Chapter XI: Part 11

“I comprehend it all, all!” said she, when Alexis had finally ended; “it is a deep and at the same time an infernal plan--a plan which must excite the envy and respect of Satan himself!”

“And yourself?” laughingly asked Alexis.

“Oh, I,” said she--“I belong, perhaps, to the family of devils, and therefore take pleasure in aiding you! You need a negotiator who has a wide conscience and an eloquent tongue! I can furnish you with such a one. Ah, that will make a droll story. Said you not that the singer Carlo watched this golden treasure like a dragon? Well, it shall be his brother who shall contend with this dragon. His own brother--will not that be pleasant, count?”

“And are you sure of him?” asked Count Orloff. “How if his brother should win him from us?”

“Have no anxiety; this Carlo Ribas is so virtuous that he hates no one so much as his brother Joseph, merely because he passed some years in the galleys for forgery. He is now free, and has secretly come here. As he was aware that I knew his brother, he came to beg me for my countenance and support. I will send him to you.”

“And you will also not forget my request, that you will in all societies speak of the great love which the Empress Catharine cherishes for her near relation, the Princess Tartaroff?”

“I will not forget it. In your hands, count, I lay my revenge--you will free me from this rival?”

“That will I,” said he, with an inhuman laugh. “And when the work is completed, and you have faithfully stood by me, then, signora, you may be sure of the gratitude of the empress. Catharine is the exalted protectress of the muses, and in the fulness of her grace she will not forget the poetess Corilla. You may expect an imperial reward.”

“And I shall gratefully receive it,” said Corilla, with a smile. “A poetess is always poor and in want of assistance. The muses lavish upon their votaries all joys but those of wealth.”

“Ah!” exclaimed Corilla, when the count had left her, “I shall in the end obtain all I desire. I shall not only be crowned with fame, but blessed with wealth, which is a blessing almost equal to that of fame! Money has already founded many a reputation, but not always has fame attracted money to itself! I shall be rich as well as famous!”

“That you already are!” exclaimed the Cardinal Francesco Albani, who unremarked had just entered the room.

“I am not,” said she, with vehemence, “for they refuse me the prize of fame! Have you been with the pope, your eminence, and what did he say?”

“I come directly from him.”

“Well, and what says he?”

“What he always says to me--no!”

Corilla stamped her feet violently, and her eyes flashed lightnings.

“How beautiful you are now!” tenderly remarked the cardinal, throwing an arm around her.

She rudely thrust him back. “Touch me not,” said she, “you do not deserve my love. You are a weakling, as all men are. You can only coo like a pigeon, but when it comes to action, then sinks your arm, and you are powerless. Ah, the woman whom you profess to love begs of you a trifling service, the performance of which is of the highest importance to her, the greatest favor, and you will not fulfil her request while yet swearing you love her! Go! you are a cold-hearted man, and wholly undeserving of Corilla’s love!”

“But,” despairingly exclaimed the cardinal, “you require of me a service that it is not in my power to perform. Ask something else, Corilla--ask a human life, and you shall have it! But I cannot give what is not mine. You demand a laurel-crown, which only the pope has the power to bestow, and he has sworn that you shall not have it so long as he lives!”

“Will he, then, live eternally?” cried Corilla, beside herself with rage.

The cardinal gave her an astonished and interrogating glance. But his features suddenly assumed a wild and malicious expression, and violently grasping Corilla’s hand, he murmured:

“You are right! ‘Will he, then, live forever?’ Bah! even popes are mortal men. And if we should choose for his successor a man better disposed toward you then--Corilla,” said the cardinal, interrupting himself, and in spite of her resistance pressing her to his bosom--“Corilla, swear once more to me that you will be mine, and only mine, as soon as I procure your coronation in the capitol! Swear it once more!”

She gave him such a sweet, enticing, and voluptuous smile that the cardinal trembled with desire and joy.

“When you in the capitol adorn Corilla with the laurel-crown, then will she willingly lay her myrtle crown at your feet,” said she, with a charming expression of maiden modesty.

The cardinal again pressed her passionately to his bosom.

“You shall have the laurel-crown, and your myrtle crown is mine!” he excitedly exclaimed. “You will soon see whether Francesco is a cold-hearted man! Farewell, Corilla!”

And with a hasty salute he left the room. The astonished Corilla dismissed him with a smile.

“If it is to succeed at all, it can be only through him,” said she. “Poor Francesco, he will bring me a full laurel-crown! And what can I give him in return? An exfoliated myrtle crown, that is all! No heart with it!”

THE HOLY CHAFFERERS

Cardinal Francesco Albani, meantime, hastened through the streets with the sprightliness of youth. He noticed neither the respectful salutations and knee-bendings of those he passed, nor their visible shuddering and alarm when under the cardinal’s hat they recognized the fierce and inhuman Francesco Albani.

He stopped before the palace of Cardinal Juan Angelo Braschi. The equipage of the new cardinal was drawn up before his door.

“Ah,” gleefully remarked Albani, “he is therefore yet at home, and I shall meet with him!”

Hastily entering the palace, and pushing past the servant who would have preceded him, he entered the cardinal’s cabinet unannounced.

“Be not troubled, your eminence,” said Albani, with a smile, “I will not detain you long. I know your habits, and know that Signora Malveda usually expects you at this hour, because Cardinal Rezzonico is not then with her! But I have something important to say to you. You know I am a man who, without forms and circumlocutions, always comes directly to the point. I do so now. You desire to be the successor of Ganganelli?”

