Chapter VI (4)

The Louvre has been so often described in works of so many different natures, descending the different grades from histories to pamphlets, that I shall not fatigue my readers with a too detailed review of its wonders, but endeavour to give them some impression of its grandeur, with as little prolixity as possible. I have already, in the historical sketch of Paris, touched upon its foundation, and the various epochs at which the different parts of the building were erected, and certainly let any one place himself in the middle of the grand court, and behold the four sides, and see if he can call to mind any thing equal to it, take it, for its all in all; I am well aware that there is rather a redundancy of ornament to satisfy the purest taste, and in that respect there is undoubtedly a deviation from perfection, but the approach is sufficiently near to excite the warmest admiration. Each side is 408 feet, and although there is a degree of uniformity, taken _en masse_, preserved, with two of the façades particularly, yet on examination the ornaments are found to be different, each side requires much close study after a _coup-d'oeil_ has been taken of the whole, and the more it is inspected, the more beautiful will it be found; the statues and different devices are by five different sculptors, the most celebrated of their day, the order of the pillars is generally corinthian, but there are some, which are composite. The external façades are by no means burthened with ornament, the north and western sides being perfectly plain, the south side has a noble effect, and faces the quay, having plenty of room to admit of its being properly viewed and justice rendered to its noble range of forty corinthian pilasters; this is by Perrault, as well as the eastern side, which is certainly one of the finest specimens of modern architecture that can be imagined.

A grand colonnade composed of 28 coupled corinthian columns has the most splendid effect, the basement story being perfectly simple, whilst the central mass of the building which forms the gateway is crowned by a pediment of stones, each 52 feet in length and three in thickness; all is vast, all is grand about this noble front, which is justly the admiration of every architectural connoisseur, no matter from what part of the world he may come.

Of the interior volumes might be said, I must first, after conducting my reader to the great door on the southern side of the building, direct his attention to the grand staircase, which is of a most splendid character, as to design, and consistently beautiful as to execution. The visiter after passing by a small room filled with very old paintings enters a larger when the grand gallery extends before him, which is unrivalled in the world, being above a quarter of a mile in length, and 42 feet in width, filled with paintings, principally from the old masters, but of them I will treat in a future chapter; it contains 1406 pictures some of them being of immense size. We will now pass on for the moment to the other apartments. The bed-room of Henry IV must arrest our attention, and the eye naturally falls on the alcove where his bed was placed, the oak carving, and gilded mouldings have been preserved exactly in the same state that they were when he died. We next proceed to a suite of rooms containing paintings of the Spanish, French, Flemish, and Italian schools; others devoted to drawings; of the latter there are 1293. Another range of apartments is on the ground floor and called the Museum of Antiquities, containing statues and various specimens of sculpture, in all 1,116 objects. Other suites of rooms are appropriated to Egyptian, Greek, and Roman antiquities, and in some of the apartments are objects of great value; that the amount of real worth of the contents of the Louvre must be incalculable, one casket alone of Mary de Medicis is estimated at several thousand pounds, and there are many articles equally costly. One portion of the building is devoted to every thing that concerns naval architecture and an immense variety of marine objects, with a number of curious models. The Louvre may be entered on presenting the passport, every day, and new wonders and beauties may be discovered at each visit, although they be repeated for months together.

We now pass on westward, and enter the Place du Carrousel, so called from Louis XIV having held a grand tournament there in 1662, but it was not then so extensive as at present. The triumphal arch erected by Napoleon in 1806, first strikes the eye a beautiful monument composed of different coloured marbles, of works in bronze with figures, and devices relative to war, and commemorative of the campaigns of the French army in 1805; all the different parts are admirable from the exquisite manner of their execution. On our left is the grand picture-gallery of the Louvre, communicating with the Tuileries, on the right, the same description of building exists in part, but is not yet completed. Before us spreads the extended dimensions of the palace of the Tuileries; with all deficiences it must be admitted that it is a noble pile, and has a grand, though heavy imposing air, the height of the roof is certainly a deformity, but we will enter the grand court-yard, which is separated from the Place du Carrousel by a handsome railing with gilt spear-heads, and then pass under the palace, and view the façade on the garden side, where the sameness of the building is relieved by a handsome colonnade in the centre, adorned with statues, vases, etc.; the wings also have a fine effect, they are more massive than the body of the building, which although not a beauty as respects the edifice in general, yet the execution of all the different parts is admirable in the identical detail; having a fair share of ornament not injudiciously disposed, situated as the Palace is seen, at the end of a splendid garden, it has a most striking and beautiful effect.

