Chapter XXXVI: of the Mississippi book (23)

DEAR KUMAR SAHIB,--It would be hard for me to put into words how
much my family & I enjoyed our visit to your hospitable house. It
was our first glimpse of the home of an Eastern Prince, & the charm
of it, the grace & beauty & dignity of it realized to us the
pictures which we had long ago gathered from books of travel &
Oriental tales. We shall not forget that happy experience, nor your
kind courtesies to us, nor those of her Highness to my wife &
daughter. We shall keep always the portrait & the beautiful things
you gave us; & as long as we live a glance at them will bring your
house and its life & its sumptuous belongings & rich harmonies of
color instantly across the years & the oceans, & we shall see them
again, & how welcome they will be!

We make our salutation to your Highness & to all members of your
family--including, with affectionate regard, that littlest little
sprite of a Princess--& I beg to sign myself

Sincerely yours,
S. L. CLEMENS.

BENARES, February 5, 1896.

They had been entertained in truly royal fashion by Prince Kumar, who, after refreshments, had ordered in “bales of rich stuffs” in the true Arabian Nights fashion, and commanded his servants to open them and allow his guests to select for themselves.

With the possible exception of General Grant's long trip in '78 and '79 there has hardly been a more royal progress than Mark Twain's trip around the world. Everywhere they were overwhelmed with honors and invitations, and their gifts became so many that Mrs. Clemens wrote she did not see how they were going to carry them all. In a sense, it was like the Grant trip, for it was a tribute which the nations paid not only to a beloved personality, but to the American character and people.

The story of that East Indian sojourn alone would fill a large book, and Mark Twain, in his own way, has written that book, in the second volume of Following the Equator, an informing, absorbing, and enchanting story of Indian travel.

Clemens lectured everywhere to jammed houses, which were rather less profitable than in Australia, because in India the houses were not built for such audiences as he could command. He had to lecture three times in Calcutta, and then many people were turned away. At one place, however, his hall was large enough. This was in the great Hall of the Palace, where durbars are held, at Bombay.

Altogether they were two months in India, and then about the middle of March an English physician at Jeypore warned them to fly for Calcutta and get out of the country immediately before the real heat set in.

They sailed toward the end of March, touched at Madras and again at Ceylon, remaining a day or two at Colombo, and then away to sea again, across the Indian Ocean on one of those long, peaceful, eventless, tropic voyages, where at night one steeps on deck and in daytime wears the whitest and lightest garments and cares to do little more than sit drowsily in a steamer-chair and read and doze and dream.

From the note-book:

Here in the wastes of the Indian Ocean just under the equator the
sea is blue, the motion gentle, the sunshine brilliant, the broad
decks with their grouped companies of talking, reading, or game-
playing folk suggestive of a big summer hotel--but outside of the
ship is no life visible but the occasional flash of a flying-fish.
I would like the voyage, under these conditions, to continue
forever.

The Injian Ocean sits and smiles
So sof', so bright, so bloomin' blue,
There aren't a wave for miles an' miles
Excep' the jiggle of the screw.

--KIP.

How curiously unanecdotical the colonials and the ship-going English
are--I believe I haven't told an anecdote or heard one since I left
America, but Americans when grouped drop into anecdotes as soon as
they get a little acquainted.

Preserve your illusions. When they are gone you may still exist,
but not live.

Swore off from profanity early this morning--I was on deck in the
peaceful dawn, the calm of holy dawn. Went down, dressed, bathed,
put on white linen, shaved--a long, hot, troublesome job and no
profanity. Then started to breakfast. Remembered my tonic--first
time in 3 months without being told--poured it into measuring-glass,
held bottle in one hand, it in the other, the cork in my teeth
--reached up & got a tumbler--measuring-glass slipped out of my
fingers--caught it, poured out another dose, first setting the
tumbler on wash-stand--just got it poured, ship lurched, heard a
crash behind me--it was the tumbler, broken into millions of
fragments, but the bottom hunk whole. Picked it up to throw out of
the open port, threw out the measuring-glass instead--then I
released my voice. Mrs. Clemens behind me in the door.

“Don't reform any more. It is not an improvement.”

This is a good time to read up on scientific matters and improve the
mind, for about us is the peace of the great deep. It invites to
dreams, to study, to reflection. Seventeen days ago this ship
sailed out of Calcutta, and ever since, barring a day or two in
Ceylon, there has been nothing in sight but the tranquil blue sea &
a cloudless blue sky. All down the Bay of Bengal it was so. It is
still so in the vast solitudes of the Indian Ocean--17 days of
heaven. In 11 more it will end. There will be one passenger who
will be sorry. One reads all day long in this delicious air. Today
I have been storing up knowledge from Sir John Lubbock about the
ant. The thing which has struck me most and most astonished me is
the ant's extraordinary powers of identification--memory of his
friend's person. I will quote something which he says about Formica
fusca. Formica fusca is not something to eat; it's the name of a
breed of ants.

He does quote at great length and he transferred most of it later to his book. In another note he says:

In the past year have read Vicar of Wakefield and some of Jane
Austen--thoroughly artificial. Have begun Children of the Abbey.
It begins with this “Impromptu” from the sentimental heroine:

“Hail, sweet asylum of my infancy! Content and innocence reside
beneath your humble roof and charity unboastful of the good it
renders.... Here unmolested may I wait till the rude storm
of sorrow is overblown and my father's arms are again extended to
receive me.”

