Chapter VII: Part 7

So thought and spoke the curious Romans when passing the high walls surrounding the beautiful garden formerly belonging to the Count Appiani. At an earlier period this garden had been well known to all of them, as it had been a sort of public promenade, and under its shady walks had many a tender couple exchanged their first vows and experienced the rapture of the first kiss of love. But for the four last years all this had been changed; a rich stranger had come and offered to the impoverished old Count Appiani a large sum for this garden with its decaying villa, and the count had, notwithstanding the murmurs of the Romans, sold his last possession to the stranger. He had said to the grumbling Romans: “You are dissatisfied that I part with my garden for money. You were pleased to linger in the shady avenues, to listen to these murmuring fountains and rustling cypresses; you have walked here, you have here laughed and enjoyed yourselves, while I, sitting in my dilapidated villa, have suffered deprivation and hunger. I will make you a proposition. Collect this sum, you Romans, which this stranger offers me; ye who love to promenade in my garden, unite yourselves in a common work. Let each one give what he can, until the necessary amount is collected, then the garden will be your common property, where you can walk as much as you please, and I shall be happy to be relieved from poverty by my own countrymen, and not compelled to sell to a stranger the garden so agreeable to the Romans!”

But the good Romans had no answer to make to Count Appiani. They, indeed, would have the enjoyment, but it must cost them nothing--in vain had they very much loved this garden, had taken great pleasure under its shady trees; but when it became necessary to pay for these pleasures, they found that they were not worth the cost, that they could very well dispense with them.

The good Romans therefore turned away from this garden, which threatened them with a tax, and sought other places of recreation; while old Count Appiani sold his garden and the ruins of his villa to the rich stranger who had offered him so considerable a sum for them. From that day forward every thing in the garden had assumed a different appearance. Masons, carpenters, and upholsterers had come and so improved the villa, within and without, that it now made a stately and beautiful appearance amid the dense foliage of the trees. It had been expensively and splendidly furnished with every thing desirable for a rich man’s dwelling, and the upholsterers had enough to relate to the listening Romans of the elegant magnificence now displayed in this formerly pitiable villa. How gladly would the former promenaders now have returned to this garden; how gladly would they now have revisited this villa, which, with its deserted halls and its ragged and dirty tapestry, had formerly seemed to them not worth looking at! But their return to it was now rendered impossible; for on the same day in which the new owner took possession of the garden, he had brought with him more than fifty workmen, who had immediately commenced surrounding it with a high wall.

Higher and higher rose the wall; nobody could see over it, as no giant was sufficiently tall; no one could climb over it, as the smoothly-hammered stones of which it was built offered not the least supporting point. The garden with its villa had become a secret mystery to the Romans! They yet heard the rustling of the trees, they saw the green branches waving in the wind; but of what occurred under those branches and in those shaded walks they could know nothing. At first, some curious individuals had ventured to knock at the low, narrow door that formed the only entrance into this walled garden. They had knocked at that door and demanded entrance. Then would a small sliding window be opened, and a gruff, bearded man with angry voice would ask what was wanted, and at the same time inform the knocker that no one could be admitted; that he and his two bulldogs would be able to keep the garden clear of all intruders. And the two great hounds, as if they understood the threats of their master, would show their teeth, and their threatening growl would rise to a loud and angry bark.

They soon ceased to knock at that door, and, as they could not gain admission, they took the next best course, of assuming the appearance of not wishing it.

Four years had since passed; they had overcome the desire to enter the premises or to look over the wall, but they told wondrous tales of the garden and of a beautiful fairy who dwelt in it, and whose soft, melodious voice was sometimes heard in the stillness of the night singing sweet, transporting songs. No one had seen her, this fairy, but she was certainly beautiful, and of course young; there were also some bold individuals who asserted that when the moon shone brightly and goldenly, the young fairy was then to be seen in the tops of the trees or upon the edge of the wall. Light as an elf, transparent as a moonbeam, she there swung to and fro, executing the singular dances and singing songs that brought tears to the eyes and compassion to the hearts of those who heard them. On hearing these tales, the Romans would make the sign of the cross, and pass more quickly by the walls of this garden, which thenceforth they called “_The Charmed Garden_.” It was indeed a charmed garden! It was an island of happiness, behind these walls, concealed from the knavery of the world. Like an eternal smile of the Divinity rested the heavens over this ever-blooming, ever-fragrant garden, in whose myrtle-bushes the nightingales sang, and in whose silver-clear basins the goldfishes splashed.

Yes, it was indeed a charmed garden, and also had its fairy, who, if she did not compete with the moonbeams in rocking herself on the tops of the trees and the edges of the wall, was nevertheless as delicate as an elf, and who tripped from flower to brook and from brook to hill as lightly and gracefully as the gazelle. The whole spring, the whole youth of nature, flashed and beamed from this beautiful maiden-face, so full of childlike innocence, purity, and peace. No storm had as yet passed over these smiling features, not the smallest leaf of this rose had been touched by an ungentle hand; freely and freshly had she blossomed in luxuriant natural beauty; she had drunk the dews of heaven, but not the dew of tears, for those deeply-dark beaming eyes had wept only such tears as where called forth by emotions of joy and happiness.

