Chapter XII: Preface (6)

_Faites mes baisemains respectueuse_,
To sentimental sister Susie,
An' honest Lucky; no to roose you,
Ye may be proud,
That sic a couple fate allows ye
To grace your blood.

Nae mair at present can I measure,
An' trowth my rhymin' ware's nae treasure;
But when in Ayr, some half-hour's leisure,
Be't light, be't dark,
Sir Bard will do himself the pleasure
To call at Park.

ROBERT BURNS.

_Mossgiel, 30th October_, 1786.

* * * * *

LXXI.

THE BRIGS OF AYR,

A POEM,

INSCRIBED TO J. BALLANTYNE, ESQ., AYR.

[Burns took the hint of this Poem from the Planestanes and Causeway of Fergusson, but all that lends it life and feeling belongs to his own heart and his native Ayr: he wrote it for the second edition of his poems, and in compliment to the patrons of his genius in the west. Ballantyne, to whom the Poem is inscribed, was generous when the distresses of his farming speculations pressed upon him: others of his friends figure in the scene: Montgomery's courage, the learning of Dugald Stewart, and condescension and kindness of Mrs. General Stewart, of Stair, are gratefully recorded.]

The simple Bard, rough at the rustic plough,
Learning his tuneful trade from ev'ry bough;
The chanting linnet, or the mellow thrush,
Hailing the setting sun, sweet, in the green thorn bush:
The soaring lark, the perching red-breast shrill,
Or deep-ton'd plovers, gray, wild-whistling o'er the hill;
Shall he, nurst in the peasant's lowly shed,
To hardy independence bravely bred,
By early poverty to hardship steel'd,
And train'd to arms in stern misfortune's field--
Shall he be guilty of their hireling crimes,
The servile, mercenary Swiss of rhymes?
Or labour hard the panegyric close,
With all the venal soul of dedicating prose?
No! though his artless strains he rudely sings,
And throws his hand uncouthly o'er the strings,
He glows with all the spirit of the Bard,
Fame, honest fame, his great, his dear reward!
Still, if some patron's gen'rous care he trace,
Skill'd in the secret to bestow with grace;
When Ballantyne befriends his humble name,
And hands the rustic stranger up to fame,
With heart-felt throes his grateful bosom swells,
The godlike bliss, to give, alone excels.

* * * * *

'Twas when the stacks get on their winter hap,
And thack and rape secure the toil-won crap;
Potato-bings are snugged up frae skaith
Of coming Winter's biting, frosty breath;
The bees, rejoicing o'er their summer toils,
Unnumber'd buds, an' flow'rs delicious spoils,
Seal'd up with frugal care in massive waxen piles,
Are doom'd by man, that tyrant o'er the weak,
The death o' devils smoor'd wi' brimstone reek
The thundering guns are heard on ev'ry side,
The wounded coveys, reeling, scatter wide;
The feather'd field-mates, bound by Nature's tie,
Sires, mothers, children, in one carnage lie:
(What warm, poetic heart, but inly bleeds,
And execrates man's savage, ruthless deeds!)
Nae mair the flow'r in field or meadow springs;
Nae mair the grove with airy concert rings,
Except, perhaps, the robin's whistling glee,
Proud o' the height o' some bit half-lang tree:
The hoary morns precede the sunny days,
Mild, calm, serene, wide spreads the noontide blaze,
While thick the gossamer waves wanton in the rays.
'Twas in that season, when a simple bard,
Unknown and poor, simplicity's reward,
Ae night, within the ancient brugh of Ayr,
By whim inspired, or haply prest wi' care,
He left his bed, and took his wayward rout,
And down by Simpson's[60] wheel'd the left about:
(Whether impell'd by all-directing Fate,
To witness what I after shall narrate;
Or whether, rapt in meditation high,
He wander'd out he knew not where nor why)
The drowsy Dungeon-clock,[61] had number'd two,
And Wallace Tow'r[61] had sworn the fact was true:
The tide-swol'n Firth, with sullen sounding roar,
Through the still night dash'd hoarse along the shore.
All else was hush'd as Nature's closed e'e:
The silent moon shone high o'er tow'r and tree:
The chilly frost, beneath the silver beam,
Crept, gently-crusting, o'er the glittering stream.--

