Chapter II: Part 2

Time flew swiftly by. The years at Heartholm were tranquil and happy until Strang, taken by one of the swift maladies which often come to men of his type, was mortally stricken. His wife at first seemed to feel only the strange ecstasy that sometimes comes to those who have beheld death lay its hand on a beloved body. She went coldly, rigidly, through every detail of the final laying away of the man who had loved her to the utmost power of his man's heart. Friends waited helplessly, dreading the furious after-crash of this unnatural mental and bodily endurance. Doctor Milton, Strang's life-long friend, who had fought for the banker's life, watched her carefully, but there was no catalepsy, no tranced woman held in a vise of endurance. Nothing Evelyn Strang did was odd or unnatural, only she seemed, particularly before the burial, to be waiting intently for some revelation, toward which her desire burned consumingly, like a powerful flame.

Just before the funeral Strang's sister came to Doctor Milton.

"Evelyn!" in whispered response to his concerned look. "Oh, doctor, I cannot think that this calmness is _right_ for her----" The poor, red-eyed woman, fighting hard for her own composure, motioned to the room where, with the cool lattices drawn, and a wave of flowers breaking on his everlasting sleep, the master of Heartholm lay. "She has gone in there with that little deaf-and-dumb child. I saw her standing with him, staring all about her. Somehow it seemed to me that Gargoyle was smiling--that he _saw_ something----!"

For long weeks Doctor Milton stayed on at Heartholm, caring for Mrs. Strang. From time to time the physician also studied and questioned Gargoyle. Questioned in verity, for the practised hand could feel rigid muscles and undeveloped glands that answered more truthfully than words. Whatever conclusions Milton arrived at, he divulged to no one but Mrs. Strang. What he had to say roused the desolate woman as nothing else could have done. To the rest of the world little or nothing was explained. But, after the consent of the mother at the gardener's cottage had been gained, Doctor Milton left Heartholm, taking Gargoyle with him.

In the office of Dr. Pauli Mach, the professional tongue was freed. Milton, with the half-quizzical earnestness habitual to him, told his story, which was followed by the exchange of much interesting data.

The two fell back on the discussion of various schools where Gargoyle might be put under observation. At last, feeling in the gravely polite attention of the more eminent man a waning lack of interest, Milton reluctantly concluded the interview.

"I'll write to Mrs. Strang and tell her your conclusions; she won't accept them--her own husband humored her in the thing. What John Strang himself believed I never really knew, but I think he had wisdom in his generation."

Milton stood there, hesitating; he looked abstractedly at the apathetic little figure of Gargoyle sitting in the chair.

"We talk of inherent human nature," said the doctor, slowly, "as if we had all knowledge concerning the _possibilities_ of that nature's best and worst. Yet I have sometimes wondered if what we call mentally askew people are not those that possess attributes which society is not wise enough to help them use wisely--mightn't such people be like fine-blooded animals who sniff land and water where no one else suspects any? Given a certain kink in a human brain, and there might result capacity we ought to consider, even if we can't, in our admittably systematized civilization, utilize it."

The Swiss doctor nodded, magnetic eyes and mouth smiling.

"Meanwhile"--in his slow, careful speech--"meanwhile we do what we can to preserve the type which from long experience we know _wears_ best."

Milton nodded. He moved to go, one hand on Gargoyle's unresponsive shoulder, when the office door swung open.

"Now this is real trouble," laughed a woman's fresh, deep-chested voice. "Doctor Mach, it means using one of your tall measuring-glasses or permitting these lovely things to wilt; some one has inundated us with flowers. I've already filled one bath-tub; I've even used the buckets in the operating-room."

The head nurse stood there, white-frocked, smiling, her stout arms full of rosy gladioli and the lavender and white of Japanese iris. The two doctors started to help her with the fragrant burden, but not before Gargoyle sprang out of his chair. With a start, as if shocked into galvanic motion, the boy sat upright. With a throttled cry he leaped at the surprised woman. He bore down upon her flowers as if they had been a life-preserver, snatching at them as if to prevent himself from being sucked under by some strange mental undertow. The softly-colored bloom might have had some vital magnetizing force for the child's blood, to which his whole feeble nature responded. Tearing the colored mass from the surprised nurse's arms, Gargoyle sank to the floor. He sat there caressing the flowers, smiling, making uncouth efforts to speak. The arms that raised him were gentle enough. They made no attempt to take from him his treasures. They sat him on the table, watching the little thin hands move ardently, yet with a curious deftness and delicacy, amid the sheaf of color. As the visionary eyes peered first into one golden-hearted lily, then into another, Milton felt stir, in spite of himself, Strang's old conviction of the "undressed mind." He said nothing, but stole a glance at the face of his superior. Doctor Mach was absorbed. He stood the boy on the table before him. The nurse stripped Gargoyle, then swiftly authoritative fingers traveled up and down the small, thin frame.

* * * * *

Life at Heartholm went on very much the same. The tender-hearted observer might have noted that the gardens held the same flowers year after year, all the perennials and hardy blooms John Strang had loved. No matter what had been his widow's courageous acceptance of modern stoicism, the prevailing idea that incurable grief is merely "morbid," yet, in their own apartments where their own love had been lived, was every mute image and eloquent trifle belonging to its broken arc. Here, with Strang's books on occult science, with other books of her own choosing, the wife lived secretly, unknown of any other human being, the long vigil of waiting for some sign or word from the spirit of one who by every token of religion and faith she could not believe dead--only to her wistful earthly gaze, hidden. She also hid in her heart one strangely persistent hope--namely, Gargoyle! Letters from Doctor Milton had been full of significance. The last letter triumphantly concluded:

Your young John Strang Berber, alias Gargoyle, can talk now, with
only one drawback: as yet he doesn't know any words!

