Chapter XI: Part 11

9. So much then for what we had to say of sense-being, and the genus it constitutes. It remains to analyze it into species. Every sense-being is a body; but there are elementary and organized bodies; the former are fire, earth, water and air; the organized bodies are those of plants and animals, which are distinguished from each other by their forms. The earth and the other elements may be divided into species. Plants and bodies of animals may be classified according to their forms; or we could classify apart the terrestrial animals, that inhabit the earth, and those which belong to some other element. We might also analyze bodies into those that are light, heavy, or intermediary; the heavy bodies remaining in the middle of the world, the light bodies in the superior region which surrounds the world, and the intermediary bodies dwelling in the intermediary region. In each one of these regions the bodies are distinguished by their exterior appearance (or, figure); thus there exist the bodies of the (stars, or) celestial bodies, and then those that belong to particular elements. After having distributed the bodies according to the four elements, they could be blended together in some other manner, and thus beget their mutual differences of location, forms, and mixtures. Bodies could also be distinguished as fiery, terrestrial, and so forth, according to their predominating element.

PRIMARY AND SECONDARY BEINGS ARE DIVIDED BY NO SUBSTANTIAL DIFFERENCE.

As to the distinction drawn between primary and secondary being,[376] it must be admitted that some particular fire, and the universal Fire differ from each other in this, that the one is individual, and the other universal; but the difference between them does not seem to be essential. Indeed, does the genus of quality contain both White, and a particular white; or Grammar, and some particular grammatical science? How far does Grammatical science then have less reality than some particular grammatical science, and Science, than some particular science? Grammatical science is not posterior to some particular grammatical science; Grammatical science must already have existed before the existence of the grammatical science in you, since the latter is some grammatical science because it is found in you; it is besides identical with universal Grammatical science. Likewise, it is not Socrates that caused him who was not a man to become a man; it is rather the universal Man who enabled Socrates to be a man; for the individual man is man by participation in the universal Man. What then is Socrates, if not some man? In what does such a man contribute to render "being" more "being"? If the answer be that he contributes thereto by the fact that the universal Man is only a form, while a particular man is a form in matter, the result will only be that a particular man will be less of a man; for reason (that is, essence) is weaker when it is in matter. If the universal Man consist not only in form itself, but is also in matter, in what will he be inferior to the form of the man who is in matter, since it will be the reason of the man which is in matter? By its nature the universal is anterior, and consequently the form is anterior to the individual. Now that which by its nature is anterior is an absolute anterior. How then would the universal be less in being? Doubtless the individual, being better known to us, is anterior for us; but no difference in the things themselves results.[377] Besides, if we were to admit the distinction between primary and secondary beings, the definition of "being" would no longer be one; for that which is first and that which is second are not comprised under one single definition, and do not form a single and same genus.

BODIES MAY BE CLASSIFIED NOT ONLY BY FORMS; BUT BY QUALITIES; ETC.

10. Bodies may also be distinguished by heat or dryness, wetness or cold, or in any other desired manner, by taking two qualities simultaneously, then considering these things as a composition and mixture, and ceasing at the combination thereof. Or, bodies may be divided in terrestrial bodies, that dwell on the earth, or distribute them according to their forms, and the differences of animals; by classifying not the animals themselves, but their bodies, which are their instruments,[378] as it were. It is proper to establish a classification according to the forms, as it is equally reasonable to classify bodies according to their qualities, such as heat, cold, and so forth. If it be objected that bodies are constituted rather by their qualities, it may be answered that they are just as much classified by their blends, their colors, and their figures. When analyzing sense-being, it is not unreasonable to classify it according to the differences that appear to the senses.[379] This ("being") does not possess absolute (Essence); it is the totality of the matter and qualities which constitutes the sense-being, since we have said that its hypostatic existence consists in the union of the things perceived by the senses, and that it is according to the testimony of their senses that men believe in the existence of things.

BODIES ARE CLASSIFIABLE ACCORDING TO SPECIFIC FORMS.

The composition of the bodies being varied, they may also be classified according to the specific forms of the animals. Such, for instance, would be the specific form of a man united to a body; for this form is a quality of body, and it is reasonable to analyze it according to the qualities. If it should be objected that we have said above that some bodies are simple, while others are composite, thus contrasting the simple and the composite, we shall answer that, without regarding their composition, we have also said that they are either brute or organized. The classification of bodies should not be founded on the contrast between the simple and the composite, but, as we first did, we may classify the simple bodies in the first rank. Then, by considering their blendings, one may start from another principle to determine the differences offered by the composites under the respect of their figure or their location; thus, for instance, bodies might be classified in celestial and terrestrial. This may close our consideration of sense-being, or generation.

DEFINITION OF QUANTITY.

11. Let us now pass to quantity and quantitatives. When treating of quantity, we have already said that it consists in number and dimension, in so far as some thing possesses such a quantity, that is, in the number of material things, and in the extension of the subject.[380] Here indeed we are not treating of abstract quantity, but of a quantity which causes a piece of wood to measure three feet, or that horses are five in number. Consequently, as we have said, we should call extension and number (considered from the concrete viewpoint) "quantitatives"; but this name could could be applied neither to time nor space; time, being the measure of movement,[381] re-enters into relation; and place, being that which contains the body,[382] consists of a manner of being, and consequently, in a relation. (So much the less should we call time and place "quantitatives," as) movement, though continuous, does not either belong to the genus of quantity.

