Chapter XIII: Part FIVE: The Prime Minister (3)
Joseph knew then that he was not far from Donna Roma's, and he began to think of what he would do when he got there. If the big porter at the door tried to stop him he would say, "I'm a little Roman boy," and the man would _have_ to let him go up. Then he would take charge of the hall, and when he had not to open the door he would play with the dog, and sometimes with Donna Roma.
With sound practical sense he thought of his wages. Would it be a penny a week or twopence? He thought it would be twopence. Men didn't work for nothing nowadays. He had heard his father say so.
Then he remembered his mother, and his lip began to drop. But it rose again when he told himself that of course she would come every night to put him to bed as usual. "Good-night, mamma! See you in the morning," he would say, and when he opened his eyes it would be to-morrow.
He was feeling sleepy now, and do what he would he could hardly keep his eyes from closing. But he was in the Piazza di Spagna by this time, and his little feet in their top-boots began to patter up the snowy steps.
There are three principal landings to the Spanish Steps, and the great little man of seven had reached the second of them when a noise in the streets below made him stop and turn his head.
A great crowd, carrying hundreds of torches, was marching into the piazza. They were singing, shouting, and blowing whistles and trumpets. It was like _Befana_ in the Piazza Navona, and when Joseph blinked his eyes he almost thought he was at home in bed.
All at once silence--then soldiers--then a jump all over his body like that which came to him when he was falling asleep--then a sense of something warm--then a buzzing noise--then a boom like that of the gun of St. Angelo at dinner-time ... then a deep, familiar voice calling and calling to him, and his eyes opened for a moment and saw his father's face.
"Good-night, papa! So sleepy! See you in the morning!"
And then nothing more.
* * * * *
While Elena waited for Bruno's return with little Joseph, she went up and downstairs between David Rossi's apartment and her own on all manner of invented errands. Meantime she tried to keep down her anxiety by keeping up her anger. Joseph was so worrisome. When he came home he would have to be whipped and sent to bed without his supper. It was true his _verdura_ was already on the stove, but he must not be allowed to touch it. You really must be strict with children. They would like you all the better for it when they grew up to be men and women.
But every moment broke down this brave severity, until the desire to punish Joseph for his disobedience was all gone. She stood at the head of the stairs and listened for his voice and his little pattering feet. If she had heard them, her anxious expression would have given way to a cross look and she would have scolded both father and son all the way up to bed. But they did not come, and she turned to the dining-room with a downcast face.
"Where can the boy be? If I could only have him back! I will never let him out of my sight again. Never!"
David Rossi, who was walking in the sitting-room to calm his nerves after a trying time, tried to comfort her. It would be all right. Depend upon it, Joseph had gone up to Donna Roma's. She was to remember what Bruno told them on Sunday. "The little Roman boy." Joseph had thought of nothing else for three days, and this being his birthday....
"You think so? You really think...."
"I'm sure of it. Bruno will be back presently, carrying Joseph on his back. Or perhaps Donna Roma will send the boy home in the carriage, and the great little man will come upstairs like the Mayor. Meantime she has kept him to play with, and...."
"Yes, that must be it," said Elena, with shining eyes. "The Signorina must have kept him to play with! He must be playing now with the Signorina!"
At that moment through the open door there came the sound of a heavy tread on the stairs, mingled with various voices. Elena's shining face suddenly clouded, and Rossi, who read her thought, went out on to the landing. Bruno was coming up the staircase with something in his arms, and behind him were the Garibaldian and his old wife and a line of strangers.
Rossi ran down two flights of stairs and met them. He saw everything as by a flash of lightning. The boy lay in his father's arms. He was white and cold, with his head fallen back, and his hair matted with flakes of snow. His gay coat was open, and his little stained shirt was torn out at the breast. A stranger behind was carrying the cocked hat and mace.
Elena, who was at the head of the stairs by this time, was screaming.
"Keep her away, sir," said Bruno. The poor fellow was trying to be brave and strong, but his voice was like a voice from the other side of an abyss.
They took the boy into the dining-room, and laid him on a sofa. There was no keeping the mother back. She forced her way through and laid hold of the child.
"Get away, he's mine," she cried fiercely.
And then she dropped on her knees before the boy, threw her arms about him and called on him by his name.
"Joseph! Speak to me! Open your eyes and speak!... What have you been doing with my child? He is ill. Why don't you send for a doctor? Don't stand there like fools. Go for a doctor, I tell you ... Joseph! Only a word!... Have you carried him home without his hat on? And it's snowing too! He'll get his death of cold ... what's this? Blood on his shirt? And a wound? Look at this red spot. Have they shot him? No, no, it's impossible! A child! Joseph! Joseph! Speak to me!... Yes, his heart is beating." She was pressing her ear to the boy's breast. "Or is it only the beating in my head? Oh, where is the doctor? Why don't you send for him?"
