Chapter XVIII: Part 18

The Apparition.

Blacksmith's Shop.

Old Alehouse Door.

Clearing the Premises without Consulting your Landlord.

'Be cautious upon what you fix your affections, and withdraw your
neck from the yoke.'

The Old Commodore.

The Apothecary in Adoration.

Heads of Doctor Gosset, Governor Wall, and Doctor Gall, 'drawn by T.
Rowlandson, and given to his old friend, Mr. John Thomas Smith.'

ORIGINAL DRAWINGS BY THOMAS ROWLANDSON IN THE POSSESSION OF THE EDITOR OF THE PRESENT VOLUMES.

The Tuileries at Paris.

A Celebration at the Great Room of the 'Crown and Anchor' Tavern.

Love and Dust.

Large Landscape--View in Wales: Fishing, Netting, &c.

Summer Amusement, or a Game at Bowls.

Large Classic Landscape--Water Nymphs, &c.

A Press Gang.

Dissolution of Partnership, or Striking a Balance.

_Une Bonne Bouche!_ (A Titanic gourmand with an entire sucking-pig
impaled on his fork.)

A Turk and a Tartar (the Tartar in this instance being a
high-spirited nymph, a flower-girl).

A Cry for a Cat. (A beadle going round with his bell, &c.)

A Travelling Princess, and an Indifferent Ambassador. (Caroline of
Brunswick, &c.)

Sortie from a Levée.

New Flora.

Awkward Attendant--'Hints to Footmen.' (On the reverse the sketch of
'a Masquerade.')

Private Amusement--Noble Science of Boxing. 'Nobility and Gentry
taught.'

Fashionable Beauties. (A pair of Nymphs of St. James's.)

A Nincompoop, or Henpecked Husband.

Ram Inn at Newmarket--Card-Sharpers and Countrymen.

A Little Tighter.

Sly Boots.

The Apparition.

How to Treat a Refractory Member.

A Finishing School.

Luxury and Avarice.

Lust and Desire.

'The Vicar of Wakefield.'

'The Vicar of Wakefield': The Family Picture.

The Old Bailey.

Hunting Scene in a Park.

A Park--Horses and Figures.

View of Clifton.

Garden Pastimes.

Rocky Landscape:--Bathers at a Stream.

Hussar taking Refreshment at a Cottage Door.

John Thomas Serres. The Husband of the Princess (The 'Princess' Olive
of Cumberland).

Miseries of Reading and Writing:--'Losing the post when you would as
willingly lose your life.'

Syrens Catching a Porpoise.

Rag Fair, 1801.

Landscape Scene.

A Mad Dog in a Dining Room. (See 1809, page 133.)

Clifton from the Heights.

The Quay.

A Shipping Scene.

Greenwich Geese.

A Wild Landscape.

A Toad-Eater.

Incantations.

The Dolphin Inn.

Bob Derry of Newmarket.

Buy my Strawberries.

An Old Sinner.

Stolen Kisses.

The Highwayman betrayed.

A Prize Fight.

Contrasts: The Long and the Short of it.

A Clockmaker's Shop.

A Neapolitan Ambassador. (Lady Hamilton, &c.)

Seeking among the Slain after the Fall of Troy.

Forget and Forgive, or Honest Jack shaking hands with Mynheer.

Playing Tricks upon Travellers; or, Disturbed by Sham Spectres.

Veteran Topers.

A Jew Family.

Lethargy.

A Nun of Winter's Sisterhood.

The Butterfly Fancier on the Wing, or the Tulip Fancier's Flower Beds
Sacrificed.

Pair of Female Figures.

Smoking a Customer.

Preparing to Start.

Landscape, Sea-Shore, Boat-Building.

Monmouth.

Entrance to the Town of Carnarvon, Wales. 1804.

Poets' Corner, Westminster Abbey.

Cottage in Devonshire.

Lord Fitzwilliam's seat near Malton, Yorkshire. 1803.

Oxford Jockeys, or the Landlord in Trouble for his Cattle.

Dutch Market Women landing at the Brill.

View on the Maeze, Holland.

Dock Head.

Yarmouth, in the Isle of Wight.

Market Place at Yarmouth, Norfolk.

Mode of Travelling in Holland.

Travelling in Germany.

Travelling in the Prussian Dominions.

The Market Place, Dusseldorf.

View of a Post House in the Emperor of Germany's Dominions.

Inn Yard at Cologne.

Brighton Downs.

Blackheath.

View of the Thames from Blackheath.

Diana in the Straw, or the Squire, a treat for the Quornites.

Trying on her Mistress's Clothes, or a peep into the Kitchen. 1801.

The Castatrophe, or Crash to the Grandmother's old China.

A Visit from Houndsditch to Pall Mall.

Admiral Nelson recruiting with his brave Tars after the Battle of the
Nile.

Views of Oxford and Cambridge:--

North View of Friar Bacon's Study at Oxford.
View of Oxford Castle.
View of Queen's College, Oxford.
A View of the Theatre, Printing House, &c., Oxford.
Inside View of the Cupola in the public Library.
Merton College and Chapel, from the First Quadrangle.
Merton College. Oxford.
A Western View of All Souls' College. Oxford.
The Libraries and Schools from Exeter College Gardens.
A South View of the Observatory. Oxford.
St. Peter's House. Cambridge.
Trinity College. Cambridge.
King's College and part of Clare Hall. Cambridge.
View of Jesus College. Cambridge.
Trinity College and Library, and part of St. John's College,
Cambridge.

Views in Cornwall, Devon, &c.

View on Bodmin Downs. Cornwall.
Hamethothey Mill. Cornwall.
Hengar House, near Camelford, the seat of Matthew Mitchell, Esq.
Cornish Cottages.
Corn-mill in Cornwall.
Cornish Scene.
Collecting the Tythes.
Liskeard Moors. Cornwall.
St. Columb. Cornwall.
St. Kew Church near Wade Bridge. Cornwall.
View near Bodmin in Cornwall.
Treelile House, North Cornwall.
Cottage, near Landhearn. Cornwall.
The Barrow Sands. North Coast. Cornwall.
Stone Bridge. Cornwall.
Hengar Woods, near Camelford. Cornwall.
Hengar Woods. (Another view.)
Cottage on the Router Moor, near Camelford. Cornwall.
Vicarage of St. Udy, near Bodmin. Cornwall.
Stone Bridge. Cornwall.
Shipwreck. Cornwall.
Monastery. Cornwall.
Near Truro. Cornwall.
View of the Convent at Landhearn, near St. Columb. Cornwall.
The seat of Lord Arundale.
Cottage in Cornwall.
Old Buildings. Cornwall.
Roadside and Bridge. Cornwall.
Cottage near Launceston. Cornwall.
The Disbanded Soldier.
Camelford Cattle Fair. Cornwall.
Cottage. Devonshire.
Near Plymouth.
A Travelling Tinker. View at Fair Point. Plymouth.
View near Taunton. Somersetshire.
Taunton Vale. Somersetshire.
A Wheelwright. Devonshire.
Country Carpenters. Devonshire.
Near Conway. North Wales.
Falls, Conway. North Wales.

Wells.

Bath.

Bath Races.

Pump Room. Bath.

The Bath. Bath.

City of Norwich.

Ouse Bridge. York.

York Cathedral.

Entrance to the Town of York during the Races.

Views on the Thames:--

Richmond.
Town Hall and Market Place at Kingston-upon-Thames.
Mr. Zoffany's House at Chiswick.
Greenwich.
Near Pyrfleet.
Fishing House at Chertsey.
Hampton Bridge.
Hampton Wick.
Near Richmond.
Near Datchett.
Near Bray.

The Waggoner's Rest. Moonlight.

War time. Gun, Horses, and Ammunition.

Embarkation of Troops for La Vendée.

Troops on the March; convoying Stores.

The Surrey Fencibles dispersing the Rioters in St. George's Fields.
June 13, 1795.

Embarkation of Cavalry.

Troops on the March; Bag and Baggage.

Waggoners.

The Passage Boat.

The Serenade.

Hunting Morning.

Market Day at Aberystwith.

Camp-followers.

Near Lewes. Sussex.

Disasters of the Streets. Chairmen in a Dilemma.

Coach in a Slough.

A Coach Wrecked.

Turks.

Returning from a Country Party.

The Smithy.

A Showery Day.

Fireside at an Inn.

A Bar Parlour.

