sonnambula. (5402 e).
Norma. (5403 e).
Le Calife de Bagdad. (5404 e).
La Dame Blanche. (5405 e).
La Fille du Régiment. (5406 e).
Lucia di Lammermoor. (5407 e).
Orpheus. (5408 e).
The Messiah. (5409 e).
The Creation. (5410 e).
Zampa. (5411 e).
Wildschütz. (5412 e).
Czar und Zimmermann. (5413 e).
Joseph. (5414 e).
St. Paul. (5415 e).
Il Seraglio. (5416 e).
Il Flauto Magico. (5417 e).
Don Giovanni. (5418 e).
Der Freischütz. (5419 e).

Series II. (in various positions). II and III.

The Bohemian Girl. (5420 e).
Egmont. (5421 e).
Fidelio. (5422 e).
L’Elisire d’Amore. (5423 e).
Lucrezia Borgia. (5424 e).
Iphigénie en Aulide. (5425 e).
Judas Maccabaeus. (5426 e).
Das Nachtlager in Granada. (5427 e).
Hans Heiling. (5428 e).
A Midsummer Night’s Dream. (5429 e).
Elijah. (5430 e).
Les Huguenots. (5431 e).
Le Prophète. (5432 e).
Le Nozze di Figaro. (5433 e).
Die lustigen Weiber von Windsor. (5434 e).
Maritana. (5435 e).
Oberon. (5436 e).
Preciosa. (5437 e).

III and IV.

Der fliegende Holländer. (5438 e).
Lohengrin. (5439 e).
Rienzi. (5440 e).
Tannhäuser. (5441 e).
Il Barbiere di Seviglia. (5442 e).
Guillaume Tell. (5443 e).
Masaniello. (5444 e).
Faust. (5445 e).

=Saint-George, G.= L’ancien régime. Petite Suite. (7570 c). Ib.

=Schumann, R.= Trio. Op. 63. In D minor. (7274). V.

— Trio. Op. 80. In F. (7273). V.

— Phantasiestücke. Op. 88. (7275). V.

— 3rd Trio, in G. Op. 110. (7276). V.

=Silas, E.= Trios.

No. 1, in C minor. (10051). IV.
2, in A (Op. 27). (10052). III and IV.
3, in C (Op. 46). (10053). III.

=Sinding.= Op. 64. Trio in A min. (3051). VI.

=Sitt.= Op. 63, Nos. 1 & 2. Trios. (2835 a and b). II.

=Spohr.= Trio, in E minor. Op. 119 (W. S. B.
Woolhouse). (9664 a). IV.

— Trio, in F. Op. 123. (W. S. B. Woolhouse). (9664 b). V.

— Trio, in A. Op. 124. (W. S. B. Woolhouse). (9664 c). V.

— Trio, in B flat. Op. 133. (W. S. B. Woolhouse). (9664 d). V.

— Trio, in G minor. Op. 142. (W. S. B. Woolhouse). (9664 c). V.

=Turner, Bradbury.= Trio in C minor. (9329). II.

=Volkmann, R.= Trio in B flat minor. Op. 5. (7286). III.

Pianoforte and Two Violins.

=Boyce, William.= Sonata in A major. (G. Jensen).
(7432). II.

=Corelli, Arcangelo.= 6 Sonate da Camera a tre
(due Violini, e Violone, o Cembalo). Opera IV. With
Pianoforte Accompaniment worked out from the Figured
Bass of the Author, and with all necessary indications
for the mode of executing, for bowing and fingering by
Gustav Jensen. (5302). I and II.

=Gurlitt, Cornelius.= Op. 105. Ouverture des
Marionettes. (7307). II.

— Op. 137. “Commedietta” Ouverture. (5306). II.

— Our Favourite Tunes. 40 Melodies, ancient and modern.
(5333). II.

=Hermann, F.= 50 Favourite Melodies. (5465d). I.

— Morceaux mélodiques. Op. 26. 6 Books. (5328a-f).
Bks. 1-3 III. Bks. 4-6 IV and V.

=Herrmann, E.= Petites Variations faciles. Op. 13. (5332). Ia.

=Langer, Gustav.= Grossmütterchen. (Granny.) Ländler. Op. 20. II.