The rapidly aging mother at the gardener's cottage took worldly pride in what was happening to her youngest.

"I allus knowed he was smart," the woman insisted. "My Johnny! To think of him speaking his mind out like any one else! I allus took his part--I could ha' told 'em he had his own notions!"

There was no doubt as to Gargoyle's having the "notions." As the slow process of speech was taught and the miracle of fitting words to things was given unto John Berber, alias Gargoyle, it was hard for those watching over him to keep the riotous perceptions from retarding the growing mechanistics. Close-mouthed the boy was, and, they said, always would be; but watchful eyes and keen intuitions penetrated to the silent orgies going on within him. So plainly did the fever of his education begin to wear on his physical frame that wary Doctor Mach shook his head. "Here I find too many streams of thought coursing through one field," said the careful Swiss. "The field thus grows stony and bears nothing. Give this field only one stream that shall be nourishing."

For other supernormal developments that "one stream" might have been music or sports. For Gargoyle it happened to be flowers. The botanist with whom he was sent afield not only knew his science, but guessed at more than his science. His were the beatitudes of the blue sky; water, rocks, and trees his only living testament. Under his tutelage, with the eyes of Doctor Mach ever on his growing body, and with his own special gifts of concentration and perception, at last came to Gargoyle the sudden whisper of academic sanction--namely, "genius."

He himself seemed never to hear this whisper. What things--superimposed on the new teeming world of material actualities--he _did_ hear, he never told. Few could reach Berber; among fellow-students he was gay, amiable, up to a certain point even frivolous; then, as each companion in turn complained, a curtain seemed to drop, a colorless wrap of unintelligibility enveloped him like a chameleon's changing skin; the youth, as if he lived another life on another plane, walked apart.

Doctor Milton, dropping into the smoking-room of a popular confrère, got a whiff of the prevailing gossip about his protégé.

"I'll be hanged if I can associate psychics with a biceps like Berber's; somehow those things seem the special prerogative of anemic women in white cheese-cloth fooling with 'planchette' and 'currents.'"

"You've got another guess," a growling neurologist volunteered. "Why shouldn't psychic freaks have biceps? We keep forgetting that we've dragged our fifty-year-old carcasses into an entirely new age--a wireless, horseless, man-flying, star-chasing age. Why, after shock upon shock of scientific discovery, shouldn't the human brain, like a sensitive plate, be thinned down to keener, more sensitive, perceptions?"

Some one remarked that in the case of Berber, born of a simple country woman and her uneducated husband, this was impossible.

Another man laughed. "Berber may be a Martian, or perhaps he was originally destined to be the first man on Jupiter. He took the wrong car and landed on this globe. Why not? How do we know what agency carries pollen of human life from planet to planet?"

Milton, smiling at it all, withdrew. He sat down and wrote a long-deferred letter to Mrs. Strang.

I have asked John Berber if he would care to revisit his old home.
It seemed never to have occurred to him that he _had_ a home! When
I suggested the thing he followed it up eagerly, as he does every
new idea, asking me many keen questions as to his relatives, who
had paid for his education, etc. Of the actual facts of his cure he
knows little except that there was special functioning out of gear,
and that now the wheels have been greased. Doctor Mach is
desperately proud of him, especially of the way in which he
responds to _normal diversion-environments_ and _friendships_. You
must instruct his mother very carefully as to references to his
former condition. It is best that he should not dwell upon the
former condition. Your young friend, Gargoyle, sees no more spooks.
He is rapidly developing into a very remarkable and unconceited
horticulturist!

The first few days at Mockwood were spent at the little gardener's cottage, from which the other youngsters had flown. Berber, quietly moving about the tiny rooms, sitting buried in a scientific book or taking long trips afield, was the recipient of much maternal flattery. He accepted it all very gently; the young culturist had an air of quiet consideration for every one and absolutely no consciousness of himself. He presumed upon no special prerogatives, but set immediately to work to make himself useful. It was while he was weeding the box borders leading to the herb-gardens of Heartholm that Mrs. Strang first came upon him. Her eyes, suddenly confronted with his as he got to his feet, dropped almost guiltily, but when they sought his face a second time, Evelyn Strang experienced a disappointment that was half relief. The sunburnt youth, in khaki trousers and brown-flannel shirt, who knelt by the border before her was John Strang Berber, Doctor Mach's human masterpiece; this was not "Gargoyle."

"That is hardly suitable work for a distinguished horticulturist," the mistress of Heartholm smiled at the wilting piles of pusley and sorrel.

White teeth flashed, deep eyes kindled. Berber rose and, going to a garden seat, took up some bits of glass and a folded paper. He showed her fragments of weed pressed upon glass plates, envelopes of seeds preserved for special analyzation. "There's still a great undiscovered country in weed chemistry," he eagerly explained, "perhaps an anodyne for every pain and disease."

