Chapter XIV: Front Matter (14)

Charles Lever, however, was not destined to blush unseen or waste his sweetness on a country practice. Appointed to the Legation at Brussels, he bounded from the dreary drudgery of a dispensary to the glittering gayety of an embassy, from the hideous squalor of the fever-reeking cabin to the coquettish gravity of the palatial sick-room. In “Belgium’s capital” the _cacoethes scribendi_ seized him, and the result was _Harry Lorrequer_. He awoke, and, like Lord Byron, found himself famous. The distinct portraiture, the brilliant style, the thoroughly Hibernian _ensemble_, claimed a well-merited success for the book, and, written at the right moment—how many good works have perished by being floated on an ebb tide!—the public, who had hitherto accepted Ireland through the clever but trashy effusions of Lady Morgan, and the more genuine metal of Maria Edgeworth and Samuel Lover, joyously turned towards the rising sun, and, seizing upon this genuine bit of shillelah, clamorously demanded a fresh sprig from the same tree. The wild dash, as exhilarating as “mountain dew,” the breezy freshness, the gay _abandon_ of society and soldiering, the “moving accidents by flood and field,” acted upon the jaded palates of the British public like a tonic, and _Harry Lorrequer_, instead of being treated as an _entrée_, became respected as the _pièce de résistance_. Harry’s appearance on parade with the Othello blacking still upon his face; Miss Betty O’Dowd’s visit to Callonby on the “low-backed car”; her desire of disowning the nondescript vehicle, and its being announced by her shock-headed retainer as “the thing _you know_ is at the doore”; the description of boarding-house life in Dublin sixty years ago; Mrs. Clanfrizzle’s, in Molesworth Street—the establishment is still in existence, and may be recognized in Lisle House; the “amateur hotel,” so graphically described by Mr. Lever; the picture of “dear, dirty Dublin” itself:

“Oh! Dublin, sure there is no doubtin’,
Beats every city upon the say;
’Tis there you’ll see O’Connell spoutin’
And Lady Morgan making tay”;

a night at Howth; the Knight of Kerry and Billy McCabe—form a succession of sketches teeming with vivacity, humor, and wit, and dashed off with a pen which almost makes a steeplechaser of the reader, so exciting and so rapid is the pace.

To Lever’s official career at Brussels we are indebted for several diplomatic portraits, notably those of Sir Horace Upton (_The Fortunes of Glencore_) and Sir Shally Doubleton (_A Day’s Ride_); the former of “a very composite order of human architecture, chivalrous in sentiment and cunning in action, noble in aspiration and utterly sceptical as regards motives, deep enough for a ministerial dinner and fast enough for a party of young guardsmen at Greenwich,” and the latter who could receive a Foreign Office “swell” thus: “Possibly your name may not be Paynter, sir; but you are evidently before me for the first time, or you would know that, like my great colleague and friend, Prince Metternich, I have made it a rule through life never to burden my memory with what can be spared it, and of these are the patronymics of all subordinate people; for this reason, sir, and to this end, every cook in my establishment answers to the name of Honoré, my valet is always Pierre, my coachman Jacob, and all Foreign Office messengers I call Paynter.” Upon the small-fry of diplomacy Mr. Lever is occasionally very severe, and his pictures of life at Hesse Kalbbratonstadt and similar unpronounceable principalities are as amusing as they are possibly realistic.

The success of _Harry Lorrequer_ set its author at quill-driving in the same direction, and _Charles O’Malley, or The Irish Dragoon_, was given to the world. The very name sounds “boot and saddle”—rings of the spur and clanks of the sabre. What a romance: the high-spirited lad who leads his rival to the jaws of the grave in the hunting-field, and follows him in a ride of death against the unbroken front of Cambronne’s battalions on the blood-stained field of Waterloo! What a picture of the old Peninsular days! What portraits of _Le petit Caporal_, as the French army loved to call Napoleon, of the “Iron Duke,” the gallant Picton, and the great captains of that eventful period! What glimpses of dark-eyed señoritas and haughty hidalgos; of lion-hearted sons of Erin charging to the cry of _Faugh a ballagh_, and leading forlorn hopes with saucy jokes upon their laughing lips; of “Connaught Robbers,” as the Connaught Rangers were jocosely called, on account of the number of prisoners which they invariably made, and for the most part single-handed; of Brussels the night before Waterloo; and of the Duchess of Richmond’s celebrated ball:

“There was a sound of revelry by night,
And Belgium’s capital had gathered then
Her beauty and her chivalry, and bright
The lamps shone o’er fair women and brave men.”

What pictures of old Ireland—of Daly’s Club-House, the resort of the Irish members in College Green, still standing, but now converted into insurance offices. “I never pass the old club,” said Sir Thomas Staples, the last surviving member of the Irish House of Commons, to the writer, “without picturing it as I remember it, when Grattan, and Curran, and Ireland’s best blood strolled in after a fiery debate, or rushed out on the whisper of that awful word, ‘division.’ Very little would restore Daly’s to its original shape; and who knows but it may yet be revived, if repeal of the Union be carried?” Sir Thomas Staples is dead some years, and the Home-Rule question had not come to the front whilst he was yet numbered amongst the living. Shall we behold an Irish Parliament sitting once again in College Green? Shall Daly’s club be restored to its former splendor? Shall we see Mr. Butt, Mr. Sullivan, Mr. Mitchell Henry, with many other earnest sons of Ireland, enrolled amongst its members?

