Chapter V: Part 5

Mrs. Oke was a silent person, more silent even than her husband, for she did not feel bound, as he did, to attempt to entertain a guest or to show any interest in him. She seemed to spend her life—a curious, inactive, half-invalidish life, broken by sudden fits of childish cheerfulness—in an eternal daydream, strolling about the house and grounds, arranging the quantities of flowers that always filled all the rooms, beginning to read and then throwing aside novels and books of poetry, of which she always had a large number; and, I believe, lying for hours, doing nothing, on a couch in that yellow drawing-room, which, with her sole exception, no member of the Oke family had ever been known to stay in alone. Little by little I began to suspect and to verify another eccentricity of this eccentric being, and to understand why there were stringent orders never to disturb her in that yellow room.

It had been a habit at Okehurst, as at one or two other English manor-houses, to keep a certain amount of the clothes of each generation, more particularly wedding dresses. A certain carved oaken press, of which Mr. Oke once displayed the contents to me, was a perfect museum of costumes, male and female, from the early years of the seventeenth to the end of the eighteenth century—a thing to take away the breath of a _bric-a-brac_ collector, an antiquary, or a _genre_ painter. Mr. Oke was none of these, and therefore took but little interest in the collection, save in so far as it interested his family feeling. Still he seemed well acquainted with the contents of that press.

He was turning over the clothes for my benefit, when suddenly I noticed that he frowned. I know not what impelled me to say, “By the way, have you any dresses of that Mrs. Oke whom your wife resembles so much? Have you got that particular white dress she was painted in, perhaps?”

Oke of Okehurst flushed very red.

“We have it,” he answered hesitatingly, “but—it isn’t here at present—I can’t find it. I suppose,” he blurted out with an effort, “that Alice has got it. Mrs. Oke sometimes has the fancy of having some of these old things down. I suppose she takes ideas from them.”

A sudden light dawned in my mind. The white dress in which I had seen Mrs. Oke in the yellow room, the day that she showed me Lovelock’s verses, was not, as I had thought, a modern copy; it was the original dress of Alice Oke, the daughter of Virgil Pomfret—the dress in which, perhaps, Christopher Lovelock had seen her in that very room.

The idea gave me a delightful picturesque shudder. I said nothing. But I pictured to myself Mrs. Oke sitting in that yellow room—that room which no Oke of Okehurst save herself ventured to remain in alone, in the dress of her ancestress, confronting, as it were, that vague, haunting something that seemed to fill the place—that vague presence, it seemed to me, of the murdered cavalier poet.

Mrs. Oke, as I have said, was extremely silent, as a result of being extremely indifferent. She really did not care in the least about anything except her own ideas and day-dreams, except when, every now and then, she was seized with a sudden desire to shock the prejudices or superstitions of her husband. Very soon she got into the way of never talking to me at all, save about Alice and Nicholas Oke and Christopher Lovelock; and then, when the fit seized her, she would go on by the hour, never asking herself whether I was or was not equally interested in the strange craze that fascinated her. It so happened that I was. I loved to listen to her, going on discussing by the hour the merits of Lovelock’s poems, and analysing her feelings and those of her two ancestors. It was quite wonderful to watch the exquisite, exotic creature in one of these moods, with the distant look in her grey eyes and the absent-looking smile in her thin cheeks, talking as if she had intimately known these people of the seventeenth century, discussing every minute mood of theirs, detailing every scene between them and their victim, talking of Alice, and Nicholas, and Lovelock as she might of her most intimate friends. Of Alice particularly, and of Lovelock. She seemed to know every word that Alice had spoken, every idea that had crossed her mind. It sometimes struck me as if she were telling me, speaking of herself in the third person, of her own feelings—as if I were listening to a woman’s confidences, the recital of her doubts, scruples, and agonies about a living lover. For Mrs. Oke, who seemed the most self-absorbed of creatures in all other matters, and utterly incapable of understanding or sympathising with the feelings of other persons, entered completely and passionately into the feelings of this woman, this Alice, who, at some moments, seemed to be not another woman, but herself.

“But how could she do it—how could she kill the man she cared for?” I once asked her.

“Because she loved him more than the whole world!” she exclaimed, and rising suddenly from her chair, walked towards the window, covering her face with her hands.

I could see, from the movement of her neck, that she was sobbing. She did not turn round, but motioned me to go away.

“Don’t let us talk any more about it,” she said. “I am ill to-day, and silly.”

I closed the door gently behind me. What mystery was there in this woman’s life? This listlessness, this strange self-engrossment and stranger mania about people long dead, this indifference and desire to annoy towards her husband—did it all mean that Alice Oke had loved or still loved some one who was not the master of Okehurst? And his melancholy, his preoccupation, the something about him that told of a broken youth—did it mean that he knew it?

6

The following days Mrs. Oke was in a condition of quite unusual good spirits. Some visitors—distant relatives—were expected, and although she had expressed the utmost annoyance at the idea of their coming, she was now seized with a fit of housekeeping activity, and was perpetually about arranging things and giving orders, although all arrangements, as usual, had been made, and all orders given, by her husband.

William Oke was quite radiant.

“If only Alice were always well like this!” he exclaimed; “if only she would take, or could take, an interest in life, how different things would be! But,” he added, as if fearful lest he should be supposed to accuse her in any way, “how can she, usually, with her wretched health? Still, it does make me awfully happy to see her like this.”

