Chapter THE SECOND (1)

Having seen almost the commencement of the Soolookande Coffee Estate, I felt a strong desire toward the end of the year 1846, to pay it a second visit, while in its full vigor. I wished to satisfy myself as to the correctness of the many reports I had heard of its heavy crops, of its fine condition, its excellent works, and, not least, of the good management during crop-time. My old acquaintance was no longer in charge; he had been supplanted by a stranger. However, I went armed with a letter from the Colombo agents, which would insure more attention than a bed and a meal.

I journeyed this time by another and rather shorter route. Instead of taking the Matelle road, I struck off to the right, past Davy's Tree, celebrated as the scene of the massacre of a large body of British officers and troops by the treacherous Kandians, and crossing the Mahavilla Ganga, at Davy's Ferry, made the best of my way across the beautiful vale of Dombera, and thence toward the long range of mountains forming one flank of the Kallibokke Valley. At the period of my former excursion this long tract of fertile country was one unbroken mass of heavy jungle; now a dozen large estates, with bungalows and extensive works, were to be seen, enlivening the journey, and affording a much readier passage for the horseman; for wherever plantations are formed, good jungle paths are sure to be made. The ride was a most interesting one; mile upon mile of coffee lay before and around me, in various stages of growth, from the young seedling just put out, to the full-bearing bush, as heavily laden with red, ripe coffee berries as any currant-bush in England with its fruit.

It was then the middle of November, and the very height of the planter's harvest. All appeared busy as I rode along, gathering on the old properties; weeding and "supplying," or filling up failures on the young estates. I halted but once for a cup of good, wholesome coffee, and gladly pushed on, so as to reach my destination in good time for breakfast.

The many lovely prospects opening before me caused some little delay in admiration; and, by the time I had ridden through the last piece of jungle, and pulled up at the upper boundary of "Soolookande," it was not far from mid-day. The sun was blazing high above me, but its rays were tempered by a cool breeze that swept over from the neighboring mountain-tops. The prospect from that lofty eminence was lovely in the extreme: steep ridges of coffee extended in all directions, bounded by piles of mossy forest; white spots, here and there, told of bungalows and stores; a tiny cataract rushed down some cleft rock, on one side; on the other, a rippling stream ran gently along, thickly studded with water-cresses. Before me, in the far distance, lay outstretched, like a picture-scroll, the Matelle district, with its paddy fields, its villages, and its Vihares, skirted by a ridge of mountains and terminated by the Cave Rocks of Dambool. At my feet, far below, lay the estate, bungalow, and works, and to them I bent my way by a narrow and very steep bridle-path. So precipitous was the land just here, that I felt rather nervous on looking down at the white buildings. The pathway, for a great length, was bordered by rose-bushes, or trees, in fullest blossom, perfuming the air most fragrantly: as I approached the bungalow, other flowering shrubs and plants were mingled with them, and in such excellent order was every thing there that the place appeared to me more like a magnified garden than an estate. How changed since my former visit! I could scarcely recognize it as the same property. The bungalow was an imposing-looking building, the very picture of neatness and comfort. How different to the old talipot-leaf, and the dirty little mud hut! The box of a place I had slept in six years before would have stood, easily, on the dining-table in this bungalow. A wide verandah surrounded the building, the white pillars of which were polished like marble. The windows were more like doors; and, as for the doors, one may speak of them as lawyers do of Acts of Parliament, it would be easy to drive a coach-and-six through them.

The superintendent was a most gentlemanly person, and so was his Bengalee servant. The curry was delightfully hot; the water was deliciously cool. The chairs were like sofas; and so exquisitely comfortable, after my long ride, that, when my host rose and suggested a walk down to the works, I regretted that I had said any thing about them, and had half a mind to pretend to be poorly.

The store was a zinc-roofed building, one hundred feet in length, by twenty-five wide; it was boarded below, but the sides upward were merely stout rails, for insuring a thorough circulation of air through the interior. It presented a most busy appearance. Long strings of Malabar coolies were flocking in, along narrow paths, from all sides, carrying bags and baskets on their heads, filled with the ripe coffee. These had to pass in at one particular door of the store, into the receiving-floor, in the upper part of the building. A Canghany was stationed there to see each man's gathering fairly measured; and to give a little tin ticket for every bushel, on the production of which the coolies were paid, at the end of the month. Many coolies, who had their wives and children to assist them in the field, brought home very heavy parcels of coffee.

Passing on to the floor where the measuring was in progress, I saw immense heaps of ripe, cherry-looking fruit, waiting to be passed below to the pulpers. All this enormous pile must be disposed of before the morning, or it will not be fit for operating on, and might be damaged. I saw quantities of it already gliding downward, through little openings in the floor, under which I could hear the noise of some machinery in rapid motion, but giving out sounds like sausage-machines in full "chop." Following my guide, I descended a ladder, between some ugly-looking wheels and shafting, and landed safely on the floor of the pulping-room. "Pulping" is the operation of removing the outer husk, or "cherry," which incloses the parchment-looking husk containing the pair of coffee beans. This is performed by a machine called a "pulper." It is a stout wooden or iron frame, supporting a fly-wheel and barrel of wood, covered with sheet copper, perforated coarsely outward, very like a huge nutmeg-grater. This barrel is made to revolve rapidly, nearly in contact with two chocks of wood. The coffee in the cherry being fed on to this by a hopper, is forced between the perforated barrel and the chocks; the projecting copper points tear off the soft cherry, while the coffee beans, in their parchment case, fall through the chocks into a large box. These pulpers (four in number) were worked by a water-wheel of great power, and turned out in six hours as much coffee as was gathered by three hundred men during the whole day.