Devotion.

Rag Fair. Pair of Views.

Concerto Spirituale.

The Dog Barber. La Francia.

The Village Barber.

An Unwelcome Visitor.

New Shoes.

Shot at a Hawk. Scene at Newmarket.

Sunday Morning at Cambridge.

Visit to the Camp.

Patience in a Punt.

A Town-bred Brat. 1802.

A Wayside Meeting.

College Service.

Stock Jobbers.

Loan Contractors.

The Propagation of a Lie (in three slips).

The Pleasures of the Country, or returning from a Visit across a
Muddy Road.

A Snug Rubber, or Playing for the Odd Trick.

Making a Bowl of Punch.

Old Age, Condolence on Crutches.

Saved.

Drowned.

Jerry Sneak and Mr. Sullen. A Henpecked Husband.

Scene from 'King John.'

_Arthur._ Let me not be bound.
Nay, hear me, Hubert, drive those men away.

A Flat between two Sharps. Outside a Billiard Room. 1803.

A Journeyman Tailor.

Green and Large Cucumbers.

The Dancing Bear; or, the Graces, the Graces, remember the Graces!

Counsellor Humbug, or Guardians of our Property, here and hereafter.

Quaker Courtship. Waiting for the Movement of the Spirit.

Methodists broke Loose.

Market Place, Richmond, in Yorkshire.

Green Man near Nottingham. 1803.

View of Nottingham.

The Meal in the Shade.

Labourers at Rest.

Near Canterbury.

Officers Holding a Review.

Fish Market at Brighton.

The Rising Sun. Halt at an Inn.

Putting off to Sea. A Breezy Day.

Cabin of a Man-of-War. Drinking a Toast.

A Cottage Scene. Washing Day. Pigs Feeding.

Exeter Gaol.

A Man-of-War.

Devon.

Lincoln.

Market Day. The Golden Fleece.

View of Stamford, Lincolnshire.

Cattle at a Waterfall.

The Royal Oak.

Country Courtship.

Near Honiton. Devonshire.

Farm Yard near Honiton. Devonshire.

Sunday Morning.

Returning from Work.

The Waggoner's Inn.

Waterside Inn. 'The Boatman's Rest.'

Resting beside a Barn.

Carnarvon Castle Gate.

The Windmill.

The Sailor Saved.

Near Beverley. 1803.

Ships Unloading.

Driving Home Cargo.

View of the River Itchen, near Southampton.

Southampton Waters.

Carisbrook Church and Castle, Isle of Wight.

Soldiers Drinking.

Troops stopping to Refresh on their Road to Join the Camp on Barham
Downs. Aug. 20, 1799.

Returning from a Race.

Cottages and Park.

The Road to the River.

Waggon and Horses Climbing a Hill.

Saturday Night. Repose from Toil.

The Wounded Soldier. 1804.

Horsemen Drinking outside an Inn.

Newgate. Morning of an Execution.

ORIGINAL DRAWINGS BY THOMAS ROWLANDSON. (COLLECTION OF THOMAS CAPRON, ESQ., ARUNDEL HOUSE, RICHMOND.)

Mr. Capron's selection contains numerous subjects from the
collections of Lord Farnham and the late W. T. Ashley, Esq. Besides
being the owner of a very fine selection of the best prints after
Rowlandson, many of considerable size, value, and importance,
(for the loan of several choice examples, which are both rare
and difficult to obtain, the writer begs to record his grateful
acknowledgments to the fortunate possessor;) Mr. Capron has also
collected quite a gallery of original drawings; among the number
are some truly capital examples. The titles of a selection from the
numerous subjects are as follow. (See also the collection of the late
Mr. Ashley.)

French Barracks.

Cries of London.

Plymouth Dock.

Street Musicians.

Portsmouth Point.

The Love Letter.

Grog Aboard.

The Female Volunteer.

Relief from Hard Study.

Hen and Chickens.

Late Hours at Mrs. Sturt's.

Temptation.

A Snooking Kenn.

_Fiez-vous à Filles_: Stripping a Cully.

Illustrations from _Johnny Quæ Genus_. Waiting on a Lady of Fashion.

Unpleasant Reflections.

State Pledges.

Matrimony. (_Dance of Life._)

The Cobbler's Method.

A Domestic Scrimmage.

'The Long wished-for Day come at Last.'

All Souls.

Beyond a Joke.

Nuns at Devotion.

Snow-balling the Blackamoor.

Concert à la Catalini.

Money Bags. A Golden Shower.

Westminster Abbey.

A Levee, St. James's Palace.

Presence Chamber, St. James's Palace.

Stock Exchange.

Brewers' Horses.

Arrival of the Post Boy.

Epsom Downs, or More Downs than One. 1816.

John Bull stuck in a bog in France.

Jean Crapaud run away with in England.

The Laboratory.

A Duck. 1823.

Humours of a Rustic Inn.

The Club.

The Coal Hole.

The Cock Tavern, Fleet Street.

Mutual Recriminations.

Dragging the Pond.

A Pic-Nic. The Social Day. 1812.

Dinner at the Fair.

Althorpe Wells, Discovered by Queen Anne's Physician.

Leaving Home.

Clearing the Premises without Consulting your Landlord.

A British Tar, and Charitable Feelings.

Trying to Move a Jew.

Jew and Gentile, or Old Clothes and Doll Tearsheet.

A Superannuated Beau.

Ballet Master at the Opera House.

A French Noble in his Shooting Dress Sketched at Boulogne, 1778.
First September, Trying the Sight.

Introducing a Pigeon to a Hazard Table.

William Cussons, Shaver. John Street, Adelphi.

The Walking Stewart, an Eccentric Character.

Dirty Work, Levee Day, or Court Ceremony.

Katharine and the Tailor.

A Banker's. (The Spider's Web). A Ready Money Customer.

A Banker's. (The Wasp). A Discount.

A Lowland Family.

Putting a Husband to Bed.

Old Cronies.

Recruiting.

The Ménage.

Billiards.

Lost and Won. Red Wins.

Saving the Old China from Fire.

Posting in Ireland.

Posting in Scotland.

French War. Interior of a French Prison. (An Abbey.)

A Cooper. A Farrier.

Travelling Savoyard. An Itinerant Showman. Bear, Monkey, and
Performing Dogs.

Innocent Cause.

The Magic Lantern. A Galantee Show.

Sham Fits. 1802.

Deadly-Lively.

Doctor Graham's Cold Earth and Warm Mud Bath.

Volunteer Foot. Westminster Light Horse.

Admiral Paisley--'The Tough Old Commodore.'

Why, the bullets and the gout
Have so knocked his hull about
That he'll never like the sea any more!

Rent Day. A Light Piece.

An Apothecary.

A Ridotto.

A Pastoral Piper.

A Fresh Graduate.

Pomona, or Ripe Fruit.

Life Academy, Somerset House. T. Rowlandson. With inscription by the
Artist: 'Given to my old friend Smith.'[32]

The Graces.

Nicolas Poussin: Venus, Mars, and the Loves.

Bellona.

An Apotheosis. Prometheus.

Nessus and Dejanira.

Acis and Galatea pursued by Polyphemus.

Etruscan Frescoes.

Venus and Cupid.

Neptune discovering Venus to the Tritons.

Pan and Syrinx.

Tritons and Nereids.

Doctor Syntax and the Bees.

'Doctor Primrose Preaching to the Prisoners,' and numerous
illustrations to the 'Vicar of Wakefield.'

The major part of the Illustrations to 'The Dance of Life,' and a few
Examples of the Designs for 'The Dance of Death.'

Pair of Large Hunting Scenes.

Diving Belles.

The Introduction. Mrs. Sturt's.

Mrs. Sturt and her Pupils (from Mr. Ashley's Collection).

Tuileries Gardens.

Stowe Gardens.

Richmond Hill.

THE FOLLOWING DRAWINGS HAVE ALSO COME UNDER THE EDITOR'S ATTENTION.

A Tailor's Wedding.

The Unwelcome Intruder. (1803.)

The Rival Butchers.

The Cobbler.

The Fishmonger.

Animal Magnetism: the Centre of Attraction.

The Alchemist.

The Pavior's Joy.

The Clamorous Tax-gatherer calling on the Doctor.

The Old Admiral.

Apples! a Street Cry.

Alms. An admiral (with a wooden leg) and his family relieving an
invalided old sailor.

Mrs. Shevi in a Longing Condition (for a Little Pig).

Chevalier D'Eon at Angelo's Rooms. 'Angelo's Fencing Academy, also
the Broadsword Exercise, Boxing, &c. Terms for Fencing, Lessons, &c.'

Washing in the Highlands.

A Butcher's Shop.

COLLECTION OF JOHN COLE STOGDON, M.A., ESQ., 18 CLIFFORD'S INN.

This gentleman, amongst a rich gathering of drawings, caricatures, and social satires, has secured numerous good examples of prints executed by Rowlandson, including the rare series of the 'Stages of Man's Schooling' (1802). We have to instance a spirited drawing by the caricaturist, which is in the possession of Mr. Stogdon: 'Forbidden Fruit.'

FIGURE DRAWINGS AFTER THE OLD MASTERS BY THOMAS ROWLANDSON, IN THE COLLECTION OF COLONEL GOULD WESTON, THURLOE SQUARE.

Venus: Carlo Marratti.

Venus: Bouchér.

Nymph Surprised by Satyr: Gerard Lairesse.

Diana and Hunter: Gerard Lairesse.

Diana and Nymphs: Giulio Romano.

Leda and Swan: Giulio Romano.

Venus Arranging her Hair: Andrea del Sarto.

Venus and Cupid: Andrea del Sarto.

Venus and Cupid: Palma Vecchio.

Lucretia: Andrea del Sarto.

Venus and Mars: Pietro de Cortona.

Rape of the Sabines: Polidore.

Leda and Swan: Canache.

Venus and Man Playing Guitar: Titian.

Susanna and Elders: Guercino.

Venus Sleeping--back exposed: Guercino.

Zulieka and Joseph: Domenichino.

Venus and Loves: Domenichino.

The drawings mentioned above, like most of the caricaturist's fluent renderings of subjects after the Old Masters, are far removed from mere copies or servile imitations, being, in actual fact, free adaptations of the works in question, strongly characterised with the individualities of Rowlandson's style.

Colonel Weston, in addition to this unique series, possesses a collection of original drawings by the artist, which includes, among numerous interesting examples of varying importance, one of Rowlandson's most graceful and finished drawings, worked out with a taste and delicacy altogether remarkable. The subject is a domestic scene, introducing two charming figures (likenesses in all probability) executed after the style of the portrait of Morland (mentioned in the first part of this work, now in the Print Room, British Museum, see p. 412), and evidently executed at the same period.

ORIGINAL DRAWINGS BY THOMAS ROWLANDSON. (COLLECTION IN THE POSSESSION OF JOHN WEST, ESQ., BAYSWATER.)

R. Moser, R.A., Keeper of the Royal Academy. A serious portrait,
boldly executed, both outline and shadows put in with a reed pen,
in the manner of Mortimer. Evidently a sketch made from life when
Rowlandson was an Academy student.

Colonel O'Kelly taking a Private Trial previous to his Making a
Match. (See Racing Series, 1789: The Betting Post, The Mount, &c.)

Race-horses arriving for a Spring Meeting.

The Gambler Going to Bed. (See pp. 208-210).

Congregation Leaving a Chapel. 1820. A large drawing, crowded with
figures. (See collection belonging to William Bates, Esq.)

'As You Like It,' act ii. scene 7: Fifth Age. (Engraved.) The
collection of Shakspearean subjects drawn by Rowlandson to illustrate
the 'Seven Ages of Man' is in the possession of General Sir Henry de
Bathe, Wood End, near Chichester.

An Anatomical Lecture.

The Morning Toilette. A fashionable beauty holding a _levée_ under
the hands of her perruquier.

The Morning Meal.--

The cup that cheers but not inebriates.

The Tuileries Gardens, Paris. A small sketch for the larger drawing.
(See collection in the Editor's possession.)

An Out-of-door Scene in Paris. (Companion.)

A Squabble in St. Giles's.

The Awkward Servant. (See collection in possession of the Editor.)

Horse-Racing: Introducing a Novice to a spirited Mount.

Mrs. Clarke and the York Shop. Mrs. C. receiving bribes as a
commission agent.

'Tis woman that seduces all mankind.

Also in the collection of Thomas Capron, Esq.--

Portrait of a Foreigner.

Portrait of an Old Gentleman. The face of this figure may be a
caricatured representation of the artist's appearance late in life.

Portrait of an Old Lady.

An Equestrian Military Portrait. (German officer.)

Portrait of a Quaker.

Looking at a Procession in the Park.

An Allegorical Design.

Carisbrooke Castle.

Hunting Scene.

The Thames at Twickenham.

The Social Day.

Interior of Exeter Cathedral (during sermon time).

View in the Environs of London.

Continental View, in Rowlandson's early manner (a cloister).

Yeomanry Cavalry Refreshing at an Inn.

Cattle Watering.

Scene at a Seaport.

Chatham: View of the Medway and Men-of-war; Troops and Military Train
riding along the shore.

Waterside Scene, near a port on the South coast; Passengers landing,
&c.

Views of Cornwall, Devonshire, Somerset, &c.

ORIGINAL DRAWINGS BY THOS. ROWLANDSON IN THE POSSESSION OF JOHN CHESTER, ESQ., OF OLD SQUARE, LINCOLN'S INN.

Toilette of an Antiquated Belle. A large and fine drawing, after the
school of the old masters.

The Village Festival. Figures dancing in a ring on the green,
skittle-players, &c. Important subject, somewhat in the manner of
Teniers the Younger.

Interior of a Pawnbroker's Shop. 'The Last Shift' (engraved and
published November 1, 1808).

Taste, or Milord Anglais and Italian Picture-Dealers. (Engraved 1812.
See p. 234.)

A Scold.--

A smoking chimney, and a scolding wife.

A Breezy Day.

Death at the Door. An upright subject, earlier than the series
entitled the 'Dance of Death.'

An Old Miser and a Young Wife.

An Old Woman and her Cat at a Window.

Original frontispiece to the collected series of 'Miseries of Human
Life.'

Designs for illustrations to the 'Dance of Death.'

The Squire.
The Shipwreck.--

The dangers of the ocean o'er,
Death wrecks the sailors on the shore.

ORIGINAL DRAWINGS BY THOS. ROWLANDSON IN THE POSSESSION OF A. H. BATES, ESQ., EDGBASTON, BIRMINGHAM.

An Old Soldier's Widow. 6 × 5-1/2 inches.

A Fat Man and Death. 5 × 4.

The Widower's Consolation. 6 × 4-1/2.--

Two bores all at once have taken a trip:
I've buried my rib, and got rid of the hip.

Woman on a rock by a stormy sea, on which is an empty boat, &c.
7 × 4-1/2.

Doctor Syntax at a Bookstall. Folio. (Engraved on a reduced scale in
the 'Humourist,' by W. H. Harrison.)

A Nobleman Cutting Down his Timber to Pay his Debts. 10 inches in
length.

A sheet of grotesque heads formed of vegetables, &c.

Death and the Glutton. Large 8vo.

Exterior of a Public House. 8vo.

Sepulchres. 8vo.

Doctor Eady and his Patients. 8vo.

Execution Dock. 5 × 6.

The Old Blind Sexton. Folio.

Three figures seated at table; one said to be the portrait of
Hamilton, the artist. 8vo.

The Milkmaid's Tempter. 5 × 4.

Drawing-room scene. Milliner displaying a dress. Numerous figures,
probably designed as frontispiece for a magazine of fashions.

Domestic Jars. 9 × 4 in. Man and woman quarrelling; the former seated
in a chair, with a large bass-viol beside him.

LIST OF ORIGINAL DRAWINGS BY THOMAS ROWLANDSON IN THE COLLECTION OF WILLIAM BATES, ESQ., B.A., M.R.C.S, &c., BIRMINGHAM.[33]

'Cornish Peasantry.' 10-1/4 × 6-1/2. Five peasants, admirably grouped,
seated on a sort of timber-cart, drawn by two oxen. Woody background.
Signed 'Rowlandson.'

Acis and Galatea. 8-1/2 × 6.

Apollo and Daphne. 8-1/2 × 6. Companion to the above. A
vigorously-drawn recollection of the antique.

The Cottage Door. 11-1/2 × 8-1/2. A group of rustics seated at the
door of a cottage. On the right hand a man with a donkey laden with
vegetables. In the manner of Morland.

'The Road to Ruin.' 13-1/2 × 9-1/2. The young squire is seated at a
round table, with his mistress on his knee. Opposite to him is a
'led-captain,' dealing out cards and inciting the squire to bet. In
the centre, standing at the table, is a plethoric chaplain, wholly
intent upon the manufacture of a bowl of punch, the ingredients for
which he is pouring simultaneously from two bottles into the bowl.
The complete absorption of each of these personages in his own
special object is admirably depicted.

Brentford Market Place. 17-1/2 × 12. An admirable drawing, exhibiting
hundreds of market-people disposed in groups, with the Town House in
the central background and the 'Three Kings' inn on the right hand.
The grouping is excellent, the scene full of animation and bustle,
the sense of space and general keeping perfect, and the whole equal
in power and effect to the works of the Dutch painters.

Shepherd and Sheep. 17-1/4 × 4-1/2. A standing figure in the middle of
a group of five sheep; something in the manner of Gainsborough.

The Funeral. 7 × 4-1/2. The parson advances, reading the burial
service. Next comes the clerk, carrying a child's coffin, and
followed by a group of female mourners, wringing their hands, holding
handkerchiefs to their eyes, and some carrying umbrellas. To the
right a female gravedigger, holding a spade in one hand and tolling
the bell with the other. To illustrate the old song of 'The Vicar and
Moses':--

When come to the grave the clerk humm'd a stave,
Whilst the surplice was wrapped round the priest;
When so droll was the figure of Moses and Vicar,
That the parish still laugh at the jest.
Singing tol de rol, &c.

An Oriental Scene. 8-1/2 × 5-1/2. In the foreground a gibbet, from
which is hanging in chains the headless body of a woman. By the side
an impaling-stake and wheel. Two men in foreign garb are looking on.
In the distance a city, with towers and minarets.

'The Industrious Wife and Idle Husband.' 5-1/2 × 4. The wife is busily
engaged at the washtub; a cradle, with twins asleep, at her back;
while the husband, with pipe, glass, and jug, sits over the fire with
a boon companion. Full of Hogarthian humour.

Burglars Alarmed. 11 × 9-1/2. A drawing of extraordinary vigour. A
brutal-looking ruffian, in a frieze coat, holding a bloody knife in
one hand and enjoining attention with the other, is striding over the
corpses of two women, both with their throats cut. A second ruffian,
with alarm depicted on his countenance, holds a candle in his right
hand and grasps a bloodstained coal-hammer in his left. In the
background a fate is seen peeping through a window. A piece that can
hardly be looked at without a subsequent attack of nightmare.

Landscape. Lake scene, hilly background. 9 × 7. Very broad in
treatment.

Commodore Trunnion and Lieut. Hatchway on their way to the Wedding.
14-1/2 × 8. (See Smollett's 'Peregrine Pickle,' vol. i. chap. 8.)

Jolly Companions. 11 × 8. A group of five, heads and shoulders. A man
is apparently singing from a ballad-sheet. A woman at his right hand
is blowing with the bellows, and the other faces are on the broad
grin.

The Pipe Dance. 4-1/2 × 3. Two Punch-and-Judy-like figures dancing,
and holding a pipe over head. Small, but very spirited.

The Forge. 9-1/2 × 6-1/2. A group of four horses outside a forge. The
blacksmith holds up the hoof of one; the farmer stands by, and a
woman advances holding a cup of ale. Signed 'Rowlandson, 1791.' As
fine as Morland.

Maternal Solicitude. 6-1/2 × 4-3/4. A mother bends over her child on a
couch, both entirely nude.

Nymph and Cupid. 7-1/4 × 5-1/2. A naked nymph recumbent; a winged
cupid, bow in hand, descends towards her.

Henpecked Husbands. 10 × 6-1/4. A woman has hold of the greatly
elongated nose of her husband in one hand, and belabours him with a
whip in the other. On the left a group of women toss a husband in
a blanket, and on the right a wife is thrashing her husband on the
ground, whom she also holds by the nose.

Death in the Pot. 6 × 3-1/2. A plethoric figure drinks from a bowl,
while a skeleton figure is about to strike him from above.

Zion Chapel. 13-1/2 × 8-1/4. A congregation of over fifty persons,
who have just emerged from the portal of 'Zion Chaple' (_sic_),
are passing slowly along. The door is blocked up by the departing
worshippers; a fish-woman standing by indulges in some ribald
observations, and a pious old lady holds up her hands in horror.

The Table d'Hôte. 13-3/4 × 9. A spirited and characteristic drawing,
exhibiting a numerous company of both sexes seated at a dinner-table.
French waiters, pig-tailed and nightcapped, are drawing corks,
filling glasses, and flying to and fro with dishes, &c. One of the
guests is teaching a dog to beg; a woman and girl, with tambourine
and triangle, appear on the left to amuse the company.

Interior of a Prison. 9-1/2 × 6. From the collection of the celebrated
Henry Angelo, the professor of fencing, who in his 'Reminiscences'
(vol. ii. p. 324) gives an account of its production. Rowlandson,
it appears, had been robbed one night, and went next day in search
of the thief. 'We first repaired,' says the reminiscent, 'to St.
Giles's, Dyott Street, and Seven Dials. In one of the night-houses
four ill-looking fellows, _des coupes-jarret_, so attracted our
attention that, whilst we sat over our noggins of spirits, as he
(Rowlandson) always carried his sketch-book with him, he made an
excellent caricature group of them for me, introducing a prison in
the background.... He afterwards finished it for me in his best
style, superior to the greater part of his works. This is now (1830)
about forty years ago. The coloured drawing was once included in
my collection.' Here we have the four thieves sitting and lying in
various positions. Prisoners in another group are playing cards.
Another ruffian is stretched at full length asleep in the foreground.
The drawing, grouping, and colouring are alike admirable, and would
have done honour to Salvator Rosa.

'The Miser Lying in State: the Prodigal Heir-Apparent.' 14 × 9-1/2.
The 'heir-apparent,' with his profligate companions, male and female,
is seated at a table, on which we see a punchbowl, &c. A coffin
occupies an elevated position in the background, and from it appears
to be struggling to emerge the supposed defunct miser, while an
allegorical figure above seems to be nailing down the lid.

The Fire. 9-1/2 × 6. On the right a house on fire, flames issuing from
the windows, the doorway crowded with watermen, and persons carrying
out bedding and other effects. On the left firemen manipulating
the hose and directing the stream against the flaming windows,
in ridiculously suggestive attitudes. The central figure is an
enormously fat woman, whose night-dress, drawn up to support a mass
of crockery, displays her _Rubensesque_ and redundant charms to the
watermen, who turn their grinning faces to gaze upon the spectacle.

'Leaving the Premises without Consulting the Landlord.' 11 × 8-1/2.
A cart, seen at the back, heaped up with furniture, occupies the
centre. A woman on the left laden with gridirons, warming-pans, &c.
On the right a girl, graceful as one of Stothard's female figures,
places in the cart a birdcage. In the foreground miscellaneous
articles of minor furniture, and two children playing with the
house-cat.

Outside the Court-House. 14-1/2 × 10-1/2. The scene is apparently the
Magistrate's Court and the Town Hall in some county town. The ground
in front is crowded with various individuals waiting for the cases
in which they are interested to be called on. We see the farmer, the
parson, a jockey, a huntsman, a footman, a butcher, a soldier, an
actor, and many others. The beadle is seated on a step, making love
to an old woman, who holds a tankard in her hand. Dogs are scattered
about, attendant on their masters.

Interior of Eating-House. 7-1/4 × 5. A dining-table, at which are
seated some seventeen people, male and female. One of the guests, a
stout, portly man, has left the table, and is seizing his hat, as if
offended. A neighbour attempts to restrain him, while the waiters
appear amused.

Bridewell. 9 × 6. A procession of fifteen female prisoners are
escorted through the courtyard of Bridewell from one department
of the prison to another, in pairs, in charge of turnkeys, female
warders looking on. Penitence, grief, and hardened impudence are
admirably depicted on the several faces.

Returning from a Voyage. 9-1/2 × 6. A sea beach, with a schooner and
sloops at anchor. A boat has just landed a group of passengers, among
whom is a girl with a cockatoo on her wrist.

Pickaback. 4-1/2 × 3-1/2. A man, carrying a woman on his back, is
fording a brook.

Picture Exhibition. 9 × 5-1/2. Connoisseurs at an exhibition of
pictures.

Gaming House. 9 × 5-1/2. A drawing similar to that which serves as
frontispiece to the 'Beauties of Tom Brown.'

Nymphs Bathing. 8-1/4 × 5-1/4. Eight female figures, entirely nude,
sporting in a stream, or seated on its banks. Leafy background.

Nymphs Attiring. 8-1/4 × 5-1/4. Five female figures, entirely nude,
seated on the banks of a stream, dressing their hair.

The Village Politicians. 15 × 9-3/4. Dated 1821.

FOOTNOTES:

[29] _Vide_ Biography, vol. i. p. 67.

[30] See account of the _Three Tours of Dr. Syntax_, _ante_, pp. 176, 247-252.

[31] Another version of the drawing, in the possession of the Editor, reproduced (p. 20) as 'The Quay,' in the introductory biographical sketch to this work.

[32] Antiquity Smith, Author of the 'Life of Nollekens;' once Keeper of the Prints and Drawings, British Museum, &c.

[33] See _George Cruikshank: the Artist, the Humourist, and the Man, with some account of his brother Robert. A Critico-Bibliographical Essay_. By William Bates. B.A., M.R.C.S.E., &c., Professor of Classics in Queen's College, Birmingham; Surgeon to the Borough Hospital, &c., with numerous illustrations by G. Cruikshank, including several from original drawings in the possession of the author. Houlston and Sons, 1879. Also _The 'Fraser' Portraits. A Gallery of Illustrious Literary Characters_ (1830-1838), drawn by the late Daniel Maclise, R.A., and accompanied by Notices chiefly by the late William Maginn, LL.D. Edited by William Bates, B.A., &c. Chatto and Windus, 1874, 4to.

INDICES.

INDEX OF NAMES, PERSONS, &c.

Ackermann, Rudolph (Rowlandson's publisher), i. 85, 89-93

Ackermann's _Poetical Magazine_, i. 33

Addington, Hon. H., 'The Doctor,' i. 246

Alexander, Emperor of Russia, ii. 281, 294

Angelo, Henry, 'Reminiscences,' i. 55, 64-6, 68, 70-2, 78-9, 85, 87-8,
287, 298-300, 374; ii. 5

Angelo's Fencing Rooms, i. 241

Angelo and Rowlandson at Vauxhall, i. 62-3, 156

-- and Son, Hungarian and Highland Broadsword Exercise, i. 374

-- Henry, his sketch of Simmons, the Murderer, ii. 81

Anstey, Christopher, 'Comforts of Bath,' i. 333-49

Arnold, General, i. 173

Atkinson, Christopher, i. 143-4

Auckland, Lord Eden, i. 173

Austria, Emperor of, ii. 281

Austria, Crown Prince of, ii. 281

Banco to the Knave (Gillray), i. 106

Banks, Sir Joseph, i. 192

Bannister, the Comedian, a Collector, i. 70; ii. 248

-- John, the Comedian, an Art Student, i. 53-4

Barrymore, Lord, i. 58, 161-2, 303

Bate, Dudley, of the _Morning Post_, i. 159

Bates, William, B.A., 'Sketch of Rowlandson's Works,' 'Essay on George
Cruikshank,' ii. 379

Bedford, Duke of, i. 359

Bell, Dr., ii. 216

Beresford, James, ii. 178

Billington, Mrs., i. 158

'Black Dick' (Lord Howe), i. 199

'Blackmantle,' Bernard (pseudo), i. 43; ii. 375, 378-9

Blair, Doctor Hugh, i. 198

Blucher, Prince von, ii. 278-9, 280-1, 293-5

'Book for a Rainy Day,' J. T. Smith, i. 70

Borowloski, Count, 'The Polish Dwarf,' i. 186

Bossy, Doctor, ii. 5

Boswell, James, i. 193-8

Boswell's 'Tour to the Hebrides,' i. 84, 193-8

Buonaparte, the Emperor Napoleon, ii. 42-3, 45, 47, 52, 54, 61, 82-3,
93-102, 130, 159, 162-3, 187, 203-4, 255, 258-64, 271-2, 276-82,
289, 291-3

-- Joseph, King of Spain, ii. 95-6, 98-101

-- Louis, King of Holland, ii. 97, 258-9

Buonaparte's Generals, ii. 291

Brightelmstone in 1789, i. 277

Britannia, 117, 136, 141-2, 247; ii. 6

Buckingham, Marquis of, i. 243

Bullock, Proprietor of 'Bullock's London Museum,' ii. 309

Bunbury, Henry, the Caricaturist, i. 61, 78-80, 369

-- the Caricaturist (illustrated biographical sketch of his life by
Joseph Grego), i. 3

-- Henry, Caricaturist (Gambado's 'Annals of Horsemanship and Academy
for Grown Horsemen'), i. 352-3; ii. 101-15, 217, 221-3

Burdett, Sir Francis, i. 359; ii. 74, 181-2, 184, 365

Burke, Hon. Edmund, i. 112, 118-19, 220, 245, 248, 274, 289; ii. 13

Burton, Alfred, 'Adventures of Johnny Newcome in the Navy,' ii. 363-4

Bute, Lord, i. 141

Butler, S., ii. 174, 198

Camden, Lord, i. 244

Canning, George, verses on 'All the Talents,' ii. 69

Canning, George, ii. 166

Carmarthen, Marquis of, i. 244, 248

Cartright, Major John, i. 121

Castlereagh, Lord, ii. 166

Catalini, Madame, ii. 165

Catharine, Empress of Russia, i. 290

Chambers, Sir William (architect of Somerset House), ii. 217

Charles the Fourth, King of Spain, i. 290, 292; ii. 94

Charlotte, Queen, i. 110, 199-210, 220, 228, 230, 252, 290

Chatham, Lord, i. 244

-- General, ii. 164, 166

Chattelier, Miss (Rowlandson's aunt), i. 52, 63-4

Chiffney (jockey to the Prince of Wales), i. 207

Clarke, Mrs. Mary Anne, ii. 135-64, 166, 181

-- Scandal, The, i. 28; ii. 135-64, 181

Clavering, General, ii. 143

Coleraine, Lord, i. 180, 220, 229. (_See_ Hanger)

Collections of Rowlandson's drawings, i. 5. Appendix

Collings, the Caricaturist, i. 82-4, 191, 193

Combe, William, ii. 247, 268, 317-55, 359-62, 271-2

-- -- (author):
'The Three Tours of Doctor Syntax,' ii. 176, 247-52, 266-7, 269-70,
367, 373, 375
'The Dance of Death,' ii. 317-15
'The Dance of Life,' ii. 359-62
'The History of Johnny Quæ Genus,' ii. 371-2

Corbett, Thomas, High Bailiff for Westminster, ii. 140, 153-4

Cornwall, Views in, ii. 56

Cross Reading (Whiteford's), i. 84

Cruikshank, George, caricaturist, i. 16-19

Cumberland, Duke of, ii. 225

Curtis, Commodore, ii. 163-4

Davy, Sir Humphrey, ii. 366

Derby, Lord, i. 359

Devonshire, Duchess of, i. 124, 126-9, 131-2, 135, 141-2, 152, 158;
ii. 59

Didelot, dancer, i. 283

Don Carlos, ii. 94

Duncannon, Lady, i. 135, 141, 158

Dundas (Lord Melville), i. 121, 134, 243-4, 246; ii. 49-51, 60, 136

Dundas, Sir David, ii. 137

Dunthorne, James, i. 226-7, 314

Elliot, Right Hon. Hugh, English Minister at Dresden, ii. 311

Engelbach, Lewis, 'Letters from Italy, or Naples and the Campagna
Felice,' ii. 267, 301-8

English Caricaturists, i. 2

'English Spy, The,' by 'Bernard Blackmantle,' i. 43

Erskine, Lord, i. 112, 359

'Farquhar,' Ferdinand (pseudo), 'Relics of a Saint,' ii. 317

Ferdinand of Spain, ii. 93

Fielding's 'Tom Jones,' ii. 55-6

Fitzgerald, Mr., i. 161

Fitzherbert, Mrs., i. 170, 220, 226, 248, 276

Fox, Hon. Charles James, ii. 49, 58-61, 109, 112-13, 116-17, 119,
123-7, 129, 131-5, 138-43, 154, 221, 231-2, 245, 248, 270, 359

Fox, General, i. 117

Frederick the Great, i. 182-3

French Ambassador, The, i. 147

Gambado, Geoffrey (pseudo Henry Bunbury), 'Academy for Grown
Horsemen,' i. 352-3

-- -- 'Annals of Horsemanship,' i. 352; ii. 102-15

George the Third, i. 115, 119, 140-1, 182-3, 199-210, 220, 228-9, 248,
251-2, 290, 360; ii. 6, 59, 82, 196

Gillray, the Caricaturist (his life, works, and times, by Joseph
Grego), i. 3-4, 54, 106, 143, 229, 242, 328; ii. 197, 223

Gloucester, Duke of, i. 328

Goldsmith, Oliver, 'The Vicar of Wakefield,' ii. 356-9, 375

Gordon, Duchess of, i. 126, 152

Grafton, Duke of, i. 244, 246-8

Grattan, i. 250, 362

Grego, Joseph:
'An Illustrated Biographical Sketch of Bunbury, the Caricaturist,'
i. 3
'The Works of James Gillray, with the Story of his Life and Times,'
i. 3-4
'A Collection of Drawings by Rowlandson.' Appendix

Grenville, i. 244

-- Lord, ii. 59

Guise, General, his collection of pictures at Oxford, ii. 66

Hadfield. Attempted the life of the King, ii. 6

Hamilton, Sir William, Ambassador at Naples, ii. 311-13

-- Lady, ii. 311-13

Hanger, George, i. 180, 220, 229. (_See_ Coleraine.)

Harrison, W. H., 'The Humourist,' ii. 380-6

Hartley, Mrs. (actress), i. 160

Hastings, Warren, i. 226, 230

-- Marquis of, ii. 299

Haydon, B. R., ii. 378-9

Heath, James, i. 85

-- -- letter to, written by the Caricaturist, ii. 48

Hebrides, Boswell's Journal of a Tour in the, i. 193-8

Heywood ('Old Iron Wig'), i. 70

'Historical Sketch of the Art of Caricaturing,' by J. P. Malcolm,
F.S.A., i. 73-6

'History of Caricature and the Grotesque in Literature and Art,'
i. 3, 76

Hobart, Hon. Mrs. (Lady Buckinghamshire), i. 127, 129-30, 134

Holland, Lord, i. 289

Holman, the actor, i. 165, 190

Hood, Admiral Lord, i. 121, 124, 127, 133, 228

Hook, Theodore, 'Chacun à son Goût,' i. 67

Hooper, the boxer, i. 162

Horne-Tooke, John, i. 327, 359; ii. 74

House, Sam, i. 98-9, 108, 129, 131, 138-9

Howe, Lord, i. 67-8, 199

Howitt, the artist, Rowlandson's brother-in-law, i. 50

John Bull, ii. 42, 43, 47, 50-1, 58, 60-1, 75, 82-3, 93, 101, 130, 159

Johnson, Samuel, LL.D., i. 193-8

Junot, General, ii. 101, 204

Kemble, John Philip, ii. 46, 165

Kent, Duke of, ii. 141-4

King of Prussia, The, i. 182-3

Kingsbury, Caricaturist, i. 242, 290

Knight (Miss Cornelia), authoress, ii. 311-12

Lambert, Daniel, ii. 59-60

Leicestershire Giant, ii. 59-60

Leinster, Duke of, i. 249, 251

Life of Henry Bunbury, the Caricaturist, i. 4, 75-9

Lonsdale (Earl of), i. 136-7

Lord Howe's Action, i. 67-8

Lothian, Marquis of, i. 249, 251

Louis XVI. of France, i. 274, 290

-- XVIII. of France, ii. 292, 295

Lowther, Sir James, i. 136

Loyal Volunteers of London and Environs, i. 375

Lunardi, Vincent, i. 163-4

Malcolm, J. P., F.S.A., 'Historical Sketch of the Art of
Caricaturing,' i. 75-6; ii. 184

Manners, Lord Charles, ii. 215-16

Melville, Lord (_see_ Henry Dundas), ii. 49-51, 60-1, 75

Memoirs of John Bannister, Comedian, i. 47

Mitchell, the Banker, i. 68, 71, 85

Moira, Lord, embarkation for _La Vendée_, i. 68

Morland, George, the Artist, i. 86-7, 239

-- -- Portrait of, by Rowlandson, i. 86; ii. 229, 330

Moser, Michael, Keeper at Somerset House, i. 53

Mulgrave, Lord, ii. 166

Munro, Doctor, i. 124

National Collections of Caricatures, i. 5; ii. Appendix.

Nelson, Admiral Lord, i. 350; ii. 52, 54, 311-13

'Newcome, Johnny' (pseudo), Military Adventures of, ii. 298

Ney, Marshal, ii. 291, 293

Nicols, John, Editor of the _Gentleman's Magazine_, i. 282

Night Auctions, i. 70

Nixon, Henry, the Facetious, i. 82-3; ii. 26, 66

Nollekens, J., Artist, ii. 16, 19

Norfolk, Duke of, i. 359

North, Lord, i. 105-6, 108, 112-13, 116, 119, 124-5, 142, 220

O'Connor, i. 364

O'Kelly, Colonel, i. 259-60

O'Meara, Dr., 146, 155

Orleans, Duke of, i. 252-3, 248, 274

Pacchierolti, i. 98

Paoli, General, i. 193

Papworth, J. B., ii. 268

Parsons, the Comedian, i. 70

Paul, Emperor of Russia, ii. 28-9

Perdita, i. 159

Perry, James, of the _Morning Chronicle_, i. 159

Petersham, Lord, ii. 225

Petty, Lord Henry, ii. 58-60

Picturesque Beauties of Boswell, i. 193-8

'Pindar, Peter,' Trick played off on, i. 71-2

-- -- i. 97, 143, 187-8, 192, 200, 210, 361; ii. 13, 217

Pitt, Hon. William, i. 115, 117, 119, 121, 123, 221, 226, 230, 231-2,
243-8, 360; ii. 22, 28, 49, 50

Pomfret, Lord, ii. 225

Pope Pius the Sixth, i. 290

-- -- the (Pius VII.), ii. 44, 51, 163, 204

Portland, Duchess of, i. 124

-- Duke of, i. 289

Potemkin, i. 292

Priestly, Dr., i. 272

Prince of Wales, i. 110, 132, 140, 152, 159, 170, 220, 226, 229-31,
243, 246-7, 248, 251, 274, 290, 298, 303

-- Regent, ii. 294

Prussia, King of, i. 292

Pugin's 'Microcosm, or London in Miniature,' ii. 125-8

Pyne, W. H. (_Ephraim Hardcastle_), 'Wine and Walnuts,' i. 55-6

-- -- -- _Somerset House Gazette_, i. 55, 57-8, 69

Queen Charlotte, i. 110, 199-200, 220, 228

Queen of Spain, ii. 93

Quirk (Boxer), ii. 226

'Quiz' (pseudo), 'The Grand Master, or Qui Hi in Hindostan,'
ii. 299-301

Ramberg, Caricaturist, i. 223, 225

'Remarks on a Tour to North and South Wales in the Year 1797,'
ii. 19-21

Richmond, Duke of, i. 183, 231, 243-4, 246-8

Robinson, Jack, i. 117-18

-- Mrs., i. 159

Romney (the Painter), ii. 311

Ron, Baron (Quack Dentist), i. 211

Roscius, the Infant, ii. 46

Rosedale, John (Mariner), exhibitor of the pictures at Greenwich
Hospital, ii. 71

Rowlandson, Thomas (the Caricaturist), i. 239, 360

-- a student at the Royal Academy, i. 53

-- Academy drawings, i. 22-3

-- and Napoleon, i. 27-8

-- as a landscape artist, i. 14

-- as a marine artist, i. 18

-- as a portrait painter, i. 13

-- at Portsmouth, i. 67

-- biographical references to, i. 54-5

-- book illustrations, i. 35-45

-- chronological summary of his caricatures, ii. 389. (_See_ 4)

-- Continental tours, i. 59, 68-9; ii. 330-1

-- contributions to the Royal Academy, i. 50-65

-- collections of drawings by, ii. Appendix

-- Department of Prints and Drawings, British Museum, ii. Appendix

-- South Kensington Museum, ii. Appendix

Rowlandson, Dyce Collection, South Kensington Museum, ii. Appendix

-- -- at Windsor Castle, ii. Appendix

-- early caricatures, i. 22

-- engraved works, i. 23-30

-- family, the, i. 49-51

-- fortune bequeathed the Caricaturist, A, i. 64

-- gambling proclivities, i. 64

-- _Gentleman's Magazine_, the, obituary notice, i. 55, 94-5

-- George Cruikshank on Rowlandson, i. 16-19

-- his first visit to Paris, i. 52

-- his friends, i. 60-2

-- his publishers, i. 6

-- his schoolfellows, i. 51

-- Illustrations to 'The Tour of Dr. Syntax in Search of the
Picturesque,' ii. 176, 247-52, 266-7, 269-70, 367, 373, 375

-- -- 'The World in Miniature,' ii. 312-17, 362

-- -- 'The English Dance of Death,' ii. 317-55

-- imitations of the drawings of contemporary artists, i. 151

-- in France, Flanders, and Holland, i. 58, 68-9; ii. 330-1

-- in Paris, i. 58-9

-- journeys in England, i. 75, 276-9, 360; ii. 6, 19-21, 56, 169, 181,
239-246, 373

-- letter from, 1804, ii. 48

-- lists of public and private collections. Appendix

-- mode of working at Ackermann's 'Repository of Arts,' i. 31

-- on the Westminster Election, i. 22, 121-43, 153-4

-- portraits of the artist, i. 45-8, 360; ii. 228-30

-- portraits exhibited by, i. 59

-- robbed, i. 65-6

-- successive exhibits at the Royal Academy. Figure subjects, i. 59,
64-5

-- views of the Colleges, Oxford and Cambridge, ii. 186

Rowlandson's 'Sketches from Nature,' ii. 373

-- illustrations to 'The Vicar of Wakefield,' ii. 356-9

-- -- 'The Dance of Life,' ii. 359, 362

-- -- 'An Excursion made to Brighthelmstone in the Year 1782,'
i. 276-9

-- illustrations to Smollett's works, i. 320; ii. 56, 181

-- -- 'A Narrative of the War, 1793-5,' i. 328-9

-- -- 'Academy for Grown Horsemen,' i. 353; ii. 102-15, 181

-- -- Fielding's 'Tom Jones,' i. 304; ii. 55-6

-- illustrations to 'The Annals of Horsemanship,' i. 352-3;
ii. 102-15, 181

-- -- 'Les Délices de la Grande-Bretagne,' i. 305

-- -- 'The Comforts of Bath,' i. 333-49

-- Views of London, i. 349

-- 'Sheets of Picturesque Etchings,' i. 280, 289

-- -- 'Cupid's Magic Lantern,' i. 332

-- -- 'Love in Caricature,' i. 353

-- -- 'Cries of London,' i. 354-6

-- -- _Anti-Jacobin Review_, i. 357-60

Rowlandson, 'Loyal Volunteers of London,' i. 375-7

-- 'Hungarian and Highland Broadside Exercise,' i. 374

-- 'Nautical Characters,' i. 362

-- 'Hogarthian Novelist,' ii. 6

-- illustrations to Sterne's 'Sentimental Journey,' ii. 10, 169-74

-- -- 'The Beauties of Sterne,' ii. 10, 169-75

-- -- 'Remarks on a Tour to North and South Wales,' ii. 19-21

-- -- 'Bardic Museum of Primitive British Literature,' ii. 41

-- -- 'A Compendious Treatise on Modern Education,' ii. 41

-- -- 'Views in Cornwall, &c.,' ii. 56, 169, 181, 239-46

-- -- 'The Sorrows of Werter,' i. 190; ii. 57

-- -- Boswell's 'Journal of a Tour to the Hebrides,' i. 193-8

-- -- 'The Poems of "Peter Pindar,"' i. 192, 201-9

-- -- 'The Pleasures of Human Life,' ii. 83, 180, 362

-- -- 'The Microcosm of London, or London in Miniature,' ii. 125-8

-- -- 'The Miseries of Human Life,' ii. 119-24

-- -- 'Chesterfield Travestie,' ii. 115-17, 224

-- -- 'The Art of Ingeniously Tormenting,' ii. 115, 129, 178

-- -- _The Caricature Magazine_, ii. 115-16

-- -- G. A. Stevens' 'Lecture on Heads,' ii. 117-18

-- -- 'Beauties of Tom Brown,' ii. 115, 181

-- -- 'The Clarke Scandal,' ii. 135-62

-- -- _The Poetical Magazine_, ii. 175-78

-- -- 'The Surprising Adventures of Baron Munchausen,' ii. 176

-- -- J. Beresford's 'Antidote to the Miseries of Human Life,' ii. 178

-- -- Butler's 'Hudibras,' ii. 174, 198

-- 'Sketches from Nature,' ii. 169

-- illustrations to 'Annals of Sporting,' by Caleb Quizzem, ii. 178-9

-- -- 'Petticoat Loose: a Fragmentary Poem,' ii. 238

-- -- 'Poetical Beauties of Scarborough,' ii. 268-9

-- -- Engelbach's 'Letters from Italy and the Campagna Felice,'
ii. 267, 301-8

-- -- 'The Military Adventures of Johnny Newcome,' ii. 298-9, 312

-- -- 'Qui Hi, the Grand Master in Hindostan,' ii. 299-301

-- -- Ferdinand Farquhar's 'Relics of a Saint,' ii. 312, 317

-- -- 'New Sentimental Journal, or Travels in the Southern Provinces
of France,' ii. 362, 368-70

-- -- 'The Adventures of Johnny Newcome in the Navy' (Burton), ii. 363

-- -- 'Characteristic Sketches of the Lower Orders,' ii. 366-7

-- -- 'The History of Johnny Quæ Genus,' ii. 371-3

-- -- 'Crimes of the Clergy,' ii. 373

-- -- Chap Books, ii. 363

Rowlandson, 'The Spirit of the Public Journals for the Years
1823-4-5,' ii. 375

-- -- 'The English Spy,' by Bernard Blackmantle, ii. 378-9

-- -- 'The Humourist' (posthumous), ii. 380-6

-- -- 'Grotesque Drawing Book,' ii. 362

Rutland, Duchess of, i. 152

Salisbury (Lord Chamberlain), i. 327

Sandon, Captain, ii. 143

Sheridan, R. B., i. 229, 245, 248, 274, 289, 330; ii. 46, 58-60, 220.

Sherwin, J. K., engraver, i. 45

Showell, Mrs., ii. 66

Siddons, Mrs., ii. 46

Sièyes, Abbé, ii. 47

Simmons, Thomas (_murderer_), ii. 81

Skeffington, Sir Lumley, i. 180

Smith, John Raffaelle, engraver, i. 47

Smith, John Thomas, portrait of Rowlandson, i. 48; ii. 17
'Nollekens and his Times,' ii. 55; ii. 16-19
'Book for a Rainy Day,' i. 70

Smollett's 'Peregrine Pickle,' ii. 56
Miscellaneous Works, ii. 181

_Somerset House Gazette_, i. 54, 88

Sorrows of Werter, ii. 57

Southcott, Joanna (the 'Prophetess'), ii. 287

Spain, Queen of, ii. 93

Spain, Infants of, ii. 94

Stanislaus the Second, King of Poland, i. 290

Sterne, Laurence, ii. 10, 169-75.

Stevens, G. A., 'A Lecture on Heads,' ii. 117

Sydney, Lord, i. 246

Talleyrand, Prince, ii. 45, 187, 280

Tegg's Caricatures, i. 34

Temple, Lord, i. 119, 140, 141

Thelwall (political lecturer), i. 327, 359

Thicknesse, Philip, i. 275-6

Thurlow, Lord, i. 121-2, 140-1, 220, 243-4, 248, 290

Tierney, Mr., i. 359

Topham, Major (_World_ newspaper), at Vauxhall, i. 63

Topham, Captain, i. 158, 165-7, 183, 190

Townshend, Lord John, i. 228

Towzer, Rev. Roger, ii. 287

Trotter, 51, 61

Vauxhall Gardens, Characters at, i. 156-62
Rowlandson at, i. 62-3

-- Singers at, 63

-- Mrs. Weichsel, i. 63

Wales, Prince of (afterwards George IV.), i. 110, 132, 140, 152, 159,
170, 220, 226, 229-31, 243, 246-8, 251, 274, 290, 298, 303

Walpole, Horace, i. 128

Ward (Boxer), ii. 226

Wardle, Colonel, ii. 135-64, 166, 181

Watson, Brook, i. 244

Weichsel, Mrs., i. 158

_Well-bred Man_, The (H. Nixon), i. 83

Wellington, Duke of, ii. 281, 293-5

Wells, Mrs., 166-7

Weltjé, Cook to the Prince of Wales, i. 71, 248, 251
His house at Hammersmith, i. 73-4

'Werter, Sorrows of,' i. 191; ii. 57

Westmacott, Charles Molloy, i. 43
'The Spirit of the Public Journals for the Years 1823-5,'
ii. 375, 378
'The English Spy,' ii. 378-9

Whitbread, ii. 49, 60-1, 136

Whiteford, Caleb, i. 84-5

Wigstead, Henry, Bow Street Magistrate, i. 60, 81-2, 276-9, 360

Wigstead, Henry, 'An Excursion to Brighthelmstone made in the year
1872,' i. 276-9
'Remarks on a Tour to North and South Wales,' i. 360; ii. 19-21

Wilberforce, ii. 50, 136

Wilkes, Alderman, i. 244

Wilson, Richard, Librarian at the Royal Academy, i. 53, 361

'Wine and Walnuts,' i. 54, 83

Woodward, George Moutard, the Caricaturist, i. 80; ii. 115, 128

'Works of James Gillray, the Caricaturist, with the Story of his Life
and Times,' i. 3-4

Wray, Sir Cecil, 111, 122, 124, 127, 133-4, 136-9, 154

Wright, Thomas, 'History of the Grotesque in Literature and Art,' i. 3

-- 'Caricature History of the Three Georges,' i. 3, 76-7

Würtemburg, King of, i. 327

York, Duke of, and Mrs. Clarke, i. 28; ii. 135-64, 178, 181

INDEX OF TITLES, SUBJECTS, PUBLISHED CARICATURES, ILLUSTRATIONS, &c.

Abroad and at Home, ii. 66

Academy, The, for Grown Horsemen, i. 353

Accidents will Happen, ii. 297

Accommodation, or Lodgings to let, at Portsmouth, ii. 89

Accommodation Ladder, ii. 210

Accurate, An, and Impartial Narrative of the War (1793, 1794, 1795,
&c.), i. 328, 329

Ackermann's Transparency on the Victory of Waterloo, ii. 293

Acquittal, The, or Upsetting the Porter Pot (Lord Melville), ii. 60,
61

Actress's Prayer, The, ii. 31

Acute Pain, ii. 2

Admiral Nelson Recruiting with his Brave Tars after the Glorious
Battle of the Nile, i. 350-1

Admiration with Astonishment, ii. 1

Admiring Jew, The, i. 153

Advantage, The, of Shifting the Leg, i. 349, 351

Adventures of Johnny Newcome in the Navy, The, ii. 363-4

Adventures of Joseph Andrews and his Friend Mr. A. Adams, i. 312

Adventures of Peregrine Pickle, ii. 56

Advice to Sportsmen; selected from the notes of Marmaduke Markwell,
ii. 179-80

Aerostation out at Elbows. Vincent Lunardi, i. 163-4

Affectionate Farewell, The, or Kick for Kick, ii. 280

After Dinner, i. 279

After Sweet Meat comes Sour Sauce, or Corporal Casey got into the
Wrong Box, ii. 194

Ague and Fever, i. 226

'Ah! let me, Sire, refuse it, I implore.' ('Peter Pindar'), i. 207

Alehouse Door, ii. 314

All-a-growing, i. 356

Allegoria, ii. 11

All for Love: a Scene at Weymouth, ii. 147

All the Talents, ii. 67-9

Ambassador of Morocco on a Special Mission, The, ii. 146-7

Amorous Turk, An, i. 352

Amputation, i. 107, 320

Amsterdam, i. 331

Amusement for the Recess; or the Devil to Pay amongst the Furniture,
ii. 161-2

Anatomist, The, ii. 202

Anatomy of Melancholy, The, ii. 86

'And now his lifted eyes the ceiling sought.' 'Peter Pindar,' i. 205.

Angelo's Fencing Room, i. 297-300

Anger, i. 18; ii. 2

Anglers (1611), ii. 220, 222

Anglers (1811), ii. 222

Annals of Horsemanship, i. 352

Annals of Sporting by Caleb Quizem, ii. 178-9

Anonymous Letter, ii. 14

Anticipation (Chr. Atkinson, Contractor, in the Pillory), i. 143

Antidote to the Miseries of Human Life, ii. 178

_Anti-Jacobin Review_, i. 357-60, 362

Antiquarian, i. 252

Antiquarians à la Grecque, ii. 51

Anything will do for an Officer, ii. 62

Apollo and Daphne, i. 150

Apollo, Lyra, and Daphne, i. 364

Apostate, The, Jack Robinson, Political Ratcatcher, i. 117-9

Apothecaries' Prayer, The, ii. 31

Artist, An, Travelling in Wales, i. 360-2

Art of Ingeniously Tormenting, The, ii. 115, 129, 178

Art of Scaling, i. 219, 221

Astronomer, An, i. 366

At Dinner, i. 278-9

At Home and Abroad! Abroad and at Home! ii. 66

Attack, The, i. 289

Attempt to Wash the Blackamoor White, The, in the White Hall, City of
Laputa, ii. 309-10

Attention, i. 2; ii. 1

Attorney, ii. 14

Attributes, ii. 10-13

Awkward Squads Studying the Graces, ii. 220

Bachelor's Fare: Bread and Cheese and Kisses, ii. 253-4

Bacon-faced Fellows of Brazen-Nose Broke Loose, ii. 201

Bad News on the Stock Exchange, i. 325

Bad Speculation, A, i. 366

Bait for the Kiddies on the North Road, A, or 'That's your sort, prime
bang up to the mark,' ii. 184, 186

Ballooning Scene, A, i. 323

Banditti, ii. 297

Bank, The, i. 306

Bankrupt Cart, or the Road to Ruin in the East, i. 370

Barber, A, ii. 13

Barberorum, ii. 12

Barber's Shop, A, ii. 223

Bath, Comforts of (in 12 plates), i. 333-49

Bardic Museum of Primitive British Literature, ii. 41

Bardolph Badgered, or the Portland Hunt, i. 289-90

Bartholomew Fair, ii. 92

Bassoon, The, with a French Horn accompaniment, ii. 206, 208

Bath Races, ii. 194

Battleorum, ii. 12

Bay of Biscay, i. 262, 368

Beast, The, as described in Revelation, chap. xiii. Resembling
Napoleon Buonaparte, ii. 95

Beauties, i. 317-18

'Beauties of Sterne,' ii. 10, 169-75

'Beauties of Tom Brown,' ii. 115-181

Bed-warmer, A, i. 167

Beef à la Mode, ii. 3

Behaviour at Table (four subjects), ii. 117-18

Bel and the Dragon, ii. 216

Belle Limonadière au Café des Mille Colonnes, Palais Royal, Paris,
ii. 272, 274

Benevolence, i. 316-17

'Benevolent Epistle to Sylvanus Urban' (_vide_), i. 282

Billiards, ii. 43

Billingsgata, ii. 11

Billingsgate, i. 150

Billingsgate at Bayonne, or the Imperial Dinner, ii. 93-4

Bills of Exchange, ii. 6

Bill of Fare for Bond Street Epicures, A, ii. 90, 166-7

Bill of Wright's, The, or the Patriot Alarmed, ii. 162

Billy Lackbeard and Charley Blackbeard Playing at Football, i. 118

Bishop and his Clarke, The, or a Peep into Paradise, ii. 148

Bitter Fare, or Sweeps Regaling, ii. 233

Black, Brown, and Fair, ii. 71

Blackleg Detected Secreting Cards, &c., ii. 84

Blacksmith's Shop, i. 212

Black and White, i. 66

Bloody Boney, the Carcase Butcher, left off Trade, retiring to
Scarecrow Island, ii. 279

Blucher the Brave Extracting the Groan of Abdication from the Corsican
Bloodhound, ii. 278

Blue and Buff Loyalty, i. 233

Boarding and Finishing School, A, ii. 54-5

Bob Derry of Newmarket, i. 105-6

Boney's Broken Bridge, ii. 159

Boney the Second, or the Little Baboon Created to Devour French
Monkeys, ii. 203-4

Boney's Trial, Sentence, and Dying Speech, or Europe's Injuries
Avenged, ii. 294