Braschi turned pale, and timidly cast down his eyes.

“Why are you shocked?” cried Albani. “Every cardinal hopes and wishes to become the father of Christendom--that is natural; I should also wish it for myself, but I know that that cannot be. I have permitted these lord cardinals who, in the conclave, invoke the Holy Spirit, to look too much into my cards. I was not so prudent as you, Braschi, and therefore you are much the more likely to become God’s vicegerent! Would you not like to be pope, if Ganganelli should happen to die? And how high would you hold my voice--how much would it be worth to you?”

“More than all I possess, infinitely more!” said the shrewd Braschi. “Were I sure of your voice, I might then have a definite hope of becoming pope; for your voice carries many others with it. How, then, can you expect me to estimate what is inestimable?”

“Would you give me twenty thousand?” asked Albani.

“Threefold that sum if I possessed it, but I have nothing! I am a very poor cardinal, as you well know. My whole property consists of six thousand scudi, and that trifling sum I dare not offer you.”

“Borrow, then, of Signora Malveda!” said Albani. “Cardinal Rezzonico is rich and liberal. Let us speak directly to the point. You would be pope, and I am willing to forward your views. How much will you pay?”

“If Signora Malveda will lend me four thousand scudi, I should then have ten thousand to offer you!”

“Well, so be it. Ten thousand scudi will do, if you will add to it a trifling favor.”

“Name it,” said Braschi.

“You know that Ganganelli opposes the crowning of our famous improvisatrice, Corilla, in the capitol. This is an injustice which Ganganelli’s successor will have to repair. Will you do it?”

Braschi gave the cardinal a sly glance. “Ah,” said he, “Signora Corilla seems to be less liberal than Signora Malveda? She will allow you no discount of her future laurel-crown, is it not so? I know nothing worse than an ambitious woman. Listen, Albani; it seems that we must be mutually useful to each other; I need your voice to become pope, and you need mine to become a favored lover. Very well, give me your voice, and in return, I promise you a laurel-crown for Signora Corilla, and eight thousand scudi for yourself!”

“Ah, you would haggle!” contemptuously exclaimed Albani. “You would be a very niggardly vicegerent of God! But as Corilla is well worth two thousand scudi, I am content. Give me eight thousand scudi and the promise to crown Corilla!”

“As soon as I am pope, I will do both. My sacred word for it! Shall I strengthen my promise by swearing upon the Bible?”

Cardinal Albani gave the questioner a glance of astonishment, and then broke out with a loud and scornful laugh.

“You forget that you are speaking to one of your kind! Of what use would such a holy farce be to us who have no faith in its binding power? No, no, we priests know each other. Such buffoonery amounts to nothing. One written word is worth a thousand sworn oaths! Let us have a contract prepared--that is better. We will both sign it!”

“Just as you please!” said Braschi, with a smile, stepping to his writing desk and rapidly throwing some lines upon paper, which he signed after it had been carefully read by Albani.

“At length the business is finished,” said Albani. “Now, Cardinal Braschi, go to your signora, and surprise her with the news that she holds in her arms a pope _in spe_. Pope Clement will soon need a successor; he must be very ill, the poor pope!”

So speaking, he took leave of the future pope with a friendly nod, and departed with as much haste as he had come.

“And now to these pious Jesuit fathers!” said he, stepping out upon the grass. “It was very prudent in me that I went on foot to Corilla to-day. Our cursed equipages betray every thing; they are the greatest chatterboxes! How astonished these good Romans would be to see a cardinal’s carriage before these houses of the condemned! No, no, strengthen yourselves for another effort, my reverend legs! Only yet this walk, and then you will have rest.”

And the cardinal trudged stoutly on until he reached the Jesuit college. There he stopped and looked cautiously around him.

“This unfortunate saintly dress is also a hindrance,” murmured he. “Like the sign over the shop-door it proclaims to all the world: ‘I am a cardinal. Here indulgences, dispensations, and God’s blessings are to be sold! Who will buy, who will buy?’ I dare not now enter this scouted and repudiated sacred house. I might be remarked, suspected, and betrayed. Corilla, dear, beautiful woman, it costs me much pains and many efforts to conquer you; will your possession repay me?”

The cardinal patiently waited in the shadow of a taxus-bush until the street become for a moment empty and solitary. Then he hastened to a side-door of the building, and, sure of being unobserved, entered.

A deep and quiet silence pervaded these long and deserted cloister-passages. It seemed as if a death-veil lay upon the whole building--as if it were depopulated, desolated. Nowhere the least trace of that busy, stirring life, usually prevailing in these corridors--no longer those bands of scholars that formerly peopled these passages--the doors of the great school-room open, the benches unoccupied, the lecturer’s chair, from which the pious fathers formerly with such subtle wisdom explained and defended their dangerous doctrines, these also are desolate. The reign of the Jesuits was over; Ganganelli had thrust them from the throne, and they cursed him as their murderer! He had suppressed their sacred order, he had commanded them to lay aside their peculiar costume and adopt that of other monkish orders, or the usual dress of abbes. But from their property he had not been able to expel them in this college _Il Jesu_--within their cloisters his power had not been able to penetrate. There they remained, what they had been, the holy fathers of Jesus, the pious defenders of craft and Christian deception, the cunning advocates of regicide, the proud servants of the only salvation-dispensing Church!--there, with rage in their hearts, they meditated plans of vengeance against this criminal pope who had condemned them to a living death; who, like a wicked magician, had changed their sacred college into an open grave! He had killed them, and he, should he nevertheless live?