Who can forget the account of Godfrey O’Malley’s election, when, in order to avoid arrest for debt, he announced his own death in the papers, and, having travelled in the hearse to Connemara, reached his stronghold in the west, where bailiffs and process-servers foolhardy enough to cross the Shannon were compelled to eat their own writs under penalty of tar and feathers, and from whence he triumphantly addressed his constituents, appealing to their sympathies and support on the very powerful plea of _having died for them_? There is a story extant of Jackey Barrett which has not travelled far, if at all, beyond the walls of Trinity. Upon one occasion the vice-provost was dining off roast turkey in the glorious old Commons Hall, and next to him sat his nephew, the heir expectant to his enormous wealth. The turkey was somewhat underdone, and the nephew sent the drumsticks to be devilled. Some little delay occurred, which caused the vice-provost to observe to his kinsman with a malicious grin: “That devil is keeping you a long time waiting.” “Not half as long as _you_ are keeping the devil waiting,” was the retort. Jackey never forgave him. What a creation is Mickey Free, that devoted, warm-hearted, rollicking Irish follower, that son of song and story, who, by his own account, sang duets with the commander-in-chief in the Peninsula, and wore a masterpiece of Murillo for a seat to his trousers! Mickey was quoted recently, during a debate in the British House of Commons on the Eastern question by Major O’Gorman, the jester-in-chief, _vice_ Mr. Bernal Osborne, the rejected of Irish constituencies:

“For I haven’t a janius for work—
It was never a gift of the Bradies;
But I’d make a most illigant Turk,
For I’m fond of tobacco and ladies.”

The House roared, and even Mr. Disraeli, that was, allowed his parchment visage to snap into smiling. Charles Lever informed the writer that he originally intended Mickey Free for a mere stage servant, who comes on with a tray or exits with a chair or a table; but upon discovering that Mr. Free had made his mark he wrote him up. “I never could give a publisher a complete novel all at once,” said Mr. Lever, “although I have been offered very large sums of money for one; I always wait to see how my public like me, and write from month to month, trimming my sails to suit the popular breeze.”

_Charles O’Malley_ was a brilliant success. A spirit of martial enthusiasm inflated the minds of the rising generation, until to be a dragoon became the day-dream of existence, and many an embryo warrior who failed in obtaining a commission compromised with a cruel destiny by accepting the queen’s shilling. The charm of the book is complete; and for break-neck, dashing narrative, for wit, sparkle, and genuine Irish drollery, interspersed here and there with tender touches of pathos and soft gray tones of sorrow, _Charles O’Malley_ stands unrivalled, and will hold its own when hundreds of so-called Irish romances shall have returned to the dust out of which they should never have emerged, even into a spasmodic vitality.

Perhaps the only smart thing ever uttered by King George III. was when he taxed Sheridan with being afraid of the author of the _School for Scandal_; and perhaps Lever was afraid of the author of _Charles O’Malley_, as he published _Con Cregan_, _Maurice Tiernay_, _Sir Jasper Carew_, and one or two other novels anonymously; but a quickwitted public, detecting the ring of the true metal, compelled “Harry Lorrequer” to stand revealed. Novel followed novel in quick succession, Ireland providing the mine from which he dug his golden ore; and although he carries his readers to fairer climes and sunnier skies, somehow or other he contrives to land them safely and soundly in the “ould counthry” at last. We have not space, nor is it our province, to deal with Lever’s works in detail. No modern productions of fiction have gained a greater or more popular reputation for their writer. By no Irish author is he equalled in Irish humor, by no author is he surpassed in unwearying narrative. The foreign tone infused into some of his later productions is due to his residence in Italy. “You wish to have nothing to do, Lever? There is eight hundred a year; go and do it,” said the late Lord Derby, bestowing the vice-consulship of Spezzia upon him. Later on he was promoted to Trieste.

For a time Charles Lever edited the _Dublin University Magazine_, then a coruscation of all that was brilliant in literature. He resided at the village of Templeogue, situated in the lap of the Dublin mountains, with Sugar Loaf at one extremity, and Mount Pelier, with its ruined castle renowned for the orgies of the infamously-celebrated “Hell-fire Club,” at the other. Templeogue Lodge was the Mecca towards which all “choice spirits” devoutly turned, and the wit, repartee, song, jest, and story circulated within its walls made the _Noctes Ambrosianæ_ but dull affairs in comparison. “One little room rises to recollection, with its quaint old sideboard of carved oak, its dark-brown cabinets, curiously sculptured, its heavy old brocade curtains, and all its queer devices of knick-knackery, where such meetings were once held, and where, throwing off the cares of life—shut out from them, as it were, by the massive folds of the heavy drapery across the door—we talked in all the fearless freedom of old friendship.” There are a few still surviving who will recognize that room, and recall with a throb of painful pleasure the nights at the little lodge at Templeogue.

Lever was fond of portraying banished heroes, misanthropes—men who had dug their own graves, or, overtaken by some whirlwind of misfortune, “gave signs that all was lost.” The character of Lord Glencore is admirably drawn, and his life of torture in his mad cry for vengeance fearfully vivid. _Luttrell of Arran_ is the story of a disappointed life, from out of which springs a bright flower of maidenhood—Kate, one of Lever’s most charming creations. Again, we have the _Knight of Gwynne_, over whose gentle head wave after wave of hard fortune pitilessly breaks, and, driven from the lordly home of his ancestors to a sheeling by the sad sea-wave, he is as cheerful in adversity as he was noble in prosperity. The portrait of the fire-eating Bagenal Daly is not overdrawn, and the introduction of Freeny the robber, although highly melodramatic, is not only possible but probable. Freeny’s “character” stood remarkably high. He would rob a rich miser to save a poor family from starvation, and his word was as good as his bond; ‘98 turned many a man upon the king’s highway who, but for being “out,” would have lived respecting and respected. The _Martins of Cro’ Martin_ is another ghastly narrative of the wreck and ruin of a proud old Irish race. It is “an owre true” story. A few miles outside of the town of Galway, on the road to Oughterard, stand two gaunt pillars surmounted by granite globes. The gates have disappeared, as also the armorial bearings; but this was formerly the entrance to Ballinahinch, the seat of the “ould, anshint” Martins, and from that gate to Ballinahinch Castle was a drive of forty Irish miles. The castle, situated in one of the loneliest and loveliest valleys in Connemara, was maintained in a style of regal magnificence, the stables, marble-stalled, affording accommodation for sixty hunters. On an island, in the centre of a small lake opposite the castle, stands a desolate, half-ruined keep, within the four walls of which such of his retainers or neighbors as proved refractory were imprisoned by “The Martin” of the period. Recklessness and improvidence scattered the broad acres, mortgage overlapped mortgage, and every inch of the grand old estate became the property of the London Law Life Assurance Society. Notably the last of the family was Richard Martin, commonly known as “Humanity Dick,” in reference to a bill introduced by him into the British House of Commons for the repression of cruelty to animals. Upon the occasion of its introduction the English members essayed to cough him down. “I perceive,” said Mr. Martin, “that many of you seem troubled with severe coughs; now, if any _one_ gentleman will cough distinctly, so that I may be able to recognize him, I can give him a pill which may, perhaps, effectually prevent his ever being again troubled with a cough on this side of the grave.” Mr. Martin’s prescription was at once effectual.