=Pleyel, I. J=. (Œuvres, arrangées par F. Hermann:—

— Op. 8. Six Trios. (7308). I.
— Op. 44. 3 Trios. (5334). III.
— Op. 48. Six Sonatinas. (5336). I.

=Potpourris.= Popular Melodies from classical and
modern Operas and Oratorios. Arranged by R. Hofmann.
45 Books.

Series I. (in the first position). I and II.

Le Postilion. (5401d).
La Sonnambula. (5402d).
Norma. (5403d).
Le Calife de Bagdad. (5404d).
La Dame Blanche. (5405d).
La Fille du Régiment. (5406d).
Lucia di Lammermoor. (5407d).
Orpheus. (5408d).
The Messiah. (5409d).
The Creation. (5410d).
Zampa. (5411d).
Wildschütz. (5412d).
Czar und Zimmermann. (5413d).
Joseph. (5414d).
St. Paul. (5415d).
Il Seraglio. (5416d).
Il Flauto Magico. (5417d).
Don Giovanni. (5418d).
Der Freischütz. (5419d).

Series II. (in various positions). II-IV.

The Bohemian Girl. (5420d).
Egmont. (5421d).
Fidelio. (5422d).
L’Elisire d’Amore. (5423d).
Lucrezia Borgia. (5424d).
Iphigénie en Aulide. (5425d).
Judas Maccabaeus. (5426d).
Das Nachtlager in Granada. (5427d).
Hans Heiling. (5428d).
A Midsummer Night’s Dream. (5429d).
Elijah. (5430d).
Les Huguenots. (5431d).
Le Prophète. (5432d).
Le Nozze di Figaro. (5433d).
Die lustigen Weiber von Winsdor. (5434d).
Maritana. (5435d).
Oberon. (5436d).
Preciosa. (5437d).
Der fliegende Holländer. (5438d).
Lohengrin. (5439d).
Rienzi. (5440d).
Tannhäuser. (5441d).
Il Barbiere di Seviglia. (5442d).
Guillaume Tell. (5443d).
Masaniello. (5444d).
Faust. (5445d).

=Purcell, Henry.= Sonatas. Arranged by G. Jensen:—

The Golden Sonata. (7410). II.

Sonata in B minor. (7429). II.

Sonata in A minor. (7430). II.

Sonata in C major. (7431). II.

=Saint-George.= L’ancien régime. Petite Suite.
(7570b). Ib.

=Torelli, Giuseppe.= Concerto. Op. 8. (G. Jensen).
(7417). II.

=Veracini, A.= Sonate. C min. (G. Jensen). (7415). II.

=Weidig, Adolf.= Kleines Trio. Op. 9. (5286). II.

=Morceaux d’Ensemble.= (F. Hermann):—

Chopin. Marche funèbre. (5330a).
Schubert. Moment musical. (5330b).
Mendelssohn. Duo. Op. 38. (5330c).
Fr. Hermann. Petite Marche. (5330d).
Nicolai. Merry Wives of Windsor. (5330e).
Beethoven. Marche turque des Ruines d’Athènes. (5330f).
Mozart. Andante du 8me Quatuor. (5330g).
Fr. Hermann. Barcarolle. (5330h).
Weber. Finale d’Euryanthe. (5330i).
Schumann. Chœur de Paradis et Péri. (5330k).
Schubert. Entr’acte de Rosamonde. (5330l).
Beethoven. “An die Freude,” Hymn from 9th Symphony. (5330m).

Pianoforte, Violin, and Viola.

=Gade, Niels W.= Novelletten. Op. 29.
Arranged by Ernst Heim. (5268). IV.

Very fine work, not over-difficult, worthy of being better
known.

=Jensen, G.= Phantasiestücke. Op. 27. (5275). IV.

=Kreuz, E.= Trio in C. Op. 21. (5271). IV.

— Trio facile, in C. Op. 32. (5272). II.

=Lachner, Ignaz.= Grand Trio. Op. 102. (5277). II.

— Trio in C. Op. 103. (5278). II.

=Pleyel.= 3 Trios. Op. 44. (Hermann). (5280). III.

=Potpourris= on Popular Melodies from classical
and modern Operas and Oratorios. Arranged by R.
Hofmann:—III and IV.