With these fatal questions did the holy fathers occupy themselves, reflecting upon them in their gloomy leisure, and in low whisperings consulting with their prior. And in such secret consultation did Cardinal Francesco Albani find the prior with his confidant in the refectorium.

“Do not let me disturb you,” he said laughing; “I see by your faces you are engaged in conversation upon the subject in which I yesterday took a part. That is very well--we can resume it where we yesterday broke off, and again knot the threads which I yesterday so violently rent. With which knot shall we begin?”

The eyes of the pious Jesuit father flashed with joy. Francesco Albani was inclined to favor their plans and wishes; they saw that in his cunning smile, in his return to them.

“We were speaking of the sacred and important duty you will have to perform to-morrow, your eminence,” said the prior, with a winning smile.

“Ah, yes, I remember,” said the cardinal, with apparent indifference. “We spoke of the to-morrow’s communion of his holiness the pope.”

“And of the fact that you, your eminence, would to-morrow have to discharge the important duty of pouring the sacred wine into the golden chalice of the vicegerent of God,” said the prior.

“Yes, yes, I now remember it all,” said Albani, with a smile. “You spoke to me of a wonderful flask of wine, which, by means of the golden tube, you would gladly help to the honor of being drunk by his holiness from the communion chalice.”

“It is so precious a wine that only the vicegerent of God is worthy of wetting his lips with it. It must touch the lips of no other mortal!”

“I know such a wine,” said Albani; “it thrives best in the region of Naples,(*) and whoever drinks of it becomes a partaker of eternal blessedness.”

(*) The celebrated poison, _Acqua Tofana_, is prepared only
in Naples.

“Yes, you are right, it is a wonderfully strengthening wine!” said the prior, folding his hands and directing his eyes toward the heavens. “We thank God that He has left us in possession of so precious an essence! The pope, they say, is suffering and needs strengthening. See how closely we follow the teaching of Him whose name we bear, and who has commanded, ‘Love your enemies, bless those who curse you!’ Instead of avenging ourselves, we would be his benefactors, and refresh him with the most precious of what we possess!”

“And you would be so unselfish as to keep from him all knowledge of your benevolence, you would bless him quite secretly! But how if I should betray you, and communicate your precious secret to his holiness the pope? Yes, yes, I shall open my mouth and speak, unless I am prevented by a golden lock put upon my lips.”

“We shall willingly apply such a lock!” said the pleased prior.

“But, that it may entirely close my mouth, the lock will need to be very heavy!” responded Albani, with a laugh.

“It is so--it weighs six thousand scudi!” said the prior.

“That is much too light!” exclaimed Albani, laughing; “it will hardly cover my mouth. It still remains that I am to undertake a very hazardous affair. Reflect, if any one should discover my possession of this strange wine; if Ganganelli should perceive that it is not wine from his own cellar that I have poured into the cup for him! It is dangerous work that you would assign to me, a work for which I might lose my head, and you venture to offer me a poor six thousand scudi for it! Adieu, then, pious fathers, keep you your golden lock, and I my unclosed lips. I shall know when and where to speak!”

And the cardinal moved toward the door. Hastening after him, the prior handed him a small flask, the contents of which were clear and pure as crystal water, timidly and anxiously whispering, “Ten drops of this in Ganganelli’s communion wine, and ten thousand scudi are yours!”

“Give the ten thousand scudi at once!” said Albani, with decision.

“And the drops?”

“The pope’s wine is too strong: I will reduce it a little with this pure water.” (*)

(*) The poison, _Acqua Tofana_, is pure and clear as water,
without taste or smell. It is prepared from opium and
Spanish flies, combined with some other ingredients, which,
however, are only known to the makers of it. That the _Acqua
Tofana_ is made from the foam sometimes found upon the lips
of the dying, is an idle tale. Allessandro Borgia was the
first to bring it into use.

SIC TRANSIT GLORIA MUNDI

On the following day there was a solemn high office in St. Peter’s. All Rome flocked there, to see this great and touching spectacle. A dense crowd thronged the streets, and all shouted and cried when the pope, surrounded by his Swiss guard, appeared in their midst in his gilded armchair, and received the greetings of the people with a bland smile.

Toward St. Peter’s waved the human throng, and to St. Peter’s the pope was borne. The features of Ganganelli had an expression of sadness, and as he now glanced down upon the thousands of his subjects who, shouting, followed him, he asked in his heart, “Who among you will be my murderers? And how long will you yet allow me to live? Ah, were I yet the poor Franciscan monk I was, then no one would take the pains to assassinate me. Why, then, does the world, precisely now, seem so fair to me, now, when I know that I must leave it so soon?” And the pope shed a secret tear while, surrounded by royal splendor, he imparted his blessing to the thousands who reverently knelt at his feet.

The bells rang, the organ resounded, the wide halls of St. Peter’s were penetrated by the marvellous singing of the Sistine chapel. Thousands and thousands of wax tapers lighted the noble space of the church, thousands and thousands of people pressed into the sacred halls. Under his canopy, opposite the high altar, sat the vicegerent of God upon his golden throne, surrounded by the consecrated cardinals and bishops, protected by the Swiss guard! Who could have ventured to attack the holy father--who would have been so foolhardy as to attempt to penetrate that thick wall of Swiss guards and princes of the Church--who could have been successful in such an attempt? No human being! But where the people could not penetrate, where there was no room for the swinging of a dagger, there the malignant poison lurked unseen!