The interior contains many apartments which are, as might be expected, exceedingly handsome, one termed the Galerie de Diane is 176 feet long by 32 broad, it is of the time of Louis XIII, and rich in gilding and paintings, but generally the furniture is not so magnificent as might be imagined; those occupied by the Duke of Orléans are an exception; being very splendid. Amongst the numerous objects of _vertu_ which here abound is the large solid silver statue of Peace, presented to Napoleon by the city of Paris after the treaty of Amiens. The pictures are generally by the most eminent French artists. The Salle des Maréchaux contains the portraits of the living Marshals of France; Soult, Molitor, and Grouchy are the only remaining, whose names figured in the campaigns of Napoleon; on the whole it may be remarked that the apartments generally in the Tuileries are not equal in point of extent and decoration, to the saloons of many of the nobility of Paris. When the King is absent, the Palace may be viewed by applying to M. le Commandant du Château des Tuileries, and the same is the case with the apartments of the Duke of Orleans.

The gardens present a most agreeable aspect, although too stiff and formal to be in good taste, yet the mélange of noble high trees, wide gravel walks, marble basins, beautiful fountains, the most classic statues, beds of flowers, ornamental vases, and the commanding view to the Triumphal Arch, certainly form an _ensemble_ which produces the most delightful sensation; in fact, I never enter them, such is the cheering effect upon me, without having but one unpleasant feeling, and that is, to think that I have not time to go there oftener, and pass hours amongst such charming scenes. To view the number of sweet merry looking children, with their clean and neat _bonnes_ (nursery maids), all playing so happily together, enlivens the heart, then the retired walks between the dense foliage in the heat of summer invites the mind to meditation. The exquisitely beautiful statues are also most interesting objects of study, and I recommend them particularly to the attention of the visiter. On the northern side of the gardens, extends the handsome Rue Rivoli, with its noble colonnade; at No. 48, is the Hôtel des Finances, a spacious building covering a large extent of ground, containing several courts, with offices, and splendid apartments for the Minister. We shall now cross the Rue Rivoli, and take the Rue des Pyramides, also having an arcade all through the Rue St. Honoré, and facing us rises the noble church of St. Roch (vide page 97). The entrance is approached by a flight of steps, which have witnessed some sanguinary scenes, when Napoleon poured forth the iron hail of his artillery upon the opposing force which was there posted; again, in 1830, on the same spot, the people made a firm resistance against the gendarmerie of Charles X. The portal has two ranges of columns of corinthian and doric orders, the interior, although plain, has a fine appearance, heightened by the effect produced by many handsome monuments to illustrious characters who have been buried here, amongst the rest, Corneille; painting as well as sculpture has lent its aid in decorating this church, as it contains some fine pictures. The Royal Family attend here, and the music is very fine, but generally there are such crowds that it is difficult to enter. At No. 13 in the Rue d'Argenteuil, behind St. Roch, in 1684, Corneille died. A black slab in the court-yard bears an inscription and the bust of the poet.

Returning to the Rue St. Honoré, we proceed westward, and pass by the Rue Marché St. Honoré on our right, in which is a most commodious market. Pursuing our course we look down the Rue Castiglione, which communicates with the Rue Rivoli, and the Place Vendôme; it is remarkably handsome, and has a fine colonnade, at the corner is a fountain, which is plainer than they usually are, and a little farther to the west, at No. 369, is the Assomption (vide page 96). This church formerly belonged to a convent of nuns, styled Les Dames de l'Assomption, the remains may be perceived in the Rue Neuve du Luxembourg, and are now occupied as barracks. It was completed in 1676. It contains some interesting pictures. A chapel is contiguous, dedicated to St. Hyacinthe, which was erected in 1822. Continuing to follow the Rue St. Honoré, we cross the Rue Royale, displaying the fountains of the Place de la Concorde to our left, and the Madeleine on our right, we enter the Rue Faubourg St. Honoré, in which are many most superb hôtels, amongst the rest, the British Ambassador's, formerly the Hôtel Borghèse, occupied by the Princess Pauline, sister of Bonaparte; the next hôtel is that of the Baroness Pontalba, and is one of the most splendid in Paris, which the visiter must not fail to remark. We next come to the Palais de l'Elysée Bourbon, erected in 1718, and afterwards purchased and occupied by Madame de Pompadour, since when it has had many masters, amongst the rest, Murat, Napoleon, the Emperor of Russia, the Duke of Wellington, and the Duke de Berri, but it now belongs to the crown, and combines an appearance of splendid desolation, with a variety of associations, that cause us to muse on the fall of the great. The library which is over the council chamber was fitted up by Madame Murat, in the most exquisite style, as a surprise for her husband after his return from one of his campaigns; it next became the bed-room of Maria Louisa, and the birthplace of the daughter of the Duke and Duchess de Berri. Here also is shown the bed-room, and bed in which Napoleon last slept in Paris, after the battle of Waterloo. The building itself is handsome, and though not large, has an elegant appearance, some of the apartments are very splendid, but now having a solitary aspect. The garden, which is large, contains some noble trees, and is laid out in the Italian style. To see this Palace, apply for admission to M. l'Intendant de la Liste civile.