Wagner. Der fliegende Holländer. (5438s).
Wagner. Lohengrin. (5439s).
Wagner. Rienzi. (5440s).
Wagner. Tannhäuser. (5441s).
Rossini. Il Barbiere. (5442s).
Rossini. Guillaume Tell. (5443s).
Auber. Masaniello. (5444s).
Gounod. Faust. (5445s).

=Reger, Max.= Trio. Op. 2. (5283). V.

=Weidig, Adolf.= Kleines Trio. Op. 9. (5286). II.

Violin, Pianoforte, and Organ (or Harmonium).

=Audibert.= Andante réligieuse. (9551). III.

=Bach, E.= Solfeggietto, arr. by Oscar Wagner. (9785b). II.

Also for Flute, Violin, and Harmonium. (9785a). II.

=Bach, J. S.= Adoration, Meditation on the 7th short
Prelude, composed by Oscar Wagner. (9550). II.

Also with 2nd Violin, and 2nd Violoncello.

=Clark, Scotson.= Marche aux Flambeaux for Piano,
Harmonium, Violin, and Violoncello. (8781). II.

— A te o cara (Puritani). (9552). II.

— Meditation in B flat. (9553). II.

=Field, J.= Nocturne in B flat (Scotson Clark). (9554). II.

=Gounod, C.= Meditation on the 1st Prelude of J. S.
Bach, for Violin (or Violoncello), Harmonium and Piano.
(11450b). III.

Music with Toy Instruments.

(The Toy Instruments may be had of the Publishers)

=Gurlitt, C.= Kindersymphonie. Toy Symphony for
Pianoforte (Violin and Violoncello ad lib.). Cuckoo,
Quail, Nightingale, Trumpet, Triangle, and Drum.
Op. 169. (7108). II.

=Haydn, J.= Toy Symphony for Pianoforte or 2 Violins
and Bass, and 7 Toy Instruments. Score and Parts.
(7109). II.

=Reinecke, C.= Kinder-Symphonie. Toy Symphony
for Pianoforte, 2 Violins, Violoncello, and 9 Toy
instruments (Nightingale, Cuckoo, 2 Trumpets, Drum,
Rattle, Bells, Glass-bell, and Tea-tray). Score and
parts. (7115). II.

=Romberg, B.= Toy Symphony (Kinder-Sinfonie) for Piano
(or 2 Violins and Bass) with 7 Toy Instruments. (7116). II.

String Quartets.

Quartets for 4 Violins.

=Clark, Scotson.= Gavotte. (7231). IV.

=Lachner, I.= Op. 107. Quartet in G. (7220). IV.

=Leo, Leonardo.= Concerto a quattro Violini obbligati,
arr. for 4 Violins with Piano accomp. by Gustav Jensen.
(5001). II and III.

=Shaw, Sydney.= Reverie. (7239). II.

3 Violins and Viola.

=Herrmann, E.= Serenade. Op. 14. (7228). III.

=Lachner, Ignaz.= Quartet in C. Op. 106. (7219). III.

3 Violins and Violoncello.

=Henkel, H.= Introduction and Polacca. Piano
accompaniment ad lib. (7213). III.

=Saint-George.= L’ancien régime. Petite Suite (7570m). II.

2 Violins, Viola and Violoncello.

=Barnett, J. F.= Op. 8. Quartet in D minor. (9255). IV.

=Beethoven.= 6 Quartets. Op. 18. No. 1, in F; No. 2, in
G; No. 3, in D; No. 4, in C minor; No. 5, in A; No. 6,
in B flat. Revised by Fr. Hermann. 6 Books. (7201-6). IV.

— Op. 127. Quartet in E flat. (Woolhouse.) (9633). V.
— Op. 59, 74, 95. Quartets. (195 b).
— Op. 127. 130-133, 135. Quartets. (195 c).

=Beethoveniana.= Extraits des Sonates pour Piano de
Beethoven, arrangés par Fr. Hermann:—

Livre A. Op. 7; Op. 10, No. 2; Op. 26; Op. 27, No. 2.
(7197a). V.

Livre B. Op. 10, No. 3. Complete. (7197 b). V.

