Chapter IV: Part 4
(1) THE ESSAYES OF A PRENTISE, IN THE DIVINE ARTE OF POESIE. Edinburgh 1585.
(2) A COUNTER BLASTE TO TOBACCO. London. 1604.
Sixpence. [_Aug._
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20. _FRANCIS BACON._
A Harmony of the ESSAYES, &c. The four principal texts appearing in parallel columns; viz.:--
(1) Essayes. Religious Meditations. Places of perswasion and disswasion. London 1597. (10 Essays.)
Of the Coulers of good and euill a fragment. 1597.
(2) The Writings of S{r} Francis Bacon Knt: the Kinges Sollicitor Generall: in Moralitie, Policie, and Historie. _Harleian MS._ 5106. Transcribed bet. 1607-12. (34 Essays.)
(3) THE ESSAIES of S{r} FRANCIS BACON Knight, the Kings Solliciter Generall. London. 1612. (38 Essays.)
(4) The Essayes or Counsels, Ciuill and Morall, of FRANCIS LO. VERULAM Viscount ST. ALBANS. Newly Written. 1625. (58 Essays.) Three Shillings. [_Sept._
VOL. IX--No. 20; in green cloth, red edges.
Three Shillings & Sixpence.
21. _Sir ROBERT NAUNTON, Master of the Court of Wards._
FRAGMENTA REGALIA: or, Observations on the late Queen Elizabeth, her Times, and Favourites. [Second Edition. London] 1642. Sixpence. [_Sept._
22. _THOMAS WATSON, Student at law._
(1) THE #Ekatompathia# or Passionate Centurie of Loue. _Divided into two parts: whereof, the first expresseth the Authors sufferance in Loue: the latter, his long farewell to Loue and all his tyrannie._ Composed by _Thomas Watson_ Gentleman; and published at the request of certaine Gentlemen his very frendes. London [1582.]
(2) MELIBOEUS T. Watsoni, sive, Ecloga in obitum F. Walsinghami, &c. Londini, 1590.
(3) AN EGLOGUE, &c., Written first in latine [the above Meliboeus] by _Thomas Watson_ Gentleman and now by himselfe translated into English. London, 1590.
(4) THE TEARS OF FANCY, or Loue disdained. [From the unique copy, wanting Sonnets ix.-xvi., in the possession of S. Christie-Miller, Esq.] London, 1593. Eighteen Pence. [_Oct._
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23. _ROGER ASCHAM._
THE SCHOLEMASTER, Or plaine and perfite way of teachyng children, to vnderstand, write, and speake, the Latin tong, but specially purposed for the priuate brynging vp of youth in Ientlemen and Noble mens houses, and commodious also for all such, as haue forgot the Latin tonge, and would, by themselues, without a Scholemaster, in short tyme, and with small paines, recouer a sufficient habilitie, to vnderstand, write, and speake Latin. London. 1570. One Shilling. [_Oct._
24. _WILLIAM HABINGTON._
CASTARA. The third Edition. Corrected and augmented. London. 1640. With the variations of the two previous editions. One Shilling. [_Nov._
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25. _JOHN HALL._
HORÆ VACIVÆ, or Essays. Some occasionall considerations. London. 1646.
Sixpence. [_Nov._
26. (1) The earliest known English tragedy; and also the earliest English play in blank verse.
_THOMAS SACKVILLE, afterwards Lord Buckhurst, and Earl of Dorset: and THOMAS NORTON, of Sharpenhoe (Beds)._
¶ THE TRAGEDIE OF FERREX AND PORREX, set forth without addition or alteration but altogether as the same as shewed on stage before the Queenes Maiestie, about nine yeares past, _vz_. the xviij day of Ianuarie. 1561. by the gentlemen of the Inner Temple. London. [1570.]
Collated with the surreptitious edition 'The Tragedie of Gorboduc,' of 1565.
(2) _SACKVILLES's_ THE INDUCTION _to The Complaynt of Henrye duke of Buckingham_, from the second edition of _A Myrrovr for Magistrates_. London. 1563. One Shilling. [_Dec._
27. _Sir RICHARD GRENVILLE._
FIGHT IN THE 'REVENGE.' (1) A report [written by Sir WALTER RALEIGH] of the Truth of the fight about the Isles of Acores, this last Sommer. Betvvixt the Reuenge, one of her Maiesties Shippes, And an Armada of the King of Spaine. London. 1591. [From the Grenville copy.]
(2) The most Honorable Tragedie of Sir Richarde Grinuille, Knight (.·.)_Bramo assai, poco spero, nulla chieggio._ [By GERVASE MARKHAM] London. 1595. [Two copies only are known, Mr. Grenville's cost £40.] Sixpence. [_Dec._
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5 Queen Square, Bloomsbury, London, W.C.
June 1869.
The publication of the 'English Reprints' passed into the Editor's hands on the 1st of May last. An inevitable cessation in the issue of new works ensued: but with the appearance of Howell's _Instructions, &c._, the Series resumes its growth.
A few changes have been made as to works in immediate preparation. (1) _Roister Doister_ can be published for Sixpence. (2) An early printed rarity, _The Revelation to the Monk of Evesham_, has therefore been interpolated. (3) Elyot's _Governor_ has been postponed to next year. (4) In its stead Naunton's _Fragmenta Regalia_, and Watson's #ekatompathia#, _&c._ have been inserted.
It is a great gratification to bring back from oblivion the works of so elegant a poet as Thomas Watson, of whose renown in his own age Francis Meres thus testifies in his _Palladis Tamia_, 1598.
'As Italy had _Dante_, _Boccace_, _Petrarch_, _Tasso_, _Celiano_,
and _Ariosto_: so England had _Mathew Roydon_, _Thomas Atchelow_,
_Thomas Watson_, _Thomas Kid_, _Robert Greene_ and _George Peele_.'
--_p. 282_, b.
'As _Theocritus_ in Greeke, _Virgil_ and _Mantuan_ in Latine,
_Sanazar_ in Italian, and the Authour of _Amyntæ Gaudia_ and
_Walsinghams Meliboeus_ are the best for pastorall ....'
--_p. 284_, a.
There is, however, further gratulation in that S. Christie-Miller, Esq. has generously consented to the printing of Watson's _The Tears of Fancy_, the unique copy of which forms one of the gems of his remarkable collection at Britwell. Altogether, therefore, the Reprint will include above 150 Sonnets, besides the Latin-English elegy _Meliboeus_.
The temporary loan of original editions greatly facilitates the work. Gentlemen who may be willing so to trust the Editor are requested to communicate with him a considerable time in advance of date of publication.
The Series will continue perpetually on sale. Profit is sacrificed to cheapness: and cheapness aimed at, in order that purchasers may acquire not a few works simply, but the entire series. Every endeavour is made that the selection shall be _representative_ of the national literature, as well as varied and interesting in itself: while scrupulous care is bestowed upon each book. It may not therefore be presumption to bespeak unceasing co-operation on the part of all readers of English.
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Typographical errors:
_As noted above, punctuation and capitalization within the play itself
are unchanged; missing punctuation has not been supplied. The entire
text, including the modern (1869) material, used long "s"._
_The form #ekatompathia# for #hekatompathia# is used consistently._
_Possible long-s errors:_
Whersore concerning mariage, ye are thought
_"Whersore" for "Wherfore"_
+Tib. Talk.+ Then Trupenies firesorke will him shrewdly fray,
_"firesorke" for "fireforke"_
+C. Custance.+ Ye shall see womens warre.
+T. Trusty.+ That fight wil I behold.
_readings "fight" and "sight" are both plausible_
Hath no honour to foile his handes on a woman.
_"foile" for "soile"_
1534-1543. æt.
_text unchanged_
_Ex. am._, _Exeant am._ (two occurrences)
_text unchanged: possible error for "om." (omnes)_
+Tib. Talk.+ Not with you sir, but with a little wag-pastie,
_hyphen at line-break_
In suche an outragious tempest as as this was.
_duplication "as as" in original_
Sym Suresby here perchance shal therof deme som yll,
_text has appropriately sized empty space for initial "S"_
Sym Suresby my trustie man, nowe aduise thee well,
_speaker's name (Gawin Goodlucke) missing in original_
whiche he preahecd in ye Shrouds at paules churche
_text unchanged: error for "preached"_
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Roister DoisterChapter IV: Part 4
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