With “Humanity Dick’s” granddaughter perished the race; and her name is still breathed in Connemara as a prayer, as one “who never opened a cabin-door without a blessing, nor closed it but to shut hope within.” The farm-house where she was nursed is still fondly pointed out, and “Miss Martin’s lep”—she was a superb horsewoman—is proudly shown to every “spalpeen” of an Englishman who travels that wild, bleak, and desolate road between Oughterard and Clifden. Mr. Lever, with that magic all his own, has told the sad story. _His_ Mary Martin is but the portrait of that fair young Irish girl who dearly loved “her people” unto the last, and who, in the bright blossom of her life, died an exile from that western home which was at once her idol and her pride. Where but in Ireland could this sad and solemn gathering around the bedside of a dying girl take place?

“And yet there was a vast multitude of people there. The whole
surface of the lawn that sloped from the cottage to the river
was densely crowded with every age, from the oldest to the very
infancy; with all conditions, from the well-clad peasant to the
humblest ‘tramper’ of the highroads. Weariness, exhaustion, and
even hunger were depicted on many of their faces. Some had
passed the night there, others had come long distances, faint
and foot-sore; but, as they sat, stood, or lay in groups around,
not a murmur, not a whisper, escaped them. With aching eyes they
looked towards an open window where the muslin curtains were
gently stirred in the faint air. The tidings of Mary Martin’s
illness had spread rapidly; far-away glens down the coast,
lonely cabins on the bleak mountains, wild, remote spots out of
human intercourse, had heard the news, and their dwellers had
travelled many a mile to satisfy their aching hearts.”

This is Ireland. This is the undying affection of the people for the “rale ould stock.” This is the imperishable sentiment, as fresh at this hour as the emerald verdure upon the summit of Croagh Patrick.

In _A Day’s Ride: a Life’s Romance_, Mr. Lever has given us Algernon Sydney Potts—one of those romantic visionaries who believe in destiny, bow to their _Kismet_, and, going with the tide, clothe the meanest accidents of life in dreamy panoply. The adventures which befall the Dublin apothecary’s son, from his ride in Wicklow to his imprisonment in an Austrian fortress, are as varied as they are exciting, and we are strongly inclined to believe that Lever, “letting off” a good deal of Bohemia, is at his best in the wild vagaries of this reckless day-dreamer. _Tom Burke of Ours_ is a dashing military story, as is also _Jack Hinton, the Guardsman_. _The O’Donoghue_ is charmingly written and is thoroughly Irish. _That Boy of Norcott’s_ is unsatisfactory. Commencing in Ireland, it wanders from the old country with the evident intention of returning to it; but a change came o’er the spirit of the author’s dream, and it bears all the imprint of having been hastily written, a changed venue, and of being “hurried up” at its conclusion. _Sir Brook Fosbrooke_, on the other hand, bears traces of the utmost care, the details of character being worked out with microscopic minuteness. The old lord chief-justice is supposed to have been meant for Lord Chief-Justice Lefroy, of the Court of Queen’s Bench in Ireland, who died at a very advanced age a few years since, in full possession of the astounding legal acumen which marked his extended career at the bar, and subsequently upon the bench.

The writer spent a long-to-be-remembered day with Charles Lever in the April before his death. He was stopping in Dublin at Morrison’s Hotel, Dawson Street. We found him seated at an open window, a bottle of claret at his right hand and the proof-sheets of _Lord Kilgobbin_ before him. It was a beautiful morning borrowed from the month of May; the hawthorns in the college park were just beginning to bloom, and nature was young and warm and lovely.

At the date of our visit he looked a hale, hearty, laughter-loving man of sixty. There was mirth in his gray eye, joviality, in the wink that twittered on his eyelid, saucy humor in his smile, and bon mot, wit, repartee, and rejoinder in every movement of his lips. His hair very thin, but of a silky brown, fell across his forehead, and when it curtained his eyes he would jerk back his head—this, too, at some telling crisis in a narrative when the particular action was just the exact finish required to make the story perfect. Mr. Lever’s teeth were all his own, and very brilliant, and, whether from habit or accident, he flashed them upon us in company with his wonderful eyes—a battery at once both powerful and irresistible. He spoke slowly at first, but warming to his work, and candying an idea in a short, contagious, musical laugh, his story told itself all too rapidly, and the light burned out with such a glare as to intensify the succeeding darkness. Like all good _raconteurs_, he addressed himself deferentially to his auditor in the beginning, and as soon as the fish was hooked, the attention enthralled, he would speak as if thinking aloud. Mr. Lever made great use of his hands, which were small and white and delicate as those of a woman. He made play with them—threw them up in ecstasy or wrung them in mournfulness, just as the action of the moment demanded. He did not require eyes or teeth with such a voice and such hands; they could tell and illustrate the workings of his brain. He was somewhat careless in his dress, but clung to the traditional high shirt-collar, merely compromising the unswerving stock of the Brummel period. “I stick to my Irish shoes,” he said, thrusting upwards about as uncompromising a “bit of leather” as we have ever set eyes on right under our nose, “and until a few years ago I got them from a descendant of the celebrated Count Lally, who cobbled at Letterkenny. There is no shoe in the world equal to the Irish brogue.”