Livre C. Op. 2, No. 3; Op 13; Op. 14, No. 2; Op. 31,
No. 3. (7197 c). V.

=Brahms.= Op. 51. 2 Quartets, C minor and A minor.

— Op. 67. Quartet in B flat.

=Cherubini.= 3 Quartets. (1346).

=Coleridge-Taylor, S.= Fantasiestücke. Op. 5. (7207). V.

=Deane, C.= Quartet in B flat. (9634). IV.

=Ellerton.= Op. 62. Quartet. No. 10. (9259 a). V.
Score. 8 vo. (9259 b).

— Op. 101. Quartet. No. 39. (9260 a). V. Score. 8 vo.
(9260 b).

— Op. 102. Quartet. No. 42. (9261 a). V. Score. 8 vo.
(9261 b).

=Grieg.= Op. 27. Quartet. (2489). V.

=Gurlitt, Cornelius=:—

— Op. 105. Ouverture des Marionettes. (7210). III.
— Op. 137. “Commedietta” Ouverture. (7211). III.

=Haydn.= 83 Quartets, complete. (15).

— 15 celebrated Quartets. (289).

=Hermann, Fr.= Leichte Streichquartettsätze. 6 easy
movements (Mendelssohn, 2 Lieder ohne Worte; Beethoven,
Scherzo; Schumann, Nachtstück; Tschaïkowsky, Romance;
Bach, Gavotte). (7214). II and III.

=Kreuz, E.= Quartet. Op. 42, in D minor. (9262). V.

— Capriccio. Op. 43. (7216). III.

=Lachner, Ignaz.= Quartet in G. Op. 104. (7217).
II and III.

— Quartet in A minor. Op. 105. (7218). II and III.

— Quartet in B flat (Œuv. Posth.) (7221). II and III.

=Mendelssohn.= 7 Quartets. (1742).

=Mozart.= 10 celebrated Quartets. (16).

=Ouseley, Sir F. A. G.= Quartet in C. (9266 a). IV.

Score. 8 vo. (9266 b).

— Quartet in D minor. (9267 a). III.

Score. 8 vo. (9267 b).

=Perry, E.= Prize Quartet. (9635). IV.

=Pleyel, I. J.= Œvres arrangés par F. Hermann:—

— Op. 8. Six Quartets. (7222). I and II.
— Op. 48. Six Sonatinas. (7223). II and III.

=Prout, E.= Op. 1. Prize Quartet. (9636). IV.

— Op. 15. Second Quartet, in B flat. (9270). IV.

=Ries, H.= 2 Quatuors faciles. Op. 20. II.

=Rode, P.= Air varié. Op. 10. (Gustav Jensen.) (8691). V.

Arranged by Jensen for Solo Violin with easy string
accompaniment.

=Saint-George.= L’ancien régime. Petite Suite. (7570 d). II.

An excellent and melodious quartet for beginners.

=Schubert.= Quartets. 2 vols. (168 a-b).

=Schumann.= Op. 41. 3 Quartets. (2379).

=Spohr.= Op. 4, No. 1 & 2. Quartets. (2483 a-b).

— Op. 45, No. 2. Quartet. (2483 c).

=Stanford, C. Villiers.= Quartet. No. 3, in D minor. Op. 64. V.

Score. (12 mo.) (9272 a).
Parts. (4 to.) (9272 b).

Piano Quartets.

Violin, Viola, Violoncello, and Piano.

=Beethoven.= Op. 16. Quartet in E♭. (294).

=Beethoveniana.= Extraits des Sonates pour Piano de
Beethoven, arrangés par Fr. Hermann:—

Livre A. Op. 7; Op. 10, No. 2; Op. 26; Op. 27,
No. 2. (7175 a). IV.

Livre B. Op. 10, No. 3. Complete. (7175 b). IV.

Livre C. Op. 2. No. 3; Op. 13; Op. 14, No. 2; Op. 31,
No. 3. (7175 c). IV.

=Brahms.= Op. 25, Nos. 1 and 2. Quartets in G minor and
A major. VI.

— Op. 60, No. 3. Quartet in C minor. VI.

=Mendelssohn.= Complete Quartets. (1741).

=Mozart.= 2 Quartets in G minor & E♭. (272).