When, lo! on either hand the list'ning Bard,
The clanging sugh of whistling wings is heard;
Two dusky forms dart thro' the midnight air,
Swift as the gos[62] drives on the wheeling hare;
Ane on th' Auld Brig his airy shape uprears,
The ither flutters o'er the rising piers:
Our warlock Rhymer instantly descry'd
The Sprites that owre the brigs of Ayr preside.
(That Bards are second-sighted is nae joke,
And ken the lingo of the sp'ritual folk;
Fays, Spunkies, Kelpies, a', they can explain them,
And ev'n the vera deils they brawly ken them.)
Auld Brig appear'd of ancient Pictish race,
The very wrinkles gothic in his face:
He seem'd as he wi' Time had warstl'd lang,
Yet, teughly doure, he bade an unco bang.
New Brig was buskit in a braw new coat,
That he at Lon'on, frae ane Adams got;
In's hand five taper staves as smooth's a bead,
Wi' virls and whirlygigums at the head.
The Goth was stalking round with anxious search,
Spying the time-worn flaws in ev'ry arch;--
It chanc'd his new-come neebor took his e'e,
And e'en a vex'd and angry heart had he!
Wi' thieveless sneer to see his modish mien,
He, down the water, gies him this guid-e'en:--

AULD BRIG.

I doubt na', frien', ye'll think ye're nae sheep-shank,
Ance ye were streekit o'er frae bank to bank!
But gin ye be a brig as auld as me,
Tho' faith, that day I doubt ye'll never see;
There'll be, if that date come, I'll wad a boddle,
Some fewer whigmeleeries in your noddle.

NEW BRIG.

Auld Vandal, ye but show your little mense,
Just much about it wi' your scanty sense;
Will your poor, narrow foot-path of a street,
Where twa wheel-barrows tremble when they meet--
Your ruin'd formless bulk o' stane en' lime,
Compare wi' bonnie Brigs o' modern time?
There's men o' taste wou'd tak the Ducat-stream,[63]
Tho' they should cast the vera sark and swim,
Ere they would grate their feelings wi' the view
Of sic an ugly, Gothic hulk as you.

AULD BRIG.

Conceited gowk! puff'd up wi' windy pride!--
This mony a year I've stood the flood an' tide;
And tho' wi' crazy eild I'm sair forfairn,
I'll be a Brig, when ye're a shapeless cairn!
As yet ye little ken about the matter,
But twa-three winters will inform ye better.
When heavy, dark, continued a'-day rains,
Wi' deepening deluges o'erflow the plains;
When from the hills where springs the brawling Coil,
Or stately Lugar's mossy fountains boil,
Or where the Greenock winds his moorland course,
Or haunted Garpal[64] draws his feeble source,
Arous'd by blust'ring winds an' spotting thowes,
In mony a torrent down the snaw-broo rowes;
While crashing ice born on the roaring speat,
Sweeps dams, an' mills, an' brigs, a' to the gate;
And from Glenbuck,[65] down to the Ratton-key,[66]
Auld Ayr is just one lengthen'd tumbling sea--
Then down ye'll hurl, deil nor ye never rise!
And dash the gumlie jaups up to the pouring skies.
A lesson sadly teaching, to your cost,
That Architecture's noble art is lost!

NEW BRIG.

Fine Architecture, trowth, I needs must say't o't!
The L--d be thankit that we've tint the gate o't!
Gaunt, ghastly, ghaist-alluring edifices,
Hanging with threat'ning jut like precipices;
O'er-arching, mouldy, gloom-inspiring coves,
Supporting roofs fantastic, stony groves;
Windows and doors, in nameless sculpture drest,
With order, symmetry, or taste unblest;
Forms like some bedlam Statuary's dream,
The craz'd creations of misguided whim;
Forms might be worshipp'd on the bended knee,
And still the second dread command be free,
Their likeness is not found on earth, in air, or sea.
Mansions that would disgrace the building taste
Of any mason reptile, bird or beast;
Fit only for a doited monkish race,
Or frosty maids forsworn the dear embrace;
Or cuifs of later times wha held the notion
That sullen gloom was sterling true devotion;
Fancies that our guid Brugh denies protection!
And soon may they expire, unblest with resurrection!

AULD BRIG.

