Chapter VII: , 240

rests on the Antithesis of the Practical and Inner Life 147-56.
The Contrast traced through the action of the play 156-67
relations at the beginning of the play 156-8
first impulse to crime from Macbeth 156
the Temptation 158-61
the meeting after their separate temptations 160-1
the Deed 161-3
the Concealment 163-5
the Nemesis 165-7.

_Macbeth_, other Characters in.
Banquo: his attitude to the supernatural compared with Macbeth's
154, 159, 263
the attempt against Banquo and Fleance the end of Macbeth's success
and beginning of his failure 127
binds together the Rise and Fall 137
Macbeth's exultation over it 153
the Banquo Action balances the Macduff Action 129
gives unity to the Rise 127-9
partakes the triple form of the whole play 142.
Fleance: _see_ Banquo.
Lennox 128, 163.
Macduff: massacre of his family 130, 141
his position in the scene with Malcolm 140, 247
the Macduff Action balances the Banquo Action 129
gives unity to the Fall 129-30
partakes triple form of the whole play 142
example of Oracular Action 265-6.
Malcolm 139, 247.
The Porter 253.
The Witches 129, 134, 135, 136, 137, 139, 141
their use to rationalise Macbeth's Infatuation 262
an example of the Supernatural intensifying human action 263-4
their different behaviour to Macbeth and Banquo 263-4
their exact function in the play 264
the Witches Action an Enveloping Action 295, 143
partakes the triple form of the whole play 143.

_Macbeth_, Incidents and Scenes in:
Witches Scene 158-9, 263-4
Apparitions Scene 130, 135, 140
Ghost Scene 165-6, 247
Proclamation of Cumberland 135, 151, 260
Dagger Scene 153, 247
Discovery Scene 163
Flight of Duncan's Sons 139, 164, 261
Macduff with Malcolm in England 140, 247
the Sleep-walking 166-7
Final Combat 261.

_Macbeth_, Movement of: its four Stages 158-67
The Temptation 158-61
The Deed 161-3
The Concealment 163-5
The Nemesis 165-7.

_Macbeth_, Plot of: the interweaving of Nemesis and Destiny 127 and