I nodded. But I cannot say that I really acquiesced in his views. It seemed to me, particularly with the recollection of yesterday’s extraordinary scene, that Mrs. Oke’s high spirits were anything but normal. There was something in her unusual activity and still more unusual cheerfulness that was merely nervous and feverish; and I had, the whole day, the impression of dealing with a woman who was ill and who would very speedily collapse.

Mrs. Oke spent her day wandering from one room to another, and from the garden to the greenhouse, seeing whether all was in order, when, as a matter of fact, all was always in order at Okehurst. She did not give me any sitting, and not a word was spoken about Alice Oke or Christopher Lovelock. Indeed, to a casual observer, it might have seemed as if all that craze about Lovelock had completely departed, or never existed. About five o’clock, as I was strolling among the red-brick round-gabled outhouses—each with its armorial oak—and the old-fashioned spalliered kitchen and fruit garden, I saw Mrs. Oke standing, her hands full of York and Lancaster roses, upon the steps facing the stables. A groom was currycombing a horse, and outside the coach-house was Mr. Oke’s little high-wheeled cart.

“Let us have a drive!” suddenly exclaimed Mrs. Oke, on seeing me. “Look what a beautiful evening—and look at that dear little cart! It is so long since I have driven, and I feel as if I must drive again. Come with me. And you, harness Jim at once and come round to the door.”

I was quite amazed; and still more so when the cart drove up before the door, and Mrs. Oke called to me to accompany her. She sent away the groom, and in a minute we were rolling along, at a tremendous pace, along the yellow-sand road, with the sere pasture-lands, the big oaks, on either side.

I could scarcely believe my senses. This woman, in her mannish little coat and hat, driving a powerful young horse with the utmost skill, and chattering like a school-girl of sixteen, could not be the delicate, morbid, exotic, hot-house creature, unable to walk or to do anything, who spent her days lying about on couches in the heavy atmosphere, redolent with strange scents and associations, of the yellow drawing-room. The movement of the light carriage, the cool draught, the very grind of the wheels upon the gravel, seemed to go to her head like wine.

“It is so long since I have done this sort of thing,” she kept repeating; “so long, so long. Oh, don’t you think it delightful, going at this pace, with the idea that any moment the horse may come down and we two be killed?” and she laughed her childish laugh, and turned her face, no longer pale, but flushed with the movement and the excitement, towards me.

The cart rolled on quicker and quicker, one gate after another swinging to behind us, as we flew up and down the little hills, across the pasture lands, through the little red-brick gabled villages, where the people came out to see us pass, past the rows of willows along the streams, and the dark-green compact hop-fields, with the blue and hazy tree-tops of the horizon getting bluer and more hazy as the yellow light began to graze the ground. At last we got to an open space, a high-lying piece of common-land, such as is rare in that ruthlessly utilised country of grazing-grounds and hop-gardens. Among the low hills of the Weald, it seemed quite preternaturally high up, giving a sense that its extent of flat heather and gorse, bound by distant firs, was really on the top of the world. The sun was setting just opposite, and its lights lay flat on the ground, staining it with the red and black of the heather, or rather turning it into the surface of a purple sea, canopied over by a bank of dark-purple clouds—the jet-like sparkle of the dry ling and gorse tipping the purple like sunlit wavelets. A cold wind swept in our faces.

“What is the name of this place?” I asked. It was the only bit of impressive scenery that I had met in the neighbourhood of Okehurst.

“It is called Cotes Common,” answered Mrs. Oke, who had slackened the pace of the horse, and let the reins hang loose about his neck. “It was here that Christopher Lovelock was killed.”

There was a moment’s pause; and then she proceeded, tickling the flies from the horse’s ears with the end of her whip, and looking straight into the sunset, which now rolled, a deep purple stream, across the heath to our feet—

“Lovelock was riding home one summer evening from Appledore, when, as he had got half-way across Cotes Common, somewhere about here—for I have always heard them mention the pond in the old gravel-pits as about the place—he saw two men riding towards him, in whom he presently recognised Nicholas Oke of Okehurst accompanied by a groom. Oke of Okehurst hailed him; and Lovelock rode up to meet him. ‘I am glad to have met you, Mr. Lovelock,’ said Nicholas, ‘because I have some important news for you’; and so saying, he brought his horse close to the one that Lovelock was riding, and suddenly turning round, fired off a pistol at his head. Lovelock had time to move, and the bullet, instead of striking him, went straight into the head of his horse, which fell beneath him. Lovelock, however, had fallen in such a way as to be able to extricate himself easily from his horse; and drawing his sword, he rushed upon Oke, and seized his horse by the bridle. Oke quickly jumped off and drew his sword; and in a minute, Lovelock, who was much the better swordsman of the two, was having the better of him. Lovelock had completely disarmed him, and got his sword at Oke’s throat, crying out to him that if he would ask forgiveness he should be spared for the sake of their old friendship, when the groom suddenly rode up from behind and shot Lovelock through the back. Lovelock fell, and Oke immediately tried to finish him with his sword, while the groom drew up and held the bridle of Oke’s horse. At that moment the sunlight fell upon the groom’s face, and Lovelock recognised Mrs. Oke. He cried out, ‘Alice, Alice! it is you who have murdered me!’ and died. Then Nicholas Oke sprang into his saddle and rode off with his wife, leaving Lovelock dead by the side of his fallen horse. Nicholas Oke had taken the precaution of removing Lovelock’s purse and throwing it into the pond, so the murder was put down to certain highwaymen who were about in that part of the country. Alice Oke died many years afterwards, quite an old woman, in the reign of Charles II.; but Nicholas did not live very long, and shortly before his death got into a very strange condition, always brooding, and sometimes threatening to kill his wife. They say that in one of these fits, just shortly before his death, he told the whole story of the murder, and made a prophecy that when the head of his house and master of Okehurst should marry another Alice Oke descended from himself and his wife, there should be an end of the Okes of Okehurst. You see, it seems to be coming true. We have no children, and I don’t suppose we shall ever have any. I, at least, have never wished for them.”