"Yes, and deadly poisons, too, for every failure and grief." The mistress of Heartholm said it lightly as she took the garden seat, thinking how pleasant it was to watch the resolute movements and splendid physical development of the once weazened Gargoyle. She began sorting out her embroidery silks as Berber, the bits of glass still in his hand, stood before her. He was smiling.

"Yes, deadly poisons, too," agreeing with a sort of exultation, so blithely, indeed, that the calmly moving fingers of the mistress of Heartholm were suddenly arrested. A feeling as powerful and associative as the scent of a strong perfume stole over Evelyn Strang.

Before she could speak Berber had resumed his weeding. "It's good to get dictatorship over all this fight of growing," looking up for her sympathy with hesitance, which, seen in the light of his acknowledged genius, was the more significant. "You don't mind my taking Michael's place? He was very busy this morning. I have no credentials, but my mother seems to think I am a born gardener."

This lack of conceit, this unassuming practicality, the sort of thing with which Gargoyle's mind had been carefully inoculated for a long time, baffled, while it reassured Mrs. Strang. Also the sense of sacred trust placed in her hands made her refrain from any psychic probing.

For a long while she found it easy to exert this self-control. The lonely woman, impressed by the marvelous "cure" of John Berber, magnetized by his youth and sunny enthusiasms back to the old dreaming pleasure in the Heartholm gardens, might in the absorbed days to come have forgotten--only there was a man's photograph in her bedroom, placed where her eyes always rested on it, her hand could bring it to her lips; the face looking out at her seemed to say but one thing:

"_You knew me--I knew you. What we knew and were to each other had not only to do with our bodies. Men call me 'dead' but you know that I am not. Why do you not study and work and pray to learn what I am become, that you may turn to me, that I may reach to you?_"

Mockwooders, dropping in at Heartholm for afternoon tea, began to accustom themselves to finding Mrs. Strang sitting near some flower-bed where John Berber worked, or going with him over his great books of specimens. The smirk the fashionable world reserves for anything not usual in its experience was less marked in this case than it might have been in others. Even those who live in "residential parks" are sometimes forced (albeit with a curious sense of personal injury) to accept the idea that they who have greatly suffered find relief in "queer" ways. Mockwooders, assisting at the Heartholm tea-hour, and noting Berber among other casual guests, merely felt aggrieved and connoted "queerness."

For almost a year, with the talking over of plans for John Strang's long-cherished idea of a forest garden at Heartholm, there had been no allusion between mistress and gardener to that far-off fantasy, the life of little Gargoyle. During the autumn the two drew plans together for those spots which next spring were to blossom in the beech glade. They sent to far-off countries for bulbs, experimented in the Heartholm greenhouses with special soils and fertilizers, and differences of heat and light; they transplanted, grafted, and redeveloped this and that woodland native. Unconsciously all formal strangeness wore away, unconsciously the old bond between Gargoyle and his mistress was renewed.

Thus it was, without the slightest realization as to what it might lead, that Evelyn Strang one afternoon made some trifling allusion to Berber's association with the famous Doctor Mach. As soon as she had done so, fearing from habit for some possible disastrous result, she tried immediately to draw away from the subject. But the forbidden spring had been touched--a door that had long been closed between them swung open. Young Berber, sorting dahlia bulbs into numbered boxes, looked up; he met her eyes unsuspiciously.

"I suppose," thoughtfully, "that that is the man to whom I should feel more grateful than to any other human being."

The mistress of Heartholm did not reply. In spite of her tranquil air, Evelyn Strang was gripped with a sudden apprehension. How much, how little, did Berber know? She glanced swiftly at him, then bent her head over her embroidery. The colored stream of Indian summer flowed around them. A late bird poured out his little cup of song.

"My mother will not answer my questions." Young Berber, examining two curiously formed bulbs, shook the earth from them; he stuffed them into his trousers pocket. "But Michael got talking yesterday and told me--Did you know, Mrs. Strang? I was thought to be an idiot until I was twelve years old--born deaf and dumb?"

It was asked so naturally, with a scientific interest as impersonal as if he were speaking of one of the malformed bulbs in his pocket, that at first his mistress felt no confusion. Her eyes and hands busying themselves with the vivid silks, she answered.

"I remember you as a little pale boy who loved flowers and did such odd, interesting things with them. Mr. Strang and I were attracted to your mysterious plays.... No, you never spoke, but we were not sure you could not hear--and"--drawing a swift little breath--"we were always interested in what--in what--you seemed--to _see_!"

There was a pause. He knelt there, busily sorting the bulbs. Suddenly to the woman sitting on the garden bench the sun-bathed October gardens seemed alive with the myriad questioning faces of the fall flowers; wheels and disks like aureoled heads leaned toward her, mystical fire in their eyes, the colored flames of their being blown by passionate desire of revelation. "This is your moment," the flowers seemed to say to her. "Ask him _now_."

But that she might not yet speak out her heart to John Berber his mistress was sure. She was reminded of what Strang had so often said, referring to their lonely quest--that actual existence was like a forlorn shipwreck of some other life, a mere raft upon which, like grave buffoons, the ragged survivors went on handing one another watersoaked bread of faith, glassless binoculars of belief, oblivious of what radiant coasts or awful headlands might lie beyond the enveloping mists. Soon, the wistful woman knew, she would be making some casual observations about the garden, the condition of the soil. Yet, if ever the moment had come to question him who had once been "Gargoyle," that moment was come now!