She sat under a myrtle, whose blossoming branches bent down to her as if they would entwine that pure and tender brow with a bridal wreath. With her head thrown back upon these branches, she reposed with an inimitable grace her reclining form. A white transparent robe, held by a golden clasp, fell in waves to her feet, which were encased in gold-embroidered slippers of dark-red leather. A blushing rose was fastened by a diamond pin in the folds of her dress upon her budding bosom, finely contrasting with the delicate flush upon her cheeks. A guitar rested upon her full round arm. She had been singing, this beautiful fairy child, but her song was now silenced, and she was glancing up to the clouds, following their movements with her dreamy, thoughtful eyes. A smile hovered about her fresh, youthful lips--the smile peculiar to innocence and happiness.

She dreamed; precious, ecstatic images passed before her mental eyes; she dreamed of a distant land in which she had once been, of a distant house in which she had once dwelt. It was even more beautiful and splendid than this which she now occupied, but it had lacked this blue sky and fragrant atmosphere; it lacked these trees and flowers, these myrtle bushes, and these songs of the nightingale, and upon a few summer days had followed long, dull winter months with their cold winding-sheet of snow, with their benumbing masses of ice, and the fantastic flowers painted on the windows by the frost. And yet, and yet, there had been a sun which shone into her heart warmer than this bright sun of Italy, and the thought of which spread a purple glow upon her cheeks. This sun had shone upon her from the tender glances of a lady whom she had loved as a tutelar genius, as a divinity, as the bright star of her existence! Whenever that lady had come to her in the solitary house in which she then dwelt, then had all appeared to her as in a transfiguration; then had even her peevish old servant learned to smile and become humble and friendly; then all was joy and happiness, and whoever saw that beautiful and brilliant lady, had thought himself blessed, and had fallen down to adore her.

Of that lady was the young maiden now thinking, of that memorable woman with the flashing eyes whose tender glance had always penetrated the heart of the child with delight, whose tender words yet resounded like music in her ears.

Where was she now, this lady of her love, her longings? why had she been brought away from that house with its snowy winding-sheet and the ice drapery upon its windows? Where lay that house, and where had she to seek it with her thoughts? What was the language she had there spoken, and which she now secretly spoke in her heart, although nobody else addressed her in it, no one about her understood it; and wherefore had her friend and protector, he who had brought her here, who had always been with her, wherefore had he suddenly given himself the appearance of no longer understanding it?

And even as she was thinking of him, of this dear friend and protector, he came along down the alley; his tall form appeared at the end of the walk; she recognized his noble features, with the proud eagle glance and the bold arched brow.

The young maiden arose from her seat and hastened to meet him.

“How charming that you have come, Paulo,” she gayly said, stretching forth her little hands toward him. “I must ask you something, and that directly, Paulo. Tell me quickly what is that language called in which we formerly conversed together, and why have we ceased to speak it since we came here to Rome?”

Paulo’s brow became slightly clouded, but when he looked into her beautiful face, animated by expectant curiosity, this expression of displeasure quickly vanished from his features, and, threatening her with his finger, he said:

“Always this same question, Natalie; and yet I have so often begged of you to forget the past, and live only in the present, my dear, sweet child! The past is sunken in an immeasurable gulf behind you, which you can never pass, and if it stretches out its arms to you, it will only be for the purpose of dragging you down into the abyss with it. Forget it, therefore, my Natalie, and yield thyself to this beautiful and delightful present, to increase for you the attractions of which will ever be the dearest task of my life.”

“It is true,” said the young maiden, sighing, “I am wrong to be always recurring to those long-past times; you must pardon me, Paulo, but you will also acknowledge that my enigmatical past justifies me in feeling some curiosity. Only think how it began! You one day came rushing to my room, you pressed me all trembling to your heart, and silently bore me away. ‘Natalie,’ said you, ‘danger threatens you; I will save, or perish with you!’ You mounted your horse with me in your arms. Behind us screamed and moaned the servants of my house, but you regarded them not, and I trustingly clung to your heart, for I knew that if danger threatened me, you would surely save me! Oh, do you yet remember that fabulous ride? How we rested in out-of-the-way houses, or with poor peasant people, and then proceeded on farther and farther! And how the sun constantly grew warmer, melting the snow, and you constantly became more cheerful and happy, until, one day, you impetuously pressed me to your bosom, and said: ‘Natalie, we are saved! Life and the future are now yours! Look around you, we are in Italy. Here you can be free and happy!’”

“And was not that a good prophecy?” asked Paulo. “Has it not been fulfilled? Are you not happy?”

“I should be so,” sighed Natalie, “could I avoid thinking so often of that past! Those words which you then spoke to me were the last I ever heard in that language, which I had always spoken until then, but of which I know not the name! From that hour you spoke to me in an unknown tongue, and I felt like a poor deserted orphan, from whom was taken her last possession, her language!”

“And yet whole peoples have been robbed of that last and dearest possession!” said Paulo, his brow suddenly darkening, “and not, as in your case, to save life and liberty, but for the purpose of enslaving and oppressing them.”