From the pulper-box the parchment coffee is shoveled to the "cisterns"--enormous square wooden vats. In these the new coffee is placed, just covered with water, in which state it is left for periods varying from twelve to eighteen hours, according to the judgment of the manager. The object of this soaking is to produce a slight fermentation of the mucilaginous matter adhering to "the parchment," in order to facilitate its removal, as otherwise it would harden the skin, and render the coffee very difficult to peel or clean. When I inspected the works on Soolookande, several cisterns of fermented coffee were being turned out, to admit other parcels from the pulper, and also to enable the soaked coffee to be washed. Coolies were busily employed shoveling the berries from one cistern to another; others were letting on clean water. Some were busy stirring the contents of the cisterns briskly about; while some, again, were letting off the foul water; and a few were engaged in raking the thoroughly-washed coffee from the washing platforms to the barbecues.

The barbecues on this property were very extensive: about twenty thousand square feet, all gently sloped away from their centres, and smooth as glass. They were of stone, coated over with lime well polished, and so white, that it was with difficulty I could look at them with the sun shining full upon their bright surfaces. Over these drying grounds the coffee, when quite clean and white, is spread, at first thickly, but gradually more thinly, until, on the last day, it is placed only one bean thick. Four days' sunning are usually required, though occasionally many more are necessary before the coffee can be heaped away in the store without risk of spoiling. All that is required is to dry it sufficiently for transport to Kandy, and thence to Colombo, where it undergoes a final curing previous to having its parchment skin removed, and the faulty and broken berries picked out. Scarcely any estates are enabled to effectually dry their crops, owing to the long continuance of wet weather on the hills.

The "dry floor" of this store resembled very much the inside of a malting-house. It was nicely boarded, and nearly half full of coffee, white and in various stages of dryness. Some of it, at one end, was being measured into two bushel bags, tied up, marked and entered in the "packed" book, ready for dispatch to Kandy. Every thing was done on a system; the bags were piled up in tens; and the loose coffee was kept in heaps of fixed quantities as a check on the measuring. Bags, rakes, measures, twine, had all their proper places allotted them. Each day's work must be finished off-hand at once; no putting off until to-morrow can be allowed, or confusion and loss will be the consequence. Any heaps of half dried coffee, permitted to remain unturned in the store, or not exposed on the "barbecue," will heat, and become discolored, and in that condition is known among commercial men as "Country Damaged."

The constant ventilation of a coffee store is of primary importance in checking any tendency to fermentation in the uncured beans; an ingenious planter has recently availed himself of this fact, and invented an apparatus which forces an unbroken current of dry, warm air, through the piles of damp coffee, thus continuing the curing process in the midst of the most rainy weather.

When a considerable portion of the gathering is completed, the manager has to see to his means of transport before his store is too crowded. A well conducted plantation will have its own cattle to assist in conveying the crop to Kandy; it will have roomy and dry cattle-pens, fields of guinea-grass, and pasture grounds attached, as well as a manure-pit, into which all refuse and the husks of the coffee are thrown, to be afterward turned to valuable account.

The carriage of coffee into Kandy is performed by pack-bullocks, and sometimes by the coolies, who carry it on their heads, but these latter can seldom be employed away from picking during the crop time. By either means, however, transport forms a serious item in the expenses of a good many estates. From some of the distant hill-estates possessing no cattle, and with indifferent jungle-paths, the conveyance of their crops to Kandy will often cost fully six shillings the hundred weight of clean coffee, equal to about three pence per mile. From Kandy to Colombo, by the common bullock-cart of the country, the cost will amount to about two or three shillings the clean hundred weight, in all, eight or nine shillings the hundred weight from the plantation to the port of shipment, being twice as much for conveying it less than a hundred miles, as it costs for freight to England, about sixteen thousand miles. One would imagine that it would not require much sagacity to discern that, in such a country as this, a railroad would be an incalculable benefit to the whole community. To make this apparent even to the meanest Cingalese capacity, we may mention that, even at the present time, transit is required from the interior of the island to its seaports, for enough coffee for shipment to Great Britain alone, to cause a railroad to be remunerative. The quantity of coffee imported from British possessions abroad in 1850, was upward of forty millions of pounds avoirdupois; and a very large proportion of this came from Ceylon. What additional quantities are required for the especially coffee-bibbing nations which lie between Ceylon and this country, surpass all present calculation; enough, we should think, sails away from this island in the course of every year, the transit of which to its sea-board, would pay for a regular net-work of railways.

A BRETON WEDDING.

The customs and habits of the Bretons bear a close and striking resemblance to those of their kindred race[10] in the principality of Wales.

When a marriage in Lower Brittany has been definitely resolved upon, the bride makes choice of a bridesmaid, and the bridegroom of a groomsman. These, accompanied by an inviter, or "bidder," as the personage is called in Wales, bearing a long white wand, invite the members of their respective families to the wedding. On so important and solemn an occasion, no one is forgotten, however humble his condition in life may happen to be; and in no country in the world are the ties of kindred so strong as in Lower Brittany.