=Pfeiffer, G.= Quatuor en F a mineur. Op. 119. (7183). IV.

=Pleyel, I. J.= Œvres. Arrangés par F. Hermann:—

Op. 8. Six Quartets. (7182). I.
Op. 44. 3 Quartets. (7180). III.
Op. 48. Six Sonatinas. (7181). I.

=Prout, E.= Op. 2, in C. Prize Quartet. (9637). IV.

— Op. 18, in F. (9253). IV.

=Rheinberger, J.= Quartet in E flat. Op. 38. (7185). IV.

=Schubert.= Adagio & Rondo. (1347).

=Schumann.= Op. 47. Piano Quartet. (2380).

=Weber.= Op. 8. Piano Quartet. (2177).

=Westrop, H.= Op. 2. Quartet in A flat. (9638). IV.

2 Violins, Violoncello, and Piano.

=Abaco, Evaristo Felice Dall’.= Suite (Sonata da
Camera) in G minor. Arranged by Dr. H. Riemann. Score
and Parts. (5390) II.

=Boyce, W.= Sonata in A major. (G. Jensen). (7432). II.

=Corelli, Arcangelo.= 6 Sonate da Camera a tre
(due Violini, e Violone, o Cembalo). Opera IV. With
Pianoforte Accompaniment worked out from the Figured
Bass of the author, and with all necessary indications
for the mode of executing, for bowing and fingering by
Gustav Jensen. (7171). I and II.

=Hofmann, R.= Potpourris on melodies from Operas and Oratorios.
19 Bks. (5401 f-5419 f.) (Violin Parts in 1st Position only). I.

— Potpourris on melodies from Operas and Oratorios. Second
Series, with use of the higher positions. 26 Bks.
(5420 f-5445 f.) II-IV.

=Pleyel.= 3 Quartets. Op. 44. (Hermann.) (7178). III.

=Purcell, Henry.= Sonatas. Arranged by G. Jensen:—

The Golden Sonata. (7410 a). II.
Sonata in B minor. (7429). II.
Sonata in A minor. (7430). II.
Sonata in C major. (7431). II.

=Squire, W. H.= Serenade. Op. 15. (7122 c.) IV.

=Veracini, Antonio.= Sonata in C minor.
Arranged by G. Jensen. (7415.) II.

3 Violins and Piano.

=Gurlitt, C.= Ouverture des Marionettes. Op. 105. (7209). II.

— “Commedietta” Ouverture. Op. 137. (7212). II.

=Morceaux d’ensemble.= (F. Hermann). II-IV.:—

Chopin. Marche funèbre. (7215 a).
Schubert. Moment musical. (7215 b).
Mendelssohn. Duo. Op. 38. (7215 c).
Fr. Hermann. Petite Marche. (7215 d).
Nicolai. Merry Wives of Windsor. (7215 e).
Beethoven. Marche turque des Ruines d’Athènes. (7215 f).
Mozart. Andante du 8 me Quatuor. (7215 g).
Fr. Hermann. Barcarolle. (7215 h).
Weber. Finale d’Euryanthe. (7215 i).
Schumann. Chœur de Paradis et Péri. (7215 k).
Schubert. Entr’acte de Rosamonde. (7215 l).
Beethoven. “An die Freude”. Hymn from 9th Symphony. (7215 m).

=Papini, G.= “Hope” March. I.

=Saint-George.= L’ancien régime. Petite Suite. (7570 n). II.

String Quintets.

3 Violins, Violoncello, and Bass.

=Saint-George.= L’ancien régime. Petite Suite. (7570 k). II.

2 Violins, Viola (Tenor), Violoncello, and Bass.

=Beethoveniana.= Extraits des Sonates pour Piano de
Beethoven, arrangés par Fr. Hermann:—

Livre A. Op. 7; Op. 10, No. 2; Op. 26, Op. 27,
No. 2. (7143 a). V.

Livre B. Op. 10, No. 3. Complete. (7143 b). V.

Livre C. Op. 2, No. 3; Op. 13; Op. 14, No. 2; Op. 31,
No. 3. (7143 c). V.

=Boccherini.= Quintet for 2 Violins, Alto, and 2 Celli.
(2231).

