Chapter XXVI: Appendix: I (3)

=4.= Daphne to a laurel, Aneau, Ovid, 296; Shakespeare, 297. Death, its mention by Shakespeare, 339, 469. Death and sleep, 469–471. Death’s praises,—life’s evils, 471. Dedalus and his sons, 287. Diana, emblem and symbol in one, 3. Diana of Poitiers, dedication to, 3, 172. Dice an emblem of life, Le Bey de Batilly, 322. Diligence and idleness,—Perriere, 145; Whitney, 146; not followed by Shakespeare, 147. Direct References to Emblems, six in the _Pericles_, 156–188. Di Terra Nova, Duke, emblem, 125. Division into _three_ parts of Emblem-books, from 1500 to 1564, p. 60; into _two_ parts, from 1564 to 1615, p. 84. Dog baying the moon, Shakespeare and Alciat, 269; Whitney and Camerarius, 270; Beza, 271. Dogs not praised by Shakespeare, 145, 483. Dolphin and anchor, Symeoni and Giovio, 16; The device of Titus, and of the Aldi, 16. D. O. M., Whitney and Shakespeare, 464, 465. Doubtful if certain books are Emblem-books, 51, 55. Doves and winged Cupids, Shakespeare and Corrozet, 245. Drake, Sir Francis, compared to Jason, 229. Drake’s ship, Whitney, 413; Shakespeare, 414. Drawing and device or emblem, their difference, 49. Drinking bout of Antony and his friends, 246. Droppes manie pierce the stone, &c., Whitney, 324; Shakespeare and Vænius, 324 Dudley, Ambrose, earl of Warwick, died 1589, p. 238. Dudley, Robert, earl of Leycester, died 1588, p. 238; Whitney’s _Emblems_ dedicated to him, 239. Dupes emblematised, 33. Dust, to write in, Sir T. More, 461; Shakespeare, 460, 461.

=E.=

E, _O. L._ of uncertain origin, 241; _O. L._ from Plato’s works, 710; Francfort, 1602, p. 346; _O. L._, _Dial. of Creatures_, 62, ed. 1520, p. 463.

=1.= _Ecatonphyla_, 1491, centiesme amour, 1536. p. 55.
_Ehrenpforte_, or triumphal arch, about 1515, p. 67.
_Emb. Amat._, Afbeeldinghen, 1611, p. 98.
_Emblemata Evang. ad XII. signa_, 1585, p. 88.
_Emblesmes sur les actions—du Segnor Espagnol_, 1608, p. 93.
_Emblematum Philomilæ Thiloniæ Epidigma_, 1603, p. 95.
Emblem-books, in the tabulated forms, 86–99:—
Dutch or Flemish, 1585, p. 90;
1603–1614, pp. 97, 98.
English, 1569–1586, p. 91;
1591–1612, p. 99.
French, 1568–1588, p. 87;
1595–1614, pp. 93, 94.
German, 1576–1590, p. 90;
1596–1611, p. 97.
Italian, 1566–1589, pp. 86, 87;
1592–1609, p. 92.
Latin, 1568–1590, pp. 88, 89;
1591–1615, pp. 94, 95.
Spanish, 1575–1589, p. 90;
1599–1615, p. 99.
Emblem-books, in Greek; _Tablet of Cebes_, B.C. 390, pp. 12, 68;
Clemens of Alexandria, about A.D. 300, _Stromata_, 21;
Epiphanius, A.D. 367, p. 28;
Horapollo, originally Egyptian, about A.D. 400, p. 22;
translated into Greek by Philip, about A.D. 550, p. 22.
English Emblem-books down to Willet, 1598, p. 119;
_passim_, 91, 99–101.
Epiphanius, A.D. 367, _Physiologus_, 1587, p. 28.
Estienne, Henri, _Anthologia gnomica_, 1579, pp. 88, 89.

=2.= _Eadem inter se_, 384; _Ecce, ancilla domini, fiat mihi_, 46; _Ecce ascendimus Hierosolimam_, 66; _Ecce virgo concipiet et pariet filium_, 46; _Ei qui semel sua prodegerit, aliena credi non oportere_, 189; Εἴξας νικᾶ, 314; _Eloquentia fortitudine præstantior_, 164; _Eloquium tot lumina clausit_, 123; _En ma fin git mon commencement_, 123; _Erant signa in sole et luna_, 48; _Esto tiene su remedio y non yo_, 398; _Ex domino servus_, 276; _Ex malo bonum_, 447; _Ex maximo minimum_, 337.

=3.= Engravers, named, and referred to:—
Amman, Jost, 1564, pp. 74, 85.
Avibus, Gaspar ab, 1558, p. 80.
Bernard, Solomon, 1560, pp. 36, 73.
Bewick, Thomas, 1789, p. 71.
Boissart, Robert, 1590, p. 94.
Bonasone, Giulio, 1555, p. 77.
De Bry, Theodore, 1592, pp. 96, 348.
” John Theod., p. 96.
” John Israel, p. 96.
De Hondt, Jost, 1606, p. 98.
De Hooghe, Romyn, 1670, p. 13.
De Jode, Gerard, 1584, p. 53.
De Passe, Crispin, 1611, pp. 95, 97, also pp. 57, 177.
Durer, Albert, 1509, pp. 65, 67, 73.
Duvet, John, 1561, p. 81.
Feyrabend, Sigismund, about 1581, p. 90.
Fortoul, 1832, p. 71.
Holbein, Hans, 1538, pp. 71, 72.
Koster, Laurens, 1410, p. 46.
Lützenberge, Hans, 1538, p. 72.
Marcolini, Ant. Franc., 1552, p. 76.
Pytheus, named by Pliny, 5.
Raimondi, Marc Ant., 1516, p. 67.
Sadeler, Ægidius, 1600, pp. 96, 98.
Sadeler, John, 96.
Sadeler, Raphael, 96.
Schlotthauer (_Dance of Death_), 1832, p. 71.
Shaeufflein, Hans, 1517, p. 67.
Solis, Virgil, 1555, p. 77;
1560, p. 74.
Stimmer, Tobias, 1576, p. 90.
Stimmer, John Chr., 1591, p. 90.
Van der Borcht, 1591, p. 95.
Van Veen, or Vænius, Otho, 1607, p. 96.
Van Veen, Gilbert, 1607, p. 96.
Veneziano, Zoan And., 1500, p. 55.
Eschenburg’s _Manual class. lit._, 1844, pp. 7, 224.

=4.= Eagle renewing its youth, Camerarius, 368;
Shakespeare, 369, 370.
Edward VI., Emblem-books belonging to him, 121.
Egerton, Lord Chancellor, and Thomas Wilbraham, 467.
Elephant and undermined tree, Sambucus and Whitney, 196.
Elizabeth, Queen, devices, 124;
prayer-book, 137;
lottery, 208;
phœnix, 390;
flattered by Shakespeare, 404.
Elm and vine, Alciat and Boissard, 307;
Whitney and Camerarius, 308;
Vænius and Shakespeare, 309.
Ἔμβλεμα, ἐνβαλλεῖν, pp. 4, 5, 6.
Emblem defined, Cotgrave, Quarles, and Bacon, 1;
Whitney, 6;
Shakespeare, 9;
origin, 9;
definition seldom strictly observed, 30.
Emblems, original meaning, 4;
Chaucer, 7;
kept by Shakespeare and Milton, 9;
changes of meaning, 4;
classical and modern meaning, 4, 5, 11.
Emblem and Symbol, confounded, 1;
difference, 2;
united, 2, 3;
affinity of, 6.
Emblem, the word introduced into Latin, 5;
opposed by Tiberius, 5;
used by Cicero and Quinctilian, 5.
_Emblema nudum_, or bare, without a device or picture, 13, 51;
in Shakespeare, 149–154.
Emblem Artists and Artificers, 5, 20. See also _Engravers_.
Emblem Authors, number before 1616, p. 102;
men of literature and mental power, 102;
estimate in which they were held, 103;
introduce fables, 303.
Emblem-books our theme, 11;
preceded by writings, 119;
_three_ large collections, accessible for this work, at Keir, Stand,
and Thingwall, 86;
number composed from 1564 to 1590, pp. 91, 92;
number of original texts and versions, 770, before 1616, p. 102;
illuminated MS., 38–45, 50;
block books, 46–50.
Emblem Literature,—applied with great latitude; what appears essential
to it, 31;
_Instances_: proverbs and witty sayings, scenes from history,
armorial bearings, 31;
celebration of events, devotion and satire, 32, 33;
politics, 34;
classic poets, 34–36;
great latitude in using the phrase, Emblem Literature, custom the
general guide, 37;
includes ornamental devices in books, 38;
architecture, sculpture, and painting too extensive to be included,
38;
known in Britain, 119–137;
bed of state, with emblems wrought by Mary, Queen of Scots, 123–125;
ancient bed at Hinckley, 126;
painted closet at Hawsted, 127–130;
ancient hall at Lower Tabley, 131;
Drayton’s testimony, 1598, p. 132.
Emblems,—raised or carved figures and designs, a crust or framework, a
mosaic, figured ornaments, 9, 10;
devices on smooth surfaces; any drawing representative of thought,
character, &c.; a species of hieroglyphics, 11;
coins and medals, 13;
heraldry, 14–17;
signs, 17–19;
fictile ornamentation, 19, 20;
works by the silversmith, 20;
hieroglyphics, 21–26;
Christian art, 26, 27.
Emblems classified—by Whitney into _three_ kinds, 187;
for this work into eight divisions, 188:
—historical, 188–211;
heraldic, 212–240;
mythological, 241–301;
for fables, 302–317;
for proverbs, 318–345;
for objects in nature, 346–376;
for poetic ideas, 377–410;
moral and æsthetic, 411–462;
miscellaneous, 463–496.
Emperors:—Maximilian I., 1517, pp. 67, 68;
Charles V., 1517, p. 68;
Maximilian II., 1564, p. 85;
Rodolph II., 1576, pp. 85, 89, 96;
Matthias, and Ferdinand II., 96.
End crowns all; or the end makes all equal, Shakespeare, Messin,
Whitney, Perriere, 320;
Illustrated by chess, Perriere, 320;
Corrozet, 321, 322;
Whitney and Shakespeare, 323.
Engineer hoist with his own petar, from Beza and Le Bey de Batilly,
344;
Shakespeare, 345.
Envy, from Whitney, Alciat, 431, 432;
Shakespeare, 433.
Estridge, ostrich, or falcon? Paradin, 370;
Shakespeare, 371.
Eternity, emblem of, 37;
in Plate XVII., 491;
Horapollo, 491;
Shakespeare, 492.