These consequently include a very large circle; and it happens that the task of "bidding" very frequently occupies many days. A thousand persons have been known to assist at the wedding of a prosperous farmer.

On the Sunday preceding the wedding-day, every one who has accepted the invitation must send some present to the youthful pair, by one of their farm servants, who has been very carefully dressed, in order to produce a high idea of their consequence. These gifts are sometimes of considerable value, but for the most part confined to some article of domestic use, or of consumption on the wedding-day, which is usually fixed for the following Tuesday.

At an early hour of that day the young men assemble in a village near to the residence of the bride, where the bridegroom meets them. As soon as they are collected in sufficiently imposing numbers, they depart in procession, preceded by the _basvalan_ (embassador of love), with a band of music, of which the bagpipe is a conspicuous instrument, to take possession of the bride. On arriving at the farm, every thing, save the savage wolf-dogs, is in the most profound silence. The doors are closed, and not a soul is to be seen; but on closely surveying the environs of the homestead, there is sufficient indication of an approaching festivity, chimneys and caldrons are smoking, and long tables ranged in every available space.

The _basvalan_ knocks loudly and repeatedly at the door, which at length brings to the threshold the _brotaer_ (envoy of the bride's family), who, with a branch of broom in his hand, replies in rhyme, and points out to some neighboring chateau, where he assures the _basvalan_ such a glorious train as his is sure to find welcome on account of its unparalleled splendor and magnificence. This excuse having been foreseen, the _basvalan_ answers his rival, verse for verse, compliment for compliment, that they are in search of a jewel more brilliant than the stars, and that it is hidden in that "palace."

The _brotaer_ withdraws into the interior; but presently leads forth an aged matron, and presents her as the only jewel which they possess.

"Of a verity," retorts the _basvalan_, "a most respectable person; but it appears to us that she is past her festal time; we do not deny the merit of gray hair, especially when it is silvered by age and virtue; but we seek something far more precious. The maiden we demand is at least three times younger--try again--you can not fail to discover her from the splendor which her unequaled beauty sheds around her."

The _brotaer_ then brings forth, in succession, an infant in arms, a widow, a married woman, and the bridesmaid; but the embassador always rejects the candidates, though without wounding their feelings. At last the dark-eyed blushing bride makes her appearance in her bridal attire.

The party then enters the house, and the _brotaer_, falling on his knees, slowly utters a _Pater_ for the living, and a _De Profundis_ for the dead, and demands the blessing of the family upon the young maiden. Then the scene, recently so joyous, assumes a more affecting character, and the _brotaer_ is interrupted by sobs and tears. There is always some sad episode in connection with all these rustic but poetic festivals in Brittany. How many sympathies has not the following custom excited? At the moment of proceeding to church, the mother severs the end of the bride's sash, and addresses her: "The tie which has so long united us, my child, is henceforward rent asunder, and I am compelled to yield to another the authority which God gave me over thee. If thou art happy--and may God ever grant it--this will be no longer thy home; but should misfortune visit thee, a mother is still a mother, and her arms ever open for her children. Like thee, I quitted my mother's side to follow a husband. Thy children will leave thee in their turn. When the birds are grown, the maternal nest can not hold them. May God bless thee, my child, and grant thee as much consolation as he has granted me!" The procession is then formed, and the cavalcade proceeds to the parish church; but every moment it is interrupted in its progress by groups of mendicants, who climb up the slopes bordering the roads--which are extremely deep and narrow--to bar the passage by means of long briars, well armed with prickly thorns, which they hold up before the faces of the wedding party. The groomsman is the individual appointed to lower these importunate barriers; which he does by casting among the mendicants small pieces of money. He executes his commission with good temper, and very frequently with liberality; but when the distance is great, these fetters become so numerous that his duties grow exceedingly wearisome and expensive.

After the religious ceremony, comes the feast; which is one of the most incredible things imaginable. Nothing can give an idea of the multitude of guests, of all ages, and of each sex; they form a lively, variegated, and confused picture. The tables having been laid out the previous day, at the coppers, which are erected in the open air, all the neighbors, and the invited, who have any pretension to the culinary art, are ready with advice and assistance. It is curious to see them, in the blazing atmosphere of the huge fires, watching enormous joints of meat and other comestibles cooking in the numerous and vast utensils; nevertheless, however zealous they may be, there are few who do not desert their post when the firing of guns and the distant sound of the bagpipes announce the return of the wedding procession.

The newly married couple are at the head of the train, preceded by pipers, and fiddlers, and single-stick players, who triumphantly lead the way; the nearest relatives of the young pair next follow; then the rest of the guests without order, rushing on helter-skelter, each in the varied and picturesque costume of his district; some on foot, some on horseback, most frequently two individuals on the same beast, the man seated upon a stuffed pad which serves as a saddle, and the wife, with arm around his waist, seated upon the crupper;--an every-day sight, not many years ago, in the rural districts of England, when roads were bad, and the gig and taxed-cart uninvented. The mendicants follow at their heels by hundreds, to share the remnants of the feast.