Natalie, perceiving the sudden sadness of her friend, attempted to smile, and, grasping his hand, she said:

“Come, Paulo, we are naughty children, and vex ourselves with vagaries, while all nature is so cheerful and so replete with divine beauty. Only see with what glowing splendor the departing sun rests upon the tops of the cypresses! Ah, it is nowhere so beautiful as here in my dear garden. This is my world and my happiness! Sometimes, Paulo, it makes me shudder to think that the walls surrounding us might suddenly tumble down, and all the tall houses standing behind them, and all the curious people lounging in the streets, could then look in upon my paradise! That must be terrible, and yet Marianne tells me that other people live differently from us, that their houses are not surrounded by walls, and that no watchman with dogs drives away troublesome visitors from them. And yet, she says, they smilingly welcome such inconvenient people, receiving them with friendly words, while they only thank God when they finally go and leave the occupants in peace. Is it then true, Paulo, that people can be so false to each other, and that those who live in the world never dare to speak as they think?”

“It is, alas! but too true, Natalie,” said Paulo, with a sad smile.

“Then never let me become acquainted with such a world,” said the young maiden, clinging to Paulo’s arm. “Let me always remain here in our solitude, which none but good people can share with us. For Marianne is good, as also Cecil, your servant; and Carlo--oh, Carlo would give his life for me. He is not false, like other people; I can confide in him.”

“Think you so!” asked Paulo, looking deep into her eyes with a scrutinizing glance.

She bore his glances with a cheerful and unembarrassed smile, and a roguish nod of her little head.

“You must certainly wish to paint me again, that you look at me so earnestly. No, Paulo, I will not sit to you again, you paint me much too handsome; you make an angel of me, while I am yet only a poor little thing, who lives but by your mercy, and does not even know her own name!”

“Angels never have a name, they are only known as angels, and need no further designation. As there is an Angel Gabriel, so there is an Angel Natalie!”

“Mocker,” said she, laughing, “there are no feminine angels! But now come, be seated. Here is my guitar, and I will sing you a song for which Carlo yesterday brought me the melody.”

“And the words?” asked Paulo.

“Well, as to the words, they must come in the singing--to-day one set of words, to-morrow another. Who can know what glows in your heart at any given hour, and what you may feel in the next, and which will escape you in words unknown to yourself, and which unconsciously and involuntarily stream from your lips.”

“You are my charming poetess, my Sappho!” exclaimed Paulo, kissing her hand.

“Ah, would that you spoke true!” said she, with sparkling eyes and a deeper flush upon her cheeks. “Let me be a poetess like Sappho, and I would, like her, joyfully leap from the rocks into the sea. Oh, there are yet poetesses--Carlo has told me of them. All Rome now worships the great improvisatrice, Corilla. I should like to know her, Paulo, only to adore her, only to see her in her splendor and her beauty!”

“If you wish it, you shall see her,” said Paulo.

“Ah, I shall see her then!” shouted Natalie, and, as if to give expression to her inward joy, she touched the strings of her guitar, and in clear tones resounded a jubilant melody. Then she began to sing, at first in single isolated words and exclamations, which constantly swelled into more powerful, animated and blissful tones, and finally flowed into a regular dithyramb. It was a song of jubilee, a sigh of innocence and happiness; she sang of God and the stars, of happy love, and of reuniting; of blossom, fragrance, and fanning zephyrs; and in unconscious, foreboding pain, she sang of the sorrows of love, and the pangs of renunciation.

All Nature seemed listening to her charming song; no leaflet stirred, in low murmurs splashed the waves of the fountain by which she sat, and occasionally a nightingale wailed in unison with her hymn of rejoicing. The sun had descended to a point nearer the horizon, and bordered it with moving purple clouds. Natalie, suddenly interrupting her song, pointed with her rosy fingers to the heavens.

“How beautiful it is, Paulo!” said she.

He, however, saw nothing but her face, illuminated by the evening glow.

“How beautiful art thou!” he whispered low, pressing her head to his bosom.

Then both were silent, looking, lost in sweetest dreams, upon the surrounding landscape, which, as if in a silence of adoration, seemed to listen for the parting salutation of the god of day. A nightingale suddenly came and perched upon the myrtle-bush under which Natalie and her friend were reposing. Soon she began to sing, now in complaining, now in exulting tones, now tenderly soft, now in joyful trumpet-blasts; and the night-wind that now arose rustled in organ-tones among the cypress and olive trees.

Natalie clung closer to her friend’s side.

“I would now gladly die,” said she.

“Already die!” whispered he. “Die before you have lived, Natalie?”

Then they were again silent, the wind rustled in the trees, the fountains murmured, the birds sang, and in golden light lay the moon over this paradise of two happy beings.

But what is that which is rustling in the pines close to the wall--what is that looking out with flashing eyes and a poisonous glance? Is it the serpent already come to expel these happy beings from their paradise?

They see nothing, they hear nothing, they are both dreaming, so sure do they feel of their happiness.

But there is a continued rustling. It is unnatural! It resembles not the rustling of the evening wind! It is not the rustling of a bird, balancing itself upon the branch of the tree! What, then, is it?

An opening is made in the foliage, and it is the arm of a man that makes it. Upon the wall is to be seen the form of a man, and near him slowly rises a second form. Cautiously he glances around, and then makes a scornful grimace, while his eyes shine like those of a hyena. He has discovered the two sitting together in happy security, and enjoying the tranquil beauty of the evening in silent beatitude. He has seen them, and points toward them with his finger, while, at the same time, he lightly touches the arm of the other man, who has boldly swung himself up on the wall. The glance of the latter follows the direction in which the other points; he also now sees the reposing pair, and over his features also flits an unnatural smile. He suddenly fumbles in his bosom, and when his hand is withdrawn a small dagger glistens in it. With a bold leap, the man is already on the point of springing from the wall into the garden. The other holds him back, and makes a threatening counter-movement. He, it seems, is the commander, and uses his power with an indignant negative shake of the head; his commanding glance seems to say: “Be silent, and observe!”