Ganganelli sat upon his golden throne, intoxicated by the clang of the organ and charmed by the singing of the high choir, and the pope, looking down upon the human crowd, again asked himself: “Who among you are my murderers?”

The singing ceased, the organ was silent, and only the solemn tones of all the bells of St. Peter’s resounded through the church. A death-like stillness else; the people lay upon their knees and crossed themselves; before the altar kneeling priests murmured prayers.

It was a solemn, a sublime moment, for the pope must now receive the communion--the vicegerent of God must drink the blood of the Lamb. But still the pope remains sacred; he cannot, like other mortals, make use of his earthly feet; he must not, like them, approach the altar. Sitting upon his throne, he has partaken of the holy wafer, and, as it was unbecoming his dignity to descend to the altar in order to come to Christ, the latter must decide to come to him!

The golden chalice at the high altar contains the blood of the Lamb; the Cardinal Francesco Albani performs the holy office. He has the blessed host, and under his consecrated hand will now be effected the miracle of turning the wine into the blood of Christ!

And Cardinal Albani lays the golden tube in the cup, and another cardinal passes the other end of the tube to the pope.

Through this sacred tube will he sip the consecrated wine, the blood of the Redeemer!

Rushing and thundering recommences the high office, the trumpets renew their blasts, the drums roll, the bells ring, the organ rattles its song of jubilee, the trombones crash in unison. It is the greatest, most sublime moment of the whole ceremony. The pope, having put the golden tube to his lips, sips the wine changed into blood.

While the pope drinks the two cardinals who to-day are on service approach the sacred throne. They hold a torch in the right hand and a small bundle of tow in the left, and according to the custom, set the tow on fire.

It flashes up in a bright flame, is soon extinguished, and a small, almost imperceptible quantity of ashes floats from it to the feet of the pope.

“_Sic transit gloria mundi!_” (So passes the glory of the world!) exclaimed Francesco Albani, with proud presumptuousness and with maliciously scornful glances, while with an expression of savage triumph he stares in the paling face of the pope. “_Sic transit gloria mundi!_” repeated Albani, in a yet louder and more thundering voice.

The bells ring, the hymn resounds, the trombone and organ clang; the audience are on their knees in prayer. A bustle arises, a suppressed murmur--the holy father of Christendom has fainted upon his throne like any common mortal man.

THE VAPO

Since Paulo had left her, and she found herself alone, Natalie felt sad, solitary, in the paradise that surrounded her. No longer did she sing in emulation of the birds, no longer did she hop with youthful delight and the impetuosity of a young roe through the charming alleys. Sadly, and with downcast eyes, sat she under the myrtle bush by the murmuring fountains, and frequent heavy sighs heaved her laboring breast.

“All is changed, all!” she often thoughtfully said to herself. “A great and terrible secret has been unveiled within me--the secret of my utter abandonment! I have no one on earth to whom I belong! Once I never thought of that. Paulo was all to me, my friend, my father, my brother; but Paulo has abandoned me, I belong not to him, and hence I could not go with him. And who is left to me? Carlo!” she answered herself in a low tone, and with a melancholy smile. “But Carlo has not filled the void that Paulo’s absence has left in my heart. At first I thought he could, but that was only a short deception. Carlo is good and kind, always devoted, always ready to serve me. He always conforms himself to my will, is all subjection, all obedience. But that is terrible, unbearable!” exclaimed the almost weeping young maiden. “Who, then, shall I obey, before whom shall I tremble, when all obey me and tremble before me? And yet Carlo is a man. No,” said she, quite low; “were he so I should then obey him, and not he me; then would he give me commands, and not I him! No, Carlo is no man--Paulo was so! Where art thou, my friend, my father?”

And the young maiden yearningly spread her arms in the air, calling upon her distant friend with tender, low-whispered words and heartfelt longings.

But the days slowly passed, and still no news came from him. Natalie dreamily and sadly sank deeper into herself; her cheeks paled, her step became less light and elastic. In vain did her true friends, Marianne and Carlo, exhaust themselves in projects and propositions for her distraction and amusement.

“You should go into the world and amuse yourself in society, princess,” said Carlo.

“I hate the world and society,” said Natalie. “People are all bad, and I abominate them. What had I done to these people, how had I offended them even in thought, and yet they would have murdered me the very first time I appeared among them? No, no, leave me here in my solitude, where I at least have not to tremble for my life, where I have Carlo to guard and protect me.”

The singer pressed the proffered hand to his lips.

“Then let us at least make some excursions in the environs of Rome,” said he.

“No,” said she, “I should everywhere long to be back in my garden. Nowhere is it so beautiful as here. Leave me my paradise--why would you drive me from it?”

“Alas!” despairingly exclaimed Carlo, “you call yourself happy and satisfied; why, then, are you so sad?”

“Am I sad?” she asked, with surprise. “No, Carlo, I am not sad! I sometimes dream, nothing more! Let me yet dream!”

“You will die,” thought Carlo, and with an effort he forced back the cry of despair that pressed to his lips; but his cheeks paled, and his whole form trembled.

Seeing it, Natalie shook off her apathy, and with a lively sympathy and tender friendship she inquired the cause of his disquiet. She was so near him that her breath fanned his cheek, and her locks touched his brow.

“Ah, you would kill me, you would craze me!” murmured he, sorrowfully, sinking down, powerless, at her feet.