“You are ‘taking time by the forelock,’ as we say in the play,” said the writer, pointing to the rough copy of the _Cornhill Magazine_, in which the story was running.

“Always at the heel of the hunt,” he replied. “This is the May number, and not corrected yet.”

“I consider _Lord Kilgobbin_ as good as, if not better than, anything you have written.”

There was unutterable sadness in his tone and gesture as he said, with a weary sigh:

“Ah! I have been tilting the cask so long that the lees are coming out very muddy.”

“Which of your novels do you like best?” was asked.

“Well, my most careful work is _Sir Brook Fosbrooke_, but I prefer the _Dodd Family Abroad_, and all for the sake of Carry Dodd, who is my ideal of a pure, bright, charming Irish girl.”

Further on:

“You are the same reckless, rollicking, warm-hearted, improvident people as when I left you, and the lower orders entertain the same hatred of Saxon supremacy. I was walking down College Green yesterday, and as I stood opposite the old Parliament House, a troop of dragoons, in all their panoply of glancing helmets, blood-red coats, and prancing steeds, trotted past. A ragged, tatterdemalion carman was feeding a horse only fit for the knacker’s yard, attached to an outside car, with a wisp of hay.

“‘What regiment is that?’ I asked, partly from curiosity, partly for the sake of a conversation.

“‘Sorra a know I know,’ was the gruff response.

“‘Where are they going to?’

“Without raising his head, and giving a vicious chuck to the hay:

“‘To h—l, I hope.’

“I will give you another illustration,” continued Mr. Lever, “of how determinedly the lower order of my countrymen disparage anything and everything English. I was invited to spend some days with the late Lord Carlisle, twice your Lord Lieutenant, at Castle Howard, in Yorkshire. I had at that time an Irish servant, a son of Corny Delany, to whom grumbling was chronic. As we drove through the magnificent avenue beneath the extending branches of giant oaks and lordly elms, I observed to my follower: ‘What do you think of those trees?’

“‘I see thim.’

“‘Are they not splendid?’

“‘Och! threes is threes anywhere.’

“‘But the Howards are proud of these trees; they are the finest in England. Lord Carlisle sets great store by them.’

“‘Arrah, thin, why wudn’t he have the hoighth av fine threes? Shure hadn’t he the _pick av the Phaynix Park_?’

“I was dining with Judge —— on Sunday, who, as you know, is a very diminutive, shrivelled-up-looking little man,” continued Mr. Lever, “and he told me an amusing story. When attorney-general, he purchased an estate in Tipperary near Clonmel. Shortly after the purchase he resolved upon paying the place a visit to take a look at his recent acquisition. As he was proceeding with his agent through a _boreen_ which led to mearings of his property, he overheard the following conversation between two old women:

“‘Wisha, thin, d’ye tell me that’s the new landlord, Missis Mulligan?’

“‘Sorra a lie in it, ma’am.’

“‘That dawny little bit av a crayture?’

“‘A leprechaun, no less.’

“‘_Why, begorra, the boys might as well be shootin’ at a jacksnipe._’”

Mr. Lever’s conversational powers were simply marvellous; his anecdotes fell like ripe fruit from an overladen tree. In London his great delight was a night at the Cosmopolitan Club, Berkeley Square. This club is only open upon Wednesday and Sunday nights during the Parliamentary session. The members stroll in from eleven o’clock at night to about three o’clock A.M. Cabinet ministers, ambassadors of all nations, members of the legislature, eminent _littérateurs_, Royal Academicians, repair thither for a gossip; and here, amidst the best talkers in the world, Charles Lever stood pre-eminent. As the wits and _raconteurs_ at Will’s Coffee House were silent whilst Joseph Addison talked _Spectator_, so the members of the Cosmopolitan maintained a breathless attention when Charles Lever talked _Cornelius O’Dowd_; and many a man has “dined out considerably” upon a _mot_, and has, perhaps, established a reputation, by the retailing of an anecdote recounted within the _salons_ of the club by the inimitable and fascinating “Harry Lorrequer.” When the writer parted with Lever upon that evening, he felt justifiably elated at being enabled to amuse, if not astonish, the most brilliant man of the day, but, upon a rigid self-examination, was somewhat disappointed upon discovering that, instead of his having been engaged in entertaining Lever, Lever had been entertaining _him_, and that he had not uttered a single sentence out of the veriest commonplace. Such was the charm of Lever’s manner that he took you, as it were, from out yourself, and for the time infused his own groove of thought, causing your ideas to mingle with his and float joyously onward upon the glittering current of his conversation. Lever was a devoted worshipper of the “sad solemnities of whist,” playing rubber after rubber up to any and all hours. It is related that an eminent wearer of the ermine, a fellow of Trinity College, a gallant field officer, and Lever met, dined early, and played whist until the hour at which the train departed for Kingston by which “Harry Lorrequer” was to leave _en route_ for London. “Come on to Kingston,” said Lever, “sleep at the Anglesea Arms Hotel, and I will not go until the morning boat.” They played all night and until one o’clock next day. _Si non e vero e ben trovato_, but the writer has the story from unimpeachable authority.

Charles Lever’s _last_ novel, concluded shortly before his death, is _Lord Kilgobbin_. Let its unutterably sad preface speak for itself:

“To the memory of one whose companionship made the happiness of a long life, and whose loss has made me helpless, I dedicate this book, written in breaking health and broken spirits. The task that once was my joy and my pride I have lived to find associated with my sorrow. It is not, then, without a cause I say, I hope this effort may be my last.—TRIESTE, January 20, 1872.”