They could not tell her that it was useless, that a doctor had seen the child already, and that all was over. All they could do was to stand round her with awe in their faces. She understood them without words. Her hair fell from its knot, and her eyes began to blaze like the eyes of a maniac.
"They've killed my child!" she cried. "He's dead! My little boy is dead! Only seven, and it was his birthday! O God! My child! What had he done that they should kill him?"
And then Bruno, who was standing by with a wild lustre in his eyes, said between his teeth, "Done? Done nothing but live under a Government of murderers and assassins."
The room filled with people. Neighbours who had never before set foot in the rooms came in without fear, for death was among them. They stood silent for the most part, only handing round the table the little cocked hat and the mace, with sighs and deep breathing. But some one speaking to Rossi told him what had happened. It was at the Spanish Steps. The delegate gave the word, and the Carabineers fired over the people's heads. But they hit the child and made him cold. His little heart had burst.
"And I was going to whip him," said Elena. "Not a minute before I was talking about the rod, and not giving him his supper. O God! I can never forgive myself."
And then the blessed tears came and she wept bitterly.
David Rossi put his arms about her, and her head fell on his breast. All barriers were broken down, and she clung to him and cried.
Just then cries came from the piazza--"Hurrah for the Revolution!" and "Down with the destroyers of the people!"--the woolly tones of voices shouting in the snow. Somebody on the stairs explained that a young man was going about waving a bloody handkerchief, and that the sight of it was exasperating the people to frenzy. Women were marching through the streets, and the entire city was on the point of insurrection.
In the dining-room the stricken ones still stood around the couch. Presently there was a sound of singing outside. A great crowd was coming into the piazza, singing the Garibaldi Hymn. Bruno heard it, and the wild lustre in his eyes gave place to a look of savage joy. An awful oath burst from his lips, and he ran out of the house. At the next moment he was heard in the street, singing in a thundering voice:
"The tombs are uncovered,
The dead arise,
The martyrs are rising
Before our eyes."
The old Garibaldian threw up his head like a warhorse at the call of battle, and his rickety limbs were going towards the door.
"Stay here, father," said Rossi, and the old man obeyed him.
Elena was quieter by this time. She was sitting by the child and stroking his little icy hand.
David Rossi, who had hardly spoken, went into his bedroom. His lips were tightly pressed together, his eyes were bloodshot, and his breath was labouring hard in his heaving breast.
He took up his dagger paper-knife, tried its point on his palm with two or three reckless thrusts and threw it back on the desk. Then he went down on his hands and knees and rummaged among the newspapers lying in heaps under the window. At last he found what he looked for. It was the six-chambered revolver which had been sent to him as a present. "I'll kill the man like a dog," he thought.
He loaded the revolver, put it in his breast-pocket, went back to the sitting-room, and made ready to go out.
X
Ten was striking on the different clocks of the city. Felice had lit the stove in the boudoir and the wood was burning in fitful blue and red flames. There was no other light in the room, and Roma lay with her body on the floor, and her face buried in the couch.
The world outside was full of fearful and unusual noises. Snow was still falling, and the voices heard through it had a peculiar sound of sobbing. The soft rolling of thunder came from a long way off, like the boom of a slow wave on a distant beach. At intervals there was the crackle of musketry, like the noise of rockets sent up in the night, and sometimes there were pitiful cries, smothered by the unreverberating snow, like the cries of a drowning man on a foundering ship at sea.
Roma, face downward, heard these sounds in the lapses of a terrible memory. She was seeing, as in a nightmare, the incidents of a night that was hardly six weeks past. One by one the facts flashed back upon her with a burning sense of shame, and she felt herself to be a sinner and a criminal.
It was the night of the royal ball at the Quirinal. The blaze of lights, the glitter of jewels, the brilliant throng of handsome men and lovely women, the clash of music, the whirl of dancing, and finally the smiles and compliments of the King. Then going home in the carriage in the early morning, swathed in furs over her thin white silk, with the Baron, in his decorations worn diagonally over his white breast, and through the glass the waning moon, the silent stars, the empty streets.
Then this room, this couch, sinking down on it, very tired, with eyes smiling and half closed, and nearly gone already into the mists of sleep. And then the Baron at her feet, pressing his lips to her wrist where the pulse was beating, kissing her arms and shoulders.... "Oh, dear! You are mad! I must not listen to you." And then burning words of love and passion: "My wife! My wife that is to be!" And then the call of her aunt from the adjoining chamber, "Roma!"
