Chapter IV (11)

If this had not happened, I should have gone to Italy. In my way down, perhaps you will meet me at Nottingham, and come over with me here. I need not say that nothing will give me greater pleasure. I must, of course, reform thoroughly; and, seriously, if I can contribute to her happiness, I shall secure my own. She is so good a person that--that--in short, I wish I was a better.

TO JOHN MURRAY

_No bid for sweet voices_

Venice, 6 _April_, 1819.

The second canto of Don Juan was sent, on Saturday last, by post, in four packets, two of four, and two of three sheets each, containing in all two hundred and seventeen stanzas, octave measure. But I will permit no curtailments.... You shan't make _canticles_ of my cantos. The poem will please, if it is lively; if it is stupid, it will fail; but I will have none of your damned cutting and slashing. If you please, you may publish _anonymously_; it will perhaps be better; but I will battle my way against them all, like a porcupine.

So you and Mr. Foscolo, etc., want me to undertake what you call a 'great work'? an Epic Poem, I suppose or some such pyramid. I'll try no such thing; I hate tasks. And then 'seven or eight years'! God send us all well this day three months, let alone years. If one's years can't be better employed than in sweating poesy, a man had better be a ditcher. And works, too!--is _Childe Harold_ nothing? You have so many '_divine_' poems, is it nothing to have written a _human_ one? without any of your worn-out machinery. Why, man, I could have spun the thoughts of the four cantos of that poem into twenty, had I wanted to book-make, and its passion into as many modern tragedies. Since you want _length_, you shall have enough of _Juan_, for I'll make fifty cantos....

Besides, I mean to write my best work in _Italian_, and it will take me nine years more thoroughly to master the language; and then if my fancy exist, and I exist too, I will try what I _can_ do _really_. As to the estimation of the English which you talk of, let them calculate what it is worth, before they insult me with their insolent condescension.

I have not written for their pleasure. If they are pleased, it is that they chose to be so; I have never flattered their opinions, nor their pride; nor will I. Neither will I make 'Ladies' books' '_al dilettar le femine e la plebe_'. I have written from the fullness of my mind, from passion, from impulse, from many motives, but not for their 'sweet voices'.

I know the precise worth of popular applause, for few scribblers have had more of it; and if I chose to swerve into their paths, I could retain it, or resume it. But I neither love ye, nor fear ye; and though I buy with ye and sell with ye, and talk with ye, I will neither eat with ye, drink with ye, nor pray with ye. They made me, without my search, a species of popular idol; they, without reason or judgement, beyond the caprice of their good pleasure, threw down the image from its pedestal; it was not broken with the fall, and they would, it seems, again replace it,--but they shall not.

You ask about my health: about the beginning of the year I was in a state of great exhaustion ... and I was obliged to reform my 'way of life', which was conducting me from the 'yellow leaf' to the ground, with all deliberate speed. I am better in health and morals, and very much yours, &c.--

PS. I have read Hodgson's '_Friends_'. He is right in defending Pope against the bastard pelicans of the poetical winter day, who add insult to their parricide, by sucking the blood of the parent of English _real_ poetry,--poetry without fault,--and then spurning the bosom which fed them.

TO THE SAME

_The cemetery at Bologna_

Bologna, 7 _June_, 1819.

... I have been picture-gazing this morning at the famous Domenichino and Guido, both of which are superlative. I afterwards went to the beautiful cemetery of Bologna, beyond the walls, and found, besides the superb burial-ground, an original of a Custode, who reminded me of the grave-digger in _Hamlet_. He has a collection of capuchins' skulls, labelled on the forehead, and taking down one of them, said, 'This was Brother Desiderio Berro, who died at forty--one of my best friends. I begged his head of his brethren after his decease, and they gave it me. I put it in lime, and then boiled it. Here it is, teeth and all, in excellent preservation. He was the merriest, cleverest fellow I ever knew. Wherever he went, he brought joy; and whenever any one was melancholy, the sight of him was enough to make him cheerful again. He walked so actively, you might have taken him for a dancer--he joked--he laughed--oh! he was such a Frate as I never saw before, nor ever shall again!'

He told me that he had himself planted all the cypresses in the cemetery; that he had the greatest attachment to them and to his dead people; that since 1801 they had buried fifty-three thousand persons. In showing some older monuments, there was that of a Roman girl of twenty, with a bust by Bernini. She was a princess Bartorini, dead two centuries ago: he said that, on opening her grave, they had found her hair complete, and 'as yellow as gold'. Some of the epitaphs at Ferrara pleased me more than the more splendid monuments at Bologna; for instance:--

'_Martini Luigi
Implora pace.'
'Lucrezia Picini
Implora eterna quiete_.'

Can anything be more full of pathos? Those few words say all that can be said or sought: the dead had had enough of life; all they wanted was rest, and this they _implore_! There is all the helplessness, and humble hope, and deathlike prayer, that can arise from the grave--'_implora pace_'. I hope, whoever may survive me, and shall see me put in the foreigners' burying-ground at the Lido, within the fortress by the Adriatic, will see those two words, and no more, put over me. I trust they won't think of 'pickling, and bringing me home to Clod or Blunderbuss Hall'. I am sure my bones would not rest in an English grave, or my clay mix with the earth of that country. I believe the thought would drive me mad on my deathbed, could I suppose that any of my friends would be base enough to convey my carcass back to your soil. I would not even feed your worms, if I could help it.

