Chapter CXLIV: Section 14: It was, as always, their tragedy that they had no means of

communicating, except through suffering; they had no work, and they had no art, and they had no religion. To Thyrsis it seemed that this last was the supreme need of their lives; but it was quite in vain that he tried to supply it. He had no theologies to offer, but he had a rough working faith that served his needs. He had a way of prayer--informal prayers, to the undiscovered gods--“Oh infinite Holiness of life, I seek to be reminded of Thee!” He would contemplate their failures and agonies and despairs, and floods of pity would well up in him; and then he would come back to Corydon, seeking to make these things real to her. But this he could never do--he could never carry her with him, he could never find anything with her but failure and disappointment.

This was, in part, the outrage that the creed-mongers had done to her; with their dead formulas and their grotesque legends and their stupid bigotries they had sullied and defaced all the symbols of religion--they had made a noble temple into a sepulchre of dead bones. They had taken her by force, when she was a child, and dragged her into it, and filled her with terror and loathing. To abandon the language of metaphor, they had sent her to a Protestant-Episcopal Sunday-school, where a vinegary spinster had taught her the catechism and the ten commandments. And so forever after the whole content of Christianity was a thing alien and hateful to her.

But also, in their disharmony was something even more fundamental. Corydon’s emotions did not come in the same way as her husband’s. With her a joy had to be a spontaneous thing; there could be no reasoning about it, and it was not the product nor the occasion of any act of will. In fact, if anyone were to say to Corydon, “Come, let us experience a certain emotion”--then straightway it would become certain that she might experience any emotion in the world, save only that one.

Thyrsis told himself that he was to blame for this having destroyed her spontaneity in the very beginning But how was he to have known that, understanding as he did no temperament but his own, being powerless to handle any tools but his own? The process of his soul’s life was to tell himself all his vices over; and so he would become filled with hatred of himself, and would forthwith evolve into something different. But with Corydon, this method produced, not rage and resolution, but only black despair. The process of Corydon’s soul-life was that some one else should come to her, and tell her that she was radiant and exquisite; and straightway she would become these things, and yet more of them; and until such a person came to her, all her soul’s life stood still.

This was illustrated whenever there was any misunderstanding between them, any crisis of unhappiness or fit of melancholia. It was quite in vain at such times that Thyrsis would ask her to sweep these things aside and forget them; it was disastrous to suggest that she put any blame upon herself, or scold herself into a different attitude. He might take days to make up his mind to do what he had to do--yet that fit of misery would last until he had come and done it. He had to put his arms about her, and make her realize that she was precious to him, that she was necessary to him, that he loved her and appreciated her and believed in her; so, and so only, would the current of her life begin once more to flow.

And why could he not do this more quickly? Why did he have to wait until she had suffered agonies? Why did he have to be dragged to it by the hair of his head, as it were--as a means of keeping her from going insane from misery? Was it that he did not really love her? Mocking voices in his soul told him that was it--but he knew it was not so. He loved her; but he loved her in his way, and that was not her way. And how shall one explain that strange impulse in the heart of man, that makes it impossible for him to be content with anything that is upon the earth--that makes him restless in the presence of beauty and love and joy, and all those things with which he so obviously ought to be content?

It is so clearly irrational and unjustifiable; and yet that impulse continues to drive him forth, as it drove him to destroy the statues in the Athenian temples, and to burn the silken robes and the jewelled treasures in the public-squares of Venice. One contemplates the thing in its most unlovely aspects--in the form of Simeon Stylites upon his pillar, devoured by worms, or of Bernard Gui, with his racks and his thumb-screws and his “secular arm”--and it seems the very culmination of all human madness and horror. And yet, it does not cease to come; and he upon whom it seizes may not free himself by any power of his will, by any cunning of his wit; and no agony of yearning and grief may be sufficient to enable him to love a woman as a woman desires to be loved.