The sobbing sounds from outside broke in on Roma's nightmare, and when the chain of memory linked on again it was morning in her vision, and the Countess was comforting her in a whimpering voice:
"After all, God is merciful, and things that happen to everybody can be atoned for by prayer and penance. Besides, the Baron is a man of honour, and the poor maniac cannot last much longer."
The sobbing sounds in the snow, the cries far away, the crackle of the rifle-shots, the rumble of the thunder broke in again, and the elements outside seemed to whirl round her in the tempest of her trouble. For a moment she lifted her head and heard voices in the next room.
The Baron was still there, and from time to time, as he wrote his despatches, messengers came to take them away, to bring replies, and to deliver the latest news of the night. The populace had risen in all parts of the city, and the soldiers had charged them. There had been several misadventures and many arrests. The large house of detention by St. Andrea delle Frate was already full, but the people continued to hold out. They had disconnected the gas at the gasometer and cut the electric wires, and the city was plunged in darkness.
"Tell the electric light company to turn on the flashlight from Monte Mario," said the Baron.
And when the voices ceased in the drawing-room there came the deadened sound of the Countess's frightened treble behind the wall.
"O Holy Virgin, full of grace, save me! It would be a sin to let me die to-night! Holy Virgin, see! I have given thee two more candles. Art thou not satisfied? Save me from murder, Mother of God."
Roma saw another phase of her vision. It was filled with a new face, which made her at once happy and unhappy, proud and ashamed. Hitherto the only condition on which she had been able to live with the secret of her life was that she should think nothing about it. Now she was compelled to think, and she was asking herself if it was her duty to confess.
Before she married David Rossi she must tell him everything. She saw herself trying to do so. He was looking vacantly before him with the deep furrow that came to his forehead when he was strongly moved. She had sobbed out her story, telling all, excusing nothing, and now she was waiting for him to speak. He would take her side, he would tell her she had been more sinned against than sinning, that she had been young and alone at the mercy of an evil man, and that her will had not consented.
"No, no! It is impossible!" she cried aloud, and, startled by the sound of her voice, the Baron came into the room.
"My dear child!" he said, and he picked her up from the floor. "I shall never be able to forgive myself if you take things like this. Every tear you shed will burn my flesh like fire. Come now, dry these beautiful eyes and be calm."
She did not listen to him, but leaning on the stove and fingering with one hand the frame of her father's picture which hung above it, she said:
"I see now that happiness was not for me. There must be some punishment for every sin, however little one has been guilty of it, and perhaps this is God's way of asking for an expiation. It is very, very hard ... it seems more than I deserve ... and heavier than I can bear ... but there is no help for it."
The tears she brushed from her eyes seemed to be gathering in her throat.
"The bitterest part of it is that I must make others suffer for it also. He must suffer who has loved and trusted me. His love for me, my love for him, this has been dragging him down since the first day I knew him. Perhaps he is in prison by this time."
Sobs interrupted her for a moment, and in a caressing tone the Baron tried to comfort her. It was natural that she should feel troubled, very natural and very womanly. But time was the great remedy for human ills. It would heal everything.
"Roma, you have wounded and humiliated and insulted me, but you are the only woman in the world I would give one straw to have. I will make you the wife of the Dictator of Italy, and when all these troubles are over and you are great, and have forgotten what has taken place...."
"I can never forget and I don't want to be great. I only want to be good. Leave me!"
"You _are_ good. You have always been good. What happened was my fault alone, and you have nothing to reproach yourself with. I found you growing up to be a great woman, and passing out of my legal control, while I was bound down to a poor, helpless, living corpse. Some day you would meet a younger, freer man, and you would be lost to me for good. Wasn't it human to try to hold you to me until the time came when I could claim you altogether? And if meanwhile this man has interposed...."
He pointed to the bust on the pedestal. She looked up at it, and then dropped her head.
"Put the man out of your mind, my dear, and all will be well. Probably he is in the hands of the authorities already. God grant it may be so! No trouble about his arrest this time! It cannot be complicated by the danger of scandal. Nobody else's name and character will be concerned in it. And if it serves to dispose of a dangerous man and a subversive politician, I am willing to let everything else sleep."
He paused a moment, and then added in his most incisive accents: "But if not, the law must take its course, and Roma Roselli must complete what Roma Volonna has begun."
At that moment Felice's dark form stood against the light in the open door.
"Commendatore Angelelli and Charles Minghelli, Excellency."
As the Baron went back to the drawing-room Roma returned to the window. Scales of snow adhered to the glass, and it was difficult to see anything outside. But the masses of shadow and sheets of light were gone, and the city lay in utter darkness. The sobbing sounds, the crackle of musketry and the rumble of thunder were all gone, and the air was empty and void.
At one moment there was a soft patter as of a flock of sheep passing under the window in the darkness. It was a company of riflemen going at a quick march over the snow, with torches and lanterns.
Voices came from the next room, and Roma found herself listening.
"Apparently the insurrection is suppressed, your Excellency."
"I congratulate you."
"The soldiers are patrolling the streets, and all is quiet."
"Good!"
"We have some hundreds of rioters in the house of detention, and the military courts will begin to sit to-morrow morning."
"Excellent!"
"The misadventures have been few and unimportant, the child I spoke of being the only one killed."
"You have discovered whose child it was?"
"Yes. Unluckily...."
Roma felt dizzy. A thought had flashed upon her.
"It is the child of Donna Roma's man, Bruno Rocco, and apparently...."
A choking cry rang through the room. Was it herself who made it?
"Go on, Commendatore. Apparently...."
"The child was dressed in some carnival costume, and apparently he was on his way to this house."
Roma's dizziness increased, and to save herself from falling she caught at a side-table that stood under the bust.
On this table were some sculptor's tools--a chisel and a small mallet, with which she had been working.
There was an interval in which the voices were deadened and confused. Then they became clear and sharp as before.
"But the most important fact you have not yet given me. I trust you are only saving it up for the last. The Deputy Rossi is arrested?"
"Unfortunately ... Excellency...."
"No?"
"He left home immediately after the outbreak and has not been seen since. Presently the flashlight will be turned on by a separate battery from Monte Mario, and every corner of the city shall be searched. But we fear he is gone."
"Gone?"
"Perhaps by the train that left just before the signal."
Roma felt a cry rising to her throat again, but she put up her hand to keep it down.
"No matter! Commendatore, send telegrams after the train to all stations up to the frontier, with orders that nobody is to alight until every carriage has been overhauled. Minghelli, go to the Consulta immediately, and ask the Minister of Foreign Affairs to despatch a portrait of Rossi to every foreign Government."
"But no portrait exists, Excellency. It was a difficulty I found in England."
"Yes, there is a portrait. Come this way."
Roma felt the room going round as the Baron came into it and switched on the light.
"_There_ is the only portrait of the illustrious Deputy, and our hostess will lend it to be photographed."
"Never!" said Roma, and taking up the mallet she struck the bust a heavy blow, and it fell in fragments to the floor.
Half-an-hour afterwards Roma was sitting amid the wreck of her work when the Baron, wearing his fur-lined overcoat and pulling on his gloves, came into the boudoir.
"I am compelled," he said, "to inflict my presence upon you for a moment longer in order to tell you what my attitude in the future is to be, and what feelings are to guide you. I shall continue to think of you as my wife according to the law of nature, and of the man who has come between us as your lover. I will not give you up to him, whatever happens; and if he tries to take you away, or if you try to go to him, you must be prepared to find that I offer every resistance. Two passions are now engaged against the man, and I will not shrink from any course that seems necessary to subdue either him or you, or both."
A moment afterwards she heard the patrol challenging him on the piazza. Then "Pardon, Excellency," and the soft swish of carriage wheels in the snow.
XI
When Rossi left home he was like a raging madman. He made straight for the Palazzo Braschi at the other side of the piazza, and going up the marble staircase on limbs that could scarcely support him, his thoughts went back in a broken maze to the scene he had left behind.
"Our little boy dead! Dead in his mother's arms! O God! let me meet the man face to face!... Our innocent darling! The light of our eyes put out in a moment! Our sweet little Joseph!... Shall there be no retribution? God forbid! The man who has been the chief cause of this crime shall be the first to suffer punishment. No use wasting time on the hounds who executed his orders. They are only delegates of police, and over them is this Minister of the Interior. He alone is responsible, and he is here!"
When he reached the green baize door to the hall, he stopped to wipe away the perspiration which stood on his forehead although his face was flecked with snow. The messengers looked scared when he stepped inside, and they answered his questions with obvious hesitation. The Minister was not in his cabinet. He had not been there that night. It was possible the Honourable might find his Excellency at home.
Rossi turned on his heel instantly, and went hurriedly downstairs. He would go to the Palazzo Leone. There was no time to lose. Presently the man would hide himself in the darkness like a toad under a stone.
As he left the Ministry of the Interior he heard the singing of the Garibaldi Hymn in the distance, and turning into the Corso Victor Emmanuel, he came upon crowds of people and some noisy and tumultuous scenes.
One group had broken into a gun-shop and seized rifles and cartridges; another group had taken possession of two electric tram-cars, and tumbled them on their sides to make a barricade across the street; and a third group was tearing up the street itself to use the stones for missiles. "Our turn now," they were shouting, and there were screams of delirious laughter.
As Rossi crossed the bridge of St. Angelo the cannon was fired from the Castle, and he knew that it was meant for a signal. "No matter!" he thought. "It will be too late when the soldiers arrive."
Notwithstanding the tumult in the city the Piazza of St. Peter's was silent and deserted. Not the sound of a footfall, not the rattle of a carriage-wheel; only the swish-swish of the fountains, whose waters were playing in the lamplight through the falling snow, and the echoing hammer of the clock of the Basilica.
The porter of the Palazzo Leone was asleep in his lodge, and Rossi passed upstairs.
"I'll bring the man to justice now," he thought. "He imagined we were only tame cats and would submit to anything. He was wrong. We'll show him we know how to punish tyrants. Haven't we always done so, we Romans? He has a sharp tongue for the people, but I have a sharper one here for him."
And he felt for the revolver in his breast-pocket to make certain it was there.
The lackey in knee-breeches and yellow stockings who answered the inside bell was almost speechless at the sight of the white face which confronted him at the door. No, the Baron was not at home. He had not been there since early in the evening. Had he gone to the Prefettura? Possibly. Or the Consulta? Perhaps.
"Which, man, which?" said Rossi, and to say something the lackey stammered "The Consulta," and closed the door.
Rossi set his face towards the Foreign Office. There was a light in the stained-glass windows of the Pope's private chapel--the Holy Father was at his prayers. A canvas-covered barrow containing a man who had been injured by the soldiers was being wheeled into the Hospital of Santo Spirito, and a woman and a child were walking and crying beside it.
The streets were covered with broken tiles which had been thrown on to the heads of the cavalry as they galloped through the principal thoroughfares. Carabineers, with revolvers in hand, were dragging themselves on their stomachs along the roofs, trying to surprise the rioters who were hiding behind chimney-stacks. Some one shouted: "Cut the electric wires," and men were clambering up the tall posts and breaking the electric lamps.
The Consulta, the office of the Minister of Foreign Affairs, stands in the Piazza of the Quirinal, and when Rossi reached it the great square of the King was as silent as the great square of the Pope had been.
Two sentries were in boxes on either side of the royal gate, and one Carabineer was in the doorway. The gardens down the long corridor lay dark in the shadows, but the fountain with sculptured horses, the splashing water, and the front of the building were white under the electric lamps as if from a dazzling moon.
Before turning into the silent courtyard of the Consulta, Rossi paused and listened to the noises that came from the city. Men were singing and women were screaming. The rattle of musketry mingled with the cries of children. And over all were the steady downfall of the snow and the dull rumble of distant thunder.
Rossi held his head between his hands to prevent his senses from leaving him. His rage was ebbing away, and he was beginning to tremble. Nevertheless, he forced himself to go on. As he rang the bell at the Foreign Office, he was partly conscious of a secret desire that the Prime Minister might not be there.
The porter was not sure. The Baron's carriage had just gone. Let him ask on the telephone.... No, there had been a messenger from the Minister of the Interior, but the Minister himself had not been there that night.
Rossi took a long breath of relief and went away. He had returned to the bright side of the piazza when the lights seemed to be wiped out as though by an invisible wing, and the whole city was plunged in darkness. At the next moment a squadron of cavalry galloped up to the Quirinal, and the gates of the royal palace and of the Consulta were closed.
Midnight struck.
For two hours the soldiers had been charging the crowds by the light of lanterns and torches. They had arrested hundreds of persons. Chained together, two and two, the insurgents had been taken to the places of detention, amid the cries of their women and children. "Who knows whether we shall see each other again?" said the prisoners, as they passed into the "House of Pain." One old woman went on her knees to the soldiers and begged them to have pity on the people. "They are your brothers, my sons," she cried.
One o'clock struck.
The streets were still dark, but a searchlight from Monte Mario was sweeping over the city like a flash of a supernatural eye. With tottering limbs and his head on his breast, David Rossi was walking down the Via due Macelli towards the column of the Immaculate Conception, when a young girl spoke to him.
"Honourable," she said, "is it true that the little boy is dead?... It is? Oh, dear! I met him in the Corso, and brought him up as far as the Variétés, and if I had only taken him all the way.... Oh, I shall never forgive myself!"
The city was quiet and all was hushed on every side when Rossi found himself on a flight of steps at the back of Roma's apartment. From these steps a door opened into the studio. One panel of the door was glazed, and a light was shining from within. Going cautiously forward, Rossi looked into the room. Roma was seated on a stool with her hands clasped in her lap and her hair hanging loose. She was very pale. Her face expressed unutterable sadness.
Rossi listened for a moment, but there was not a sound to be heard except that of the different clocks chiming the quarter. Then he tapped lightly on the glass.
"Roma!" he said in a low tone. "Roma!"
She rose up and shrank back. Then coming to the door, and shielding her eyes from the light, she put her face close to the pane. At the next moment she threw the door open.
"Is it you?" she said in a tremulous voice, and taking his hand she drew him hurriedly into the house.
XII
After the Baron was gone, Roma had sat a long time in the dark among the ruins of the broken bust. When twelve o'clock struck she was feeling hot and feverish, and, in spite of the coldness of the night, she rose and opened the window. The snow had ceased to fall, the thunder was gone, and the city was quiet.
At that moment the revolving searchlight on Monte Mario passed over the room. The white flash lit up the broken fragments at her feet, and brought a new train of reflections. The bust she destroyed had been only the plaster cast; the piece-mould remained, and might be a cause of danger.
She closed the window, took a candle, and went down to the studio to put the mould out of the way. She had done so, and was sitting to rest and to think when Rossi's knock came at the door. In a moment all her dreams were gone. She was clasped in his arms and had put up her mouth to be kissed.
"Is it you?"
"Roma!"
It was not at first that she realised what was happening, but after a moment she recovered from her bewilderment, and extinguished the candle lest Rossi should be seen from outside.
They were in the dark, save at intervals when the revolving light in its circuit of the city swept across the studio, and lit up their faces as by a flash of lightning. He seemed to be dazed. His weary eyes looked as if their light were almost extinct.
"You are safe? You are well?" she asked.
"O God! what sights!" he said. "You have heard what has happened?"
"Yes, yes! But you are not injured?"
"The people were peaceful and meant no evil, but the soldiers were ordered to fire, and our little boy is dead."
"Don't let us speak of it.... The police were told to arrest you, but you have escaped thus far, and now...."
"Bruno is taken, and hundreds of others are in prison."
"But you are safe? You are well? You are uninjured?"
"Yes," he answered between his teeth, and then he covered his face with his hands. "God knows I did my best to prevent this bloodshed--I would have laid down my life to prevent it."
"God _does_ know it."
"Take this."
He drew something from his breast-pocket and put it into her hands.
It was the revolver.
"I cannot trust myself any longer."
"You haven't used it?"
"No."
"Thank God!"
"I should have done so if I could have met the man face to face."
"The Baron?"
"I searched for him everywhere, and couldn't find him. God kept him out of my way to save me from sin and shame."
With a frightened cry she put down the revolver and clasped her hands about his neck. He began to recover his dazed senses and to smooth the hair on her damp forehead.
"My poor Roma! You didn't think we were to part like this?"
Her arms slackened, and she dropped her head on to his shoulder.
"Last night you told me to fly, and I wouldn't do so. There was no man in Rome I was afraid of then. But to-night there is some one I am afraid of. I am afraid of myself."
"You intend to go?"
"Yes! I shall feel like a captain who deserts his sinking ship. Would to God I could have gone down with her!... Yet no! She is not lost yet. Everything is in God's hands. Perhaps there is work for me abroad, now that the paths are closed to me at home. Let us wait and see."
They were both silent for a while.
"Then it's all over," she said, gulping down a sob.
"God forbid! This black night in Rome is only the beginning of the end. It will be the dawn of the resurrection everywhere."
"But it is all over between you and me."
"Indeed, no. No, no! I cannot take you with me. That is impossible. I couldn't see you suffer hunger and thirst and the privations of exile, but...."
"Our marriage cannot be celebrated now, and that being so...."
"The banns are good for half a year, Roma, and before that time I shall be back. Have no fear! The immortality stirring beneath the ruins of this old city will give us victory all over Italy. I will return and we shall be very happy. How happy we shall be!"
"Yes, yes," she brought out at intervals.
"Be brave, my girl, be brave!"
"Yes, yes."
The revolving searchlight flashed through the room at that moment, and she dropped her face again.
"Dearest," she said faintly, "if I should not be here when you come back...."
He started and seized her arm.
"Roma, you cannot intend to submit to the will of that man?"
She shook her head as it rested on his shoulder.
"The man is a monster. He may put pressure upon you."
"It is not that."
"He may even make you suffer for my sake."
"Nor that either."
"By-and-by he may require everybody to take an oath of allegiance to the King."
"I have taken mine already--to _my_ king."
"Roma, if you wish me to stay I will do so in spite of everything."
"I wish you to go, dearest."
"Then what is it you fear?"
"Nothing--only...."
"But you are sad. Why is it?"
"A foreboding. I feel as if we were parting for ever."
He passed his hands through her hair. "It may be so. Only God can tell."
"It was too sweet dreaming. I was too happy for a little while."
"If it must be, it must be. But let us be brave, dear! We, who take up a life like this, must learn renunciation.... Crying, Roma?"
"No! Oh, no! But renunciation! That's it--renunciation." She could feel the beating of her heart against his breast. "Love comes to every one, but to some it comes too late, and then it comes in vain." She was striving to keep down her sobs. "They have only to conquer it and renounce it, and to pray God to unite them to their loved ones in another life." She was choking, but she struggled on. "Sometimes I think it must be my lot to be like that. Other women may dream of love and home and children...."
"Don't unman me, Roma."
"Dearest, promise me that whatever happens you will think the best of me."
"Roma!"
"Promise me that whoever says anything to the contrary you will always believe I loved you."
"Why should we talk of what can never happen?"
"If we are parting for ever ... if we are saying a long farewell to all earthly affections, promise me...."
"For God's sake, Roma!"
"Promise me!"
"I promise!" he said. "And you?"
"I promise too--I promise that as long as I live, and wherever I am and whatever becomes of me, I will ... yes, because I cannot help it ... I will love you to the last."
Saying this in passionate tones, she drew down his head and he met her kiss with his lips.
"It is our marriage, David. Others are married in church and by the hand, and with a ring. We are married in our spirits and our souls."
A long time passed, during which they did not speak. The searchlight flashed in on them again and again with its supernatural eye, and as often as it did so Rossi looked at her with strange looks of pity and of love.
Meantime, she cut a lock from her hair, tied it with a piece of ribbon, and put it in his pocket with his watch. Then she dried her eyes with her handkerchief and pushed it in his breast.
The night went on, and nothing was to be heard but the chiming of clocks outside. At length through the silence there came a muffled rumble from the streets.
"You must go now," she said, and when the next flash came round she looked up at him with a steadfast gaze, as if trying to gather into her eyes her last memories of his face.
"Adieu!"
"Not yet."
"It is still dark, but the streets are patrolled and every gate is closed, and how are you to escape?"
"If the soldiers had wished to take me they could have done so a hundred times."
"But the city is stirring. Be careful for my sake. Adieu!"
"Roma," said Rossi, "if I do not take you with me it is partly because I want your help in Rome. Think of the poor people I leave behind me in poverty and in prison. Think of Elena when she awakes in the morning, alone with her terrible grief. Some one should be here to represent me for a time at all events--to take the messages I must send, the instructions I shall have to give. It will be a dangerous task, Roma, a task that can only be undertaken by some one who loves me, some one who...."
"That is enough. Tell me what I can do," she said.
They arranged a channel of correspondence, and then Roma began her farewells afresh.
"Roma," said Rossi again, "since I must go away before our civil marriage can be celebrated, is it not best that our spiritual one should have the blessing of the Church?"
Roma looked at him and trembled.
"When I am gone God knows what may happen. The Baron may be a free man any day, and he may put pressure on you to marry him. In that case it will be strength and courage to you to know that in God's eyes you are married already. It will be happiness and comfort to me, too, when I am far away from you and alone."
"But it is impossible."
"Not so. A declaration before a parish priest is all that is necessary. 'Father, this is my wife.' 'This is my husband.' That is enough. It will have no value in the eye of the law, but it will be a religious marriage for all that."
"There is no time. You cannot wait...."
"Hush!" The clocks were striking three. "At three o'clock there is mass at St. Andrea delle Frate. That is your parish church, Roma. The priest and his acolytes are the only witnesses we require."
"If you think ... that is to say ... if it will make you happy, and be a strength to me also...."
"Run for your cloak and hat, dearest--in ten minutes it will be done."
"But think again." She was breathing audibly. "Who knows what may happen before you return? Will you never repent?"
"Never!"
"But ... but there is something ... something I ought to tell you--something painful. It is about the past."
"The past is past. Let us think of the future."
"You do not wish to hear it."
"If it is painful to you--no!"
"Will nothing and nobody divide us?"
"Nothing and nobody in the world."
She gulped down another choking sob and threw both arms about his neck.
"Take me, then. I am your wife before God and man."
XIII
It was still dark overhead, and the streets with their thin covering of snow were as silent as a catacomb. Through the door of the church, when the leather covering was lifted, there came the yellow light of the candles burning on the altar. The priest in his gold vestments stood with his face to the glistening shrine, and his acolytes knelt beside him. There was only one worshipper, an old woman who was kneeling before a chair in the gloom of a side chapel. The tinkle of the acolytes' bell and the faint murmur of the priest's voice were the only sounds that broke the stillness.
Rossi and Roma stepped up on tiptoe, and as the Father finished his mass and turned to go they made their declaration. The old man was startled and disturbed, but the priest commits no crime who listens to the voice of conscience, and he took their names and gave them his blessing. They parted at the church door.
"You will write when you cross the frontier?"
"Yes."
"Adieu then, until we meet again!"
"If I am long away from you, Roma...."
"You cannot be long away. You will be with me every day and always."
She was assuming a lively tone to keep up his courage, but there was a dry glitter in her eyes and a tremor in her voice.
He took her full, round form in his arms for a last embrace. "If the result of this night's work is that I am arrested and brought back and imprisoned...."
"I can wait for you," she said.
"If I am banished for life...."
"I can follow you."
"If the worst comes to the worst, and one way or another death itself should be the fate that falls to me...."
"I can follow you there, too."
"If we meet again we can laugh at all this, Roma."
"Yes, we can laugh at all this," she faltered.
"If not ... Adieu!"
"Adieu!"
She disengaged her clinging arms with one last caress; there was an instant of unconsciousness, and when she recovered herself he was gone.
At the next moment there came through the darkness the measured tramp, tramp, tramp of the patrol. With a quivering heart Roma stood and listened. There was a slight movement among the soldiers, a scarcely perceptible pause, and then the tramp, tramp, tramp as before. Rossi looked back as he turned the corner, and saw Roma, in her light cloak, gliding across the silent street like a ghost.
Three or four hundred yards inside the gate of St. John Lateran in one of the half-finished tenement houses on the outskirts of Rome, there is a cellar used as a resting-place and eating-house by the carriers from the country who bring wine into the city. This cellar was the only place that seemed to be awake when Rossi walked towards the city walls. Some eight or nine men, in the rude dress of wine-carriers, lay dozing or talking on the floor. They had been kept in Rome overnight by the closing of the gate, and were waiting for it to be opened in the morning.
Without a moment's hesitation David Rossi stepped down and spoke to the men.
"Gentlemen," he said, "you know who I am. I am Rossi. The police have orders to arrest me. Will you help me to get out of Rome?"
"What's that?" shouted a drowsy voice from the smoky shadows of the cellar.
"It's the Honourable Rossi," said a lad who had shambled up. "The oysters are after him, and will we help him to escape?"
"Will we? It's not _will_ we; it's _can_ we, Honourable," said a thick-set man, who lifted his head from an upturned horse-saddle.
In a moment the men were all on their feet, asking questions and discussing chances. The gate was to be opened at six, and the first train north was to go out at half-past nine. But the difficulty was that everybody in Rome knew Rossi. Even if he got through the gate he could not get on to the train within ten miles of the city without the certainty of recognition.
"I have it!" said the thick-set man with the drowsy voice. "There's young Carlo. He got a scratch in the leg last night from one of the wet nurses of the Government, and he'll have to lie upstairs for a week at least. Why can't he lend his clothes to the Honourable? And why can't the Honourable drive Carlo's cart back to Monte Rotondo, and then go where he likes when he gets there?"
"That will do," said Rossi, and so it was settled.
* * * * *
When the train which left Rome for Florence and Milan at 9.30 in the morning arrived at the country station of Monte Rotondo, eighteen miles out, a man in top-boots, blue trousers, a white waistband and a red-lined overcoat got into the people's compartment. The train was crowded with foreigners who were flying from the risks of insurrection, and even the third-class carriages were filled with well-dressed strangers. They were talking bitterly of their experiences the night before. Most of them had been compelled to barricade their bedroom doors at the hotels, and some had even passed the night at the railway station.
"It all comes of letting men like this Rossi go at large," said a young Englishman with the voice of a pea-hen. "For my part, I would put all these anarchists on an uninhabited island and leave them to fight it out among themselves."
"Say, Rossi isn't an anarchist," said a man with an American intonation.
"What is he?"
"A dreamer of dreams."
"Bad dreams, then," said the voice of the pea-hen, and there was general laughter.
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The Eternal CityChapter XIII: Part FIVE: The Prime Minister (3)
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