O ye, my dear-remember'd ancient yealings,
Were ye but here to share my wounded feelings!
Ye worthy Proveses, an' mony a Bailie,
Wha in the paths o' righteousness did toil ay;
Ye dainty Deacons and ye douce Conveeners,
To whom our moderns are but causey-cleaners:
Ye godly Councils wha hae blest this town;
Ye godly Brethren o' the sacred gown,
Wha meekly gie your hurdies to the smiters;
And (what would now be strange) ye godly writers;
A' ye douce folk I've borne aboon the broo,
Were ye but here, what would ye say or do!
How would your spirits groan in deep vexation,
To see each melancholy alteration;
And, agonizing, curse the time and place
When ye begat the base, degen'rate race!
Nae langer rev'rend men, their country's glory,
In plain braid Scots hold forth a plain braid story!
Nae langer thrifty citizens an' douce,
Meet owre a pint, or in the council-house;
But staumrel, corky-headed, graceless gentry,
The herryment and ruin of the country;
Men, three parts made by tailors and by barbers,
Wha waste your weel-hain'd gear on d--d new Brigs and Harbours!

NEW BRIG.

Now haud you there! for faith ye've said enough,
And muckle mair than ye can mak to through;
As for your Priesthood, I shall say but little,
Corbies and Clergy, are a shot right kittle:
But under favour o' your langer beard,
Abuse o' Magistrates might weel be spar'd:
To liken them to your auld-warld squad,
I must needs say, comparisons are odd.
In Ayr, wag-wits nae mair can have a handle
To mouth 'a citizen,' a term o' scandal;
Nae mair the Council waddles down the street,
In all the pomp of ignorant conceit;
Men wha grew wise priggin' owre hops an' raisins,
Or gather'd lib'ral views in bonds and seisins,
If haply Knowledge, on a random tramp,
Had shor'd them with a glimmer of his lamp,
And would to Common-sense for once betray'd them,
Plain, dull Stupidity stept kindly in to aid them

* * * * *

What farther clishmaclaver might been said,
What bloody wars, if Spirites had blood to shed,
No man can tell; but all before their sight,
A fairy train appear'd in order bright:
Adown the glitt'ring stream they featly danc'd;
Bright to the moon their various dresses glanc'd:
They footed owre the wat'ry glass so neat,
The infant ice scarce bent beneath their feet:
While arts of minstrelsy among them rung,
And soul-ennobling bards heroic ditties sung.--
O had M'Lauchlan,[67] thairm-inspiring Sage,
Been there to hear this heavenly band engage,
When thro' his dear strathspeys they bore with highland rage;
Or when they struck old Scotia's melting airs,
The lover's raptur'd joys or bleeding cares;
How would his highland lug been nobler fir'd,
And ev'n his matchless hand with finer touch inspir'd!
No guess could tell what instrument appear'd,
But all the soul of Music's self was heard,
Harmonious concert rung in every part,
While simple melody pour'd moving on the heart.

The Genius of the stream in front appears,
A venerable Chief advanc'd in years;
His hoary head with water-lilies crown'd,
His manly leg with garter tangle bound.
Next came the loveliest pair in all the ring,
Sweet Female Beauty hand in hand with Spring;
Then, crown'd with flow'ry hay, came Rural Joy,
And Summer, with his fervid-beaming eye:
All-cheering Plenty, with her flowing horn,
Led yellow Autumn, wreath'd with nodding corn;
Then Winter's time-bleach'd looks did hoary show,
By Hospitality with cloudless brow.
Next follow'd Courage, with his martial stride,
From where the Feal wild woody coverts hide;
Benevolence, with mild, benignant air,
A female form, came from the tow'rs of Stair:
Learning and Worth in equal measures trode
From simple Catrine, their long-lov'd abode:
Last, white-rob'd Peace, crown'd with a hazel wreath,
To rustic Agriculture did bequeath
The broken iron instruments of death;
At sight of whom our Sprites forgat their kindling wrath.

FOOTNOTES:

[Footnote 60: A noted tavern at the auld Brig end.]

[Footnote 61: The two steeples.]

[Footnote 62: The gos-hawk or falcon.]

[Footnote 63: A noted ford, just above the Auld Brig.]

[Footnote 64: The banks of Garpal Water is one of the few places in the West of Scotland, where those fancy-scaring beings, known by the name of Ghaists, still continue pertinaciously to inhabit.]

[Footnote 65: The source of the river Ayr.]

[Footnote 66: A small landing-place above the large key.]

[Footnote 67: A well known performer of Scottish music on the violin.]

* * * * *

LXXII.