She looked wonderingly at him. “Why are you angry with me?” she innocently said, “and what have I done, that you so wrongfully accuse me?”

“What have you done?” cried he, beside himself,--the moment had overcome him, this moment had burst the bands with which he had bound his heart, and in unfettered freedom, in glowing passion, his long-concealed secret forced its way to his lips. He must at length for once speak of his sorrows, even if death should follow; he must give expression to his torment and his love, even should Natalie banish him forever from her presence!

“What have you done?” repeated he. “Ah, she does not even know that she is slowly murdering me, she does not even know that I love her!”

“Am I not to know?” she reproachfully asked. “Would you, indeed, have saved my life had you not loved me? Carlo I am indebted to you for my life, and you say I murder you!”

“Yes,” he frowardly exclaimed, “you murder me! Slowly, day by day, hour by hour, am I consumed by this frightful internal fire that is destroying me. Ah, you know not that you are killing me. And have you not destroyed my youthful strength, and from a man converted me into an old, trembling, and complaining woman? Is it not for your sake that I have fled the world, leaving behind me all it offered of fame and wealth and honor? Is it not your fault that I have ceased to be a free man, to have a will of my own, and have become a slave crawling at your feet? Ah, woe is me, that I ever came to know you! You are an enchantress, you have made me your hound, and, whining, I lie in the dust before you, satisfied when you touch me with your foot.”

At first, Natalie had listened to him with terror and astonishment; then an expression of noble pride was to be read upon her features, a glowing flush flitted over her delicate cheeks, and with flashing eyes and a heaving bosom she sprang up from her seat. Proud as a queen she rose erect, the blood of her ancestors awoke in her; she at this moment felt herself free as an empress, as proud, as secure--and, stretching her arm toward the outlet of the garden, she said in a determined tone: “Go, Signor Carlo! Leave me, I tell you! We have no longer any thing in common with each other!”

Carlo seemed as if awakened from a delirium. Breathless, with widely-opened eyes, trembling and anxious, he stared at the angry maiden. He knew nothing of what he had said; he comprehended not her anger, only his infinite suffering; he was conscious only of his long-suppressed, long-concealed secret love. And, grasping Natalie’s hands with an imploring expression, he constrained the young maiden, almost against her will, to remain and reseat herself upon the grassy bank before which he knelt.

As he looked up to her with those glowing, passionate glances, a maiden fear and trembling for the first time came over her, an anxiety and timidity inexplicable to herself! Her delicate, transparent cheeks paled, tears filled her eyes, and, folding her hands with a childishly supplicating expression, she said in a low, tremulous tone: “My God, my God! Have mercy upon me! I am a wholly abandoned, solitary orphan! Rescue me yet from this trouble and distress, from this terrible loneliness!”

“Fear nothing, my charming angel,” whispered Carlo, “I will be gentle as a lamb, and patient, very patient in my sorrow; I have sworn it and will keep my oath! But you must hear me! You must, only this one time, allow me to express in words my love and my sorrow, my misery and my ecstasy. Will you allow me this, my lily, my beautiful swan?”

He would have again grasped her hand, but she withdrew it with a proud, angry glance.

“Speak on,” said she, wearily leaning her hand against the myrtle-bush. “Speak on, I will listen to you!”

And he spoke to her of his love; he informed her of his former life, his poverty, his want, his connection with Corilla, whom he had quitted in order to devote himself wholly to her, to obey, serve, and worship her all his life, and, if necessary, to die for her! “But you,” he despairingly said, “you know not love! Your heart is cold for earthly love; like the angels in heaven, you love only the good and the sublime, you love mankind collectively, but not the individual. Ah, Natalie, you have the heart of an angel, but not the heart of a woman!”

The young maiden had half dreamingly listened to him, her hand leaned back and her glance directed toward the heavens. She now smiled, and, with an inimitable grace, laying her hand upon her bosom, said in a very low tone: “And yet I feel that a woman’s heart is beating there. But it sleeps! Who will one day come to awaken it?”

Carlo did not understand these low whispered words; he understood only his own passion, his own consuming glow. And anew he commenced his love-plainings, described to her the torments and fierce joys of an unreturned love, which is yet too strong and overpowering to be suppressed. And Natalie listened to him with a dreamy thoughtfulness. His words sounded in her ears like a wonderful song from a strange, distant world which she knew not, but the description of which filled her heart with a sweet longing, and she could have wept, without knowing whether it was for sorrow or joy.

“Thus, Natalie,” at length said Carlo, entirely exhausted and pale with emotion--“thus I love you. You must sometime have learned it, and have known that even angels cannot mingle with mortals unloved and unpunished. I should finally have been compelled to tell you that you might torture no longer, in cruel ignorance; that you, learning to understand your own heart, might tell me whether I have to hope, or only to fear!”

“Poor Carlo!” murmured Natalie. “You love me, but I do not love you! This has even now become clear to me; and while you have so glowingly described the passion, I have for the first time comprehended that I yet know nothing of that love, and that I can never learn it of you! This is a misfortune, Carlo, but as we cannot change, we must submit to it.”

Carlo drooped his head and sighed. He had no answer to make, and only murmuringly repeated her words: “Yes, we must submit to it!”

“And why can we not?” she almost cheerfully asked, with that childlike innocence which never once comprehended the sorrow she was preparing for Carlo--“why can we not joyfully submit? We both love, only in a different manner. Let each preserve and persevere in his own manner, and then all may yet be well!”