As soon as the confusion occasioned by the arrival of such a multitude has subsided, the guests place themselves at the tables. These are formed of rough and narrow planks, supported by stakes driven into the ground, the benches constructed after the same fashion; and they are raised in proportion to the height of the tables, so that you may have your knees between your plate and yourself; if, in a real Breton wedding, you happen to be supplied with such an article--for a luxury of this description has not yet reached very far into Brittany: the soup is eaten out of a wooden bowl, and the meat cut up and eaten in the hand, or, as the phrase goes, "upon the thumb." Every individual, as a matter of course, carries his own case or pocket knife; the liquids are served in rude earthenware, and each drinks out of a cup apportioned to five or six individuals. It is the height of civility to hand one's cup to a neighbor, so that he may assist in emptying it; and a refusal would be considered extremely rude and insolent.

The husband and his immediate relatives are in waiting, and anticipate every one's wants and wishes--pressing each to take care of himself: they themselves share in no part of the entertainment, save the compliments which are showered, and the cups of cider and wine which civility obliges them to accept. After each course music strikes up, and the whole assembly rise from the tables. One party gets up a wrestling-match; the Bretons are as famous as their cousins in Cornwall at this athletic game--or a match at single-stick; another a foot-race, or a dance; while the dishes are collected together, and handed to the hungry groups of mendicants who are seated in adjoining paddocks. From the tables to rustic games, reels, gavottes, and jabadoos; then to the tables again; and they continue in this manner till midnight announces to the guests that it is time to retire.

The company having diminished by degrees, at length leave the groomsman and the bridesmaid the only strangers remaining, who are bound to disappear the last, and put the bride and bridegroom, with due and proper solemnity, to rest: they then retire singing "Veni Creator." In some districts they are compelled, by custom, to watch during the whole night in the bridal chamber; in others, they hold at the foot of the bed a lighted candle, between the fingers, and do not withdraw until the flame has descended to the palm of the hand. In another locality the groom's-man is bound during the whole long night to throw nuts at the husband, who cracks them, and gives the kernel to his bride to eat. The festivity which a marriage occasions generally lasts three days, and, on Friday, the youthful wife embraces the companions of her childhood and bids them farewell, as if she never meant to return. Indeed, from the period of marriage, a new life commences for the Breton, whose days of single blessedness have been days of festivity and freedom; and it would seem that when once the wedding-ring has been placed upon the finger, her only business is the care of her household--her only delight, the peace of her domestic hearth.

FOOTNOTE:

[10] Pitre-Chevalier says, in his "Brittany," ("_La Bretagne_") "We Celts of Lower Brittany require nothing more to recognize as brothers the primitive inhabitants of Wales, than the ability to salute them in their maternal tongue, after a separation of more than a thousand years."

[From Chambers's Edinburgh Journal.]

JOANNA BAILLIE.

Joanna Baillie was born in the year 1762, at the manse of Bothwell, in Lanarkshire. Her father had just been translated from the parish of Shotts to that of Bothwell; and on the very first day of the family's removal into the new manse, while the furniture still lay tied up in bundles on the floors, Mrs. Baillie was taken ill, probably from over-fatigue, and was prematurely brought to bed of twin-daughters, one of whom died in the birth, and the other, named Joanna--after her maternal uncle, the celebrated John Hunter--lived for eighty-nine years, and became the most celebrated of her race, and one of the most celebrated women of her time.

Those who like to trace the descent of fine qualities, will be interested to know that Joanna's mother--herself a beautiful and agreeable woman--was the only sister of those remarkable men, William and John Hunter; and that her father, a clergyman of respectable abilities, was of the same descent with that Baillie of Jarviswood who nobly suffered for the religion and independence of his country.

Although Mrs. Baillie was forty years of age when she married, she gave birth to five children. Of these, three grew up: the eldest, Agnes who still survives; the celebrated Matthew physician to George III.; and Joanna.

When Joanna was seven years old, her father removed to Hamilton. There he was colleague to the Rev. Mr. Miller, father to the well-known professor of law at Glasgow of that name, whose daughters were throughout life among Joanna's most intimate and cherished friends. All that is known of her before she quitted Bothwell seems to be, that she was an active, sprightly child, fond of play, and very unfond of lessons--the difficulty of fixing her attention long enough to enable her to learn the alphabet having been in her case rather greater than it is with ordinary children. At twelve years of age, though still no scholar, she was a clever, lively, shrewd girl, and even then showed something of the creative power for which she was afterward so remarkable. Miss Miller well recollects being closeted with her and other young companions for the purpose of hearing her narrate little stories of her own invention, which she did in a graphic and amusing manner.