=F.=

F, _O. L., Nef des folz_, Paris, 1499, xxv., p. vii.

=1.= Fables, German, about 1400, p. 50. See _Boner_. Fabrici, _Delle allusioni, imprese & emblemi_, 1588, p. 87. Faerno, _Fabvlæ centvm_, 1565, pp. 85, 303, 310, 311; quoted, Fox and grapes, 311. Farra, _Settenario dell’ humana riduttione_, 1571, pp. 79, 86. Feyrabend, _Stam und wapenbuch_, 1579, p. 90. _Figures du vieil Test. & du nouuel_, 1503, p. 63. _Figures of the Bible_, 73. Fiorino, _Opera nuova_, &c., 1577, p. 86. Flemish books of emblems, _passim_, and, 90, 97. Franceschino, _Hori Apollinis selecta hieroglyphica_, 1597, p. 94. Fraunce, _Insignium armorum emblematum_, &c., 1588, p. 89. Freitag, _Mythologia ethica_, 1579, p. 88; _Viridiarium mor. phil. per fabulas_, 1594, p. 94. Frellonius, Holbein’s _Historiarum veteris instrumenti_, 1547, p. 72. French Emblem-books, _passim_, and, 87, 93. Furmerus, _De rerum usu et abusu_, 1575, p. 88; Hands of Providence, Plate XVI., 489.

=2.= _Facunda senectus_, 215; _Faire tout par moyen_, 289; _Fatuis levia commitito_, 484; _Feriunt summos fulgura montes_, 475; _Festina lente_, 15; _Ficta ejus quod haberi nequit recusatio_, 310; _Finis coronat opus_, 437; _Fortiter et feliciter_, 221; _Fortitudo ejus Rhodum tenuit_, 124; _Fortuna virtutem superans_, 202; _Fortunæ comites_, 124; _Frons hominem præfert_, 129; _Fronte nulla fides_, 129; _Fructus calcata dat amplos_, 124; _Frustra_, 329, 331.

=3.= Farmer, Dr., on _Pericles_, 156.
Flintner, _Nebulo nebulonum_, 1620, p. 65.
Freitag, quoted for,—
Mouse caught by an oyster, 130;
Ants and grasshopper, 148;
Countryman and serpent, 197;
Fox and grapes, 309;
Phœnix, 381;
Sun, wind, and traveller, 166;
Turkeycock and cock, 356.

=4.= Fables: doubtful if strictly emblems, 51;
The best emblem writers introduce them, 303;
A floating literature, interchanged throughout the world, 302;
Shakespeare’s estimation of them, 303;
Early editions, 303.
Fables, emblems illustrative of, 302–317;
Fly and candle, 151–153;
Sun, wind, and traveller, 164–167;
Elephant and tree, 196;
Countryman and serpent, 197;
Hares biting the dead lion, 304–306;
Elm and vine, or elm and ivy, 307–309;
Fox and grapes, 309–312;
Jackdaw in fine feathers, 312–314;
Oak and reed, 314–316.
Facts in Nature, emblems from, and from the properties of animals,
346–376:
—Frosty Caucasus, 346;
Adamant on the anvil indestructible, 347;
Bear, cub, and Cupid—natural affection, 348–350;
The inhabited, or three-cornered world, 351–353;
Signs of the zodiac, 353–356;
The cock and turkeycock, 356–358;
The vulture, 358;
Bees, types of a well governed people, and of love for our native
land, 358–365;
Falconry, 365–368;
Eagle renewing its feathers, 368;
Ostrich with outspread wings, 370;
Unicorn, type of faith undefiled, 371–373;
Hydra slain by Hercules, 373–375;
Various animals named, 375, 376.
Falconry, from Dr. Drake, 365;
Camerarius and Giovio, 366;
Shakespeare, 367, 368.
Fame armed with a pen, from Junius and Whitney, 445, 446;
Shakespeare, 444, 445.
Fardel on a swimmer, 480, 481.
Ferdinand II., emperor, 96.
Fictile ornamentation, 19, 20.
Fin couronne les œuvres, from Shakespeare, 320–323.
See _End_.
Firmin Didot, 40.
Flower language, emblematical, 18.
Fly and candle. See _Butterfly_.
Forehead, index of the mind, 129.
Fortune, from Corrozet, 261. See _Occasion_.
Fox and grapes, from Freitag, 310;
Faerni, 310;
Whitney, 311;
Shakespeare, 311, 312.
Francis I., impresa, 123, 125, 126.
Friendship after death, 307.
See _Elm and Vine_.
Frosty Caucasus, 346.

=G.=

G, _O. L._, an altered C, from Linacre’s _Galen_, Paris, 1538, p. 543.

=1.= Ganda. See _À Ganda_. German Emblem-books, _passim_, and, 90, 97. _Geschlechtes Buch_, editions 1550, 1580. p. 75. Geyler, _Navicula sive speculum fatuorum_, 1511, and _Navicula penitentiæ_, 1511, several reprints before 1520, —the first book with the imperial privilege, 66; Two German translations, 66; Latin version of _Narren Schyf_, 1498, p. 66. Giovio, _Dialogo dell’ imprese_, or _Ragionamento_, 1555, p. 77; 1574, pp. 14, 15, 16; English version, 1585, p. 77; Menestrier, 79. Giovio, Symeoni, and Domenichi, _Dialogo dell’ imprese_, &c., 1574, p. 78; _Twenty-seven_ editions between 1553 and 1585, p. 78. Glissenti, _Discorsi morali_, &c., 1609, pp. 92, 93. Golding, _Ovid’s Metamorphoses_, 1565, p. 243. Goulart, _Les vrais pourtraits_, 1581, p. 87. Grapheus, _Entry of Philip of Spain_, 1550, p. 75. Grevin, _Emblemes d’ Adrian la Jeune_, 1568, p. 87. Guazzo, _Dialoghi piacevoli_, 1585, p. 87. Gueroult, _Premier livre des emblemes_, 1550, p. 75. Guillim, _A display of heraldry_, 1611, pp. 99, 120. Gulden, _Den gulden winckel_, 1613, p. 98. Guzman, _Triumphas morales_, 1557, p. 90.

=2.= _Gang forward; I am ready_, 14; _Giuramento sparso al vento_, 328.

=3.= Gale’s _Opus mythol._, 13.
_Gentleman’s Magazine_, 126, 208.
German book—the first in pure German,—a book of fables printed in 1461,
p. 50.
Giovio, quoted from,—
Alciat’s device, 211;
Atlas, 245;
Crescent moon, 125, 127;
Dolphin and anchor, 16;
Falconry, 365;
Kingfisher, 392;
Ostrich and iron, 233;
Phœnix, 235;
Salamander, 125, 126.
Giovio and Symeoni, quoted,—Porcupine, 231;
Wrongs on marble, 457.
Golding’s _Ovid_, 1567, p. 243;
Shakespeare indebted to it, 243;
The epithet _golden_, 400.
Gough, on the _Bedford missal_, 1794, p. 44.
Gower’s _Conf. am.—pur reposer_, 7.
Green’s _Never too late_, 1610, p. 128.

=4.= Gem in a ring of gold, by Corrozet, 418; Shakespeare, 419, 420. Gemini, 355. Geography, 350–353; more correct, 415. Glance only, at times, to emblem subjects by Shakespeare, 269, 317. Glyptic art as exemplified in hieroglyphics, 21–26. Gold on the touchstone, by Paradin, 175; Whitney, 178; Crispin de Passe, 177; Shakespeare, 175, 180; Vænius, 179. Golden, the epithet, Douce, Sidney, Golding’s _Ovid_, 400; Bellay, Alciat, 400; Whitney, 401; Peacham, Whitney, 403; Shakespeare, 404. Golden fleece, order of, 228. Gonsaga, Hanibal, saying on surrendering his sword and himself, 138. Good out of evil, Shakespeare and Montenay, 447. Gravella, Cardinal, his impresa, 125, _note_. Greatest out of least, from Anulus, 337; Whitney, 338; Shakespeare, 338, 339. Grecian coins, 13.

=H.=

H, _O. L._, _Nef des folz_, xv., Paris, 1499, p. 187;
Monogram, H. G., a construction, _preface_, xii.

=1.= Haller, _Chartiludium logicæ_, 1507, p. 64.
Held, _Alciat in German_, 1542, p. 70.
Hesius, _Emblemata sacra_, 1581, p. 88.
Hillaire, _Speculum Heroicum ... Homeri_, 1613, pp. 36, 95.
_Historia S. Joan. Euangelist._, block-book, 1420, p. 49;
MS. of, belonged to Henry II., 49.
_Histories of Joseph, Daniel, Judith, and Esther_, earliest printed
book with text and engravings, 1461, p. 45.
Hoffer’s _Icones catecheseos_, 1560, p. 81.
Holbein, _Les simulachres & Historiees faces de la mort_, 1538, pp. 72,
350, 487;
Previous to 1600 at least _fifteen_ editions, 72;
_Historiarum veteris instrumenti icones_, 1538, p. 72;
Spanish, ed. 1543, English, ed. 1549, within the century _twelve_
other editions, 73;
The canoness or nun, 469;
Sleep and death compared, 469, 470;
Wrong done to the soul, 433;
Praises of death, evils of life, 470, 471;
The last judgment, and escutcheon of death, 470.
Hollar, _Dance of death_, 1790, p. 56.
Homeri, _Speculum heroicum_. See _Hillaire_.
Horapollo, account of, 22;
_De sacris notis et sculpturis_, 1551, example, the Phœnix, 22, 23;
Other examples from Leemans and Cory, 24–26 (see _Leemans_ and
_Cory_);
First printed edition by Aldus, 1505, Latin, French, Italian, and
German, before 1535;
_sixteen_ other editions before 1616, p. 64.
_Horatii Emblemata_, 1607 and 1612, p. 36.
Horozco, _Emblemas morales_, 1589, _Symbolæ sacræ_, 1601, p. 90.
Hortinus, _Icones_, 1585, p. 88;
_Emblemata sacra_, 1589, p. 89.
_Hortulus rosarum_, 1499, p. 58.
Hunger, Alciat, _Cum rhythmis Germanicis versus_, 1542, p. 70.

=2.= _Heart of Jesus the well of everlasting life_, 40;
_Homines voluptatibus transformantur_, 250;
_Homo homini Deus_, 283;
_Homo homini lupus_, 280, 283;
_His ornari aut mori_, 222.

=3.= Haechtan’s _Parvus mundus_, 1579, p. 400.
Hallam, on _Pericles_, 157.
Halliwell, on _Astron._, MS., Chetham Library, 42.
Haslewood, reprint _Dialogues of Creatures_, 1816, p. 303.
Hawkins’ Η ΠΑΡΘΕΝΟΣ, 1633, p. 383.
Heraldry, ornamental, 16th century, 1868, p. 14.
Herodotus, the Scythian arrow, mouse, &c., 18;
the phœnix, 382.
Hesiod, shield of Hercules, 20.
Hessells on _Spelen van sinnen_, 81, 82.
Hippocrates, Seven ages of man, 406.
Holbein’s _Simulachres_, the canoness, 469;
Heath and sleep, 469;
Death and fool, 472.
Holland’s _Pliny_, a work of art by Pytheus, to be put on or taken
off,—a literal Emblem, 5;
Hardnesse of a diamant, 348;
The phœnix, 382;
Halcyones, 391.
Homer, _Iliad_, shield of Achilles, 20;
Word Emblem illustrated, 4;
Death not unbecoming the defender of his country, 222;
Insults to Hector’s dead body, 304;
_Odyssey_, Circe, 250.
Hood’s Miss Kilmansegg, to illustrate “golden,” 403.
Horace, conscience, 420, 421;
Circe and Sirens, 251;
Pine-trees in a storm, 490;
The swan, 214;
Time leading the seasons, 490.
Horapollo, quoted, Bees, 358;
Hawk on mummy case, 26;
Lamp burning, 456;
Phœnix, 23;
Star, 25;
Swan, 213;
Thread of life, 454.
Humphrey’s _Hist. of art of printing_, 1867, p. 43;
Plates from block-books, _Biblia pauperum_, 43, 46;
_Ars memorandi_, 45;
_Dance of death_, 469.

=4.= Halcyon. See _Kingfisher_.
Hands of Providence, by Furmer and Coornhert, Plate XVI., 489;
Shakespeare, 489.
“Happe some goulden honie brings,” Whitney, 364;
Shakespeare, 365.
Hares biting a dead lion, _Iliad_, Alciat, Shakespeare, 304;
Alciat, Whitney, 305;
Reusner, 306;
Shakespeare, 306.
Harpocrates, _Silence_, Whitney, 208;
_Pegma_, 209.
See _Lottery_.
Hawk on a mummy case, its meaning, 26.
Hawsted and Hardwick, emblems there, 127–130.
Hen eating her own eggs, Whitney, Sambucus, 411;
Shakespeare, 412.
Henry II. of England, 50.
Henry II. of France, his impresa, 123, 125, 127.
Henry VIII., collection of pictures, 111, 114;
his impresa, 124.
Heraldic Emblems, 212–240;
in three divisions;—
I. Poetic Heraldry, 212–221:—
The swan singing at death, Horapollo, 213;
Virgil, Horace, Pindar, Anacreon, 214;
On death poets take the form of swans, Ovid, Plato, 214;
type of old age eloquent, Aneau, 215;
of the simplicity of truth, Reusner, 215;
fine thought by Camerarius, 217;
insignia of poets, Alciat and Whitney, 218;
Shakespeare combines various of these emblems, or of their spirit,
219–221;
Shakespeare’s beautiful comparison of heraldry, 221.
II. Heraldry of Reward for heroic achievements, 221–230:—
Wreath of chivalry, Whitney, Camerarius, 222;
Shakespeare, 223;
Victors’ crowns, Paradin, 224;
Eschenburg, 224;
Shakespeare, 225–227;
Honours from sovereign princes, Shakespeare, Talbot, 226;
Order of St. Michael, Paradin, 227;
Order of the golden fleece, Paradin, 228;
Argonauts, Whitney, 229;
Phrixus, Alciat, 229;
Whitney, 230;
Beza, 230;
Shakespeare, 230.
III. Imaginative Devices, 231–240:—
Porcupine, Giovio, 231;
Camerarius, 232;
Shakespeare, 232;
Ostrich and iron, Giovio, 233;
Camerarius, 234;
Shakespeare, 234;
Phœnix, Lady Bona of Savoy, Paradin, 234;
Giovio, 235;
Shakespeare, 236;
Bear and ragged staff, Whitney, 236;
Dugdale, 237;
Dudley, 238;
Shakespeare, 239.
Heraldry, Emblems its language, 14, 17, 82;
Its close connection with Emblems, 212;
Beautiful comparison from, 220.
Heraldry of poetry, 212–221.
Heraldry of heroic achievements, 221–230.
Heraldry of imaginative devices, 231.
Hercules, his shield, 20.
Hieroglyphics, their emblem character, 21, 25;
Subjects, 21, 26;
Examples, 24, 26;
Meanings of several, 26.
Hinckley, bed at, with emblems, 126, 127.
Historical Emblems, 188—211:—
Medeia, Alciat, Whitney, 189, 190;
Æneas and Anchises, Alciat and Whitney, 191, 192;
Shakespeare, 192;
Progne, Aneau, Shakespeare, 193, 194;
Sinon, illustrated from Brasidas and his shield, Aneau, 194;
Whitney, 195;
The elephant and undermined tree, Sambucus, 196;
Countryman and viper, Freitag, 197;
Shakespeare, 198;
Siege of Antwerp, Whitney, 199;
Sinon often alluded to by Shakespeare, 200;
Coriolanus, 201;
Death of Brutus, Alciat, Whitney, 201;
Shakespeare, 203, 204;
Characteristics of Brutus and Cassius, 204, 205;
Formidable after death, Alciat, Whitney, 205;
Shakespeare, 207;
The lottery, video et taceo, Whitney, 208;
Costalius, 209;
Shakespeare, 209–211.
Hives of bees, 371. See _Bees_.
Homo homini lupus, Whitney, Chrysostom, 281;
Androclus and the lion, 281;
Shakespeare, 282.
Homo homini Deus, Coustau, 283;
Reusner, 283;
Shakespeare, “in apprehension how like a god,” 284.
Honours from sovereign princes, 226.
Hope, illustrated by Alciat, Paradin, Whitney, and Sambucus, 182–185;
Camerarius, 184;
Spenser, 185.
Human life a theatre, Plate XIV., 405.
Hunterian Museum, Glasgow, the _Tewrdannckh_, 67.
Hydra slain by Hercules, Corrozet, 374;
Shakespeare, 375.

=I.=

I, _O. L._, Giovio’s _Ragionamento_, Venetia, 1556, p. 30; _O. L._, Alciat’s _Diverse Imprese_ (p. 2), Lyons, 1551, p. 84.

=1.= Ieucht, _Den nieuwen Ieucht spieghel_, 1610, p. 98. Italian emblem-books, _passim_, and, 86, 92.

=2.= _Iddio, perche é vecchio, fa suoi al suo essempio_, 136; _Il caos_, 448; _Il fine corona l’opere_, 437; _Illicitum non sperandum_, 182; _Il mal me preme et mi spaventa Peggio_, 124; _Immensi tremor oceani_, 227; _Importunitas evitanda_, 327; _Impotentis vindictæ fœmina_, 193; _Improba siren desidia_, 252; _In astrologos_, 288; _In avaros vel quibus melior conditio ab extraneis offertur_, 280; _In divitem indoctum_, 229; _Industria naturam corrigit_, 256; _Ingenio superat vires_, 126; _In hac spe vivo_, 159, 181, 185; _In morte vita_, 185; _In occasionem_, 259; _In receptatores sicariorum_, 275; _In sinu alere serpentem_, 199; _Insonti qui insidias struit, ipse perit_, 54; _In spe fortitude_, 182; _In statuam Bacchi_, 248; _In studiosum captum amore_, 441; _In temerarios_, 285; _Invidiæ descriptio_, 432; _Ipsa sibi lumen quod invidet aufort_, 124; _Isaac portat ligna sua_, 43.

=3.= Image or symbol of St. Matthew, 48.

=4.= Icarus and ill-fortune, Alciat, 288;
Whitney, 288;
Corrozet, 289;
Shakespeare, 291.
Idiot-fool and death, Holbein and Shakespeare, 472.
Index, General, 543–571.
Indian hieroglyphics, 18.
Industry. See _Diligence and Idleness_, 145.
Introductory lines,—
Whitney, D. O. M., 464;
Shakespeare, 464.
Inverted torch,—
Shakespeare, Symeoni, 171;
Paradin, Whitney, 173;
Shakespeare, 170;
Vænius, 171;
Corrozet, 175.
Io, 245. See _Jupiter_.

J.

=1.= Joachim, Abbot, died 1201; editions 1475, 1515, _Prophetia dello Abbate Joachimo circa le Pontefici & Re_, 67. _Joan. S., Euangelist._, block-book. See _Historia_. Jodelle, _Recueil_, 1558; _Austriacis gentis imagines_, 1558, 1569, 1573, p. 80. John, Don, of Austria, _Notes on Alciat_, 1572, p. 86. Joseph, Daniel, _Judith and Esther_. See _Histories of_, 45. Jovius. See _Giovio._ Junius, _Emblemata_, 1565; and 10 others, 86.

=2.= _Jam satis_, 128; _Jus hospitalitatis violatum_, 357; _Juvenilia studia cum provectiori ætate permutata_, 381.

=3.= Jode, Gerard de, 89, 282, 298, 313. Johnson and Steevens’ _Shakspeare_, 483. Johnson, Dr., 426. Jones, Mr., Chetham Library, on Joachim, 67, 123. Jonson’s testimony to Shakespeare, 496. Junius, quoted:— Fame armed with a pen, 446; Oak and reed, 314; Pelican and young, 395; The caged cat and the rats; The crocodile and her eggs, 303.

=4.= Jackdaw in fine feathers, Camerarius, Æsop, _Microcosme_, Shakespeare, 313. James VI. of Scotland, Beza’s emblems, 122; Epigram on, 122. Janus, two-headed, Alciat, Whitney, 139, 140; Shakespeare, 140. Jar, with Emblems, named by Pliny, 5. Jason, 229, 230. Jove laughs at lovers’ perjuries, Shakespeare, 327; Van Veen, Callimachus, Tibullus, 328; Shakespeare, 328. June, illustration from Spenser, ed. 1616, p. 136. Jupiter and Io, Symeoni, Ovid, Shakespeare, 245, 246.

=K.=

K, _O. L._, Plato’s _Works_ (p. 153), Francfort, 1602, p. 212.

=1.=_Kalendrier des Bergers_, MS., 1330, p. 42; Kindred works in Latin, Italian, and German, 1475, p. 42.

=3.= Kenrick’s _Anc. Egypt_, p. 21. King’s _Vale Royal_, 211. Knight’s _Pictorial Shakspere_, 156; Acknowledging Shakespeare’s acquaintance with Whitney, 396. Kugler’s _Handbuch de geschichte der malerei_, Berlin, 1847, pp. 110, 111, 114.

=4.= Katherine, Queen of France, her emblem, 128.
Keir, near Dunblane, N. B., its library:
—_Astrolabium planum_, 1488, p. 42;
Alciat’s _Emblems_, 1531, p. 69;
_Entry of Philip of Spain into Antwerp_, 1549, p. 75;
Gueroult’s _Premier livre des emblemes_, 1550, p. 75;
Doni’s _Emblem Works_, 1552, 1553, p. 76;
Remark, 86;
Guillim’s _Heraldry_, 100;
_Thirty-five_ original _Emblem Drawings_ by Crispin de Passe, 177.
King-emperor, or master-bee, 359–363.
Kingfisher, Halcyon-days, Ovid, Aristotle, and Pliny, 391;
Giovio, Shakespeare, 392.
Knowledge of Emblem-books in Britain, 119–137.
Koster of Haarlem, about 1430, p. 43;
Earliest engraver of block-books, 1410–1420, p. 45.

=L.=

L, _O. L._, Camerarius (i. 35), Norimberg, 1605, p. #383;
_O. L._, David’s _Veridicus Christianus_ (70), Antverpiæ, 1606, p.
60.

=1.= L’Anglois, _Discours des hierog. Égyptiens_, 1583, p. 87. Le Bey de Batilly, _Emblemata_, 1596, p. 94. Leemans, _Horapollinis Niloi Hierogl._, 1835, examples from, pp. 24, 25. Lefevre, _Emblemes de Maistre A. Alciat_, 1536, p. 70. Le Vasseur, _Devises des Emp. Rom._, 1608, p. 93; _Devises des Rois de France_, 1609, p. 93. _Libri cronicarum_, 1493, p. 56. Locher, _Stultifera navis_, before 1500, Plate IX., 57. Lonicer, J. A., _Stand und Orden_, 1585, p. 90; _Venatus et aucupium icon._, 1582, p. 88. Lonicer, Ph., _Insignia sacræ Cæsaræ maj._, 1579, p. 88. Lydgate’s _Dance of Macaber_, about 1430, p. 56; Hollar’s account, 1790, quoted, 56.

=2.= _La fin couronne les œuvres_, 139, 320, 322; _La fin nous faict tous egaulx_, 321; _La force d’eloquence_, 273; _La guerre doulce aux inexperimentez_, 152; _Latet anguis in herba_, 340; _La vie de Memoire_, 444; _Le chien est retourné à son propre vomissement, et la truie lavée au bourbier_, 144; _Loues triall_, 179; _Lucet et ignescit, sed non rubus igne calescit_, 64; _Lux tua vita mea_, 160; _Lux tua vita mihi_, 160; _L’ymage de Fortune_, 261.

=3.= Langhorne’s _Plutarch_, Timon, 430.
Le Bey de Batilly, quoted:—Adamant on anvil, 347;
Apollo and Christian Muse, 379;
Milo caught in a tree, 344;
Life like a game of dice, 322.
Lindsay, Lord, _Christian Art_, 293;
_Seven Ages_, 407.

=4.= Labour in vain:—Cupid and sieve, Perriere, 329; Shakespeare, 330; A tun with holes, Paradin, Whitney, 331, 332. Laing, D., letter, 1867, Queen Mary’s bed, 123, _note_. Lamp-burning, Horapollo, Shakespeare, 456. Land-jewels of the Netherlands, what, 83. Languages, snatches of, by Shakespeare, 163. Laurel, safety against lightning, Sambucus, 422; Whitney, Camerarius, 423; Shakespeare, 424, 425. Life, its seven ages, Plate XV., 407. Life, evils of, Holbein’s _Simulachres_, Shakespeare, 471. Limbert, Stephen, of Norwich School, 461. Limner’s art in Emblems, 38. Loft, Capel, his opinion of Shakespeare, 106, 107. Logomaniacs, reproved by Cudworth, 103. Lorrain, Card. of, his impresa, 124. Lottery of 1569, Whitney, 208; Shakespeare, 209–211. Louis XI., Order of St. Michael in 1469, p. 227; his impresa, 231. Louis XIV., history of, in medals, &c., 13. Love, its transforming power, Shakespeare, 349.

=M.=

M, _O. L._, Linacre’s _Galen_, f. 35, Paris, 1538, p. 119.

=1.= _Macaber, Dance of_, 14th century, p. 39; ed. 1484, p. 39; _La Danse Macabre_, 1485, and several other editions, 56. Mansion, _Dialogue des creatures moralizie_, 1482, p. 52. Manuel, _El conde Lucanor_, 1575, p. 90. Marquale, _Diverse imprese_, 1547, p. 70. Martin, _Orus Apollo de Ægypte_, 1543, p. 22. Mercerius, _Emblemata_, 1592, p. 94. Mercier, Horapollo, 1551, p. 22. Messin, Boissard’s _Emblêmes_, 1588, pp. 87, 164, 307, 320, 383, 444. _Microcosme, le_, 1562, p. 247. Mignault, or Minos, _Emblemes d’Alciat_, 1583, p. 70; _Omnia Andreæ Alciati Emblemata. Adj. comm._, 1573 and 1581, pp. 71, 79. ΜΙΚΡΟΚΟΣΜΟΣ, _Parvus mundus_, 1579 and 1592, pp. 88, 267. Modius, _Liber ordinis eccl. origo_, 1585, and _Pandectæ triumphales_, 1586, pp. 88, 89. Moerman, _Apologi creaturarum_, 1584, pp. 53, 88; _De Cleyn Werelt_, 98. Montenay. See _De Montenay_. More’s “pageauntes,” 1496, p. 120. Murner, _Chartiludium logicæ_, 1507, p. 64; _Narren Beschwörung_, 1512, 1518, p. 65.

=2.= _Maleficio beneficium compensatum_, 197; _Malè parta, malè dilabuntur_, 128, 502; _Manie droppes pierce the stone_, 324; _Materiam superabat opus_, 124; _Maulvaise nourriture_, 175; _Mea sic mihi prosunt_, 124; _Medio occidet die_, 124; _Mediis tranquillus in undis_, 125, _note_; _Mens immota manet_, 335; _Me pompæ provexit apex,_ 158, 168; _Merces anguina_, 198; ΜΙΚΡΟΝ ΦΡΟΝΤΙΣΑΝΤΕΣ ΣΩΚΡΑΤΟΥΣ, 155; _Moderata vis impotenti violentia potior_, 166; _Mort vivifiante_, 185; _Much rain wears the marble_, 324; _Multiplication de proces_, 374; _Mulier umbra viri_, 468; _Murus æneus, sana conscientia_, 423.

=3.= Magnat, _On flower signs_, 1855, p. 18. Martin, _Shakespeare’s seven ages_, 1848, p. 407. Menestrier, _Philosophia_ and _Judicium_, 1595, pp. 78, 79. _Microcosm_, quoted:—Fortune, 263; Prometheus, 267; Arion, 280; Milo, 298. Mignault, quoted:—Symbols, Coats of Arms, and Emblems, ed. 1581, or 1608, p. 2; Narcissus, 295; Hares and dead lion, 304, 305. Milton, Emblem, 9; _Paradise Lost_, curiously portrayed in _Adams appel_, 1642, p. 132; in Boissard’s _Theatrum_, The fall of Satan, Plate XI., 133. Moerman quoted, Wolf and ass, 53, 54. Moine’s _Devises_, Roy des abeilles, 363. Montalde, P. Horatius, 79. More, Sir T., quoted, 120, 461, 481. Motley, _Dutch Republic_, 81, 82. Mulgrave, _Voyage to the North Sea_, 348.

=4.= Maidens, Hindoo and Persian, and flowers, 18.
Manchester Free Library, Faerno’s _Fables_, 1565, p. 85.
Man, like a wolf, 281;
like a god, 283.
Man measuring his forehead, 129.
Man swimming with a burden, from Perriere, 480;
Whitney, 480;
Shakespeare, 481.
Man’s greatness, Coustau, 283;
Reusner and Shakespeare, 283, 284.
Manuscript Emblem-books, Macaber, 39;
Astronomical, 41;
_Speculum humanæ salvationis_, 42, 44;
Bedford _Missal_, 44;
_Hortulus animæ_, 58;
Crosse, 100;
Eng. Alciat, 101.
Map of the world, Sambucus, 351;
Shakespeare, 352.
Marble, writings on, 457–462.
Marcus Curtius, 5.
Marquetry or mosaic work, in Emblems, 4.
Mary of Lorrain, her impresa, 123.
Mary, queen of Scotland, educated in France, 1548, p. 121;
Bed of state wrought by her with many emblems, 123;
Account of it, 123–125.
Matthias, emperor, 96, 97.
Maximilian I., _Tewrdannckh_ attributed to him, 1517, p. 67;
_Ehrenpforte_ and _Triumphwagen_ in his honour, 67.
Maximilian II., patron of Sambucus, 85.
Maxwell. See _Stirling-Maxwell_.
Mead, Dr., his copy of the _Dance of Death_, 40.
Medeia and the swallows, as shown by Alciat, 190;
Whitney, 190;
Shakespeare, 192.
Mercury and fortune, Alciat, 255;
Mercury charming Argus, Drummond, 123;
Mercury mending a lute, Sambucus, Whitney, 256;
Shakespeare, 257, 258.
Metrical renderings or translations:
Diana, 3;
the Fool, 34;
Wolf and ass, 54;
Oarsman’s cry, 61, 62;
Epigram on James I., 122;
Janus, 140;
Diligence, 145;
Sun of the soul, 161;
Sun and wind, 165;
Inverted torch, 171;
Money, 178;
Hope, 184;
Snake, 198;
Drums, 206;
Wreaths, 222;
Porcupine, 232;
Courage, 233;
Lady Bona, 235;
Wine, 249;
Sloth, 251;
Fortune, 255, 262;
Prometheus, 266;
Dog and moon, 271;
Eloquence, 272;
Assassin, 276;
Actæon, 277;
Arion, 280;
Man to man a god, 283;
Phaeton, 285;
Daphne, 297;
Pegasus, 299;
Insult to Hector, 304;
Dead lion, 306;
Elm and vine, 308;
False feathers, 312;
Ash and reed, 314;
Cupid and the sieve, 330;
Mind unmoved, 335;
Adamant, 348;
Wasps, 360;
Falcon, 367;
Renewed youth, 369;
Unicorn, 372;
Law’s delay, 374;
Glory of poets, 380;
Phœnix, 383;
Alcyone, 391;
King-fisher, 392;
Pelican, 394, 395;
Wounded stag, 398;
Theatre, 405;
State of man, 408;
The hen, 411;
Beauty, 419;
Integer vitæ, 421;
Laurel, 422;
Timon, 428;
Constancy, 436;
Cupid and a ship, 437;
Chaos, 448, 449;
Wrongs on marble, 457;
We flee what we follow, 467;
Ban-dogs, 482;
Riches and poverty, 489.
Michael, St., order of, 1469, p. 227.
Milo, in a tree, De Batilly, 344;
Bull-bearing, Shakespeare;
_Microcosm_, 296.
Minerva superintending the Argo, 20.
Minnesingers, or troubadours, remains of, 1461, p. 50.
Miscellaneous Emblems:
Words and forms of thought, Paris and Helen, 463;
D. O. M., 464, 465;
Time flying, &c., 466–468;
Shadows fled and pursued, 468;
Death and sleep, 469–471;
Death’s fool, 471;
Old time, 473, 474;
Similarity of dedications, 475;
Pine-trees in a storm, 475–477;
Correspondencies in words, 477–479;
Man swimming with a burden, 480;
Ban-dogs, 481–483;
Child and motley fool, 484;
Ape and miser’s gold, 487;
Hands of Providence, 489;
Time leading the seasons, 491;
Eternity, 491.
Montgomerie, Earl of, Shakespeare’s dedication to, 122.
Moral and æsthetic Emblems, allusions to, Corrozet, Montenay, Le Bey de
Batilly, Shakespeare, 411–462:
—Things at our feet, 411–413;
Drake’s ship, 413–415;
Adam in the garden, 415, 416;
Gem in a ring of gold, 417–420;
Conscience, 420–422;
Laurel, safety of, against lightning, 422–425;
Pleasant vices, 425;
Timon of Athens, 426–431;
Envy, 431–433;
Ship tossed on the sea, 434–440;
Student in love, 440–442;
Ruins and writings, 443–445;
Fame armed with a pen, 446;
Good out of evil, 447;
Il Caos, 448;
Chaos, 449–454;
Thread of life, 454, 455;
Lamp burning, 456;
Wrongs on marble, 457–461;
Write in dust, 461;
Higher morality, 462.
Moth and candle, 151–153. See _Butterfly_.
Motley fool and child, 499.
Mouse caught in an oyster, Alciat, Whitney, Freitag, 130.
Mulcaster, of Merchant Tailors’ school, 1561, p. 100.
Music, Shakespeare’s appreciation of, 116.
Mythological characters, Emblems for, 241–301:
—Instances, 243, 244;
Milo, 244;
Cupid’s wings, 245;
Cadmus, 245;
Atlas, 245;
Jupiter and Io, 245;
Bacchus, 246–248;
Circe, 250;
Sirens, 253;
Mercury and Fortune, 255;
Mercury and the lute, 256;
Mercury, 257, 258;
Fortune, or occasion, and opportunity, 258–260;
Fortune, 261;
Fortune on the rolling stone, 263;
Occasion, 263–265;
Prometheus bound, 265–269;
The dog baying at the moon, 270;
Orpheus, 271–274;
Actæon and the hounds, 274–279;
Arion, 279–281;
The contrary sentiment, 281–283;
Phaeton, 284–287;
Dædalus and Icarus, 287–291;
Niobe, 291–294;
Narcissus, 294–296;
Daphne, 296, 297;
Milo, 297;
Pegasus, 298–300.
Mythology, a fruitful source of illustrations, 241;
Open to every one, 242;
Ovid the chief storehouse, 242.

=N.=

=1.= _Narren Beschwörung_, 65. See _Murner_. _Narren Schyff_, 1494, p. 57; Supplied texts for Geyler, 66. See _Brant_. _Navicula_, 1511, p. 66. See _Geyler_. _Navis stultifera_, before 1500, p. 57. See _Locher_. _Nef des dames vertueuses_, 1503, p. 63. See _Champier_. _Nef des folles, selon les cinq sens_, 1501, p. 61. _Nef des princes_, 1502, p. 63. See _Champier_. Nestor, _Histoire des hommes_—_de Medici_, ed. 1564, p. 80. North, _Morall philosophie of Doni_, 1570 and 1601, pp. 76, 91, 120.

=2.= _Ne per morte_, 309; _Nil penna sed usus_, 370; _Nimium rebus ne fide secundis_, 476; _Niuno vecchio, Spaventa Iddio_, 136; _Nobil è quel, ch’ è di virtu dotata_, 366; _Non absque Theseo_, 143; _No pleasure without pain_, 333; _Nous savons bien le temps_, 392; _Nunquam siccabitur æstu_, 125, note; _Nusquam nisi rectum_, 124; _Nusquam tuta fides_, 196.

=3.= _Nebulo nebulonum_, 1620, p. 65. See _Flintner_. North’s _Plutarch_, 1579, Timon of Athens, 426; Epitaph, 430, 431. _Notes and queries_, 1862, p. 67.

=4.=
Napoleon’s return from Elba, 18.
Narcissus, from Mignault, Alciat, 294;
Aneau, Whitney, Shakespeare, 295, 296.
Nature, Emblems from facts in, and from properties of animals, 346–376:
—Natural, one of the divisions of emblems, 346;
Frosty Caucasus, 346;
Adamant indestructible, 347, 348;
Bear and cub, power of love, 348–350;
The inhabited world, 350–353:
Zodiac, 353–355;
Turkey, 356–358;
Vulture, 358;
Commonwealth of bees, 358–365;
Happe goulden honie bringes, 364;
Falconry, 365–368;
Eagle renewing its youth, 369;
Ostrich spreading its wings, 370;
Unicorn, 371–373;
Hercules and dragon, 373–375;
Various animals, 375, 376.
Nemesis and hope, 182. See _Hope_.
Niobe and her children, from Alciat, 292;
Aneau, Whitney, Shakespeare, 293.
Nowell, Dr. Alexander, 395.
Nun, or canoness, Holbein, 469.

=O.=

=1.= _Occulti academici_, &c., 1568. See _Rime_.
Orozco, _Emblemas morales_, 1610, pp. 31, 99.
Ovid, _Heroidum liber_, 1473, p. 242;
_Metamorphoses_, 1480, p. 242;
_M. cum figuris depictis_, 1497, p. 35;
_Metamorphoses_, Spanish, 1494, p. 242;
Italian, 1497, p. 242;
_Metamorphoses_, figurato, &c., 1559, pp. 35, 245;
Plantin’s ed. 1591, p. 246;
Golding’s English translation, 1565 and 1567, pp. 241, 243;
_La bible des poetes_, 242.

=2.= _Orphei musica_, 272; _Otiosi semper egentes_, 146; _O vita misero longa_, 268.

=3.= Oetlinger, _Bibliog. biog. univ._, 97.
Ormerod, _History of Cheshire_, 211.
Ovid, _Metamorphoses_, quoted:—Singular subscription, 242;
Swan, 214;
Circe, 250;
Orpheus, 274;
Actæon, 278;
Phaeton, 284;
Niobe, 291;
Daphne, 296;
Phœnix, 385;
Halcyon, 391;
Wounded stag, 399;
Cupid’s arrow golden, 400;
Chaos, 448;
_2 Trist._, Jove’s thunderbolt, 209.

=4.= Oak and reed, Junius, Shakespeare, Vænius, 315;
Whitney, 316.
Oarsman’s cry, 61, 62.
Occasion, or opportunity, 258;
Alciat, 259;
Whitney, 260;
Shakespeare, 260, 264, 265;
Plate XII., 265.
Old men at death, Shakespeare, 215.
Old time, Shakespeare, 473.
Olive and vine, 249. See _Vine_.
Orange, Prince of, device, 125, _note_.
Order, of St. Michael, 227;
Of the golden fleece, 228.
Ornamentation of houses, Emblems used for, 126–130, 131.
Orpheus, Coustau, 271;
Reusner, Whitney, 272;
Ovid, 274;
Shakespeare, 273, 274.
Ostrich, eating iron, 126;
Giovio, 233;
Camerarius and Shakespeare, 234;
Spreading its wings, Paradin, 370;
Whitney and Shakespeare, 370, 371.

=P.=

P, _O. L._, Alciat’s _Emb._ p. xii., Antverp., 1581, p. 318.

=1.= Palazza, _I discorsi imprese_, &c., 1577, pp. 79, 86. Paracelsus, _Prognosticatio_, 1536, p. 71. Paradin, _Quadrins historiques de la Bible_, 1555, p. 75; _Devises heroiques_, 1557, _Symbola heroica_, 1567, and other editions before 1600, p. 75; English version, 1591, p. 75; Menestrier, 79. Parker, _Tryumphes of Petrarcke_, 1564, p. 55. Passæus, 95, 96. See _De Passe_. Peacham, _Minerva Britanna_, 1612, pp. 99, 100. Percivalle, _Versus et emblemata_, 1588, p. 79. Pergaminus, _Dyalogus Creaturarum_, written in the 14th century,—editions, Latin, 1480, 1483; French, 1482; and English, 1520, pp. 51, 52, 66. Perriere, 60. See _De la Perriere_. Personé, alluded to by Menestrier, 79. Petrarch, _Trionphi_, 1475, 1510, and 1523, p. 55. Pezzi, _La vigna del signore_, 1589, p. 87. Pfintzing, _Tewrdannckh_, 1517; love adventures of Maximilian I. and Mary of Burgundy, 67, 68. Phasianinus, Latin version of _Horapollo_, 1517, p. 64. Philieul, _Dialogue des Devises_, 1561, p. 78. Pierius Valerian, _Hieroglyphica_, 1556, pp. 24, 80. Pignorius, _Vetustissimæ tabulæ_, 1605, 95; _Characters Ægyptii_, 1608, pp. 95, 97; and _Short notes on Alciat_, 1618, p. 71. Pinciano, _Los Emblemas de Alciato_, 1549, p. 70. Pinedi, _Duodecim symbola in Jobum_, 1600, p. 79. Pittoni, _Imprese di diversi principi_, 1566, p. 86. Ponce de Leon, _Epiphanius_, 1587, p. 28. Porri, _Vaso di verita_, 1597, p. 92. Porro, _Il primo libro_, 1589, p. 87.

=2.= _Parfaite est l’amitie qui vit après la mort_, 307; _Partium_ τῆς οἰκουμένης _symbola_, 351; _Patria cuique chara_, 361; _Paupertas immerita_, 489; _Pecunia sanguis et anima mortalium_, 177; _Perfidus familiaris_, 195; _Pennæ gloria immortalis_, 446; _Perpolit incultum paulatim tempus amorem_, 348; _Per vincula crescit_, 123; _Peu à peu_, 349; Φιλαυτία, 295; _Piena di dolor voda de sperenza_, 124; _Pietas filiorum in parentes_, 191; _Pietas revocabit ab orco_, 124; _Piu por dulzura que por fuerza_, 162, 167; _Plus par doulceur que par force_, 165; _Plus virtute quàm armis_, or _Plvs par vertv qve par armes_, 164; _Poetarum gloria_, 379; _Ponderibus virtus innata resistit_, 124; _Porta hæc clausa erit et non aperietur_, 47; _Post amara dulcia_, 332; Πῶς γέροντα μουσίκον, 213; Πῶς λαὸν πειθήνιον βασιλεῖ, 358; _Precipitio senza speranza_, 124; _Precium non vile laborum_, 228; _Principis bona imago_, 143; _Principis clementia_, 360; _Pro lege et grege_, 394; _Propera tarde_, 16; _Prudentes vino abstinent_, 249; _Pur reposer_, 7.

=3.= Palæphatus, on _Actæon_, 278.
Paradin, quoted,—Ape and miser’s gold, 501;
Arrow wreathed on a tomb, 183;
Barrel full of holes, 332;
Butterfly and candle, 151;
Fleece, golden, 228;
Gold on the touchstone, 175;
Leafless trees and rainbow, 128;
Michael, order of St., 227;
Ostrich with stretched wings, 370;
Phœnix, 234, 385;
Snake on the finger, 342;
Stag wounded, 399;
Wheat among bones, 184;
Wreath of chivalry, 169;
Wreath of oak, 224;
Wrongs on marble, 458.
_Penny Cyclopædia_, on _Pericles_, 168;
on the plays of _Henry VI._, 238;
Unicorn, 372.
_Percy Reliques_, Dragon, 373.
Pfister, earliest printed book on scriptural subjects, 1462, p. 45;
Earliest German book, 1461, p. 50.
Pindar, on _Symbol_, 2.
Plantin, 1564–1590, _fifty_ editions of Emblem-books, 85.
Plato, the swan, 214;
king-bee, 359.
Plautus, “_life to me_,” 161.
Plutarch, _Timon of Athens_, 430;
Carking, 468.
Priestley, _Lectures on History_—on Grecian coins, 13.
Proclus, _Seven ages of man_, 407.

=4.= Painters referred to, Romano, 110;
Rubens, 96;
Titian, 111, 114.
Palm-tree, a device on Queen Mary’s bed, 124.
Parallelisms and correspondencies between Shakespeare and emblem
writers, numerous, 494.
Pegasus described, 141–144;
Alciat, 299;
Shakespeare, 300.
Pelican, Epiphanius, 393;
Camerarius and Reusner, 394;
Junius and Whitney, 395;
Shakespeare, 396;
Note in Knight, 396.
Pembroke, earl of, dedication to, 1668, p. 122.
_Pericles_, accepted as of Shakespeare’s authorship, 156, 157, 158;
the triumph-scene, 158;
First knight, _Lux tua vita mihi_, 160–162;
Second knight, _Piu por dulzura que por fuerza_, 162–167;
Third knight, _Me pompæ provexit apex_, 168–170;
Fourth knight, _Quod me alit, me extinguit_, 170–175;
Fifth knight, _Sic spectanda fides_, 175–181#;
Sixth knight, _In hac spe vivo_, 181–186.
Personification, especially in mythology, 258.
Perth, earl of, Emblems in a letter to, 124, _note_.
Phaeton, Ovid, 284;
Alciat, 285;
Symeoni, 284;
Shakespeare, 286, 287.
Philip, duke of Burgundy, 1429, Golden fleece, 228.
Phœnix, emblem for long life; for returning to friends; restoration
after long ages, 23;
Oneliness or loneliness, 235, 236;
Accounts of, 22, 23, 234–236;
Phœnix’ nest, 380;
Emblem of loneliness, Paradin, Giovio, 234, 235;
Shakespeare, 236;
Emblem of duration, Horapollo, 23;
Emblem of new birth, and resurrection, Freitag, 381;
Mary of Lorraine, 123;
Emblem of oneliness, Paradin and Reusner, 385;
Whitney, 387;
Shakespeare, 388–390;
Emblem of life eternal, 386.
Phœnix with two hearts, Hawkins, 383;
the Virgin mother and her son, entire oneness of affection, 384;
Shakespeare, 384.
Phryxus, or Phrixus, 229. See _Golden Fleece_.
Picture writing, 18, 30.
Picture and short poesie, marks of the Emblem, 31.
Pilgrim travelling, Cullurn’s _Hawsted_, 128.
Pine-trees in a storm, Horace, Sambucus, 475;
Whitney, 476;
Shakespeare, 477.
Plate, of emblematical character, 20.
Pleasant vices, their punishment, 425.
Poetic ideas, emblems for, 377–410;
Shakespeare’s splendid symbolical imagery, 377;
Glory of poets, 379, 380;
The phœnix, 381–383;
Phœnix with two hearts, 384;
The bird always alone, 384–390;
Kingfisher, 391–393;
Pelican, 393–398;
Wounded stag, 397–400;
Golden, the epithet, 400;
Death and Love, 404, 405;
Cupid in mid-air, 404;
Human life a theatre, 405, 406;
Seven ages of life, 407–410.
Poet’s badge, Alciat, 218;
Whitney, 217;
Shakespeare, 219.
Poet’s glory, 379;
Le Bey de Batilly, 380;
Shakespeare, 380.
Politics in emblems, _Il Principe_, 34.
Porcupine, Drummond, 124;
Giovio, 231;
Camerarius, Shakespeare, 232.
Portcullis, emblem used by Henry VIII., 124.
Powers granted for noble purposes, Whitney, Shakespeare, 412.
Printing with blocks, 45–49;
with moveable types, 50.
Progne or Procne, Aneau, Shakespeare, 193.
Prometheus bound, Alciat, 266;
Aneau, 267;
_Microcosme_, 267;
Reusner, Whitney, 268;
Shakespeare, 268, 269.
Proverbs, Emblems in connection with, 318–345:
—Proverbs suggestive of narrative or picture, 318;
_La fin couronne les œuvres_, 320–322;
_Manie droppes pierce the stone_, &c., 324;
_To clip the anvil of my sword_, 325–327;
_Jove laughs at lovers’ perjuries_, 328, 329;
_Labour in vain_, 329–332;
_Every rose its thorn_, 332–334;
_True as the needle to the pole_, 334–337;
_Out of greatest least_, 337–339;
_A snake in the grass_, 340, 341;
_Who against us?_ 342, 343;
_Hoist with his own petar_, 343, 344.
Providence, and girdle, 413 (see _Drake’s ship_);
Making poor and enriching, Plate XVI., 489.
Pyramid and ivy, Drummond, 124.

=Q.=

=1.= _Quadrins historiques de la Bible_, 1553–1583, _twenty-two editions_ in various languages_73_. _Quadrins historiques du Genèse_, 1553, p. 73. _Quadrins historiques de l’Exode_, 1553, p. 73.

=2.= _Quæ ante pedes?_ 411; _Quæ sequimur fugimus, nosque fugiunt_, 466; _Quæ supra nos, nihil ad nos_, 260; _Quel che nutre, estingue_, 175; _Que mas puede la eloquençia que la fortaliza_, 164; _Quem nulla pericula terrent_, 347; _Quibus rebus confidimus, iis maxime evertimus_, 344; _Quid nisi victis dolor_, 124; _Qui me alit, me extinguit_, 171–173; _Quis contra nos?_ 126, 342; _Quod in te est, prome_, 395; _Quod me alit, me extinguit_, 170, 174; _Quod nutrit extinguit_, 174; _Quod sis esse velis_, 312; _Quo modo vitam_? 456; _Quo pacto mortem seu hominis exitum?_ 454; _Quo tendis?_ 128.

=3.= Quarles, definition of Emblem, 1. Quinctilian, use of the word Emblem, 5.

=4.= _Qui_ or _quod_, variations in the reading, 174.

R.

R, _O. L._, _Nef des folz_, xlix., Paris, 1499, p. 411; _O. L._, of uncertain origin, p. 531.

=1.= Rabelais, _Les songes drolatiques de Pantagruel_, 1565, p. 86. Rastall, _Dialogue of creatures_, 1520, p. 51. Regiomontanus, or Muller, 1476, p. 42. Regiselmus. See _Joachim_. Reusner, _Emblemata_ 1581, _Aureolorum Emblem._, 1591, pp. 88, 89, 251. _Rime de gli academici occulti_, 1568, p. 86. Rinaldi, _Il mostruosissimo_, 1588, p. 87. Ripa, _Iconologia_, &c., 1603, 1613, p. 92. Riviere, _Nef des folz du monde_, before 1500, p. 57. Rollenhagen, _Les emblemes_, 1611, p. 95; _Nucleus Emblematum_, 1613, p. 97. Ruscelli, _Discorso_, 1556, p. 77; _Imprese illustri_, 1566, p. 78. Rüxner, _Turnier-buch_, 1530, p. 68.

=2.= _Rabie succensa_, 356; _Remember still thy ende_, 320; _Renovata juventus_, 369; _Res humanæ in summo declinant_, 435; _Respice et prospice_, 139; _Rompe ch’ il percote_, 125; _Rore madet vellus_, _Permansit arida tellus_, 47; _Rota vite que septima notatur_, 407.

=3.= Rapin, _History of England_, 1724, p. 122.
_Real museo Borbonico_, 1824, p. 19.
Reusner, quoted:—
Circe, 251;
Hares and dead lion, 306;
Man a god to man, 283;
Orpheus and harp, 272;
Pegasus, 143;
Pelican and young, 394;
Phœnix, 385;
Prometheus, 268;
Serpent and countryman, 197;
Sirens, 252;
Swan, 215, 216;
Unicorn, 371.
Roscoe, _Leo X._, 303.

=4.= Recapitulation and conclusions, 492–495. References and coincidences not purely accidental, 494. References to passages from Shakespeare, in the order of the plays and poems, and to the corresponding devices and subjects of the Emblems, _Appendix_ iii., 531–542. Rhetoric, chambers of, their pursuits and amusements, 81, 82; Extent and nature, 82. Rich and poor, Plate XVI., 489. Rock in waves, Drummond, 125, _note_. Romano, Julio, works known to Shakespeare, 110; Where there are now works of his, 110, 111. Romano, Capitano Girolamo Mattei, 233. Rose and thorn, Whitney, Perriere, 333; Vænius, 333; Shakespeare, 334. Rubens, desciple of Vænius, 96. Rudolph II, 85, 89, 96. Ruins and writings, Whitney and Costalius, 444; Shakespeare, 444, 445; Boissard, 449.

=S.=

S, _O. L._, Giovio’s _Sent. Imp._ 3, Lyons, 1562, pp. 156, 515;
_O. L._, Sambucus (Emb. 232), Antverp., 1564, p. 302.

=1.= Sadeler, _Symbola divina et humana_, 1600, 1601, p. 95; _Theatrum morum_, 1608, pp. 95, 96, 97. Sambigucius, _Interpretatio_, 1556, p. 77. Sambucus, _Emblemata_, 1564, and _Emblêmes de Jehan Sambucus_, 1567, p. 85; Notes by Don John of Austria, 1572, p. 86. Sanctius, or Sanchez, on _Alciat_, 1573, pp. 71, 88. Sassus, referred to by Menestrier, 79. Sceve, _Delie_, 1544, p. 75. Schopperus, Πανοπλία, 1568, and _De omnibus illiberalibus sive mechanicis artibus_, 1574, p. 88. Schrot, _Wappenbuch_, 1581, p. 90. Scribonius, 1550. See _Graphæus_. Sevus, referred to by Menestrier, 79. _Shyp of fooles._ See _Watson_ and _Barclay_. Sicile, _Le blason de toutes armes_, and _Le blason des couleurs_, 1495, p. 58. _Simulachres & historiees faces de la mort_, 1538, p. 71; _Fifteen_ editions, 72, 471. Soto. See _De Soto_. S. (P.), _Heroical devices_, 1591, pp. 75, 120. Spanish Emblem-books, _passim_, and, 70, 90, 99. _Speculum humanæ salvationis_, MS., printed about 1430 by Koster, 43; Description of his edition, 43; Many editions and kindred works before 1500, p. 43; Plates IV. and V., 44. _Spelen van sinne_, allegorical plays, 1539, p. 81. _Stam und wapenbuch_, 1579, p. 31. Stimmer, _Neue kunstliche figuren Biblischen_, 1576, p. 90. Stockhamer, _commentariola_ to Alciat, 1556, p. 70. _Stultifera navis_, previous to 1500, Locher, Riviere, Plate IX., 57; Other versions, 57; Badius, 61. Symeoni, _Vita et Met. d’Ovid._, 1559, pp. 3, 35, 79; _Devises ou emblemes heroiques et morales_, 1561, pp. 15, 16; _Imprese_, 1574, p. 17; _Imprese heroiche et morale_, 1562, p. 78; _Sententiose imprese_, 1562, p. 78.

=2.= _Sa virtu m’attire_, 123; _Scelesti hominis imago & exitus_, 53; _Scribit in marmore læsus_, 457, 458; _Scripta manent_, 443; _Servati gratia ciuis_, 224; _Sibi canit et orbi_, 217; _Sic majora cedunt_, 366; _Sic spectanda fides_, 159, 175, 178; _Si Deus nobiscum, quis contra nos?_, 342; _Si fortuna me tormenta, il sperare me contenta_, 137, 138; _Si fortune me tourmente, l’esperance me contente_, 138; _Silentium_, 208; _Sine justitia confusio_, 449, 450; _Sola facta, solum Deum sequor_, 234; _Sol animi virtus_, 161; _Sola vivit in illo_, 126; _Speravi et perii_, 130; _Spes altera vitæ_, 1833, #184; _Spes aulica_, 182; _Spes certa_, 182; _Spiritus durissima coquit_, 233; _Stultitia sua seipsum saginari_, 310; _Stultorum infinitus est_, 66; _Superbia_, 292; _Superbiæ vltio_, 293.

=3.= Sadeler, _Zodiacus christianus_, 1618, p. 353.
Sambucus, quoted:
—Actæon, 277;
Astronomer, 335;
Ban-dog, 482;
Child and motley fool, 484;
Elephant, 196;
Forehead, 129;
Hen eating her own eggs, 411;
Laurel, 422;
Mercury and lute, 256;
Pine-trees in a storm, 475;
Ship on the waves, 435;
Time flying, 466;
Timon, 427;
World, map of, 351.
Schiller, _Werke_, 199.
Schlegel, on _Pericles_, 157.
Shakespeare quoted, by way of allusion, or of reference to:
—Æsop’s _Fables_, 303;
Actæon, 276, 279;
Adam hiding, 416;
Adamant, 348;
Æneas and Anchises, 191;
Ape and miser’s gold, 488;
Apollo and the Christian muse, 379;
Argonauts and Jason, 230;
Arion, 283;
Astronomer and magnet, 356;
Atlas, 245;
Bacchus, 249;
Ban-dog, 484;
Bear and ragged staff, 237–240;
Bear and cub, 349, 350;
Bees, 361–365;
Bellerophon and chimæra, 300;
Brutus, 201–205;
Butterfly and candle, 153;
Cadmus, 245;
Cannon bursting, 345;
Casket scenes, 149–154, 186;
Cassius and Cæsar, 193;
Chaos, 451–453;
Child and motley fool, 485;
Chivalry, wreath of, 168;
Circe, 252;
Cliffords, 192;
Clip the anvil of my sword, 327;
Commonwealth of Bees, 362–365;
Conscience, power of, 421;
Coriolanus, 201;
and his civic crowns, 226;
Coronation scene, 9;
Countryman and serpent, 197;
Cupid blinded, 331;
Cupid in mid-air, 404;
Daphne, 297;
Death, 469;
Dog baying the moon, 269;
Dogs not praised, 145, 483;
D. O. M., 464, 465;
Drake’s ship, 415;
Drinking bout of Antony and his friends, 246;
Drops pierce the stone, 324;
Dust, to write in, 461;
Eagle renewing its youth, 369;
Elizabeth, queen, 404;
Elm and vine, 309;
Emblem defined, 9;
Emblems without device, 149–151;
End crowns all, 320, 323;
Engineer hoist, 345;
Envy, 433;
Estridge, 371;
Eternity, 491, 492;
Falconry, 367, 368;
Fame armed with a pen, 445, 446;
Fin couronne les œuvres, 320–323;
Fortune, 262;
Fox and grapes, 311;
Frosty Caucasus, 346;
Gem in a ring, 419;
Golden, 400, 404;
Gold on the touchstone, 175, 180;
Golden Fleece, 227;
Good out of evil, 447;
Greatest out of least, 337–339;
Hands of Providence, 489, 490;
Happe some goulden honie bringes, 365;
Hares and dead lion, 304;
Hen eating her own eggs, 412;
Heraldry, 222, 223;
Homo homini lupus, 280, 283;
Homo homini Deus, 283, 284;
Hydra, 375;
Icarus, 291;
Inverted torch, 170;
Jackdaw in fine feathers, 313;
Janus, two-headed, 140;
Jupiter and Io, 246;
Jove laughs at lovers’ perjuries, 328;
King-fisher, 392;
Labour in vain, 331, 332;
Lamp burning, 456;
Laurel, 422–425;
Lottery, 209–211;
Love’s transforming power, 349;
Man with a fardel or burden, 481;
Man’s greatness, 284;
Map of the world, 351, 352;
Medeia, 192;
Mercury, 257, 258;
Michael, order of St., 227;
Milo, 297;
Narcissus, 296;
Niobe, 293, 294;
Oak and reed, 315, 316;
Occasion, or opportunity, 260, 264, 265;
Old Time, 473;
Orpheus, 273, 274;
Ostrich, 234, 371;
Pegasus, 299, 300;
Pelican, 394–397;
Pen, its eternal glory, 447;
_Pericles_,—the triumph scene, 158, 160–186;
Phaeton, 286, 287;
Phœnix, 236, 381–390;
Pine-trees, 477;
Poet’s badge, 218, 219;
Poet’s glory, 379, 380;
Porcupine, 232;
Powers granted for noble purposes, 412;
Progne, 194;
Prometheus bound, 268;
Romano, Julio, 110;
Ruins and writings, 443–445;
Rose and thorn, 333, 334;
Serpent in the breast, 198;
Seven ages of man, 407–410;
Shadows fled and pursued, 468;
Ship in storm and calm, 435–440;
Sirens, 254;
Skull, human, 337–339;
Snake in the grass, 341;
Snake on the finger, 343;
Stag wounded, 397–400;
Student entangled in love, 441;
Sun and wind, 160;
The setting sun, 323;
The swan, 219;
Sword on an anvil, 327;
Sword with a motto, 138;
Testing of gold, 175, 180, 181;
Theatre of life, 405, 406;
Things at our feet, 411, 412;
Thread of life, 454;
Time leading the seasons, 491;
Timon, 427–431;
Turkey and cock, 357, 358;
Unicorn, 371, 372;
Vine and olive, 249;
Whitney’s dedication lines, 464;
Wreath of chivalry, 168;
Wreaths, 222;
Wreath of oak, 225;
Wrongs on marble, 457–462;
Zodiac, signs of, 353.
Shakespeare, acquainted with languages, 106, 107, 168;
with the works of Julio Romano, 110;
and of Titian, 115;
with Emblems, 137, 158, 186.
—Attainments, 106–116;
sufficient for cultivating Emblem literature, 107, 108.
—Dramatic career, 1590–1615, pp. 91, 92;
An Emblem writer, 148, 154, 493;
Genius, 105;
Judgment in works of art,—sculpture, 109, 110;
ornament, 111;
painting, 112–115;
melody and song, 115, 116.
—Knowledge of ancient history and customs, 105, 106, 225, 226;
Marks of reading and thought, 242;
Tendency to depreciate his attainments, 105;
Use of term Symbol, 2;
Device, 8;
Emblem, 9.
_Shepheards calender_, Spenser, 134–137, 186.
Siegenbeek, _Geschiedenis der Nederlandsche letterkunde_, 82.
Smith, _Dictionary of Greek and Roman Antiquities_, 10.
Sotheby, _Principia typographica_, 1858, pp. 48, 49.
Spenser, ideas of devices, 8;
Early sonnets, 88;
Visions, 134;
_Shepheards calender_, 134, 136, 185;
Ban-dogs, 481.
_Stamm Buch_, 1619, Adam hiding, 416.
Statius, badges, 47.
Suetonius, _Tiber. Cæsaris vita_, 5.
_Symbola divina et humana_, 1652, p. 176.
Symeoni, quoted:—Ape and miser’s gold, 486;
Butterfly and candle, 153;
Chaos, 448;
Creation and confusion, 35;
Diana, 3;
Dolphin and anchor, 16;
Forehead shows the man, 129;
Inverted torch, 171;
Phaeton, 284;
Serpent’s teeth, 245;
Wounded stag, 398;
Wrongs on marble, 457.
_Syntagma de symbolis_, 2.

=4.= Saint Germain, fair at, imprese, 124, _note_. Salamander, impresa of Francis I., 123, 125. Satan, fall of, Boissard, 1596, Plate XI., 132, 133. Satire in Emblems, 33. Saviour’s adoption of a human soul, Vænius, Plate II., 32. Savoy, duke of, his impresa, 124; Madame Bona of, her device, 235. Sepulchre and cross, Diana of Poitiers, 183. Serpent and countryman, Freitag, Reusner, 197; Serpent in the bosom, Shakespeare, 198. Seven ages of man, Arundel MS., 406; Hippocrates, Proclus, Antonio Federighi, Martin, Lady Calcott, 407; Block-print described, Plate XV., 407, 408; Shakespeare, 409, 410. Shadow, fled and pursued, Whitney, 467; Shakespeare, 468. Shield untrustworthy. See _Brasidas_. Shields of Achilles, Hercules, Æneas, &c., 20. Ship, with mast overboard, Drummond, 124; Ship on the sea, Drummond, 125; Ship tossed by the waves, Sambucus, Whitney, 435; Ship sailing forward, Whitney, Alciat, 436; Boissard, 437; Shakespeare, 438–440. Sieve held by Cupid, 340. See _Cupid_. Silent academy at Hamadan, 17. Silversmiths, their craft and emblems, 20. Similitudes and identities in literature, 302. Sinon, 194–200; Virgil, 194; Whitney, 195, 196, 199; Shakespeare, 200. Sirens,—Alciat, 253; Whitney, 254; Shakespeare, 254. Six direct references to Emblems in the _Pericles_ of Shakespeare, 156–186. Skiff of foolish tasting, Badius, 1502, p. 61. Skull, human, Aneau, Whitney, 337; Shakespeare, 338, 339. Snake in the grass, Paradin, Whitney, 340; Shakespeare, 341. Snake on the finger, Paradin, 342; Whitney, Shakespeare, 343. Soul, its hieroglyphic sign, 25, 26. Spanish motto, 162, 164, 167. _Speculum humanæ salvationis_, Plates IV. and V., 44. Stag wounded, Giovio and Symeoni, 398; Paradin, Camerarius, Virgil, Ovid, Vænius, 399; Shakespeare, 399, 400. Stage, the world a, 409. See _Seven ages_. Star, its hieroglyphic meaning, 25. Statuary and architecture excluded, 11. Stirling-Maxwell, Bart., of Keir, De Bry’s _Stam und wapenbuch_, 1593, p. 32; ΜΙΚΡΟΚΟΣΜΟΣ, by Costerius, 98. See also _Keir_. Stork, emblem of filial piety, &c., 28; Epiphanius and Alciat, 28. Student in love, Alciat, Whitney, 441; Shakespeare, 442. Subjects of the Emblem _Imprese_, &c., 515–530. Sun and moon, in dialogue, 52. Sun of York, 223; Sun in eclipse, 124; Sun setting, Whitney, 323; Sun, wind, and traveller, Corrozet, 165; Freitag, Shakespeare, 166. Swan singing at death, Æschylus, Horapollo, 213; Virgil, Horace, 214; Old age eloquent, Aneau, 215; Pure truth, Reusner, 216; Camerarius, 217; Insignia of Poets, Alciat, Whitney, 218; Shakespeare, 219, 220. Sword with motto, 138. Sword on anvil, Perriere, 326; Whitney, 327; Shakespeare, 325, 327. Sword to weigh gold, Drummond, 124. Symbol, more exact use, Pindar, Æschylus, Cudworth, Shakespeare, 2. Symbols and Emblems, almost convertible terms, 1; yet a difference, 2. Symbolic properties of animals, 28. Symbolical imagery, fine example of, 377.

=T.=

T, _O. L._, _Nef des Folz_. 7, Paris, 1499, p. xiii.