ON

THE DEATH OF ROBERT DUNDAS, ESQ.,

OF ARNISTON,

LATE LORD PRESIDENT OF THE COURT OF SESSION.

[At the request of Advocate Hay, Burns composed this Poem, in the hope that it might interest the powerful family of Dundas in his fortunes. I found it inserted in the handwriting of the poet, in an interleaved copy of his Poems, which he presented to Dr. Geddes, accompanied by the following surly note:--"The foregoing Poem has some tolerable lines in it, but the incurable wound of my pride will not suffer me to correct, or even peruse it. I sent a copy of it with my best prose letter to the son of the great man, the theme of the piece, by the hands of one of the noblest men in God's world, Alexander Wood, surgeon: when, behold! his solicitorship took no more notice of my Poem, or of me, than I had been a strolling fiddler who had made free with his lady's name, for a silly new reel. Did the fellow imagine that I looked for any dirty gratuity?" This Robert Dundas was the elder brother of that Lord Melville to whose hands, soon after these lines were written, all the government patronage in Scotland was confided, and who, when the name of Burns was mentioned, pushed the wine to Pitt, and said nothing. The poem was first printed by me, in 1834.]

Lone on the bleaky hills the straying flocks
Shun the fierce storms among the sheltering rocks;
Down from the rivulets, red with dashing rains,
The gathering floods burst o'er the distant plains;
Beneath the blasts the leafless forests groan;
The hollow caves return a sullen moan.

Ye hills, ye plains, ye forests and ye caves,
Ye howling winds, and wintry swelling waves!
Unheard, unseen, by human ear or eye,
Sad to your sympathetic scenes I fly;
Where to the whistling blast and waters' roar
Pale Scotia's recent wound I may deplore.

O heavy loss, thy country ill could bear!
A loss these evil days can ne'er repair!
Justice, the high vicegerent of her God,
Her doubtful balance ey'd, and sway'd her rod;
Hearing the tidings of the fatal blow
She sunk, abandon'd to the wildest woe.

Wrongs, injuries, from many a darksome den,
Now gay in hope explore the paths of men:
See from this cavern grim Oppression rise,
And throw on poverty his cruel eyes;
Keen on the helpless victim see him fly,
And stifle, dark, the feebly-bursting cry:

Mark ruffian Violence, distain'd with crimes,
Rousing elate in these degenerate times;
View unsuspecting Innocence a prey,
As guileful Fraud points out the erring way:
While subtile Litigation's pliant tongue
The life-blood equal sucks of Right and Wrong:
Hark, injur'd Want recounts th' unlisten'd tale,
And much-wrong'd Mis'ry pours th' unpitied wail!

Ye dark waste hills, and brown unsightly plains,
To you I sing my grief-inspired strains:
Ye tempests, rage! ye turbid torrents, roll!
Ye suit the joyless tenor of my soul.
Life's social haunts and pleasures I resign,
Be nameless wilds and lonely wanderings mine,
To mourn the woes my country must endure,
That wound degenerate ages cannot cure.

* * * * *

LXXIII.

ON READING IN A NEWSPAPER

THE DEATH OF JOHN M'LEOD, ESQ.

BROTHER TO A YOUNG LADY, A PARTICULAR FRIEND

OF THE AUTHOR'S.

[John M'Leod was of the ancient family of Raza, and brother to that Isabella M'Leod, for whom Burns, in his correspondence, expressed great regard. The little Poem, when first printed, consisted of six verses: I found a seventh in M'Murdo Manuscripts, the fifth in this edition, along with an intimation in prose, that the M'Leod family had endured many unmerited misfortunes. I observe that Sir Harris Nicolas has rejected this new verse, because, he says, it repeats the same sentiment as the one which precedes it. I think differently, and have retained it.]

Sad thy tale, thou idle page,
And rueful thy alarms:
Death tears the brother of her love
From Isabella's arms.

Sweetly deck'd with pearly dew
The morning rose may blow;
But cold successive noontide blasts
May lay its beauties low.

Fair on Isabella's morn
The sun propitious smil'd;
But, long ere noon, succeeding clouds
Succeeding hopes beguil'd.

Fate oft tears the bosom chords
That nature finest strung:
So Isabella's heart was form'd,
And so that heart was wrung.

Were it in the poet's power,
Strong as he shares the grief
That pierces Isabella's heart,
To give that heart relief!

