Chapter VIII: The Narrative of the Hexateuch (1)

In the historical books the tradition is developed by means of supplement and revision; double narratives occur here and there, but not great parallel pieces of connected matter side by side. In the Hexateuch additions and supplements have certainly taken place on the most extensive scale, but the significant feature is here that continuous narratives which can and must be understood each by itself are woven together in a double or threefold cord. Critics have shown a disposition, if not in principle yet in fact, to take the independence of these so-called sources of the Hexateuch as if it implied that in point of matter also each is a distinct and independent source. But this is, even _a priori_, very improbable. Even in the case of the prophets who received their word from the Lord the later writer knows and founds upon the earlier one. How much more must this be the case with narrators whose express business is with the tradition? Criticism has not done its work when it has completed the mechanical distribution; it must aim further at bringing the different writings when thus arranged into relation with each other, must seek to render them intelligible as phases of a living process, and thus to make it possible to trace a graduated development of the tradition.

The striking agreement of the different works, not only in matter, but in their arrangement of the narratives, makes the office of criticism as now described not less but more necessary. There is no primitive legend, it is well known, so well knit as the biblical one, and thus it is no wonder that it became the frame for many others and infused into them some of its own colour. This connection is common in its main features to all the sources alike. The Priestly Code runs, as to its historical thread, quite parallel to the Jehovist history. This alone made it possible to interfuse the two writings as we now have them in the Pentateuch. That this was not done altogether without violence is less to be wondered at than that the violence which was done is so small, and particularly that the structure of each writing is left almost unimpaired. This can only be explained from the intimate agreement of the two works in point of plan. When the subject treated is not history but legends about pre-historic times, the arrangement of the materials does not come with the materials themselves, but must arise out of the plan of a narrator: even the architecture of the generations, which forms the scaffolding of Genesis, is not inseparably bound up with the matters to be disposed of in it. From the mouth of the people there comes nothing but the detached narratives, which may or may not happen to have some bearing on each other: to weave them together in a connected whole is the work of the poetical or literary artist. Thus the agreement of the sources in the plan of the narrative is not a matter of course, but a matter requiring explanation, and only to be explained on the ground of the literary dependence of one source on the other. The question how this relation of dependence is to be defined is thus a much more pressing one than is commonly assumed. /1/

-- Footnote 1. The agreement extends not only to the thread of the narrative, but also to particulars, and even to expressions. I do not speak of _mabbul_ (flood), or _tebah_ (ark), but the following examples have struck me:-In Q Genesis vi. 9, Noah is said to be _righteous in his generations_, in J E vii. 1 he is _righteous in his generation_-- an unusual form of speech, which gave a vast amount of trouble to the Rabbins and to Jerome. Similarly Q Genesis xvii. 21, _the son whom Sarah shall bear at this set time next year_, and JE xviii. 14: _at the same time I will come to thee again next year, and then Sarah shall have a son_. In the same way Q Exodus vi. 12 vii. 1. (Moses) _I am of uncircumcised lips_. (Jehovah) _See, I make thee a god to Pharaoh, and Aaron thy brother shall be thy prophet_; compared with JE iv. 10, 16. (Moses) _I am slow of speech, and of a slow tongue_; (Jehovah) _Aaron shall be to thee instead of a mouth, and thou shalt be to him instead of God_. Comp. Genesis xxvii. 46, with xxv: 22. -- Footnote

This, however, is not the place to attempt a history of the development of the Israelite legend. We are only to lay the foundation for such a work, by comparing the narrative of the Priestly Code with the Jehovistic one. In doing so we shall see that Buttmann (Mythologus, i. p. 122 seq.) is right in asserting against de Wette (Beitraege, ii.), that, the Jehovistic form of the legend is the earlier of the two . /2/

-- Footnote 2. The line indicated by Buttmann was first taken up again by Th. Noldeke in his Essay on the main-stock of the Pentateuch, which opened the way to a proper estimate of the narrative part of the work. -- Footnote

VIII.I.

