Chapter XIII: The Nizhni-Novgorod Fair and the Volga (2)

The Grand Duke Heir Nicholas used it from 1819 until he ascended the throne, in 1825, and since that time it has been considered the palace of the heir to the throne. But the present Emperor has continued to occupy it since his accession, preferring its simplicity to the magnificence of the Winter Palace.

The high walls, of that reddish-yellow hue, like the palace itself, which is usually devoted to government buildings in Russia, continue the line of offices along the Prospekt, and surround wooded gardens, where the Emperor and his family coast, skate, and enjoy their winter pleasures, invisible to the eyes of passers-by.

These woods and walls also form the eastern boundary of the Alexandra Square, in whose centre rises Mikeshin and Opekushin's fine colossal bronze statue of Katherine II., crowned, sceptred, in imperial robes, and with the men who made her reign illustrious grouped about her feet. Among these representatives of the army, navy, literature, science, art, there is one woman,--that dashing Princess Elizaveta Romanovna Dashkoff, who helped Katherine to her throne. As Empress, Katherine appointed her to be first president of the newly founded Academy of Sciences, but afterward withdrew her favor, and condemned her to both polite and impolite exile,--because of her services, the princess hints, in her celebrated and very lively "Memoirs."

In the Alexandra Theatre, for Russian and German drama, which rears its new (1828) Corinthian peristyle and its bronze quadriga behind the great Empress, forming the background of the Square, two of the Empress's dramas still hold the stage, on occasion. For this busy and energetic woman not only edited and published a newspaper, the greater part of which she wrote with her own hand, but composed numerous comedies and comic operas, where the moral, though sufficiently obvious all the way through, one would have thought, in the good old style is neatly labeled at the end. These were acted first in the private theatres of the various palaces, by the dames and cavaliers of the Court, after which professional actors presented them to the public in the ordinary theatres.

It is in vain that we scrutinize the chubby-cheeked countenance of the bronze Prince Potemkin, at Katherine II.'s feet, to discover the secret of the charm which made the imperial lady who towers above him force upon him so often the ground upon which they both now stand. He stares stolidly at the Prospekt, ignoring not only the Theatre, but the vast structures containing the Direction of Theatres and Prisons, the Censor's Office, Theatrical School, and other government offices in the background; the new building for shops and apartments, where ancient Russian forms have been adapted to modern street purposes; and even the wonderfully rich Imperial Public Library, begun in 1794, to contain the books brought from Warsaw, with its Corinthian peristyle interspersed with bronze statues of ancient sages, on the garden side,--all of which stand upon the scene of his former garden parties, as the name of the avenue beyond the plain end of the Library on the Prospekt--Great Garden Street--reminds us. Not far away is the site of the tunnel dug under the Prospekt by the revolutionists, which, however, was fortunately discovered in time to prevent the destruction of one of the fairest parts of the city, and its most valuable buildings. With the next block we enter upon the liveliest, the most characteristic portion of the Nevsky Prospekt, in that scant fraction over a mile which is left to us above the Anitchkoff Bridge.

Here stands the vast bazaar known as the _Gostinny Dvor_,--"Guests' Court,"--a name which dates from the epoch when a wealthy merchant engaged in foreign trade, and owning his own ships, was distinguished from the lesser sort by the title of "Guest," which we find in the ancient epic songs of Russia. Its frontage of seven hundred feet on the Prospekt, and one thousand and fifty on Great Garden and the next parallel street, prepare us to believe that it may really contain more than five hundred shops in the two stories, the lower surrounded by a vaulted arcade supporting an open gallery, which is invaluable for decorative purposes at Easter and on imperial festival days. Erected in 1735, very much in its present shape, the one common throughout the country, on what had been an impassable morass a short time before, and where the ground still quakes at dawn, it may not contain the largest and best shops in town, and its merchants certainly are not "guests" in the ancient acceptation of the word; but we may claim, nevertheless, that it presents a compendium of most purchasable articles extant, from _samovari_, furs, and military goods, to books, sacred images, and Moscow imitations of Parisian novelties at remarkably low prices, as well as the originals.

The nooks and spaces of the arcade, especially at the corners and centre, are occupied by booths of cheap wares. The sacred image, indispensable to a Russian shop, is painted on the vaulted ceiling; the shrine lamp flickers in the open air, thus serving many aproned, homespun and sheepskin clad dealers. The throng of promenaders here is always varied and interesting. The practiced eye distinguishes infinite shades of difference in wealth, social standing, and other conditions. The lady in the velvet _shuba_, lined with sable or black fox, her soft velvet cap edged with costly otter, her head wrapped in a fleecy knitted shawl of goat's-down from the steppes of Orenburg, or pointed hood-- the _bashlyk_--of woven goat's-down from the Caucasus, has driven hither in her sledge or carriage, and has alighted to gratify the curiosity of her sons. We know at a glance whether the lads belong in the aristocratic Pages' Corps, on Great Garden Street, hard by, in the University, the Law School, the Lyceum, or the Gymnasium, and we can make a shrewd guess at their future professions by their faces as well as by their uniforms. The lady who comes to meet us in sleeved pelisse, wadded with eider-down, and the one in a short jacket have arrived, and must return, on foot; they could not drive far in the open air, so thinly clad.

