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Chapter I

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We all settled down in a circle and our good friend Alexandr Vassilyevitch Ridel (his surname was German but he was Russian to the marrow of his bones) began as follows:

I am going to tell you a story, friends, of something that happened to me in the 'thirties ... forty years ago as you see. I will be brief--and don't you interrupt me.

I was living at the time in Petersburg and had only just left the University. My brother was a lieutenant in the horse-guard artillery. His battery was stationed at Krasnoe Selo--it was summer time. My brother lodged not at Krasnoe Selo itself but in one of the neighbouring villages; I stayed with him more than once and made the acquaintance of all his comrades. He was living in a fairly decent cottage, together with another officer of his battery, whose name was Ilya Stepanitch Tyeglev. I became particularly friendly with him.

Marlinsky is out of date now--no one reads him--and even his name is jeered at; but in the 'thirties his fame was above everyone's--and in the opinion of the young people of the day Pushkin could not hold candle to him. He not only enjoyed the reputation of being the foremost Russian writer; but--something much more difficult and more rarely met with--he did to some extent leave his mark on his generation. One came across heroes _à la_ Marlinsky everywhere, especially in the provinces and especially among infantry and artillery men; they talked and corresponded in his language; behaved with gloomy reserve in society--"with tempest in the soul and flame in the blood" like Lieutenant Byelosov in the "_Frigate Hope_." Women's hearts were "devoured" by them. The adjective applied to them in those days was "fatal." The type, as we all know, survived for many years, to the days of Petchorin. [Footnote: The leading character in Lermontov's _A Hero of Our Time_.--_Translator's Note_.] All sorts of elements were mingled in that type. Byronism, romanticism, reminiscences of the French Revolution, of the Dekabrists--and the worship of Napoleon; faith in destiny, in one's star, in strength of will; pose and fine phrases--and a miserable sense of the emptiness of life; uneasy pangs of petty vanity--and genuine strength and daring; generous impulses--and defective education, ignorance; aristocratic airs--and delight in trivial foppery.... But enough of these general reflections. I promised to tell you the story.

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Knock, Knock, Knock and Other StoriesChapter I

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