It is with a pang of regret that we peruse the _Cornelius O’Dowd_ papers. They are tinged with that abominable spirit which is sending Italy at the present hour to perdition, and we greatly fear that Mr. Lever wrote them for the London market. He was no bigot, however; on the contrary, his life was passed amongst Catholics, and his dearest and best friends were of the true church; consequently, the pain is intensified when we come to stand face to face with the fact that these papers were, if not the outcome of a pecuniary necessity, at least the result of a craving for money, and the hollow effusions of a hirelingpen. His Italian sojourn led him gradually away from the more kindly tone towards Catholics which pervaded his earlier Irish novels.

Lever and Griffin have been compared as writers of Irish fiction. We would rather have been the author of _The Collegians_ than of any work of Mr. Lever’s. There is a virgin simplicity in Gerald Griffin’s style that “Harry Lorrequer” could not touch; an atmosphere which he could not breathe; a purity which, while the _morale_ of Lever’s writings is unimpeachable, is of that order that is so rarely attained by the most chaste and most elevated amongst our writers of fiction. Griffin’s Irish is not stagy—it is real; so, too, is Lever’s. But while the former paints the portrait, leaving the imagination of the reader to put in the finishing touches, the latter rubs in a laugh here or a keen thrust there, so as to dramatize the picture; and, while it is more vivid during perusal, the mind falls back upon the other for less exciting _pabulum_.

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ORDER.

FROM A POEM BY ST. FRANCIS D’ASSISI.

_Our Lord Speaks_:

And though I fill thy heart with warmest love,
Yet in true order must thy heart love me;
For without order can no virtue be.
By thine own virtue, then, I from above
Stand in thy soul; and so, most earnestly,
Must love from turmoil be kept wholly free.
The life of fruitful trees, the seasons of
The circling year, move gently as a dove.
I measured all the things upon the earth;
Love ordered them, and order kept them fair,
And love to order must be truly wed.
O soul! why all this heat of little worth?
Why cast out order with no thought or care?
For by love’s warmth must love be governèd.

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THE LITTLE CHAPEL AT MONAMULLIN.

Situated in the wildest portion of the county of Mayo, Monamullin, at the date upon which this story opens, mustered about forty mud-cabins erected here and there, and in such positions as were deemed most suitable, having regard to the cruel winds from the ocean, and the “bit o’ ground” for the cultivation of the potatoes.

A cottage covered with a crisp amber thatch, and whitewashed to the color of the driven snow, held the post of honor in the village. It boasted a flower-garden in front and a vegetable patch in the rear. Moreover, it was guarded by a neatly-cropped privet hedge, while a little green gate admitted to a red-bricked pathway leading to a rustic porch adorned with roses that seemingly bloomed the whole year round, and a Virginia creeper whose leaves were now the hue of blood.

In the front garden, his head bared, the rays of the setting sun surrounding it as with an aureole, stalked a man attired in the black flowing soutane of a Catholic clergyman.

Father Maurice O’Donnell, the parish priest, was engaged in reading his office from a tattered and dog’s-eared breviary. Tall and thin almost to emaciation, there was yet a wiry swing in his gaunt frame that spoke of unfaded vigor, whilst the glowing fire in the dark blue eye told its own tale.

“Father Maurice” was loved and cherished by his little flock. His every want—and his wants were few enough—was anxiously anticipated. His patch of oats was tilled, weeded, cut, and stacked, his cottage thatched and whitewashed, his potatoes planted, his pony treated as common property in so far as fodder was concerned, while upon fast-days the “finest lump av a salmin” or the “illigantest” turbot, ever found its way to the back door of “The House,” as his humble abode was somewhat grandiloquently styled.

Maurice O’Donnell was wrapped up in his flock. In good sooth he was their shepherd. Night, noon, and morning found him ever watchful at “the gate in the vineyard wall.” He was the depositary of all their griefs, the sharer in all their joys—their guide, philosopher, and friend. In worldly matters he was simple as a child. Living, as he did, out of the world, he was perfectly contented to learn what was whirling round within it from the pages of the _Nation_, from the columns of which it was his practice to read aloud on Sunday afternoon to a very large muster, if not to the entire adult population, of Monamullin—in summer time seated in a coign of vantage by the sad sea-wave, in winter opposite a rousing turf fire laid on especially for the important occasion, and with a great display of ceremony by his housekeeper, “an ould widdy wumman” rejoicing in the name of Clancy, whose husband had been lost at sea in the night of “the great storm.”

Father Maurice never asked for money—he had no occasion for it. His solitary extravagance was snuff, and the most sedulous care was taken by the “boys” returning from Castlebar or Westport to fetch back a supply of “high toast,” in order that his “riverince’s box” might stand constantly replenished.

Upon this particular August evening Father Maurice was hurrying through his office with as much rapidity as the solemn nature of the duty would permit, as a drive of no less than seven honest Irish miles lay between him and his dinner.

The even tenor of his life had been broken in upon by an invitation to dine and sleep at the palatial residence of Mr. Jocelyn Jyvecote, a Yorkshire squire, who had purchased the old acres of the Blakes of Ballinacor, and who had recently expended a fabulous sum in erecting a castle upon the edge of a gloomy lake in the desolate valley of Glendhanarrahsheen. In his letter of invitation Mr. Jyvecote had said: “I am extremely desirous of introducing my youngest daughter to you, as she has taken it into her head to go over to your church; and, since you are so devoted to _her_ interests, I beg of you to accept this invitation as you would undertake a little extra duty.”