LARGE AND SMALL ARE CONCEPTIONS BELONGING TO QUANTITY.

Should "large" and "small" be classified within the genus of quantity? Yes: for the large is large by a certain dimension, and dimension is not a relation. As to "greater" and "smaller," they belong to relation; for a thing is greater or smaller in relation to something else, just as when it is double. Why then do we sometimes say that a mountain is large, and that a grain of millet is small? When we say that a mountain is small, we use the latter term instead of smaller; for they who use this expression themselves acknowledge that they call a mountain small only by comparing it to other mountains, which implies that here "little" stands for "smaller." Likewise, when we say that a grain of millet is large, this does not mean "large" in any absolute sense, but large only for a grain of millet; which implies that one compares it to things of the same kind, and that here "large" means "larger."[383]

BEAUTY IS CLASSIFIED ALONG WITH THE RELATIVES.

Why then do we not also classify the beautiful among the relatives? Because beauty is such by itself, because it constitutes a quality, while "more beautiful" is a relative. Nevertheless the thing which is called beautiful would sometimes appear ugly, if it were compared to some other, as, for instance, if we were to contrast the beauty of men with that of the gods; hence the expression (of Heraclitus's[384]): "The most beautiful of monkeys would be ugly if compared with an animal of a different kind." When beauty is predicated of something, it is considered in itself; it might perhaps be called more beautiful or more ugly if it were compared to another. Hence it results that, in the genus of which we are treating, an object is in itself great because of the presence of greatness, but not in respect to some other. Otherwise, we would be obliged to deny that a thing was beautiful because of the existence of some more beautiful one. Neither therefore must we deny that a thing is great because there is only one greater than it; for "greater" could not exist without "great," any more than "more beautiful" without "beautiful."

QUANTITY ADMITS OF CONTRARIES (POLEMIC AGAINST ARISTOTLE).[385]

12. It must therefore be admitted that quantity admits of contraries. Even our thought admits of contraries when we say "great" and "small," since we then conceive of contraries, as when we say, "much and little"; for much and little are in the same condition as great and small. Sometimes it is said, "At home there are many people," and by this is intended a (relatively) great number; for in the latter case it is a relative. Likewise it is said, "There are few people in the theatre," instead of saying, "there are less people," (relatively); but when one uses the word "many" a great multitude in number must be understood.

HOW MULTITUDE IS CLASSIFIED WITH RELATIVES.

How then is multitude classified among relatives? It forms part of relatives in that multitude is an extension of number, while its contrary is a contraction. Likewise is it with continuous dimension; we conceive of it as prolonged. Quantity therefore has a double origin: progression of unity, and of the point. If either progression cease promptly, the first one produces "little," and the second, "small." If both be prolonged, they produce "much," and "large." What then is the limit that determines these things? The same question may be asked about the beautiful, and about warmth; for there is also "warmer"; only, the latter is a relative, while Warm, taken absolutely, is a quality. As there is a "reason" of the beautiful (a reason that would produce and determine the beautiful), likewise there must be a reason for the Great, a reason by participation in which an object becomes great, as the reason of the Beautiful makes beautiful. Such are the things for which quantity admits contraries.

THERE IS NO CONTRARY FOR PLACE.

For space, there is no contrary, because strictly space does not belong to the genus of quantity. Even if space were part of quantity, "high" would not be the contrary of anything unless the universe contained also "low." The terms high and low, applied to parts, signify only higher and lower than something else. It is so also with right and left, which are relatives.

CLASSIFICATION OF SYLLABLES AND SPEECH.

Syllables and speech are quantitatives; they might be subjects in respect to quantity, but only so by accident. Indeed, the voice, by itself, is a movement,[386] it must therefore be reduced to movement and action.

DISCRETE QUANTITY QUITE DISTINCT FROM CONTINUOUS QUANTITY.

13. We have already explained that discrete quantity is clearly distinguished from continuous quantity, both by its own definition, and the general definition (for quantity).[387] We may add that numbers are distinguished from each other by being even and odd. If besides there be other differences amidst the even and odd numbers, these differences will have to be referred to the objects in which are the numbers, or to the numbers composed of unities, and not any more to those which exist in sense-beings. If reason separate sense-things from the numbers they contain, nothing hinders us then from attributing to these numbers the same differences (as to the numbers composed of unities).[388]

ELEMENTS OF CONTINUOUS QUANTITY.