After being seven years at Hamilton, Mr. Baillie was promoted to the chair of divinity in the University of Glasgow. There Joanna attended Miss M'Intosh's boarding-school, and made some proficiency in the accomplishments of music and drawing; for both of which she had a fine taste, though it was never fully cultivated. A constant residence in the crowded and smoky town of Glasgow would have proved very irksome to those accustomed, like the Baillies, to the sweet, healthful seclusion of a country manse; but they were never condemned to it. William Hunter, then accoucheur to Queen Charlotte, and in good general practice as a physician, was in possession of the little family property of Long Calderwood in Lanarkshire; and being himself confined to London by his professional duties, he invited his sister and her family to reside at his house there during the summer months. Nothing could have been more agreeable or beneficial to Joanna than this manner of life, had it continued. Her father had now a sufficiently large income to enable him to give his children the full advantage of the best teaching, and he was most anxious that they should enjoy it. Unfortunately, he only survived his removal to Glasgow two years; and by his premature death, his widow and family were left not only entirely unprovided for, but in very involved circumstances. The living at Hamilton had been too small to admit of any thing being saved from it; and the expense of removing, the purchase of furniture suitable to their new position, the repairing and furnishing of the house at Long Calderwood, besides the increased cost of living in a town, had in combination brought their family into an expenditure which two years of an enlarged income were by no means sufficient to meet. Dr. William Hunter came immediately to their assistance. He was at that time fast acquiring the large fortune which enabled him to leave behind him so noble a monument as the Hunterian Museum in Glasgow. He generously settled an adequate income on his sister and her family, and offered to relieve her mind by entirely discharging her husband's liabilities. Here the widow and her high-spirited young people had the opportunity of manifesting the true delicacy and respectable pride which have ever distinguished the family. They carefully avoided disclosing to their generous relative any thing more than was unavoidable of these obligations, preferring, with noble self-denial, and at the expense of being looked down upon as niggardly and poor-spirited by neighbors who knew nothing of their motives, to pay the remainder out of their moderate income. Such a trait as this is surely well worth being recorded.

Even after they were clear with the world, Mrs. Baillie and her daughters continued to live in the strictest seclusion at Long Calderwood. Soon after his father's death, young Matthew obtained a Glasgow exhibition to Oxford; and having studied successfully there for some years, joined his uncle William in London, for the purpose of assisting him in his lectures. John Hunter, who had been originally intended for a humbler occupation, had long before this time been called to London by the successful William--had been brought forward by him in the medical profession--and had, in a few months, acquired such a knowledge of anatomy, as to be capable of demonstrating to the pupils in the dissecting-room. His health having been impaired by intense study, he had gone abroad for a year or two as staff-surgeon, and served in Portugal. On his return to London, he had devoted his powerful energies to the study of comparative anatomy, and before Matthew Baillie came to London, had erected a menagerie at Brompton for carrying on that useful branch of science. By his extraordinary genius, he subsequently rose to be inspector-general of hospitals and surgeon-general, and became one of the most famous men of his age.

Agnes, the elder sister--Joanna's faithful and beloved companion through a long life; and to whom, on entering her seventieth year, she addressed the exquisite poem of the "Birthday"--which no one will ever read unmoved--was very early an accomplished girl. Unlike Joanna, she had always been a diligent, attentive scholar; and unlike her also, was possessed of a remarkably retentive memory. In her companionship, and in the entire leisure of her six years' seclusion among the picturesque scenery of Long Calderwood, it may be supposed that Joanna's powerful intellect would have been awakened, and her wonderfully fertile imagination begun to assume some of those varied forms of truth and beauty which have since impressed themselves so vividly on the hearts and minds of her contemporaries. But like the graceful forms which the eye of the young sculptor has only yet seen in vision, those divine creations of her genius, before which the world was afterward to bow, still slumbered in the marble. Her genius partook of the slow growth, as well as the hardy vigor, of the pine-tree of her native rocks; but it had inherent power to shoot its roots deep down in the human heart, and to spread its branches toward the heavens in green and enduring beauty. In these years (from her sixteenth to her twenty-second), the only tendency she showed toward what afterward became the master-current of her mind, was in being a fervent worshiper of Shakspeare. She carefully studied select passages; delighted in getting her two favorite young friends--Miss Miller, and the lively Miss Graham of Gairbraid--to take different parts with her, and would so spout through a whole play with infinite satisfaction. Still she was no general student; and we are doubtful if at any time of her life she can be considered to have been a _great_ reader.

About a dozen years previous to his death, which took place in 1783, Dr. William Hunter had completed his house in Great Windmill-street. He had attached to it an anatomical theatre, apartments for lectures and dissections, and a magnificent room as a museum. At his death, the use of this valuable museum, which was destined ultimately to enrich the city of Glasgow, was bequeathed for the term of twenty years to his nephew Matthew, who had for some time past assisted him ably in his anatomical lectures. Besides this valuable bequest, the small family property of Long Calderwood was also left to Matthew Baillie, instead of his uncle, John Hunter, who was the heir-at-law. William had taken offense at his brother's marriage--not finding fault with his bride, who was an estimable woman, the sister of Dr., afterward Sir Everard Home--but, as it was whimsically said--disapproving of a philosopher marrying at all! But, however this may have been, young Matthew, with characteristic generosity, disliking to be enriched at the expense of those among his kindred who seemed to him to have a nearer claim, absolutely refused to take advantage of the bequest. The rejected little property thus, after all, fell legally to John; and only on the death of his son and daughter, a few years ago (without children), descended to William, the only son of Dr. Matthew Baillie, as their heir.

Soon after his uncle's death, Matthew, who had succeeded him as lecturer on anatomy, and was rising fast in the esteem of his professional brethren, prevailed on his mother and sisters to join him in London. Their uncle had left them all a small independence, and there they lived most happily with their brother in the house adjoining the museum, from about the year 1784 to 1791, when he married Miss Denman, daughter of Dr. Denman, and sister of Lord Denman, the late admirable lord chief-justice. This marriage was productive of great happiness to Joanna, as well as to her brother and the rest of the family.

