Chapter XIV: Part 14

The wind, howling round the tower, pressed against the narrow windows covered with oiled linen. The cypress forest, which on all sides descended from our peak into the valleys, gave forth a continuous moan. Every instant the candle-light threatened to go out. The very tower seemed to be trembling, like Antonio, in awe of the secret about to be revealed. For a while my poor friend could say nothing. Seated in his rich disguise on a bench worn smooth by men whose tombs were crumbling, he leaned forward beneath the burden of his thoughts, and the long locks of his wig hung down as if to veil the disorder of his features.

Finally he began:

"In the year fifteen hundred my family still called this place their home. There were only two of them left, two brothers, the older bearing the title Lord of Manzecca. The younger brother was that Antonio di Manzecca whose portrait you saw on the wall of my apartment in the city. It is to him, as you observed, that I bear so close a resemblance.

"In a hill-castle not far away lived another family, the Foscone.

"The Lord of Foscone, a widower, had only one child left, a daughter seventeen years old. Her name was Fiammetta. Even in Florence it was said that to the north, amid the wilderness of cypress-trees, there dwelt a maiden whose beauty surrounded her with golden rays like a nimbus."

I remembered our entrance into this castle, my first glimpse of the woman awaiting us in the middle of the hall, and the glow of light around her that appeared to be a radiance expanding from her person.

But my friend continued:

"Between the two castles there was friendly intercourse. It was presumed that the Lord of Foscone would presently give his daughter in marriage to the Lord of Manzecca. Fate, however, determined that Fiammetta and Antonio di Manzecca, the younger brother, should fall in love with each other.

"Need I describe to you the fervor of that passion in the Italian springtime, at a period of our history when all the emotions were terrific in their force?

"At night, Antonio di Manzecca would slip away to the Castle of Foscone. She would be waiting for him on the platform outside her chamber, above the ramparts, overlooking the path across the hills. It chanced that by the aid of vines and fissures in the masonry he could climb the castle wall almost to that platform--almost near enough, indeed, to touch her finger-tips. Unhappily, there was nothing there to which she could attach a twisted sheet. So thus they made love--she bending down toward him, he clutching with toes and hands at the wall, her whispers making him dizzier than his perilous posture, her tears falling upon his lips through a space so little, yet greater than the distance between two stars.

"But almost everything is discovered. Antonio's meetings with Fiammetta became known to his elder brother.

"One evening Fiammetta, from the high platform, saw Antonio approaching while it was still twilight. All at once he was surrounded by servants of his own house, who had been waiting for him in ambush. Before he could move, half a dozen daggers sank into his body. Amid the thorns and nettles he sprawled lifeless, under the eyes of his beloved. As the assassins dragged his body away, there burst from the platform a prolonged peal of laughter.

"Fiammetta di Foscone had gone mad."

* * * * *

At that tragedy, at least, I was not surprised. The Italy of the Renaissance was full of such episodes--the murderous jealousy of brothers, the obedient cruelty of retainers, the wreckage of women's sanity by the fall of horrors much more ingeniously contrived than this. What froze my blood was the anticipation gradually shaping in my mind. I felt that this was the prelude to something monstrous, incredible, which I should be forced to believe.

"She had gone mad," my friend repeated, staring before him. "She had, in other words, lost contact with what we call reality. To her that state of madness had become reality, its delusions truth, and everything beyond those delusions misty, unreal, or non-existent."

His voice died away as he looked at his hands with an expression of disbelief. He even reached forward to touch my knee, then sighed:

"You will soon understand why I am sometimes possessed with the idea that I am dreaming."

And he resumed his tale:

"Antonio di Manzecca was buried. His elder brother found a wife elsewhere. The Lord of Foscone married again, and by that marriage had other children. But still his daughter Fiammetta stood nightly on the platform of the Castle of Foscone, gazing down at the hill path, waiting for her Antonio to climb the wall and whisper his love.

"Now she only lived in that state of ardent expectancy. The days and weeks and months were but one hour, the hour preceding his last approach to her. Every moment, in her delusion, she expected him to end that hour by coming to her as young as ever, to find her as winsome as before. In consequence, time vanished from her thought. And in vanishing from her thought, time lost its power over her.

"Her father died; but Fiammetta still kept her vigil, in appearance the same as on the evening of that tragedy. A new generation of the Foscone grew old in their turn, but Fiammetta's loveliness was still perfect. In her madness there seemed to be a sanity surpassing the sanity of other mortals. For by becoming insensible to time she had attained an earthly immortality, an uncorrupted physical beauty, in which she constantly looked forward to the delight of loving.

"So she went on and on----"

The tower shook in terror of the gale, and we shook with it, in terror of this revelation. My thoughts turned toward the woman below, who had smiled at us from that aura of physical resplendency. I felt my hair rising, and heard a voice, my own, cry out: "No, no!"

"Yes!" Antonio shouted, fixing his hands upon my arms. We were both standing, and our leaping shadows on the wall resembled a combat in which one was struggling to force insanity upon the other. He went on speaking, but his words were drowned in a screaming of vast forces that clutched at the tower as if in fury because the normal processes of nature had been defied. Would those forces attain their revenge? Was the tower about to thunder down upon the Castle of Manzecca, annihilating her and us, the secret and its possessors? For a moment I would have welcomed even that escape from thinking.