Berber lifted on high a mass of thickly welded bulbs clinging to a single dahlia stalk. He met her gaze triumphantly.

"Michael says he planted only a few of this variety, the soft, gold-hearted lavender. See what increase." The youth plunged supple fingers into the balmy-scented loam, among the swelling tuber forms. "A beautiful kind of ugliness," he mused. "I remember I used to think----" The young gardener, as if he felt that the eyes fixed upon him were grown suddenly too eager, broke abruptly off.

"Go on, John Berber. What you have to say is always interesting."

It was said calmly, with almost maternal encouragement, but the fingers absorbed in the bright silks fumbled and erred. "Used to think"--words such as these filtered like sunlight to the hope lying deep in Evelyn Strang's heart.

But young Berber leaned upon his garden fork, looking past her. Over the youth's face crept a curious expression of wrapt contemplation, of super-occupation, whether induced by her words or not she could not tell. Furtively Mrs. Strang studied him.... How soon would he drop that mystical look and turn to her with the casual "educated" expression she had come to know so well?

Suddenly, nervousness impelling her, she broke in upon his revery:

"How wonderful, with such dreams as you must have had, to be educated! How very grateful you must be to Doctor Mach."

She heard her own words helplessly, as if in a dream, and, if the unwisdom of this kind of conversation had impressed the mistress of Heartholm before, now she could have bitten off her tongue with that needless speech on it. Young Berber, however, seemed hardly to have heard her; he stood there, the "Gargoyle" look still in his eyes, gazing past his mistress into some surrounding mystery of air element. It was to her, watching him, as if those brooding, dilated pupils might behold, besides infinitesimal mystery of chemical atoms, other mysteries--colorless pools of air where swam, like sea anemones, radiant forms of released spirit; invisible life-trees trembling with luminous fruit of occult being!

When Berber turned this look, naked as a sword, back to Evelyn Strang, she involuntarily shivered. But the boy's face was unconscious. His expression changed only to the old casual regard as he said, very simply:

"You see, I wish they had not educated me!"

The confession came with inevitable shock. If she received it with apparent lightness, it was that she might, with all the powers a woman understands, rise to meet what she felt was coming. The barrier down, it was comparatively easy to stand in the breach, making her soft note of deprecation, acknowledging playfully that the stress of so-called "normal" life must indeed seem a burden to one who had hitherto talked with flowers, played with shadows. Berber, however, seemed hardly to hear her; there was no tenseness in the youth's bearing; he merely gazed thoughtfully past her efforts, repeating:

"No--I wish they had not taught me. I have not really gained _knowledge_ by being taught."

Mrs. Strang was genuinely puzzled. Yet she understood; it was merely _theories about life_ that he had gained. Again she called to mind a sentence in Doctor Milton's letter: "I know that you have followed the case in such a way as to understand what would be your responsibility toward this _newly made_ human soul." Was it right to question Berber? Could it be actually harmful to him to go on? And yet was it not her only chance, after years of faithful waiting?

Trying to keep her voice steady, she reproached him:

"No? With all that being educated means, all the gift for humanity?"

The young fellow seemed not to get her meaning. He picked up the garden fork. Thoughtfully scraping the damp earth from its prongs, he repeated, "All that it means for humanity?"

"Why not"--urging the thing a little glibly--"why not? You can do your part now; you will help toward the solving of age-long mysteries. You must be steward of--of"--Mrs. Strang hesitated, then continued, lamely--"of your special insight. Why--already you have begun--Think of the weed chemistry." Had he noticed it? There was in her voice a curious note, almost of pleading, though she tried to speak with authority.

John Berber, once called "Gargoyle," listened. The youth stood there, his foot resting upon the fork but not driving it into the ground. He caught her note of anxiety, laughing in light, spontaneous reassurance, taking her point with ease.

"Oh--I know," shrugging his shoulders in true collegian's style. "I understand my lesson." Berber met her look. "I had the gift of mental _unrestraint_, if you choose to call it that," he summed up, "and was of no use in the world. Now I have the curse of _mental restraint_ and can participate with others in their curse." Suddenly aware of her helpless dismay and pain, the boy laughed again, but this time with a slight nervousness she had never before seen in him. "Why, we are not in earnest, dear Mrs. Strang." It was with coaxing, manly respect that he reminded her of that. "We are only joking, playing with an idea.... I think you can trust me," added John Berber, quietly.

The surprised woman felt that she could indeed "trust" him; that Berber was absolutely captain of the self which education had given him; but that from time to time he had been conscious of another self he had been unwise enough to let her see. She silently struggled with her own nature, knowing that were she judicious she would take that moment to rise and leave him. Such action, however, seemed impossible now. Here was, perhaps, revelation, discovery! All the convictions of her lonely, brooding life were on her. Temptation again seized her. With her longing to have some clue to that spirit world she and her husband had believed in, it seemed forewritten, imperative, inevitable, that she remain. Trying to control herself, she fumbled desperately on:

"When you were little, Mr. Strang and I used to notice--we grew to think--that because you had been shut away from contact with other minds, because you had never been told _what_ to see, as children are told, 'Look at the fire,' 'See the water,' and so forever regard those things in just that way, not seeing--other things--Oh, we thought that perhaps--perhaps----"

It was futile, incoherent; her tongue seemed to dry in her mouth. Besides, the abashed woman needs must pause before a silence that to her strained sense seemed rebuking. She glanced furtively up at the youth standing there. It troubled the mistress of Heartholm to realize that her protégé was staring gravely at her, as if she had proposed some guilty and shameful thing.