Staring and immovably their eyes were now fixed upon the silent pair sitting in the bright moonlight which surrounded them as with a glory. One of the men still holds the dagger in his hand, and with a powerful arm the other holds him in check. Then they whisper low together--they seem to be consulting as to what is to be done. The man with the dagger seems to yield to the arguments or persuasions of the other. He nods his consent. The first disappears behind the wall, and the armed one slowly follows him. Yet once again, he glances over the wall, raising his arm and shaking his dagger toward Natalie and her friend. Then he disappeared, and all was again peaceful and still in this smiling paradise!

Was it, perhaps, only an illusive dream that bantered us, only a _fata morgana_ formed by the moonbeams? Or does the serpent of evil really lurk about this paradise? Will destruction find its way into this charmed garden? Ah, no solitude and no wall can afford protection against misfortune! It creeps through the strongest lock, and over the highest wall; and while we think ourselves safe, it is already there, close to us, and nearly ready to swallow us up.

THE LETTERS

It was suddenly lively in the garden. Cecil, Paulo’s old servant, approached from the house, with a lantern in his hand.

He comes down the alley with hasty steps, and with an anxious countenance approaches his master.

“What is it, Cecil?”

“Two letters, sir, that have just arrived. One comes from the hotel of the Russian legation, and the other from that of the Lord-Cardinal Bernis.”

Paulo shuddered slightly, and his hand involuntarily grasped after the first letter, but he suddenly constrained himself, and his glance fell upon Natalie, whose eyes were fixed with curiosity upon the two letters.

“We will first see what the good Cardinal Bernis writes us!” said Count Paulo, placing the Russian letter in his pocket with apparent indifference.

“Bernis?” asked Natalie. “Is not that the French Cardinal, who is at the same time a poet, and whom the pope, the great Ganganelli, so dearly loves?”

“The same,” said Paulo, “and besides, the same Cardinal Bernis whom I had months ago promised to allow the pleasure of making your acquaintance! He already knows you, Natalie, although he has never yet seen your fair face; he knows you from what I have told him.”

“Oh, let us quickly see what the good cardinal writes!” exclaimed Natalie, clapping her hands with the impatience of a child.

Count Paulo smilingly broke the seal and read the letter.

“You are in truth a witch,” said he; “you must have some genius in your service, who listens to every wish you express, in order to fulfil it without delay! This letter contains an invitation from the cardinal. He gives a great entertainment to-morrow, and begs of me that I will bring you to it. The improvisatrice Corilla will also be there!”

“Oh, then I shall see her!” exclaimed the delighted young maiden. “At length I shall see a poetess! For we shall go to this entertainment, shall we not, Paulo?”

The count thoughtfully cast down his eyes, and his hand involuntarily sought the letter in his pocket. An expression of deep care and anxiety was visible on his features, and Cecil seemed to divine the thoughts of his master, for he also looked anxious, and a deep sigh escaped from his breast.--Natalie perceived nothing of all this! She was wholly occupied by the thought of seeing Corilla, the great improvisatrice, of whom Carlo, Natalie’s music-teacher, had told her so much, and whose fame was sounded by children and adults in all the streets of Rome.

“We go to this festival, do we not, Paulo?” repeated she, as the count still continued silent.

Recovering from his abstraction, he said: “Yes, we will go! It is time that my Natalie was introduced into this circle of influential Romans, that she may gain friends among people of importance, who may watch over and protect her when I no longer can!”

“You will, then, leave me?” cried the young maiden, turning pale and anxiously grasping the count’s arm. “No, Paulo, you cannot do that! Would you leave me because I, a foolish child, desired to go to this festival, and was no longer contented with our dear and beautiful solitude? That was wrong in me, Paulo, as I now plainly see, and I desire it no longer! Oh, we will prepare other pleasures for ourselves here in our delightful paradise. You have often called me a poetess, and I will now believe I am, and no longer wish to see another. I will suffice for myself! Come, I will immediately sing you a song, a festival song, my friend!”

And taking her guitar, Natalie struck some joyous accords; but Count Paulo lightly laid his hands upon the strings so as to silence them, and drawing the tips of her fingers to his lips, with a slight shaking of his head, he said: “Not now, my charming poetess, I am not worthy of hearing you.”

“And it is late,” added Cecil, coming as it were to the aid of his master.

The count rose. “Yes, you are right--it is late,” said he, “and I must not longer keep Natalie from her slumber. Come, my sweet child, you must retire; you must sleep, that your brow may beam with blooming freshness to-morrow!”

Natalie made no answer; with a light sigh she mechanically took the count’s offered arm.

Cecil preceded them with the lantern in his hand. Thus they proceeded up the alley leading to the villa, all three silent and thoughtful. The sky had become obscured, a black cloud intercepted the light of the moon, and Natalie’s charmed garden was suddenly wrapped in gloom.

A cold shudder ran through her delicate frame.

“A feeling of anxiety has come over me!” she whispered, clinging close to the count’s side.

“Poor child!” said the count. “Are you already oppressed with fear?”