So, as Shakespeare says of Mowbray, the banished Duke of Norfolk, who died at Venice (see _Richard II_), that he, after fighting

Against black Pagans, Turks, and Saracens,
And toiled with works of war, retired himself
To Italy, and there, at _Venice_, gave
His body to that _pleasant_ country's earth,
And his pure soul unto his captain, Christ,
Under whose colours he had fought so long.

Before I left Venice, I had returned to you your late, and Mr. Hobhouse's sheets of _Juan_. Don't wait for further answers from me, but address yours to Venice, as usual. I know nothing of my own movements; I may return there in a few days, or not for some time. All this depends on circumstances. I left Mr. Hoppner very well.... My daughter Allegra was well too, and is growing pretty; her hair is growing darker, and her eyes are blue. Her temper and her ways, Mr. Hoppner says, are like mine, as well as her features: she will make, in that case, a manageable young lady.

I have never heard anything of Ada, the little Electra of my Mycenae.... But there will come a day of reckoning, even if I should not live to see it.... What a long letter I have scribbled!

PS. Here, as in Greece, they strew flowers on the tombs. I saw a quantity of rose-leaves, and entire roses, scattered over the graves at Ferrara. It has the most pleasing effect you can imagine.

TO THE SAME

_In rebellious mood_

Bologna, 24 _Aug_. 1819.

I wrote to you by last post, enclosing a buffooning letter for publication, addressed to the buffoon Roberts, who has thought proper to tie a canister to his own tail. It was written off-hand, and in the midst of circumstances not very favourable to facetiousness, so that there may, perhaps, be more bitterness than enough for that sort of small acid punch:--you will tell me. Keep the _anonymous_, in any case: it helps what fun there may be. But if the matter grow serious about _Don Juan_, and you feel _yourself_ in a scrape, or _me_ either, _own that I am the author. I_ will never _shrink_, and if _you_ do, I can always answer you in the question of Guatimozin to his minister--each being on his own coals.

I wish that I had been in better spirits; but I am out of sorts, out of nerves, and now and then (I begin to fear) out of my senses. All this Italy has done for me, and not England: I defy all you, and your climate to boot, to make me mad. But if ever I do really become a Bedlamite, and wear a strait waistcoat, let me be brought back among you: your people will then be proper company.

I assure you what I here say and feel has nothing to do with England, either in a literary or personal point of view. All my present pleasures or plagues are as Italian as the opera. And, after all, they are but trifles; for all this arises from my 'Dama's' being in the country for three days (at Capofiume). But as I could never live but for one human being at a time (and, I assure you, _that one_ has never been _myself_, as you may know by the consequences, for the _selfish_ are _successful_ in life), I feel alone and unhappy.

I have sent for my daughter from Venice, and I ride daily, and walk in a garden, under a purple canopy of grapes, and sit by a fountain, and talk with the gardener of his tools, which seem greater than Adam's, and with his wife, and with his son's wife, who is the youngest of the party, and, I think, talks best of the three. Then I revisit the Campo Santo, and my old friend, the sexton, has two--but _one_ the prettiest daughter imaginable; and I amuse myself with contrasting her beautiful and innocent face of fifteen with the skulls with which he has peopled several cells, and particularly with that of one skull, dated 1766, which was once covered (the tradition goes) by the most lovely features of Bologna--noble and rich. When I look at these, and at this girl--when I think of what _they were_, and what she must be--why then, my dear Murray, I won't shock you by saying what I think. It is little matter what becomes of us 'bearded men', but I don't like the notion of a beautiful woman's lasting less than a beautiful tree--than her own picture--her own shadow, which won't change so to the sun as her face to the mirror. I must leave off, for my head aches consumedly. I have never been quite well since the night of the representation of Alfieri's _Mirra_, a fortnight ago.

To PERCY BYSSHE SHELLEY

_A trio of poets_

Ravenna, 26 _April_, 1821.

The child continues doing well, and the accounts are regular and favourable. It is gratifying to me that you and Mrs. Shelley do not disapprove of the step which I have taken, which is merely temporary.

I am very sorry to hear what you say of Keats--is it _actually_ true? I did not think criticism had been so killing. Though I differ from you essentially in your estimate of his performances, I so much abhor all unnecessary pain, that I would rather he had been seated on the highest peak of Parnassus than have perished in such a manner. Poor fellow! though with such inordinate self-love he would probably have not been very happy. I read the review of _Endymion_ in the _Quarterly_. It was severe,--but surely not so severe as many reviews in that and other journals upon others.

I recollect the effect on me of the _Edinburgh_ on my first poem; it was rage, and resistance, and redress--but not despondency nor despair. I grant that those are not amiable feelings; but, in this world of bustle and broil, and especially in the career of writing, a man should calculate upon his powers of _resistance_ before he goes into the arena.

Expect not life from pain nor danger free,
Nor deem the doom of man reserved for thee.