VIII.I.1 The Bible begins with the account of the Priestly Code of the creation of the world. In the beginning is chaos; darkness, water, brooding spirit, which engenders life, and fertilises the dead mass. The primal stuff contains in itself all beings, as yet undistinguished: from it proceeds step by step the ordered world; by a process of unmixing, first of all by separating out the great elements. The chaotic primal gloom yields to the contrast of light and darkness; the primal water is separated by the vault of heaven into the heavenly water, out of which there grows the world above the firmament which is withdrawn from our gaze, and the water of the earth: the latter, a slimy mixture, is divided into land and sea, whereupon the land at once puts on its green attire. The elements thus brought into existence, light, heaven, water, land, are then enlivened, pretty much in the order in which they were created, with individual beings; to the light correspond the lamps of the stars, fishes to the water, to the heaven the birds of heaven, and the other creatures to the land. The last act of creation is markedly emphasised. "And God said: Let us make man after our likeness; and let them have dominion over the fish of the sea, and over the fowl of the air, and over the cattle, and over all the living creatures of the earth, and over every creeping thing that creepeth upon the earth. So God created man after His own image, in the image of God created He him, and He created them male and female. And God blessed them, and said: Be fruitful and multiply, and replenish the earth, and subdue it: and have dominion over the fish of the sea, and over the fowl of the air, and over every living thing that moveth upon the face of the earth. And God said, Behold, I have given unto you every herb bearing seed, which is upon the face of all the earth, and every tree with seed-fruits: to you it shall be for food: and to every beast of the earth and to every fowl of the air, and to everything that creepeth upon the earth, wherein there is life, I have given the green herb for meat. Thus the heavens and the earth were made and all the host of them, and on the seventh day God ended His work, and blessed the seventh day, and hallowed it." (Genesis i. 1-ii. 4a).

It is commonly said that the aim of this narrative is a purely religious one. The Israelite certainly does not deny himself in it: the religious spirit with which it is penetrated even comes at some points into conflict with the nature of its materials. The notion of chaos is that of uncreated matter; here we find the remarkable idea that it is created in the beginning by God. Brooded over by the Spirit, it is further of a nature for development to take place out of it, and the trait that the creation is represented throughout as a separation of elements which in chaos were mixed together, betrays even now the original design: but in the Hebrew narrative the immanent Spirit has yielded to the transcendent God, and the principle of evolution is put aside in favour of the fiat of creation. Yet for all this the aim of the narrator is not mainly a religious one. Had he only meant to say that God made the world out of nothing, and made it good, he could have said so in simpler words, and at the same time more distinctly. There is no doubt that he means to describe the actual course of the genesis of the world, and to be true to nature in doing so; he means to give a cosmogonic theory. Whoever denies this confounds two different things--the value of history for us, and the aim of the writer. While our religious views are or seem to be in conformity with his, we have other ideas about the beginning of the world, because we have other ideas about the world itself, and see in the heavens no vault, in the stars no lamps, nor in the earth the foundation of the universe. But this must not prevent us from recognising what the theoretical aim of the writer of Genesis i. really was. He seeks to deduce things as they are from each other: he asks how they are likely to have issued at first from the primal matter, and the world he has before his eyes in doing this is not a mythical world but the present and ordinary one.

The pale colour which generally marks the productions of the earliest reflection about nature, when they are not mythical theories, is characteristic of Genesis i. also. We are indeed accustomed to regard this first leaf of the Bible as surrounded with all the charm that can be derived from the combination of high antiquity and childlike form. lt would be vain to deny the exalted ease and the uniform greatness that give the narrative its character. The beginning especially is incomparable: "The earth was without form and void, and darkness lay upon the deep, and the Spirit of God moved upon the water. Then God said: Let there be light, and there was light." But chaos being given, all the rest is spun out of it: all that follows is reflection, systematic construction; we can easily follow the calculation from point to point. The considerations are very simple which lead the writer to make first what is great appear, and then what is small; first the foundation and then that which exists upon it, the water before the fishes, heaven before the birds of heaven, land and plants before the animals. The arrangement of the things to be explained stands here for the explanation; there is nothing more than a succession which proceeds from the simple to the complicated; there is no effort of fancy to describe the process more closely; everywhere cautious consideration which shrinks from going beyond generalities. Only the framework of creation, in fact, is given; it is not filled up. Hence also the form of the whole, the effect of which cannot be reproduced in an epitome; the formula gets the better of the contents, and instead of descriptions our ears are filled with logical definitions. The graduated arrangement in separating particular things out of chaos indicates the awakening of a "natural" way of looking at nature, and of a reasoned reflection about natural objects, just as this is manifest in the attempts of Thales and his successors, which are also remarkable as beginnings of the theory of nature and of an objective interest in the things of the outer world, but further than this do not exactly rouse us to enthusiasm. /1/

-- Footnote 1. "There is nothing whatever in the piece that merits the name of invention but the chronological order of the various creations." Buttmann, p. 133. -- Footnote

The first sentence of the Jehovistic account of the beginning of the world's history has been cut off by the reviser. [It was all a dry waste] when Jehovah formed the earth, and nowhere did the green herb spring up, for Jehovah had not yet caused it to rain upon the earth, and there was not a man to till the ground. But a mist (?) went up out of the earth, and watered the face of the ground. And Jehovah formed man of the dust of the ground, and breathed into his nostrils the breath of life. Then he planted a garden far to the eastward in Eden, in the place where the four chief rivers of the earth part asunder from their common source; there grow among other fine trees the tree of life and the tree of knowledge. In this garden Jehovah placed the man, to dress it and keep it and to eat of all the trees, forbidding him to eat of the fruit of the tree of knowledge only. But the man is utterly alone in his garden: he must have company that is suitable for him. So Jehovah first forms the beasts, if perchance the man will associate with them and make friends with them. He brings them to him one after another to see what impression they make on him, and what the man will call them. He calls them by their right names, ox, ass, bear, thus expressing his feeling that he finds in them nothing relate to himself, and Jehovah has to seek other counsel. Then he forms the woman out of a rib of the sleeping man, and causes him to awake. Wearied as it were by all the fruitless experiments with the beasts, the man cries out delighted when he looks at the woman: This surely is flesh of my flesh and bone of my bone; she may be called wo-man.