At last Berber, with a boyish sigh, seemed to shake the whole matter off. He turned to his bulbs; half at random he caught up a pruning-knife, cutting vindictively into one of them. For the moment there was silence, then the young gardener called his mistress's attention to the severed root in his hand.

"A winy-looking thing, isn't it? See those red fibers? Why shouldn't such roots, and nuts like those great, burnished horse-chestnuts there--yes, and cattails, and poke-berries, and skunk cabbages, give forth an entirely new outfit of fruits and vegetables?" Berber smiled his young ruminating smile; then, with inevitable courtesy, he seemed to remember that he had not answered her question. "I am not surprised that you and Mr. Strang thought such things about me. I wonder that you have not questioned me before--only you see _now_--I can't answer!" The boy gave her his slow, serious smile, reminding her.

"You must remember that I am like a foreigner--only worse off, for foreigners pick up a few words for their most vital needs, and I have no words at all--for what--for what vital things I used to know--so that perhaps in time I shall come to forget that I ever knew anything different from--other persons' knowledge." Berber paused, regarding his mistress intently, as if wistfully trying to see what she made of all this. Then he continued:

"One of our professors at college died, and the men of his class were gloomy; some even cried, others could not trust themselves to speak of him.... I noticed that they all called him 'poor' Landworth.... I could see that they felt something the way I do when I miss out on a chemical experiment, or spoil a valuable specimen--only more so--a great deal more." The boy knit his brows, puzzling it all out. "Well, it's queer. I liked that professor, too; he was very kind to me--but when I saw him dead I felt glad--glad! Why"--Berber looked at her searchingly--"I grew to be afraid some one would find out _how_ glad!"

The young fellow, still anxiously searching her face, dropped his voice. "You are the only person I dare tell this to--for I understand the world--" She noted that he spoke as if "the world" were a kind of plant whose needs he had fathomed. "But after that," concluded Berber, speaking as if quite to himself--"after that I somehow came to see that I had been--well, educated _backward_."

She moved impatiently; the youth, seeing the question in her face, answered the demand of its trembling eagerness, explaining:

"Do you not see--I have--sometimes _known_, not 'guessed' nor 'believed,' but _known_ that death was a wonderful, happy thing--a fulfilment, a satisfaction to him who dies--but I have been educated backward into a life where people cannot seem to help regarding it as a sad thing. And----"

"Yes?--Yes?" breathed the eager woman. "Tell me--tell me----"

But he had come suddenly to a full stop. As if appalled to find only empty words, or no words at all, for some astounding knowledge he would communicate to her, he stammered painfully; then, as if he saw himself caught in guilt, colored furiously. Evelyn Strang could see the inevitable limitations of his world training creep slowly over him like cement hardening around the searching roots of his mind. She marveled. She remembered Strang's pet phrase, "the plaster of Paris of so-called 'normal thinking.'" Then the youth's helpless appeal came to her:

"Do you not think that I am doing wrong to speak of these things?" Berber asked, with dignity.

The mistress of Heartholm was silent. Recklessly she put by all Doctor Mach's prophecies. She could not stop here; her whole soul demanded that she go further. There were old intuitions--the belief that she and Strang had shared together, that, under rationalized schemes of thought, knowledge of inestimable hope was being hidden from the world. Here was this boy of the infinite vision, of the "_backward educated_" mind, ready to tell miraculous things of a hidden universe. Could she strike him dumb? It would be as if Lazarus had come forth from the open grave and men were to bandage again his ecstatic lips!

Suddenly, as if in answer to her struggle, Berber spoke. She was aware that he looked at her curiously with a sort of patient disdain.

"The world is so sure, so contented, isn't it?" the youth demanded of her, whether in innocence or irony she could not tell. "People are trained, or they train themselves, by the millions, to think of things in exactly one way." He who had once been "Gargoyle" looked piercingly into the eyes of this one being to whom at least he was not afraid to speak.

"Anything you or I might guess outside of what other people might accept," the boy reminded her, austerely, "could be called by just one unpleasant name." He regarded the face turned to his, recognizing the hunger in it, with a mature and pitying candor, concluding: "After to-day we must never speak of these things. I shall never dare, you must never dare--and so--" He who had once been "Gargoyle" suddenly dropped his head forward on his breast, muttering--"and so, that is all."

Evelyn Strang rose. She stood tall and imperious in the waning afternoon light. She was bereaved mother, anguished wife; she was a dreamer driven out of the temple of the dream, and what she had to do was desperate. Her voice came hard and resolute.

"It is _not_ all," the woman doggedly insisted. The voiceless woe of one who had lost a comrade by death was on her. In her eyes was fever let loose, a sob, like one of a flock of imprisoned wild birds fluttered out from the cage of years. "Oh no--no!" the woman pleaded, more as if to some hidden power of negation than to the boy before her--"Oh no--no, this _cannot_ be all, not for me! The world must never be told--it could not understand; but _I_ must know, I _must_ know." She took desperate steps back and forth.