Dread Omnipotence, alone,
Can heal the wound He gave;
Can point the brimful grief-worn eyes
To scenes beyond the grave.

Virtue's blossoms there shall blow,
And fear no withering blast;
There Isabella's spotless worth
Shall happy be at last.

* * * * *

LXXIV.

TO MISS LOGAN,

WITH BEATTIE'S POEMS FOR A NEW YEAR'S GIFT.

JAN. 1, 1787.

[Burns was fond of writing compliments in books, and giving them in presents among his fair friends. Miss Logan, of Park house, was sister to Major Logan, of Camlarg, and the "sentimental sister Susie," of the Epistle to her brother. Both these names were early dropped out of the poet's correspondence.]

Again the silent wheels of time
Their annual round have driv'n,
And you, tho' scarce in maiden prime,
Are so much nearer Heav'n.

No gifts have I from Indian coasts
The infant year to hail:
I send you more than India boasts
In Edwin's simple tale.

Our sex with guile and faithless love
Is charg'd, perhaps, too true;
But may, dear maid, each lover prove
An Edwin still to you!

* * * * *

LXXV.

THE AMERICAN WAR.

A FRAGMENT.

[Dr. Blair said that the politics of Burns smelt of the smithy, which, interpreted, means, that they were unstatesman-like, and worthy of a country ale-house, and an audience of peasants. The Poem gives us a striking picture of the humorous and familiar way in which the hinds and husbandmen of Scotland handle national topics: the smithy is a favourite resort, during the winter evenings, of rustic politicians; and national affairs and parish scandal are alike discussed. Burns was in those days, and some time after, a vehement Tory: his admiration of "Chatham's Boy," called down on him the dusty indignation of the republican Ritson.]

I.

When Guildford good our pilot stood,
And did our hellim thraw, man,
Ae night, at tea, began a plea,
Within America, man:
Then up they gat the maskin-pat,
And in the sea did jaw, man;
An' did nae less in full Congress,
Than quite refuse our law, man.

II.

Then thro' the lakes Montgomery takes,
I wat he was na slaw, man;
Down Lowrie's burn he took a turn,
And Carleton did ca', man;
But yet, what-reck, he, at Quebec,
Montgomery-like did fa', man,
Wi' sword in hand, before his band,
Amang his en'mies a', man.

III.

Poor Tammy Gage, within a cage,
Was kept at Boston ha', man;
Till Willie Howe took o'er the knowe
For Philadelphia, man;
Wi' sword an' gun he thought a sin
Guid Christian blood to draw, man:
But at New York, wi' knife an' fork,
Sir-loin he hacked sma', man.

IV.

Burgoyne gaed up, like spur an' whip,
Till Fraser brave did fa', man,
Then lost his way, ae misty day,
In Saratoga shaw, man.
Cornwallis fought as lang's he dought,
An' did the buckskins claw, man;
But Clinton's glaive frae rust to save,
He hung it to the wa', man.

V.

Then Montague, an' Guilford, too,
Began to fear a fa', man;
And Sackville dour, wha stood the stoure,
The German Chief to thraw, man;
For Paddy Burke, like ony Turk,
Nae mercy had at a', man;
An' Charlie Fox threw by the box,
An' lows'd his tinkler jaw, man.

VI.

Then Rockingham took up the game,
Till death did on him ca', man;
When Shelburne meek held up his cheek,
Conform to gospel law, man;
Saint Stephen's boys, wi' jarring noise,
They did his measures thraw, man,
For North an' Fox united stocks,
An' bore him to the wa', man.

VII.

Then clubs an' hearts were Charlie's cartes,
He swept the stakes awa', man,
Till the diamond's ace, of Indian race,
Led him a sair _faux pas_, man;
The Saxon lads, wi' loud placads,
On Chatham's boy did ca', man;
An' Scotland drew her pipe, an' blew,
"Up, Willie, waur them a', man!"

VIII.

Behind the throne then Grenville's gone,
A secret word or twa, man;
While slee Dundas arous'd the class,
Be-north the Roman wa', man:
An' Chatham's wraith, in heavenly graith,
(Inspired Bardies saw, man)
Wi' kindling eyes cry'd "Willie, rise!
Would I hae fear'd them a', man?"

IX.

But, word an' blow, North, Fox, and Co.,
Gowff'd Willie like a ba', man,
Till Suthron raise, and coost their claise
Behind him in a raw, man;
An' Caledon threw by the drone,
An' did her whittle draw, man;
An' swoor fu' rude, thro' dirt an' blood
To make it guid in law, man.