To decline would be worse than ungracious, especially under the peculiar circumstances of the case, and it was with a heavy heart, and not without a keen debate with Mr. Lawrence Muldoon, the “warm” man of the village, in which the _pros_ and _cons_ were duly and gravely weighed, that the worthy priest replied in the affirmative. While Father Maurice was engaged in pacing his little garden, Mrs. Clancy, his housekeeper, was calmly preparing for a steady but copious enjoyment of her evening meal in the kitchen, which from floor to ceiling, from fireplace to dresser—shining again with crockery of the willow pattern—was, to use her own expression, “as nate as a new-biled egg.” A large brown earthenware teapot had just been promoted from the hob to a table “convaynient” to the window. A huge platter of stirabout, with a lump of butter oiling itself in the middle, stood within easy reach of her right hand, while a square of griddle-bread occupied a like position upon her left, and a wooden bowl full of jacket-bursted potatoes formed the near background.

Mrs. Clancy was strong upon tea, and in the village her opinion upon this as upon most other subjects was unwritten law. She was particularly fond of a dash of green through a full-flavored Pekoe, preparing the mixture with her own fair hands with a solemn gravity befitting so serious an undertaking. She was now about to try a sample of Souchong which had just arrived from Westport, and her condition of mind was akin to that of an analytical chemist upon the eve of some exceedingly important result.

Mrs. Clancy had seated herself in that cosy attitude peculiar to elderly females about to enjoy, to them, that most inviting of all meals, and had already ascertained, upon anxious reference to the teapot, that its contents had been sufficiently drawn, when the door was thrust somewhat violently open, and Murty Mulligan, the “priest’s boy,” unceremoniously entered the _sanctum_.

Murty was handy-man and _factotum_. He “swep out” the chapel, rang the bell, attended Mass, groomed the pony, dug the potatoes, landed the cabbage, and made himself generally useful.

Although designated a “boy,” he had allowed—not that he could claim any particular option in the matter—some forty-five summers to roll over his head, every one of which, in addition to their attendant winters, had been passed in the peaceful little village of Monamullin. His travels had never extended further than Westport, which he regarded as a vast commercial seaport—a Liverpool, in fact—and it was his habit to place it in comparison with any city of note that might come upon the _tapis_, extolling its dimensions and dilating upon its unlimited importance.

Murty’s appearance savored much of the stage Irishman’s. His eyes sparkled comically, his nose was tip-tilted—Mr. Tennyson will excuse the application of the simile—while his mouth was large and always open. His forehead was rather low, and his ears stood out upon either side of his head like the orifices of air-shafts. He was now arrayed in his bravest attire, as he had been told off to drive his reverence to Moynalty Castle. His brogues were as highly greased as his hair, and his Sunday—last Mass—clothes, consisting of a gray frieze body-coat with brass buttons, a flowered silk waistcoat, corduroy knee-breeches, and blue worsted stockings, looked as fresh as if they had been donned for the first time.

Not a little vain of the importance of his office, combined with the general effect of his appearance, he swaggered into the kitchen in a manner totally at variance with his usual custom, as Mrs. Clancy was every inch queen of this realm, and a potentate who exercised her prerogative with right royal despotism.

The “consait” was considerably taken out of Murty by being met with an angry, contemptuous stare and “What ails ye, Murty Mulligan?”

“It’s time for to bring round the yoke, ma’am,” replied Murty in an abashed and respectful tone, eyeing the teapot with a wistful glance, as he was particularly partial to a cup of the beverage it distilled, especially when brewed by Mrs. Clancy.

“Well, av it is, bring it round,” was the tart rejoinder.

“I dunna how far he’s upon his office,” said Murty.

“Ye’d betther ax, Murty Mulligan.”

“I dar’n’t disturb him, Mrs. Clancy, an’ ye know that as well as I do meself, ma’am.”

“Well, don’t bother me, anyhow,” observed the lady, proceeding to pour out a cup of tea.

“Is that the tay I brought ye from Westport, ma’am?” demanded Murty, upon whom the sight of the rich brown fluid and its pungent aroma were producing longing effects.

Mrs. Clancy took a preliminary sip with the sound of a person endeavoring to suck a coy oyster from a clinging shell.

“Sorra worse tay I ever wetted,” she retorted. “There’s no more substance in it nor in chopped sthraw. I’ll never take a grain o’ tay out o’ Westport agin—sorra a wan.”

“I done me best for ye, anyhow, ma’am. I axed Misther Foley himself for the shupariorest tay in the town, an’ he gim me what’s in that pot; an’, faix, it smells rosy an’ well.” And Murty sniffed, as if he would drive the aroma up through his nostrils out to the top of his head.

Mrs. Clancy turned to Murty with a frowning and ominous aspect, the glare of an intense irritation blazing in her face.

“Do ye know what I think ye done, Murty Mulligan? It’s me belief ye done it, an’ if ye tuk the buke to the conthrairy I wudn’t credit ye,” placing her arms akimbo and fixing him with her eye.

“What is it I done, Mrs. Clancy?” demanded Murty boldly, flinging his caubeen upon the floor and assuming a defiant attitude. “What is it I done, ma’am?”

The housekeeper regarded him steadily, while she said in a slow and solemn tone of impeachment:

“Ye got me infayrior tay, an’ ye tuk a pint out av the change.”

It was Murty’s turn to become indignant now.

“I’d scorn for to do the likes of so mane an action, Mrs. Clancy. There’s them that wud do the like, but I’d have ye know, ma’am, that me father’s son wud rather be as dhry as a cuckoo, ma’am, nor demane himself in that way. Yer sentiments, ma’am, is very hurtful to me feelin’s, an’ I’d as lieve ye’d call me a thief at wanst, ma’am, as for to run down me karakter in that a-way.”

“I don’t want for to call ye nothin’, but I repate that—”

“Don’t repate nothin’, ma’am. Av ye wur a man I’d give ye a crack in the gob for daarin’ to asperge me karakter, more betokin all for the sake av the filthy lucre av a pint of porther. Porther, indeed!” added Murty. “I’m goin’ to-day, ma’am, where I’ll get me fill av port wine, an’ sherry wine, and Madayrial wine, ma’am; an’ dickins resave the word I’ll tell ye av the goin’s-on at the castle beyant for yer thratemint av me this blessed evenin’, Mrs. Clancy.”