“What if the wall should give way, and bad people should intrude into our garden! Ah, Marianne says that misfortune lurks everywhere in the world, lying in ambush for those who think themselves safe, destroying their happiness, and making them wholly miserable; and people only laugh and rejoice that another man’s hopes have been wrecked! Ah, and I have felt so secure in my happiness! If misfortune should now actually come--if these walls should prove not high enough to keep it off! Ah, Paulo, protect me from lurking misfortune!”

They had now arrived at the door of the villa. Paulo pressed the trembling young maiden with paternal tenderness to his breast, and, lightly touching her forehead with his lips, he said: “Good-night, my love! Sleep gently, and be not anxious! So long as I live, misfortune shall never approach you! Rest assured of that!”

Thus speaking, he led her into the house, where Marianne was waiting to accompany her to her chamber.

Natalie silently followed her, but before entering her room she once more turned, and, pressing her fingers to her lips, wafted kisses in the air toward her friend.

“Good-night, Paulo!”

“Good-night, Natalie!”

The door closed behind her, and the smile instantly vanished from Paulo’s lips. With impetuous haste, beckoning Cecil to follow him, he strode through the corridor leading to his own apartments.

When he had arrived there, and Cecil had closed the door behind him, the count with a deep sigh threw himself upon a chair, whilst Cecil silently busied himself in lighting the wax-candles and placing them upon the table beside his master.

“Will not your grace now read the other letter?” he timidly asked, as Count Paulo still remained buried in his silent reflections.

“Oh, this unblessed letter!” exclaimed the count, with a shudder. “I tell you, Cecil, I feel that it contains misfortune. It has lain with a heavy weight like a nightmare upon my breast and I yet felt not the strength in me to draw it forth and read it in Natalie’s presence!”

“That was well!” said Cecil, “and it was for that reason that I told you in advance that the letter was from Russia, that you might be on your guard. But now, Sir Count, we are alone, and now you can read it!”

“Yes, away with this childish fear!” cried the count, with resolution. “I will be a man, Cecil, and whatever this letter may contain, I will bear it like a man!”

Drawing forth the letter, he broke the seal with a trembling hand, and threw the cover across the room. Then unfolding the letter, he read. Behind him stood Cecil, involuntarily trembling with anxious expectation.

The letter fell from the count’s hands, and a deadly paleness spread over his face, which bore the expression of utter despair.

“Oh, my prophetic soul!” he sighed.

“Your presentiment is then fulfilled!” anxiously asked Cecil.

“Yes, it is fulfilled! My property is sequestrated; they refuse to send me the money I required; they command my immediate return to Russia, as my _conge_ has expired and my respite is at an end!”

“And you are lost, my lord, if you do not obey this command!” said Cecil.

“And Natalie?” reproachfully asked the count. “Can I, dare I leave her?”

“She is much safer without than with you! They may not yet suspect who she is! It is very possible that it in reality only is because your leave of absence has expired, as the laws of Russia require that every absentee should return to his country once in every four years. Fulfil, therefore, this hard duty. Pretend to suppose that your recall is for no other reason than the renewal of your passport, and the giving you an opportunity to pay your homage to the empress. Appear innocent and unconcerned, and all may yet go well!”

“No,” gloomily replied the count, “nothing will go well any more! The whole future stands before me in clear and distinct traits--a future full of shame and horror! Oh, would it not be better to flee from that future and seek in some remote and hidden valley a place where, perhaps, misfortune cannot reach, nor destruction overtake us!”

“How?” reproachfully asked Cecil. “Is it Count Paulo who speaks thus? Is it the pupil whom I taught to defy misfortune and rise superior to disaster with courageous self-confidence? Is it the son of my heart for whom I have left all, sacrificed all, for whom I have offered up my fatherland, my freedom, and my independence; whom I shall love until my last breath? Paulo, pluck up a good heart, my son! You have proposed to yourself a great end, which was only to be reached by thorny and dangerous paths; will you now stop at the first cross-road and return upon your steps, instead of pressing forward sword in hand! No, no, I know you better, my son; this momentary hesitation will pass away, and you will again be great and strong for the struggle and the victory!”

With a faint smile Count Paulo gave him his hand. “You know not, my friend, how great is the sacrifice you demand of me!” said he, in a subdued tone. “I must leave Natalie. I must never see her more, never more draw consolation from her glance, nor hope from her charming smile! Oh, Cecil, you have not idea of what Natalie is to me; you know not that I--”

“I know,” interposed Cecil, solemnly, “I know that you have sworn upon the holy book to protect her with your life from every injury; I know that you have sworn never to give rest to yourself until you have reinstated her in her inherited rights, and that, until then, she shall be sacred to you, sacred as a sister, sacred as a daughter whose honor you will protect and defend against every outrage, against even every sinful thought. That have you sworn, and I know you will hold your word sacred and keep your oath!”

Count Paulo dropped his head upon his breast and sighed deeply.

“I must therefore leave her!” said he.

“Your own welfare demands it.”

“But how is she to live during our absence? Our money will not suffice to the end. Alas! we had so surely calculated on this remittance from my estates, and now it fails us!”

“We will sell that costly ornament of brilliants which you had destined as a present for Natalie on her seventeenth birthday.”

“Ah,” sighed the count, “you have a means for the removal of every obstacle. I must therefore go!”

“And I go with you,” said Cecil. “I would, if it must be so, be able to die for you!”

“They will destroy all three of us!” said the count. “Believe me, the knife is already sharpened for our throats! Believe also, Cecil, that I tremble not from fear of death. But I fear for Natalie! Ah, I already seem to see the approach of her murderers, to see them seize her with their bloody hands, and I shall not be there to protect her!”

While Count Paulo thus spoke, with a sad, foreboding soul, those two mysterious men, who had so threateningly watched and listened to Natalie and her friend, still remained under the wall.

The one still held the dagger in his hand, and was unquietly walking back and forth near his companion, who had calmly thrown himself upon the ground.

“You did wrong to hinder me, Beppo,” he angrily said. “It would have been best to have finished them at once. The occasion could not have been more favorable--the solitary garden, the nightly stillness and obscurity. Ah, one blow would have done the business!”

“Well, and what if the gentleman who sat near her had seized you before the blow was struck? How then?” asked the other. “You are yet but a novice and a bungler, friend Giuseppo. You yet lack discretion, the tranquil glance, the sure hand! You always suffer yourself to become excited, which is unartistic and even dangerous. We went out today only to obtain information; we were only to discover and observe the signora, and perhaps to watch for an opportunity. But to fall upon her in this garden would have been the extreme of stupidity, for we had all the servants and the hounds against us, and it is one of the first principles of our profession to put others in danger, but never to incur it themselves.”

“Wherefore, then, have we come here?” cried Giuseppo, with vehemence.

“To see her and know her, that we may surely recognize her again when the right hour comes. And that hour will come--I will answer for it. Did not the signora tell us that this lady would probably attend the festival of Cardinal Bernis?”

“She said so.”

“Well, and we have come here that we might see and know her in advance. She is very beautiful, and a truly respectable person, Giuseppo. I am pleased with the idea of this festival of the French cardinal. I think it will afford much business in our line.”

DIPLOMATIC QUARRELS

In the palace of the French ambassador at Rome, Cardinal Bernis, there was an unusually busy movement to-day. From the kitchen-boys to the major-domo, all were in a most lively motion, in the most passionate activity. For this morning, while taking his chocolate, the cardinal had sent for his major-domo, and, quite contrary to the usual joviality of his manner, had very seriously and solemnly said to him: “Signor Brunelli, I to-day intrust you with a very important and responsible duty, that of making as splendid as possible the grand festival we are three days hence to give in honor of the Archduke Ferdinand. No pains must be spared, nothing must be wanting; the most luxurious richness, the most tasteful decoration, the most extravagant splendor must be exhibited. For this entertainment must excite the attention not only of Rome, but of all Europe; it must become the subject of conversation at all the courts, and, above all, it must cause the despair of all present ambassadorial housekeeping. I have very important diplomatic reasons for this. All Europe shall see how devoted France is to the empire of Austria, and what a good understanding subsists between the two courts. Therefore, Signor Brunelli, strain your inventive head, that it may on this occasion hit upon whatever is most distinguished and pre-eminent, for this must be an entertainment never before equalled. That is what I expect, what I demand of you; and if you satisfy my demands, it will give me pleasure to reward your zeal by a present of a hundred ducats.”

Thus with solemn dignity spoke the cardinal, while sipping his chocolate; and Signor Brunelli had pledged himself by a solemn oath punctually to fulfil his master’s commands, and to astonish Rome with an entertainment such as had never been recorded in the annals of diplomatic history.

With a proud step had Brunelli gone to his own private cabinet, where, having shut himself up, he had devoted several hours to serious meditation upon the deep plans presenting themselves to his mind. But Signor Brunelli had, in fact, a very experienced and inventive head, and the cardinal acted wisely in confiding in his major-domo and leaving to him the ordering of the entertainment.

He had now, with the sharp glance of a military commander, arranged his plan of battle, and felt perfectly sure of victory. He therefore rang for a servant, and commanded the attendance of the chief cook in the cabinet of the major-domo. Then with a gentlemanlike listlessness he threw himself upon the divan and began to sip his coffee with the exact dignified deportment that had been displayed by his excellency the cardinal.

“Signor Gianettino,” said he, to the entering cook, “I propose honoring you to-day with a very important and significant affair. I wish, on the day after to-morrow, to prepare an entertainment which in splendor and magnificence shall surpass anything hitherto seen. You know that the major-domos of the other diplomatists have become my irreconcilable enemies through envy; they cannot forgive me for having more inventive faculties and better taste than any of them! We must bring these major-domos to despair, and with a gnashing of teeth they shall acknowledge that in all things I am their master. You, however, must aid me in this great work; in your hands, Signor Gianettino, lies a considerable part of my triumph and my laurels. For what does it help me, if the arrangements and decorations, if the whole establishment, are excellent, should there be a failure in the highest and most sublime part of the entertainment--in the food. The food, my dear sir, and a well-ordered table, is the gist of a festival, and should there be the least failure in that, the whole is profaned and desecrated, and must be covered with a mourning-veil. Take my words to heart, signor; let us have a table covered with food the mere odor of which shall set our first gourmets in ecstatic astonishment, while its judicious arrangement will give pleasure to the poetic mind! This is what I expect of you, and if you succeed in satisfying my requirements, I am ready to reward your exertions with fifty bottles of our best French wines.”

Signor Gianettino returned his thanks with a pleasant, thoughtful smile, and with a majestic step repaired to his boudoir, where he was seen for a long time, walking back and forth in deep thought and with a wrinkled brow. Then, stepping to his writing-table, he sketched the plan of this inordinately great dinner, at first slowly and thoughtfully, and then with constantly more and more fire and enthusiasm, carried away by the greatness of the occasion, and animated by the importance of his mission and his calling.

Then, throwing aside the pen, and exhausted by so great an effort, he gently glided down upon the divan, at the same time ringing for a servant whom he directed to bring his breakfast and afterward to summon all the cooks and scullions to his cabinet. He then stretched himself with eminent grace upon the divan, as he had seen the major-domo do; with a serious thoughtfulness he sipped the glass of Malvoisie the servant had brought him, with sundry _pates_ and rare _entremets_.

And they came, the cooks and scullions, they came in their white jackets, with their white aprons and snow-white caps; they came in solemn silence, fully impressed with the importance of the moment.

“Signors,” said the chief cook, “it is on a beautiful and sublime affair that I have assembled you here to-day. It concerns an increase of the fame and triumphs we have so many times gained over our diplomatic rivals, and an increase of the laurels we have won in the sacred realms of our art! I propose to prepare a banquet for to-morrow, and for that I require your support and aid, gentlemen. For what is the use of ever so good a plan of battle of a commander-in-chief, if his troops fail in courage and skill to carry out the plan of their general? Gentlemen, I doubt not your courage or skill! You will contend for the sake of the fame we have acquired and hitherto enjoyed without dispute, for the sake of the fame which the French _cuisine_ has enjoyed for centuries, and which must be preserved until the end of all things! You will stand by me, gentlemen, in the praiseworthy effort to acquire new glory for France, by showing these little Austrian princes and these gentlemen diplomatists what wonderful things the French art of cookery can bring to pass. The plan is devised and sketched, and all that is now required is its execution. If this great work succeeds, then, gentlemen, you may feel assured of my eternal gratitude--a gratitude which I will prove to you by leaving all the remains of the dinner to your free use and sole benefit! Here is the plan, hasten to the work; I have assigned to each one the part he is to take in its accomplishment. Hasten, therefore! I, however, by way of exception, will myself go to the market to-day and make the necessary purchases. On such an important occasion, no one, however highly placed, must decline labor and the faithful performance of duty. I go, therefore, and six of the kitchen-boys may follow me with their baskets.”

Thus speaking, the chief cook, Signor Gianettino, took his hat and gold-headed cane to go to the market. Six kitchen-boys, armed with large baskets, followed him at a respectful distance.

At the great vegetable and fish-market of Rome there was to-day a very unusual and extraordinary life and movement. There was a crowd and tumult, a roaring and screaming, a shouting and laughing, such as had not been heard for a long time. It was partly in consequence of the fact that the whole diplomatic corps had been for some days agitated with preparations for entertainments in honor of the Archduke Ferdinand, who had come to Rome to see the wonders of the holy city, and who could hardly find time and leisure for the festivities offered him. But for the tradesmen and dealers, for the country people in the vicinity of Rome, this presence of the Austrian prince was a happy circumstance; for these banquets and festivals scattered money among the people, and the dealers and honest country people could fearlessly raise their prices, as they were sure of a sale for their commodities. The cooks and servants of the diplomatists and cardinals were seen running hither and thither in busy haste, everywhere selecting the best, everywhere buying and cheapening.

But in one place in the market there was to-day an especial liveliness and activity among the crowd, and to that spot Signor Gianettino bent his steps. He had seen the cook of the Spanish ambassador, the Duke of Grimaldi, among those collected there, and as this cook was one of his bitterest enemies and opponents, Signor Gianettino resolved to watch him, and, if possible, to play him a trick. He therefore cautiously mingled with the crowd, and made a sign to his followers to keep at a distance from him.

It was certainly a very important affair with which the Spanish cook Don Bempo was occupied, as it concerned the purchase of a fish that a countryman had brought to the city, of such a monstrous size and weight that the like had never been seen there. It was the most remarkable specimen with which the Roman fish-market had ever been honored. But the lucky fisherman was fully aware of the extraordinary beauty of his fish, and in his arrogant pride demanded twenty ducats for it.

That was what troubled Don Bempo. Twenty ducats for one single fish, and the major-domo of the Spanish ambassador had urged upon him the most stringent economy; but he had, indeed, at the same time urged upon him to provide everything as splendid as possible for the banquet which the Duke of Grimaldi was to give in honor of the Archduke Ferdinand; indeed, he had with an anxious sigh commanded him to outdo if possible the next day’s feast of Cardinal Bernis, and to provide yet rarer and more costly viands than the French cook.

That was what Don Bempo was now considering, and what made him waver in his first determination not to buy the fish.

There was only this one gigantic fish in the market; and, if he bought it, Signor Gianettino, his enemy, of course, could not possess it; the triumph of the day would then inure to the Spanish embassy, and Don Bempo would come off conqueror. That was indeed a very desirable object, but--twenty ducats was still an enormous price, and was not at all reconcilable with the recommended economy.

At any rate he dared not buy the fish without first consulting the major-domo of the duke.

“You will not, then, sell this fish for twelve ducats?” asked Don Bempo, just as Gianettino had unnoticedly approached. “Reflect, man, twelve ducats are a fortune--it is a princely payment!”

The fisherman contemptuously shook his head. “Rather than sell it for twelve ducats I would eat it myself,” said he, “and invite my friends, these good Romans, as guests! Go, go, sublime Spanish Don, and buy gudgeons for your pair of miserable ducats! Such a fish as this is too dear for you; you Spanish gentlemen should buy gudgeons!”

“Bravo! bravo!” cried the laughing spectators. “Gudgeons for the Spanish gentlemen with high-nosed faces and empty pockets!”

Don Bempo blushed with anger and wounded pride. “I shall unquestionably buy this fish,” said he, “for nothing is too dear for my master when the honor of our nation is to be upheld. But you must allow me time to go home and get the money from the major-domo. Keep the fish, therefore, so long, and I will return with the twenty ducats for it.”

And majestically Don Bempo made himself a path through the crowd, which laughingly stepped aside for him, shouting: “Gudgeons for the Spanish gentleman! _Viva_ Don Bempo, who pays twenty ducats for a fish!”

“He will certainly not come back,” said the fisherman, shaking his head.

“He goes to buy gudgeons!” cried another.

“What will you bet that he returns to buy the fish?” said a third.

“He will not buy it!” interposed a fourth. “These Spaniards have no money; they are poor devils!”

“Who dares say that?” shrieked another, and now suddenly followed one of those quarrels which are so quickly excited on the least occasion among the passionate people of the south. There was much rage, abuse, and noise. How flashed the eyes, how shook the fists, what threats resounded there!

“Peace, my dear friends, be quiet, I tell you!” cried the fisherman, with his stentorian voice. “See, there comes a new purchaser for my fish. Be quiet, and let us see how much France is disposed to offer us.”

The disturbance subsided as suddenly as it had arisen, and all pressed nearer; all directed interrogating, curious, expectant glances at Signor Gianettino, who just at that moment approached with a proud and grave step, followed by the solemn train of six scullions with their baskets.

No one had before remarked him in the crowd, for they had been all eyes and ears for Don Bempo, and hence every one supposed that he had only just then arrived.

The shrewd chief cook also assumed the appearance of having only accidentally passed that way without the intention of buying any thing.

But he suddenly stopped before the great fish as if astonished at its enormous size, and seemed to view it with admiration and delight.

“What a rare and splendid animal is this!” he finally exclaimed with animation. “Really, one must come to Rome to see such a wonder!”

“That is understood!” exultingly cried the bystanders, who had a reverence for the fishes of Rome.

“This is no niggard! _He_ will not be so mean as to offer twelve ducats for such a miracle as this!”

“Twelve ducats!” cried Gianettino, folding his hands. “How can you think me so pitiful as to offer such a miserable sum for so noble a fish. No, truly, he must have a bold forehead who would offer so little money for this splendid animal!”

“Hear him! hear!” cried the people. “This is a learned man. He knows something of the value of rarities!”

“_Viva!_ Long life to the French cook, _il grande ministre della cucina!_”

Gianettino bowed politely in response to the compliment, and then civilly asked the price of the fish.

The fisherman stood there with an expression of regretful sadness upon his face. “I fear it will be of little use to name the price!” said he, “the fish is as good as sold!”

“Nevertheless, name the price!”

“Twenty ducats!”

“Twenty ducats!” exclaimed Gianettino, with an expression of the liveliest astonishment. “You jest, my friend! How can such a splendid animal be possibly sold for twenty ducats?”

“Here! hear!” shouted the crowd. “He finds the price too low!”

“He is a real gentleman!”

“He will not buy gudgeons like the Spaniard!”

“In earnest, friend, tell me the price of this fish!” said Gianettino.

“I have demanded twenty ducats for it,” sadly responded the fisherman, “and it is sold for that sum.”

“Impossible! In that case it would not be lying here!” replied Gianettino. “Or had the man paid you the money, and now gone for a cart for the conveyance of the giant?”

“I have not yet been paid.”

“The purchaser, then, has given you earnest money?”

“No, not even that. I have yet received nothing upon it.”

“And you can pretend that you have sold this fish,” cried Gianettino, “and that, too, for the ridiculously small sum of twenty ducats! Ah, you are a joker, my good man; you wish to excite in me a desire for this rare specimen, and therefore you say it is sold. But how can a fish that yet lies exposed for sale, and for which no one had made you a suitable offer, be already sold?”

And gravely approaching the giant of the waters, Gianettino laid his hand upon his head and solemnly said: “The fish is mine. I purchase it; you demand twenty ducats! But I shall give you what you ought to have, and what the creature is worth! I shall pay you six-and-thirty ducats for him!”

The crowd, which had maintained an anxious and breathless silence during this negotiation, now broke out with a loud and exulting shout.

“That is a real nobleman!”

“_Evviva il ministro della cucina! Il grande Gianettino!_”

“That is no parsimonious Spaniard! He is a French cavalier. He will buy no gudgeons, but will have the right Roman fish.”

“Gentlemen,” said Gianettino, modestly casting down his eyes, “I do not understand your praises, and it seems to me I only deal like a man of honor, as every one of you would do! This honest man taxes his wares too low; I give him what they are worth! That is all. If I acted otherwise I should not long remain in the service of the lofty and generous Cardinal Bernis! Justice and generosity, that is the first command of his excellency!”

“_Evviva_ the French ambassador!”

“Praise and honor to Cardinal Bernis!”

And while the people were thus shouting, Gianettino from his well-filled purse paid down the six-and-thirty ducats upon the fisherman’s board. He then commanded his six attendant scullions to bear off the fish.