You know my opinion of _that second-hand_ school of poetry. You also know my high opinion of your own poetry,--because it is of _no_ school. I read _Cenci_--but, besides that I think the _subject_ essentially _un_ dramatic, I am not an admirer of our old dramatists, _as models_. I deny that the English have hitherto had a drama at all. Your _Cenci_, however, was a work of power, and poetry. As to _my_ drama, pray revenge yourself upon it, by being as free as I have been with yours.

I have not yet got your _Prometheus_, which I long to see. I have heard nothing of mine, and do not know that it is yet published. I have published a pamphlet on the Pope controversy, which you will not like. Had I known that Keats was dead--or that he was alive and so sensitive--I should have omitted some remarks upon his poetry, to which I was provoked by his _attack_ upon _Pope_, and my disapprobation of _his own_ style of writing.

You want me to undertake a great poem--I have not the inclination nor the power. As I grow older, the indifference--_not_ to life, for we love it by instinct--but to the stimuli of life, increases. Besides, this late failure of the Italians has latterly disappointed me for many reasons,--some public, some personal. My respects to Mrs. S.

PS. Could not you and I contrive to meet this summer? Could not you take a run here _alone_?

To LADY BYRON

_A plain statement of facts_

Pisa, 17 _Nov_. 1821,

I have to acknowledge the receipt of 'Ada's hair', which is very soft and pretty, and nearly as dark already as mine was at twelve years old, if I may judge from what I recollect of some in Augusta's possession, taken at that age. But it don't curl,--perhaps from its being let grow.

I also thank you for the inscription of the date and name, and I will tell you why;--I believe that they are the only two or three words of your handwriting in my possession. For your letters I returned; and except the two words, or rather the one word, 'Household', written twice in an old account book, I have no other. I burnt your last note, for two reasons:--firstly, it was written in a style not very agreeable; and, secondly, I wished to take your word without documents, which are the worldly resources of suspicious people.

I suppose that this note will reach you somewhere about Ada's birthday--the 10th of December, I believe. She will then be six, so that in about twelve more I shall have some chance of meeting her;--perhaps sooner, if I am obliged to go to England by business or otherwise. Recollect, however, one thing, either in distance or nearness;--every day which keeps us asunder should, after so long a period, rather soften our mutual feelings, which must always have one rallying-point as long as our child exists, which I presume we both hope will be long after either of her parents.

The time which has elapsed since the separation has been considerably more than the whole brief period of our union, and the not much longer one of our prior acquaintance. We both made a bitter mistake; but now it is over, and irrevocably so. For, at thirty-three on my part, and a few years less on yours, though it is no very extended period of life, still it is one when the habits and thought are generally so formed as to admit of no modification; and as we could not agree when younger, we should with difficulty do so now.

I say all this, because I own to you, that, notwithstanding everything, I considered our reunion as not impossible for more than a year after the separation;--but then I gave up the hope entirely and for ever. But this very impossibility of reunion seems to me at least a reason why, on all the few points of discussion which can arise between us, we should preserve the courtesies of life, and as much of its kindness as people who are never to meet may preserve perhaps more easily than nearer connexions. For my own part, I am violent, but not malignant; for only fresh provocations can awaken my resentments. To you, who are colder and more concentrated, I would just hint, that you may sometimes mistake the depth of a cold anger for dignity, and a worse feeling for duty. I assure you that I bear you _now_ (whatever I may have done) no resentment whatever. Remember, that _if you have injured me_ in aught, this forgiveness is something; and that, if I have _injured you_, it is something more still, if it be true, as the moralists say, that the most offending are the least forgiving.

Whether the offence has been solely on my side, or reciprocal, or on yours chiefly, I have ceased to reflect upon any but two things,--viz. that you are the mother of my child, and that we shall never meet again. I think if you also consider the two corresponding points with reference to myself, it will be better for all three.

To MR. BARFF

_Sympathy with the Greeks_

10 _March_, 1824.

Enclosed is an answer to Mr. Parruca's letter, and I hope that you will assure him from me, that I have done and am doing all I can to reunite the Greeks with the Greeks.

I am extremely obliged by your offer of your country-house (as for all other kindness) in case that my health should require my removal; but I cannot quit Greece while there is a chance of my being of any (even supposed) utility:--there is a stake worth millions such as I am, and while I can stand at all, I must stand by the cause. When I say this, I am at the same time aware of the difficulties and dissensions and defects of the Greeks themselves; but allowance must be made for them by all reasonable people.

My chief, indeed _nine-tenths_ of my expenses here are solely in advances to or on behalf of the Greeks, and objects connected with their independence.

[_Enclosure, translated_]

To S.R. PARRUCA

10 _March_, 1824.

_Sir_,--I have the honour of answering your letter. My first wish has always been to bring the Greeks to agree among themselves. I came here by the invitation of the Greek Government, and I do not think that I ought to abandon Roumelia for the Peloponnesus until that Government shall desire it; and the more so, as this part is exposed in a greater degree to the enemy. Nevertheless, if my presence can really be of any assistance in uniting two or more parties, I am ready to go anywhere, either as a mediator, or, if necessary, as a hostage. In these affairs I have neither private views, nor private dislike of any individual, but the sincere wish of deserving the name of the friend of your country, and of her patriots.

