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Chapter XXI

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Colibri stood on the further side of the table and running her fingers several times over the strings of the guitar and to the surprise of Kuzma Vassilyevitch, who was expecting a lively, merry song, began singing a slow, monotonous air, accompanying each separate sound, which seemed as though it were wrung out of her by force, with a rhythmical swaying of her body to right and left. She did not smile, and indeed knitted her brows, her delicate, high, rounded eyebrows, between which a dark blue mark, probably burnt in with gunpowder, stood out sharply, looking like some letter of an oriental alphabet. She almost closed her eyes but their pupils glimmered dimly under the drooping lids, fastened as before on Kuzma Vassilyevitch. And he, too, could not look away from those marvellous, menacing eyes, from that dark-skinned face that gradually began to glow, from the half-closed and motionless lips, from the two black snakes rhythmically moving on both sides of her graceful head. Colibri went on swaying without moving from the spot and only her feet were working; she kept lightly shifting them, lifting first the toe and then the heel. Once she rotated rapidly and uttered a piercing shriek, waving the guitar high in the air.... Then the same monotonous movement accompanied by the same monotonous singing, began again. Kuzma Vassilyevitch sat meanwhile very quietly on the sofa and went on looking at Colibri; he felt something strange and unusual in himself: he was conscious of great lightness and freedom, too great lightness, in fact; he seemed, as it were, unconscious of his body, as though he were floating and at the same time shudders ran down him, a sort of agreeable weakness crept over his legs, and his lips and eyelids tingled with drowsiness. He had no desire now, no thought of anything ... only he was wonderfully at ease, as though someone were lulling him, "singing him to bye-bye," as Emilie had expressed it, and he whispered to himself, "little doll!" At times the face of the "little doll" grew misty. "Why is that?" Kuzma Vassilyevitch wondered. "From the smoke," he reassured himself. "There is such a blue smoke here." And again someone was lulling him and even whispering in his ear something so sweet ... only for some reason it was always unfinished. But then all of a sudden in the little doll's face the eyes opened till they were immense, incredibly big, like the arches of a bridge.... The guitar dropped, and striking against the floor, clanged somewhere at the other end of the earth.... Some very near and dear friend of Kuzma Vassilyevitch's embraced him firmly and tenderly from behind and set his cravat straight. Kuzma Vassilyevitch saw just before his own face the hooked nose, the thick moustache and the piercing eyes of the stranger with the three buttons on his cuff ... and although the eyes were in the place of the moustache and the nose itself seemed upside down, Kuzma Vassilyevitch was not in the least surprised, but, on the contrary, thought that this was how it ought to be; he was even on the point of saying to the nose, "Hullo, brother Grigory," but he changed his mind and preferred ... preferred to set off with Colibri to Constantinople at once for their forthcoming wedding, as she was a Turk and the Tsar promoted him to be an actual Turk.

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Knock, Knock, Knock and Other StoriesChapter XXI

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