"John Berber, if there is anything in your memory, your knowledge; even if it is only that you have _imagined_ things--if they are so beautiful or so terrible that you can never speak of them--for fear--for fear no one would understand, you might, you might, even then, tell me--Do you not hear? You might tell _me_. I authorize it, I command it."

The woman standing in the autumn gardens clenched her hands. She looked round her into the clear air at the dense green and gold sunshine filtering through the colored trees, the softly spread patens of the cosmos, the vivid oriflammes of the chrysanthemums. Her voice was anguished, as if they two stood at a secret door of which Berber alone had the key, which for some reason he refused to use.

"I--of all the world," her whisper insisted. "If you might never speak again--I should understand."

Berber, his face grown now quite ashen, looked at her. Something in her expression seemed to transfix and bind him. Suddenly shutting his teeth together, he stood up, his arms folded on his broad chest. The afternoon shadows spread pools of darkness around their feet, the flowers seemed frozen in shapes of colored ice, as his dark, controlled eyes fixed hers.

"You--you dare?" the youth breathed, thickly.

She faced him in her silent daring. Then it seemed to her as if the sky must roll up like a scroll and the earth collapse into a handful of dust falling through space, for she knew that little Gargoyle of the "undressed mind"--little Gargoyle, looking out of John Berber's trained eyes as out of windows of ground glass, was flitting like a shadow across her own intelligence, trying to tell her what things he had always known about life and death, and the myriads of worlds spinning back in their great circles to the Power which had set them spinning.

Not until after the first halting, insufficient words, in which the boy sought to give his secret to the woman standing there, did she comprehend anything of the struggle that went on within him. But when suddenly Berber's arms dropped to his sides and she saw how he shivered, as if at some unearthly touch on his temples, she was alert. Color was surging into his face; his features, large, irregular, took on for the instant a look of speechless, almost demoniac power; he seemed to be swimming some mental tide before his foot touched the sands of language and he could helplessly stammer:

"I cannot--It--it will not come--It is as I told you--I have been taught no _words_--I _cannot_ say _what I know_."

His powerful frame stood placed among the garden surroundings like that of a breathing statue, and his amazed companion witnessed this miracle of physical being chained by the limitations of one environment, while the soul of that being, clairaudient, clairvoyant, held correspondence with another environment. She saw Berber smile as if with some exquisite sense of beauty and rapture that he understood, but could not communicate, then helplessly motion with his hands. But even while she held her breath, gazing at him, a change came over the radiant features. He looked at her again, his face worked; at last John Berber with a muffled groan burst into terrible human tears.

She stood there helpless, dumfounded at his agony.

"You--you cannot speak?" she faltered.

For answer he dropped his face into his strong hands. He stood there, his tall body quivering. And she knew that her dream was over.

She was forced to understand. John Berber's long and perfect world training held him in a vise. His lips were closed upon his secret, and she knew that they would be closed for evermore.

They remained, silently questioning each other, reading at last in each other's speechlessness some comfort in this strange common knowledge, for which, indeed, there were no human words, which must be forever borne dumbly between them. Then slowly, with solemn tenderness, the obligation of that unspoken knowledge came into Evelyn Strang's face. She saw the youth standing there with grief older than the grief of the world stabbing his heart, drowning his eyes. She laid a quiet hand on his shoulder.

"I understand." With all the mother, all the woman in her, she tried to say it clearly and calmly. "I understand; you need never fear me--and we have the whole world of flowers to speak for us." She gazed pitifully into the dark, storming eyes where for that one fleeting instant the old look of "Gargoyle" had risen, regarding her, until forced back by the trained intelligence Of "John Berber," which had always dominated, and at last, she knew, had killed it. "We will make the flowers speak--for us." Again she tried to speak lightly, comfortingly, but something within the woman snapped shut like a door. Slowly she returned to the garden seat. For a moment she faltered, holding convulsively to it, then her eyes, blinded from within, closed.

Yet, later, when the mistress of Heartholm went back through the autumnal garden to the room where were the books and treasures of John Strang, she carried something in her hand. It was a lily bulb from which she and Berber hoped to bring into being a new and lovely flower. She took it into that room where for so many years the pictured eyes of her husband had met hers in mute questioning, and stood there for a moment, looking wistfully about her. Outside a light breeze sprang up, a single dried leaf rustled against the window-pane. Smiling wistfully upon the little flower-pot, Mrs. Strang set it carefully away in the dark.

FOOTNOTE:

[3] Copyright, 1920, by Harper & Brothers. Copyright, 1921, by Edwina Stanton Babcock.

GHITZA[4]

#By# KONRAD BERCOVICI

From _The Dial_

That winter had been a very severe one in Roumania. The Danube froze solid a week before Christmas and remained tight for five months. It was as if the blue waters were suddenly turned into steel. From across the river, from the Dobrudja, on sleds pulled by long-horned oxen, the Tartars brought barrels of frozen honey, quarters of killed lambs, poultry and game, and returned heavily laden with bags of flour and rolls of sole leather. The whole day long the crack of whips and the curses of the drivers rent the icy atmosphere. Whatever their destination, the carters were in a hurry to reach human habitation before nightfall--before the dreaded time when packs of wolves came out to prey for food.

In cold, clear nights, when even the wind was frozen still, the lugubrious howling of the wolf permitted no sleep. The indoor people spent the night praying for the lives and souls of the travellers.