PERCY BYSSHE SHELLEY 1792-1822

To T.J. HOGG

_His first marriage_

[_No date. Postmark_, Rhayader. Summer of 1811.]

MY DEAR FRIEND,

You will perhaps see me before you can answer this; perhaps not; Heaven knows! I shall certainly come to York, but _Harriet Westbrook_ will decide whether now or in three weeks. Her father has persecuted her in a most horrible way, by endeavouring to compel her to go to school. She asked my advice: resistance, was the answer, at the same time that I essayed to mollify Mr. W. in vain! And in consequence of my advice _she_ has thrown herself upon _my_ protection.

I set off for London on Monday. How flattering a distinction!--I am thinking of ten million things at once.

What have I said? I declare, quite _ludicrous_. I advised her to resist. She wrote to say that resistance was useless, but that she would fly with me, and threw herself upon my protection. We shall have £200 a year; when we find it run short, we must live, I suppose, upon love! Gratitude and admiration, all demand that I should love her _for ever._ We shall see you at York. I will hear your arguments for matrimonialism, by which I am now almost convinced. I can get lodgings at York, I suppose. Direct to me at Graham's, 18, Sackville Street, Piccadilly.

Your inclosure of £10 has arrived; I am now indebted to you £30. In spite of philosophy, I am rather ashamed of this unceremonious exsiccation of your financial river. But indeed, my dear friend, the gratitude which I owe you for your society and attachment ought so far to overbalance this consideration as to leave me nothing but that. I must, however, pay you when I can.

I suspect that the _strain_ is gone for ever. This letter will convince you that I am not under the influence of a _strain_.

I am thinking at once of ten million things. I shall come to live near you, as Mr. Peyton.

Ever your most faithful friend.

I shall be at 18, Sackville Street; at least direct there. Do not send more cash; I shall raise supplies in London.

To WILLIAM GODWIN

_An introduction_

Keswick, 3 _Jan_. 1812.

You will be surprised at hearing from a stranger. No introduction has, nor in all probability ever will authorize that which common thinkers would call a liberty; it is, however, a liberty which, although not sanctioned by custom, is so far from being reprobated by reason, that the dearest interests of mankind imperiously demand that a certain etiquette of fashion should no longer keep 'man at a distance from man', or impose its flimsy fancies between the free communication of intellect.

The name of Godwin has been used to excite in me feelings of reverence and admiration. I have been accustomed to consider him a luminary too dazzling for the darkness which surrounds him. From the earliest period of my knowledge of his principles, I have ardently desired to share, on the footing of intimacy, that intellect which I have delighted to contemplate in its emanations.

Considering, then, these feelings, you will not be surprised at the inconceivable emotions with which I learned your existence and your dwelling. I had enrolled your name in the list of the honourable dead. I had felt regret that the glory of your being had passed from this earth of ours. It is not so; you still live, and, I firmly believe, are still planning the welfare of human kind.

I have but just entered on the scene of human operations; yet my feelings and my reasonings correspond with what yours were. My course has been short, but eventful. I have seen much of human prejudice, suffered much from human persecution, yet I see no reason hence inferable which should alter my wishes for their renovation. The ill-treatment I have met with has more than ever impressed the truth of my principles on my judgement. I am young, I am ardent in the cause of philanthropy and truth; do not suppose that this is vanity; I am not conscious that it influences this portraiture. I imagine myself dispassionately describing the state of my mind. I am young; you have gone before me--I doubt not, are a veteran to me in the years of persecution. Is it strange that, defying prejudice as I have done; I should outstep the limits of custom's prescription, and endeavour to make my desire useful by a friendship with William Godwin?

I pray you to answer this letter. Imperfect as may be my capacity, my desire is ardent and unintermitted. Half an hour would be at least humanely employed in the experiment. I may mistake your residence; certain feelings, of which I may be an inadequate arbiter, may induce you to desire concealment; I may not, in fine, have an answer to this letter. If I do not, when I come to London, I shall seek for you. I am convinced I could represent myself to you in such terms as not to be thought wholly unworthy of your friendship; at least, if desire for universal happiness has any claim upon your preference, that desire I can exhibit. Adieu! I shall earnestly await your answer.

To THOMAS HOOKHAM

_A subscription for Hunt_

_February_ 1813.

MY DEAR SIR,

I am boiling with indignation at the horrible injustice and tyranny of the sentence pronounced on Hunt and his brother; and it is on this subject that I write to you. Surely the seal of abjectness and slavery is indelibly stamped upon the character of England.

Although I do not retract in the slightest degree my wish for a subscription for the widows and children of those poor men hung at York, yet this £1000 which the Hunts are sentenced to pay is an affair of more consequence. Hunt is a brave, a good, and an enlightened man. Surely the public, for whom Hunt has done so much, will repay in part the great debt of obligation which they owe the champion of their liberties and virtues; or are they dead, cold, stone-hearted, and insensible--brutalized by centuries of unremitting bondage? However that may be, they surely may be excited into some slight acknowledgement of his merits. Whilst hundreds of thousands are sent to the tyrants of Russia, he pines in a dungeon, far from all that can make life desired.