"Yes," he repeated, releasing my arms and sitting down limply on the bench. "As you anticipate, so it turned out."

I was still able to protest:

"Admitted that this has happened elsewhere, to a certain degree. In Victorian England there lived a woman whose love-affair was wrecked and whose mind automatically closed itself against everything associated with her tragedy, or subsequent to it. In her madness she, too, protected herself against pain by living in expectation of the lover's return. Because that expectation was restricted to her girlhood, she remained a girl in appearance for over fifty years. Fifty years, that is comprehensible!"

"The principle is the same," said Antonio, wearily. "Every mental phenomenon has minor and major examples. But I will tell you the rest.

"The Foscone, also, finally moved to Florence. Their castle was left in the care of hereditary servants, devoted and discreet. On that isolated hilltop no chance was afforded strangers to solve the mystery of the woman who paced the high platform in the attire of another age. Was there, in the Foscone's concealment of the awesome fact, a medieval impulse, the ancient instinct of noble houses to defend themselves against all forms of aggression, including curiosity? Or was it merely the usual aversion to being identified with abnormality? Some abnormality is so terrifying that it seals the loosest lips.

"Now and then, to be sure, some servant's tongue was set wagging by wine, or some heir of the Foscone confided in his sweetheart. But the rumor, if it went farther, soon became distorted and incredible, amid the ghost-stories of a hundred Italian castles, palaces, and villas. I myself found hints in the archives of my family, yet saw in them only a pretty tale, such as results when romantic invention is combined with pride of race.

"But I was destined to sing another tune.

"Not long ago, the last of the Foscone's modern generation passed away. There came to me an old woman-servant from the castle. It was Nuta, whom you saw below as we entered.

"Why had she sought me out? Because, if you please, in the year fifteen hundred one of my family had brought this thing to pass. It seemed to Nuta, the fact now being subject to discovery by the executors of the estate, that the care of her charge devolved upon me.

"At first I believed that old Nuta was the mad one. In the end, however, I accompanied her to the castle. At dusk, concealed by the cypresses, I discerned on the platform a face that seemed to have been transported from another epoch just in order to pierce my heart with an intolerable longing. I fell in love as one slips into a vortex, and instantly the rational world was lost beyond a whorl of ecstasy and fright.

"I regained Florence with but one thought: how could she be restored to sanity, yet be maintained in that beauty which had triumphed over centuries? As I entered my apartment I saw before me the portrait of that other Antonio di Manzecca, whom I so closely resembled, whom she had loved, whose return she still awaited. I stood there blinded by a flash of inspiration.

"At midnight my plan was complete."

* * * * *

As he paused, and the conclusion became clear to me, I was taken with a kind of stupor.

"A few days later," he said, "as she stood gazing down through the twilight, a man emerged from the forest, in face and dress the image of that other Antonio di Manzecca. At his signal, servants in the old-time livery of the Manzecca appeared with a ladder, which they leaned against the ramparts. He set foot upon the platform. Her pallor turned deathlike; her eyes became blank; she fainted in his arms. When she recovered she was in the Castle of Manzecca.

"That shock had restored her reason.

"Now everything around her very artfully suggested the sixteenth century--the furniture, the most trivial utensils, the costume of the humblest person in the castle. Nuta attended her. The convalescent was told that she had been ill in consequence of the attack on her lover, but that he, instead of succumbing, had been spirited away and stealthily nursed back to health. Again whole, he had returned to avenge himself on his brother, whom he had killed. Meanwhile her father had died. Therefore she had been brought from the Castle of Foscone to the Castle of Manzecca to enjoy the protection of her Antonio, whom she was now free to marry.

"All this was what she wanted to believe, so she believed it."

But Antonio's face was filled with a new distress. He rose, to pace the floor with the gestures of a man who realizes that he is locked in a cell to which there is no key.

"In the restoration of her mind," he groaned, "my own peace of mind has been destroyed. Even this love, the strangest and most thrilling in the world, will never allay the heartquakes that I have brought upon myself.

"With her perception of time restored, she will now be subject to time like other mortals. As year follows year, her youthfulness will merge into maturity, her maturity into old age, here in this castle, where nothing must ever suggest that she has attained a century other than her own. For me that means a ceaseless vigilance and fear. My devotion will always be mingled with forebodings of some blunder, some unforeseen intrusion of the present, some lightning-like revelation of the truth to her."

At that he broke down.

"Ah, if that happened, what horror should I witness?"

The gale sounded like the hooting of a thousand demons who were preparing for this man a frightful retribution. Yet even in that moment I envied him.

To her beauty, which had bewitched me at my first sight of her, was added another allurement--the thought of a magical flight far beyond the boundaries imprisoning other men. If romance is a striving toward something at once unique and sympathetic, here was romance attained. Moreover, in embracing that exquisite personification of the Renaissance, one might add to love the glamour of a terrible audacity. And the addition of glamour to love has always been one of the most assiduously practised arts.

* * * * *

At the bottom of the winding tower staircase, in the doorway of the hall where she had greeted us, we paused to compose ourselves.

"At least," Antonio besought me, "when in doubt, remain silent."

We entered the hall. Under a wooden gallery adorned with carved and tinted shields the supper-table was laid.