=Borch, Gaston.= Elégie. Op. 56, No. 1. (7013). IV.

=Dance Movements= from the Works of Great Masters. (F. Hermann):—

J. S. Bach. Sarabande from the 2nd Violin Sonata (7151 a). II.

G. F. Handel. Scherzo from the Concerto in G minor.
(7151 b). II.

Joseph Haydn. Nachtwächter-Menuett. (7151 c). III.

Monsigny. Rigaudon from “La Reine de Golconde”. (7151 d). III.

Mozart. Minuet from the Divertimento in D. (7151 e). III.

Beethoven. Allegretto from “Die Geschöpfe des Prometheus.”
(7151 f). III.

Mozart. All’ ongarese from Violin Concerto in A. (7151 g). III.

Cherubini. Ballet music from “Ali Baba.” (7151 h). II.

H. Marschner. Tanzmusik from “Des Falkners Braut.”
(7151 i). III.

Rameau. Chaconne and Musette. (7151 k). III.

Gluck. Musette from “Armida.” (7151 l). II.

Monsigny. Chaconne from “La Reine de Golconde.” (7151 m). III.

=Smyth.= Quintet for 2 Violins, Alto and 2 Celli. (2171). V.

2 Violins, 2 Violas, and Violoncello.

=Beethoven.= 4 String Quintets. (599).

=Gade, Niels W.= Quintet. Op. 8. (7138). IV.

=Haydn.= Quintet concertant. Op. 88.

=Kreuz, E.= Prize Quintet. Op. 49. (7165). V.

=Mendelssohn.= Op. 18, 87. 2 Quintets. (1743).

=Mozart.= 10 String Quintets. (18-19).

=Schubert.= Op. 163. String Quintet. (775).

Solos with Quartet Accompaniment.

=Mozart, W. A.= Adagio:—

For Violin, with Quartet. (7153). III.
For Viola, with Quartet. (7154). III.
For Violoncello, with Quartet. (7155). III.

Pianoforte Quintets.

Piano, 2 Violins, Viola, and ’Cello.

=Beethoveniana.= Extraits des Sonates pour Piano de
Beethoven, arrangés par Fr. Hermann:—

Livre A. Op. 7; Op. 10, No. 2; Op. 26; Op. 27,
No. 2. (7145 a). V.

Livre B. Op. 10, No. 3. Complete. (7145 b). V.

Livre C. Op. 2, No. 3; Op. 13; Op. 14, No. 2; Op. 31,
No. 3. (7145 c). V.

=Brahms, J.= Op. 34. Quintet in F minor. IV.

=Gurlitt, Cornelius=:—

— Op. 105. Ouverture des Marionettes. (7149). II.
— Op. 137. “Commedietta” Ouverture. (7141). II.

=Pleyel, I. J.= Œuvres arrangées par Fr. Hermann:—

— Op. 8. Six Quintets. (7160). I.
— Op. 48. Six Sonatinas. (5021). I.

=Potpourris= on Popular Melodies from classical and
modern operas and oratorios. Arranged by R. Hofmann. III
to IV:—

Wagner. Der fliegende Holländer. (5438 q).
— Lohengrin. (5439 q).
— Rienzi. (5440 q).
— Tannhäuser. (5441 q).
Rossini. Il Barbiere. (5442 q).
— Guillaume Tell. (5443 q).
Auber. Masaniello. (5444 q).
Gounod. Faust. (5445 q).

=Prout, E.= Op. 3. Quintet in G. (9245). IV.

=Saint-George.= L’ancien régime. Petite Suite. (7570
f). II.

=Saint-Saëns, C.= Op. 14. Quintet in A. V.

=Schumann.= Op. 44. Piano Quintet. (2381). V.

=Spohr.= Op. 130. Quintet. (W. S. B. Woolhouse.) (9632). IV.

Piano, 3 Violins, and Violoncello.

=Henkel, H.= Introduction and Polacca. (7213). III.

=Saint-George.= L’ancien régime. Petite Suite. (7570 l). II.

Piano and 4 Violins.

=Leo, Leonardo.= Concerto a quattro Violini obbligati,
arranged by Gustav Jensen. (5001). II and III.

=Maurer.= Op. 55. Concertante. (2908). III.