Throughout their lives the most tender affection subsisted among them all. Mrs. Baillie and her daughters now retired to the country--at first a little way up the Thames, then to Hythe, near Dover; but they did not settle any where permanently till they located themselves in a pretty cottage at Hampstead--that flowery, airy, charming retreat with which Joanna's name has now been so long and so intimately associated. How long she there courted the muses in secret is not known. Her reserved nature and Scottish prudence at all events secured her from making any display of their crude favors. Toward the end of the century she first appears to have been quietly feeling her way toward the light. In sending some books to Scotland, to her ever-dear friend Miss Graham, she slipped into the parcel a small volume of poems, but without a hint as to the authorship. The poems were chiefly of a light, unassuming, and merry cast. They were read by Miss Graham, and others of her early associates--freely discussed and criticised among them, and certainly not much admired. Though light mirth and humor seem to have been more the characteristics of her mind then than they were afterward, and though Miss Graham remarked that there was a something in the little poems that brought Joanna to her remembrance, still so improbable did it seem, that no suspicion of their true origin suggested itself to any of their thoughts. The authorship of this little volume was never claimed by her; but some of the best poems and songs it contained, which were afterward published in one of her works, at last disclosed the secret.

In 1799, her thirty-eighth year, she gave to the world her first volume of plays on the Passions. It contained her two great tragedies on love and on hatred--"Basil" and "De Montfort;" and one comedy, also on love--the "Tryal." They were prefaced by a long, plausible introductory discourse, in which she explained that these formed but a small portion of an extensive plan she had in view, hitherto unattempted in any language, and for the accomplishment of which a lifetime would be limited enough. Her project we must very shortly describe as a design to write a series of plays, the chief object of which should be the delineation of all the higher passions of the human breast--each play exhibiting in the principal character some one great passion in all the stages of its development, from its origin to its final catastrophe; and in which, in order to produce the strongest moral effect, the aim should be the expression and delineation of just sentiments and characteristic truth, rather than of marvelous incident, novel situation, or beautiful and sublime thought.

Although published anonymously, this volume excited an immediate sensation. In spite of theoretical limitations, it was found to be as full of original power, and delicate poetical beauty, as of truth and moral sentiment. Of course the authorship was keenly inquired into. As the publication had been negotiated by the accomplished Mrs. John Hunter--herself a follower of the muses, and the author of several lyrical poems of great sweetness and beauty, which were set to music by Haydn--the credit was at first naturally given to her. But Joanna's incognito could not be long preserved; and the impression already made was deepened by the discovery, that this skillful anatomist of the heart of man, who had bodied forth creations bearing the stamp of lofty intellect and most original power, was a woman still young, unlearned, and so inexperienced in the world that it must have been chiefly to her own imagination and feeling she owed the materials which, by the force of her genius, she had thus so wonderfully combined into striking and lifelike portraits.

The band of distinguished persons--poets, wits, and philosophers--with which the beginning of the century was enriched, now crowded eagerly to welcome to their ranks this new and highly-gifted sister, and were received by her with simple but dignified frankness. The gay and fashionable also would fain have wooed her to lionize in their fevering circles; but her well-balanced mind, and intuitive sense of what is really best and most favorable to human happiness and progress, seem from the first to have secured her youthful female heart from being inflated by the incense offered to her on all sides. Though touched, and deeply gratified by the warmly-expressed approbation of those among her great contemporaries whose applause was fame, she could not be won from the quiet healthful privacy of her life to join frequently even in the brilliant society which now so gladly claimed her as one of its brightest ornaments. Equally unspoiled and undistracted, she kept the even tenor of her way. The tragedies contained in her first volume--among the greatest efforts of her genius--were undoubtedly written by her in the fond hope of their being acted. "To receive the approbation of an audience of her countrymen," she confesses in the preface, "would be more grateful to her than any other praise." Believing that it is in the nature of man to delight in representations of passion and character, she regarded the stage, when properly managed, as an admirable organ for the instruction of the multitude; and that the poetical teacher of morality and virtue could not better employ his high powers than in supplying it with pieces the tendency of which would be, while pleasing and amusing, to refine and elevate the mind. Mrs. Siddons was then in the very zenith of her power; and it was a glimpse of that splendid presence--

"So queenly, so commanding, and so noble"--

as it accidentally flashed upon her in turning the corner of a street, to which Miss Baillie has always fondly ascribed her first conception of the character of the pure, elevated, and noble Jane de Montfort. In 1800, the tragedy of "De Montfort" was adapted to the stage by John Kemble, and brought out at Drury-lane theatre; and the gratification may well be imagined with which the high-hearted poetess must have listened to

"Thoughts by the soul brought forth in silent joy--
Words often muttered by the timid voice,
Tried by the nice ear delicate of choice;"

as with their loftiest meanings heightened and spiritualized, she now heard them poured forth in the deep eloquent tones of that incomparable brother and sister!