All through the winter there was not one morning but some man or animal was found torn or eaten in our neighbourhood. The people of the village at first built fires on the shores to scare the beasts away, but they had to give it up because the thatched roofs of the huts in the village were set on fire in windy nights by flying sparks. The cold cowed the fiercest dogs. The wolves, crazed by hunger, grew more daring from day to day. They showed their heads even in daylight. When Baba Hana, the old gypsy fortune-teller, ran into the school-house one morning and cried, "Wolf, wolf in the yard," the teacher was inclined to attribute her scare to a long drink the night before. But that very night, Stan, the horseshoer, who had returned late from the inn and had evidently not closed the door as he entered the smithy, was eaten up by the beasts. And the smithy stood in the centre of the village! A stone's throw from the inn, and the thatch-roofed school, and the red painted church! He must have put up a hard fight, Stan. Three huge dark brown beasts, as big as cows' yearlings, were found brained. The body of big Stan had disappeared in the stomachs of the rest of the pack. The high leather boots and the hand that still gripped the handle of the sledgehammer were the only remains of the man. There was no blood, either. It had been lapped dry. That stirred the village. Not even enough to bury him--and he had been a good Christian! But the priest ordered that the slight remains of Stan be buried, Christian-like. The empty coffin was brought to the church and all the rites were carried out as if the body of Stan were there rather than in the stomachs of wild beasts.

But after Stan's death the weather began to clear as if it had been God's will that such a price be paid for His clemency. The cold diminished daily and in a few days reports were brought from everywhere on the shore that the bridge of ice was giving way. Two weeks before Easter Sunday it was warm enough to give the cows an airing. The air cleared and the rays of the sun warmed man and beast. Traffic on the frozen river had ceased. Suddenly one morning a whip cracked, and from the bushes on the opposite shore of the Danube there appeared following one another six tent wagons, such as used by travelling gypsies, each wagon drawn by four horses harnessed side by side.

The people on our side of the Danube called to warn the travellers that the ice was not thick enough to hold them. In a few minutes the whole village was near the river, yelling and cursing like mad. But after they realized that the intention was to cross the Danube at any cost, the people settled down to watch what was going to happen. In front of the first wagon walked a tall, grey-bearded man trying the solidity of the ice with a heavy stick. Flanking the last wagon, in open lines, walked the male population of the tribe. Behind them came the women and children. No one said a word. The eyes of the whole village were on the travellers, for every one felt that they were tempting Providence. Yet each one knew that Murdo, the chief of the tribe, who was well known to all, in fact to the whole Dobrudja, would not take such risks with his people without good reason.

They had crossed to the middle of the frozen river in steady fashion, when Murdo shouted one word and the feet of every man and beast stopped short. The crossing of the river had been planned to the slightest detail. The people on the shore were excited. The women began to cry and the children to yell. They were driven inland by the men, who remained to watch what was going on. No assistance was possible.

The tall chief of the gypsies walked to the left and chose another path on the ice. The movement continued. Slowly, slowly, in silence the gypsies approached the shore. Again they halted. Murdo was probing the ice with his stick. We could see that the feet of the horses were wrapped in bags, and instead of being shod each hoof was in a cushion made of straw. As Murdo felt his way, a noise at first as of the tearing of paper, but more distinct with every moment, came from somewhere in the distance.

"Whoa, whoa, Murdo, the ice is breaking!" every one began to shout excitedly. The noise grew louder and louder as it approached. One could hear it coming steadily and gauge how much nearer it was. The ice was splitting lengthwise in numberless sheets which broke up in smaller parts and submerged gaily in the water, rising afterwards and climbing one on top of the other, as in a merry embrace.

"Whoa, whoa, Murdo ..." but there was no time to give warning. With one gesture Murdo had given his orders. The wagons spread as for a frontal attack; the men seized the children and with the women at their heels they ran as fast as their legs could take them. On the shore every one fell to his knees in prayer. The strongest men closed their eyes, too horrified to watch the outcome. The noise of the cracking of the ice increased. A loud report, as of a dozen cannon, and the Danube was a river again--and all, all the gypsies had saved themselves.

It was a gay afternoon, that afternoon, and a gay night also for the whole village. It drank the inn out of everything. The gypsies had a royal welcome. To all questions of why he had dared Providence, Murdo answered, "There was no food for my people and horses. The Tartars have none to sell."

Murdo and his tribe became the guests of the village. His people were all lean. The men hardly carried themselves on their legs. Each one of them had something to nurse. The village doctor amputated toes and fingers; several women had to be treated for gangrene. The children of the tribe were the only ones that had not suffered much. It was Murdo's rule: "Children first, the horses next." The animals were stabled and taken charge of by the peasants. The gypsies went to live in the huts of the people in order to warm themselves back to life. Father liked Murdo, and so the old chief came to live with us. The nights were long. After supper we all sat in a semicircle around the large fireplace in which a big log of seasoned oak was always burning.

I had received some books from a friend of the family who lived in the capital of the country, Bucharest. Among them was Carlyle's Heroes and Hero-Worship, translated into French. I was reading it when Murdo approached the table and said, "What a small Bible my son is reading."

"It is not a Bible, it is a book of stories, Murdo."

"Stories! Well, that's another thing."

He looked over my shoulders into the book. As I turned the page he asked:

"Is everything written in a book? I mean, is it written what the hero said and what she answered and how they said it? Is it written all about him and the villain? I mean are there signs, letters for everything; for laughter, cries, love gestures? Tell me."