Has the ear-marks of preparation.

They were at the island of Mauritius by the middle of April, that curious bit of land mainly known to the world in the romance of Paul and Virginia, a story supposed by some in Mauritius to be “a part of the Bible.” They rested there for a fortnight and then set sail for South Africa on the ship Arundel Castle, which he tells us is the finest boat he has seen in those waters.

It was the end of the first week in May when they reached Durban and felt that they were nearing home.

One more voyage and they would be in England, where they had planned for Susy and Jean to join them.

Mrs. Clemens, eager for letters, writes of her disappointment in not finding one from Susy. The reports from Quarry Farm had been cheerful, and there had been small snap-shot photographs which were comforting, but her mother heart could not be entirely satisfied that Susy did not send letters. She had a vague fear that some trouble, some illness, had come to Susy which made her loath to write. Susy was, in fact, far from well, though no one, not even Susy herself, suspected how serious was her condition.

Mrs. Clemens writes of her own hopefulness, but adds that her husband is often depressed.

Mr. Clemens has not as much courage as I wish he had, but, poor old
darling, he has been pursued with colds and inabilities of various
sorts. Then he is so impressed with the fact that he is sixty years
old. Naturally I combat that thought all I can, trying to make him
rejoice that he is not seventy....

He does not believe that any good thing will come, but that we must
all our lives live in poverty. He says he never wants to go back to
America. I cannot think that things are as black as he paints them,
and I trust that if I get him settled down for work in some quiet
English village he will get back much of his cheerfulness; in fact,
I believe he will because that is what he wants to do, and that is
the work that he loves: The platform he likes for the two hours that
he is on it, but all the rest of the time it grinds him, and he says
he is ashamed of what he is doing. Still, in spite of this sad
undercurrent, we are having a delightful trip. People are so nice,
and with people Mr. Clemens seems cheerful. Then the ocean trips
are a great rest to him.

Mrs. Clemens and Clara remained at the hotel in Durban while Clemens made his platform trip to the South African cities. It was just at the time when the Transvaal invasion had been put down--when the Jameson raid had come to grief and John Hares Hammond, chief of the reformers, and fifty or more supporters were lying in the jail at Pretoria under various sentences, ranging from one to fifteen years, Hammond himself having received the latter award. Mrs. Hammond was a fellow-Missourian; Clemens had known her in America. He went with her now to see the prisoners, who seemed to be having a pretty good time, expecting to be pardoned presently; pretending to regard their confinement mainly as a joke. Clemens, writing of it to Twichell, said:

A Boer guard was at my elbow all the time, but was courteous &
polite, only he barred the way in the compound (quadrangle or big
open court) & wouldn't let me cross a white mark that was on the
ground--the “deathline,” one of the prisoners called it. Not in
earnest, though, I think. I found that I had met Hammond once when
he was a Yale senior & a guest of General Franklin's. I also found
that I had known Captain Mein intimately 32 years ago. One of the
English prisoners had heard me lecture in London 23 years ago....

These prisoners are strong men, prominent men, & I believe they are
all educated men. They are well off; some of them are wealthy.
They have a lot of books to read, they play games & smoke, & for a
while they will be able to bear up in their captivity; but not for
long, not for very long, I take it. I am told they have times of
deadly brooding and depression. I made them a speech--sitting down.
It just happened so. I don't prefer that attitude. Still, it has
one advantage--it is only a talk, it doesn't take the form of a
speech.... I advised them at considerable length to stay
where they were--they would get used to it & like it presently; if
they got out they would only get in again somewhere else, by the
look of their countenances; & I promised to go and see the President
& do what I could to get him to double their jail terms....
We had a very good sociable time till the permitted time was up &.
a little over & we outsiders had to go. I went again to-day, but
the Rev. Mr. Gray had just arrived, & the warden, a genial, elderly
Boer named Du Plessis, explained that his orders wouldn't allow him
to admit saint & sinner at the same time, particularly on a Sunday.
Du Plessis descended from the Huguenot fugitives, you see, of 200
years ago--but he hasn't any French left in him now--all Dutch.

Clemens did visit President Kruger a few days later, but not for the purpose explained. John Hayes Hammond, in a speech not long ago (1911), told how Mark Twain was interviewed by a reporter after he left the jail, and when the reporter asked if the prisoners were badly treated Clemens had replied that he didn't think so, adding:

“As a matter of fact, a great many of these gentlemen have fared far worse in the hotels and mining-camps of the West.”

Said Hammond in his speech: “The result of this was that the interview was reported literally and a leader appeared in the next morning's issue protesting against such lenience. The privations, already severe enough, were considerably augmented by that remark, and it required some three or four days' search on the part of some of our friends who were already outside of jail to get hold of Mark Twain and have him go and explain to Kruger that it was all a joke.”

Clemens made as good a plea to “Oom Paul” as he could, and in some degree may have been responsible for the improved treatment and the shortened terms of the unlucky reformers.

They did not hurry away from South Africa. Clemens gave many readings and paid a visit to the Kimberley mines. His note-book recalls how poor Riley twenty-five years before had made his fatal journey.