Mrs. Oke paused, and turned her face towards me with the absent smile in her thin cheeks: her eyes no longer had that distant look; they were strangely eager and fixed. I did not know what to answer; this woman positively frightened me. We remained for a moment in that same place, with the sunlight dying away in crimson ripples on the heather, gilding the yellow banks, the black waters of the pond, surrounded by thin rushes, and the yellow gravel-pits; while the wind blew in our faces and bent the ragged warped bluish tops of the firs. Then Mrs. Oke touched the horse, and off we went at a furious pace. We did not exchange a single word, I think, on the way home. Mrs. Oke sat with her eyes fixed on the reins, breaking the silence now and then only by a word to the horse, urging him to an even more furious pace. The people we met along the roads must have thought that the horse was running away, unless they noticed Mrs. Oke’s calm manner and the look of excited enjoyment in her face. To me it seemed that I was in the hands of a madwoman, and I quietly prepared myself for being upset or dashed against a cart. It had turned cold, and the draught was icy in our faces when we got within sight of the red gables and high chimney-stacks of Okehurst. Mr. Oke was standing before the door. On our approach I saw a look of relieved suspense, of keen pleasure come into his face.

He lifted his wife out of the cart in his strong arms with a kind of chivalrous tenderness.

“I am so glad to have you back, darling,” he exclaimed—“so glad! I was delighted to hear you had gone out with the cart, but as you have not driven for so long, I was beginning to be frightfully anxious, dearest. Where have you been all this time?”

Mrs. Oke had quickly extricated herself from her husband, who had remained holding her, as one might hold a delicate child who has been causing anxiety. The gentleness and affection of the poor fellow had evidently not touched her—she seemed almost to recoil from it.

“I have taken him to Cotes Common,” she said, with that perverse look which I had noticed before, as she pulled off her driving-gloves. “It is such a splendid old place.”

Mr. Oke flushed as if he had bitten upon a sore tooth, and the double gash painted itself scarlet between his eyebrows.

Outside, the mists were beginning to rise, veiling the park-land dotted with big black oaks, and from which, in the watery moonlight, rose on all sides the eerie little cry of the lambs separated from their mothers. It was damp and cold, and I shivered.

7

The next day Okehurst was full of people, and Mrs. Oke, to my amazement, was doing the honours of it as if a house full of commonplace, noisy young creatures, bent upon flirting and tennis, were her usual idea of felicity.

The afternoon of the third day—they had come for an electioneering ball, and stayed three nights—the weather changed; it turned suddenly very cold and began to pour. Every one was sent indoors, and there was a general gloom suddenly over the company. Mrs. Oke seemed to have got sick of her guests, and was listlessly lying back on a couch, paying not the slightest attention to the chattering and piano-strumming in the room, when one of the guests suddenly proposed that they should play charades. He was a distant cousin of the Okes, a sort of fashionable artistic Bohemian, swelled out to intolerable conceit by the amateur-actor vogue of a season.

“It would be lovely in this marvellous old place,” he cried, “just to dress up, and parade about, and feel as if we belonged to the past. I have heard you have a marvellous collection of old costumes, more or less ever since the days of Noah, somewhere, Cousin Bill.”

The whole party exclaimed in joy at this proposal. William Oke looked puzzled for a moment, and glanced at his wife, who continued to lie listless on her sofa.

“There is a press full of clothes belonging to the family,” he answered dubiously, apparently overwhelmed by the desire to please his guests; “but—but—I don’t know whether it’s quite respectful to dress up in the clothes of dead people.”

“Oh, fiddlestick!” cried the cousin. “What do the dead people know about it? Besides,” he added, with mock seriousness, “I assure you we shall behave in the most reverent way and feel quite solemn about it all, if only you will give us the key, old man.”

Again Mr. Oke looked towards his wife, and again met only her vague, absent glance.

“Very well,” he said, and led his guests upstairs.