This threat upon the part of Murty threw the housekeeper into the uttermost consternation. The proceedings at Moynalty Castle were fraught with the deepest interest to her; for in addition to her personal curiosity, which was rampant, it was necessary that she should become acquainted with everything that took place, in order to retail her special knowledge to her cronies in the village, who awaited the housekeeper’s report in eager and hopeful expectation.

Had she burnt her boats? Had she cut down the bridge behind her?

Murty Mulligan’s tone was resolute.

“Murty, Murty avic! shure it’s only jokin’ I was—sorra a more,” she said in a coaxing way.

Murty grunted.

“Shure yer welkim to yer pint av—”

Murty confronted her:

“I tell ye, Missis Clancy, that I tuk nothin’, nayther bit, bite, nor sup, from the time I et me brekquest till I met Misther Fogarty’s own boy, and he thrated me. Av I tuk a pint out av yer lucre, ma’am, I’d say it at wanst, wudout batin’ about the bush.”

“That’s enough, Murty; say no more about the tay. They gev ye a bad matarial, Murty, an’ shure that’s none o’ you’re fault. Here,” she added, pouring out a saucerful—the saucer being about the dimensions of a large soup-plate—and presenting it to him; “put that to yer mouth an’ say is it worth three hapence an ounce?”

“Sorra a care I care,” growled Murty, but in a much softer tone.

“Thry it, anyhow,” urged the housekeeper.

“I don’t care a _thraneen_ for tay, Mrs. Clancy,” said Murty, throwing a glance full of profound meaning towards a small press in which Mrs. Clancy kept a supply of cordials.

“Ah!” exclaimed that lady, “I see be the twist in yer eye that ye want somethin’ to put betune yer shammy an’ the cowld. Ye have a long road to thravel, Murty, so a little sup o’ ginger cordial will warm it for ye, avic.” And while the now thoroughly pacified Murty gently remonstrated, Mrs. Clancy proceeded to the cupboard, and, pouring a _golliogue_ of the grateful compound into a tea-cup, handed it to Murty, who tossed it off with a smack that would have started a coach and four.

“So ye’ll stop the night at the castle?” observed the housekeeper in a careless tone.

“Yis, ma’am.”

“It’s a fine billet, Murty.”

“Sorra a finer. Shure it bates Lord Sligo’s an’ Mitchell Hinry’s beyant at Kylemore; an’ as for atin’ an’ dhrinkin’, be me song they say that lamb-chops is as plentiful as cabbages is here, an’ that there’s as much sperrits in it as wud float ould Mickey Killeher’s lugger.”

“It’s a quare thing for Misther Jyvecote for to be axin’ Father Maurice to a forrin’ cunthry like that, Murty.”

“Troth, thin, it is quare, ma’am; but, shure, mebbe he wants for to be convarted.”

“That must be it; an’ he’d be bet intirely, av Father Maurice wasn’t there for to back his tack. His sermon last Sunda’ was fit for the Pope o’ Room.”

“I never heerd the like av it. It flogged Europe. Whisht!” suddenly cried Murty, “who’s this comin’ up the shore?”

“It’s a forriner,” exclaimed the housekeeper, after a prolonged scrutiny—meaning by the term foreigner that the person who was now approaching the cottage was not an inhabitant of the village. “A fine, souple boy,” she added admiringly.

“It’s a gintleman, an’ he has a lump av a stick in his hand,” said Murty.

“Arrah! what wud bring a gintleman _here_, ye omadhawn?” observed Mrs. Clancy with some asperity.

“A thraveller, thin,” suggested her companion. “He’s a bag on his back.”

“Troth, it’s badly off he’d be for thravellin’, if he come here for to do the like.”

“He’s makin’ for the gate.”

“He’s riz the latch.”

“I’ll run out, Mrs. Clancy, and bring ye the hard word, while ye’d be axin’ for the lind av a sack.”

“Ay, do, Murty avic; an’ I’ll have a cup av Dimpsy’s tay wet be the time yer back.”

* * * * *

Father Maurice had just finished the perusal of his office, and was in the act of returning to the house, when the stranger approached him.

“Father Morris?” said the new-comer, lifting his hat.

“Maurice O’Donnell, at your service, sir,” replied the priest.

“I should apologize for addressing you so familiarly, reverend sir, but three or four persons of whom I asked my way told me that Father Morris was Monamullin, and that Monamullin was Father Morris.”

“My people invariably address me by my Christian name, and I beg, sir, as you are now within my bailiwick, that _you_ will continue to do so.”

“As I _am_ within your bailiwick, I must needs do your bidding, Father Maurice.”

Such a genial, happy voice! Such frank, kind blue eyes! Such a well knit, strong-built figure!

The priest gazed at a young man of about five-and-twenty, six feet high, with crisp brown curly hair, beard _en Henri Quatre_, broad forehead, and manly, sunburnt neck and face, attired in a suit of light homespun tweed, a blue flannel shirt very open at the throat, a scarlet silk tie knotted sailor fashion, and heavy shoes, broad-toed and thick-soled.

“My name is Brown,” he said. “I am an artist. I have walked over from Castlebar. I am doing picturesque bits of this lovely country—not your confounded beaten tracks, but the nooks which must be sought like the violet. I have very little money, and needs must rough it. This stick and knapsack constitute my _impedimenta_, and, like Cæsar, I have carried my Commentaries before now in my teeth while bridging a river by swimming it. I asked for the inn, and I was referred to Father Maurice.”

“I can answer for it, Mr. Brown, that you will find every house in Monamullin willing to shelter you; and, further, that you will find this to be possibly the best. I am unfortunately compelled to travel seven miles along the coast to-night, but will be back, please God, to-morrow; in the meantime my housekeeper will try what some broiled fish and a dish of ham and eggs can do towards appeasing what ought to be a giant’s appetite. And I can answer for the sheets being well aired, having pulled the lavender myself in which they are periodically enshrined.”