Piano, Violin, Viola, Violoncello, and Bass.

=Hummel.= Grand Quintet in E flat minor. Op. 87.
(W. S. B. Woolhouse.) (9622). IV.

=Schubert.= Op. 114. Trout Quintet. (169).

Sextets.

=Bennett, W. S.= Op. 8. Sextetto. For Piano, 2 Violins,
Viola, Violoncello, and Double Bass. (9621). III.

=Jensen, G.= Symphonies arrangées pour Flûte (ou
Violon), deux Violons, Viola, Violoncelle et Basse:—

Jos. Haydn. En RÉ major (D major). (7131). III.
— En UT mineur (C minor). (7132). III.
W. A. Mozart. En UT majeur (C major). (7133). III.
— En LA majeur (A major). (7134). III.
Jos. Haydn. En SI bémol majeur (B flat major). (7135). III.

=Potpourris= on Popular Melodies from classical and
modern operas and oratorios. (Flute, 2 Violins, Tenor,
Violoncello, and Pianoforte.) Arranged by R. Hofmann.
III to IV:—

Wagner. Der fliegende Holländer. (5438 n).
— Lohengrin. (5439 n).
— Rienzi. (5440 n).
— Tannhäuser. (5441 n).
Rossini. Il Barbiere. (5442 n).
— Guillaume Tell. (5443 n).
Auber. Masaniello. (5444 n).
Gounod. Faust. (5445 n).

=Saint-George.= L’ancien régime. Petite Suite:—II.

2 Violons, Alto, Violoncelle, Contrebasse et Piano. (7570 h).

3 Violons, Violoncelle, Contrebasse et Piano. (7570 i).

Septets.

=Beethoven=. Op. 20. Septet. (2466).

=Corelli, Arcangelo=. Œvres revues par J. Joachim et
F. Chrysander. 8vo:—

Livres IV., V. Op. 6. Concerti Grossi con duoi Violini,
e Violoncello di Concertino obligati, e duoi altri
Violini, Viola e Basso di Concerto Grosso ad arbitrio
che si potranno radoppiare. In Roma, 1712. (In Score.)
2 Books. (4936 d, e). II.

=Morceaux d’ensemble=, for 3 Violins, Viola, ’Cello,
C. Bass, and Piano. (F. Hermann):—II.

Chopin. Marche funèbre. (7110 a).
Schubert. Moment musical. (7110 b).
Mendelssohn. Duo. Op. 38. (7110 c).
Fr. Hermann. Petite Marche. (7110 d).
Nicolai. Merry Wives of Windsor. (7110 e).
Beethoven. Marche turque des Ruines d’Athènes. (7110 f).
Mozart. Andante du 8me Quatuor. (7110 g).
Fr. Hermann. Barcarolle. (7110 h).
Weber. Finale d’Euryanthe. (7110 i).
Schumann. Chœur de Paradis et Péri. (7110 k).
Schubert. Entr’acte de Rosamonde. (7110 l).
Beethoven. “An die Freude,” Hymn from 9th Symphony. (7110 m).

=Squire, W. H.= Serenade. Op. 15. Piano, 2 Violins and
Violoncello, with Flute, Clarinet, and Double Bass _ad
lib._ (7122 c). IV.

Octets.

=Gade, N. W.= Octet, Op. 17, for 4 Violins, 2 Violas,
and 2 Violoncellos. (7107). V.

=Mendelssohn=. Op. 20. Octet. (1782).

=Schubert=. Op. 166. Octet. (1849).

Old Chamber Music.

=Riemann, Dr. Hugo=. Old Chamber Music (Alte
Kammermusik). A selection of Canzones, Sonatas, etc.
(_da chiesa_ and _da camera_), for strings
alone, or with a thorough-bass, by composers of the 17th
and 18th centuries; edited and arranged. In score.
3 Bks. (5391-93).

Violin and Orchestra.

=Nardini, Pietro=. Adagio for Violin, arranged for
Violin and small Orchestra (2 Flutes, 2 Bassoons,
Violins, Violoncellos, and Contrabass) by Gustav Jensen.
Score and parts. (7072). III.

String Orchestra.

=Beethoveniana=. Extraits des Sonates pour Piano de
Beethoven, arrangés par Fr. Hermann:—

Livre A. Op. 7; Op. 10, No. 2: Op. 26; Op. 27,
No. 2. (7143 a). V.

Livre B. Op. 10, No. 3. Complete. (7143 b). V.

Livre C. Op. 2, No. 3; Op. 13; Op. 14, No. 2; Op. 31,
No. 3. (7143 c). V.

=Borch, Gaston=. Elégie. Op. 56, No. 1. (Parts.)
(7013). IV.

=Corelli, Arcangelo=. Œuvres revues par J. Joachim
et F. Chrysander. 8 vo:—

Livres IV., V. Op. 6. Concerti Grossi con duoi Violini,
e Violoncello di Concertino obligati, e duoi altri
Violini, Viola e Basso di Concerto Grosso ad abitrio che
si potranno radoppiare. In Roma, 1712. (In Score.)
2 Books. (4936 d, e). II.

=Del Valle de Paz, E.= Prélude. Op. 9, No. 3. (7045). II.

— Minuet from “Ondina”. Op. 21. IV.

Score. (7044 a).
Parts. (7044 b).

— Arioso. Op. 26, No. 1. (7046). IV.

=Haydn, J.= Symphonies arranged by Gustav Jensen:—

In D major. (7131). III.
In C minor. (7132). III.
In B flat major. (7135). III.

=Iliffe, F.= Pizzicato Serenade. Score and Parts. (7057). II.

=Kreuz, Emil=. Suite in G (Prelude, Allemande, Gigue,
Intermezzo, Scherzo, and Finale). Op. 38. (7015). IV.

=Lee, Maurice=. Gavotte du Palais-Royal. (7066). II.

=Mozart, W. A.= Symphonies, arranged by Gustav Jensen:—

In C major. (7133). III.
In A major. (7134). III.

=Roeckel=. Air du Dauphin. Ancienne Danse de la Cour.
(7083).

=Saint-George=. L’ancien régime. Petite Suite. (7570 g). II.

=Scharwenka, X.= Andante religioso, for String
Orchestra, Harp, and Organ. Op. 46 B. IV.

Score. (7088 a).
Parts. (7088 b).

=Schütt, E.= Serenade in D. Op. 6. Score and Parts. III.

=Wüerst, R.= Sous le Balcon. Serenade for String
Orchestra with Violoncello Obbligato. Op. 78. V.

Full Score. (7098 a). Orchestral Parts. (7098 b).

— Russian Suite for String Orchestra with Violin Obbligato. IV.

Full Score. (7097 a). IV. Orchestral Parts. (7097 b).

=Wurm, M.= Estera Gavotte. Score and Parts. (7099). III.

=Dance Movements= from the Works of Great Masters. (F.
Hermann). II and III:—

J. S. Bach. Sarabande from the 2nd Violin Sonata. (7151 a).

G. F. Handel. Scherzo from the Concerto in G minor. (7151 b).

Joseph Haydn. Nachtwächter-Menuett. (7151 c).

Monsigny. Rigaudon from “La Reine de Golconde.” (7151 d).

W. A. Mozart. Minuet from the Divertimento in D. (7151 e).

Beethoven. Allegretto from “Die Geschöpfe des Prometheus.”
(7151 f).

Mozart. All’ ongarese from Violin-Concerto in A. (7151 g).

Cherubini. Ballet music from “Ali Baba.” (7151 h).

Marschner. Tanzmusik from “Des Falkners Braut.” (7151 i).

Rameau. Chaconne and Musette. (7151 k).

Gluck. Musette from “Armida.” (7151 l).

Monsigny. Chaconne from “La Reine de Golconde.” (7151 m).

NB. Any of the pieces mentioned in the “Guide” can be procured from Messrs. Augener & Co. It will be sufficient to give the Edition No. where marked; where there is no No., name of author and title should be given.

GUIDE THROUGH VIOLA LITERATURE.

Methods for the Viola.

=Bruni, A. B.= Tenor Method. Edited, with fingering,
bowings, and marks of expression by Emil Kreuz. (7659).

=Hermann, Fr.= The Study of the Viola (Das Studium der
Viola—L’Étude de l’Alto):—