An hour later the house was filled with the strangest crew and the strangest noises. I had entered, to a certain extent, into William Oke’s feeling of unwillingness to let his ancestors’ clothes and personality be taken in vain; but when the masquerade was complete, I must say that the effect was quite magnificent. A dozen youngish men and women—those who were staying in the house and some neighbours who had come for lawn-tennis and dinner—were rigged out, under the direction of the theatrical cousin, in the contents of that oaken press: and I have never seen a more beautiful sight than the panelled corridors, the carved and escutcheoned staircase, the dim drawing-rooms with their faded tapestries, the great hall with its vaulted and ribbed ceiling, dotted about with groups or single figures that seemed to have come straight from the past. Even William Oke, who, besides myself and a few elderly people, was the only man not masqueraded, seemed delighted and fired by the sight. A certain schoolboy character suddenly came out in him; and finding that there was no costume left for him, he rushed upstairs and presently returned in the uniform he had worn before his marriage. I thought I had really never seen so magnificent a specimen of the handsome Englishman; he looked, despite all the modern associations of his costume, more genuinely old-world than all the rest, a knight for the Black Prince or Sidney, with his admirably regular features and beautiful fair hair and complexion. After a minute, even the elderly people had got costumes of some sort—dominoes arranged at the moment, and hoods and all manner of disguises made out of pieces of old embroidery and Oriental stuffs and furs; and very soon this rabble of masquers had become, so to speak, completely drunk with its own amusement—with the childishness, and, if I may say so, the barbarism, the vulgarity underlying the majority even of well-bred English men and women—Mr. Oke himself doing the mountebank like a schoolboy at Christmas.

“Where is Mrs. Oke? Where is Alice?” some one suddenly asked.

Mrs. Oke had vanished. I could fully understand that to this eccentric being, with her fantastic, imaginative, morbid passion for the past, such a carnival as this must be positively revolting; and, absolutely indifferent as she was to giving offence, I could imagine how she would have retired, disgusted and outraged, to dream her strange day-dreams in the yellow room.

But a moment later, as we were all noisily preparing to go in to dinner, the door opened and a strange figure entered, stranger than any of these others who were profaning the clothes of the dead: a boy, slight and tall, in a brown riding-coat, leathern belt, and big buff boots, a little grey cloak over one shoulder, a large grey hat slouched over the eyes, a dagger and pistol at the waist. It was Mrs. Oke, her eyes preternaturally bright, and her whole face lit up with a bold, perverse smile.

Every one exclaimed, and stood aside. Then there was a moment’s silence, broken by faint applause. Even to a crew of noisy boys and girls playing the fool in the garments of men and women long dead and buried, there is something questionable in the sudden appearance of a young married woman, the mistress of the house, in a riding-coat and jackboots; and Mrs. Oke’s expression did not make the jest seem any the less questionable.

“What is that costume?” asked the theatrical cousin, who, after a second, had come to the conclusion that Mrs. Oke was merely a woman of marvellous talent whom he must try and secure for his amateur troop next season.

“It is the dress in which an ancestress of ours, my namesake Alice Oke, used to go out riding with her husband in the days of Charles I.,” she answered, and took her seat at the head of the table. Involuntarily my eyes sought those of Oke of Okehurst. He, who blushed as easily as a girl of sixteen, was now as white as ashes, and I noticed that he pressed his hand almost convulsively to his mouth.

“Don’t you recognise my dress, William?” asked Mrs. Oke, fixing her eyes upon him with a cruel smile.

He did not answer, and there was a moment’s silence, which the theatrical cousin had the happy thought of breaking by jumping upon his seat and emptying off his glass with the exclamation—

“To the health of the two Alice Okes, of the past and the present!”

Mrs. Oke nodded, and with an expression I had never seen in her face before, answered in a loud and aggressive tone—

“To the health of the poet, Mr. Christopher Lovelock, if his ghost be honouring this house with its presence!”

I felt suddenly as if I were in a madhouse. Across the table, in the midst of this room full of noisy wretches, tricked out red, blue, purple, and parti-coloured, as men and women of the sixteenth, seventeenth, and eighteenth centuries, as improvised Turks and Eskimos, and dominoes, and clowns, with faces painted and corked and floured over, I seemed to see that sanguine sunset, washing like a sea of blood over the heather, to where, by the black pond and the wind-warped firs, there lay the body of Christopher Lovelock, with his dead horse near him, the yellow gravel and lilac ling soaked crimson all around; and above emerged, as out of the redness, the pale blond head covered with the grey hat, the absent eyes, and strange smile of Mrs. Oke. It seemed to me horrible, vulgar, abominable, as if I had got inside a madhouse.

8

From that moment I noticed a change in William Oke; or rather, a change that had probably been coming on for some time got to the stage of being noticeable.

I don’t know whether he had any words with his wife about her masquerade of that unlucky evening. On the whole I decidedly think not. Oke was with every one a diffident and reserved man, and most of all so with his wife; besides, I can fancy that he would experience a positive impossibility of putting into words any strong feeling of disapprobation towards her, that his disgust would necessarily be silent. But be this as it may, I perceived very soon that the relations between my host and hostess had become exceedingly strained. Mrs. Oke, indeed, had never paid much attention to her husband, and seemed merely a trifle more indifferent to his presence than she had been before. But Oke himself, although he affected to address her at meals from a desire to conceal his feeling, and a fear of making the position disagreeable to me, very clearly could scarcely bear to speak to or even see his wife. The poor fellow’s honest soul was quite brimful of pain, which he was determined not to allow to overflow, and which seemed to filter into his whole nature and poison it. This woman had shocked and pained him more than was possible to say, and yet it was evident that he could neither cease loving her nor commence comprehending her real nature. I sometimes felt, as we took our long walks through the monotonous country, across the oak-dotted grazing-grounds, and by the brink of the dull-green, serried hop-rows, talking at rare intervals about the value of the crops, the drainage of the estate, the village schools, the Primrose League, and the iniquities of Mr. Gladstone, while Oke of Okehurst carefully cut down every tall thistle that caught his eye—I sometimes felt, I say, an intense and impotent desire to enlighten this man about his wife’s character. I seemed to understand it so well, and to understand it well seemed to imply such a comfortable acquiescence; and it seemed so unfair that just he should be condemned to puzzle for ever over this enigma, and wear out his soul trying to comprehend what now seemed so plain to me. But how would it ever be possible to get this serious, conscientious, slow-brained representative of English simplicity and honesty and thoroughness to understand the mixture of self-engrossed vanity, of shallowness, of poetic vision, of love of morbid excitement, that walked this earth under the name of Alice Oke?