What distinctions are admitted by continuous quantity? There is the line, the surface, and the solid; for extension may exist in one, two or three dimensions (and thus count the numerical elements of continuous size) instead of establishing species.[389] In numbers thus considered as anterior or posterior to each other, there is nothing in common, which would constitute a genus. Likewise in the first, second and third increases (of a line, surface, and solid) there is nothing in common; but as far as quantity is found, there is also equality (and inequality), although there be no extension which is quantitative more than any other.[390] However, one may have dimensions greater than another. It is therefore only in so far as they are all numbers, that numbers can have anything in common. Perhaps, indeed, it is not the monad that begets the pair, nor the pair that begets the triad, but it may be the same principle which begets all the numbers. If numbers be not derivative, but exist by themselves, we may, at least within our own thought, consider them as begotten (or, derivative). We conceive of the smaller number as the anterior, the greater as posterior. But numbers, as such, may all be reduced to unity.

STUDY OF GEOMETRICAL FIGURES.

The method of classification adopted for numbers may be applied to sizes, and thus distinguish the line, the surface, and the solid or body, because those are sizes which form different species. If besides each of these species were to be divided, lines might be subdivided into straight, curved and spiral; surfaces into straight and curved; solids into round or polyhedral bodies. Further, as geometers do, may come the triangle, the quadrilateral, and others.

STUDY OF THE STRAIGHT LINE.

14. But what about the straight line? Is it not a magnitude? Possibly; but if it be a magnitude, it is a qualified one.[391] It is even possible that straightness constitutes a difference of the (very nature of the) line, as line, for straightness refers solely to a line; and besides, we often deduce the differences of "Essence" from its qualities. That a straight line is a quantity added to a difference does not cause its being composed of the line, and of the property of straightness; for, were it thus composed, straightness would be its chief difference.

STUDY OF THE TRIANGLE.

Now let us consider the triangle, which is formed of three lines. Why should it not belong to quantity? Would it be so, because it is not constituted by three lines merely, but by three lines arranged in some particular manner? But a quadrilateral would also be constituted by four lines arranged in some particular manner. (But being arranged in some particular manner does not hinder a figure from being a quantity). The straight line, indeed, is arranged in some particular manner, and is none the less a quantity. Now if the straight line be not simply a quantity, why could this not also be said of a limited line? For the limit of the line is a point, and the point does not belong to any genus other than the line. Consequently, a limited surface is also a quantity, because it is limited by lines, which even more belong to quantity. If then the limited surface be contained in the genus of quantity, whether the surface be a triangle, a quadrilateral, a hexagon, or any other polygon, all figures whatever will belong to the genus of quantity. But if we assigned the triangle or quadrilateral to the genus of quality merely because we are speaking of some one definite triangle or quadrilateral, nothing would hinder one and the same thing from being subsumed under several categories. A triangle would then be a quantity so far as it was both a general and particular magnitude, and would be a quality by virtue of its possessing a particular form. The same might be predicated of the Triangle in itself because of its possessing a particular form; and so also with the sphere. By following this line of argument, geometry would be turned into a study of qualities, instead of that of quantities, which of course it is. The existing differences between magnitudes do not deprive them of their property of being magnitudes, just as the difference between essences does not affect their essentiality. Besides, every surface is limited, because an infinite surface is impossible. Further, when I consider a difference that pertains to essence, I call it an essential difference. So much the more, on considering figures, I am considering differences of magnitude. For if the differences were not of magnitude, of what would they be differences? If then they be differences of magnitude, the different magnitudes which are derived from differences of magnitude should be classified according to the species constituted by them (when considered in the light of being magnitudes).

GEOMETRY STUDIES QUANTITIES, NOT QUALITIES.

15. But how can you qualify the properties of quantity so as to call them equal or unequal?[392] Is it not usual to say of two triangles that they are similar? Could we not also predicate similarity of two magnitudes? Doubtless, for what is called similarity,[393] does not conflict with similarity or dissimilarity in the genus of quantity.[394] Here, indeed, the word "similarity" is applied to magnitudes in a sense other than to quality. Besides, if (Aristotle) said that the property characteristic of quantities is to enable them to be called equal or unequal, this does not conflict with predicating similarity of some of them. But as it has been said that the special characteristic of qualities is to admit of being called similar or dissimilar, we must, as has already been explained, understand similarity in a sense other than when it is applied to magnitudes. If similar magnitudes be identical, we must then consider the other properties of quantity and quality which might be present in them (so as clearly to contrast their differences). It may also be said that the term "similarity" applies to the genus of quantity so far as this contains differences (which distinguish from each other similar magnitudes).

DIFFERENCES WHICH COMPLETE THE BEING MUST BE PREFIXED TO THAT TO WHICH THEY REFER.

In general, the differences which complete a being should be classified along with that of which they are the differences, especially when a difference belongs to a single subject. If a difference complete the being of a subject, and do not complete the being of another, this difference should be classified along with the subject whose being it completes, leaving that whose being it does not complete for separate consideration. By this we do not mean completing the Being in general, but completing some particular being, so that the subject spoken of as a particular one admits no further essential addition. We therefore have the right to say that triangles, or that quadrilaterals, as well as surfaces and solids, are equal, and to predicate equality or inequality of quantitative entities. But we yet have to study whether quality only can be said to be similar or dissimilar.[395]

WHETHER QUALITY ONLY CAN BE CALLED SIMILAR OR DISSIMILAR.