Father Maurice ushered his guest into the cottage with a welcome so genuine that Mr. Brown felt at his ease almost ere the greeting had died upon the priest’s lips, and proceeded to hang up his hat and knapsack with the air of a man who was completely at home.

The neat little parlor was cosily furnished. A genuine bit of Domingo mahogany stood in the centre of the room, and round it half a dozen plump horse-haired, brass-nailed chairs, with a “Come and sit on us, we are not for show” air about them peculiarly inviting. A venerable bureau, black as ebony from age, and brass-mounted, ornamented one corner, and opposite to it a plaster-of-paris bust of Pius IX. upon a fluted pedestal, while the recesses at either side of the fireplace were furnished with antique book-cases containing a well-thumbed library of ecclesiastical literature, the works of St. Augustine being prominently conspicuous. Over the mantel-piece hung a portrait of Daniel O’Connell, with the autograph of the Liberator in a small frame beneath, and at his right and left engravings, and of no mean order either, of Henry Grattan and John Philpot Curran. The walls were adorned with copies of the cartoons of Raphael, a view of Croagh Patrick from Clew Bay, a bird’s-eye glance at St. Peter’s, and an illuminated address from the inhabitants of Monamullin to their beloved pastor upon the completion of his thirtieth year on the mission—an address the composition of which conferred undying renown upon Tim Rafferty, the schoolmaster, and begat for the boy who wrote it a fame only second to that of the erudite pedagogue.

“You are delightfully snug here, Father Maurice,” observed his guest, seating himself and glancing admiringly round the apartment. “What a treasure of an antique bureau! Why, the brokers in London are giving any amount of money for such articles; we are all running mad over them. If you could get it whispered that Dean Swift or Joe Addison worked at that desk, it would be worth its weight in gold. It’s Queen Anne now or nothing.”

“You are an Englishman?”

“A base, bloody, and brutal Saxon!”

“We have one of your countrymen residing in this part of the country—a Mr. Jyvecote.”

The stranger started. “Any of the Jyvecotes of Marston Moor, in Yorkshire?”

“_The_ Jyvecote, I believe. He came over here about ten years ago to shoot, taking poor Mr. Bodkin Blake’s Lodge in the valley of Glendhanarrahsheen, and—”

“Oh! do say that word again, it is so delightfully soft—a cross between Italian and Japanese,” burst in the artist.

“Glendhanarrahsheen,” repeated Father Maurice. “We have some softer than that. What think you of Tharramacornigaun? But, as I was saying, Mr. Jyvecote liked the valley so much that he brought his family over in the following year. Mr. Jyvecote was delighted with the place, and he bought the Lodge, extended it, and at length determined upon building a castle. This castle—Moynalty Castle he calls it—was completed about three years ago, the bare walls alone costing seventy thousand pounds. Except the Viceregal Lodge in Dublin,” added the priest, “there is nothing so grand in all Ireland.”

“I must walk over there some day. Which way does it lie?”

“It’s between us and Westport, along the coast, almost out upon a rock.”

“What a strange idea to put such a lot of money into such a corner!”

“Is it not? It’s completely out of the world. The nearest railway station is fifty miles.”

“Then I forgive Mr. Jyvecote. I take off my hat to him. I congratulate him. O my dear Father Maurice!” exclaimed the artist enthusiastically, “you who live in such tender tranquillity, with the moan of the sea for a lullaby, can know nothing of the ecstatic feeling attendant upon leaving steam fifty miles behind one. It is simply a new, a beatific existence! And so Jocelyn Jyvecote is within ten miles,” he added, more in the tone of a person engaged in thinking aloud than by way of observation.

“Are you acquainted with him?” asked the priest.

“Oh! yes—that is, very slightly.” There was a decided shade of embarrassment in his manner that would have struck an ordinary observer, but the simple-minded clergyman failed to notice it.

“The yoke’s at the doore, yer riverince, an’ if we don’t start at wanst we’ll be bet be the hill beyant Thronig na Coppagh,” shouted Murty Mulligan, thrusting his shock head into the apartment.

“How unfortunately this happens!” exclaimed the priest. “I have not slept out of this cottage for nearly thirty years, and the very night I could have wished to be here I am compelled to go elsewhere. However, Mr. Brown, I shall leave you in good hands, and before I start I must make you acquainted with my housekeeper.”

Murty had returned to the kitchen considerably baffled.

“He’s goin’ for to stop the night, Mrs. Clancy,” he reported to the expectant housekeeper.

“Who’s goin’ for to stop the night?”

“The strange gintleman above.”

“Where is he goin’ for to stop, I’d like for to know? Mrs. Dooly’s childre is down wud maysles. The gauger is billeted at Mooney’s—”

“He’s goin’ to stop here in this house. I heerd his riverince axin’ him.”

“Arrah, _baithershin_!” exclaimed Mrs. Clancy incredulously.

“It’s truth I’m tellin’ ye, ma’am.”

“Well, may—”

At this moment the voice of Father Maurice was heard calling, “Mrs. Clancy.”

“Yer wanted, ma’am,” cried Murty.

“I’m not fit for to be seen. Slip up an’ discoorse him, Murty avic, till I put on a clane cap an’ apron.”

“Mrs. Clancy, you will take good care of this gentleman, Mr. Brown, till I come back. Show your skill in frying eggs and bacon, and in turning out a platter of stirabout. Don’t let the hens cheat him of his fresh egg in the morning, and see that his bed is as comfortable as my own.” And seating himself upon one side of the low-backed jaunting-car, with Murty Mulligan upon the other, and with a courteous farewell to his guest, Father Maurice rapidly disappeared in the direction of the valley of Glendhanarrahsheen.

Mr. Brown stood in the middle of the road gazing after the car, his hands plunged into his breeches pockets, and a sweet little bit of meerschaum stuck in his handsome mouth.