So Oke of Okehurst was condemned never to understand; but he was condemned also to suffer from his inability to do so. The poor fellow was constantly straining after an explanation of his wife’s peculiarities; and although the effort was probably unconscious, it caused him a great deal of pain. The gash—the maniac-frown, as my friend calls it—between his eyebrows, seemed to have grown a permanent feature of his face.

Mrs. Oke, on her side, was making the very worst of the situation. Perhaps she resented her husband’s tacit reproval of that masquerade night’s freak, and determined to make him swallow more of the same stuff, for she clearly thought that one of William’s peculiarities, and one for which she despised him, was that he could never be goaded into an outspoken expression of disapprobation; that from her he would swallow any amount of bitterness without complaining. At any rate she now adopted a perfect policy of teasing and shocking her husband about the murder of Lovelock. She was perpetually alluding to it in her conversation, discussing in his presence what had or had not been the feelings of the various actors in the tragedy of 1626, and insisting upon her resemblance and almost identity with the original Alice Oke. Something had suggested to her eccentric mind that it would be delightful to perform in the garden at Okehurst, under the huge ilexes and elms, a little masque which she had discovered among Christopher Lovelock’s works; and she began to scour the country and enter into vast correspondence for the purpose of effectuating this scheme. Letters arrived every other day from the theatrical cousin, whose only objection was that Okehurst was too remote a locality for an entertainment in which he foresaw great glory to himself. And every now and then there would arrive some young gentleman or lady, whom Alice Oke had sent for to see whether they would do.

I saw very plainly that the performance would never take place, and that Mrs. Oke herself had no intention that it ever should. She was one of those creatures to whom realisation of a project is nothing, and who enjoy plan-making almost the more for knowing that all will stop short at the plan. Meanwhile, this perpetual talk about the pastoral, about Lovelock, this continual attitudinising as the wife of Nicholas Oke, had the further attraction to Mrs. Oke of putting her husband into a condition of frightful though suppressed irritation, which she enjoyed with the enjoyment of a perverse child. You must not think that I looked on indifferent, although I admit that this was a perfect treat to an amateur student of character like myself. I really did feel most sorry for poor Oke, and frequently quite indignant with his wife. I was several times on the point of begging her to have more consideration for him, even of suggesting that this kind of behavior, particularly before a comparative stranger like me, was very poor taste. But there was something elusive about Mrs. Oke, which made it next to impossible to speak seriously with her; and besides, I was by no means sure that any interference on my part would not merely animate her perversity.

One evening a curious incident took place. We had just sat down to dinner, the Okes, the theatrical cousin, who was down for a couple of days, and three or four neighbours. It was dusk, and the yellow light of the candles mingled charmingly with the greyness of the evening. Mrs. Oke was not well, and had been remarkably quiet all day, more diaphanous, strange, and far-away than ever; and her husband seemed to have felt a sudden return of tenderness, almost of compassion, for this delicate, fragile creature. We had been talking of quite indifferent matters, when I saw Mr. Oke suddenly turn very white, and look fixedly for a moment at the window opposite to his seat.

“Who’s that fellow looking in at the window, and making signs to you, Alice? Damn his impudence!” he cried, and jumping up, ran to the window, opened it, and passed out into the twilight. We all looked at each other in surprise; some of the party remarked upon the carelessness of servants in letting nasty-looking fellows hang about the kitchen, others told stories of tramps and burglars. Mrs. Oke did not speak; but I noticed the curious, distant-looking smile in her thin cheeks.

After a minute William Oke came in, his napkin in his hand. He shut the window behind him and silently resumed his place.

“Well, who was it?” we all asked.

“Nobody. I—I must have made a mistake,” he answered, and turned crimson, while he busily peeled a pear.

“It was probably Lovelock,” remarked Mrs. Oke, just as she might have said, “It was probably the gardener,” but with that faint smile of pleasure still in her face. Except the theatrical cousin, who burst into a loud laugh, none of the company had ever heard Lovelock’s name, and, doubtless imagining him to be some natural appanage of the Oke family, groom or farmer, said nothing, so the subject dropped.

From that evening onwards things began to assume a different aspect. That incident was the beginning of a perfect system—a system of what? I scarcely know how to call it. A system of grim jokes on the part of Mrs. Oke, of superstitious fancies on the part of her husband—a system of mysterious persecutions on the part of some less earthly tenant of Okehurst. Well, yes, after all, why not? We have all heard of ghosts, had uncles, cousins, grandmothers, nurses, who have seen them; we are all a bit afraid of them at the bottom of our soul; so why shouldn’t they be? I am too sceptical to believe in the impossibility of anything, for my part!

Besides, when a man has lived throughout a summer in the same house with a woman like Mrs. Oke of Okehurst, he gets to believe in the possibility of a great many improbable things, I assure you, as a mere result of believing in her. And when you come to think of it, why not? That a weird creature, visibly not of this earth, a reincarnation of a woman who murdered her lover two centuries and a half ago, that such a creature should have the power of attracting about her (being altogether superior to earthly lovers) the man who loved her in that previous existence, whose love for her was his death—what is there astonishing in that? Mrs. Oke herself, I feel quite persuaded, believed or half believed it; indeed she very seriously admitted the possibility thereof, one day that I made the suggestion half in jest. At all events, it rather pleased me to think so; it fitted in so well with the woman’s whole personality; it explained those hours and hours spent all alone in the yellow room, where the very air, with its scent of heady flowers and old perfumed stuffs, seemed redolent of ghosts. It explained that strange smile which was not for any of us, and yet was not merely for herself—that strange, far-off look in the wide pale eyes. I liked the idea, and I liked to tease, or rather to delight her with it. How should I know that the wretched husband would take such matters seriously?

He became day by day more silent and perplexed-looking; and, as a result, worked harder, and probably with less effect, at his land-improving schemes and political canvassing. It seemed to me that he was perpetually listening, watching, waiting for something to happen: a word spoken suddenly, the sharp opening of a door, would make him start, turn crimson, and almost tremble; the mention of Lovelock brought a helpless look, half a convulsion, like that of a man overcome by great heat, into his face. And his wife, so far from taking any interest in his altered looks, went on irritating him more and more. Every time that the poor fellow gave one of those starts of his, or turned crimson at the sudden sound of a footstep, Mrs. Oke would ask him, with her contemptuous indifference, whether he had seen Lovelock. I soon began to perceive that my host was getting perfectly ill. He would sit at meals never saying a word, with his eyes fixed scrutinisingly on his wife, as if vainly trying to solve some dreadful mystery; while his wife, ethereal, exquisite, went on talking in her listless way about the masque, about Lovelock, always about Lovelock. During our walks and rides, which we continued pretty regularly, he would start whenever in the roads or lanes surrounding Okehurst, or in its grounds, we perceived a figure in the distance. I have seen him tremble at what, on nearer approach, I could scarcely restrain my laughter on discovering to be some well-known farmer or neighbour or servant. Once, as we were returning home at dusk, he suddenly caught my arm and pointed across the oak-dotted pastures in the direction of the garden, then started off almost at a run, with his dog behind him, as if in pursuit of some intruder.

“Who was it?” I asked. And Mr. Oke merely shook his head mournfully. Sometimes in the early autumn twilights, when the white mists rose from the park-land, and the rooks formed long black lines on the palings, I almost fancied I saw him start at the very trees and bushes, the outlines of the distant oast-houses, with their conical roofs and projecting vanes, like gibing fingers in the half light.

“Your husband is ill,” I once ventured to remark to Mrs. Oke, as she sat for the hundred-and-thirtieth of my preparatory sketches (I somehow could never get beyond preparatory sketches with her). She raised her beautiful, wide, pale eyes, making as she did so that exquisite curve of shoulders and neck and delicate pale head that I so vainly longed to reproduce.

“I don’t see it,” she answered quietly. “If he is, why doesn’t he go up to town and see the doctor? It’s merely one of his glum fits.”

“You should not tease him about Lovelock,” I added, very seriously. “He will get to believe in him.”

“Why not? If he sees him, why he sees him. He would not be the only person that has done so”; and she smiled faintly and half perversely, as her eyes sought that usual distant indefinable something.

But Oke got worse. He was growing perfectly unstrung, like a hysterical woman. One evening that we were sitting alone in the smoking-room, he began unexpectedly a rambling discourse about his wife; how he had first known her when they were children, and they had gone to the same dancing-school near Portland Place; how her mother, his aunt-in-law, had brought her for Christmas to Okehurst while he was on his holidays; how finally, thirteen years ago, when he was twenty-three and she was eighteen, they had been married; how terribly he had suffered when they had been disappointed of their baby, and she had nearly died of the illness.

“I did not mind about the child, you know,” he said in an excited voice; “although there will be an end of us now, and Okehurst will go to the Curtises. I minded only about Alice.” It was next to inconceivable that this poor excited creature, speaking almost with tears in his voice and in his eyes, was the quiet, well-got-up, irreproachable young ex-Guardsman who had walked into my studio a couple of months before.

Oke was silent for a moment, looking fixedly at the rug at his feet, when he suddenly burst out in a scarce audible voice—

“If you knew how I cared for Alice—how I still care for her. I could kiss the ground she walks upon. I would give anything—my life any day—if only she would look for two minutes as if she liked me a little—as if she didn’t utterly despise me”; and the poor fellow burst into a hysterical laugh, which was almost a sob. Then he suddenly began to laugh outright, exclaiming, with a sort of vulgarity of intonation which was extremely foreign to him—

“Damn it, old fellow, this is a queer world we live in!” and rang for more brandy and soda, which he was beginning, I noticed, to take pretty freely now, although he had been almost a blue-ribbon man—as much so as is possible for a hospitable country gentleman—when I first arrived.

9

It became clear to me now that, incredible as it might seem, the thing that ailed William Oke was jealousy. He was simply madly in love with his wife, and madly jealous of her. Jealous—but of whom? He himself would probably have been quite unable to say. In the first place—to clear off any possible suspicion—certainly not of me. Besides the fact that Mrs. Oke took only just a very little more interest in me than in the butler or the upper-housemaid, I think that Oke himself was the sort of man whose imagination would recoil from realising any definite object of jealousy, even though jealously might be killing him inch by inch. It remained a vague, permeating, continuous feeling—the feeling that he loved her, and she did not care a jackstraw about him, and that everything with which she came into contact was receiving some of that notice which was refused to him—every person, or thing, or tree, or stone: it was the recognition of that strange far-off look in Mrs. Oke’s eyes, of that strange absent smile on Mrs. Oke’s lips—eyes and lips that had no look and no smile for him.

Gradually his nervousness, his watchfulness, suspiciousness, tendency to start, took a definite shape. Mr. Oke was for ever alluding to steps or voices he had heard, to figures he had seen sneaking round the house. The sudden bark of one of the dogs would make him jump up. He cleaned and loaded very carefully all the guns and revolvers in his study, and even some of the old fowling-pieces and holster-pistols in the hall. The servants and tenants thought that Oke of Okehurst had been seized with a terror of tramps and burglars. Mrs. Oke smiled contemptuously at all these doings.

“My dear William,” she said one day, “the persons who worry you have just as good a right to walk up and down the passages and staircase, and to hang about the house, as you or I. They were there, in all probability, long before either of us was born, and are greatly amused by your preposterous notions of privacy.”

Mr. Oke laughed angrily. “I suppose you will tell me it is Lovelock—your eternal Lovelock—whose steps I hear on the gravel every night. I suppose he has as good a right to be here as you or I.” And he strode out of the room.

“Lovelock—Lovelock! Why will she always go on like that about Lovelock?” Mr. Oke asked me that evening, suddenly staring me in the face.

I merely laughed.

“It’s only because she has that play of his on the brain,” I answered; “and because she thinks you superstitious, and likes to tease you.”

“I don’t understand,” sighed Oke.

How could he? And if I had tried to make him do so, he would merely have thought I was insulting his wife, and have perhaps kicked me out of the room. So I made no attempt to explain psychological problems to him, and he asked me no more questions until once—But I must first mention a curious incident that happened.

The incident was simply this. Returning one afternoon from our usual walk, Mr. Oke suddenly asked the servant whether any one had come. The answer was in the negative; but Oke did not seem satisfied. We had hardly sat down to dinner when he turned to his wife and asked, in a strange voice which I scarcely recognised as his own, who had called that afternoon.

“No one,” answered Mrs. Oke; “at least to the best of my knowledge.”

William Oke looked at her fixedly.

“No one?” he repeated, in a scrutinising tone; “no one, Alice?”

Mrs. Oke shook her head. “No one,” she replied.

There was a pause.

“Who was it, then, that was walking with you near the pond, about five o’clock?” asked Oke slowly.

His wife lifted her eyes straight to his and answered contemptuously—

“No one was walking with me near the pond, at five o’clock or any other hour.”

Mr. Oke turned purple, and made a curious hoarse noise like a man choking.

“I—I thought I saw you walking with a man this afternoon, Alice,” he brought out with an effort; adding, for the sake of appearances before me, “I thought it might have been the curate come with that report for me.”

Mrs. Oke smiled.

“I can only repeat that no living creature has been near me this afternoon,” she said slowly. “If you saw any one with me, it must have been Lovelock, for there certainly was no one else.”

And she gave a little sigh, like a person trying to reproduce in her mind some delightful but too evanescent impression.

I looked at my host; from crimson his face had turned perfectly livid, and he breathed as if some one were squeezing his windpipe.

No more was said about the matter. I vaguely felt that a great danger was threatening. To Oke or to Mrs. Oke? I could not tell which; but I was aware of an imperious inner call to avert some dreadful evil, to exert myself, to explain, to interpose. I determined to speak to Oke the following day, for I trusted him to give me a quiet hearing, and I did not trust Mrs. Oke. That woman would slip through my fingers like a snake if I attempted to grasp her elusive character.

I asked Oke whether he would take a walk with me the next afternoon, and he accepted to do so with a curious eagerness. We started about three o’clock. It was a stormy, chilly afternoon, with great balls of white clouds rolling rapidly in the cold blue sky, and occasional lurid gleams of sunlight, broad and yellow, which made the black ridge of the storm, gathered on the horizon, look blue-black like ink.

We walked quickly across the sere and sodden grass of the park, and on to the highroad that led over the low hills, I don’t know why, in the direction of Cotes Common. Both of us were silent, for both of us had something to say, and did not know how to begin. For my part, I recognised the impossibility of starting the subject: an uncalled-for interference from me would merely indispose Mr. Oke, and make him doubly dense of comprehension. So, if Oke had something to say, which he evidently had, it was better to wait for him.