It was the 14th of July, 1896, a year to a day since they left Elmira, that they sailed by the steamer Norman for England, arriving at Southampton the 31st. It was from Southampton that they had sailed for America fourteen months before. They had completed the circuit of the globe.

CXCIII. THE PASSING OF SUSY

It had been arranged that Katie Leary should bring Jean and Susy to England. It was expected that they would arrive soon, not later than the 12th, by which time the others would be established. The travelers proceeded immediately to London and engaged for the summer a house in Guildford, modest quarters, for they were still economizing, though Mark Twain had reason to hope that with the money already earned and the profits of the book he would write of his travels he could pay himself free. Altogether, the trip had been prosperous. Now that it was behind him, his health and spirits had improved. The outlook was brighter.

August 12th came, but it did not bring Katie and the children. A letter came instead. Clemens long afterward wrote:

It explained that Susy was slightly ill-nothing of consequence. But
we were disquieted and began to cable for later news. This was
Friday. All day no answer--and the ship to leave Southampton next
day at noon. Clara and her mother began packing, to be ready in
case the news should be bad. Finally came a cablegram saying, “Wait
for cablegram in the morning.” This was not satisfactory--not
reassuring. I cabled again, asking that the answer be sent to
Southampton, for the day was now closing. I waited in the post-
office that night till the doors were closed, toward midnight, in
the hope that good news might still come, but there was no message.
We sat silent at home till one in the morning waiting--waiting for
we knew not what. Then we took the earlier morning train, and when
we reached Southampton the message was there. It said the recovery
would be long but certain. This was a great relief to me, but not
to my wife. She was frightened. She and Clara went aboard the
steamer at once and sailed for America, to nurse Susy. I remained
behind to search for another and larger house in Guildford.

That was the 15th of August, 1896. Three days later, when my wife
and Clara were about half-way across the ocean, I was standing in
our dining-room, thinking of nothing in particular, when a cablegram
was put into my hand. It said, “Susy was peacefully released
to-day.”

Some of those who in later years wondered at Mark Twain's occasional attitude of pessimism and bitterness toward all creation, when his natural instinct lay all the other way, may find here some reasons in his logic of gloom. For years he and his had been fighting various impending disasters. In the end he had torn his family apart and set out on a weary pilgrimage to pay, for long financial unwisdom, a heavy price--a penance in which all, without complaint, had joined. Now, just when it seemed about ended, when they were ready to unite and be happy once more, when he could hold up his head among his fellows--in this moment of supreme triumph had come the message that Susy's lovely and blameless life was ended. There are not many greater dramas in fiction or in history than this. The wonder is not that Mark Twain so often preached the doctrine of despair during his later life, but that he did not exemplify it--that he did not become a misanthrope in fact.

Mark Twain's life had contained other tragedies, but no other that equaled this one. This time none of the elements were lacking--not the smallest detail. The dead girl had been his heart's pride; it was a year since he had seen her face, and now by this word he knew that he would never see it again. The blow had found him alone absolutely alone among strangers--those others--half-way across the ocean, drawing nearer and nearer to it, and he with no way to warn them, to prepare them, to comfort them.

Clemens sought no comfort for himself. Just as nearly forty years before he had writhed in self-accusation for the death of his younger brother, and as later he held himself to blame for the death of his infant son, so now he crucified himself as the slayer of Susy. To Mrs. Clemens he poured himself out in a letter in which he charged himself categorically as being wholly and solely responsible for the tragedy, detailing step by step with fearful reality his mistakes and weaknesses which had led to their downfall, the separation from Susy, and this final incredible disaster. Only a human being, he said, could have done these things.

Susy Clemens had died in the old Hartford home. She had been well for a time at Quarry Farm, well and happy, but during the summer of '96 she had become restless, nervous, and unlike herself in many ways. Her health seemed to be gradually failing, and she renewed the old interest in mental science, always with the approval of her parents. Clemens had great faith in mind over matter, and Mrs. Clemens also believed that Susy's high-strung nature was especially calculated to receive benefit from a serene and confident mental attitude. From Bombay, in January, she wrote Mrs. Crane:

I am very glad indeed that Susy has taken up Mental Science, and I do hope it may do her as much good as she hopes. Last winter we were so very anxious to have her get hold of it, and even felt at one time that we must go to America on purpose to have her have the treatment, so it all seems very fortunate that it should have come about as it has this winter.

Just how much or how little Susy was helped by this treatment cannot be known. Like Stevenson, she had “a soul of flame in a body of gauze,” a body to be guarded through the spirit. She worked continuously at her singing and undoubtedly overdid herself. Early in the year she went over to Hartford to pay some good-by visit, remaining most of the time in the home of Charles Dudley Warner, working hard at her singing. Her health did not improve, and when Katie Leary went to Hartford to arrange for their departure she was startled at the change in her.

“Miss Susy; you are sick,” she said. “You must have the doctor come.”

Susy refused at first, but she grew worse and the doctor was sent for. He thought her case not very serious--the result, he said, of overwork. He prescribed some soothing remedies, and advised that she be kept very quiet, away from company, and that she be taken to her own home, which was but a step away. It was then that the letter was written and the first cable sent to England. Mrs. Crane was summoned from Elmira, also Charles Langdon. Mr. Twichell was notified and came down from his summer place in the Adirondacks.

Susy did not improve. She became rapidly worse, and a few days later the doctor pronounced her ailment meningitis. This was on the 15th of August--that hot, terrible August of 1896. Susy's fever increased and she wandered through the burning rooms in delirium and pain; then her sight left her, an effect of the disease. She lay down at last, and once, when Katie Leary was near her, she put her hands on Katie's face and said, “mama.” She did not speak after that, but sank into unconsciousness, and on the evening of Tuesday, August 18th, the flame went out forever.

To Twichell Clemens wrote of it:

Ah, well, Susy died at home. She had that privilege. Her dying
eyes rested upon no thing that was strange to them, but only upon
things which they had known & loved always & which had made her
young years glad; & she had you & Sue & Katie & & John & Ellen.
This was happy fortune--I am thankful that it was vouchsafed to her.
If she had died in another house--well, I think I could not have
borne that. To us our house was not unsentient matter--it had a
heart & a soul & eyes to see us with, & approvals & solicitudes &
deep sympathies; it was of us, & we were in its confidence, & lived
in its grace & in the peace of its benediction. We never came home
from an absence that its face did not light up & speak out its
eloquent welcome--& we could not enter it unmoved. And could we
now? oh, now, in spirit we should enter it unshod.

A tugboat with Dr. Rice, Mr. Twichell, and other friends of the family went down the bay to meet the arriving vessel with Mrs. Clemens and Clara on board. It was night when the ship arrived, and they did not show themselves until morning; then at first to Clara. There had been little need to formulate a message--their presence there was enough--and when a moment later Clara returned to the stateroom her mother looked into her face and she also knew. Susy already had been taken to Elmira, and at half past ten that night Mrs. Clemens and Clara arrived there by the through train--the same train and in the same coach which they had taken one year and one month before on their journey westward around the world.

And again Susy was there, not waving her welcome in the glare of the lights as she had waved her farewell to us thirteen months before, but lying white and fair in her coffin in the house where she was born.

They buried her with the Langdon relatives and the little brother, and ordered a headstone with some lines which they had found in Australia:

Warm summer sun shine kindly here; Warm southern wind blow softly here; Green sod above lie light, lie light Good night, dear heart, good night, good night. --[These lines at first were generally attributed to Clemens himself. When this was reported to him he ordered the name of the Australian poet, Robert Richardson, cut beneath them. The word “southern” in the original read “northern,” as in Australia, the warm wind is from the north. Richardson died in England in 1901.]

CXCIV. WINTER IN TEDWORTH SQUARE

Mrs. Clemens, Clara, and Jean, with Katie Leary, sailed for England without delay. Arriving there, they gave up the house in Guildford, and in a secluded corner of Chelsea, on the tiny and then almost unknown Tedworth Square (No. 23), they hid themselves away for the winter. They did not wish to be visited; they did not wish their whereabouts known except to a few of their closest friends. They wanted to be alone with their sorrow, and not a target for curious attention. Perhaps not a dozen people in London knew their address and the outside world was ignorant of it altogether. It was through this that a wild report started that Mark Twain's family had deserted him--that ill and in poverty he was laboring alone to pay his debts. This report--exploited in five-column head-lines by a hyper-hysterical paper of that period received wide attention.

James Ross Clemens, of the St. Louis branch, a nephew of Frau von Versen, was in London just then, and wrote at once, through Chatto & Windus, begging Mark Twain to command his relative's purse. The reply to this kind offer was an invitation to tea, and “Young Doctor Jim,” as he was called, found his famous relative by no means abandoned or in want, but in pleasant quarters, with his family still loyal. The general impression survived, however, that Mark Twain was sorely pressed, and the New York Herald headed a public benefit fund for the payment of his debts. The Herald subscribed one thousand dollars on its own account, and Andrew Carnegie followed with another thousand, but the enterprise was barely under way when Clemens wrote a characteristic letter, in which he declared that while he would have welcomed the help offered, being weary of debt, his family did not wish him to accept and so long as he was able to take care of them through his own efforts.

Meantime he was back into literary harness; a notebook entry for October 24, 1896, says:

“Wrote the fist chapter of the book to-day-'Around the World'.”

He worked at it uninterruptedly, for in work; there was respite, though his note-books show something of his mental torture, also his spiritual heresies. His series of mistakes and misfortunes, ending with the death of Susy, had tended to solidify his attitude of criticism toward things in general and the human race in particular.

“Man is the only animal that blushes, or that needs to,” was one of his maxims of this period, and in another place he sets down the myriad diseases which human flesh is heir to and his contempt for a creature subject to such afflictions and for a Providence that could invent them. Even Mrs. Clemens felt the general sorrow of the race. “Poor, poor human nature,” she wrote once during that long, gloomy winter.

Many of Mark Twain's notes refer to Susy. In one he says:

“I did not hear her glorious voice at its supremest--that was in Hartford a month or two before the end.”

Notes of heavy regret most of them are, and self-reproach and the hopelessness of it all. In one place he records her accomplishment of speech, adding:

“And I felt like saying 'you marvelous child,' but never said it; to my sorrow I remember it now. But I come of an undemonstrative race.”

He wrote to Twichell:

But I have this consolation: that dull as I was I always knew enough
to be proud when she commended me or my work--as proud as if Livy
had done it herself--& I took it as the accolade from the hand of
genius. I see now--as Livy always saw--that she had greatness in
her, & that she herself was dimly conscious of it.

And now she is dead--& I can never tell her.

And closing a letter to Howells:

Good-by. Will healing ever come, or life have value again?

And shall we see Susy? Without doubt! without a shadow of doubt if
it can furnish opportunity to break our hearts again.

On November 26th, Thanksgiving, occurs this note:

“We did not celebrate it. Seven years ago Susy gave her play for
the first time.”

And on Christmas:

London, 11.30 Xmas morning. The Square & adjacent streets are not
merely quiet, they are dead. There is not a sound. At intervals a
Sunday-looking person passes along. The family have been to
breakfast. We three sat & talked as usual, but the name of the day
was not mentioned. It was in our minds, but we said nothing.

And a little later:

Since bad luck struck us it is risky for people to have to do with
us. Our cook's sweetheart was healthy. He is rushing for the grave
now. Emily, one of the maids, has lost the sight of one eye and the
other is in danger. Wallace carried up coal & blacked the boots two
months--has suddenly gone to the hospital--pleurisy and a bad case.
We began to allow ourselves to see a good deal of our friends, the
Bigelows--straightway their baby sickened & died. Next Wilson got
his skull fractured.

January 23, 1897. I wish the Lord would disguise Himself in
citizen's clothing & make a personal examination of the sufferings
of the poor in London. He would be moved & would do something for
them Himself.

CXCV. “PERSONAL RECOLLECTIONS OF JOAN OF ARC”.

Meantime certain publishing events had occurred. During his long voyage a number of Mark Twain's articles had appeared in the magazines, among them “Mental Telegraphy Again,” in Harpers, and in the North American Review that scorching reply to Paul Bourget's reflections upon America. Clemens could criticize his own nation freely enough, but he would hardly be patient under the strictures of a Frenchman, especially upon American women.

There had been book publication also during this period. The Harpers had issued an edition of 'Tom Sawyer Abroad', which included another Tom and Huck story 'Tom Sawyer, Detective', written in Paris, and the contents of the old White Elephant book.

But there had been a much more important book event. The chapters of his story of Joan having run their course in Harper's Magazine had been issued as a volume.

As already mentioned, Joan had been early recognized as Mark Twain's work, and it was now formally acknowledged as such on the title-page. It is not certain now that the anonymous beginning had been a good thing. Those who began reading it for its lofty charm, with the first hint of Mark Twain as the author became fearful of some joke or burlesque. Some who now promptly hastened to read it as Mark Twain's, were inclined to be disappointed at the very lack of these features. When the book itself appeared the general public, still doubtful as to its merits, gave it a somewhat dubious reception. The early sales were disappointing.

Nor were the reviewers enthusiastic, as a rule. Perhaps they did not read it over-carefully, or perhaps they were swayed a good deal by a sort of general verdict that, in attempting 'Joan of Arc', Mark Twain had gone out of his proper field. Furthermore, there were a number of Joan books published just then, mainly sober, somber books, in which Joan was pictured properly enough as a saint, and never as anything else--never being permitted to smile or enjoy the lighter side of life, to be a human being, in fact, at all.

But this is just the very wonder of Mark Twain's Joan. She is a saint; she is rare, she is exquisite, she is all that is lovely, and she is a human being besides. Considered from every point of view, Joan of Arc is Mark Twain's supreme literary expression, the loftiest, the most delicate, the most luminous example of his work. It is so from the first word of its beginning, that wonderful “Translator's Preface,” to the last word of the last chapter, where he declares that the figure of Joan with the martyr's crown upon her head shall stand for patriotism through all time.

The idyllic picture of Joan's childhood with her playmates around the fairy tree is so rare in its delicacy and reality that any attempt to recall it here would disturb its bloom. The little poem, “L'Arbre fee de Bourlemont,” Mark Twain's own composition, is a perfect note, and that curiously enough, for in versification he was not likely to be strong. Joan's girlhood, the picture of her father's humble cottage, the singing there by the wandering soldier of the great song of Roland which stirred her deepest soul with the love of France, Joan's heroism among her playmates, her wisdom, her spiritual ideals-are not these all reverently and nobly told, and with that touch of tenderness which only Mark Twain could give? And the story of her voices, and her march, and of her first appearance before the wavering king. And then the great coronation scene at Rheims, and the dramatic moment when Joan commands the march on Paris--the dragging of the hopeless trial, and that last, fearful day of execution, what can surpass these? Nor must we forget those charming, brighter moments where Joan is shown just as a human being, laughing until the tears run at the absurdities of the paladin or the simple home prattle of her aged father and uncle. Only here and there does one find a touch--and it is never more than that--of the forbidden thing, the burlesque note which was so likely to be Mark Twain's undoing.

It seems incredible to-day that any reader, whatever his preconceived notions of the writer might have been, could have followed these chapters without realizing their majesty, and that this tale of Joan was a book such as had not before been written. Let any one who read it then and doubted, go back and consider it now. A surprise will await him, and it will be worth while. He will know the true personality of Joan of Arc more truly than ever before, and he will love her as the author loved her, for “the most innocent, the most lovely, the most adorable child the ages have produced.”

The tale is matchless in its workmanship. The quaint phrasing of the old Sieur de Conte is perfectly adapted to the subject-matter, and the lovely character of the old narrator himself is so perfectly maintained that we find ourselves all the time as in an atmosphere of consecration, and feel that somehow we are helping him to weave a garland to lay on Joan's tomb. Whatever the tale he tells, he is never more than a step away. We are within sound of his voice, we can touch his presence; we ride with him into battle; we laugh with him in the by-play and humors of warfare; we sit hushed at his side through the long, fearful days of the deadly trial, and when it is all ended it is to him that we turn to weep for Joan--with him only would we mingle our tears. It is all bathed in the atmosphere of romance, but it is the ultimate of realism, too; not hard, sordid, ugly realism, but noble, spiritual, divine realism, belonging to no particular class or school--a creation apart. Not all of Mark Twain's tales have been convincing, but there is no chapter of his Joan that we doubt. We believe it all happened--we know that it must have happened, for our faith in the Sieur de Conte never for an instant wavers.

Aside from the personality of the book--though, in truth, one never is aside from it--the tale is a marvel in its pageantry, its splendid panorama and succession of stirring and stately scenes. The fight before Orleans, the taking of the Tourelles and of Jargeau, all the movement of that splendid march to Rheims, there are few better battle-pictures than these. Howells, always interested mainly in the realism of to-day, in his review hints at staginess in the action and setting and even in Joan herself. But Howells himself did not accept his earlier judgment as final. Five years later he wrote:

“She is indeed realized to the modern sense as few figures of the past have been realized in fiction.”

As for the action, suppose we consider a brief bit of Joan's warfare. It is from the attack on the Tourelles:

Joan mounted her horse now with her staff about her, and when our
people saw us coming they raised a great shout, and were at once
eager for another assault on the boulevard. Joan rode straight to
the foss where she had received her wound, and, standing there in
the rain of bolts and arrows, she ordered the paladin to let her
long standard blow free, and to note when its fringes should touch
the fortress. Presently he said:

“It touches.”

“Now, then,” said Joan to the waiting battalions, “the place is
yours--enter in! Bugles, sound the assault! Now, then--all
together--go!”

And go it was. You never saw anything like it. We swarmed up the
ladders and over the battlements like a wave--and the place was our
property. Why, one might live a thousand years and never see so
gorgeous a thing as that again....

We were busy and never heard the five cannon-shots fired, but they
were fired a moment after Joan had ordered the assault; and so,
while we were hammering and being hammered in the smaller fortress,
the reserve on the Orleans side poured across the bridge and
attacked the Tourelles from that side. A fireboat was brought down
and moored under the drawbridge which connected the Tourelles with
our boulevard; wherefore, when at last we drove our English ahead of
us, and they tried to cross that drawbridge and join their friends
in the Tourelles, the burning timbers gave way under them and
emptied them in a mass into the river in their heavy armor--and a
pitiful sight it was to see brave men die such a death as that.

“God pity them!” said Joan, and wept to see that sorrowful
spectacle. She said those gentle words and wept those compassionate
tears, although one of those perishing men had grossly insulted her
with a coarse name three days before when she had sent him a message
asking him to surrender. That was their leader, Sir William
Glasdale, a most valorous knight. He was clothed all in steel; so
he plunged under the water like a lance, and of course came up no
more.

We soon patched a sort of bridge together and threw ourselves
against the last stronghold of the English power that barred Orleans
from friends and supplies. Before the sun was quite down Joan's
forever memorable day's work was finished, her banner floated from
the fortress of the Tourelles, her promise was fulfilled, she had
raised the siege of Orleans!

England had resented the Yankee, but it welcomed Joan. Andrew Lang adored it, and some years later contemplated dedicating his own book, 'The Maid of France', to Mark Twain.'--[His letter proposing this dedication, received in 1909, appears to have been put aside and forgotten by Mr. Clemens, whose memory had not improved with failing health.]

Brander Matthews ranks Huck Finn before Joan of Arc, but that is understandable. His literary culture and research enable him, in some measure, to comprehend the production of Joan; whereas to him Huck is pure magic. Huck is not altogether magic to those who know the West--the character of that section and the Mississippi River, especially of an older time--it is rather inspiration resulting from these existing things. Joan is a truer literary magic--the reconstruction of a far-vanished life and time. To reincarnate, as in a living body of the present, that marvelous child whose life was all that was pure and exalted and holy, is veritable necromancy and something more. It is the apotheosis of history.

Throughout his life Joan of Arc had been Mark Twain's favorite character in the world's history. His love for her was a beautiful and a sacred thing. He adored young maidenhood always and nobility of character, and he was always the champion of the weak and the oppressed. The combination of these characteristics made him the ideal historian of an individuality and of a career like hers. It is fitting that in his old age (he was nearing sixty when it was finished) he should have written this marvelously beautiful thing. He could not have written it at an earlier time. It had taken him all these years to prepare for it; to become softened, to acquire the delicacy of expression, the refinement of feeling, necessary to the achievement.

It was the only book of all he had written that Mark Twain considered worthy of this dedication:

1870 To MY WIFE 1895
OLIVIA LANGDON CLEMENS
THIS BOOK

is tendered on our wedding anniversary in grateful recognition
of her twenty-five years of valued service as my literary
adviser and editor.
THE AUTHOR

The Personal Recollections of Joan of Arc was a book not understood in the beginning, but to-day the public, that always renders justice in the end, has reversed its earlier verdict. The demand for Joan has multiplied many fold and it continues to multiply with every year. Its author lived long enough to see this change and to be comforted by it, for though the creative enthusiasm in his other books soon passed, his glory in the tale of Joan never died. On his seventy-third birthday, when all of his important books were far behind him, and he could judge them without prejudice, he wrote as his final verdict:

Nov. 30, 1908

I like the Joan of Arc best of all my books; & it is the best; I know it perfectly well. And besides, it furnished me seven times the pleasure afforded me by any of the others: 12 years of preparation & a years of writing. The others needed no preparation, & got none.

MARK TWAIN.

CXCVI. MR. ROGERS AND HELEN KELLER

It was during the winter of '96, in London, that Clemens took an active interest in the education of Helen Keller and enlisted the most valuable adherent in that cause, that is to say, Henry H. Rogers. It was to Mrs. Rogers that he wrote, heading his letter:

For & in behalf
of Helen Keller,
Stone blind & deaf,
& formerly dumb.

DEAR MRS. ROGERS,--Experience has convinced me that when one
wished to set a hard-worked man at something which he mightn't
prefer to be bothered with it is best to move upon him behind his
wife. If she can't convince him it isn't worth while for other
people to try.

Mr. Rogers will remember our visit with that astonishing girl at
Lawrence Hutton's house when she was fourteen years old. Last July,
in Boston, when she was 16 she underwent the Harvard examination for
admission to Radcliffe College. She passed without a single
condition. She was allowed only the same amount of time that is
granted to other applicants, & this was shortened in her case by the
fact that the question-papers had to be read to her. Yet she scored
an average of 90, as against an average of 78 on the part of the
other applicants.

It won't do for America to allow this marvelous child to retire from
her studies because of poverty. If she can go on with them she will
make a fame that will endure in history for centuries. Along her
special lines she is the most extraordinary product of all the ages.

There is danger that she must retire from the struggle for a college
degree for lack of support for herself & for Miss Sullivan (the
teacher who has been with her from the start--Mr. Rogers will
remember her). Mrs. Hutton writes to ask me to interest rich
Englishmen in her case, & I would gladly try, but my secluded life
will not permit it. I see nobody. Nobody knows my address.
Nothing but the strictest hiding can enable me to write my book in
time.

So I thought of this scheme: Beg you to lay siege to your husband &
get him to interest himself and Messrs. John D. & William
Rockefeller & the other Standard Oil chiefs in Helen's case; get
them to subscribe an annual aggregate of six or seven hundred or a
thousand dollars--& agree to continue this for three or four years,
until she has completed her college course. I'm not trying to limit
their generosity--indeed no; they may pile that Standard Oil Helen
Keller College Fund as high as they please; they have my consent.

Mrs. Hutton's idea is to raise a permanent fund, the interest upon
which shall support Helen & her teacher & put them out of the fear
of want. I sha'n't say a word against it, but she will find it a
difficult & disheartening job, & meanwhile what is to become of that
miraculous girl?

No, for immediate and sound effectiveness, the thing is for you to
plead with Mr. Rogers for this hampered wonder of your sex, & send
him clothed with plenary powers to plead with the other chiefs--they
have spent mountains of money upon the worthiest benevolences, & I
think that the same spirit which moved them to put their hands down
through their hearts into their pockets in those cases will answer.
“Here!” when its name is called in this one.

There--I don't need to apologize to you or to H. H. for this appeal
that I am making; I know you too well for that:

Good-by, with love to all of you,
S. L. CLEMENS.

The result of this letter was that Mr. Rogers personally took charge of Helen Keller's fortunes, and out of his own means made it possible for her to continue her education and to achieve for herself the enduring fame which Mark Twain had foreseen.

Mr. Rogers wrote that, by a curious coincidence, a letter had come to him from Mrs. Hutton on the same morning that Mrs. Rogers had received hers from Tedworth Square. Clemens sent grateful acknowledgments to Mrs. Rogers.

DEAR MRS. ROGERS,--It is superb! And I am beyond measure grateful
to you both. I knew you would be interested in that wonderful girl,
& that Mr. Rogers was already interested in her & touched by her; &
I was sure that if nobody else helped her you two would; but you
have gone far & away beyond the sum I expected--may your lines fall
in pleasant places here, & Hereafter for it!

The Huttons are as glad & grateful as they can be, & I am glad for
their sakes as well as for Helen's.

I want to thank Mr. Rogers for crucifying himself on the same old
cross between Bliss & Harper; & goodness knows I hope he will come
to enjoy it above all other dissipations yet, seeing that it has
about it the elements of stability & permanency. However, at any
time that he says sign we're going to do it.

Ever sincerely yours,
S. L. CLEMENS.

CXCVII. FINISHING THE BOOK OF TRAVEL. One reading the Equator book to-day, and knowing the circumstances under which it was written, might be puzzled to reconcile the secluded household and its atmosphere of sorrow with certain gaieties of the subject matter. The author himself wondered at it, and to Howells wrote:

I don't mean that I am miserable; no-worse than that--indifferent.
Indifferent to nearly everything but work. I like that; I enjoy it,
& stick to it. I do it without purpose & without ambition; merely
for the love of it. Indeed, I am a mud-image; & it puzzles me to
know what it is in me that writes & has comedy fancies & finds
pleasure in phrasing them. It is the law of our nature, of course,
or it wouldn't happen; the thing in me forgets the presence of the
mud-image, goes its own way wholly unconscious of it & apparently of
no kinship with it.

He saw little company. Now and, then a good friend, J.Y.W. MacAlister, came in for a smoke with him. Once Clemens sent this line:

You speak a language which I understand. I would like to see you.
Could you come and smoke some manilas; I would, of course, say dine,
but my family are hermits & cannot see any one, but I would have a
fire in my study, & if you came at any time after your dinner that
might be most convenient for you you would find me & a welcome.

Clemens occasionally went out to dinner, but very privately. He dined with Bram Stoker, who invited Anthony Hope and one or two others, and with the Chattos and Mr. Percy Spalding; also with Andrew Lang, who wrote, “Your old friend, Lord Lome, wants to see you again”; with the Henry M. Stanleys and Poultney Bigelow, and with Francis H. Skrine, a government official he had met in India. But in all such affairs he was protected from strangers and his address was kept a secret from the public. Finally, the new-found cousin, Dr. Jim Clemens, fell ill, and the newspapers had it presently that Mark Twain was lying at the point of death. A reporter ferreted him out and appeared at Tedworth Square with cabled instructions from his paper. He was a young man, and innocently enough exhibited his credentials. His orders read:

“If Mark Twain very ill, five hundred words. If dead, send one thousand.”

Clemens smiled grimly as he handed back the cable.

“You don't need as much as that,” he said. “Just say the report of my death has been grossly exaggerated.”

The young man went away quite seriously, and it was not until he was nearly to his office that he saw the joke. Then, of course, it was flashed all over the world.

Clemens kept grinding steadily at the book, for it was to be a very large volume--larger than he had ever written before. To MacAlister, April 6, 1897, he wrote, replying to some invitation:

Ah, but I mustn't stir from my desk before night now when the
publisher is hurrying me & I am almost through. I am up at work
now--4 o'clock in the morning-and a few more spurts will pull me
through. You come down here & smoke; that is better than tempting a
working-man to strike & go to tea.

And it would move me too deeply to see Miss Corelli. When I saw her
last it was on the street in Homburg, & Susy was walking with me.

On April 13th he makes a note-book entry: “I finished my book to-day,” and on the 15th he wrote MacAlister, inclosing some bits of manuscript:

I finished my book yesterday, and the madam edited this stuff out of
it--on the ground that the first part is not delicate & the last
part is indelicate. Now, there's a nice distinction for you--&
correctly stated, too, & perfectly true.

It may interest the reader to consider briefly the manner in which Mark Twain's “editor” dealt with his manuscript, and a few pages of this particular book remain as examples. That he was not always entirely tractable, or at least submissive, but that he did yield, and graciously, is clearly shown.

In one of her comments Mrs. Clemens wrote:

Page 597. I hate to say it, but it seems to me that you go too
minutely into particulars in describing the feats of the
aboriginals. I felt it in the boomerang-throwing.

And Clemens just below has written:

Boomerang has been furnished with a special train--that is, I've
turned it into “Appendix.” Will that answer?

Page 1002. I don't like the “shady-principled cat that has a family
in every port.”

Then I'll modify him just a little.

Page 1020. 9th line from the top. I think some other word would be
better than “stench.” You have used that pretty often.

But can't I get it in anywhere? You've knocked it out every time.
Out it goes again. And yet “stench” is a noble, good word.

Page 1038. I hate to have your father pictured as lashing a slave
boy.

It's out, and my father is whitewashed.

Page 1050. 2d line from the bottom. Change breech-clout. It's a
word that you love and I abominate. I would take that and “offal”
out of the language.

You are steadily weakening the English tongue, Livy.

Page 1095. Perhaps you don't care, but whoever told you that the
Prince's green stones were rubies told an untruth. They were superb
emeralds. Those strings of pearls and emeralds were famous all over
Bombay.

All right, I'll make them emeralds, but it loses force. Green
rubies is a fresh thing. And besides it was one of the Prince's own
staff liars that told me.

That the book was not quite done, even after the triumphant entry of April 13th, is shown by another note which followed something more than a month later:

May 18, 1897. Finished the book again--addition of 30,000 words.

And to MacAlister he wrote:

I have finished the book at last--and finished it for good this
time. Now I am ready for dissipation with a good conscience. What
night will you come down & smoke?

His book finished, Clemens went out rather more freely, and one evening allowed MacAlister to take him around to the Savage Club. There happened to be a majority of the club committee present, and on motion Mark Twain was elected an honorary life member. There were but three others on whom this distinction had been conferred--Stanley, Nansen, and the Prince of Wales. When they told Mark Twain this he said: