Chapter XXVII: Appendix: I (4)

=1.= Taëgius, referred to by Menestrier, 79. Tambaco, _Speculũ-paciẽtierum_, 1509, p. 65. Tasso, Torq., _Discorsi del poeme_, 79, 92. Tasso, Herc., referred to by Menestrier, 79. Taurellius, _Emblema physico-ethica_, 1595, pp. 94, 96. _Tewrdannckh_, in honour of Maximilian I., dedicated to Charles V., splendid volume, 67. _Théatre des animaux_, 93. See _Desprez_. _Todtentanz_, the original editions, 1485 to 1490, not by the Holbeins, 56. Trebatius, Latin version of _Horapollo_, 1515, p. 64. _Triumphwagen_, 67. See _Durer_. Troiano, _Discorsi delli triomfi_, 1568, p. 86. _Turnier-buch_, 68. See _Durer_. _Typotius_, 1601–1603, p. 95. See _Sadeler_.

=2.= _’t Geld vermagalles_, 177; _Temere ac pericvlose_, or _Temerité dangerevse_, 152; _Tempus irrevocabile_, 36, 490; _Tempus omnia terminat_, 323; _Te stante virebo_, 124; _Time terminates all_, 323; _Trino non convenit orbis_, 124; _True as needle to the pole_, 334; _True as steel_, 337.

=3.= Tennyson, _Elaine_, 30. Tibullus, on lovers’ vows, quoted, 328. Timperley, _Dictionary of printers_, 1839, pp. 44, 56. Titian, _Triumph of truth and fame_, 32; his paintings, 111, 114. Tod, remarks on Spenser, 137.

=4.= Tabley, Cheshire, ancient hall of the Leycesters, with emblem, 131. Talbot, earl of Shrewsbury, 207, 227. Theatre, human life, Boissard, Plate XIV., 405; Shakespeare, 406. Theological conjecture, a curious, 383. Thieves, so triumph, 319. Things at our feet, Whitney, Sambucus, 411; Types of powers to be used, Shakespeare, 412. Thingwall, the emblem library there, 86. Thompson, H. Yates, of Thingwall, 5, 44. Thread of life, Horapollo, 454; Shakespeare, 455. Time flying, Sambucus, 466; Whitney, 467; Plutarch, 468; Shakespeare, 468, 469; Turning back, Shakespeare, 473. Time leads the seasons, Vænius, Horace, Plate XVII., 491; Shakespeare, 491. _Timon of Athens_, Dr. Drake, 426; North, Plutarch, Sambucus, 426, 427; Shakespeare, 428, 429; Epitaph, 430; Mode of death, 431. Titus, son of Vespasian, his emblem, 16. Tongue with bat’s wings, Cullum and Paradin, 128. Tree of life, 126. See _Arrow wreathed_. Tree in a churchyard, Drummond, 124. Triangle, sun and circle, Drummond, 124. Triumph scene in the _Pericles_, 1589, pp. 160–186. _Tronus Cupidinis_, De Passe, 348. Trophy on a tree, Drummond, 124. True as needle, Sambucus, 334; Whitney, 335; Shakespeare, 336; lode stars, 336. True as steel, 337. True men so yield, 319. Truth, an emblem so named, 20. Turkeycock, Freitag, Camerarius, 357; Shakespeare, 358.

=U.=

=1.= Ulloa, Alphonsus, 1561, Menestrier, 79.

=2.= _Unde_, 124, note;
_Undique_, 123;
_Unica semper avis_, 385;
_Unum quidem, sed leonem_, 124;
_Ut casus dederit_, 124;
_Ut parta labuntur_, 128;
_Utilia prudenti, imprudenti futilia_, 53.

=4=. Ulysses and Diomed as an emblem, 5.
Unicorn, 371;
Reusner, Brucioli, _Penny Cyclopædia_, and Camerarius, 372;
Shakespeare, 373.

V.

=1.= Vænius, 93; _Zinnebeelden_, 1603, p. 98; _Q. Horatii Fl. Emblemata_, 1607 & 1612, pp. 36, 95; _Amorum Emblemata_, Latin, English, and Italian, 1608, pp. 95, 99; _Amorum Emblemata_, Spanish, 1608, pp. 99, 122; _Amoris Divini Emblemata_, 1615, pp. 32, 99. Valence, _Emblesmes—du Segnor Espagnol_, 1608, pp. 93, 94. Valerian, 80. See _Pierius_. Vander Noot’s _Theatre_, &c., 1568, pp. 87, 91. Van Ghelen, Flem. trans. _Navis stultorum_, 1584, p. 90. Van Vischer, _Sinnepoppen_ (Emblem play), 1614, p. 98. Verdier, trans. into French, _Imagini_, &c., 1581, p. 87. Villava, _Empresas Espirituales_, &c., 1613, p. 99. Virgil Solis, 85; _Libellus sartorum_, 1555, p. 77; _Figures for the New Testament_, and _Artistic book of animals_, between 1560 and 1568, p. 85. _Volucribus, de, sive de tribus columbis_, MS., 13th century, 44.

=2.= _Vel post mortem formidolosi_, 205; _Veritas armata_, 123; _Veritas invicta_, 264; _Via, veritas, vita_, 462; _Victrix animi equitas_, 314; _Victrix casta fides_, 371; _Video et taceo_, 208; _Vigilantia et custodia_, 210; _Vina coronal_, 101; _Vincit qui patitur_, 315; _Violentior exit_, 154; _Vipera vim perdet, sine vi pariente puella_, 47; _Virgo salutatur, innupta manens gravidatur_, 47; _Virtuti fortuna comes_, 211; _Vine ut viuas_, 444; _Volat irrevocabile tempus_, 36, 494; _Voluptas ærumnosa_, 277; _Vijt Adams appel Sproot, Ellende Zonde en Doodt_, 132.

=3.= Vænius, quoted, Butterfly and candle, 152;
Christian Love presenting the soul to Christ, Plate II., 32;
Conscience, 421;
Cupid felling a tree, 324;
Elm and vine, 308;
Fortune, 263;
Rose and thorn, 333;
Ship sailing, 437;
Time leading the seasons, Plate XVII., 490, 491;
Two Cupids at work, 179;
Venus dispensing Cupid from his oaths, 328;
Wounded stag, 399;
_Amorum Emblemata_, Latin, English, and Italian, 179, 437.
Van der Veen, _Adams appel_, 1642, Plate X., 132.
Van Hooghe, _Frontispiece of Cebes_, 1670, p. 13.
Virgil, _Æneid_, Bees, 359;
Circe, 251;
Crests, 14;
Shield of Æneas, 20;
Sinon, 194;
Stag wounded, 398;
Swan, 214;
_L’Eneide de Virgile_, Lyons, 1560, p. 36.

=4.= Van Hooft, illustrious Dutch poet, 98. Varieties of Emblems, 18; great, 34. Vases with emblems, Warwick, 10; Italo-Græco, 19. Venus dispensing Cupid from his oaths, 328. Verard, 1503, publisher of _Les figures_, &c., 63. Vine and olive, Whitney, Alciat, 249. Vine watered with wine, Drummond, 124. Volvelle, astrological, 42. Vostre, Simon, of Paris, printer, 39.

=W.=

W, _O. L._, Symeoni’s _Vita d’ Ovidio_, Lyons, 1559, p. 1.

=1=. Watson, _Shyppe of Fooles_, 1509, pp. 57, 65, 119. Whitney, _Choice of Emblemes_, 1586, pp. 91, 120. Willet, _Sacrorum Emblematum Centuria_, 1598, pp. 99, 100, 119, 120. Wohlgemuth, _Libri cronicarum_, 1493, p. 56. Wyrley, _True use of armorie_, 1592, pp. 99, 100.

=2.= _Wat den mensch aldermeest tot’ conste verwect?_, 82; _Where the end is good, all is good_, 437; _With manie blowes the oke is ouerthrowen_, 324.

=3.= Walcott, _Sacred Archæology_, 1868, p. 27.
Waller, master-bee, 363.
_Wedgwood, Life of_, fictile ornament, 19.
Whitney, _Fac-simile Reprint_, 1866, p. 172;
Emblems quoted by Knight to illustrate _Hamlet_, 396.
Whitney, quoted:—Definition of Emblems, 6;
Actæon, 278;
Adam hiding, 416;
Æneas bearing Anchises, 191;
Ants and grasshopper, 148;
Ape and miser’s gold, 128, 487;
Arion and the dolphin, 281;
Astronomer and magnet, 335;
Bacchus, 248;
Ban-dog, 483;
Barrel with holes, 332;
Bear and ragged staff, 236;
Bees, 361, 364;
Brasidas, 195;
Brutus, 202;
Chaos, 450;
Child and motley fool, 484;
Circe, 251;
Cupid and death, 402;
Diligence and idleness, 146;
Dog baying the moon, 270;
D. O. M., 464;
Drake’s ship, 413;
Elephant, 196;
Elm and vine, 308;
Envy, 432;
Fame armed with a pen, 446;
Fardel on a swimmer, 480;
Fleece, golden, 229, 230;
Forehead, 129;
Fox and grapes, 311;
Gold on the touchstone, 178;
Hares and dead lion, 305;
Harpocrates, silence, 208;
Hen eating her own eggs, 412;
Hope and Nemesis, 182;
Icarus, 288;
Introductory lines, D. O. M., 464;
Inverted torch, 173;
Janus, 139, _note_;
Laurel, 423;
Lottery in London, 208;
Medeia, 190;
Mercury and lute, 256;
Mouse and oyster, 130;
Narcissus, 295;
Niobe, 293;
Oak and reed, 315;
Occasion, 260;
Orpheus, 272;
Ostrich stretching out its wings, 370;
Pelican, 395;
Phœnix, 387;
Pine-trees in a storm, 476;
Prometheus, 267;
Rose and thorn, 333;
Ruins and writings, 443;
Serpent in the bosom, 199;
Shadows, 468;
Ship tossed by the waves, 435;
Ship sailing forward, 436;
Sirens, 254;
Skull, 338;
Snake in the grass, 340;
Snake on the finger, 342;
Student entangled, 441;
Sun setting, 323;
Swan, of poets, 217;
Sword on an anvil, 327;
Time flying, 467;
Vine and olive, 249;
Wreaths on a spear, 222;
Wrongs on marble, 460.
Wrangham, _Plutarch_, 431.

=4.= Walker, Rev. T., 462.
Waves and siren, 125, _note_;
Waves with sun over them, 125.
Wheat among bones, Paradin, 183;
Camerarius, 184;
Boissard and Messin, 185.
Wheel rolling into the sea, 124.
Whitehall, collection of paintings there, founded by Henry VIII. and
Charles I., 111.
Who against us? Paradin and Whitney, 342;
Shakespeare, 343.
Wilbraham, Tho., Esq., the old English gentleman, 467.
William III., history of, in medals, 14.
Wings and feathers scattered, 124.
Wolf and ass, a fable, 52–54.
Woltmann, _Holbein and his time_, Death’s fool, 471;
Shakespeare’s mistakes as to costume, 106.
Woodcock, so strives the, with the gin, Shakespeare and Æsop, 319.
Words and forms of thought, some, the same in Whitney and Shakespeare,
463.
World, inhabited, three-cornered, earth the centre, Brucioli, 350;
Sambucus, 351;
No. America, 351, 352;
Shakespeare, 52;
Three-nooked world, 353.
World a stage, 133.
Wreath of chivalry, Paradin, 169;
Shakespeare, 168, 170.
Wreath of oak, Paradin, 224;
Shakespeare, 225, 226.
Wreaths of victory, Whitney, Camerarius, 222;
Shakespeare, 222, 223;
Paradin, 224.
Writings remain, Whitney, 443;
Boissard, 444;
Shakespeare, 444, 445.
Wrongs on marble, Symeoni, 457;
Paradin, 458;
Shakespeare, 459, 460;
Whitney, 460;
Origin of the sentiment, 460;
Sir T. More and Columbus, 461;
Nobler sentiments, 462.

X.

Xenophon’s _Cyropædia_, king bee, 359.

=Y.=

Y, the letter, an emblem of life, 320.

Yates, Joseph B., _Alciat_, MS., 1610, p. 101;
_Sketch of Emblem-books_, 4, 5;
Silver emblem, 5;
Dedication Plate to, p. v.

=Z.=

Zainer, _Das helden buch_, 1477, p. 55. Zeb, Dr., of the Silent Academy, 17. _Zinne-beelden, oft Adams appel_, Plate X., 132. Zisca, named by Alciat and Whitney, 206. Zodiac, signs of, Sadeler, Brucioli, Plate XIII., 353; Shakespeare, 353–355. Zuingerus, _Icones_, 1589, p. 89.

COLOPHON.

_Ex literarum studiis immortalitatem acquiri._

BRADBURY, EVANS, AND CO., PRINTERS, WHITEFRIARS.

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Transcriber’s Note

The table at the end of this note summarizes any corrections to the text that have been deemed to be printer’s errors. Proper names have been mostly allowed to stand as well, given the vagaries of spelling and translation in the originals, with the exception of Diane of Poi[c]tiers, whose name is consistently spelled without the ‘c’, save in the one instance noted.

The paragraph at the bottom of p. 19, beginning with ‘For the nature of Fictile ornamentation...’ ends with a double quotation mark which is unmatched. It is not clear where the quotation begins, since the passage seems to be partly paraphrasing. The quotation has been allowed to stand.

The spelling of the emblem-writer ‘Cœlius’ in the General Index disagrees with that given in the table on p. 89 as ‘Cælius’.

The index entry for the Latin phrase _Malè parta, malè dilabuntur_ includes a reference to p. 502, where it is not mentioned. The emblem associated with the phrase appears on p. 487. The incorrect page reference was retained, but a link is provided to the correct location.

p. 5 n. 9 [“]Quidam ... Added.

p. 79 Bartholo[æm/mæ]us Taëgius Transposed.

p. 129 of his temper and inclination.[”] Added.

p. 174 PERICLES, PRINCE OF TYRE,” was first Added.
pu[b]lished

p. 183 n. 106 used by Diana of Poi[c]tiers Removed.

p. 257 [“]O thou great thunder-darter of Added.
Olympus

p. 271 Of an instrume[u/n]t Corrected.

p. 545 Brucioli’s _Trattato della sphera_, Corrected.
1543, Zodiac, Plate [XIV/XIII].,
353.

p. 562 Pignorius, _Vetustissimæ tabulæ_, Added.
1605[, 95];

p. 564 Rubens, d[e/i]sciple of Vænius Corrected.

p. 565 _Servati gratia [av/ciu]is_ Corrected.

p. 566 Dramatic c[e/a]reer, 1590–1615 Corrected.

End of Project Gutenberg's Shakespeare and the Emblem Writers, by Henry Green