Oke, however, broke the silence only by pointing out to me the condition of the hops, as we passed one of his many hop-gardens. “It will be a poor year,” he said, stopping short and looking intently before him—“no hops at all. No hops this autumn.”

I looked at him. It was clear that he had no notion what he was saying. The dark-green bines were covered with fruit; and only yesterday he himself had informed me that he had not seen such a profusion of hops for many years.

I did not answer, and we walked on. A cart met us in a dip of the road, and the carter touched his hat and greeted Mr. Oke. But Oke took no heed; he did not seem to be aware of the man’s presence.

The clouds were collecting all round; black domes, among which coursed the round grey masses of fleecy stuff.

“I think we shall be caught in a tremendous storm,” I said; “hadn’t we better be turning?” He nodded, and turned sharp round.

The sunlight lay in yellow patches under the oaks of the pasture-lands, and burnished the green hedges. The air was heavy and yet cold, and everything seemed preparing for a great storm. The rooks whirled in black clouds round the trees and the conical red caps of the oast-houses which give that country the look of being studded with turreted castles; then they descended—a black line—upon the fields, with what seemed an unearthly loudness of caw. And all round there arose a shrill quavering bleating of lambs and calling of sheep, while the wind began to catch the topmost branches of the trees.

Suddenly Mr. Oke broke the silence.

“I don’t know you very well,” he began hurriedly, and without turning his face towards me; “but I think you are honest, and you have seen a good deal of the world—much more than I. I want you to tell me—but truly, please—what do you think a man should do if”—and he stopped for some minutes.

“Imagine,” he went on quickly, “that a man cares a great deal—a very great deal for his wife, and that he finds out that she—well, that—that she is deceiving him. No—don’t misunderstand me; I mean—that she is constantly surrounded by some one else and will not admit it—some one whom she hides away. Do you understand? Perhaps she does not know all the risk she is running, you know, but she will not draw back—she will not avow it to her husband”—

“My dear Oke,” I interrupted, attempting to take the matter lightly, “these are questions that can’t be solved in the abstract, or by people to whom the thing has not happened. And it certainly has not happened to you or me.”

Oke took no notice of my interruption. “You see,” he went on, “the man doesn’t expect his wife to care much about him. It’s not that; he isn’t merely jealous, you know. But he feels that she is on the brink of dishonouring herself—because I don’t think a woman can really dishonour her husband; dishonour is in our own hands, and depends only on our own acts. He ought to save her, do you see? He must, must save her, in one way or another. But if she will not listen to him, what can he do? Must he seek out the other one, and try and get him out of the way? You see it’s all the fault of the other—not hers, not hers. If only she would trust in her husband, she would be safe. But that other one won’t let her.”

“Look here, Oke,” I said boldly, but feeling rather frightened; “I know quite well what you are talking about. And I see you don’t understand the matter in the very least. I do. I have watched you and watched Mrs. Oke these six weeks, and I see what is the matter. Will you listen to me?”

And taking his arm, I tried to explain to him my view of the situation—that his wife was merely eccentric, and a little theatrical and imaginative, and that she took a pleasure in teasing him. That he, on the other hand, was letting himself get into a morbid state; that he was ill, and ought to see a good doctor. I even offered to take him to town with me.

I poured out volumes of psychological explanations. I dissected Mrs. Oke’s character twenty times over, and tried to show him that there was absolutely nothing at the bottom of his suspicions beyond an imaginative _pose_ and a garden-play on the brain. I adduced twenty instances, mostly invented for the nonce, of ladies of my acquaintance who had suffered from similar fads. I pointed out to him that his wife ought to have an outlet for her imaginative and theatrical over-energy. I advised him to take her to London and plunge her into some set where every one should be more or less in a similar condition. I laughed at the notion of there being any hidden individual about the house. I explained to Oke that he was suffering from delusions, and called upon so conscientious and religious a man to take every step to rid himself of them, adding innumerable examples of people who had cured themselves of seeing visions and of brooding over morbid fancies. I struggled and wrestled, like Jacob with the angel, and I really hoped I had made some impression. At first, indeed, I felt that not one of my words went into the man’s brain—that, though silent, he was not listening. It seemed almost hopeless to present my views in such a light that he could grasp them. I felt as if I were expounding and arguing at a rock. But when I got on to the tack of his duty towards his wife and himself, and appealed to his moral and religious notions, I felt that I was making an impression.

“I daresay you are right,” he said, taking my hand as we came in sight of the red gables of Okehurst, and speaking in a weak, tired, humble voice. “I don’t understand you quite, but I am sure what you say is true. I daresay it is all that I’m seedy. I feel sometimes as if I were mad, and just fit to be locked up. But don’t think I don’t struggle against it. I do, I do continually, only sometimes it seems too strong for me. I pray God night and morning to give me the strength to overcome my suspicions, or to remove these dreadful thoughts from me. God knows, I know what a wretched creature I am, and how unfit to take care of that poor girl.”

And Oke again pressed my hand. As we entered the garden, he turned to me once more.

“I am very, very grateful to you,” he said, “and, indeed, I will do my best to try and be stronger. If only,” he added, with a sigh, “if only Alice would give me a moment’s breathing-time, and not go on day after day mocking me with her Lovelock.”

10