“And it shall be well!” exclaimed Carlo, with animation. “You cannot love me as I love you, but I can devote my whole life to you, and that will I do! At home, in my charming Naples, a beautiful custom is prevalent. When one loves, he is adopted as a _vapo_, a protector, who follows the steps of the one he loves, who watches before her door when she sleeps, who secretly lurks at a distance behind her when she leaves her house, who observes every passer-by in order to preserve her from every murderous or other inimical attack, or in case of need to hasten to her assistance. Such a _vapo_ protects her against the jealousy of her husband or the vengeance of a dismissed lover. Natalie, as I cannot be your lover, I will be your _vapo_. Will you accept my services?”

Giving him her hand, she smilingly said, “I will.”

Carlo pressed that hand to his lips, and bedewed it with a warm tear.

“Well, then, I swear myself your _vapo_,” said he, with deep emotion. “Wherever you may be, I shall be near you, I shall always follow to warn and to protect you; should you be in danger, call me and you will find me at your side, whether by night or by day; I shall always watch over you and sleep at the threshold of your door, and should a dream alarm you, I shall be there to tranquillize you. So long as I live, Natalie, so long as your _vapo_ has a dagger and a sure hand, so long shall misfortune fail to penetrate into your dwelling. You cannot be mine, or return my love, but I can care for you and watch over you. In accepting me for your _vapo_, you have given me the right to die for you if necessary, and that of itself is a happiness!”

Thus speaking Carlo rose, and, no longer able to conceal his deep emotion and suppress his tears, he left Natalie, and hastened into the obscurest alleys of the garden.

The young maiden watched his retreat with a sad smile.

“Poor Carlo!” murmured she, “and ah! yet much poorer Natalie! He loves at least. But I, am I not much more to be pitied? I have no one whom I love. I am entirely isolated, and of what use is a solitary paradise?”

THE INVASION

Corilla had kept her word. She had sent to Alexis Orloff, Carlo’s brother, Joseph Ribas, the galley-slave, and with a malicious smile she had said to the latter, “You will avenge me on your treacherous brother?”

Count Orloff warmly welcomed Corilla’s _protege_.

“If you give me satisfaction,” said he, “you may expect a royal recompense, and the favor of the exalted Empress of Russia. First of all, tell me what you can do?”

“Not much,” said Joseph Ribas, laughing, “and the little I can will yet be condemned as too much. I can very dexterously wield the dagger, and reach the heart through the back! Because I did that to a successful rival at Palermo, I was compelled by the police to flee to Naples. There a good friend taught me how to make counterfeit money, an art which I brought to some perfection, and which I successfully practised for some years. But the police, thinking my skill too great, finally relieved me from my employment, and gave me free board and lodging for ten years in the galley. Ah, that was a happy time, your excellency. I learned much in the galleys, and something which I can now turn to account in your service. I learned to speak the Russian language like a native of Moscow. Such a one was for seven years my inseparable friend and chain-companion, and as he was too stupid or too lazy to learn my language, I was forced to learn his, that I might be able to converse with him a little. That, your excellency, is about all I know; to wield the dagger, make counterfeit money, speak the Russian language, and some other trifling tricks, which, however, may be of service to your excellency.”

“Who knows?” said Orloff, laughing. “Do you understand, for example, how to break into a house and steal gold and diamonds, without being caught in the act?”

“That,” said Joseph, thoughtfully, “I should hope to be able to accomplish. I have, indeed, as yet, had no experience in that line, but in the galleys I have listened to the soundest instructions, and heard the experiences of the greatest master of that art, with the curiosity of an emulous student!”

Orloff laughed. “You are a sly fellow,” said he, “and please me much. If you act as well as you talk, we shall soon be good friends! Well, to-morrow night you make your first essay. The business is an invasion.”

“And that shall be my masterpiece!” responded Joseph Ribas.

“If you succeed, I will, in the name of my illustrious empress, immediately take you into her service, and you become an officer of the Russian marine.”

Joseph Ribas stared at him with astonishment. “That is certainly an immense honor and a great good fortune,” said he, “only I should like to know if the Russian marine engages in sea-fights, and if the officers are obliged to stand under fire?”

“Yes, indeed,” cried Orloff, laughing, “but in such cases you can conceal yourself behind the cannon until the fight is over!”

“I shall remember your wise suggestion in time of need!” seriously responded Joseph Ribas, bowing to the count.(*) “And where, your excellency, is to be the scene of my present activity? Where am I to gain my epaulets?”

(*) And, in fact, Ribas did remember it! At a later period,
having become a Russian admiral, he was intrusted with the
command of the flotilla which was to descend the Danube to
aid in the capture of Kilia and Ismail. But during the
investment of Ismail (December 21, 1790), Ribas concealed
himself among the reeds on the bank of the Danube, and did
not reappear until the danger was over and he could in
safety share in the booty taken by his sailors. But this
cowardice and avarice of their admiral very nearly caused a
mutiny among the sailors. It was not suppressed without the
greatest efforts.

“I will myself conduct you to the spot and show you the house where a rich set of diamonds and some thousands of scudi are lying in company with your epaulets!”

“And as I have rather long fingers, I shall be able to grasp both the epaulets and the treasure,” laughingly responded Ribas.

It was in the evening after this conversation of Orloff with Joseph Ribas, a wonderfully brilliant evening, such as is known only under Italian skies.

Natalie inhaled the soft air with delight, and drank in the intoxicating odor of the flowers which poured out their sweetest fragrance in the cool of the evening. She was on this evening unusually cheerful; with the smiling brow and childish gayety, as in happier days, she skipped down the alleys, or, with her guitar upon her arm, reposed upon her favorite seat under the myrtle-bush near the murmuring fountains.

“I am to-day so happy, ah, so happy,” said she, “in consequence of having dreamed of Paulo--in my dream he was near me, spoke to me, and that is a sure sign of his speedy return! Oh, certainly, certainly! In my dream he announced it to me, and I distinctly heard him say: ‘We shall meet again, Natalie. I shall soon be with you!’”

“Ah, may this dream but prove true!” sighed Marianne, Natalie’s faithful companion. She was standing, not far from her mistress, with Carlo, and both were tenderly observing the young maiden, who now smilingly grasped her guitar and commenced a song of joy for Paulo’s expected return!

“I have no faith in our count’s return!” whispered Marianne while Natalie was singing. “It is a bad sign that no news, not a line, nor even the shortest message, had yet come from him. Something unusual, some great and uncontrollable misfortune, must have prevented his writing!”

“You do not think they have imprisoned him?” asked Carlo.

“I fear it,” sighed Marianne. “And if so, what fate then awaits our poor princess? Helpless, alone, without means! For if the count is imprisoned, he will no longer be in a condition to send money as he promised. And we now possess only a thousand scudi, with double that amount in diamonds!”

“Then we are still rich enough to keep off deprivations for a time!” said Carlo.

“But when at length these last resources are exhausted?” asked Marianne--“when we no longer have either money or diamonds--how then?”

“Oh, then,” exclaimed Carlo, with a beaming face, “then will we labor for her! That, also, will be a pleasure, Marianne!”

While the two were thus conversing, Natalie, with a happy smile and cheerful face, was still singing her hymn of joy for Paulo’s approaching return to the accompaniment of the rustling trees, the murmuring fountains, and the chirping birds in the myrtle-bush. It was a beautiful night, and as the bright full moon now advanced between the pines, illuminating Natalie’s face and form, the partially intoxicated and perfectly happy Carlo whispered: “Only look, Marianne! does she not resemble a blessed angel ready to spread her wings, and with the moonlight to mount up to the stars? Only look, seems it not as if the moonbeams tenderly embraced her for the purpose of leading an angel back to its home?”

“May she, at least, one day, with such a happy smile, take her departure for the skies!” sighed Marianne, piously folding her hands.

At this moment a shrill, cutting wail interrupted Natalie’s song. A string of her guitar had suddenly snapped asunder; frightened, almost angry, Natalie let the instrument fall to the earth, and again the strings resounded like lamentations and sighs.

“That is a bad omen,” sighed Natalie. “How, if that should be true, and not my dream?”

And trembling with anxiety, the young maiden stretched forth her hands toward her friends.

“Carlo--Marianne,” she anxiously said, “come here to me, protect me with your love from this mortal fear and anguish which has suddenly come over me. See, the moon is hiding behind the clouds. Ah, the whole world grows dark and casts a mourning veil over its bright face!”

And the timid child, clinging to Marianne’s arm, concealed her face in the bosom of her motherly friend.

“And you call that an omen!” said Carlo, with forced cheerfulness. “This time, princess, I am the _fatum_ which has alarmed you! It is my own fault that this string broke. It was already injured and half broken this evening when I tuned the guitar, but I hoped it would suffice for the low, sad melodies you now always play. Yes, could I have known that you would have so exulted and shouted, I should have replaced it with another string, and this great misfortune would not have occurred.”

While speaking, he had again attached the string and drawn it tight.

“The defective string is quickly repaired, and you can recommence your hymn of joy,” he said, handing back the guitar to Natalie.

She sadly shook her head. “It is passed,” said she, “I can exult and sing no more to-day, and have an aversion to this garden. See how black and threatening these pines rise up, and do not these myrtle-bushes resemble large dark graves? No, no; it frightens me here--I can no longer remain among these graves and these watchers of the dead! Come, let us go to our rooms! It is night--we will sleep and dream! Come, let us immediately go into the house.”

And like a frightened roe she fled toward the house, the others following her.

In an hour all was silent in the villa. The lights were successively extinguished in Natalie’s and Marianne’s chambers; only in Carlo’s little chamber yet burned a dull, solitary lamp, and occasionally the shadow of the uneasy singer passed the window as he restlessly walked his room. At length, however, this lamp also was distinguished, and all was dark and still.

About this time a dark shadow was seen creeping slowly and cautiously through the garden. Soon it stood still, and then one might have supposed it to be a deception, and that only the wind shaking the pines had caused that moving shadow. But suddenly it again appeared in a moonlighted place, where no bush or tree threw its shade, and, as if alarmed by the brightness, it then again moved aside into the bushes.

This shadow came constantly nearer and nearer to the house, and as the walks were here broader and lighter, one might distinctly discern that it was a human being, the form of a tall, stately man, that so cautiously and stealthily approached the house. And what is that, sparkling and flashing in his girdle--is it not a dagger, together with a pistol and a long knife? Ah, a threatening, armed man is approaching this silent, solitary house, and no one sees, no one hears him! Even the two large hounds which with remarkable watchfulness patrol the garden during the night, even they are silent! Ah, where, then, are they? Carlo had himself unchained them that they might wander freely--where, then, can they be?

They lie in the bushes far from the house, cold, stiff, and lifeless. Before them lies a piece of seductively smelling meat. That was what had enticed them to forget their duty, and, instead of growling and barking, they had with snuffling noses been licking this tempting flesh. Their instinct had not told them it was poisoned, and therefore they now lay stiff and cold near the food that had destroyed them.

No, from those hounds he had nothing more to fear, this bold, audacious man; the hounds will no more betray him, nor warningly announce that Joseph Ribas, the venturesome thief and galley-slave, is lurking about the house to steal or murder, as the case may be.

He has now reached the house. He listens for a moment, and as all remains still, no suspicious noise making itself heard, with pitch-covered paper, brought with him for the purpose, he presses in one of the window panes. Then, passing his hand through the vacancy caused by the absent pane of glass, he opens one wing of the French window, and, by a bold leap springing upon the parapet, he lets himself glide slowly down into the room.

Again all is still, and silent lies the solitary, peaceful villa. Suddenly appears a small but bright light behind one of these dark windows.

That is the thief’s lantern, which Joseph Ribas has lighted to illuminate his dark, criminal way.

He cautiously ascends the stairs leading to the second story, and not a step jars under his feet, not one, nor does the slightest noise betray him.

He is now above, in the long corridor. Approaching the first door, he listens long. He hears a loud breathing--some one sleeps within. With one sole quick movement he turns the key remaining in the lock. The door is now locked, and the sleeper within remains undisturbed. Joseph creeps along to the next door, and again he listens to ascertain if there be anything stirring within. But no, he hears nothing! All is still behind the door.

He draws a pistol from his girdle, cocks it, and, thus prepared to resist every attack, he suddenly opens the door. No one is in the room, no one but Joseph Ribas the thief, who, with flashing eyes, suspiciously and carefully examines every hole and corner.

But no, no one is there. Calm and sure, Joseph Ribas, steps into the room, drawing and bolting the door behind him. No one can now surprise him, no one can fall upon him from behind. But yes, there is also a door on each side, right and left. He listens at the first, he thinks he hears a light breathing; here also he quickly shoves a bolt and passes over to the other door, which stands ajar. Cautiously he pushes it open and looks in. A small, dull lamp is burning there, lighting the lovely face of the sleeping Princess Natalie.

“That is she!” low murmured Ribas, as with eager glances he observes the young and charming maiden. He is drawn forward as if with invisible bands--he penetrates into this sacred asylum of the slumbering maiden. But he forcibly checks his advance. “I have sworn not to touch her, and I will keep my word, that I may secure my epaulets!” he muttered to himself, and, retreating into the first chamber, he bolts the door, to make all sure, that leads into Natalie’s chamber.

“Now to the work!” said he, with decision. “Here stands the bureau, the treasure must be here.”

And, placing his dark lantern upon a table, he draws forth his picklock and chisels, and commences breaking open the bureau. Right--this thievish instinct has not deceived him, he has found all, all. Here is the little box of sparkling diamonds, and here the full purses of money.

With a knavish smile, Joseph Ribas conceals the brilliants in his bosom, and deposits the money in his capacious pockets.

“It is a pity that this is not mine,” he muttered with a grin, “but toward this count I must act as an honorable thief, and I have promised to bring it all truly to him.”

The work is completed, the malicious criminal act is performed. He can now go, can again creep away from the house his feet have soiled.

Why does he not? Why does he linger in these rooms? Why directs he such wild and eager glances to the door behind which Natalie sleeps?

He cannot withstand the temptation, and even at the risk of awaking Natalie, he must see her once more! And, moreover, what had he to fear from an isolated young girl? He will only have one more look at her. Nothing more!

He noiselessly pushes back the bolt; noiselessly, upon tiptoe, with closed lantern, he creeps into the room and to Natalie’s bedside.

She is wonderfully beautiful, and she smiles in her slumber. How charming is that placid face, that half-uncovered shoulder, that arm thrown up over her head, where it is half concealed under her luxuriant locks! Wonderfully beautiful is she. Dares he to touch that arm and breathe a kiss, a very light kiss, upon those fragrant lips? Why not? No one sees him, nor will Count Alexis Orloff ever know that his commands have been disobeyed.

But as he bent down, as his breath comes only in light contact with her cheek, she stirs! Maiden modesty never slumbers; it watches over the sleeping girl, it protects her. It is her good genius who never deserts her.

Drawing herself up, Natalie opens her eyes and starts up from her couch. Then she sees a large, threatening masculine form close before her, close before her that wildly-laughing face.

A shriek of terror and anguish bursts from her lips, and in a tone of alarm she calls: “Carlo, Carlo! Help! help! Carlo! Save--”

More she did not say. With a wild rage, angry, and ashamed of his own folly, Joseph Ribas rushes upon her.

“One more cry!” he threateningly said--“one more call for help, and I will murder you!”

But at this moment a small curtained door which Ribas had not remarked and hence not fastened, was suddenly opened, and Carlo rushed in.

“I am here, Natalie!--I am here!”

Rushing upon the stranger, and grasping him with gigantic strength, he thrust him down from the bed.

Joseph Ribas turned toward his new and unexpected enemy. The lamp lighted his face, and falling back Carlo shrieked, “My brother!”

Joseph Ribas broke out into a loud, savage laugh. “At length we meet, my brother,” said he. “But this time you shall not hinder me in my work. This time I am the conqueror!”

“No, no, that you are not!” cried Carlo, beside himself with pain and rage. “Confess what you want in this house--confess, or you are a dead man!”

And with a drawn dagger he rushed upon his opponent!