* * * * *

LXXVI.

THE DEAN OF FACULTY.

A NEW BALLAD.

[The Hal and Bob of these satiric lines were Henry Erskine, and Robert Dundas: and their contention was, as the verses intimate, for the place of Dean of the Faculty of Advocates: Erskine was successful. It is supposed that in characterizing Dundas, the poet remembered "the incurable wound which his pride had got" in the affair of the elegiac verses on the death of the elder Dundas. The poem first appeared in the Reliques of Burns.]

I.

Dire was the hate at old Harlaw,
That Scot to Scot did carry;
And dire the discord Langside saw,
For beauteous, hapless Mary:
But Scot with Scot ne'er met so hot,
Or were more in fury seen, Sir,
Than 'twixt Hal and Bob for the famous job--
Who should be Faculty's Dean, Sir.--

II.

This Hal for genius, wit, and lore,
Among the first was number'd;
But pious Bob, 'mid learning's store,
Commandment tenth remember'd.--
Yet simple Bob the victory got,
And won his heart's desire;
Which shows that heaven can boil the pot,
Though the devil p--s in the fire.--

III.

Squire Hal besides had in this case
Pretensions rather brassy,
For talents to deserve a place
Are qualifications saucy;
So, their worships of the Faculty,
Quite sick of merit's rudeness,
Chose one who should owe it all, d'ye see,
To their gratis grace and goodness.--

IV.

As once on Pisgah purg'd was the sight
Of a son of Circumcision,
So may be, on this Pisgah height,
Bob's purblind, mental vision:
Nay, Bobby's mouth may be open'd yet
Till for eloquence you hail him,
And swear he has the angel met
That met the Ass of Balaam.

* * * * *

LXXVII.

TO A LADY,

WITH A PRESENT OF A PAIR OF DRINKING-GLASSES.

[To Mrs. M'Lehose, of Edinburgh, the poet presented the drinking-glasses alluded to in the verses: they are, it seems, still preserved, and the lady on occasions of high festival, indulges, it is said, favourite visiters with a draught from them of "The blood of Shiraz' scorched vine."]

Fair Empress of the Poet's soul,
And Queen of Poetesses;
Clarinda, take this little boon,
This humble pair of glasses.

And fill them high with generous juice,
As generous as your mind;
And pledge me in the generous toast--
"The whole of human kind!"

"To those who love us!"--second fill;
But not to those whom we love;
Lest we love those who love not us!--
A third--"to thee and me, love!"

* * * * *

LXXVIII.

TO CLARINDA.

[This is the lady of the drinking-glasses; the Mrs. Mac of many a toast among the poet's acquaintances. She was, in those days, young and beautiful, and we fear a little giddy, since she indulged in that sentimental and platonic flirtation with the poet, contained in the well-known letters to Clarinda. The letters, after the poet's death, appeared in print without her permission: she obtained an injunction against the publication, which still remains in force, but her anger seems to have been less a matter of taste than of whim, for the injunction has been allowed to slumber in the case of some editors, though it has been enforced against others.]

Clarinda, mistress of my soul,
The measur'd time is run!
The wretch beneath the dreary pole
So marks his latest sun.

To what dark cave of frozen night
Shall poor Sylvander hie;
Depriv'd of thee, his life and light,
The sun of all his joy.

We part--but, by these precious drops
That fill thy lovely eyes!
No other light shall guide my steps
Till thy bright beams arise.

She, the fair sun of all her sex,
Has blest my glorious day;
And shall a glimmering planet fix
My worship to its ray?

* * * * *

LXXIX.

VERSES

WRITTEN UNDER THE PORTRAIT OF FERGUSSON, THE POET, IN A COPY OF THAT AUTHOR'S WORKS PRESENTED TO A YOUNG LADY.

[Who the young lady was to whom the poet presented the portrait and Poems of the ill-fated Fergusson, we have not been told. The verses are dated Edinburgh, March 19th, 1787.]

Curse on ungrateful man, that can be pleas'd,
And yet can starve the author of the pleasure!
O thou my elder brother in misfortune,
By far my elder brother in the muses,
With tears I pity thy unhappy fate!
Why is the bard unpitied by the world,
Yet has so keen a relish of its pleasures?

* * * * *

LXXX.