When we were treating of things that were qualified, we had already explained that matter, united to quantity, and taken with other things, constitutes sense-being; that this "being" seems to be a composite of several things, that it is not properly a "whatness,"[396] but rather qualification (or, qualified thing). The ("seminal) reason," for instance that of fire, has more of a reference to "whatness," while the form that the reason begets is rather a qualification. Likewise, the ("seminal) reason" of man is a "whatness," whilst the form that this reason gives to the body, being only an image of reason, is rather a qualification. Thus if the Socrates that we see was the genuine Socrates, his mere portrait composed of no more than colors would also be called Socrates. Likewise, although this ("seminal) reason" of Socrates be that which constitutes the genuine Socrates, we nevertheless also apply the name of Socrates to the man that we see; yet the colors, or the figure of the Socrates we see, are only the image of those which are contained by his ("seminal) reason." Likewise, the reason of Socrates is itself only an image of the veritable reason (of the idea) of the man. This is our solution of the problem.[397]

THE VARIOUS TERMS EXPRESSING QUALITY.

16. When we separately consider each of the things which compose sense-being and when we wish to designate the quality which exists among them, we must not call it "whatness," any more than quantity or movement, but rather name it a characteristic, employing the expressions "such," "as," and "this kind." We are thus enabled to indicate beauty and ugliness, such as they are in the body. Indeed, sense-beauty is no more than a figure of speech,[343] in respect to intelligible beauty; it is likewise with quality, since black and white are also completely different (from their "reason," or their idea).

THE SEMINAL REASON HARMONIZES WITH ITS APPEARING ACTUALIZATION.

Is the content of ("seminal) reason" and of a particular reason, identical with what appears, or does it apply thereto only by a figure of speech?[343] Should it properly be classified among the intelligible, or the sense-objects? Sensual beauty of course evidently differs from intelligible beauty; but what of ugliness--in which classification does it belong? Must virtue be classified among intelligible or sensual qualities, or should we locate some in each class? (All this uncertainty is excusable, inasmuch) as it may be asked whether even the arts, which are "reasons," should be classified among sense-qualities? If these reasons be united to a matter, they must have matter as their very soul. But what is their condition here below, when united to some matter? These reasons are in a case similar to song accompanied by a lyre;[398] this song, being uttered by a sense-voice, is in relation with the strings of the lyre, while simultaneously being part of the art (which is one of these "seminal reasons"). Likewise, it might be said that virtues are actualizations, and not parts (of the soul). Are they sense-actualizations? (This seems probable), for although the beauty contained in the body be incorporeal, we still classify it among the things which refer to the body, and belong to it. As to arithmetic, and geometry, two different kinds must be distinguished: the first kind deals with visible objects, and must be classified among sense-objects; but the second kind deals with studies suitable to the soul, and should therefore be classified among intelligible entities. Plato[399] considers that music and astronomy are in the same condition.

MANY OTHER CONCEPTIONS BELONG AMONG SENSE-QUALITIES.

Thus the arts which relate to the body, which make use of the organs, and which consult the senses, are really dispositions of the soul, but only of the soul as applied to corporeal objects; and consequently, they should be classified among sense-qualities.[400] Here also belong practical virtues, such as are implied by civil duties, and which, instead of raising the soul to intelligible entities, fructify in the actions of political life, and refer to them, not as a necessity of our condition, but as an occupation preferable to everything else.[401] Among these qualities we shall have to classify the beauty contained in the ("seminal) reason," and, so much the more, black and white.

IN SPITE OF THIS CLASSIFICATION THE SOUL HERSELF REMAINS INCORPOREAL.

But is the soul herself a sense-being, if she be disposed in a particular way, and if she contain particular "reasons" (that is, faculties, virtues, sciences and arts, all of which refer to the body, and which have been classified as sense-qualities)?[402] It has already been explained that these "reasons" themselves are not corporeal; but that they have been classified among sense-qualities only because they referred to the body, and to the actions thereby produced. On the other hand, as sense-quality has been defined as the meeting of all the above enumerated entities, it is impossible to classify incorporeal Being in the same genus as the sensual being. As to the qualities of the soul, they are all doubtless incorporeal, but as they are experiences (or, sufferings, or, passions) which refer to terrestrial things, they must be classified in the genus of quality, just as the reasons of the individual soul. Of the soul we must therefore predicate experience, however dividing the latter in two elements, one of which would refer to the object to which it is applied, and the other to the subject in which it exists.[403] Though then these experiences cannot be considered as corporeal qualities, yet it must be admitted they relate to the body.[404] On the other hand, although we classify these experiences in the genus of quality, still the soul herself should not be reduced to the rank of corporeal being. Last, when we conceive of the soul as without experiences, and without the "reasons" above-mentioned, we are thereby classifying her along with the World from which she descends,[405] and we leave here below no intelligible being, of any kind whatever.

QUALITIES ARE CLASSIFIED AS CORPOREAL AND OF THE SOUL.

17. Qualities, therefore, should be classified as of the body, and of the soul.[406] Even though all the souls, as well as their immaterial qualities, be considered as existing on high, yet their inferior qualities must be divided according to the senses, referring these qualities either to sight, hearing, feeling, taste, or smell. Under sight, we will classify the differences of colors; under hearing, that of the sounds; and likewise, with the other senses. As to the sounds, inasmuch as they have but a single quality, they will have to be classified according to their being soft, harsh, agreeable, and the like.

DIFFERENCES OF BEING SHOULD BE DISTINGUISHED ACCORDING TO QUALITY.

It is by quality that we distinguish the differences which inhere in being, as well as the actualizations, the beautiful or ugly actions, and in general, all that is particular. Only very rarely do we discover in quantity differences which constitute species; so much is this the case, that it is generally divided by its characteristic qualities. We must therefore leave quantity aside, and that leads us to wonder how we may divide quality itself (since it is made use of to distinguish other things).[407]

DIFFERENCE OF QUALITY CANNOT BE DISTINGUISHED BY SENSATION.

What sort of differences, indeed, might we use to establish such divisions, and from what genus would we draw them? It seems absurd to classify quality by quality itself. This is just as if the difference of "beings" were to be called "beings." By what indeed could one distinguish white from black, and colors from tastes and sensations of touch? If we distinguish the difference of these qualities by the sense-organs, these differences would no longer exist in the subjects. How indeed could one and the same sense distinguish the difference of the qualities it perceives? Is it because certain things exercise an action that is constructive or destructive on the eyes, or the tongue? We would then have to ask what is the constructive or destructive element in the sensations thus excited? Yet, even were this answered, such an answer would not explain wherein these things differ.[407]

DIFFERENCE IN EFFECTS IS LIMITED TO THE INTELLIGIBLES.

A further possibility is that these things should be classified according to their effects, and that it is reasonable to do so with invisible entities, such as sciences; but this would not be applicable to sense-objects. When indeed we divide sciences by their effects, and when, in general, we classify them according to the powers of the soul, by concluding from the diversity of their effects that they differ, our mind grasps the difference of these powers, and it determines not only with what objects they deal, but it also defines their reason (or, essence). Let us admit that it is easy to distinguish arts according to their reasons, and according to the notions they include; but is it possible to divide corporeal qualities in that manner? Even when one studies the intelligible world, there is room for doubt as to how the different reasons distinguish themselves from each other; it is easy enough to see that white differs from black; but in what does it do so?

IT IS ABSURD TO DISTINGUISH BEING, QUALITIES AND DIFFERENCES BY THEMSELVES.

18. All the questions we have asked show that we doubtless must seek to discover the differences of the various (beings), so as to distinguish them from each other; but that it is as impossible as it is unreasonable to inquire what are the differences of the differences themselves.[408] Being of beings, quantities of quantities, qualities of qualities, differences of differences cannot be discovered; but we should, wherever possible, classify exterior objects, either according to their effects, or according to salient characteristics. When this is impossible, objects should be distinguished, as for instance dark from light green.

But how is white distinguished from black? Sensation or intelligence tell us that those things are different without informing us of their reason; either sensation, because its function is not to set forth the reason of things, but only to bring them somehow to our attention; or intelligence, because it discerns things that are simple by intuition, without having to resort to ratiocination, and limits itself to the statement that something is such or such. Besides, in each one of the operations of intelligence there is a difference (a special distinctive characteristic) which enables it to distinguish different things, without this difference (which is proper to each of the operations of intelligence) itself having need to be discerned by the help of some other difference.

SOME QUALITIES ARE DIFFERENCES.

Are all qualities differences, or not? Whiteness, colors, qualities perceived by touch and taste, may become differences between different objects, though they themselves be species. But how do the sciences of grammar or of music constitute differences? The science of grammar renders the mind grammatical, and the science of music renders the mind musical, especially if they be untaught; and these thus become specific differences. Besides, we have to consider whether a difference be drawn from the same genus (from which the considered things are drawn), or from some other genus. If it be drawn from the same genus, it fulfils, for the things of this genus, the same function as does a quality to the quality to which it serves as difference. Such are virtue and vice; virtue is a particular habit, and vice is also a particular habit; consequently, as habits are qualities, the differences of these habits (either of virtue or vice) will be qualities. It may perhaps be objected that a habit without difference is not a quality, and that it is the difference alone which constitutes the quality.[409] We will answer that it is (commonly) said that sweet is good, and that bitter is bad; this then implies a recognition of their difference by a habit (a manner of being), and not by a quality.

What if sweet be said to be "crude," or thick and bitter, thin or refined? The answer is that coarseness does not inform us of the nature of sweetness, but indicates a manner of being of what is sweet; and similarly, with what is refined.

THERE ARE DIFFERENCES WHICH ARE NOT QUALITIES.

There remains for us to examine if a difference of a quality never be a quality, as that of a being is not a being, nor that of a quantity, a quantity. Does five differ from three by two? No: five does not differ from three, it only exceeds it by two. How indeed could five differ from three by two, when five contains two? Likewise, a movement does not differ from a movement by a movement. As to virtue and vice, here is one whole opposed to another whole, and it is thus that the wholes are distinguished. If a distinction were drawn from the same genus, that is, from quality, instead of founding itself on another genus; as, for instance, if one said that such a vice referred to pleasures, some other to anger, some other to acquisitiveness, and if one were to admit that such a classification was good; it would evidently result that there are differences that are not qualities.

VARIOUS DERIVATIVES OF THE CATEGORY OF QUALITY.

19. As has been indicated above, the genus of quality contains the (beings) which are said to be qualified (qualitative entities), inasmuch as they contain some quality (as, for instance, the handsome man, so far as he is endowed with beauty).[410] These (beings) however do not properly belong to this genus, for otherwise there would here be two categories. It suffices to reduce them to the quality which supplies their name.

So non-whiteness, if it indicate some color other than white, is a quality; if it express merely a negation, or an enumeration, it is only a word, or a term which recalls the object; if it be a word, it constitutes a movement (so far as it is produced by the vocal organ); if it be a name or a term, it constitutes, so far as it is a significative, a relative. If things be classed not only by genera, if it be admitted that each assertion and expression proclaim a genus, our answer must be that some affirm things by their mere announcement, and that others deny them. It may perhaps be best not to include negations in the same genus as things themselves, since, to avoid mingling several genera, we often do not include affirmations.

As to privations, it may be remarked that if the things of which there are privations are qualities, then the privations themselves are qualities, as "toothless," or "blind."[411] But "naked" and (its contrary) "clothed" are neither of them qualities; they rather constitute habits, and thus belong among relatives.

Passion, at the moment it is felt, does not constitute a quality, but a movement; when it has been experienced, and has become durable, it forms a quality;[410] further, if the (being) which has experienced the passion have kept none of it, it will have to be described as having been moved, which amounts to the same thing as really being moved. However, in this case, the conception of time will have to be abstracted from that of movement; for we must not add the conception of the present to that of movement.[412]

Finally, (the adverb) "well," and the other analogous terms may be reduced to the simple notion of the genus of quality.

It remains to examine if we must refer to the genus of quality "being red" without also doing so for "reddening"[410] for "blushing" does not belong to it, because he who blushes suffers (experiences), or is moved. But as soon as he ceases blushing, if he have already blushed, this is a quality; for quality does not depend on time, but consists in being such or such; whence it follows that "having blushed" is a quality. Therefore we shall regard as qualities only habits, and not mere dispositions;[410] being warm, for instance, and not warming up; being sick, but not becoming sick.

CONTRARINESS IS NOT THE GREATEST POSSIBLE DIFFERENCE.

20. Does every quality have an opposite?[410] As to vice and virtue, there is, between the extremes, an intermediary quality which is the opposite of both,[411] but, with colors, the intermediaries are not contraries. This might be explained away on the ground that the intermediary colors are blends of the extreme colors. However, we ought not to have divided colors in extremes and intermediaries, and opposed them to each other; but rather have divided the genus of color into black and white, and then have shown that other colors are composed of these two, or differentiated another color that would be intermediate, even though composite. If it be said that intermediary colors are not opposite to the extremes because opposition is not composed of a simple difference, but of a maximal difference,[413] it will have to be answered that this maximal difference results from having interposed intermediaries; if these were removed, the maximal difference would have no scale of comparison. To the objection that yellow approximates white more than black, and that the sense of sight supports this contention; that it is the same with liquids where there is no intermediary between cold and hot; it must be answered that white and yellow and other colors compared to each other similarly likewise differ completely; and, because of this their difference, constitute contrary qualities; they are contrary, not because they have intermediaries, but because of their characteristic nature. Thus health and sickness are contraries, though they have no intermediaries. Could it be said that they are contraries because their effects differ maximally? But how could this difference be recognized as maximal since there are no intermediaries which show the same characteristics at a less degree? The difference between health and sickness could not therefore be demonstrated to be maximal. Consequently, oppositeness will have to be analyzed as something else than maximal difference. Does this mean only a great difference? Then we must in return ask whether this "great" mean "greater by opposition to something smaller," or "great absolutely"? In the first case, the things which have no intermediary could not be opposites; in the second, as it is easily granted that there is a great difference between one nature and another, and as we have nothing greater to serve as measure for this distance, we shall have to examine by what characteristics oppositeness might be recognized.

CONTRARIES ARE THOSE THINGS THAT LACK RESEMBLANCE.

To begin with, resemblance does not mean only belonging to the same genus, nor mere confusion from more or less numerous characteristics, as, for instance, by their forms. Things that possess resemblance, therefore, are not opposites. Only things which have nothing identical in respect to species are opposites;[414] though we must add that they must belong to the same genus of quality. Thus, though they have no intermediaries, we can classify as opposites the things which betray no resemblance to each other; in which are found only characteristics which do not approximate each other, and bear no kind of analogy to each other. Consequently, objects which have something in common in the respect of colors could not be contraries. Besides, not everything is the contrary of every other thing; but one thing is only the contrary of some other; and this is the case with tastes as well as with colors. But enough of all this.

QUALITIES ADMIT OF DEGREE.

Does a quality admit of more or less?[410] Evidently the objects which participate in qualities participate therein more or less. But the chief question is whether there be degrees in virtue or justice? If these habits possess a certain latitude, they have degrees. If they have no latitude, they are not susceptible of more or less.

REASONS WHY MOVEMENT IS A CATEGORY.

21. Let us pass to movement.[415] Admittedly movement is a genus with the following characteristics: first, movement cannot be reduced to any other genus; then, nothing higher in the scale of being can be predicated of it; last, it reveals a great number of differences which constitute species.

MOVEMENT CANNOT BE REDUCED TO ANY HIGHER GENUS.

To what genus could (movement) be reduced? It constitutes neither the being nor the quality of the (being) in which it exists. It is not even reducible to action, for in passion (or, experience) there are several kinds of movements; and it is the actions and passions which are reducible to movement. Further, movement need not necessarily be a relative merely because movement does not exist in itself, that it belongs to some being, and that it exists in a subject; otherwise, we should have to classify quality also as a relation; for quality belongs to some (being) and exists in a subject; it is not so however, with a quantity. It might be objected that, though each of them exist in some subject, the one by virtue of its being a quality, and the other, of being a quantity, they themselves are not any the less species of essences. The same argument would apply to movement; though it belong to some subject, it is something before belonging to a subject, and we must consider what it is in itself. Now what is relative is not at first something by itself, and then the predicate of something else;[416] but what is born of the relation existing between two objects, is nothing else outside the relation to which it owes its name; thus the double, so far as it is called doubleness, is neither begotten, nor exists except in the comparison established between it and a half, since, not being conceived of before, it owes its name and its existence to the comparison thus established.

IS CHANGE ANTERIOR TO MOVEMENT?

What then is movement? While belonging to a subject, it is something by itself before belonging to a subject, as are quality, quantity, and being. To begin with, nothing is predicated before it, and of it, as a genus. Is change[417] anterior to movement? Here change is identical with movement, or if change is to be considered a genus, it will form a genus to be added to those already recognized. Besides, it is evident that, on this hypothesis, movement will become a species, and to it will be opposed, as another species, "generation," as, for instance, "generation" is a change, but not a movement.[418] Why then should generation not be a movement? Is it because what is generated does not yet exist, and because movement could not exist in non-being? Consequently, neither will generation be a change. Or is this so because generation is an alteration and increase, and because it presupposes that certain things are altered, and increase? To speak thus is to busy ourselves with things that precede generation. Generation presupposes production of some other form; for generation does not consist in an alteration passively undergone, such as being warmed, or being whitened; such effects could be produced before realization of the generation. What then occurs in generation? There is alteration. Generation consists in the production of an animal or plant, in the reception of a form. Change is much more reasonably to be considered a species, than movement; because the word change means that one thing takes the place of another, while movement signifies the actualization by which a being passes from what is proper to it, to what is not, as in the translation from one place to another. If that be not admitted (to define movement), it will at least have to be acknowledged that the action of studying it, as that of playing the lyre, and in general, all the movements that modify a habit, would be subsumed within our definition. Alteration therefore could not be anything else but a species of movement; since it is a movement which produces passage from one state to another.[419]

DEFINITION OF ALTERATION.

22. Granting that alteration is the same thing as movement, so far as the result of movement is to render something other than it was, (we still have to ask) what then is movement? To indulge in a figurative expression,[343] it is the passage of potentiality to the actualization of which it is the potentiality.[420]

MOVEMENT AS A FORM OF POWER.

Let us, indeed, suppose, that something which formerly was a potentiality succeeds in assuming a form, as "potentiality that becomes a statue," or that passes to actualization, as a man's walk.[421] In the case where the metal becomes a statue, this passage is a movement; in the case of the walking, the walk itself is a movement, like the dance, with one who is capable of it. In the movement of the first kind, where the metal passes into the condition of being a statue, there is the production of another form which is realized by the movement.[422] The movement of the second kind, the dance, is a simple form of the potentiality, and, when it has ceased, leaves nothing that subsists after it.[423]

MOVEMENT IS ACTIVE FORM, AND CAUSE OF OTHER FORMS.

We are therefore justified in calling movement "an active form that is aroused," by opposition to the other forms which remain inactive. (They may be so named), whether or not they be permanent. We may add that it is "the cause of the other forms," when it results in producing something else. This (sense-) movement may also be called the "life of bodies." I say "this movement," because it bears the same name as the movements of the intelligence, and those of the soul.

QUESTIONS ABOUT MOVEMENT.

What further proves that movement is a genus, is that it is very difficult, if not impossible, to grasp it by a definition. But how can it be called a form when its result is deterioration, or something passive? It may then be compared to the warming influence of the rays of the sun, which exerts on some things an influence that makes them grow, while other things it shrivels. In both cases, the movement has something in common, and is identical, so far as it is a movement; the difference of its results is due to the difference of the beings in which it operates. Are then growing sick and convalescence identical? Yes, so far as they are movements. Is their difference then due to their subjects, or to anything else? This question we will consider further on, while studying alteration. Now let us examine the elements common to all movements; in that way we shall be able to prove that movement is a genus.

COMMON ELEMENT IN GROWTH, INCREASE AND GENERATION.

First, the word "movement" can be used in different senses, just as essence, when considered a genus. Further, as we have already said, all the movements by which one thing arrives at a natural state, or produces an action suitable to its nature, constitute so many species. Then, the movements by which one thing arrives at a state contrary to its nature, have to be considered as analogous to that to which they lead.

But what common element is there in alteration, growth and generation, and their contraries? What is there in common between these movements, and the displacement in space, when you consider the four movements, as such?[425] The common element is that the moved thing, after the movement, is no longer in the former state; that it no more remains quiet, and does not rest so long as the movement lasts. It ceaselessly passes to another state, alters, and does not remain what it was; for the movement would be vain if it did not make one thing other than it was. Consequently "otherness" does not consist in one thing becoming other than it was, and then persisting in this other state, but in ceaseless alteration. Thus, time is always different from what it was because it is produced by movement; for it is movement measured in its march and not in its limit of motion, or stopping point; it follows, carried away in its course. Further, one characteristic common to all kinds of movement is that it is the march (or process) by which potentiality and possibility pass into actualization; for every object in movement, whatever be the nature of this movement, succeeds in moving only because it formerly possessed the power of producing an action, or of experiencing the passion of some particular nature.

MOVEMENT FOR SENSE-OBJECTS.

23. For sense-objects, which receive their impulse from without, movement is a stimulus which agitates them, excites them, presses them, prevents them from slumbering in inertia, from remaining the same, and makes them present an image of life by their agitation and continual mutations. Besides, one must not confuse the things that move with movement; walking is not the feet, but an actualization of the power connected with the feet. Now as this power is invisible, we perceive only the agitation of the feet; we see that their present state is quite different from that in which they would have been, had they remained in place, and that they have some addition, which however, is invisible. Thus, being united to objects other than itself, the power is perceived only accidentally, because one notices that the feet change place, and do not rest. Likewise, alteration in the altered object, is recognized only by failure to discover in it the same quality as before.

MOVEMENT AS INFLUX.

What is the seat of a movement acting on an object by passing from internal power to actualization? Is it in the motor? How will that which is moved and which suffers be able to receive it? Is it in the movable element? Why does it not remain in the mover? Movement must therefore be considered as inseparable from the mover, although not exclusively; it must pass from the mover into the mobile (element) without ceasing to be connected with the mover, and it must pass from the mover to the moved like a breath (or influx).[426] When the motive power produces locomotion, it gives us an impulse and makes us change place ceaselessly; when it is calorific, it heats; when, meeting matter, it imparts thereto its natural organization, and produces increase; when it removes something from an object, this object decreases because it is capable thereof; last, when it is the generative power which enters into action, generation occurs; but if this generative power be weaker than the destructive power, there occurs destruction, not of what is already produced, but of what was in the process of production. Likewise, convalescence takes place as soon as the force capable of producing health acts and dominates; and sickness occurs, when the opposite power produces a contrary effect. Consequently, movement must be studied not only in the things in which it is produced, but also in those that produce it or transmit it. The property of movement consists therefore in being a movement endowed with some particular quality, or being something definite in a particular thing.

MOVEMENT OF DISPLACEMENT IS SINGLE.

24. As to movement of displacement, we may ask if ascending be the opposite of descending, in what the circular movement differs from the rectilinear movement, what difference obtains in throwing an object at the head or at the feet. The difference is not very clear, for in these cases the motive power is the same. Shall we say that there is one power which causes raising, and another that lowers, especially if these movements be natural, and if they be the result of lightness or heaviness? In both cases, there is something in common, namely, direction towards its natural place, so that the difference is derived from exterior circumstances. Indeed, in circular and rectilinear movement, if someone move the same object in turn circularly and in a straight line, what difference is there in the motive power? The difference could be derived only from the figure (or outward appearance) of the movement, unless it should be said that the circular movement is composite, that it is not a veritable movement, and that it does not produce any change by itself. In all of these cases, the movement of displacement is identical, and presents only adventitious differences.

EXPLANATION OF COMPOSITION AND DECOMPOSITION.

25. Of what do composition (blending, or mixture) and decomposition consist? Do they constitute other kinds of movement than those already noticed, generation and destruction, growth and decrease, movement of displacement and alteration? Shall composition and decomposition be reduced to some one of these kinds of motion, or shall we look at this process inversely? If composition consist in approximating one thing to another, and in joining them together; and if, on the other hand, decomposition consist in separating the things which were joined, we have here only two movements of displacement, a uniting, and a separating one. We should be able to reduce composition and decomposition to one of the above recognized kinds of motion, if we were to acknowledge that this composition was mingling,[427] combination, fusion, and union--a union which consists in two things uniting, and not in being already united. Indeed, composition includes first the movement of displacement, and then an alteration; just as, in increase, there was first the movement of displacement, and then movement in the kind of the quality.[428] Likewise, here there is first the movement of displacement, then the composition or decomposition, according as things approximate or separate.[429] Often also decomposition is accompanied or followed by a movement of displacement, but the things which separate undergo a modification different from the movement of displacement; similarly, composition is a modification which follows the movement of displacement, but which has a different nature.

COMPOSITION AND DECOMPOSITION ARE NOT ALTERATIONS.