At Christmas-tide there is a great augmentation in the queer "Vyazemsky" and other cakes, the peasant laces, sweet Vyborg cracknels, fruit pastils, and other popular goods, on which these petty open-air dealers appear to thrive, both in health and purse. The spacious area between the bazaar and the sidewalk of the Nevsky is filled with Christmas-trees, beautifully unadorned, or ruined with misplaced gaudiness, brought in, in the majority of cases, by Finns from the surrounding country. Again, in the week preceding Palm Sunday, the _Verbnaya Yarmaraka_, or Pussy Willow Fair, takes place here. Nominally, it is held for the purpose of providing the public with twigs of that aesthetic plant (the only one which shows a vestige of life at that season), which are used as palms, from the Emperor's palace to the poorest church in the land. In reality, it is a most amusing fair for toys and cheap goods suitable for Easter eggs; gay paper roses, wherewith to adorn the Easter cake; and that combination of sour and sweet cream and other forbidden delicacies, the _paskha_, with which the long, severe fast is to be broken, after midnight matins on Easter. Here are plump little red Finland parrots, green and red finches, and other song-birds, which kindly people buy and set free, after a pretty custom. The board and canvas booths, the sites for which are drawn by lot by soldiers' widows, and sold or used as suits their convenience, are locked at night by dropping the canvas flap, and are never guarded; while the hint that thefts may be committed, or that watching is necessary, is repelled with indignation by the stall-keepers.

There is always a popular toy of the hour. One year it consisted of highly colored, beautifully made bottle-imps, which were loudly cried as _Amerikanskiya zhiteli_,--inhabitants of America. We inquired the reason for their name.

"They are made in the exact image of the Americans," explained the peasant vendor, offering a pale blue imp, with a long, red tongue and a phenomenal tail, for our admiration.

"We are inhabitants of America. Is the likeness very strong?" we asked.

The crowd tittered softly; the man looked frightened; but finding that no dire fate threatened, he was soon vociferating again, with a roguish grin:--

"_Kupiti, kupi-i-iti! Prevoskhodniya Amerikanskiya zhiteli! Sa-a-miya nastoyashtschiya!_"--Buy, buy, splendid natives of America! the most genuine sort!

Far behind this Gostinny Dvor extends a complex mass of other curious "courts" and markets, all worthy of a visit for the popular types which they afford of the lower classes. Among them all none is more steadily and diversely interesting, at all seasons of the year, than the _Syennaya Ploshtschad_,--the Haymarket,--so called from its use in days long gone by. Here, in the Fish Market, is the great repository for the frozen food which is so necessary in a land where the church exacts a sum total of over four months' fasting out of the twelve. Here the fish lie piled like cordwood, or overflow from casks, for economical buyers. Merchants' wives, with heads enveloped in colored kerchiefs, in the olden style, well tucked in at the neck of their _salopi_, or sleeved fur coats, prowl in search of bargains. Here sit the fishermen from the distant Murman coast, from Arkhangel, with weather-beaten but intelligent faces, in their quaint skull-caps of reindeer hide, and baggy, shapeless garments of mysterious skins, presiding over the wares which they have risked their lives to catch in the stormy Arctic seas, during the long days of the brief summer-time; codfish dried and curled into gray unrecognizableness; yellow caviar which resists the teeth like tiny balls of gutta-percha,--not the delicious gray "pearl" caviar of the sturgeon,--and other marine food which is never seen on the rich man's table.

But we must return to the Nevsky Prospekt. Nestling at the foot of the City Hall, at the entrance of the broad street between it and the Gostinny Dvor, on the Nevsky, stands a tiny chapel, which is as thriving as the bazaar, in its own way, and as striking a compendium of some features in Russian architecture and life. Outside hangs a large image of the "Saviour-not-made-with-hands,"--the Russian name for the sacred imprint on St. Veronica's handkerchief,--which is the most popular of all the representations of Christ in _ikoni_. Before it burns the usual "unquenchable lamp," filled with the obligatory pure olive-oil. Beneath it stands a table bearing a large bowl of consecrated water. On hot summer days the thirsty wayfarer takes a sip, using the ancient Russian _kovsh_, or short-handled ladle, which lies beside it, crosses himself, and drops a small offering on the dish piled with copper coins near by, making change for himself if he has not the exact sum which he wishes to give.

Inside, many _ikoni_ decorate the walls. The pale flames of their shrine-lamps are supplemented by masses of candles in the huge standing candlesticks of silver. A black-robed monk from the monastery is engaged, almost without cessation, in intoning prayers of various sorts, before one or another of the images. The little chapel is thronged; there is barely room for respectfully flourished crosses, such as the peasant loves, often only for the more circumscribed sign current among the upper classes, and none at all for the favorite "ground reverences." The approach to the door is lined with two files of monks and nuns: monks in high _klobuki_, like rimless chimney-pot hats, draped with black woolen veils, which are always becoming; _tchernitzi_, or lay sisters, from distant convents, in similar headgear, in caps flat or pointed like the small end of a watermelon, and with ears protected by black woolen shawls ungracefully pinned. Serviceable man's boots do more than peep out from beneath the short, rusty-black skirts. Each monk and nun holds a small pad of threadbare black velvet, whereon a cross of tarnished gold braid, and a stray copper or two, by way of bait, explain the eleemosynary significance of the bearers' "broad" crosses, dizzy "reverences to the girdle," and muttered entreaty, of which we catch only: "_Khristi Radi_"--For Christ's sake.

People of all classes turn in here for a moment of prayer, to "place a candle" to some saint, for the health, in body or soul, of friend or relative: the workman, his tools on his back in a coarse linen kit; the bearded _muzhik_ from the country, clad in his sheepskin _tulup_, wool inward, the soiled yellow leather outside set off by a gay sash; ladies, officers, civilians,--the stream never ceases.

The only striking feature about the next building of importance, the _Gradskaya Duma_, or City Hall, is the lofty tower, upon whose balcony, high in air, guards pace incessantly, on the watch for fires. By day they telegraph the locality of disaster to the fire department by means of black balls and white boards, in fixed combinations; by night, with colored lanterns. Each section of the city has a signal-tower of this sort, and the engine-house is close at hand. Gradskaya Duma means, literally, city thought, and the profundity of the meditations sometimes indulged in in this building, otherwise not remarkable, may be inferred from the fact discovered a few years ago, that many honored members of the Duma (which also signifies the Council of City Fathers), whose names still stood on the roll, were dead, though they continued to vote and exercise their other civic functions with exemplary regularity!

Naturally, in a city which lies on a level with the southern point of Greenland, the most characteristic season to select for our observations of the life is winter.

The Prospekt wakes late. It has been up nearly all night, and there is but little inducement to early rising when the sun itself sets such a fashion as nine o'clock for its appearance on the horizon, like a pewter disk, with a well-defined hard rim, when he makes his appearance at all. If we take the Prospekt at different hours, we may gain a fairly comprehensive view of many Russian ways and people, cosmopolitan as the city is.

At half-past seven in the morning, the horse-cars, which have been resting since ten o'clock in the evening, make a start, running always in groups of three, stopping only at turnouts. The _dvorniki_ retire from the entrance to the courtyards, where they have been sleeping all night with one eye open, wrapped in their sheepskin coats. A few shabby _izvostchiks_ make their appearance somewhat later, in company with small schoolboys, in their soldierly uniforms, knapsacks of books on back, and convoyed by servants. Earliest of all are the closed carriages of officials, evidently the most lofty in grade, since it was decided, two or three years ago, by one of this class, that his subordinates could not reasonably be expected to arrive at business before ten or eleven o'clock after they had sat up until daylight over their indispensable club _vint_--which is Russian whist.

Boots (_muzhiki_) in scarlet cotton blouses, and full trousers of black velveteen, tucked into tall wrinkled boots, dart about to bakery and dairy shop, preparing for their masters' morning "tea." Venders of newspapers congregate at certain spots, and charge for their wares in inverse ratio to the experience of their customers; for regular subscribers receive their papers through the post-office, and, if we are in such unseemly haste as to care for the news before the ten o'clock delivery--or the eleven o'clock, if the postman has not found it convenient otherwise--we must buy on the street, though we live but half a block from the newspaper office, which opens at ten. By noon, every one is awake. The restaurants are full of breakfasters, and Dominique's, which chances to stand on the most crowded stretch of the street, on the sunny north side beloved of promenaders, is dense with officers, cigarette smoke, and characteristic national viands judiciously mingled with those of foreign lands.

Mass is over, and a funeral passes down the Nevsky Prospekt, on its way to the fashionable Alexander Nevsky monastery or Novo-Dyevitche convent cemeteries. The deceased may have been a minister of state, or a great officer of the Court, or a military man who is accompanied by warlike pageant. The choir chants a dirge. The priests, clad in vestments of black velvet and silver, seem to find their long thick hair sufficient protection to their bare heads. The professional mutes, with their silver-trimmed black baldrics and cocked hats, appear to have plucked up the street lanterns by their roots to serve as candles, out of respect to the deceased's greatness, and to illustrate how the city has been cast into darkness by the withdrawal of the light of his countenance. The dead man's orders and decorations are borne in imposing state, on velvet cushions, before the gorgeous funeral car, where the pall, of cloth of gold, which will be made into a priest's vestment once the funeral is over, droops low among artistic wreaths and palms, of natural flowers, or beautifully executed in silver. Behind come the mourners on foot, a few women, many men, a Grand Duke or two among them, it may be; the carriages follow; the devout of the lower classes, catching sight of the train, cross themselves broadly, mutter a prayer, and find time to turn from their own affairs and follow for a little way, out of respect to the stranger corpse. More touching are the funerals which pass up the Prospekt on their way to the unfashionable cemetery across the Neva, on Vasily Ostroff; a tiny pink coffin resting on the knees of the bereaved parents in a sledge, or borne by a couple of bareheaded men, with one or two mourners walking slowly behind.

From noon onward, the scene on the Prospekt increases constantly in vivacity. The sidewalks are crowded, especially on Sundays and holidays, with a dense and varied throng, of so many nationalities and types that it is a valuable lesson in ethnography to sort them, and that a secret uttered is absolutely safe in no tongue,--unless, possibly, it be that of Patagonia. But the universal language of the eye conquers all difficulties, even for the remarkably fair Tatar women, whose national garb includes only the baldest and gauziest apology for the obligatory veil.

The plain facades of the older buildings on this part of the Prospekt, which are but three or four stories in height,--elevators are rare luxuries in Petersburg, and few buildings exceed five stories,--are adorned, here and there, with gayly-colored pictorial representations of the wares for sale within. But little variety in architecture is furnished by the inconspicuous Armenian, and the uncharacteristic Dutch Reformed and Lutheran churches which break the severe line of this "Tolerance Street," as it has been called. Most fascinating of all the shops are those of the furriers and goldsmiths, with their surprises and fresh lessons for foreigners; the treasures of Caucasian and Asian art in the Eastern bazaars; the "Colonial wares" establishments, with their delicious game cheeses, and odd _studena_ (fishes in jelly), their pineapples at five and ten dollars, their tiny oysters from the Black Sea at twelve and a half cents apiece.

Enthralling as are the shop windows, the crowd on the sidewalk is more enthralling still. There are Kazaks, dragoons, cadets of the military schools, students, so varied, though their gay uniforms are hidden by their coats, that their heads resemble a bed of verbenas in the sun. There are officers of every sort: officers with rough gray overcoats and round lambskin caps; officers in large, flat, peaked caps, and smooth-surfaced voluminous cape-coats, wadded with eider-down and lined with gray silk, which trail on their spurs, and with collars of costly beaver or striped American raccoon, and long sleeves forever dangling unused. A snippet of orange and black ribbon worn in the buttonhole shows us that the wearer belongs to the much-coveted military Order of St. George. There are civilians in black cape-coats of the military pattern, topped off with cold, uncomfortable, but fashionable chimneypot hats, or, more sensibly, with high caps of beaver.

It is curious to observe how many opinions exist as to the weather. The officers leave their ears unprotected; a passing troop of soldiers-- fine, large, hardy fellows--wear the strip of black woolen over their ears, but leave their _bashlyks_ hanging unused on their backs, with tabs tacked neatly under shoulder-straps and belts, for use on the Balkans or some other really cold spot. Most of the ladies, on foot or in sledges, wear bashlyks or Orenburg shawls, over wadded fur caps, well pulled down to the brows. We may be sure that the pretty woman who trusts to her bonnet only has also neglected to put on the necessary warm galoshes, and that when she reaches home, sympathizing friends will rub her vain little ears, feet, and brow with spirits of wine, to rescue her from the results of her folly. Only officers and soldiers possess the secret of going about in simple leather boots, or protected merely by a pair of stiff, slapping leather galoshes, accommodated to the spurs.

For some mysterious reason, the picturesque nurses, with their pearl-embroidered, diadem-shaped caps, like the _kokoshniki_ of the Empress and Court ladies, their silver-trimmed petticoats and jackets patterned after the ancient Russian "soul-warmers," and made of pink or blue cashmere, never have any children in their charge in winter. Indeed, if we were to go by the evidence offered by the Nevsky Prospekt, especially in cold weather, we should assert that there are no children in the city, and that the nurses are used as "sheep-dogs" by ladies long past the dangerous bloom of youth and beauty.

The more fashionable people are driving, however, and that portion of the one hundred and fourteen feet of the Prospekt's width which is devoted to the roadway is, if possible, even more varied and entertaining in its kaleidoscopic features than the sidewalks. It is admirably kept at all seasons. With the exception of the cobblestone roadbed for the tramway in the centre, it is laid with hexagonal wooden blocks, well spiked together and tarred, resting upon tarred beams and planks, and forming a pavement which is both elastic and fairly resistant to the volcanic action of the frost. The snow is maintained at such a level that, while sledging is perfect, the closed carriages which are used for evening entertainments, calls, and shopping are never incommoded. Street sweepers, in red cotton blouses and clean white linen aprons, sweep on calmly in the icy chill. The police, with their _bashlyks_ wrapped round their heads in a manner peculiar to themselves, stand always in the middle of the street and regulate the traffic.

We will hire an _izvostchik_ and join the throng. The process is simple; it consists in setting ourselves up at auction on the curbstone, among the numerous cabbies waiting for a job, and knocking ourselves down to the lowest bidder. If our Vanka (Johnny, the generic name for cabby) drives too slowly, obviously with the object of loitering away our money, a policeman will give him a hint to whip up, or we may effect the desired result by threatening to speak to the next guardian of the peace. If Vanka attempts to intrude upon the privileges of the private carriages, for whom is reserved the space next the tramway track and the row of high, silvered posts which bear aloft the electric lights, a sharp "_Beregis!_" (Look out for yourself!) will be heard from the first fashionable coachman who is impeded in his swift career, and he will be called to order promptly by the police. Ladies may not, unfortunately, drive in the smartest of the public carriages, but must content themselves with something more modest and more shabby. But Vanka is usually good-natured, patient, and quite unconscious of his shabbiness, at least in the light of a grievance or as affecting his dignity. It was one of these shabby, but democratic and self-possessed fellows who furnished us with a fine illustration of the peasant qualities. We encountered one of the Emperor's cousins on his way to his regimental barracks; the Grand Duke mistook us for acquaintances, and saluted. Our _izvostchik_ returned the greeting.

"Was that Vasily Dmitrich?" we asked in Russian form.

"Yes, madam."

"Whom was he saluting?"

"Us," replied the man, with imperturbable gravity. Very different from our poor fellow, who remembers his duties to the saints and churches, and salutes Kazan Cathedral, as we pass, with cross and bared head, is the fashionable coachman, who sees nothing but his horses. Our man's cylindrical cap of imitation fur is old, his summer _armyak_ of blue cloth fits, as best it may, over his lean form and his sheepskin _tulup_, and is girt with a cheap cotton sash.

The head of the fashionable coachman is crowned with a becoming gold-laced cap, in the shape of the ace of diamonds, well stuffed with down, and made of scarlet, sky-blue, sea-green, or other hue of velvet. His fur-lined armyak, reaching to his feet,--through whose silver buttons under the left arm he is bursting, with pads for fashion or with good living,--is secured about his portly waist by a silken girdle glowing with roses and butterflies. His legs are too fat to enter the sledge,--that is to say, if his master truly respects his own dignity, --and his feet are accommodated in iron stirrups outside. He leans well back, with arms outstretched to accord with the racing speed at which he drives. In the tiny sledge--the smaller it is, the more stylish, in inverse ratio to the coachman, who is expected to be as broad as it is --sits a lady hugging her crimson velvet _shuba_ lined with curled white Thibetan goat, or feathery black fox fur, close about her ears. An officer holds her firmly with one arm around the waist, a very necessary precaution at all seasons, with the fast driving, where drozhkies and sledges are utterly devoid of back or side rail. The spans of huge Orloff stallions, black or dappled gray, display their full beauty of form in the harnesses of slender straps and silver chains; their beautiful eyes are unconcealed by blinders. They are covered with a coarse-meshed woolen net fastened to the winged dashboard, black, crimson, purple, or blue, which trails in the snow in company with their tails and the heavy tassels of the fur-edged cloth robe. The horses, the wide-spreading reddish beard of the coachman, parted in the middle like a well-worn whisk broom, the hair, eyelashes, and furs of the occupants of the sledge, all are frosted with rime until each filament seems to have been turned into silver wire.

There is an alarm of fire somewhere. A section of the fire department passes, that imposing but amusing procession of hand-engine, three water-barrels, pennons, and fine horses trained in the _haute ecole_, which does splendid work with apparently inadequate means. An officer in gray lambskin cap flashes by, drawn by a pair of fine trotters. "_Vot on sam!_" mutters our _izvostchik_,--There he is himself! It is General Gresser*, the prefect of the capital, who maintains perfect order, and demonstrates the possibilities of keeping streets always clean in an impossible climate. The pounding of those huge trotters' hoofs is so absolutely distinctive--as distinctive as the unique gray cap--that we can recognize it as they pass, cry like the _izvostchik_, "_Vot on sam!_" and fly to the window with the certainty that it will be "he himself."

* Since the above was written, this able officer and very efficient prefect has died.

Court carriages with lackeys in crimson and gold, ambassadors' sledges with cock-plumed chasseurs and cockaded coachmen, the latter wearing their chevrons on their backs; rude wooden sledges, whose sides are made of knotted ropes, filled with superfluous snow; grand ducal _troikas_ with clinking harnesses studded with metal plaques and flying tassels, the outer horses coquetting, as usual, beside the staid trot of the shaft-horse,--all mingle in the endless procession which flows on up the Nevsky Prospekt through the Bolshaya Morskaya,--Great Sea Street,--and out upon the Neva quays, and back again, to see and be seen, until long after the sun has set on the short days, at six minutes to three. A plain sledge approaches. The officer who occupies it is dressed like an ordinary general, and there are thousands of generals! As he drives quietly along, police and sentries give him the salute of the ordinary general; so do those who recognize him by his face or his Kazak orderly. It is the Emperor out for his afternoon exercise. If we meet him near the gate of the Anitchkoff Palace, we may find him sitting placidly beside us, while our sledge and other sledges in the line are stopped for a moment to allow him to enter.

Here is another sledge, also differing in no respect from the equipages of other people, save that the lackey on the low knife-board behind wears a peculiar livery of dark green, pale blue, and gold (or with white in place of the green at Easter-tide). The lady whose large dark eyes are visible between her sable cap and the superb black fox shawl of her crimson velvet cloak is the Empress. The lady beside her is one of her ladies-in-waiting. Attendants, guards, are absolutely lacking, as in the case of the Emperor.

Here, indeed, is the place to enjoy winter. The dry, feathery snow descends, but no one heeds it. We turn up our coat collars and drive on. Umbrellas are unknown abominations. The permanent marquises, of light iron-work, which are attached to most of the entrances, are serviceable only to those who use closed carriages, and in the rainy autumn.

Just opposite the centre of this thronged promenade, well set back from the street, stands the Cathedral of the Kazan Virgin. Outside, on the quay of the tortuous Katherine Canal, made a navigable water-way under the second Katherine, but lacking, through its narrowness, the picturesque features of the Fontanka, flocks of pigeons are fed daily from the adjoining grain shops. In the curve of the great colonnade, copied, like the exterior of the church itself, from that of St. Peter at Rome, bronze statues, heroic in size, of generals Kutuzoff and Barclay de Tolly, by the Russian sculptor Orlovsky, stand on guard.

Hither the Emperor and Empress come "to salute the Virgin," on their safe return from a journey. Hither are brought imperial brides in gorgeous state procession--when they are of the Greek faith--on their way to the altar in the Winter Palace. We can never step into this temple without finding some deeply interesting and characteristically Russian event in progress. After we have run the inevitable gauntlet of monks, nuns, and other beggars at the entrance, we may happen upon a baptism, just beyond, the naked, new-born infant sputtering gently after his thrice-repeated dip in the candle-decked font, with the priest's hand covering his eyes, ears, mouth, and nostrils, and now undergoing the ceremony of anointment or confirmation. Or we may come upon a bridal couple, in front of the solid silver balustrade; or the exquisite liturgy, exquisitely chanted by the fine choir in their vestments of scarlet, blue, and silver, with the seraphic wings upon their shoulders, and intoned, with a finish of art unknown in other lands, by priests robed in rich brocade. Or it may be that a popular sermon by a well-known orator has attracted a throng of listeners among the lofty pillars of gray Finland granite, hung with battle-flags and the keys of conquered towns. What we shall assuredly find is votaries ascending the steps to salute with devotion the benignant brown-faced Byzantine Virgin and Christ-Child, incrusted with superb jewels, or kneeling in "ground reverences," with brow laid to the marble pavement, before the _ikonostas_, or rood-screen, of solid silver. Our Lady of Kazan has been the most popular of wonder-working Virgins ever since she was brought from Kazan to Moscow, in 1579, and transported to Petersburg, in 1721 (although her present cathedral dates only from 1811), and the scene here on Easter-night is second only to that at St. Isaac's when the porticoes are thronged by the lower classes waiting to have their flower and candle decked cakes and cream blessed at the close of the Easter matins.

One of the few individual dwelling-houses which linger on the Nevsky Prospekt, and which presents us with a fine specimen of the rococo style which Rastrelli so persistently served up at the close of the eighteenth century, is that of the Counts Stroganoff, at the lower quay of the Moika. The Moika (literally, Washing) River is the last of the semicircular, concentric canals which intersect the Nevsky and its two radiating companion Prospekts, and impart to that portion of the city which is situated on the (comparative) mainland a resemblance to an outspread fan, whose palm-piece is formed by the Admiralty on the Neva quay.

The stately pile, and the pompous air of the big, gold-laced Swiss lounging at the entrance on the Nevsky, remind us that the Stroganoff family has been a power in Russian history since the middle of the sixteenth century.

It was a mere handful of their Kazaks, led by Yermak Timofeevitch, who conquered Siberia, in 1581, under Ivan the Terrible, while engaged in repelling the incursions of the Tatars and wild Siberian tribes on the fortified towns which the Stroganoffs had been authorized to erect on the vast territory at the western foot of the Ural Mountains, conveyed to them by the ancient Tzars. Later on, when Alexei Mikhailovitch, the father of Peter the Great, established a new code, grading punishments and fines by classes, the highest money tax assessed for insult and injury was fifty rubles; but the Stroganoffs were empowered to exact one hundred rubles.

Opposite the Stroganoff house, on the upper Moika quay, rises the large, reddish-yellow Club of the Nobility, representing still another fashion in architecture, which was very popular during the last century for palaces and grand mansions,--the Corinthian peristyle upon a solid, lofty basement. It is not an old building, but was probably copied from the palace of the Empress Elizabeth, which stood on this spot. Elizaveta Petrovna, though she used this palace a great deal, had a habit of sleeping in a different place each night, the precise spot being never known beforehand. This practice is attributed, by some Russian historians, to her custom of turning night into day. She went to the theatre, for example, at eleven o'clock, and any courtier who failed to attend her was fined fifty rubles. It was here that the populace assembled to hurrah for Elizaveta Petrovna, on December 6, 1741, when she returned with little Ivan VI. in her arms from the Winter Palace, where she had made captive his father and his mother, the regent Anna Leopoldina. It may have been the recollection of the ease with which she had surprised indolent Anna Leopoldina in her bed-chamber which caused her to be so uncertain in her own movements, in view of the fact that there were persons so ill-advised as to wish the restoration of the slothful German regent and her infant son, disastrous as that would have been to the country.

We must do the Russians who occupy the building at the present day the justice to state that they uphold religiously the nocturnal tradition thus established by Elizaveta Petrovna, and even improve upon it. From six o'clock in the evening onward, the long windows of the club, on the _bel etage_, blaze with light. The occasional temporary obscurations produced by the steam from relays of _samovari_ do not interfere materially with the neighbors' view of the card-parties and the final exchange of big bundles of bank-bills, which takes place at five o'clock or later the next morning. Even if players and bills were duly shielded from observation, the _mauvais quart d'heure_ would be accurately revealed by the sudden rush for the sledges, which have been hanging in a swarm about the door, according to the usual convenient custom of Vanka, wherever lighted windows suggest possible patrons. Poor, hard-worked Vanka slumbers all night on his box, with one eye open, or falls prone in death-like exhaustion over the dashboard upon his sleeping horse, while his cap lies on the snow, and his shaggy head is bared to the bitter blasts.

Later on, the chief of police lived here, and the adjoining bridge, which had hitherto been known as the Green Bridge, had its name changed to the Police Bridge, which rather puzzling appellation it still bears.

A couple of blocks beyond this corner of the Nevsky, the Moika and the Grand Morskaya, the Nevsky Prospekt ends at the Alexander Garden, backed by the Admiralty and the Neva, after having passed in its course through all grades of society, from the monks at the extreme limit, peasant huts,--or something very like them, on the outskirts,--artistic and literary circles in the Peski quarter (the Sands), well-to-do merchants and nobles, officials and wealthy courtiers, until now we have reached the culminating point, where the Admiralty, Imperial Palace, and War Office complete the national group begun at the church.

When, in 1704, Peter the Great founded his beloved Admiralty, as the first building on the mainland then designed for such purposes as this, and not for residence, it was simply a shipyard, open to the Neva, and inclosed on three sides by low wooden structures, surrounded by stone-faced earthworks, moats, and palisades. Hither Peter was wont to come of a morning, after having routed his ministers out of bed to hold privy council at three and four o'clock, to superintend the work and to lend a hand himself. The first stone buildings were erected in 1726, after his death. In the early years of the present century, Alexander I. rebuilt this stately and graceful edifice, after the plans of the Russian architect Zakharoff, who created the beautiful tower adorned with Russian sculptures, crowned by a golden spire, in the centre of the immense facade, fourteen hundred feet long, which forms a feature inseparable from the vista of the Prospekt for the greater part of its length, to the turn at the Znamenskaya Square. On this spire, at the present day, flags and lanterns warn the inhabitants of low-lying districts in the capital of the rate at which the water is rising during inundations. In case of serious danger, the flags are reinforced by signal guns from the fortress. But in Peter I.'s day, these flags and guns bore exactly the opposite meaning to the unhappy nobles whom the energetic Emperor was trying to train into rough-weather sailors. To their trembling imaginations these signal orders to assemble for a practice sail signified, "Come out and be drowned!" since they were obliged to embark in the crafts too generously given to them by Peter, and cruise about until their leader (who delighted in a storm) saw fit to return. There is a story of one unhappy wight, who was honored by the presence aboard his craft of a very distinguished and very seasick Persian, making his first acquaintance with the pleasures of yachting, and who spent three days without food, tacking between Petersburg and Kronstadt, in the vain endeavor to effect a landing during rough weather.

When the present Admiralty was built, a broad and shady boulevard was organized on the site of the old glacis and covered way, and later still, when the break in the quay was filled in, and the shipbuilding transferred to the New Admiralty a little farther down the river, the boulevard was enlarged into the New Alexander Garden, one of the finest squares in Europe. It soon became the fashionable promenade, and the centre of popular life as well, by virtue of the merry-makings which took place. Here, during the Carnival of 1836, the temporary cheap theatre of boards was burned, at the cost of one hundred and twenty-six lives and many injured persons, which resulted in these dangerous _balagani_ and other holiday amusements being removed to the spacious parade-ground known as the Empress's Meadow.

If we pass round the Admiralty to the Neva, we shall find its frozen surface teeming with life. Sledge roads have been laid out on it, marked with evergreen bushes, over which a _yamtschik_ will drive us with his _troika_ fleet as the wind, to Kronstadt, twenty miles away. Plank walks, fringed with street lanterns, have been prepared for pedestrians. Broad ice paths have been cleared, whereon the winter ferry-boats ply, --green garden-chairs, holding one or more persons, furnished with warm lap-robes, and propelled by stout _muzhiks_ on skates, who will transport us from shore to shore for the absurdly small sum of less than a cent apiece, though a ride with the reindeer (now a strange sight in the capital), at the Laplanders' encampment, costs much more.

It is hard to tear ourselves from the charms of the river, with its fishing, ice-cutting, and many other interesting sights always in progress. But of all the scenes, that which we may witness on Epiphany Day--the "Jordan," or Blessing of the Waters, in commemoration of Christ's baptism in the Jordan--is the most curious and typically Russian.

After mass, celebrated by the Metropolitan, in the cathedral of the Winter Palace, whose enormous reddish-ochre mass we perceive rising above the frost-jeweled trees of the Alexander Garden, to our right as we stand at the head of the Nevsky Prospekt, the Emperor, his heir, his brothers, uncles, and other great personages emerge in procession upon the quay. Opposite the Jordan door of the palace a scarlet, gold, and blue pavilion, also called the "Jordan," has been erected over the ice. Thither the procession moves, headed by the Metropolitan and the richly vestured clergy, their mitres gleaming with gems, bearing crosses and church banners, and the imperial choir, clad in crimson and gold, chanting as they go. The Empress and her ladies, clad in full Court costume at midday, look on from the palace windows. After brief prayers in the pavilion, all standing with bared heads, the Metropolitan dips the great gold cross in the rushing waters of the Neva, through a hole prepared in the thick, opalescent, green ice, and the guns on the opposite shore thunder out a salute. The pontoon Palace Bridge, the quays on both sides of the river, all the streets and squares for a long distance round about, are densely thronged; and, as the guns announce the consecration, every head is bared, every right hand in the mass, thousands strong, is raised to execute repeated signs of the cross on brow and breast.

From our post at the head of the Prospekt we behold not the ceremony itself but the framework of a great national picture, the great Palace Square, whereon twenty thousand troops can manoeuvre, and in whose centre rises the greatest monolith of modern times, the shaft of red Finland granite, eighty-four feet in height, crowned with a cross-bearing angel, the monument to Alexander I. There stand the Guards' Corps, and the huge building of the General Staff, containing the Ministries of Finance and of Foreign Affairs, and many things besides, originally erected by Katherine II. to mask the rears of the houses at the end of the Nevsky, and rebuilt under Nicholas I., sweeping in a magnificent semicircle opposite the Winter Palace. Regiments restrain the zeal of the crowd to obtain the few posts of vantage from which the consecration of the waters is visible, and keep open a lane for the carriages of royalty, diplomats, and invited guests. They form part of the pageant, like the Empress's cream-colored carriage and the white horses and scarlet liveries of the Metropolitan. The crowd is devout and silent, as Russian crowds always are, except when they see the Emperor after he has escaped a danger, when they become vociferous with an animation which is far more significant than it is in more noisy lands. The ceremony over, the throngs melt away rapidly and silently; pedestrians, Finnish ice-sledges, traffic in general, resume their rights on the palace sidewalks and the square, and after a state breakfast the Emperor drives quietly home, unguarded, to his Anitchkoff Palace.

If we glance to our left, and slightly to our rear, as we stand thus facing the Neva and the Admiralty, we see the Prefecture and the Ministry of War, the latter once the mansion of a grandee in the last century; and, rising above the latter, we catch a glimpse of the upper gallery, and great gold-plated, un-Russian dome, of St. Isaac's Cathedral, which is visible for twenty miles down the Gulf of Finland. The granite pillars glow in the frosty air with the bloom of a Delaware grape. We forgive St. Isaac for the non-Russian character of the modern ecclesiastical glories of which it is the exponent, as we listen eagerly to the soft, rich, boom-boom-bo-o-om of the great bourdon, embroidered with silver melody by the multitude of smaller bells chiming nearly all day long with a truly orthodox sweetness unknown to the Western world, and which, to-day, are more elaborately beautiful than usual, in honor of the great festival. We appreciate to the full the wailing cry of the prisoner, in the ancient epic songs of the land: "He was cut off from the light of the fair, red sun, from the sound of sweet church-bells."

On the great Palace Square another characteristic sight is to be seen on the nights of Court balls, which follow the Jordan, when the blaze of electric light from the rock-crystal chandeliers, big as haystacks, within the state apartments, is supplemented by the fires in the heater and on the snow outside, round which the waiting coachmen warm themselves, with Rembrandtesque effects of _chiaro-oscuro_ second only to the picturesqueness of _dvorniki_ in their nondescript caps and shaggy coats, who cluster round blazing fagots in less aristocratic quarters when the thermometer descends below zero.

When spring comes with the magical suddenness which characterizes Northern lands, the gardens, quays, and the Nevsky Prospekt still preserve their charms for a space, and are thronged far into the night with promenaders, who gaze at the imperial crowns, stars, monograms, and other devices temporarily applied to the street lanterns, and the fairy flames on the low curb-posts (whereat no horse, though unblinded, ever shies), with which man attempts, on the numerous royal festival days of early summer, to rival the illumination of the indescribably beautiful tints of river and sky. But the peasant-_izvostchik_ goes off to the country to till his little patch of land, aided by the shaggy little farm-horse, which has been consorting on the Prospekt with thoroughbred trotters all winter, and helping him to eke out his cash income, scanty at the best of times; or he emigrates to a summer resort, scorning our insinuation that he is so unfashionable as to remain in town. The deserted Prospekt is torn up for repairs. The merchants, especially the goldsmiths, complain that it would be true economy for them to close their shops. The annual troops of foreign travelers arrive, view the lovely islands of the Neva delta, catch a glimpse of the summer cities in the vicinity, and dream, ah, vain dream! that they have also really beheld the Nevsky Prospekt, the great avenue of the realm of the Frost King and the White Tzar!*

* From _Scribner's Magazine_, by permission.

III.

MY EXPERIENCE WITH THE RUSSIAN CENSOR.

In spite of the advantage which I enjoyed in a preliminary knowledge of the Russian language and literature, I was imbued with various false ideas, the origin of which it is not necessary to trace on this occasion. I freed myself from some of them; among others, from my theory as to the working of the censorship in the case of foreign literature. My theory was the one commonly held by Americans, and, as I found to my surprise, by not a few Russians, viz., that books and periodicals which have been wholly or in part condemned by the censor are to be procured only in a mutilated condition, or by surreptitious means, or not at all. That this is not the case I acquired ample proof through my personal experience.

The first thing that an American does on his arrival in St. Petersburg is to scan the foreign newspapers in the hotels eagerly for traces of the censor's blot,--_le masque noir_, "caviare,"--his idea being that at least one half of the page will be thus veiled from sight. But specimens are not always, or even very often, to be procured with ease. In fact, the demand exceeds the supply sometimes, if I may judge from my own observations and from the pressing applications for these curiosities which I received from disappointed seekers. The finest of these black diamonds may generally be found in the inventive news columns of the London dailies and in the flippant paragraphs of "Punch."

Like the rest of the world, I was on the lookout for the censor's work from the day of my arrival, but it was a long time before my search was rewarded by anything except a caricature of the censor himself in "Kladderadatsch." That it was left unmasked was my first proof that that gentleman, individually and collectively, was not deficient in a sense of humor. The sketch represented a disheveled scribe seated three quarters submerged in a bottle of ink, from the half-open cover of which his quill pen projected like a signal of distress. This was accompanied by an inscription to the effect that as the Russian censor had blacked so many other people, he might now sit in the black for a while himself. Perhaps the censor thought that remarks of that sort came with peculiar grace from martinet-ruled Berlin. About this time I received a copy of the "Century," containing--or rather, not containing--the first article in the prohibited series by Mr. Kennan. I made no remonstrance, but mentioned the fact, as an item of interest, to the sender, who forthwith dispatched the article in an envelope. The envelope being small, the plump package had the appearance of containing a couple of pairs of gloves, or other dutiable merchandise. Probably that was the reason why the authorities cut open one end. Finding that it was merely innocent printed matter, they gave it to me on the very day of its arrival in St. Petersburg, and thirteen days from the date of posting in New York. I know that it was my duty to get excited over this incident, as did a foreign (that is, a non-Russian) acquaintance of mine, when he received an envelope of similar plump aspect containing a bulky Christmas card, which was delivered decorated with five very frank and huge official seals, after having been opened for contraband goods. I did not feel aggrieved, however, and, being deficient in that Mother Eve quality which attributes vast importance to whatever is forbidden, I suggested that nothing more which was obnoxious to the Russian government should be sent to me.

But when a foreigner offered the magazine to me regularly, unmutilated, I did not refuse it. When a Russian volunteered to furnish me with it, later on, I read it. When I saw summaries of the prohibited articles in the Russian press, I looked them over to see whether they were well done. When I saw another copy of the "Century," with other American magazines, at the house of a second Russian, I did not shut my eyes to the fact, neither did I close my ears when I was told that divers instructors of youth in Petersburg, Moscow, and elsewhere were in regular receipt of it, on the principle which is said to govern good men away from home, viz., that in order to preach effectively against evil one must make personal acquaintance with it. I was also told at the English Bookstore that they had seven or eight copies of the magazine, which had been subscribed for through them, lying at the censor's office awaiting proper action on the part of the subscribers. What that action was I did not ask at the time, in my embarrassment of riches. It will be perceived that when we add the copies received by officials, and those given to the members of the Diplomatic Corps who desired it, there was no real dearth of the "Century" at any time.

About this time, also, I had occasion to hunt up a package of miscellaneous newspapers, which had lingered as such parcels are apt to linger in all post-offices. In pursuance of my preconceived notions, I jumped to the conclusion that the censor had them, regardless of the contingency that they might have been lost out of Russia. I called to ask for the papers. The official whom I found explained, with native Russian courtesy, that I had come to the wrong place, that office being devoted to foreign matter in book form; but that, in all probability, the papers had become separated from their wrapper in the newspaper department (which was heedless) when they had been opened for examination, and hence it had been impossible to deliver them. Still, they might have been detained for some good reason, and he would endeavor to find some record of them.