Thus the scene is drawn, the persons introduced, and an action secretly prepared: now the tragedy begins, which ends with the expulsion of man from the garden. Seduced by the serpent, man stretches out his hand after the food which is forbidden him, in order to become like God, and eats of the tree of knowledge. The first consequence of this is the beginning of dress, the first step in civilisation; other and sadder consequences soon follow. In the evening the man and his wife hear Jehovah walking in the garden; they hide before Him, and by doing so betray themselves. It is useless to think of denying what has taken place, and as each of them puts the blame on the other, they show themselves one after the other to be guilty. The sentence of the judge concludes the investigation. The serpent is to creep on its belly, to eat dust, and to perish in the unequal contest with man. The woman is to bear many children with sorrow, and to long for the man, who yet will be her tyrant. The principal curse is directed against the man. "Cursed be the ground for thy sake: in sorrow shalt thou eat of it all the days of thy life. Thorns also and thistles shall it bring forth to, thee, and thou shalt eat the herb of the field, till thou return unto the ground, for out of it wast thou taken: for dust thou art, and unto dust shalt thou return." Sentence being thus spoken, Jehovah prepares the man and woman for their future life by making coats of skins to dress them with. Then turning to His celestial company, "Behold," He says, "the man is become like one of us to know good and evil; and now lest he put forth his hand, and take also of the tree of life, and eat, and live for ever." With these words he drives man out of Paradise, and places before it the cherubs, and the flaming sword, which turns every way, to keep the way of the tree of Life (Genesis i. 4b-iii. 24).

The gloomiest view of life as it now is, lies at the root of this story. Man's days are mere hardship and labour and task-work, a task-work with no prospect of relief, for the only reward of it is that he returns to the earth from which he was taken. No thought appears of any life AFTER death, and life WITHOUT death might have been, but has been forfeited, now the cherub guards the approach to the tree of life, of which man might have eaten when in Paradise but did not. This actual, cheerless lot of man upon the earth is the real problem of the story. It is felt to be the very opposite of our true destiny; at first, things must have been otherwise. Man's lot now is a perversion of what it was at first, it is the punishment of primeval guilt now resting on us all. At first man lived in Paradise; he had a happy existence, and one worthy of his nature, and held familiar intercourse with Jehovah; it was his forbidden striving after the knowledge of good and evil that drove him out of Paradise and brought all his miseries upon him.

What is the knowledge of good and evil? The commentators say it is the faculty of moral distinction,--conscience, in fact. They assume accordingly that man was in Paradise morally indifferent, in a state which allowed of no self-conscious action and could not be called either good or evil. A state like this not being an ideal one, some of them consider that man gained more than he lost by the fall, while others admit that it could not be the divine intention to keep him always at this stage of childish irresponsibility, and that this cannot be the view of the narrator either.

But it is plain that the narrator is not speaking of a relative prohibition of knowledge, but an absolute one: he means that it is only for God, and that when man stretches out his hand towards it he is transcending his limits and seeking to be as God. On the other side he cannot of course mean to say that conscience is a doubtful blessing, and its possession to be deplored, or that it is a thing that God in fact refuses to men and reserves to Himself alone. The knowledge spoken of cannot be moral knowledge. What could the assertion mean that God would have no one but Himself know the difference between good and evil, and would deny to man this knowledge? One would think that conscience is a thing belonging specifically to man and not to God.

And what could be the sense of representing Adam and Eve as so intent to know what was sin and what was virtue? No one is curious about that, and sin never came into existence in the way of ethical experiment, by men's desiring to know what it is. And it is manifestly assumed that men knew in paradise that obedience to Jehovah was good and disobedience evil. And finally, it conflicts with the common tradition of all peoples to represent the first man as a sort of beast; he is regarded as undeveloped only in point of outward culture. The knowledge which is here forbidden is rather knowledge as such, general knowledge, or getting the eyes opened, as it is afterwards called. This is what transcends, in the writer's view, the limits of our nature; prying out the secret of things, the secret of the world, and overlooking, as it were, God's hand to see how He goes to work in His living activity, so as, perhaps, to learn His secret and imitate Him. For knowledge is to the ancient world also power, and no mere metaphysic. This knowing in the highest sense is the attribute of God alone, who stands in the creative centre of things and penetrates and surveys the whole; it is sealed to man, who has to labour and weary himself at little things. And yet the forbidden good has the most powerful attraction for him; he burns to possess it, and instead of resigning himself in trust and reverence he seeks to steal the jewel which is jealously guarded from him, and so to become like God--to his own sorrow.

This explanation is not new; it is the old and popular one, for which reason also Goethe adopted it in Faust. One objection certainly may be taken to it; the words are not merely _knowledge_, but _knowledge of good and evil_. But good and evil in Hebrew mean primarily nothing more than salutary and hurtful; the application of the words to virtue and sin is a secondary one, these being regarded as serviceable or hurtful in their effects. Good and evil as spoken of in Genesis ii. iii. point to no contrast of some actions with others according to their moral distinctions: the phrase is only a comprehensive one for things generally, according to the contradictory attributes which constitute their interest to man, as they help or injure him: for, as said, he desires to know not what things are metaphysically, but what is the use of them. /1/ Besides the

-- Footnote I Sur. 20, 91. Hudh. 22, 10 (Agh. xv. 105, 12). Hamasa, 292, 8 seq. Tabari i. 847, 18 -- Footnote

lengthier expression we have the shorter one, knowledge, simply (iii. 6); and it must also be remarked that the phrase is not: know the good and the evil, but know good and evil.

But more, we must regard this knowledge not as it affects the individual, but in the light of history; what is meant is what we call civilisation. As the human race goes forward in civilisation, it goes backward in the fear of God. The first step in civilisation is clothing; and here this is the first result of the fall. The story is continued in chapter iv. Adam's sons begin to found cities, Jubal is the first musician, Cain discovers the oldest and the most important of the arts, that of the smith-- hence the sword and bloody vengeance. Of the same tendency is the connected story of the city and the tower of Babel, in which is represented the foundation of the great empires and cities of the world, which concentrate human strength and seek to use it to press into heaven itself. In all this we have the steps of man's emancipation; with his growing civilisation grows also his alienation from the highest good; and--this is evidently the idea, though it is not stated--the restless advance never reaches its goal after all; it is a Sisyphus-labour; the tower of Babel, which is incomplete to all eternity, is the proper symbol for it. The strain is that strain of unsatisfied longing which is to be heard among all peoples. On attaining to civilisation they become aware of the value of those blessings which they have sacrificed for it. /1/

-- Footnote 1. Dillmann thinks this idea insipid: Genesis (1882), p. 44 -- Footnote

It was necessary to discuss the notion of knowledge at some length, because the misunderstanding of this point on the part of philosophers and theologians has cast over our story an appearance of modernness, which has, in its turn, done something to influence general opinion as to the age of this story compared with the other. Having got rid of this impression we turn to those features of Genesis ii. iii. which help to determine positively its relation to chapter i.

What has been untruly asserted of Genesis i. is true of Genesis ii. iii. The Jehovist narrative does shine by the absence of all efforts after rationalistic explanation, by its contempt for every kind of cosmological speculation. The earth is regarded as being at first not moist and plastic but (as in Job xxxviii. 38) hard and dry: it must rain first in order that the desert may be turned into a green meadow, as is the case still every year when the showers of spring come. The ground further requires cultivation by man that the seed may spring forth. No regard is paid to any natural sequence of the acts of creation: man, the most helpless of all beings, appears first, and finds himself placed on a world entirely bare, without tree or bush, without the animals, without woman. Man is confessedly the exclusive object of interest, the other creatures are accounted for by their importance to him, as if this only conferred on them a right to exist. The idea explains matter: mechanical possibility is never consulted, and we do not think of asking about it. Want of taste could find no lower deeps than when this or that scholar goes from Genesis ii. 21 to count his ribs, or comes to the conclusion that the first man was hermaphrodite.

In the first account we stand before the first beginnings of sober reflection about nature, in the second we are on the ground of marvel and myth. Where reflection found its materials we do not think of asking; ordinary contemplation of things could furnish it. But the materials for myth could not be derived from contemplation, at least so far as regards the view of nature which is chiefly before us here; they came from the many-coloured traditions of the old world of Western Asia. Here we are in the enchanted garden of the ideas of genuine antiquity; the fresh early smell of earth meets us on the breeze. The Hebrews breathed the air which surrounded them; the stories they told on the Jordan, of the land of Eden and the fall, were told in the same way on the Euphrates and the Tigris, on the Oxus and the Arius. The true land of the world, where dwells the Deity, is Eden. It was not removed from the earth after the fall; it is there still, else whence the need of cherubs to guard the access to it? The rivers that proceed from it are real rivers, all well known to the narrator, they and the countries they flow through and the products that come from these countries. Three of them, the Nile, the Euphrates, and the Tigris, are well known to us also; and if we only knew how the narrator conceived their courses to lie, it would be easy to determine the position of their common source and the situation of Paradise. Other peoples of antiquity define the situation of their holy land in a similar manner; the streams have different names, but the thing is the same. The wonderful trees also in the garden of Eden have many analogies even in the Germanic mythology. The belief in the cherubs which guard Paradise is also widely diffused. _Krub_ is perhaps the same name, and certainly represents the same idea, as _Gryp_ in Greek, and _Grei_f in German. We find everywhere these beings wonderfully compounded out of lion, eagle, and man. They are everywhere guardians of the divine and sacred, and then also of gold and of treasures. The ingredients of the story seem certainly to have parted with some of their original colour under the influence of monotheism. The Hebrew people no doubt had something more to tell about the tree of life than now appears. It is said to have been in the midst of the garden, and so it seems to have stood at the point whence the four streams issued, at the fountain of life, which was so important to the faith of the East, and which Alexander marched out to discover. Paradise, moreover, was certainly not planted originally for man, it was the dwelling of the Deity Himself. Traces of this may still be recognised. Jehovah does not descend to it from heaven, but goes out walking in the garden in the evening as if He were at home. The garden of Deity is, however, on the whole somewhat naturalised. A similar weakening down of the mythic element is apparent in the matter of the serpent; it is not seen at once that the serpent is a demon. Yet parting with these foreign elements has made the story no poorer, and it has gained in noble simplicity. The mythic background gives it a tremulous brightness: we feel that we are in the golden age when heaven was still on earth; and yet unintelligible enchantment is avoided, and the limit of a sober chiaroscuro is not transgressed.

The story of the creation in six days played, we know, a great part in the earlier stages of cosmological and geological science. It is not by chance that natural science has kept off Genesis ii. iii. There is scarcely any nature there. But poetry has at all times inclined to the story of Paradise. Now we do not require to ask at this time of day, nor to argue the question, whether mythic poetry or sober prose is the earlier stage in the contemplation of the world.

Intimately connected with the advanced views of nature, which we find in Genesis i., is the "purified" notion of God found there. The most important point is that a special word is employed, which stands for nothing else than the creative agency of God, and so dissociates it from all analogy with human making and shaping-- a word of such exclusive significance that it cannot be reproduced either in Latin, or in Greek, or in German. In a youthful people such a theological abstraction is unheard of; and so with the Hebrews we find both the word and the notion only coming into use after the Babylonian exile; they appear along with the emphatic statement of the creative omnipotence of Jehovah with reference to nature, which makes its appearance, we may say suddenly, in the literature of the exile, plays a great part in the Book of Job, and frequently presents itself in Isaiah xl.-lxvi. In Genesis ii. iii., not nature but man is the beginning of the world and of history; whether a creation out of nothing is assumed there at all, is a question which only the mutilation of the commencement (before ii. 4b) makes it not quite impossible to answer in the affirmative. At any rate it is not the case here that the command of the Creator sets things in motion at the first so that they develop themselves to separate species out of the universal chaos; Jehovah Himself puts His hand to the work, and this supposes that the world in its main features was already in existence. He plants and waters the garden, He forms man and breathes life into his nostrils, He builds the woman out of the man's rib, having made a previous attempt, which was unsuccessful, to provide him with company; the beasts are living witnesses of the failure of His experiments. In other respects, too, He proceeds like a man. In the evening when it grows cool He goes to walk in the garden, and when there discovers by chance the transgression which has taken place, and holds an investigation in which He makes not the least use of His omniscience. And when He says: "Behold, the man is become like one of us to know good and evil: and now lest he stretch forth his hand, and take of the tree of life, and eat and live for ever," that is not said in irony, any more than when He expresses Himself on the occasion of the building of Babel; "Behold, the people is one, and they have all one language, and this is only the beginning of their doings, and now nothing will be too difficult for them that they have imagined to do; go to, let us go down and confound their language." That at the same time the majesty of Jehovah is in no way compromised is the mystery of poetic genius. How would the colourless God of abstraction fare in such a situation ?

The treatment, finally, of the microcosm in the two accounts, reflects the difference between them. In chapter i. man is directed at the very outset to the ground on which he moves to this day: "Replenish the earth, and subdue it," he is told; a perfectly natural task. In chaps. ii. iii. he is placed in Paradise, and his sphere of activity there, nestled, as he may be said still to be, in the lap of the Deity, is very limited. The circumstances of his life as it now is, the man's toil in the fields, the woman's toil in bearing children, do not answer to his original destiny; they are not a blessing, but a curse. In the Jehovistic narrative man is as wonderful to himself as the external world; in the other he is as much a matter of course as it is. In the one he sees astonishing mysteries in the difference of the sexes, in marriage, in child-birth (iv. 1); in the other these are physiological facts which raise no questions or reflections: "He made them male and female, and said, Be fruitful and multiply." There his attitude towards the beasts is one of mixed familiarity and bewilderment; he does not know exactly what to make of them; they are allied to him and yet not quite suitable society for him; here they are beings not related to him, over which he rules.

The chief point in which the difference between the two accounts comes to a head is this. In Genesis ii. iii., man is virtually forbidden to lift the veil of things, and to know the world, represented in the tree of knowledge. In Genesis i. this is the task set him from the beginning; he is to rule over the whole earth, and rule and knowledge come to the same thing--they mean civilisation. There nature is to him a sacred mystery: here it is a mere fact, an object; he is no longer bewildered over against nature, but free and superior. There it is a robbery for man to seek to be equal with God: here God makes him at first in His own image and after His own likeness, and appoints him His representative in the realm of nature. We cannot regard it as fortuitous that in this point Genesis i. asserts the opposite of Genesis ii. iii.; the words spoken with such emphasis, and repeated i. 27, v. 1, ix. 6, sound exactly like a protest against the view underlying Genesis ii. iii., a protest to be explained partly by the growth of moral and religious cultivation, but partly also no doubt due to the convulsive efforts of later Judaism to deny that most firmly established of all the lessons of history, that the sons suffer for the sins of the fathers. /1/

-- Footnote 1. A coarser counterpart to Genesis ii. iii, is Genesis vi. 1-4. Here also there is a kind of fall of man in an attempt to overpass the boundary between the human race and the divine. In the priestly narrative (Q) the gulf between spirit, which is divine substance, and flesh, which is human substance, is bridged over by the doctrine of man's creation in the image of God. -- Footnote

What are generally cited as points of superiority in Genesis i. over Genesis ii. iii. are beyond doubt signs of progress in outward culture. The mental individuality of the two writers, the systematiser and the genius, cannot be compared, and the difference in this respect tells nothing of their respective dates; but in its general views of God, nature, and man, Genesis i. stands on a higher, certainly on a later, level. To our way of thinking its views are more intelligible, simpler, more natural, and on this account they have been held to be also older. But this is on the one hand to identify naturalness with originality, two things which every one knows not to be the same, and on the other hand it is applying a standard to prehistoric tradition which applies to historical tradition only: freedom from miracle and myth count in favour of the latter, but not of the former. But the secret root of the manifest preference long shown by historic-critical theology for Genesis i. appears to lie in this, that scholars felt themselves responsible for what the Bible says, and therefore liked it to come as little as possible in conflict with general culture. /1/

-- Footnote 1. I merely assert that Genesis ii. iii. is prior to Genesis i.; I do not believe the story of Paradise and of the Fall to be very old with the Israelites. We are led to think so by the fact that the man and the woman stand at the head of the genealogy of the human race; a place we should rather expect to be assigned to the serpent (according to primitive Semitic belief the serpent was by no means opposed to God). This is the case in the Chronicon Edessenum and in Abyssinian legend, and a trace of this is perhaps preserved in the name of Eve, as Noldeke thinks. The name certainly receives this interpretation in Philo (de agric. Noe, # 21) and in the Midrash Rabba on Genesis iii. 20 (D. M. Z. 1877, p. 239, 326). Moreover, the true seat of God to the Hebrews was Mount Sinai, and the original Hebrew life was the nomadic life of the patriarchs, not gardening or agriculture. And finally we cannot believe barbarians to have indulged in reflections on the advantages and disadvantages of civilisation. The materials of Genesis ii. iii. can hardly have been imported before the time of Solomon. Where they came from we can scarcely guess; it would be most natural to think of the Phoenicians or the Canaanites generally, and this theory is favoured by Genesis iv. But in JE Babel is regarded as the last home of the primitive human race, Eden and Nod having preceded it; and the Hebrews probably derived the legend in the last instance from Babylon. But this does not prove that this or that parallel brought forward by Assyriologists is necessarily of value. -- Footnote

VIII.I.2. After the beginning of the world we have in Genesis i.-xi., both in the Priestly Code and in the Jehovist, the transition from Adam to Noah (chapters iv. v.), then the flood (vi.-ix.), then the transition from Noah to Abraham (chapters x. xi.).

In the dry names, which are enumerated in Genesis v. and Genesis iv. Buttmann recognised the remains of an historical connection once woven together out of primitive stories. These narratives were evidently mythological: their original contents are destroyed both in Genesis v. (Q) and in Genesis iv. (JE), but only the list of the Jehovist now bears the appearance of a ruin. In the other the fragments have been used for a careful new building in which they no longer look like fragments. Here they are made to serve as the pillars of a chronology which descends from Adam to Moses, computing the period from the one to the other as 2666 years. These 2666 years represent 26 2/3 generations of a hundred years each: namely, 1-20 Adam to Abraham, 21 Isaac, 22 Jacob, 23 Levi, 24 Kohath, 25 Amram, 26 Aaron; the last 2/3 of a generation is Eleazar, who was a man of mature years at the time of the Exodus. /2/

-- Footnote 2. So Noldeke in the Jahrbb. fuer protest. Theol., 1875, p. 344. Genesis xv. 13-16 expressly states that the generation is reckoned as 100 years in this period. -- Footnote

Such a chronology is totally at variance with the simplicity of the legend. /1/ It is also evident, that if even in the case of the

-- Footnote 1. "Exact chronological dates are a sure sign of later working up of old poetical legends." Buttmann, I. p. 181. -- Footnote

historical books the systematic chronology is no older than the period of the exile, that of the Pentateuch must be of still later origin. For the historical period there were certain fixed points for chronology to lay hold of; it cannot have begun with the patriarchs and gone on to the kings, it must have begun with the kings and then gone higher up to the patriarchs; it must have begun at the lower end, where alone it had any firm ground to stand on. The belief that the men of the early world lived to a great age is no doubt old, but the settled chronology, based on the years in which each patriarch begat his son, is an artifice in which we manifestly see the doctrinaire treatment of history which was coming into vogue for later periods, attempting to lay hold of the earliest legends as well. Only when the living contents of the legend had completely disappeared could its skeleton be used as a framework of chronology.

Buttmann has also shown that the elements of the ten-membered genealogy of Q (Genesis v.) and of the seven-membered of JE (Genesis iv.) are identical. In Q, Noah comes after Lamech at the end, and at the beginning Adam Cain is doubled and becomes Adam Seth Enos Cainan. Adam and Enos being synonymous, this amounts to Adam Seth Adam Cainan: that is to say Adam Seth are prefixed, and the series begins anew with Enos Cainan, just as in JE. The Priestly Code itself offers a remarkable testimony to the superior originality of the Jehovist genealogy, by ascribing to Lamech, here the ninth in order, the age of 777 years. This can only be explained from JE, where Lamech is seventh in order, and moreover specially connects himself with the number seven by his speech. Cain is avenged seven times, and Lamech seventy times seven. Another circumstance shows Q to be posterior to E. The first man is called here not Ha Adam as in JE, but always Adam, without the article (v. 1-5), a difference which Kuenen pertinently compares with that between ho Xristos and Xristos. But in Q itself (Genesis i.) the first man is only the generic man; if in spite of this he is called simply Adam (Genesis v.), as if that were his proper name, the only way to account for this is to suppose a reminiscence of Genesis ii. iii., though here the personification does not as yet extend to the name.

We come to the story of the flood, Genesis vi.-ix. In JE the flood is well led up to: in Q we should be inclined to ask in surprise how the earth has come all at once to be so corrupted, after being so far in the best of order, did we not know from JE. In omitting the fall, the fratricide of Cain, the sword-song of Lamech, the intercourse of the sons of God with the daughters of men, and parting with the distinctive gloomy colouring which is unmistakably spread over the whole early history of man in JE, the Priestly Code has entirely lost the preparation for the flood, which now appears in the most abrupt and unaccountable way. As to the contents of the story, the priestly version here agrees to an unusual extent with the Jehovistic one; differing from it chiefly in the artificial, mathematical marking out of the framework. The flood lasts twelve months and ten days, i.e., exactly a solar year. It begins in the six hundredth year of Noah, on the seventeenth of the second month, rises for one hundred and fifty days, and begins to fall on the seventeenth of the seventh month. On the first month the tops of the mountains become visible; in the six hundred and first year, on the first of the first month, the water has abated; on the twenty-seventh of the second month the earth is dry. God Himself gives instructions and measurements for the building of the ark, as for the tabernacle: it is to be three stories high, and divided throughout into small compartments; three hundred cubits long, fifty cubits broad, thirty cubits high; and Noah is to make it accurately according to the cubit. When the water is at its height, on the seventeenth of the second month, the flood is fifteen cubits above the highest mountains--Noah having apparently not forgotten, in spite of his anxiety, to heave the lead and to mark the date in his log-book. This prematurely modern measuring and counting cannot be thought by any one to make the narrative more lifelike; it simply destroys the illusion. All that is idyllic and naive is consistently stripped off the legend as far as possible. As the duration of the flood is advanced from forty days (JE) to a whole year, its area also is immeasurably increased. The Priestly Code states with particular emphasis that it was quite universal, and went over the tops of the highest mountains; indeed it is compelled to take this view by its assumption that the human race was diffused from the first over the whole earth. Such traits as the missions of the birds and the broken-off olive-leaf are passed over: poetic legend is smoothed down into historic prose. But the value and the charm of the story depend on such little traits as these; they are not mere incidents, to poetry they are the most important thing of all. These are the features which are found just in the same way in the Babylonian story of the flood; and if the Jehovist has a much greater affinity with the Babylonian story than the Priestly Code, that shows it to have preserved more faithfully the international character of those early legends. This appears most plainly in his accounting for the flood by the confounding of the boundaries between spirit and flesh, and the intercourse of the sons of God and the daughters of men: the Jehovist here gives us a piece, but little adulterated, of mythical heathenism--a thing quite inconceivable in Q.

The Priestly Code has the rainbow, which the Jehovist, as we now have him, wants. But we have to remember that in Genesis vi.-ix. the Jehovist account is mutilated, but the priestly one preserved entire. If the rainbow occurred both in JE and in Q, one of the accounts of it had to be omitted, and according to the editor's usual procedure the omission had to be from JE. It is accordingly very possible that it was not at first wanting in JE; it agrees better, indeed, with the simple rain, which here brings about the flood, than with the opening of the sluices of heaven and the fountains of the deep, which produce it in Q, and it would stand much better after viii. 21, 22 than after ix. 1-7. In the Priestly Code, moreover, the meaning of the rainbow is half obliterated. On the one hand, the story is clumsily turned into history, and we receive the impression either that the rainbow only appeared in the heavens at this one time after the flood, or that it had been there ever since; on the other hand, it is made the token of the covenant between Elohim and Noah, and the use of language in other passages, with the analogy of Genesis xvii., would point to the covenant described in ix. 1-7: the rainbow would then be the counterpart of circumcision. /1/ The covenant,

-- Footnote 1. The celestial bow is originally the instrument of the arrow-darting God, and therefore a symbol of His hostility; but He lays it out of His hand to signify that He has laid aside His wrath, and it is a token of His reconciliation and favour. When there has been such a storm that one might dread a repetition of the flood, the rainbow appears in heaven, the sun, and grace, breaking forth again. In the 0. T. Q#T has not the meaning of a mere arc, it always means the war-bow. And what is most important of all, the Arabs also always take the iris to be the war-bow of God; Kuzah shoots arrows from his bow, and then hangs it up in the clouds (D. M. Z. 1849, p. 200 seq.). With the Jews and their kin, the rainbow has retained far into Christian times a remarkably near relation to the Deity. It is singular that the Edomites have a God named Kaus, as well as Kuzah. -- Footnote

i.e., the law of ch. ix. 1-7, a modification of the first ordinance given to Adam (i.229, 30) for the world after the flood which still subsists, is for the Priestly Code the crown, the end, the substance, of the whole narrative. Its interest in the law always completely absorbs the simple interest of its story.

We have also to remark that in this source vengeance for the spilling of blood is not the affair of the relatives but the affair of God; and that it is demanded for man as man, whether master or slave, and no money compensation allowed. The words sound simple and solemn: "Whoso sheddeth man's blood, by man shall his blood be shed: for in the image of God made He man." Yet the religious notion of HUMANITY underlying this sentence is not ancient with the Hebrews any more than with other nations; cf. Genesis iv. 15, 24, and Exodus xxi. 20 seq. /1/

-- Footnote 1. De Wette, Beitrage, p. 57. The religious notion of the people is old. -- Footnote

The ark lands, according to Q, on Mount Ararat. In JE, as we have it, no landing-place is named. But this is not original, as mythic geography belongs to the Jehovist in all other passages where it occurs. In Q the primitive history is never localised, the whole earth is given to man for a dwelling from the first. In JE, on the contrary, they live first in the land of Eden far to the East, and presumably high up in the North; expelled from Eden they come to the land of Nod, where Cain builds the town of Enoch, and departing from this district, which is still far to the East, they settle in the land of Shinar, at the mouths of the Euphrates and Tigris, where they build the town of Babel. Shinar is the point of departure of that history of the world which is no longer merely mythical, it is the home of the present human race. In this point the contrast is very noticeable between the local definiteness of the Jehovist legend, which lends it the character of the idyllic, and the vague generalness of the other. In Shinar, according to JE, Genesis xi. 1-9, men are still all together, and they desire to remain together there. Not to be scattered, they build a great city, which is to hold them all; and to make themselves a name, they add to it a high tower which is to reach heaven. Jehovah, perceiving in these attempts the danger of further progress in the same direction, comes down to confound their language, and by such violent means brings about the dispersion of the human race by the unity of which He feels himself threatened. In Q it is understood that men are scattered over the whole earth; they are never represented as all living at one point, and pains are accordingly taken to describe the flood as quite universal. The division of the people comes about quite simply in the way of genealogy, and the division of the languages is not the cause but the result of it. Accompanying this we find once more a notable difference in point of mental attitude; what JE regards as unnatural, and only to be understood as a violent perversion of the original order, is in Q the most natural thing in the world.