They awaited us, shimmering in their fantastic finery--the ladies Laura and Lina, my old friends Leonardo and Leonello, and the ineffable Fiammetta di Foscone. The visitors' cheeks seemed hectic from the excitement of the hour; but her face was flushed, her eyes shone, for her own reasons. As I approached her my heartbeats suffocated me. Yes, I would have taken Antonio's place and shouldered all his terrors! Before me the fair conqueror of time disappeared in a haze, out of which her voice emerged like a sweet utterance from beyond the tomb.

"You are pleased with the castle, messere?"

As I was striving to respond, Antonio said to her, half aside, in that quaint species of Italian which he had used before:

"He speaks our language with difficulty, Madonna, and in a dialect. This disability will embarrass him till he finds himself more at home."

"Then let us sup," she exclaimed. "For since this new custom of a third meal has become fashionable in Florence, no doubt you are all expiring of hunger. So quickly does habit become tyrannous, especially when it involves a pleasure."

In some manner or other I seated myself at the table.

The servants bore in, on silver platters, small chickens garnished with sugar and rose-water, a sort of galantine, tarts of almonds and honey, caramels of pine-seed. From the gallery overhead came the tinkle of a rota, a kind of guitar. The musician produced a whimsical tune suggesting a picnic of lords and ladies in the garden of an antique villa, where trick fountains, masked by blossoms, drenched the unwary with streams of water. But in the chimney of the great, cold fireplace behind my back the wind still growled its threats; the voice of Nature still menaced these audacious mortals, who were celebrating the humiliation of her laws.

Beyond the candle-light the beauty of Fiammetta di Foscone became blinding. In her there was no sign of an unnatural preservation, as, for example, in a flower that has been sustained, yet subtly altered, by imprisonment in ice. Nor did her countenance show in the least that glaze of time which changes, without abating, the fairness of marble goddesses surviving for us from remote ages of esthetic victory. But wait; she was not an animated statue, nor any product of nature other than flesh and blood! And the flesh, the glance, the whole person of this creature from another era, expressed a glorious young womanhood. I was lost in admiration, pity, and dread. For over this shining miracle hovered the shadow of disaster. One could not forget the countless menaces surrounding her.

If she should grasp the truth, if all of a sudden she should realize her disaccordance with the world of mortals, what would happen to her before our eyes? Would she succumb instantly? Or would she first shrivel into some appalling monstrosity? This deception could not last forever. Might it not end to-night?

Did the others have similar premonitions?

Their smiles seemed tremulous and wan, their movements constrained and timorous. All their efforts at gaiety were impeded by the inertia of fear. At every speech the lips of Lina and Laura quivered, the hands of Leonello and Leonardo were clenched in a nervous spasm. Antonio controlled himself only by the most heroic efforts.

What a price to pay for an illusion of happiness that was destined to a ghastly end! Yet I would still have paid that heavy price exacted from Antonio.

Fiammetta di Foscone became infected by our nervousness. At one moment her mirth was feverish; at another, a look of vague uneasiness crossed her face. Was our secret gradually penetrating to her subconscious mind? Was she to learn the fact, and perish of it, not because of bungling word or action on our part, but merely from the unwitting transmission of our thoughts?

The others redoubled their travesty of merriment. They voiced the gossip of a vanished society; the politics, fashions, and scandals of old Florence. One heard the names of noble families long since extinct, accounts of historic escapades related as if they had happened yesterday. Fiammetta recovered her animation.

Her dewy eyes turned to Antonio. Her fingers caressed her betrothal-ring, which was like the wedding-ring of the twentieth century. And in this hall tricked out with lies, amid these guests and servants who were the embodiment of falsehood, an oppressing atmosphere of dread was clarified, for a moment, by the strength and delicacy of her love.

They discussed the virtues of the Muses, the plagiarisms of Petrarch, the wonders of astrology. Her uneasiness revived. In a voice more musical than the rota in the gallery, she asked:

"My dear friends, would you attribute to some planetary influence a feeling of strangeness that I receive at times, even from the air? I demand of you whether the air does not have an unfamiliar smell to-night?"

There was a freezing moment of silence.

"It is this great wind," muttered Leonardo, "that has brought us new air from afar."

"Every place has its smell," was Leonello's contribution. "It is natural that the Castle of Manzecca should smell differently from the Castle of Foscone."

Antonio thanked his friends with an eloquent look.

"True," she assented, pensively, "every spot, every person, is surrounded by its especial ether, produced by its peculiar activity. This house, not only in its smell, but in its tenor of life, and even in its food, differs vastly from my own house, which, nevertheless, is just across the hills."

Antonio drained his goblet at a gulp. He got out the words:

"We are provincial, we Manzecca. Like a race apart."

"All old families, jealous of their integrity, are the same," ventured Laura, who looked, nevertheless, as if she were about to faint.

"Or maybe," mused Fiammetta, "it is because I have been ill that things perplex me, and sometimes startle me by an effect of strangeness. There are moments when even the stars look odd to me, and when the countryside, viewed from the tower above us, is bewildering. In one direction I see woods where I should have expected meadows; in another direction, fields where I should have expected woods. But then, I now view the countryside from a tower other than my own, and see in a new aspect that landscape with which I thought myself so well acquainted. Does that explain it?"

How touching, how pitiable, was her expression, half arch, half pleading, and so beautiful! "Oh, lovely and terrible prodigy!" I thought, "draw back; banish those thoughts; or, rather, no longer think at all--for you are on the edge of the abyss!"

