Chapter X: Anonymity in Authorship
The question of the authorship of certain popular works has given rise to a great deal of speculation. A few years ago, it will be remembered, we were puzzling our brains to discover the name of the author of "The Breadwinners." Among other stinging charges against him, to induce him to break the silence, was the fling that it was a base and craven thing to publish a book anonymously. "My motive in withholding my name is simple enough," said the unknown author to his furious critics. "I am engaged in business in which my standing would be seriously compromised were it known that I had written a novel. I am sure that my practical efficiency is not lessened by this act, but I am equally sure that I could never recover from the injury it would occasion me if known among my own colleagues. For that positive reason, and for the negative one that I do not care for publicity, I resolved to keep the knowledge of my little venture in authorship restricted to as small a circle as possible. Only two persons besides myself know who wrote 'The Breadwinners.'"
A far more serious dispute followed the publication of the "Vestiges of Creation," forty years ago. The theologians of Scotland were wild with rage at the audacity of the author, who would have been torn to pieces almost had he been discovered. In scientific circles Robert Chambers was credited with the authorship; and Henri Greville seems to have had no doubt upon the matter. In "Leaves from the Diary of Henri Greville" there is an entry under the date December 28, 1847, as follows: "I have been reading a novel called 'Jane Eyre,' which is just now making a great sensation, and which absorbed and interested me more than any novel I can recollect having read. The author is unknown. Mrs. Butler,--Miss Fannie Kemble,--who is greatly struck by the talent of the book, fancies it is written by Chambers, who is the author of the 'Vestiges of Creation,' because she thinks that whoever wrote it must, from its language, be a Scotchman, and from its sentiments be a Unitarian; and Chambers, besides answering to all these peculiarities, has an intimate friend who believes in supernatural agencies, such as are described in the last volume of the book." Thackeray also had the credit of the work.
Nobody knew Charlotte Bronte; but she was unable to keep her secret very long. The late R. H. Horne was present at that first dinner party given by George Smith, the publisher, when Currer Bell, then in the first flush of her fame, made her earliest appearance in a London dining-room. She was anxious to preserve the anonymity of her literary character, and was introduced by her true name. Horne, however, who sat next to her, was so fortunate as to discover her identity. Just previously he had sent to the new author, under cover of her publisher, a copy of his "Orion." In an unguarded moment, Charlotte Bronte turned to him and said:--
"I was so much obliged to you, Mr. Horne, for sending me your--" But she checked herself with an inward start, having thus betrayed her Currer Bell secret, by identifying herself with the author of "Jane Eyre."
"Ah, Miss Bronte," whispered the innocent cause of the misfortune, "you would never do for treasons and stratagems!"
The late John Blackwood corresponded with George Eliot for some time before he knew that she was a woman. He called her "Dear George," he says, and often used expressions which a man commonly uses only to a man. After he found out who "Dear George" was, he was naturally a little anxious to recall some of the expressions he had used. Charles Dickens, however, detected what escaped the observation of most people. Writing to a correspondent in January, 1858, he said: "Will you, by such roundabout ways and methods as may present themselves, convey this note of thanks to the author of 'Scenes of Clerical Life,' whose two first stories I can never say enough of, I think them so truly admirable. But, if those two volumes, or a part of them, were not written by a woman, then shall I begin to believe that I am a woman myself."
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Methods of AuthorsChapter X: Anonymity in Authorship
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