Her second volume of plays on the Passions appeared in 1802, and with her name. It contained four plays: "The Election," a comedy upon hatred; and two tragedies and a comedy on ambition--"Ethwald," in two parts, and the "Second Marriage." Hitherto the fair authoress had received almost unqualified praise. She was now to undergo the other ordeal of almost unqualified censure. Since the publication of her first volume, the "Edinburgh Review" had been established, and its brilliant young editor had been suddenly, and almost by universal consent, promoted to the chair, as the first of critics. Jeffrey's real gentleness of heart, and lively sensibility to every form of literary beauty and excellence, are now too generally admitted to require vindication here; but the lamblike heart and kindly-indulgent feelings which in his middle and declining years seemed to warm and brighten the very atmosphere in which he lived, were at the beginning of his literary censorship carefully, and only too successfully, concealed under the formidable beak and claws, as well as the keen eye of the eagle.

Starting with the idea that, above all things, it was his duty to guard against false principles, the hymn of a seraph would probably have jarred upon his ear if composed upon what he supposed to be mistaken rules of art. He regarded Miss Baillie's project of confining the interest of every piece to the development of a single passion as a vicious system, by which her young and promising genius was likely to be cabined and confined; and that if such fallacy in one so well calculated to adorn the field of literature were met with indulgence, the result might be to narrow and degrade it. It seemed to him little better than a return to that barbarism which could unscrupulously extinguish the eyesight, that the hearing might be more acute. His faith was too catholic to brook the sectarian limitations which were involved in the theory she had so boldly propounded. He therefore waged war against the formidable heresy, cruelly, unsparingly; and if with something of the heat and petulance of a boy, yet with an unerring dexterity of aim, and a subtle poignancy of weapon, that could not fail to inflict both pain and injury. Gentler practice would probably have been followed by a better result. It is certain that Miss Baillie was hurt and offended by the uncourteous castigation inflicted on her by her countryman, rather than convinced by it that her notions were wrong. But the time happily came when--with that clairvoyance which, though it may be denied for a season, time and experience of life seldom fail to bestow in full measure upon true genius--these two fine spirits were able to read each other more clearly.

A single volume of miscellaneous plays containing two tragedies and a comedy by Miss Baillie's pen, appeared in 1804. These dramas--"Rayner," "The Country Inn," and "Constantine Paleologus"--had been offered singly to the theatres for representation, and been rejected. Though full of eloquence, knowledge of human nature, and tragic power, they were found, like all her plays, deficient in the lifelike movement and activity indispensable to that perfectly successful theatrical effect which, without an experimental acquaintance with the whole nature and artifices of the stage has never been attained to even by the most gifted of pens.

The first time Miss Baillie revisited her native country after her name had become known to fame was in 1808. After exploring with a full heart the often-recalled scenery of the Clyde, and the still dearer haunts of the sweet Calder Water, she passed a couple of months in Edinburgh, dividing her time between her old friends Miss Maxwell and Mrs. John Thomson. She was somewhat changed since these friends had seen her last. Her manner had become more silent and reserved. Mere acquaintances, or strangers who had not the art of drawing forth the rich stream--ever ready to flow if the rock were rightly struck--found her cold and formidable. In external appearance the change was for the better. Her early youth had neither bloomed with physical nor intellectual beauty; but now, in her fine, healthy middle life, to the exquisite neatness of form and limb, the powerful gray eye, and well-defined, noticeable features she had always possessed, were added a graceful propriety of movement, and a fine elevated, spiritual expression, which are far beyond mere beauty.

She had now the happiness of being personally made known to Sir Walter Scott, who had always been an enthusiastic admirer of her genius, as she of his. They had been too long congenial spirits not to become immediately dear, personal friends. His noble poem of "Marmion," which appeared during her stay, was read aloud by her for the first time to her two friends Miss Miller and Miss Maxwell. In the introduction to the third canto occurs that splendid tribute to her genius which, well-known as it is, we can not resist quoting once more. The bard describes himself as advised by a friend, since he will lend his hours to thriftless rhyme, to

"Restore the ancient tragic line,
And emulate the notes that rung
From the wild harp, which silent hung
By silver Avon's holy shore,
Till twice an hundred years rolled o'er;
When she, the bold enchantress, came,
With fearless hand and heart on flame!
From the pale willow snatch'd the treasure,
And swept it with a kinder measure,
Till Avon's swans, while rung the grove
With Montfort's hate and Basil's love,
Awakening at the inspired strain,
Deem'd their own Shakspeare lived again."

Deeply gratified and touched as she must have been, the strong-minded poetess was able to read these exquisite lines unfalteringly to the end, and only lost her self-possession when one of her affectionate friends rising, and throwing her arms round her, burst into tears of delight.

As she did not refuse to go into company, she could not be long in Edinburgh without encountering Francis Jeffrey, the foremost man in the bright train of _beaux-esprits_ which then adorned the society of the Scottish capital. He would gladly have been presented to her; and if she had permitted it, there is little doubt that in the eloquent flow of his delightful and genial conversation, enough of the admiration he really felt for her poetry must have been expressed, to have softened her into listening at least with patience to his suggestions for her improvement. But in vain did the friendly Mrs. Betty Hamilton (authoress of "The Cottagers of Glenburnie") beg for leave to present him to her when they met in her hospitable drawing-room; and equally in vain were the efforts made by the good-natured Duchess of Gordon to bring about an introduction which she knew was desired at least by one of the parties. It was civilly but coldly declined by the poetess; and though the dignified reason assigned was the propriety of leaving the critic more entirely at liberty in his future strictures than an _acquaintance_ might perhaps feel himself, there seems little reason to doubt that soreness and natural resentment had something to do with the refusal.

In 1809 her Highland play, the "Family Legend"--a tragedy founded on a story of one of the M'Leans of Appin--was successfully produced in the Edinburgh theatre. Sir Walter Scott, who took a lively interest in its success, contributed the prologue, and Henry Mackenzie (the "Man of Feeling") the epilogue. It was acted with great applause for fourteen successive nights, and gave occasion for the passage of many pleasant letters between Sir Walter and the authoress, afterward published by Mr. Lockhart. In 1812 followed the third and last volume of her plays illustrative of the higher passions of the mind. It contained four plays--one in verse and one in prose on fear ("Orra" and the "Dream"); the "Siege," a comedy on the same passion; and "The Beacon," a serious musical drama--perhaps the most faultless of Miss Baillie's productions, and generally allowed to be one of the most exquisite dramatic poems in the English language. This fresh attempt, at the end of nine years, to follow out, against all warning and advice, her narrow and objectionable system of dramatic art, was certainly ill-judged. Of course it brought upon the pertinacious theorist another tremendous broadside from the provoked reviewer. But though we can sympathize in a considerable degree with him in denouncing her whole scheme--and more bitterly than ever--as perverse, fantastic, and utterly impracticable--it is not easy to forgive the accusation so liberally added as to the execution--of poverty of incident and diction, want of individual reality of character, and the total absence of wit, humor, or any species of brilliancy. That Miss Baillie's plays are better suited to the sober perusal of the closet than the bustle and animation of the theatre must at once be admitted; but we think nobody can read even a single volume of these remarkable works, without finding in it, besides the good sense, good feeling, and intelligent morality to which her formidable critic is fretted into limiting her claims, abundant proof of that deep and intuitive knowledge of the mystery of man's nature, which can alone fit its possessor for the successful delineation of either wayward passion or noble sacrifice--of skillful and original creative power--of delicate discrimination of character--and of a command of simple, forcible, and eloquent language, that has not often been equaled, and, perhaps, never surpassed.

But our limits forbid us to linger, and a mere enumeration of her remaining productions is all they will permit. This is the less to be regretted, that our object is rather to give a sketch, however slight and imperfect, of her long and honored life, than to attempt a studied analysis of works to which the world has long ago done justice. In 1821 were published her "Metrical Legends of Exalted Character," the subjects of which were--"Wallace, the Scottish Chief," "Columbus," and "Lady Griseld Baillie." They are written in irregular verse, avowedly after the manner of Scott, and are among the noblest of her productions. Some fine ballads complete the volume. In 1823 appeared a volume of "Poetical Miscellanies," which had been much talked of beforehand. It included, besides some slight pieces by Mrs. Hemans and Miss Catherine Fanshaw, Scott's fine dramatic sketch of "Macduff's Cross." "The Martyr," a tragedy on religion, appeared in 1826. It was immediately translated into the Cingalese language; and, flattered by the appropriation, Miss Baillie, in 1828, published another tragedy--"The Bride," a story of Ceylon, and dedicated in particular to the Cingalese. Of the three volumes of dramas written many years before, but not published till 1836--though they were eagerly welcomed by the public, and greatly admired as dramatic poems--only two, the tragedies of "Henriquez" and "The Separation," have ever been acted. These, besides many charming songs, sung by our greatest minstrels, and always listened to with delight by the public, and a small volume of "Fugitive Verses," complete the long catalogue of her successful labors. They were collected by herself, and published, with many additions and corrections, in the popular form of one monster volume, only a few weeks before her death.

To return, for a brief space, to the course of her life. It was in the autumn of 1820 that Miss Baillie paid her last visit to Scotland, and passed those delightful days with Sir Walter Scott at Abbotsford, the second of which is so pleasantly given in Mr. Lockhart's life of the bard. Her friends again perceived a change in her manners. They had become blander, and much more cordial. She had probably been now too long admired and reverently looked up to, not to understand her own position, and the encouragement which, essentially unassuming as she was, would be necessary from her to reassure the timid and satisfy the proud. She had magnanimously forgiven and lived down the unjust severity of her Edinburgh critic, and now no longer refused to be made personally known to him. He was presented to her by their mutual friend, the amiable Dr. Morehead. They had much earnest and interesting talk together, and from that hour to the end of their lives entertained for each other a mutual and cordial esteem. After this Jeffrey seldom visited London without indulging himself in a friendly pilgrimage to the shrine of the secluded poetess; and it is pleasing to find him writing of her in the following cordial way in later years: "_London, April_ 28, 1840.--I forgot to tell you that we have been twice out to Hampstead to hunt out Joanna Baillie, and found her the other day as fresh, natural, and amiable as ever--and as little like a Tragic Muse. Since old Mrs. Brougham's death, I do not know so nice an old woman." And again, in January 7, 1842--"We went to Hampstead, and paid a very pleasant visit to Joanna Baillie, who is marvelous in health and spirits, and youthful freshness and simplicity of feeling, and not a bit deaf, blind, or torpid."