Antonio spoke with difficulty:

"Dearest one, do not pain me by mentioning that illness of yours. Do not pain yourself by dwelling on it in your mind. The past with all its misfortunes is gone forever. Let us live in the present and contemplate a future full of bliss."

A quivering sigh of assent and relief went round the supper-table. But Fiammetta protested:

"I should not care to forget the past. It contained too much happiness. The hours at twilight, when I waited on the platform of the Castle of Foscone, and you clambered up the wall, are not for oblivion! Do you remember, Antonio, how you once brought with you a bunch of little damask roses, which you tossed up to me while clinging to the masonry? Those roses became my treasure. The sweetest one of them I locked in a tiny silver box which I kept always by me. That box came with me from the Castle of Foscone. The key is lost; but you shall open it with your dagger, and learn how I have cherished an emblem of that past which you ask me to forget."

With a rare smile, she drew from the bosom of her gown a very small coffer of silver, its chiseling worn smooth by innumerable caresses. Poor soul! it was in her bosom that she had cherished this pretty little box, more cruelly fatal than a viper.

Antonio, his jaws sagging, rose half-way out of his chair, then sank back, speechless and livid. Unaware, eager, and imperious, Fiammetta demanded:

"A dagger!"

Too late Antonio managed to put out a shaking hand in protest. Already a fool of a servant had presented his dirk to her. In a twinkling--before we could stop her--Fiammetta had pried back the lid.

The silver box, its oxidized interior as black as ink, contained, in place of the damask rose that had bloomed in the year fifteen hundred, only a few grains of dust.

* * * * *

There was no sound except from the wind, which yelled its devilish glee round the castle and in the chimney of the fireplace.

She had risen to her feet. In her eyes, peering at the little coffer, bewilderment gave place to dismay. But in our faces she found a consternation far surpassing hers.

"Only dust?"

Antonio distorted his mouth in a vain effort to speak. At last, with a frantic oath, he swept the silver box into the fireplace, where it fell amid the brush-wood and inflammable rubbish piled ready for lighting under the big logs.

Fiammetta had tried to stop him. Under her clutching hand, his fur-trimmed sleeve had slipped up, exposing his forearm. She was staring at his forearm.

"The scar?" she whispered. "Was it not here, when you raised your arm to shield yourself against them, that you caught the first knife-thrust? How long does it take for such a scar to pass entirely away?"

Lina and Laura sank back in their chairs. Leonello averted his face. Leonardo turned away. Again Antonio tried to speak. The terror that held us in its grip was communicated to Fiammetta di Foscone.

Her countenance became bloodless. Her teeth chattered. She murmured:

"What is happening to me? I am so cold!"

She sank down, amid billows of violet-colored silk, between Antonio's arms, before the fireplace. Her veil, confined by the band of pearls and amethysts, did not seem as white as her skin.

There was a hysterical babble of voices:

"She is dead! No, she has swooned! Bring vinegar! Rub her hands! Light the fire!"

Then ensued a jostling of guests and servants, who crowded forward to poke a dozen lighted candles at the brush-wood. In the midst of this confusion Fiammetta sat before the hearth, her eyes half closed, her head rolling against Antonio's shoulder, her throat, framed by the little ruff, palpitating like the breast of an expiring dove. She was in the throes of the emotions that had been at last transferred from our minds to hers and that she was doubtless on the point of comprehending.

The brush-wood caught fire. At that flicker her eyelids opened. She leaned forward. Under the brush-wood, already writhing in flames, was the fragment of a modern Italian newspaper. One plainly saw the title, part of a head-line, and the date.

Fiammetta di Foscone read the date.

As Antonio and I, between us, lifted her into a chair, she kept repeating to herself, in a soft, incredulous voice, the date. And so badly had our wits been paralyzed by this catastrophe, that none of us could find one lying word to utter.

Antonio knelt before her, his arms clasping her knees, his head bowed. He was weeping as if she were already dead. Her hands slowly stole forth to close around his face and lift it up.

"Whatever it is," she breathed, "I still have you."

As she gazed, half lifeless, but still fairer than an untinted statue, at his face, all at once her eyes became enormous. Pushing him from her, she stood bolt-upright at one movement, with a heart-rending scream:

"A stranger!"

That scream was still resounding from the rafters when we saw her fleeing across the hall, her head thrown back, her arms outspread, her white veil and violet draperies floating behind her. Her jewels glittered like the last sparkle of a splendid dream that has been doomed to swift extinction. She vanished through the doorway leading to the tower staircase.

"After her!" some one shouted.

Antonio was first; but at the doorway he stumbled, and Leonello, who was second, fell over him. Vaulting their bodies, I gained the circular staircase that ascended to the tower. I heard Antonio bawling after me:

"She will throw herself from the roof!"

The staircase was black, and the wind whistled down its well. At each landing the heavy doors on either side banged open and shut. From overhead there descended a long wail, maybe her voice, or maybe one of the countless voices of the storm. As I neared the top, a door through which I had just passed blew shut with a deafening report. I emerged upon the roof of the tower in a torrent of rain. The roof was empty.

I peered over the low battlements. Close below me swayed the tops of cypress-trees; beneath them everything was lost in the obscurity of the night. Soon, however, the darkness was lighted by torches which began to dart to and fro among the trees. By those fitful gleams I made out the crouching backs of men, the livery of the Manzecca with its black and vermilion device, helmets and sword-hilts, and finally upturned faces that appeared ruddy in the torch-light, though I knew that in reality they must be pallid. They called up to me, but the wind whipped their voices away. I made signs that she was not on the tower. The faces disappeared; again the torches wandered among the trees. Now and then I heard a shout, the barking of the greyhound, and a woman--perhaps old Nuta--in hysterics.

I began to descend the staircase. The last door through which I had passed was so tightly wedged, from its slamming, that I could not open it. I sat down on the steps to wait till the others should miss me.

What thoughts!

"Can it be true? Yes, it has happened, and I have seen the end of it! This will kill Antonio. But then, none of us will ever be the same again."

I was sure that my hair had turned white.

And she? A vast wave of pity and longing swept over me and whirled me away into the depths of despair.

Now, I told myself, they have found her. And I fell to shuddering again. Now they have brought her in, unless what they saw, when they found her, scattered them, raving, through the woods. Now they are trying to soothe Antonio, perhaps to wrench a weapon from his hand. Now surely they have noticed my absence.

I cannot imagine what impulse made me rise, at last, and try the door again. At my first touch it swung open.

Descending the staircase, I re-entered the hall.

* * * * *

They were all seated at the supper-table, which was now decorated with flowers, with baskets of fruit, with plates of bonbons, and with favors in the form of dolls tricked out like little ladies of the Renaissance. The servants wore tail-coats and white-cotton gloves. Leonello and Leonardo, Lina and Laura, even Antonio, had on the evening-dress appropriate to the twentieth century. But my brain reeled indeed when I saw Fiammetta, her hair done in the last Parisian style, her low-neck gown the essence of modern chic.

The company looked at me with tolerant smiles.

"Well," exclaimed Antonio, "you have certainly taken your time! We waited ages for you, then decided that the food was spoiling, and fell to. There is your place, old fellow. I'll have the relishes brought back."

I dropped into my chair with a thud. Leonardo, reaching in front of Lina, took the fabric of my antique costume between thumb and finger.

"Very _recherché_," was his comment. "Do you wear it for a whim?"

"He is soaking wet," announced Lina, compassionately. "I think he has been looking at the garden."

"A botanist!" cried Laura, clapping her hands. "Will you give me some advice, signore? What is the best preservative for damask roses?"

"Water them with credulity," Leonello suggested.

And they all burst out laughing in my face, with the exception of the beautiful Fiammetta.

Antonio, rising and bowing to me, spoke as follows:

"My friend, the sixteenth century bequeathed to us Florentines a little of its cheerful cruelty and something of its pleasure in vendettas. Casting your thoughts into a less remote past, you may retrieve an impression of your last performance before your departure from the Florence of our youth. Need I describe that performance? Its details were conceived and executed with much talent. It made me, who was its butt, the laughing stock of our circle for a month. Did we children of Boccaccio impart to you that knack for practical joking? Remember that the pupil does not always permanently abash his teacher. But come, let us make a lasting peace now. If after all these years I managed to catch you off your guard, you will never again catch me so. Let us forget our two chagrins in drinking to this pleasant night, which, though I fancy the fact has escaped you, happens to be the First of April."

While I was still trying to master my feelings, he added:

"I have forgotten to explain that Lina is the wife of Leonello, our new Michael Angelo, who did that portrait of me in the wig and costume of the Renaissance. Laura, on the other hand, is the wife of Leonardo. As for our heroine, Fiammetta, she is the bride of your unworthy Antonio. She has been so gracious as to marry me between two of her theatrical seasons; in fact, we are here on our honeymoon. Why the deuce have you never married? A wife might keep you out of many a laughable predicament."

Leonello hazarded, "He is waiting to marry some lady who can describe, in her trances, the cuisine of Nebuchadnezzar's palace, or the home-life of the Queen of Sheba."

"Do no such thing," Antonio implored me. "And hereafter avoid the supernatural like the plague. May this affair instil into your philosophy of life a little healthy skepticism. There is no better tonic than laughter for one who has caught the malaria of psychical research. But even Nuta, my wife's old dresser at the theater, will tell you that laughter is precious. You have given her to-night the first out-and-out guffaw that she has enjoyed in years. She says it cured her of a crick in the neck."

The fair Fiammetta, however, made a gesture of reproof, then held out her warm hand to me.

"No, Antonio," she protested, "you have not been clever, after all, but wicked. The worst of revenge is this: that it invariably exceeds its object. To what do you owe this triumph? To his solicitude for you, to his trust in you, which you have abused. Also, as I suspect, to his pity for Fiammetta di Foscone, which I have ill repaid. In fine, we owe the success of this trick to the misuse of fine emotions. That was not the custom of Messer Giovanni Boccaccio." And to me, "Will you forgive us?"

All the others looked rather chop-fallen. But Antonio soon recovered. He retorted:

"If you could have seen what an ass he made of me that time, you would not at this moment be holding his hand. Look here, old fellow, she has a sister who rather resembles her, and whose hand I have no objection to your holding as long as you wish. We will introduce you to-morrow. Ah yes, we will make you forgive us, you rascal, before we are done with you!"

FOOTNOTE:

[19] Copyright, 1919, by Harper & Brothers. Copyright, 1921, by Stephen French Whitman.

SHEENER[20]

#By# BEN AMES WILLIAMS

From _Collier's Weekly_

When he was sober the man always insisted that his name was Evans, but in his cups he was accustomed to declare, in a boastful fashion, that his name was not Evans at all. However, he never went farther than this, and since none of us were particularly interested, we were satisfied to call him Evans, or, more often, Bum, for short. He was the second assistant janitor; and whereas, in some establishments, a janitor is a man of power and place, it is not so in a newspaper office. In such institutions, where great men are spoken of irreverently and by their first names, a janitor is a man of no importance. How much less, then, his second assistant. It was never a part of Evans's work, for example, to sweep the floors. There is something lordly in the gesture of the broom. But the janitor's first assistant attended to that; and Evans's regular duties were more humble, not unconnected with such things as cuspidors. There was no man so poor to do him honor; yet he had always a certain loftiness of bearing. He was tall, rather above the average height, with a long, thin, bony face like a horse, and an aristocratic stoop about his neck and shoulders. His hands were slender; he walked in a fashion that you might have called a shuffle, but which might also have been characterized as a walk of indolent assurance. His eyes were wash-blue, and his straggling mustache drooped at the corners.

Sober, he was a silent man, but when he had drunk he was apt to become mysteriously loquacious. And he drank whenever the state of his credit permitted. At such times he spoke of his antecedents in a lordly and condescending fashion which we found amusing. "You call me Evans," he would say. "That does well enough, to be sure. Quite so, and all that. Evans! Hah!"

And then he would laugh, in a barking fashion that with his long, bony countenance always suggested to me a coughing horse. But when he was pressed for details, the man--though he might be weaving and blinking with liquor--put a seal upon his lips. He said there were certain families in one of the Midland Counties of England who would welcome him home if he chose to go; but he never named them, and he never chose to go, and we put him down for a liar by the book. All of us except Sheener.

Sheener was a Jewish newsboy; that is to say, a representative of the only thoroughbred people in the world. I have known Sheener for a good many years, and he is worth knowing; also, the true tale of his life might have inspired Scheherazade. A book must be made of Sheener some day. For the present, it is enough to say that he had the enterprise which adversity has taught his people; he had the humility which they have learned by enduring insults they were powerless to resent, and he had the courage and the heart which were his ancient heritage. And--the man Evans had captured and enslaved his imagination.

He believed in Evans from the beginning. This may have been through a native credulity which failed to manifest itself in his other dealings with the world. I think it more probable that Evans and his pretensions appealed to the love of romance native to Sheener. I think he enjoyed believing, as we enjoy lending ourselves to the illusion of the theatre. Whatever the explanation, a certain alliance developed between the two; a something like friendship. I was one of those who laughed at Sheener's credulity, but he told me, in his energetic fashion, that I was making a mistake.

"You got that guy wrong," he would say. "He ain't always been a bum. A guy with half an eye can see that. The way he talks, and the way he walks, and all. There's class to him, I'm telling you. Class, bo."

"He walks like a splay-footed walrus, and he talks like a drunken old hound," I told Sheener. "He's got you buffaloed, that's all."

"Pull in your horns; you're coming to a bridge," Sheener warned me. "Don't be a goat all your life. He's a gent; that's what this guy is."

"Then I'm glad I'm a roughneck," I retorted; and Sheener shook his head.

"That's all right," he exclaimed. "That's all right. He ain't had it easy, you know. Scrubbing spittoons is enough to take the polish off any guy. I'm telling you he's there. Forty ways. You'll see, bo. You'll see."

"I'm waiting," I said.

"Keep right on," Sheener advised me. "Keep right on. The old stuff is there. It'll show. Take it from me."

I laughed at him. "If I get you," I said, "you're looking for something along the line of 'Noblesse Oblige.' What?"

"Cut the comedy," he retorted. "I'm telling you, the old class is there. You can't keep a fast horse in a poor man's stable."

"Blood will tell, eh?"

"Take it from me," said Sheener.

It will be perceived that Evans had in Sheener not only a disciple; he had an advocate and a defender. And Sheener in these rôles was not to be despised. I have said he was a newsboy; to put it more accurately, he was in his early twenties, with forty years of experience behind him, and with half the newsboys of the city obeying his commands and worshiping him like a minor god. He had full charge of our city circulation and was quite as important, and twice as valuable to the paper, as any news editor could hope to be. In making a friend of him, Evans had found an ally in the high places; and it became speedily apparent that Sheener proposed to be more than a mere friend in name. For instance, I learned one day that he was drawing Evans's wages for him, and had appointed himself in some sort a steward for the other.

"That guy wouldn't ever save a cent," he told me when I questioned him. "I give him enough to get soused on, and I stick five dollars in the bank for him every week. I made him buy a new suit of clothes with it last week. Say, you wouldn't know him if you run into him in his glad rags."

"How does he like your running his affairs?" I asked.

"Like it?" Sheener echoed. "He don't have to like it. If he tries to pull anything on me, I'll poke the old coot in the eye."

I doubt whether this was actually his method of dominating Evans. It is more likely that he used a diplomacy which occasionally appeared in his dealings with the world. Certainly the arrangement presently collapsed, for Sheener confessed to me that he had given his savings back to Evans. We were minus a second assistant janitor for a week as a consequence, and when Evans tottered back to the office and would have gone to work I told him he was through.

He took it meekly enough, but not Sheener. Sheener came to me with fire in his eye.

"Sa-a-ay," he demanded, "what's coming off here, anyhow? What do you think you're trying to pull?"

I asked him what he was talking about, and he said: "Evans says you've given him the hook."

"That's right," I admitted. "He's through."

"He is not," Sheener told me flatly. "You can't fire that guy."

"Why not?"

"He's got to live, ain't he?"

I answered, somewhat glibly, that I did not see the necessity, but the look that sprang at once into Sheener's eyes made me faintly ashamed of myself, and I went on to urge that Evans was failing to do his work and could deserve no consideration.

"That's all right," Sheener told me. "I didn't hear any kicks that his work wasn't done while he was on this bat."

"Oh, I guess it got done all right. Some one had to do it. We can't pay him for work that some one else does."

"Say, don't try to pull that stuff," Sheener protested. "As long as his work is done, you ain't got any kick. This guy has got to have a job, or he'll go bust, quick. It's all that keeps his feet on the ground. If he didn't think he was earning his living, he'd go on the bum in a minute."

I was somewhat impatient with Sheener's insistence, but I was also interested in this developing situation. "Who's going to do his work, anyhow?" I demanded.

For the first time in our acquaintance I saw Sheener look confused. "That's all right too," he told me. "It don't take any skin off your back, long as it's done."

In the end I surrendered. Evans kept his job; and Sheener--I once caught him in the act, to his vast embarrassment--did the janitor's work when Evans was unfit for duty. Also Sheener loaned him money, small sums that mounted into an interesting total; and furthermore I know that on one occasion Sheener fought for him.

The man Evans went his pompous way, accepting Sheener's homage and protection as a matter of right, and in the course of half a dozen years I left the paper for other work, saw Sheener seldom, and Evans not at all.

About ten o'clock one night in early summer I was wandering somewhat aimlessly through the South End to see what I might see when I encountered Sheener. He was running, and his dark face was twisted with anxiety. When he saw me he stopped with an exclamation of relief, and I asked him what the matter was.

"You remember old Bum Evans?" he asked, and added: "He's sick. I'm looking for a doctor. The old guy is just about all in."

"You mean to say you're still looking out for that old tramp?" I demanded.

"Sure, I am," he said hotly; "that old boy is there. He's got the stuff. Him and me are pals." He was hurrying me along the street toward the office of the doctor he sought. I asked where Evans was. "In my room," he told me. "I found him on the street. Last night. He was crazy. The D. T.'s. I ain't been able to get away from him till now. He's asleep. Wait. Here's where the doc hangs out."

Five minutes later the doctor and Sheener and I were retracing our steps toward Sheener's lodging, and presently we crowded into the small room where Evans lay on Sheener's bed. The man's muddy garments were on the floor; he himself tossed and twisted feverishly under Sheener's blankets. Sheener and the doctor bent over him, while I stood by. Evans waked, under the touch of their hands, and waked to sanity. He was cold sober and desperately sick.

When the doctor had done what could be done and gone on his way, Sheener sat down on the edge of the bed and rubbed the old man's head with a tenderness of which I could not have believed the newsboy capable. Evans's eyes were open; he watched the other, and at last he said huskily:

"I say, you know, I'm a bit knocked up."

Sheener reassured him. "That's all right, bo," he said. "You hit the hay. Sleep's the dose for you. I ain't going away."

Evans moved his head on the pillow, as though lie were nodding. "A bit tight, wasn't it, what?" he asked.

"Say," Sheener agreed. "You said something, Bum. I thought you'd kick off, sure."

The old man considered for a little, his lips twitching and shaking. "I say, you know," he murmured at last. "Can't have that. Potter's Field, and all that sort of business. Won't do. Sheener, when I do take the jump, you write home for me. Pass the good word. You'll hear from them."

Sheener said: "Sure I will. Who'll I write to, Bum?"

Evans, I think, was unconscious of my presence. He gave Sheener a name; his name. Also, he told him the name of his lawyer, in one of the Midland cities of England, and added certain instructions....

When he had drifted into uneasy sleep Sheener came out into the hall to see me off. I asked him what he meant to do.

"What am I going to do?" he repeated. "I'm going to write to this guy's lawyer. Let them send for him. This ain't no place for him."

"You'll have your trouble for your pains," I told him. "The old soak is a plain liar; that's all."

Sheener laughed at me. "That's all right, bo," he told me. "I know. This guy's the real cheese. You'll see."

I asked him to let me know if he heard anything, and he said he would. But within a day or two I forgot the matter, and would hardly have remembered it if Sheener had not telephoned me a month later.

"Say, you're a wise guy, ain't you?" he derided when I answered the phone. I admitted it. "I got a letter from that lawyer in England," he told me. "This Evans is the stuff, just like I said. His wife run away with another man, and he went to the devil fifteen years ago. They've been looking for him ever since his son grew up."

"Son?" I asked.

"Son. Sure! Raising wheat out in Canada somewhere. They give me his address. He's made a pile. I'm going to write to him."

"What does Bum say?"

"Him? I ain't told him. I won't till I'm sure the kid's coming after him." He said again that I was a wise guy; and I apologized for my wisdom and asked for a share in what was to come. He promised to keep me posted.

Ten days later he telephoned me while I was at supper to ask if I could come to his room. I said: "What's up?"

"The old guy's boy is coming after him," Sheener said. "He's got the shakes waiting. I want you to come and help me take care of him."

"When's the boy coming?"

"Gets in at midnight to-night," said Sheener.

I promised to make haste; and half an hour later I joined them in Sheener's room. Sheener let me in. Evans himself sat in something like a stupor, on a chair by the bed. He was dressed in a cheap suit of ready-made clothes, to which he lent a certain dignity. His cheeks were shaven clean, his mustache was trimmed, his thin hair was plastered down on his bony skull. The man stared straight before him, trembling and quivering. He did not look toward me when I came in; and Sheener and I sat down by the table and talked together in undertones.

"The boy's really coming?" I asked.

Sheener said proudly: "I'm telling you."

"You heard from him?"

"Got a wire the day he got my letter."

"You've told Bum?"

"I told him right away. I had to do it. The old boy was sober by then, and crazy for a shot of booze. That was Monday. He wanted to go out and get pied; but when I told him about his boy, he begun to cry. And he ain't touched a drop since then."

"You haven't let him?"

"Sure I'd let him. But he wouldn't. I always told you the class was there. He says to me: 'I can't let my boy see me in this state, you know. Have to straighten up a bit. I'll need new clothes.'"

"I noticed his new suit."

"Sure," Sheener agreed. "I bought it for him."

"Out of his savings?"

"He ain't been saving much lately."

"Sheener," I asked, "how much does he owe you? For money loaned and spent for him."

Sheener said hotly: "He don't owe me a cent."

"I know. But how much have you spent on him?"

"If I hadn't have give it to him, I'd have blowed it somehow. He needed it."

I guessed at a hundred dollars, at two hundred. Sheener would not tell me. "I'm telling you, he's my pal," he said. "I'm not looking for anything out of this."

"If this millionaire son of his has any decency, he'll make it up to you."

"He don't know a thing about me," said Sheener, "except my name. I've just wrote as though I knowed the old guy, here in the house, see. Said he was sick, and all."

"And the boy gets in to-night?"

"Midnight," said Sheener, and Evans, from his chair, echoed: "Midnight!" Then asked with a certain stiff anxiety: "Do I look all right, Sheener? Look all right to see my boy?"

"Say," Sheener told him. "You look like the Prince of Wales." He went across to where the other sat and gripped him by the shoulder. "You look like the king o' the world."

Old Evans brushed at his coat anxiously; his fingers picked and twisted; and Sheener sat down on the bed beside him and began to soothe and comfort the man as though he were a child.

The son was to arrive by way of Montreal, and at eleven o'clock we left Sheener's room for the station. There was a flower stand on the corner, and Sheener bought a red carnation and fixed it in the old man's buttonhole. "That's the way the boy'll know him," he told me. "They ain't seen each other for--since the boy was a kid."

Evans accepted the attention querulously; he was trembling and feeble, yet held his head high. We took the subway, reached the station, sat down for a space in the waiting room.

But Evans was impatient; he wanted to be out in the train shed, and we went out there and walked up and down before the gate. I noticed that he was studying Sheener with some embarrassment in his eyes. Sheener was, of course, an unprepossessing figure. Lean, swarthy, somewhat flashy of dress, he looked what he was. He was my friend, of course, and I was able to look beneath the exterior. But it seemed to me that sight of him distressed Evans.

In the end the old man said, somewhat furtively: "I say, you know, I want to meet my boy alone. You won't mind standing back a bit when the train comes in."

"Sure," Sheener told him. "We won't get in the way. You'll see. He'll pick you out in a minute, old man. Leave it to me."

Evans nodded. "Quite so," he said with some relief. "Quite so, to be sure."

So we waited. Waited till the train slid in at the end of the long train shed. Sheener gripped the old man's arm. "There he comes," he said sharply. "Take a brace, now. Stand right there, where he'll spot you when he comes out. Right there, bo."

"You'll step back a bit, eh, what?" Evans asked.

"Don't worry about us," Sheener told him. "Just you keep your eye skinned for the boy. Good luck, bo."

We left him standing there, a tall, gaunt, shaky figure. Sheener and I drew back toward the stairs that lead to the elevated structure, and watched from that vantage point. The train stopped, and the passengers came into the station, at first in a trickle and then in a stream, with porters hurrying before them, baggage laden.

The son was one of the first. He emerged from the gate, a tall chap, not unlike his father. Stopped for a moment, casting his eyes about, and saw the flower in the old man's lapel. Leaped toward him hungrily.

They gripped hands, and we saw the son drop his hand on the father's shoulder. They stood there, hands still clasped, while the young man's porter waited in the background. We could hear the son's eager questions, hear the older man's drawled replies. Saw them turn at last, and heard the young man say: "Taxi!" The porter caught up the bag. The taxi stand was at our left, and they came almost directly toward us.

As they approached, Sheener stepped forward, a cheap, somewhat disreputable, figure. His hand was extended toward the younger man. The son saw him, looked at him in some surprise, looked toward his father inquiringly.

Evans saw Sheener too, and a red flush crept up his gaunt cheeks. He did not pause, did not take Sheener's extended hand; instead he looked the newsboy through and through.

Sheener fell back to my side. They stalked past us, out to the taxi stand.