Chapter II: THE AGE OF CHIVALRY.—Under the Hohenstaufen dynasty during the

period of Middle High German the country passed through one of the greatest epochs of its literature. The most characteristic outcome of this active era is a series of poetical romances produced in the twelfth and thirteenth centuries. In these romances the subject of whatever epoch it might be, was treated wholly in the spirit of chivalry, the supreme aim was to furnish an idealized picture of the virtues of knighthood. Wolfram von Eschenbach was one of the most brilliant of these writers; “Parzival,” his chief poem, is purely imaginative. The hero is made to pass from a life of dreams to one of adventure, finally to become lord of the palace of the Holy Grail. Its object is to show the restless spirit of the Middle Ages, which, continually discontent with life, sought a nobler place.

Gottfried, of Strasburg, was a complete contrast to Wolfram and his greatest contemporary. Tristam and Iseult is his theme. Mediæval romance bore its richest fruit in these two poets, and most of their successors imitated either one or the other. To this age belongs the famous epic, the “Nibelungenlied,” in which many ancient ballads have been collected and arranged. “Gudrun” is another epic in which a poet of this period has given form to several old legends. But lyrics as well as romances and epics mark the age of chivalry. The poets of this class were known as _minnesänger_ because their favorite theme was _minne_ or love. Of all the _minnesänger_ the first place belongs to Walther von der Vogelweide. He wrote poems of patriotism as well as on the usual subjects of lyric verse.

To this epoch belong the beginnings of prose in German literature. Latin was the speech of scholars, and prose works were almost uniformly in that language. The “Sachenspiegel” and “Schwabenspiegel,” two collections of local laws, aroused interest among Germans in their language. The preachers, however, were the chief founders of prose style. Dissatisfied with the abuses and mere forms under which genuine spiritual life was crushed, they strove to awaken new and truer ideas of religion. A Franciscan monk, Berthold, and Eckhart are the two to whom most is due.