Well, I am rather poor at present; but I have £20 which is not immediately wanted. Pray, begin a subscription for the Hunts; put down my name for that sum, and, when I hear that you have complied with my request, I will send it you. Now, if there are any difficulties in the way of this scheme of ours, for the love of liberty and virtue, overcome them. Oh! that I might wallow for one night in the Bank of England!

_Queen Mab_ is finished and transcribed. I am now preparing the notes, which shall be long and philosophical. You will receive it with the other poems. I think that the whole should form one volume; but of that we can speak hereafter.

As to the French _Encyclopédie_, it is a book which I am desirous--very desirous--of possessing, and if you could get me a few months' credit (being at present rather low in cash), I should very much desire to have it.

My dear sir, excuse the earnestness of the first part of my letter. I feel warmly on this subject, and I flatter myself that so long as your own independence and liberty remain uncompromised, you are inclined to second my desires.

PS. If no other way can be devised for this subscription, will you take the trouble on yourself of writing an appropriate advertisement for the papers, inserting, by way of stimulant, my subscription?

On second thoughts, I enclose the £20.

To MR. OLLIER

_An article by Southey_

Florence, 15 _Oct_. 1819.

DEAR SIR,

The droll remarks of the _Quarterly_, and Hunt's kind defence, arrived as safe as such poison, and safer than such an antidote, usually do.

I am on the point of sending to you 250 copies of a work which I have printed in Italy; which you will have to pay four or five pounds duty upon, on my account. Hunt will tell you the _kind of thing_ it is, and in the course of the winter I shall send directions for its publication, _until the arrival of which directions, I request that you would have the kindness not_ to open the box, _or, if by necessity it is opened, to abstain from observing yourself or permitting others to observe, what it contains_. I trust this confidently to you, it being of consequence. Meanwhile, assure yourself that this work has no reference, direct or indirect, to politics, or religion, or personal satire, and that this precaution is merely literary.

The _Prometheus_, a poem in my best style, whatever that may amount to, will arrive with it, but in MS., which you can print and publish in the season. It is the most perfect of my productions.

Southey wrote the article in question, I am well aware. Observe the impudence of the man in speaking of himself. The only remark worth notice in this piece is the assertion that I imitate Wordsworth. It may as well be said that Lord Byron imitates Wordsworth, or that Wordsworth imitates Lord Byron, both being great poets, and deriving from the new springs of thought and feeling, which the great events of our age have exposed to view, a similar tone of sentiment, imagery, and expression. A certain similarity all the best writers of any particular age inevitably are marked with, from the spirit of that age acting on all. This I had explained in my _Preface_, which the writer was too disingenuous to advert to. As to the other trash, and particularly that lame attack on my personal character, which was meant so ill, and which I am not the man to feel, 'tis all nothing. I am glad, with respect to that part of it which alludes to Hunt, that it should so have happened that I dedicate, as you will see, a work which has all the capacities for being popular to that excellent person. I was amused, too, with the finale; it is like the end of the first act of an opera, when that tremendous concordant discord sets up from the orchestra, and everybody talks and sings at once. It describes the result of my battle with their Omnipotent God; his pulling me under the sea by the hair of my head, like Pharaoh; my calling out like the devil who was _game_ to the last; swearing and cursing in all comic and horrid oaths, like a French postilion on Mount Cenis; entreating everybody to drown themselves; pretending not to be drowned myself when I _am_ drowned; and lastly, _being_ drowned.

You would do me a particular kindness if you would call on Hunt, and ask him when my parcel went, the name of the ship, and the name of the captain, and whether he has any bill of lading, which, if he has, you would oblige me by sending, together with the rest of the information, by return of post, addressed to the Post Office, Florence.

To MRS. HUNT

_Keats and some others_

[Pisa] 11 _Nov_. 1820.

MY BEST MARIANNE,

I am delighted to hear that you complain of me for not writing to you, although I have much more reason to complain of you for not writing to me. At least it promises me a letter from you, and you know with what pleasure we receive, and with what anxiety we expect intelligence from you--almost the only friends who now remain to us.

I am afraid that the strict system of expense to which you are limited annoys you all very much, and that Hunt's health suffers both from that and from the incredible exertions which I see by the _Indicators_ and the _Examiners_ that he is making. Would to Heaven that I had the power of doing you some good! but when you are sure that the wish is sincere, the bare expression of it may help to cheer you.

The Gisbornes are arrived, and have brought news of you, and some books, the principal part of which, however, are yet to arrive by sea. Keats's new volume has arrived to us, and the fragment called _Hyperion_ promises for him that he is destined to become one of the first writers of the age. His other things are imperfect enough, and, what is worse, written in the bad sort of style which is becoming fashionable among those who fancy that they are imitating Hunt and Wordsworth. But of all these things nothing is worse than ----, in spite of Hunt's extracting the only good stanzas, with his usual good nature. Indeed, _I_ ought not to complain of Hunt's good nature, for no one owes so much to it. Is not the vulgarity of these wretched imitations of Lord Byron carried to a pitch of the sublime? His indecencies, too, both against sexual nature, and against human nature in general, sit very awkwardly upon him. He only affects the libertine: he is, really, a very amiable, friendly, and agreeable man, I hear. But is not this monstrous? In Lord Byron all this has an analogy with the general system of his character, and the wit and poetry which surround hide with their light the darkness of the thing itself. They contradict it even; they prove that the strength and beauty of human nature can survive and conquer all that appears most inconsistent with it. But for a writer to be at once filthy and dull is a crime against gods, men, and columns. For Heaven's sake do not show this to any one but Hunt, for it would irritate the wasp's nest of the irritable race of poets.

Where is Keats now? I am anxiously expecting him in Italy, when I shall take care to bestow every possible attention on him. I consider his a most valuable life, and I am deeply interested in his safety. I intend to be the physician both of his body and his soul, to keep the one warm, and to teach the other Greek and Spanish. I am aware, indeed, in part, that I am nourishing a rival who will far surpass me; and this is an additional motive, and will be an added pleasure.

We are at this moment removing from the Bagni to Pisa, for the Serchio has broken its banks, and all the country about is under water. An old friend and fellow-townsman of mine, Captain Medwin, is on a visit to us at present, and we anxiously expect Keats, to whom I would write if I knew where to address.

Adieu, my dear Marianne. Write soon; kiss all the babes for me, and tell me news of them, and give my love to Bessy and Hunt.

To LEIGH HUNT

_A literary collaboration_

Pisa, 26 _Aug._ 1821.

MY DEAREST FRIEND,

Since I last wrote to you, I have been on a visit to Lord Byron at Ravenna. The result of this visit was a determination, on his part, to come and live at Pisa; and I have taken the finest palace on the Lung' Arno for him. But the material part of my visit consists in a message which he desires me to give you, and which, I think, ought to add to your determination--for such a one I hope you have formed--of restoring your shattered health and spirits by a migration to these 'regions mild of calm and serene air'.

He proposes that you should come out and go shares with him and me, in a periodical work, to be conducted here; in which each of the contracting parties should publish all their original compositions and share the profits. He proposed it to Moore, but for some reason it was never brought to bear. There can be no doubt that the _profits_ of any scheme in which you and Lord Byron engage, must, from various, yet co-operating reasons, be very great. As for myself, I am for the present only a sort of link between you and him, until you can know each other, and effectuate the arrangement; since (to entrust you with a secret which, for your sake, I withhold from Lord Byron) nothing would induce me to share in the profits, and still less, in the borrowed splendour of such a partnership. You and he, in different manners, would be equal, and would bring, in a different manner, but in the same proportion, equal stocks of reputation and success. Do not let my frankness with you, nor my belief that you deserve it more than Lord Byron, have the effect of deterring you from assuming a station in modern literature which the universal voice of my contemporaries forbids me either to stoop or to aspire to. I am, and I desire to be, nothing.

I did not ask Lord Byron to assist me in sending a remittance for your journey; because there are men, however excellent, from whom we would never receive an obligation, in the worldly sense of the word; and I am as jealous for my friend as for myself. But I suppose that I shall at last make up an impudent face, and ask Horace Smith to add to the many obligations he has conferred on me. I know I need only ask.

I think I have never told you how very much I like your _Amyntas_; it almost reconciles me to translations. In another sense I still demur. You might have written another such a poem as the _Nymphs_, with no access of efforts. I am full of thoughts and plans, and should do something, if the feeble and irritable frame which incloses it was willing to obey the spirit. I fancy that then I should do great things. Before this you will have seen _Adonais_. Lord Byron, I suppose from modesty, on account of his being mentioned in it, did not say a word of _Adonais_, though he was loud in his praise of _Prometheus_, and, what you will not agree with him in, censure of the _Cenci_. Certainly, if _Marino Faliero_ is a drama, the _Cenci_ is not--but that between ourselves. Lord Byron is reformed, as far as gallantry goes, and lives with a beautiful and sentimental Italian lady, who is as much attached to him as may be. I trust greatly to his intercourse with you, for his creed to become as pure as he thinks his conduct is. He has many generous and exalted qualities, but the canker of aristocracy wants to be cut out.

JOHN KEATS

1795-1821

To JOHN HAMILTON REYNOLDS

_Burns's cottage_

Maybole, 11 _July_ [1818].

MY DEAR REYNOLDS,

... I am approaching Burns's cottage very fast. We have made continual inquiries from the time we saw his tomb at Dumfries. His name, of course, is known all about: his great reputation among the plodding people is, 'that he wrote a good _mony_ sensible things'. One of the pleasantest means of annulling self is approaching such a shrine as the Cottage of Burns: we need not think of his misery--that is all gone, bad luck to it! I shall look upon it hereafter with unmixed pleasure, as I do my Stratford-on-Avon day with Bailey. I shall fill this sheet for you in the Bardie's country, going no further than this, till I get to the town of Ayr, which will be a nine miles' walk to tea.

We were talking on different and indifferent things, when, on a sudden, we turned a corner upon the immediate country of Ayr. The sight was as rich as possible. I had no conception that the native place of Burns was so beautiful; the idea I had was more desolate: his '_Rigs of Barley_' seemed always to me but a few strips of green on a cold hill--Oh, prejudice!--It was as rich as Devon. I endeavoured to drink in the prospect, that I might spin it out to you, as the silkworm makes silk from mulberry leaves. I cannot recollect it. Besides all the beauty, there were the mountains of Arran Isle, black and huge over the sea. We came down upon everything suddenly; there were in our way the 'bonny Doon', with the brig that Tam o' Shanter crossed, Kirk Alloway, Burns's Cottage, and then the Brigs of Ayr. First we stood upon the Bridge across the Doon, surrounded by every phantasy of green in tree, meadow, and hill: the stream of the Doon, as a farmer told us, is covered with trees 'from head to foot'. You know those beautiful heaths, so fresh against the weather of a summer's evening; there was one stretching along behind the trees.

I wish I knew always the humour my friends would be in at opening a letter of mine, to suit it to them as nearly as possible. I could always find an egg-shell for melancholy, and, as for merriment, a witty humour will turn anything to account. My head is sometimes in such a whirl in considering the million likings and antipathies of our moments, that I can get into no settled strain in my letters. My wig! Burns and sentimentality coming across you and Frank Floodgate in the office. Oh, Scenery, that thou shouldst be crushed between two puns! As for them, I venture the rascalliest in the Scotch region. I hope Brown does not put them in his journal: if he does, I must sit on the cutty-stool all next winter. We went to Kirk Alloway. 'A prophet is no prophet in his own country.' We went to the Cottage and took some whisky. I wrote a sonnet for the mere sake of writing some lines under the roof: they are so bad I cannot transcribe them. The man at the cottage was a great bore with his anecdotes. I hate the rascal. His life consists in fuzy, fuzzy, fuzziest. He drinks glasses, five for the quarter, and twelve for the hour; he is a mahogany-faced old jackass who knew Burns: he ought to have been kicked for having spoken to him. He calls himself 'a curious old bitch', but he is a flat old dog. I should like to employ Caliph Vathek to kick him. Oh, the flummery of a birthplace! Cant! cant! cant! It is enough to give a spirit the guts-ache. Many a true word, they say, is spoken in jest--this may be because his gab hindered my sublimity: the flat dog made me write a flat sonnet. My dear Reynolds, I cannot write about scenery and visitings. Fancy is indeed less than a present palpable reality, but it is greater than remembrance. You would lift your eyes from Homer only to see close before you the real Isle of Tenedos. You would rather read Homer afterwards than remember yourself. One song of Burns's is of more worth to you than all I could think for a whole year in his native country. His misery is a dead weight upon the nimbleness of one's quill; I tried to forget it--to drink toddy without any care--to write a merry sonnet--it won't do--he talked, he drank with blackguards; he was miserable. We can see horribly clear, in the works of such a man, his whole life, as if we were God's spies....

TO RICHARD WOODHOUSE

_The poetic character_

Hampstead, 27 _Oct_. 1818.

MY DEAR WOODHOUSE,

Your letter gave me great satisfaction, more on account of its friendliness than any relish of that matter in it which is accounted so acceptable in the _genus irritabile_. The best answer I can give you is in a clerklike manner to make some observations on two principal points which seem to point like indices into the midst of the whole _pro_ and _con_ about genius, and views, and achievements, and ambition, _et coetera_. 1st. As to the poetical character itself (I mean that sort, of which, if I am anything, I am a member; that sort distinguished from the Wordsworthian, or egotistical sublime; which is a thing _per se_, and stands alone), it is not itself--it has no self--it is everything and nothing--it has no character--it enjoys light and shade--it lives in gusto, be it foul or fair, high or low, rich or poor, mean or elevated--it has as much delight in conceiving an Iago as an Imogen. What shocks the virtuous philosopher delights the chameleon poet. It does no harm from its relish of the dark side of things, any more than from its taste for the bright one, because they both end in speculation. A poet is the most unpoetical of anything in existence, because he has no identity; he is continually in for, and filling, some other body. The sun, the moon, the sea, and men and women, who are creatures of impulse, are poetical, and have about them an unchangeable attribute; the poet has none, no identity. He is certainly the most unpoetical of all God's creatures. If, then, he has no self, and if I am a poet, where is the wonder that I should say I would write no more? Might I not at that very instant have been cogitating on the characters of Saturn and Ops? It is a wretched thing to confess, but it is a very fact, that not one word I ever utter can be taken for granted as an opinion growing out of my identical nature. How can it, when I have no nature? When I am in a room with people, if I ever am free from speculating on creations of my own brain, then, not myself goes home to myself, but the identity of every one in the room begins to press upon me, [so] that I am in a very little time annihilated--not only among men; it would be the same in a nursery of children. I know not whether I make myself wholly understood: I hope enough so to let you see that no dependence is to be placed on what I said that day.

In the second place, I will speak of my views, and of the life I purpose to myself. I am ambitious of doing the world some good: if I should be spared, that may be the work of maturer years--in the interval I will assay to reach to as high a summit in poetry as the nerve bestowed upon me will suffer. The faint conceptions I have of poems to come bring the blood frequently into my forehead. All I hope is, that I may not lose all interest in human affairs--that the solitary indifference I feel for applause, even from the finest spirits, will not blunt any acuteness of vision I may have. I do not think it will. I feel assured I should write from the mere yearning and fondness I have for the beautiful, even if my night's labours should be burnt every morning, and no eye ever shine upon them. But even now I am perhaps not speaking from myself, but from some character in whose soul I now live ...

TO PERCY BYSSHE SHELLEY

_Returning advice_

Hampstead, 10 _Aug_. 1820.

MY DEAR SHELLEY,

I am very much gratified that you, in a foreign country, and with a mind almost over-occupied, should write to me in the strain of the letter beside me. If I do not take advantage of your invitation, it will be prevented by a circumstance I have very much at heart to prophesy. There is no doubt that an English winter would put an end to me, and do so in a lingering, hateful manner. Therefore, I must either voyage or journey to Italy, as a soldier marches up to a battery. My nerves at present are the worst part of me, yet they feel soothed that, come what extreme may, I shall not be destined to remain in one spot long enough to take a hatred of any four particular bedposts. I am glad you take any pleasure in my poor poem, which I would willingly take the trouble to unwrite, if possible, did I care so much as I have done about reputation. I received a copy of the _Cenci_, as from yourself, from Hunt. There is only one part of it I am judge of--the poetry and dramatic effect, which by many spirits nowadays is considered the Mammon. A modern work, it is said, must have a purpose, which may be the God. An artist must serve Mammon; he must have 'self-concentration'--selfishness, perhaps. You, I am sure, will forgive me for sincerely remarking that you might curb your magnanimity, and be more of an artist, and load every rift of your subject with ore. The thought of such discipline must fall like cold chains upon you, who perhaps never sat with your wings furled for six months together. And is not this extraordinary talk for the writer of _Endymion_, whose mind was like a pack of scattered cards? I am picked up and sorted to a pip. My imagination is a monastery, and I am its monk. I am in expectation of _Prometheus_ every day. Could I have my own wish effected, you would have it still in manuscript, or be but now putting an end to the second act. I remember you advising me not to publish my first blights, on Hampstead Heath. I am returning advice upon your hands. Most of the poems in the volume I send you have been written above two years, and would never have been published but for a hope of gain; so you see I am inclined enough to take your advice now. I must express once more my deep sense of your kindness, adding my sincere thanks and respects for Mrs. Shelley. In hope of soon seeing you--

To CHARLES BROWN

_A despairing cry_

Naples, 1 _Nov_. [1820.]

MY DEAR BROWN,

Yesterday we were let out of quarantine, during which my health suffered more from bad air and the stifled cabin than it had done the whole voyage. The fresh air revived me a little, and I hope I am well enough this morning to write to you a short calm letter;--if that can be called one, in which I am afraid to speak of what I would fainest dwell upon. As I have gone thus far into it, I must go on a little;--perhaps it may relieve the load of _wretchedness_ which presses upon me. The persuasion that I shall see her no more will kill me. My dear Brown, I should have had her when I was in health, and I should have remained well. I can bear to die--I cannot bear to leave her. Oh, God! God! God! Everything I have in my trunks that reminds me of her goes through me like a spear. The silk lining she put in my travelling cap scalds my head. My imagination is horribly vivid about her--I see her--I hear her. There is nothing in the world of sufficient interest to divert me from her a moment. This was the case when I was in England: I cannot recollect, without shuddering, the time that I was a prisoner at Hunt's, and used to keep my eyes fixed on Hampstead all day. Then there was a good hope of seeing her again--Now!--O that I could be buried near where she lives! I am afraid to write to her--to receive a letter from her--to see her handwriting would break my heart--even to hear of her anyhow, to see her name written, would be more than I can bear. My dear Brown, what am I to do? Where can I look for consolation or ease? If I had any chance of recovery, this passion would kill me. Indeed, through the whole of my illness, both at your house and at Kentish Town, this fever has never ceased wearing me out. When you write to me, which you will do immediately, write to Rome (_poste restante_)--if she is well and happy, put a mark thus +; if--

Remember me to all. I will endeavour to bear my miseries patiently. A person in my state of health should not have such miseries to bear. Write a short note to my sister, saying you have heard from me. Severn is very well. If I were in better health I would urge your coming to Rome. I fear there is no one can give me any comfort. Is there any news of George? O that something fortunate had ever happened to me or my brothers!--then I might hope,--but despair is forced upon me as a habit. My dear Brown, for my sake, be her advocate for ever. I cannot say a word about Naples; I do not feel at all concerned in the thousand novelties around me. I am afraid to write to her. I should like her to know that I do not forget her. Oh, Brown, I have coals of fire in my breast. It surprises me that the human heart is capable of containing and bearing so much misery. Was I born for this end? God bless her, and her mother, and my sister, and George, and his wife, and you, and all!...

THOMAS HOOD

1799-1845

To CHARLES DICKENS

_American Notes_

17 Elm Tree Road, 12 _Oct_. 1842.

DEAR DICKENS,