Facing the Elysée Bourbon, is the Hôtel Beauveau, in the Place Beauveau, occupied by the Neapolitan Ambassador. Still proceeding westward we come to the church St. Philippe du Roule, which was completed in 1784. It has but very little ornament, but is an exceedingly chaste production, the columns of the portico are doric, and those of the interior are ionic. It contains several good pictures. Nearly opposite is a handsome building with tuscan columns, and is used as stables for the King, and also a receptacle for his carriages. A short distance farther on is the Hôpital Beaujon, founded by the banker of that name in 1824, a handsome and well arranged building, having an air of health and cheerfulness; it contains 400 beds, and the situation is particularly salubrious, and so well ordered that the inspection of it will afford much gratification to the visiter. The Chapelle Beaujon, opposite, is by the same founder as the hospital, and may be considered as belonging to it.

We must now travel back as far as the British Ambassador's, and facing is the Rue d'Aguesseau, in which is the Episcopal Chapel, entirely appropriated to the English protestant worship, a building well adapted in every respect to the purposes for which it was erected. A few steps farther we turn to the right, which will bring us to the Rue de la Madeleine, in which we shall find the Chapelle Expiatoire, built over the spot where Louis XVI and Marie Antoinette were buried, immediately after their execution, and the interior is adorned by their statues; their remains were afterwards removed to St. Denis. This chapel is one of the most elegant and interesting monuments in Paris, it is in the form of a cross, with a dome in the centre. A short distance eastward, is the Collége Royal de Bourbon, No. 5, Rue St. Croix, which was built for a Convent of Capuchins, in 1781. It consists of a doorway in the centre, with columns, and two pavilions at the ends, one of which was the chapel of the convent, but is now the church St. Louis, a plain building of the doric order, but decorated by some fine fresco paintings, and four large pictures of saints, painted in wax. From hence we may take the Rue Joubert, opposite, and proceed until we arrive at the Rue de la Victoire, formerly called the Rue Chantereine, where resided Napoleon after his Italian campaign, and from hence went forth to strike the _coup d'état_ which dissolved the government on the 18th Brumaire. The house was built for the famous dancer Guimard, then passed to Madame Talma, who sold it to madame Beauharnais, afterwards the Empress Joséphine, who added the pavilion at the nearer end. Bertrand inhabited this mansion a short time after his return from St. Helena, at present it is untenanted, and undergoing repair; it belongs to the widow of General Lefebvre Desnouettes. In the garden is a bust of Napoleon, which certainly possesses no great merit. If disposed to extend our walk, we may proceed northward to the Rue de Clichy and there find a prison for debtors, in an airy, healthy situation, which is satisfactory information for some of our prodigal countrymen, too many of whom, I regret to say, have been, and are still, inhabitants of this building, which contains from 150 to 200 persons. In returning we will amuse ourselves in wandering about many of the streets of the Chaussée-d'Antin, both right and left, which have in them some most beautiful houses decorated with statues and the most elaborate carve-work. On returning to the Boulevards by the Madeleine, as we pass along we notice the Hôtel des Affaires Etrangères, or residence of the Minister of Foreign Affairs, corner of the Rue Neuve-des-Capucines, formerly belonging to Marshal Berthier, we then proceed to the eastward, and turn down the Rue Neuve St. Augustin, which will bring us to the point where the streets La Michodière and Port Mahon meet, at the beautiful Fontaine de Louis-le-Grand, with the statue of a Genius striking at a dolphin, with consistent ornaments extremely well executed.