I explained as best I could and he marvelled. I had to give an example, so I read a full page from a storybook.

"And is all that written in the book, my son? It is better than I thought possible, but not so good as when one tells a story.... It is like cloth woven by a machine, nice and straight, but it is not like the kind our women weave on the loom--but it is good; it is better than I thought possible. What are the stories in the book you are reading? Of love or of sorrow?"

"Of neither, Murdo. Only about all the great heroes that have lived in this world of cowards."

"About every one of them?" he asked again. "That's good. It is good to tell the stories of the heroes."

He returned to the fireplace to light his pipe; then he came to me again.

"If it is written in this book about all the great heroes, then there must also be the record of Ghitza--the great Ghitza, our hero. The greatest that ever lived. See, son, what is there said about him?"

I turned the pages one by one to the end of the book and then reported, "Nothing, Murdo. Not even his name is mentioned."

"Then this book is not a good book. The man who wrote it did not know every hero ... because not Alexander of Macedon and not even Napoleon was greater than Ghitza...."

I sat near him at the fireplace and watched his wrinkled face while Murdo told me the story of Ghitza as it should be written in the book of heroes where the first place should be given to the greatest of them all....

* * * * *

About the birth of people, I, Murdo, the chief of the gypsy tribe which was ruled by the forefathers of my great-grandfather (who each ruled close to a hundred years)--about the birth of people, I, Murdo, can say this: That the seed of an oak gives birth to an oak, and that of a pine to a pine. No matter where the seed be carried by the winds, if it is the seed of an oak, an oak will grow; if it is the seed of a pine, a pine. So though it never was known who was the father of Ghitza, we knew him through his son. Ghitza's mother died because she bore him, the son of a white man--she, the daughter of the chief of our tribe. It was Lupu's rule to punish those who bore a child begotten from outside the tribe. But the child was so charming that he was brought up in the tent of one of our people. When Ghitza was ten years old, he worked alongside the men; and there was none better to try a horse before a customer than Ghitza. The oldest and slowest gathered all the strength it had and galloped and ran when it felt the bare boy on its back. Old mares frisked about like yearlings when he approached to mount them.

In his fifteenth summer he was a man, tall, broad, straight and lissom as a locust tree. His face was like rich milk and his eyes as black as the night. When he laughed or sang--and he laughed and sang all the time--his mouth was like a rose in the morning, when the dewdrops hang on its outer petals. And he was strong and good. If it happened that a heavy cart was stuck in the mud of the road and the oxen could not budge it, Ghitza would crawl under the cart, get on all fours, and lift the cart clear of the mud. Never giving time to the driver to thank him, his work done, he walked quickly away, whistling a song through a trembling leaf between his lips. And he was loved by everybody; and the women died just for the looks of him. The whole tribe became younger and happier because of Ghitza. We travelled very much those days. Dobrudja belonged yet to the Turks and was inhabited mostly by Tartars. The villages were far apart and very small, so we could not stay long in any place.

When Ghitza was twenty, our tribe, which was then ruled by my mighty grandfather, Lupu, happened to winter near Cerna Voda, a village on the other side of the Danube. We sold many horses to the peasants that winter. They had had a fine year. So our people had to be about the inn a good deal. Ghitza, who was one of the best traders, was in the inn the whole day. He knew every one. He knew the major and his wife and the two daughters and chummed with his son. And they all loved Ghitza, because he was so strong, so beautiful, and so wise. They never called him "tzigan" because he was fairer than they were. And there was quite a friendship between him and Maria, the smith's daughter. She was glad to talk to him and to listen to his stories when he came to the smithy. She helped her father in his work. She blew the bellows and prepared the shoes for the anvil. Her hair was as red as the fire and her arms round and strong. She was a sweet maid to speak to, and even the old priest liked to pinch her arms when she kissed his hand.

Then came spring and the first Sunday dance in front of the inn. The innkeeper had brought a special band of musicians. They were seated on a large table between two trees, and all around them the village maidens and the young men, locked arm in arm in one long chain of youth, danced the Hora, turning round and round.

Ghitza had been away to town, trading. When he came to the inn, the dance was already on. He was dressed in his best, wearing his new broad, red silken belt with his snow-white pantaloons and new footgear with silver bells on the ankles and tips. His shirt was as white and thin as air. On it the deftest fingers of our tribe had embroidered figures and flowers. On his head Ghitza wore a high black cap made of finest Astrakhan fur. And he had on his large ear-rings of white gold. Ghitza watched the dance for a while. Maria's right arm was locked with the arm of the smith's helper, and her left with the powerful arm of the mayor's son. Twice the long chain of dancing youths had gone around, and twice Ghitza had seen her neck and bare arms, and his blood boiled. When she passed him the third time, he jumped in, broke the hold between Maria and the smith's helper, and locked his arm in hers.

Death could not have stopped the dance more suddenly. The musicians stopped playing. The feet stopped dancing. The arms freed themselves and hung limply.

The smith's helper faced Ghitza with his arm uplifted.

"You cursed tzigan! You low-born gypsy! How dare you break into our dance? Our dance!" Other voices said the same.

Everybody expected blows, then knives and blood. But Ghitza just laughed aloud and they were all calmed. He pinned the smith's helper's arm and laughed. Then he spoke to the people as follows: